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Key Information

Sandra Sue Pesavento, known professionally as Sandy West (July 10, 1959 – October 21, 2006)[1][2] was an American singer, drummer and songwriter. She was one of the founding members of the Runaways, a teenage all-girl rock band that achieved some success in the 1970s.[3]

Early life

[edit]

West was born in Long Beach, California.[4] When she was 9 years old, her grandfather bought her a drum kit,[5] and being an avid fan of rock and roll acts of the 1960s and 1970s, she began practicing rock music immediately and regularly. From 4th through to 6th grade, she was the drummer in the Prisk Elementary School orchestra.[6] She proved to have a natural talent and quickly became a proficient drummer. By the age of 13, she was the sole girl member of local bands who played at teenage parties. West attended Edison High school in Huntington Beach, California.[7]

At 15, she met Joan Jett and producer Kim Fowley, who co-created and formed the Runaways.[8]

Career

[edit]

The Runaways

[edit]
Main article: The Runaways

Driven by her ambition to play professionally, she sought out fellow musicians and other industry contacts in southern California with the idea of forming an all-girl band. At a teen dance club in 1975 she met producer Kim Fowley, who gave her the phone number of another young musician in the area, guitarist Joan Jett. Joan and Sandy met shortly thereafter.[9] The women subsequently played for Fowley, who agreed to help them find other female musicians to round out the band, most notably Lita Ford and Cherie Currie.

In her 2010 autobiography, Currie recalled, "Sandy was the muscle of the group; she was the rock, strong and passionate, always smiling and joking. Sandy got along with everyone and was never afraid to show her emotions. She could be tough, like the time she threw me over a car to stop my arguing with Kim, but then she’d always feel terrible after getting in your face. She was no-nonsense, with a heart of gold, and if you couldn’t deal with that, then you couldn’t deal with Sandy."[10]

Post-Runaways years

[edit]

After four years of recording and touring the world, the Runaways disbanded in April 1979. West made varied attempts to continue her career as a professional musician, playing with other acts in southern California, releasing a solo ep, The Beat is Back,[11] and forming the Sandy West Band. None of these ventures produced significant income, so West was forced to spend most of her post-Runaways years working outside music. West later claimed that ex-Runaways' manager/producer Kim Fowley had not paid the members of the band what they were entitled to. "I owe him my introduction to the music business but he's also the reason I'm broke now," West said.[8]

West appeared in Edgeplay: A Film About the Runaways (2004), a documentary about the Runaways produced and directed by the band's former bassist Victory Tischler-Blue, providing some of the more poignant interview segments, describing the things she had to do post-Runaways for money. She worked mostly in construction, and spent a small amount of time as a bartender and a veterinary assistant.[12][13] In other parts of the Edgeplay interviews, she alludes to having engaged in criminal activity in order to make ends meet (e.g., she describes how she had to break someone's arm for money they owed). West spent time in jail on multiple occasions following her career in the Runaways,[14] which she alluded to in Edgeplay.

Personal life and death

[edit]

Bandmate Lita Ford claimed that West and the other members of the band "were all gay [...] except Jackie".[15] West never married and had no children.

In 2005, West was diagnosed with type C, small-cell lung cancer. She died on October 21, 2006, at the age of 47.[5][16] For years, West had wanted a Runaways reunion and to play with the band again; however, she did not live long enough to see it to fruition.[10] Currie: "The Runaways, in all its glory, would forever be missing the true heart of the band. Sandy West was one of the greatest drummers of all time. The loss of Sandy was indescribable and heart-wrenching, and there was nothing we could do about it."[10]

On December 9, 2006, a memorial tribute concert for West was held in Los Angeles, featuring the Sandy West Band, Cherie Currie, the Bangles, the Donnas, and Carmine and Vinny Appice, among several others.[17]

Legacy

[edit]

Time Magazine described West as a "pioneering rock drummer".[18]

In 2009, a memorial monument dedicated to West - a mermaid playing the guitar with a plaque - was installed at Kenny's Music Store (24731 La Plaza) in Dana Point, California.[19][10]

West was portrayed by actress Stella Maeve in the 2010 film The Runaways.[20] The film also featured Kristen Stewart, Dakota Fanning, and Scout Taylor-Compton, who portrayed Joan Jett, Cherie Currie, and Lita Ford, respectively. During the audio commentary on the DVD extras, Jett dedicated the film to her.

Discography

[edit]
Runaways albums
Post-Runaways releases
  • 7" – F-13
  • 4 song tape
  • The Beat is Back

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Sandy West

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Sandy West (July 10, 1959 – October 21, 2006) was an American drummer, singer, and songwriter best known as a founding member of the pioneering all-female band . Born Sandra Sue Pesavento in , she rose to prominence in the as the band's powerhouse drummer, contributing to its raw energy and influencing generations of female musicians with hits like "." Her exuberant style and athletic background helped define the Runaways' short but impactful career before the group's disbandment in 1979. West grew up in , as the eldest of seven sisters in an active family that emphasized outdoor pursuits like surfing and skiing. At age nine, her grandfather gifted her a , igniting her passion for inspired by artists such as Led Zeppelin and ; by her early teens, she was performing locally and honing her skills. In 1975, at just 16 years old, she met 16-year-old through producer , leading to the formation of —an all-teenage, all-female group that challenged gender norms in . West co-wrote several tracks and provided the rhythmic backbone for the band's debut album The Runaways (1976), which showcased their punk-infused sound. During the Runaways' four-year run, West toured extensively, including a notable live album recorded in Japan (Live in Japan, 1977), and shared stages with major acts like Cheap Trick and Tom Petty and the Heartbreakers. The band released four studio albums, with Queens of Noise (1977) featuring West's drumming on standout tracks like the title song and "Born to Be Bad," cementing their legacy despite internal conflicts and industry sexism. Joan Jett later reflected on their shared vision: "We shared the dream of girls playing rock ‘n’ roll. Sandy was an exuberant and powerful drummer." Former frontwoman Cherie Currie echoed this, calling West "the best" and vowing to miss her forever. After the Runaways dissolved in 1979, West formed the Sandy West Band and pursued solo endeavors, releasing the EP The Beat Is Back in 2000, which highlighted her songwriting and multi-instrumental talents on guitar and vocals. She occasionally reunited with members for performances, including a 1994 show with and . Struggling with financial hardships and health issues in her later years, West was working on her memoirs at the time of her death from at a San Dimas , survived by her mother Jeri Williams, stepfather , and six sisters. Her contributions to rock remain celebrated for breaking barriers for .

Early life

Childhood and family background

Sandy West was born Sandra Sue Pesavento on July 10, 1959, in . She was the daughter of Enzo Eugene Pesavento and Jardine "Jeri" Lee Bessler, who later remarried and became known as Jeri Williams. Her father passed away in 1971 when she was 12 years old. The family had seven daughters, including Sandy as the eldest; an earlier infant sister, Karen Lynn Pesavento, had died shortly after birth in 1950. The family emphasized outdoor activities, and West, described as the most athletic sibling, enjoyed and water-skiing in the beach culture. Raised primarily in Huntington Beach after early years in Long Beach, West experienced a quintessential upbringing during the , surrounded by the vibrant coastal environment and family life that included exposure to music through radio and gatherings.

Musical influences and beginnings

Sandy West first took up the drums at age nine, when her grandfather purchased a for her in 1968. With no formal instruction, she taught herself by emulating records from the 1960s and 1970s, channeling her natural athleticism into rhythmic precision and energy. This self-directed practice laid the foundation for her technical proficiency, as she spent hours daily honing beats inspired by the era's burgeoning sound. Her musical influences drew heavily from iconic rock drummers and bands that defined the late 1960s and early 1970s scene. Among her drumming heroes was of Led Zeppelin, whose thunderous style and dynamic fills resonated with West's own approach to the instrument. She also admired Roger Taylor of Queen for his versatile and powerful contributions, alongside broader inspirations from acts like and The Who, which fueled her passion for high-energy rock performance. By age eleven, West began performing publicly, initially as the first drummer in her elementary , where she even instructed male peers on technique. In her early teens, around 1972 to 1974, she expanded to school talent shows and local garage bands, often as the sole girl member, gaining experience in informal settings that tested her endurance and stage presence. West's playing style evolved into an aggressive, hard-hitting form ideally suited to , characterized by ferocious power and relentless drive that she refined through intensive garage sessions. This raw intensity, born from solitary practice and early gigs, distinguished her as a formidable talent ready for greater stages.

Career

The Runaways era

Sandy West was discovered by producer in 1975 at the age of 16 while drumming in the of the Rainbow Bar and Grill in West Hollywood, where she impressed him with her talent on the spot. Fowley, envisioning an all-female rock band, paired West with 15-year-old guitarist , whom he had met earlier, to form on August 5, 1975. The lineup was completed with vocalist , lead guitarist , and bassist , creating a group of teenage musicians focused on and punk influences. The band's breakthrough came with their self-titled debut album, The Runaways, released in 1976 by Mercury Records, which featured the hit single "Cherry Bomb"—written on the spot by Jett and Fowley as an audition piece for Currie. West's energetic drumming drove the album's raw sound, including her contributions to tracks like "Hollywood," which she co-wrote, where her steady, powerful beats supported the band's defiant energy. Follow-up releases included Queens of Noise (1977), on which West delivered signature rhythms for the title track, emphasizing the group's aggressive style; Waitin' for the Night (1977); the live album Live in Japan (1977), capturing their high-energy performances during a sold-out tour in that country; and And Now... The Runaways (1979). Throughout their tenure from 1975 to 1979, The Runaways toured extensively across the U.S., , and , building a reputation for intense live shows where West's drumming provided a solid foundation amid the band's chaotic stage presence. However, internal dynamics deteriorated due to personal conflicts among members, exacerbated by managerial issues with Fowley, including disputes over finances and creative control, leading the band to part ways with him in 1977 and ultimately disband in April 1979.

Solo projects and collaborations

Following the dissolution of The Runaways in 1979, Sandy West formed the Sandy West Band in the early to pursue her vision independently. The group toured regionally across and surrounding areas, performing original material and covers, but struggled to secure widespread attention or recording deals due to persistent industry sexism toward female-led rock acts and the absence of major label backing. West often self-financed demos and rehearsals during this era, reflecting her determination amid financial hardships that forced her to take jobs to support her music. West's collaborations extended her influence beyond her own band. These efforts highlighted West's technical prowess on drums and her enduring ties to the rock scene, though they yielded limited personal acclaim compared to Jett's rising solo success. Despite these ventures, the Sandy West Band's output remained modest, with no full-length album released during the decade; however, West issued a solo EP, The Beat Is Back, in 2000, which featured original songs showcasing her songwriting and raw energy. The lack of commercial breakthrough underscored broader barriers for , yet West's persistence laid groundwork for her intermittent performances in subsequent years.

Later musical activities

Following the disbandment of in 1979, Sandy West entered a period of relative musical hiatus in the , during which she focused primarily on her personal life while occasionally performing local gigs in with various acts. These performances were sporadic and largely undocumented, reflecting her shift away from major tours or recordings. West participated in brief jam sessions with former Runaways members during the 1990s, including unrecorded collaborations that highlighted lingering band camaraderie. A notable highlight was a one-off reunion performance in September 1994 at the in , where she joined vocalist and bassist for a set of six songs, marking their first onstage appearance together since 1979. Discussions for a full reunion surfaced around this time but ultimately failed to materialize due to logistical and personal differences among the members. In the 2000s, West's musical efforts remained limited but included contributions to select projects revisiting her Runaways roots. She also pursued plans for a new solo album, collaborating with on production and recording several tracks intended to showcase her songwriting and drumming style, though the project went unfulfilled. These endeavors underscored her enduring passion for amid a landscape of underground performances with scant public record.

Personal life

Relationships and residences

West was known to have had romantic relationships within the rock music scene during her time with . According to Lita Ford's memoir, West identified as a , and Ford noted their close bond early on, though Ford herself was heterosexual. West had a romantic relationship with Linda Spheeris, sister of filmmaker . No records indicate a long-term partnership or marriage later in life. West came from a large family, being the eldest of seven sisters born to mother Jeri (later Williams) and father Gene Pesavento, who died of a heart attack in 1971 when West was 11; she was later survived by her mother, stepfather (whom Jeri married in 1972), and her six sisters. Family ties remained important to her, though relations became somewhat strained after adolescence due to the divergent paths of her rock career and their more conventional lives, leading to infrequent contact despite underlying affection. She had no children. Raised in , after her birth in nearby Long Beach, West maintained as her home base throughout her life, relocating temporarily to during the height of ' activities in the 1970s. In her later years, she settled in a more modest trailer home in San Dimas. West embodied a quintessential lifestyle, with avid interests in and that complemented her energetic persona. Her trailblazing example inspired younger female musicians to pursue drumming and rock performance.

Health challenges and death

In the 1980s, following the breakup of , West struggled with , including heavy involvement with drugs such as freebase , which led to periods of isolation and erratic behavior. Family and friends organized interventions, and she entered rehabilitation programs multiple times, with recovery efforts intensifying in the early 1990s. West was diagnosed with in 2005 at the age of 46, a condition attributed to her long history as a heavy smoker. The disease progressed rapidly, spreading to her despite aggressive treatments including . In her final months, West received hospice care in , where she was supported by close friends, including former Runaways bandmate , who remained in contact during her illness. West died on October 21, 2006, at the age of 47 from complications of . A public memorial service was held in , attended by friends and former Runaways members, followed by her burial at Forest Lawn Memorial Park in .

Legacy

Recognition and awards

Sandy West's pioneering role as a drummer and co-founder of The Runaways earned her formal recognition both during her career and posthumously, often tied to the band's groundbreaking achievements in rock music. In 2024, The Runaways were inducted into Hollywood's RockWalk of Fame, honoring the group's influence as one of the first all-female hard rock bands to achieve commercial success. West's individual contributions as a drummer received professional acknowledgment in industry circles. Following her death in 2006, she was posthumously celebrated for her powerful and innovative style, with features in drumming publications highlighting her as a trailblazer who broke barriers for women in rock percussion. The Runaways' lasting impact was further underscored in 2011 when and the Blackhearts received a nomination for the Rock and Roll Hall of Fame, with West's foundational role in the band frequently cited as key to Jett's subsequent success. In the , renewed interest in West's work has manifested through streaming milestones, such as the band's signature track surpassing 248 million streams on , reflecting her enduring legacy in digital music consumption.

Cultural impact and tributes

Sandy West's role as the drummer and co-founder of positioned her as a trailblazer for music, particularly in the genre long dominated by men. Her powerful, aggressive drumming style not only drove the band's raw energy but also challenged gender norms, inspiring subsequent generations of female musicians to pursue roles traditionally reserved for men. As one of the first female drummers to achieve widespread recognition in rock, West demonstrated technical proficiency and stage presence that encouraged women to enter the field, contributing to a gradual increase in female representation among drummers in punk and scenes. West's influence extended to broader cultural shifts, including the punk and movements of the 1990s and beyond, where ' unapologetic all-female lineup served as an early model for female empowerment in music. By embodying toughness and musical authority alongside bandmates like , West helped lay groundwork for later feminist rock initiatives that emphasized women's agency in aggressive genres. Her contributions highlighted the potential for women to thrive in high-energy rock without conforming to softer expectations, fostering a legacy of resilience that resonated in riot grrrl's DIY ethos and calls for gender equity in music. In media representations, West has been portrayed posthumously to underscore her pivotal role in The Runaways' story. Actress Stella Maeve depicted her in the 2010 biographical film The Runaways, capturing West's youthful enthusiasm and rhythmic intensity during the band's formative years. She also appeared as an interview subject in the 2004 documentary Edgeplay: A Film About the Runaways, directed by former band bassist Victory Tischler-Blue, where West reflected on the group's dynamics and challenges, providing firsthand insight into their trailblazing journey. Posthumous tributes have honored West's enduring impact through events and commemorations. A memorial tribute concert held on December 9, 2006, at the in Hollywood featured performances by artists including and , drawing fans and former collaborators to celebrate her life and contributions just weeks after her . In 2009, a sculpture of a playing an electric guitar was unveiled in , commissioned by Kenny's Music Store as a lasting tribute to West's spirit and musical legacy. More recently, in the 2020s, archival discussions of West have appeared in feminist rock retrospectives and podcasts, such as a 2021 episode revisiting ' formation, emphasizing her role in advancing women's visibility in rock history.

Discography

With The Runaways

Sandy West provided the drumming for all of ' releases from 1976 to 1979, contributing her energetic and hard-hitting style to the band's pioneering all-female sound. The group's debut studio album, , was released on June 1, 1976, by , with West credited on drums across tracks including the standout single "." Written by and producer specifically as an audition piece for vocalist , "" became the album's lead single and peaked at number 106 on the Bubbling Under Hot 100 chart. The album, produced by Fowley, captured the band's raw energy and featured West's driving rhythms on songs like "You Drive Me Wild" and "Neon Angels on the Road to Ruin." The band's second studio album, , followed in January 1977 on , again produced by Fowley with West handling all drumming duties. Key tracks highlighted West's contributions, including the title song "Queens of Noise" and "I Love Playin' with Fire," which emphasized the group's aggressive punk-infused style. Later that year, on October 7, 1977, Mercury released , the third studio album and Currie's final recording with the band, where West's drumming supported tracks like "Waitin' for the Night" and "Wasted," produced by Fowley. In August 1977, Mercury issued Live in , a live exclusively in , documenting the band's sold-out performances at Tokyo's Koseinenkin Kaikan and Kokaido on June 5, 6, and 12. West's live drumming propelled energetic renditions of set staples like "" and "," showcasing the group's popularity in during their 1977 tour. The Runaways' fourth and final studio , And Now... The Runaways, appeared in on December 16, 1978, via Polydor (and in 1979 in other markets), with West on drums for all tracks, including a cover of Slade's "." Produced by John Alcock, the marked a shift toward a more mature sound, featuring West's solid percussion on songs like "Right Now" and "." Notable singles from the era included "" b/w "" (1976, Mercury), which highlighted West's rhythmic backbone. Another key release was "Heartbeat" b/w "Neon Angels on the Road to Ruin" (1977, Mercury), from , where West's drumming added intensity to the A-side .

Solo and other recordings

Following the breakup of in 1979, Sandy West formed the Sandy West Band and pursued independent musical projects. In 1984, she released the single "F-13" b/w "Wild Thing" on her own Sandy West Records label, marking her first solo endeavor as a lead artist and . The A-side "F-13" showcased her raw rock style with driving drums and vocals, while the B-side covered the classic "Wild Thing," highlighting her energetic drumming. West continued local performances with the Sandy West Band throughout the and , though commercial success remained elusive. In 2000, she issued a limited-edition four-song EP titled The Beat Is Back via a private pressing, where she served as , vocalist, rhythm guitarist, and . The EP featured tracks like "Sunset Girls," "I Do Believe," "How Ever You Want It," and "Magic," reflecting her enduring influences and songwriting contributions alongside collaborators including Steve Darrow on bass and lead guitar. These releases represent West's primary solo output, with the EP reissuing material from an earlier cassette demo tape. While she contributed to various acts during this period, detailed credits for guest drumming or additional collaborations are limited in available records.

References

  1. https://www.allmusic.com/artist/sandy-west-mn0001521704
  2. https://www.imdb.com/name/nm1653627/bio/
  3. https://www.latimes.com/archives/la-xpm-2006-oct-24-me-west24-story.html
  4. https://music.apple.com/us/artist/sandy-west/64625640
  5. https://www.latimes.com/archives/la-xpm-1994-09-19-ca-40407-story.html
  6. https://www.hollywoodreporter.com/business/business-news/runaways-drummer-sandy-west-dies-140395/
  7. https://www.findagrave.com/memorial/16281942/sandy-west
  8. https://www.legacy.com/obituaries/name/sandy-west-obituary?pid=19713291
  9. https://www.the-independent.com/news/obituaries/sandy-west-421474.html
  10. https://tomtommag.com/2019/05/tom-tom-throwback-sandy-west-of-the-runaways/
  11. https://variety.com/2006/scene/markets-festivals/sandy-west-1117952538/
  12. https://www.laweekly.com/the-runaways-wild-thing/
  13. https://www.theguardian.com/news/2006/oct/25/guardianobituaries.usa
  14. https://www.billboard.com/music/music-news/runaways-drummer-sandy-west-dies-1348652/
  15. https://parade.com/news/50-years-ago-today-pioneering-queens-of-rock-and-noise-formed-first-all-female-punk-rock-band-the-runaways
  16. https://americansongwriter.com/on-this-day-in-1975-joan-jett-and-sandy-west-formed-a-novelty-band-that-became-iconic/
  17. https://www.classicrockreview.com/2021/06/1976-the-runaways/
  18. https://www.schoolofrock.com/resources/drums/female-drummers-you-should-know
  19. https://www.vinyl-records.nl/hard-rock/female/runaways-female-rock-vinyl-records-and-album-covers.html
  20. https://www.nytimes.com/2006/10/25/obituaries/sandy-west-47-drummer-for-the-runaways-dies.html
  21. https://joanjettbadrep.com/Interviews/2000/cheriesandy.shtml
  22. https://www.washingtonblade.com/2016/03/02/lita-ford-says-she-left-the-runaways-because-her-bandmates-were-gay/
  23. https://afterellen.com/queens-of-noise-is-the-most-queer-telling-of-the-runaways/
  24. https://blabbermouth.net/news/runaways-drummer-sandy-west-succumbs-to-lung-cancer
  25. https://www.legacy.com/us/obituaries/name/sandy-west-obituary?pid=19713291
  26. https://bravewords.com/news/the-runaways-goin-hollywood/
  27. https://www.npr.org/sections/therecord/2011/09/27/140854596/15-songs-by-this-years-rock-and-roll-hall-of-fame-nominees
  28. https://www.thissongchangedmylife.com/p/diary-10-influential-women-drummers
  29. https://www.mttm.uk/features/5-most-influential-women-in-rock/
  30. https://larissa-1.medium.com/punk-rock-feminism-rules-okay-10-times-that-women-engaged-in-political-issues-through-hardcore-32668cb9f0a6
  31. https://pleasekillme.com/punk-rock-not-boys-club/
  32. https://www.imdb.com/title/tt1017451/
  33. https://www.youtube.com/watch?v=tY2SLumnTKQ
  34. https://vintagerock.com/sandy-west-memorial-tribute-concert-december-9-2006-the-knitting-factory-hollywood-ca/
  35. https://www.youtube.com/watch?v=cH1RYtABslc
  36. https://www.ocregister.com/2009/06/25/runaways-drummer-sandy-west-gets-memorial-in-dana-point/
  37. https://www.youtube.com/watch?v=b5himXotDuI
  38. https://www.musicvf.com/song.php?title=Cherry+Bomb+by+The+Runaways&id=103765
  39. https://www.discogs.com/release/2810548-The-Runaways-Live-In-Japan
  40. https://www.discogs.com/master/279390-The-Runaways-And-Now-The-Runaways
  41. https://www.allmusic.com/album/and-now-the-runaways-mw0000603866
  42. https://www.discogs.com/release/5828787-The-Runaways-Heartbeat
  43. https://www.45cat.com/record/sw41384
  44. https://www.discogs.com/release/9232639-Sandy-West-F-13
  45. https://www.discogs.com/release/9233253-Sandy-West-The-Beat-Is-Back
  46. https://www.discogs.com/release/14443641-Sandy-West-Sandy-West
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