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Seema Simham
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| Seema Simham | |
|---|---|
Theatrical release poster | |
| Directed by | G. Ram Prasad |
| Written by | Paruchuri Brothers (dialogues) |
| Screenplay by | G. Ram Prasad |
| Story by | Chinni Krishna |
| Produced by | D. V. V. Danayya J. Bhagavan |
| Starring | Nandamuri Balakrishna Simran Reema Sen |
| Edited by | Kotagiri Venkateswara Rao |
| Music by | Mani Sharma |
Production company | Sri Balaji Art Creations |
Release date |
|
Running time | 155 minutes |
| Country | India |
| Language | Telugu |
Seema Simham (transl. Lion from Rayalaseema) is a 2002 Telugu-language action film produced by J. Bhagawan and D. V. V. Danayya under the Sri Balaji Art Creations banner and directed by G. Ram Prasad. It stars Nandamuri Balakrishna, Simran and Reema Sen in the lead roles. The music was composed by Mani Sharma. The film met with mixed reviews from critics and was a commercial failure at the box office. The film was dubbed and released in Tamil as Oh Podu.[1]
Plot
[edit]The film begins with the two besties, Dhanunjaya Rao and Chandra Sekhar. Dhanunjaya Rao, a tycoon, goes above and beyond to show Chandra Sekhar the importance of friendship. The two are blessed with male children on the same day and lead jollity. After a while, Chandra Shekar, being a police officer, seizes a dreaded goon whose men abduct Dhanunjaya Rao's son as an exchange. Chandra Shekar succumbs to his selfishness during the swap and shoots the criminal. As a result, Dhanunjaya Rao's son dies, which leads to the blackout stage of his wife, Lakshmi. Frenzied, Dhanunjaya Rao is out for blood by slaying Chandra Shekar's son, whom he hides.
Years roll by, and Dhanunjaya Rao is still under hunt of the boy, and Lakshmi is in a coma. Once, he sees a rectitude and rebel Durga Prasad thrashing the wicked cops for abusing the needy woman. Currently, Dhanunjaya Rao assigns him the task of detecting the whereabouts and assassinating the foe's son, which he accepts. Durga Prasad gets accommodated at his residence, where he is acquainted with his naughty nephew Charulatha / Baby. After a series of donnybrooks, she crushes. Shortly, he develops an affinity with Dhanunjaya Rao and reduces his grief. Step by Step, he makes Lakshmi normal with his volition. At that juncture, a valiant Simbhu Prasad arrives as Chandra Shekar's son, who dies in collision with Durga Prasad. Further, Dhanunjaya Rao's couple embraces Durga Prasad as their son settles nuptials and notifies his diabolical sister, Chamundeswari. Here, as a flabbergast, she infuriated repulses, claiming Durga Prasad is a stout-hearted SP and spins rearward.
Now, the tale shifts to a village where MP Kaaleswara Rao, husband of Chamundeswari, suppresses them under his toe and conducts various atrocities. Hema, a charming beauty, halts therein between the journey and is aware of the status quo. All at once, Durga Prasad alights and encounters Kaaleswara Rao's son, which Hema views and falls for. Apart from this, Kulashekar Rao, the father of Hema, coheres to the grounds of caste advances with the proposal to Durga Prasad's father, Visweswara Rao. In the interim, Kaaleswara Rao incarcerates the village and gives a call to Durga Prasad, jeopardizing them. However, he succeeds in shielding them by thundering on knaves, but it paralyzes his right arm.
Despite this, Hema stands firm, defying her parents, resides at Durga Prasad's house, serves day & night, and recoups him. During their wedlock, Chamundeswari Ruses breaks a cover-up that Durga Prasad is a foster to Visweswara Rao. So, Kulashekar Rao cancels the match when Durga Prasad aims and moves in quest of his parents. Presently, as a startle, Durga Prasad is the actual son of Chandra Shekar, and Simbhu Prasad is his younger progeny, Visweswara Rao. The two made this play to show Dhanunjaya Rao's serenity and rectify Lakshmi. Recognizing it, Dhanunjaya Rao flares up with Kaaleswara Rao & Chamundeswari when Durga Prasad bows his head down for sacrifice. On the verge of slaying, Lakshmi hinders him when he turns off. At last, Durga Prasad ceases the baddies, and Dhanunjaya Rao forgives Chandra Sekhar. Finally, the movie ends on a happy note with the marriage of Durga Prasad & Hema.
Cast
[edit]- Nandamuri Bala Krishna as Durga Prasad IPS, and Simha Prasad, the real son of Chandra Shekhar
- Simran as Hema
- Reema Sen as Charulatha / Baby
- Sai Kumar as Simbhu Prasad
- K. Viswanath as Visweswara Rao
- P. Vasu as MP Kaaleswara Rao
- Raghuvaran as Dhanunjaya Rao
- Charan Raj as Chandra Sekhar
- Jaya Prakash Reddy as Kulashekar Rao
- Brahmanandam as Bhadrachalam (servant)
- Tanikella Bharani as Kanakaiyah
- Annapurna as Hema's mother
- Anandaraj as Police Inspector
- Rao Ramesh as Hema's brother
- Narra Venkateswara Rao as Chandra Sekhar's brother-in-law
- Ahuti Prasad as Raghupathi
- Dharmavarapu Subramanyam as Villager
- M. S. Narayana as Snake Man
- Giri Babu as Doctor
- Gundu Hanumantha Rao as Priest
- Chalapathi Rao as Chalapeswara Rao
- Ranganath as I. G.
- Mohan Raj as Kaaleswara Rao's brother
- G. V. Sudhakar Naidu as Kaaleswara Rao's henchman
- Sakshi Ranga Rao as School Master
- Sujatha as Lakshmi
- Vennira Aadai Nirmala as Paravathi
- Sangeeta as Bhavani
- L. B. Sriram
- Costume Krishna as Minister Subramanya Sharma
- Raghunatha Reddy as Doctor
- Satya Prakash as Kaaleswara Rao's son
- Ramaraju as Kaaleswara Rao's henchmen
- Gautham Raju as Driver
- Rajitha as Hema's aunty
- Siva Parvathi as Chamundeswari
- Delhi Rajeswari as Doctor
- Varsha
- Alapathi Lakshmi
- Pavala Syamala
- Kalpana Rai
- Master Anand Vardhan
Production
[edit]Three songs were shot at New Zealand.[2] The song "Manchithanam" was shot at Jagadamba center, RK beach and siripuri junction.[3]
Soundtrack
[edit]| Seema Simham | ||||
|---|---|---|---|---|
| Film score by | ||||
| Released | 2002 | |||
| Genre | Soundtrack | |||
| Length | 29:54 | |||
| Label | Aditya Music | |||
| Producer | Mani Sharma | |||
| Mani Sharma chronology | ||||
| ||||
The music composed by Mani Sharma. The audio was launched at Taj Banjara on 26 December 2001.[4]
| No. | Title | Lyrics | Singer(s) | Length |
|---|---|---|---|---|
| 1. | "Manchitanam Intiperu" | Chandrabose | Shankar Mahadevan | 5:05 |
| 2. | "Rendu Jalla Pappa" | Bhuvanachandra | K. S. Chithra, Shankar Mahadevan | 4:09 |
| 3. | "Koka Raika" | Sirivennela Sitarama Sastry | S. P. Balasubrahmanyam, Kavita Subramaniam | 5:23 |
| 4. | "Chandamaama" | Sirivennela Sitarama Sastry | Hariharan, Sujatha | 4:56 |
| 5. | "Pori Husharu" | Srinivas | Mano, Radhika Thilak | 4:52 |
| 6. | "Avvaa Buvvaa" | Srinivas | Udit Narayan, Swarnalatha | 5:29 |
| Total length: | 29:54 | |||
Release
[edit]The film was released on 11 January 2002.[5]
Reception
[edit]Idlebrain wrote "Screenplay of the film is bad. Direction is good in patches. There are a few brilliantly executed scenes. But the most of the other scenes in this film lack punch and are dull. Too many characters and too less time taken to establish these characters is the main drawback. The script of the film is loosely executed".[6] Sify wrote "The film is devoid of a coherent script. The director has no clue about the plot and his intention is to splash sauce and gore along with Durga Mata sentiments".[7] Full Hyderabad wrote "Don't get conned, this is not a sequel to Balakrishna's other 'simham' hits, since this one here has nothing to do with borders or lions. The director is the type to drown himself in a carpool and he made the flick for likeminded people".[8] Andhra Today wrote "The movie's grand title purports more in its name than the actual substance it delivers much to the disappointment of the audience. Although Balakrishna gets a role to match his image, the story and screen-play do not measure up to the grandiose title. The story appears even unrelated at places. The director seems to be under the impression that the audience can be floored by the action sequences and scenic picturization of songs".[9] Telugu Cinema wrote "Director Ramprasad has proved that his earlier hit Chirunavvutho made it to the box office, thanks to dialogues, but not because of direction. In Seema Simham there is nothing like direction but for facilitating some rotten scenes in an outdated screenplay to force the story ahead".[10]
References
[edit]- ^ "An O-Podu season for Vikram and Kiran". The Hindu. 8 June 2002. Archived from the original on 26 November 2002.
- ^ "Movie preview - Seema Simham". Idlebrain. Retrieved 29 December 2024.
- ^ "Seema Simham will cross Narasimha Naidu in four weeks". Idlebrain. 19 December 2001. Retrieved 29 December 2024.
- ^ "Audio launch of Seema Simham". Idlebrain. Retrieved 29 December 2024.
- ^ "Sankranthi movies release dates". Idlebrain. 8 January 2002. Retrieved 29 December 2024.
- ^ "Telugu Cinema - Review - Seema Simham - Bala Krishna - Simran - Reema Sen - G Ram Prasad - Mani Sharma". Archived from the original on 22 December 2021. Retrieved 22 December 2021.
- ^ "Seema Simham". Sify. Archived from the original on 22 December 2021.
- ^ "Seemasimham review: Seemasimham (Telugu) Movie Review - fullhyd.com". Archived from the original on 22 December 2021.
- ^ "SEEMASIMHAM". Andhra Today. Archived from the original on 15 June 2002. Retrieved 29 December 2024.
- ^ "Seema Simham". Telugu Cinema. Archived from the original on 6 June 2002. Retrieved 2 October 2025.
External links
[edit]- Seema Simham at IMDb
Seema Simham
View on GrokipediaOverview
Plot
Visweswara Rao, a wealthy business magnate, and Chandra Sekhar, a dedicated police officer, share a deep friendship, each naming their infant son after the other.[9] Their bond is tested when Chandra Sekhar arrests a notorious goon, prompting the criminal's henchmen to kidnap Visweswara Rao's son as leverage for the goon's release.[8] Prioritizing his professional promotion and reward money over the immediate exchange, Chandra Sekhar delays, resulting in the goons killing the child in retaliation.[8] Devastated, Visweswara Rao's wife suffers paralysis from the shock, fueling his rage and transforming their friendship into a bitter feud driven by revenge.[7] To exact vengeance, Visweswara Rao hires Durga Prasad, a fearsome figure from Rayalaseema known for his sense of justice and brutality against oppressors but actually an IPS officer on special duty, to assassinate Chandra Sekhar's son, Simha Prasad.[7][8] Durga Prasad infiltrates the family, completes the killing, and cures Visweswara Rao's paralyzed wife through his actions, deepening the magnate's trust in him.[1] However, Durga Prasad develops a romantic attachment to Hema, Chandra Sekhar's daughter, who reciprocates despite her parents' opposition to the union due to his reputed criminal reputation.[8] Complicating matters further, Visweswara Rao's niece, Charulatha, also falls for Durga Prasad, prompting the magnate to plan his adoption into the family and a marriage to her.[7] A flashback reveals Durga Prasad's origins as an IPS officer in a Telangana village, where he battles corrupt politicians and their goons; there, Hema defies her family to support him, only for it to emerge that he was not raised by his biological parents.[7] The narrative's pivotal twist uncovers a profound family secret: Durga Prasad is Chandra Sekhar's true biological son, swapped at birth with Visweswara Rao's child due to a hospital mix-up, explaining the mistaken identities at the feud's core—the killed child being Visweswara Rao's biological son.[9][8] This revelation ignites emotional turmoil, as Durga Prasad grapples with his heritage amid escalating conflicts with remaining antagonists.[7] In the climactic confrontations, Durga Prasad defeats the villains threatening both families, leveraging his skills to protect his newfound kin.[7] The truth fosters redemption and reconciliation, with Visweswara Rao forgiving Chandra Sekhar and their friendship renewed. The story concludes with familial unity, as Durga Prasad marries Hema, symbolizing themes of mistaken identity, revenge, and ultimate forgiveness.[8]Principal Cast
The lead role of Durga Prasad, an IPS officer who poses as a rowdy and accepts a contract killing assignment, is played by Nandamuri Balakrishna in a portrayal that highlights his versatility in action and dramatic roles.[7][10] Simran portrays Hema, the love interest serving as the emotional anchor who softens the protagonist's aggression.[7][10] Reema Sen appears as Charulatha (and the infant character Baby), the other female lead and niece of a key supporting character, bringing glamour to her role.[7][10]Supporting Cast
| Actor | Role | Description |
|---|---|---|
| Raghuvaran | Visweswara Rao | A business magnate and central antagonist figure in the ensemble.[7] |
| Charan Raj | Chandra Sekhar | A police officer and best friend to Visweswara Rao, providing contrast in the supporting dynamics.[7] |
| Sai Kumar | Simha Prasad | Plays the son of Chandra Sekhar, central to the family revenge motif.[10][11] |
| K. Viswanath | Simha Prasad Rao | The grandfather character, adding depth to the familial ensemble.[11] |
| Anandraj | Unspecified villain | Contributes to the action-oriented supporting cast.[3] |
| Chalapati Rao | Unspecified | Part of the ensemble in key supporting functions.[3] |
Production
Development
Seema Simham was directed by G. Ram Prasad. The screenplay was written by the Paruchuri Brothers based on a story by Chinni Krishna, who also wrote the dialogues. The narrative revolves around an action-drama centered on revenge and interpersonal conflicts set against the backdrop of Rayalaseema factionalism, drawing from the region's cultural motifs of rivalry and honor.[6][1] The film was produced by J. Bhagawan and D. V. V. Danayya under the banner of Sri Balaji Art Creations, a production house known for Telugu entertainers during the early 2000s. Initial announcements for the project emerged around 2001, capitalizing on the momentum from Nandamuri Balakrishna's recent hit Narasimha Naidu, which featured similar faction-themed action elements. Balakrishna was selected for the lead role to leverage his established image as a mass hero in such genres.[7][2] Key creative decisions included assembling a team suited to the high-energy action format, with composer Mani Sharma brought on board to deliver the soundtrack, and the Paruchuri Brothers contributing punchy dialogues typical of Telugu commercial cinema. These choices aimed to blend intense drama with crowd-pleasing sequences, aligning with the era's popular mass entertainer formula.[3][12]Filming
Principal photography for Seema Simham commenced in early 2001 and extended over several months, with the production team capturing the majority of scenes in various locations across Andhra Pradesh before wrapping up abroad.[13] The shoot included a weeklong schedule in Visakhapatnam to film key sequences, alongside rural and urban settings in Hyderabad and Ahobillam near Kurnool district.[13] Three song sequences featuring lead actors Nandamuri Balakrishna, Simran, and Reema Sen were filmed in exotic locales of New Zealand, adding visual flair to the musical numbers.[13] Action choreography was handled by stunt director Kanal Kannan, tailoring sequences to Balakrishna's dynamic style, such as a high-risk 40-foot jump from a flyover in Hyderabad and a helicopter stunt near the Sri Lakshmi Narasimha Swamy temple in Ahobillam.[13] Cinematography was led by V. S. R. Swamy, who captured the film's energetic fight scenes and rural backdrops effectively.[3] No major delays were reported during the principal shoot, which progressed steadily to near completion by late 2001.[13] Post-production, including editing by Kotagiri Venkateswara Rao, involved minimal visual effects, focusing primarily on assembling the raw footage for a timely release.[3]Soundtrack
Composition
Mani Sharma, a prominent composer in Telugu cinema renowned for his energetic and mass-appealing scores that often incorporate folk influences and rhythmic intensity suitable for action-oriented narratives, provided the music for Seema Simham. His approach for the film emphasized blending upbeat melodies with dramatic undertones to complement the action-romance genre, resulting in six songs tailored to enhance the story's heroic and emotional arcs.[14][7] The lyrics for the soundtrack were written by Bhuvana Chandra, Sirivennela Sitarama Sastry, Srinivas, and Chandrabose, focusing on themes of love, valor, and devotion that aligned with the film's tone. Recording took place in 2001, featuring playback singers including S. P. Balasubrahmanyam, Shankar Mahadevan, K. S. Chithra, Udit Narayan, Swarnalatha, Mano, Radhika, Kavita Krishnamurthy, Hariharan, and Sujatha, whose versatile voices added depth to the compositions. For instance, Balasubrahmanyam's rendition in "Koka Raika" captured the song's playful yet intense spirit, while duets like Hariharan and Sujatha's "Chandamama Chandamama" highlighted romantic elements.[15][16] The audio cassette was released by Aditya Music on 26 December 2001 at Taj Banjara in Hyderabad, marking a significant pre-release event that generated buzz for the film's Sankranti 2002 debut. The function featured live performances and speeches from the cast and crew, underscoring Sharma's role in elevating the project's commercial appeal.[17][18] Sharma's background score further amplified the film's action sequences, employing orchestral swells and percussion-driven rhythms to build tension and heroism, particularly in fight scenes where it underscored the protagonist's valor without overpowering the narrative. This orchestration drew praise for its synchronization with the visuals, contributing to the overall mass entertainer vibe.[7]Track listing
The soundtrack album of Seema Simham, composed by Mani Sharma and released by Aditya Music, features six tracks with a total duration of 29:54.[18]| No. | Title | Singers | Length | Lyrics |
|---|---|---|---|---|
| 1 | Pori Husharu | Mano, Radhika | 4:51 | Srinivas |
| 2 | Chandamama Chandamama | Hariharan, Sujatha Mohan | 4:56 | Sirivennela Seetharama Sastry |
| 3 | Rendu Jalla Paapa | Shankar Mahadevan, K. S. Chithra | 4:08 | Bhuvana Chandra |
| 4 | Koka Raika | S. P. Balasubrahmanyam, Kavita Krishnamurthy | 5:24 | Sirivennela Seetharama Sastry |
| 5 | Avva Buvva | Udit Narayan, Swarnalatha | 5:29 | Srinivas |
| 6 | Manchi Thanam | Shankar Mahadevan | 5:06 | Chandrabose |
