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So Tough
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| So Tough | ||||
|---|---|---|---|---|
| Studio album by | ||||
| Released | 22 February 1993 | |||
| Studio | RMS, London | |||
| Genre | ||||
| Length | 48:29 (UK version) 55:40 (US version) | |||
| Label | Heavenly (UK) – HVNLP 6 Warners (US) – 9 45166 | |||
| Producer | Saint Etienne | |||
| Saint Etienne chronology | ||||
| ||||
| Singles from So Tough | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic | |
| Christgau's Consumer Guide | A−[3] |
| NME | 6/10[4] |
| Pitchfork | 8.9/10[5] |
| Q | |
| Record Collector | |
| Rolling Stone | |
| The Rolling Stone Album Guide | |
| Select | 4/5[10] |
| Vox | 8/10[11] |
So Tough is the second studio album by British band Saint Etienne, released in 1993. It is their highest-charting album to date, reaching No. 7 on the UK Albums Chart.
So Tough is the first Saint Etienne album to feature Sarah Cracknell as an official member of the band.[12] It was originally intended as a concept album which starts at "Mario's Cafe" in London then travels around the world, but it ultimately came to be viewed as a solely London album.[13]
Samples and references
[edit]One of the distinctive features of the album is the use of samples between the songs. The band were keen to use linking dialogue, similar to that used on some of their favourite albums – particularly The Who Sell Out by the Who and Head by the Monkees – as well as contemporary hip-hop albums that featured recurring skits.[12][14] They are taken from a variety of sources, including the films Peeping Tom, Billy Liar, The Picture of Dorian Gray, Lord of the Flies and That'll Be the Day, as well as the television series The Family and the 1958 stereo demonstration album A Journey into Stereophonic Sound. The band had intended to use a number of samples from American films, but the cost of clearing these samples led them to using primarily British samples.[14]
So Tough takes its title from the Beach Boys album Carl and the Passions – "So Tough".[13] "Conchita Martinez" is named after the Grand Slam-winning Spanish tennis player Conchita Martínez,[15] who later went on to win the Wimbledon singles title. The song "Mario's Cafe" was inspired by a real Kentish Town restaurant of that name.[16]
Cover
[edit]The album cover features a picture of lead singer Sarah Cracknell aged six, taken by her father Derek Cracknell.[17]
Releases
[edit]The initial album release was a limited edition 2-CD set including You Need a Mess of Help to Stand Alone.
The US release added "Join Our Club" (3:22), which had been a UK single in 1992. "Who Do You Think You Are" (3:49) is included on some US versions between "Here Come Clown Feet" and "Junk the Morgue". "You're in a Bad Way" (3:08) and "Hobart Paving" (4:57) are presented in their single versions, including extra instrumentation. The former is longer, while the latter features a drum pattern not present on the original version.
The album was reissued on 31 August 2009, as part of the ongoing Deluxe Editions of the band's recordings. The new release features B-sides, rare and unreleased tracks.
Track listing
[edit]1993 release
[edit]All tracks are written by Bob Stanley and Pete Wiggs, except where indicated.
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "Mario's Cafe" | 4:38 | |
| 2. | "Railway Jam" | 4:14 | |
| 3. | "Date with Spelman" | 0:18 | |
| 4. | "Calico" |
| 5:12 |
| 5. | "Avenue" |
| 7:40 |
| 6. | "You're in a Bad Way" (substituted for the single version (3:07) on US and Japanese editions) |
| 2:43 |
| 7. | "Memo to Pricey" | 0:23 | |
| 8. | "Hobart Paving" (substituted for the single version (4:57) on US and Japanese editions) | 5:03 | |
| 9. | "Leafhound" | 4:05 | |
| 10. | "Clock Milk" | 0:14 | |
| 11. | "Conchita Martinez" |
| 4:02 |
| 12. | "No Rainbows for Me" | 3:56 | |
| 13. | "Here Come Clown Feet" | 0:22 | |
| 14. | "Junk the Morgue" | 5:12 | |
| 15. | "Chicken Soup" | 0:33 |
| No. | Title | Length |
|---|---|---|
| 16. | "Join Our Club" | 3:22 |
| No. | Title | Length |
|---|---|---|
| 16. | "Join Our Club" | 3:22 |
| 17. | "Archway People" | 3:17 |
2009 reissue
[edit]| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "Mario's Cafe" | 4:38 | |
| 2. | "Railway Jam" | 4:14 | |
| 3. | "Date with Spelman" | 0:18 | |
| 4. | "Calico" |
| 5:12 |
| 5. | "Avenue" |
| 7:40 |
| 6. | "You're in a Bad Way" |
| 2:43 |
| 7. | "Memo to Pricey" | 0:23 | |
| 8. | "Hobart Paving" | 5:03 | |
| 9. | "Leafhound" | 4:05 | |
| 10. | "Clock Milk" | 0:14 | |
| 11. | "Conchita Martinez" | 4:02 | |
| 12. | "No Rainbows for Me" | 3:56 | |
| 13. | "Here Come Clown Feet" | 0:22 | |
| 14. | "Junk the Morgue" | 5:12 | |
| 15. | "Chicken Soup" | 0:33 |
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "Everything Flows" | Norman Blake | 4:44 |
| 2. | "Railway Jam" (Vocal Version) | 6:20 | |
| 3. | "Who Do You Think You Are" | 3:53 | |
| 4. | "Some Place Else" | 3:44 | |
| 5. | "Duke Duvet" | 3:12 | |
| 6. | "Paper" |
| 4:11 |
| 7. | "Johnny in the Echo Cafe" | 4:01 | |
| 8. | "Archway People" | 3:21 | |
| 9. | "California Snow Story" | 4:21 | |
| 10. | "Join Our Club" | 3:18 | |
| 11. | "Everlasting" | 4:33 | |
| 12. | "Snowplough" | 3:43 | |
| 13. | "Rainy Day Women" | Bob Dylan | 3:57 |
| 14. | "Peterloo" | 4:29 | |
| 15. | "I'm Too Sexy" |
| 5:10 |
| 16. | "Stranger in Paradise" | 3:29 | |
| 17. | "Hobart Paving" (Van Dyke Parks Version) | 4:50 |
Sample credits
- "Conchita Martinez" contains samples of "The Spirit of Radio" by Rush, sampled under licence from PolyGram Special.[18]
Personnel
[edit]The liner notes list the album's personnel as follows:[18]
|
|
Charts
[edit]| Chart (1993) | Peak position |
|---|---|
| European Albums (Music & Media)[19] | 25 |
| UK Albums (OCC)[20] | 7 |
| UK Independent Albums (OCC)[21] | 1 |
B-sides
[edit]- from "Avenue"
- "Some Place Else"
- "Paper"
- "Johnny in the Echo Cafe"
- "Avenue (Variety club mix)" (Remixed by Gordon King and The "Natural" Pete Smith)
- "Avenue (Butlins mix)" (Remixed by Gordon King and The "Natural" Pete Smith)
- "Avenue (Martial mix)" (Remixed by Rudy Tambala/A.R. Kane)
- "Avenue (Venusian mix)" (Remixed by Rudy Tambala/A.R. Kane)
- from "You're in a Bad Way"
- "Archway People"
- "California Snow Story"
- "Duke Duvet"
- "St. Etienne Speaks..."
- from "Hobart Paving" / "Who Do You Think You Are"
- "Who Do You Think You Are"
- "Who Do You Think You Are (Quex-RD)" (Remixed by Aphex Twin)
- "Your Head My Voice (Voix Revirement)" (Remixed by Aphex Twin)
- "Who Do You Think You Are (Strobelights & Platform Shoes Mix) (Remixed by Roger Sanchez)
- "Who Do You Think You Are (Nu Solution Mix) (Remixed by Roger Sanchez)
- "Who Do You Think You Are (Saturday Night Fever Dub) (Remixed by Roger Sanchez)
- "Who Do You Think You Are (Radio Remix) (Remixed by Roger Sanchez)
References
[edit]- ^ a b Lassner, Bryan (1998). "Saint Etienne". In Graff, Gary; Durchholz, Daniel (eds.). MusicHound Rock: The Essential Album Guide. Detroit: Visible Ink Press. pp. 971–972.
- ^ Erlewine, Stephen Thomas. "So Tough – Saint Etienne". AllMusic. Retrieved 24 August 2012.
- ^ Christgau, Robert (2000). "Saint Etienne: So Tough". Christgau's Consumer Guide: Albums of the '90s. St. Martin's Griffin. ISBN 0-312-24560-2. Retrieved 24 August 2012.
- ^ George, Iestyn (20 February 1993). "Saint Been Nothin' Yet". NME. p. 28.
- ^ Harvell, Jess (17 September 2009). "Saint Etienne: So Tough / Sound of Water". Pitchfork. Retrieved 24 August 2012.
- ^ "Saint Etienne: So Tough". Q. No. 79. April 1993. p. 88.
- ^ "Saint Etienne: So Tough". Record Collector. p. 98.
[I]t provides bona fide belters such as 'You're in a Bad Way,' alongside countless sound collages and swirling, half-heard samples and steals.
- ^ White, Armond (5 August 1993). "Saint Etienne: So Tough". Rolling Stone. Archived from the original on 9 May 2006. Retrieved 24 August 2012.
- ^ Berger, Arion (2004). "Saint Etienne". In Brackett, Nathan; Hoard, Christian (eds.). The New Rolling Stone Album Guide (4th ed.). Simon & Schuster. pp. 713–14. ISBN 0-7432-0169-8.
- ^ Harrison, Andrew (March 1993). "UK Gold". Select. No. 33. p. 74.
- ^ McLean, Craig (March 1993). "Everything Flows". Vox. No. 30. p. 56.
- ^ a b Lindsay, Cam (1 June 2017). "Rank Your Records: Bob Stanley Expertly Appraises Saint Etienne's Eight Full-Lengths". Vice. Retrieved 23 June 2020.
- ^ a b Reed, John (November 1995). "Saint Etienne". Record Collector. No. 195. pp. 36–39.
- ^ a b Lobb, Adrian (8 September 2009). "Bob Stanley on Saint Etienne's Reissues And His Love of Pop". The Quietus. Retrieved 23 June 2020.
- ^ Rogers, Jude (10 September 2009). "Saint Etienne: So Tough & Sound of Water reissues". The Quietus. Retrieved 24 June 2020.
- ^ Hann, Michael (3 August 2004). "Frying up the charts". The Guardian. Retrieved 23 June 2020.
- ^ So Tough (liner notes). Saint Etienne (deluxe ed.). Heavenly Records. 2009. HVNLP6CDDE.
{{cite AV media}}: CS1 maint: others in cite AV media (notes) (link) - ^ a b So Tough (liner notes). Saint Etienne. Heavenly Records. 1993. HVNLP6CD.
{{cite AV media}}: CS1 maint: others in cite AV media (notes) (link) - ^ "European Top 100 Albums" (PDF). Music & Media. Vol. 10, no. 11. 13 March 1993. p. 22. OCLC 29800226 – via World Radio History.
- ^ "Official Albums Chart Top 100". Official Charts Company. Retrieved 24 June 2020.
- ^ "Independent: Albums" (PDF). Music Week. 13 March 1993. p. 16. ISSN 0265-1548 – via World Radio History.
External links
[edit]So Tough
View on GrokipediaBackground and Recording
Background
Saint Etienne was formed in 1990 in London by Bob Stanley and Pete Wiggs, two former music journalists who shared a passion for blending 1960s pop with contemporary electronic sounds. They recruited vocalist Sarah Cracknell shortly after, completing the core trio that would define the band's aesthetic.[9] The group signed with the newly established independent label Heavenly Recordings, founded by Jeff Barrett in 1990, which became a hub for innovative UK acts. Their debut album, Foxbase Alpha, released in October 1991, marked a breakthrough by fusing indie pop melodies with house rhythms and sampled elements, earning critical acclaim as a genre-blending work that captured the era's club influences. The album's success, including a nomination for the 1992 Mercury Prize and strong performance on the UK Indie Albums Chart, solidified Saint Etienne's place in the emerging indie dance scene. So Tough marked the band's first full-length project featuring original vocals by Sarah Cracknell throughout, moving away from the sample-heavy vocal approach of their debut.[10][11] As their popularity grew within the UK indie landscape, the band transitioned to their second album amid the vibrant musical shifts of 1992, where rave culture's electronic energy intertwined with precursors to Britpop's guitar-driven revival. This context, including the post-acid house euphoria and suburban escapism themes, informed their evolving sound. Initial concepts for the project emphasized a cohesive structure, with songs linked by dialogue snippets from favorite films to evoke a narrative flow.[12][13]Recording Process
The recording sessions for So Tough took place primarily at RMS Studios in London during the summer and autumn of 1992, following the band's promotional activities for their debut album Foxbase Alpha.[14] The production was handled by band members Bob Stanley and Pete Wiggs, with engineering by Ian Catt and additional production by Alan Tarney on "You're in a Bad Way", reflecting their DIY ethos and multi-instrumental capabilities, with Stanley contributing keyboards such as the Prophet 5 and Roland Jupiter, Wiggs handling the Rogue Moog and Emax Sampler, and Cracknell providing vocals alongside co-writing select tracks.[14][4] Engineer Ian Catt assisted in capturing these elements, overseeing the process while the band's own Cat Music studio underwent refurbishment.[15] The sessions emphasized an experimental, low-budget approach, with the cost of sample clearances exceeding that of the recording itself, underscoring the band's resourcefulness in blending influences from their prior work on Foxbase Alpha.[16] Initial mass sampling runs utilized equipment like the Emu Emax I and Akai S1000 to incorporate spoken word clips and other audio fragments, forming the album's foundational layers.[15] Vocals by Cracknell were overdubbed using a Beyer MC740 microphone paired with a Drawmer 1960 compressor for clarity, often layered to integrate seamlessly with the electronic backings.[15] Mixing focused on balancing intricate electronic textures with acoustic nuances, achieved through sectional editing—such as piecing together extended tracks like "Avenue" from multiple recorded segments—and finalizing on DAT for precision.[15] This process wrapped by late 1992, enabling the album's release in February 1993.[14]Concept and Composition
Thematic Concept
So Tough presents a cohesive artistic statement through its innovative structure, which weaves together pop songs and short spoken-word interludes to evoke the atmosphere of a film soundtrack. The album's 15 tracks, spanning approximately 52 minutes, incorporate brief dialogue segments drawn from classic British films such as Billy Liar (1963) and Peeping Tom (1960), as well as other sources like recordings featuring David Essex and Roy Harper, to link the musical pieces and create an immersive, cinematic flow.[12] This approach reflects Saint Etienne's deep interest in cinema, transforming the album into a narrative mosaic that blends everyday conversations with melodic interludes for a sense of continuity and discovery.[17] The overarching narrative arc unfolds as a loose journey beginning in the everyday setting of a North London café, as depicted in the opening track "Mario's Café," where characters discuss mundane plans amid the hum of urban life. From there, the sequence progresses through a series of encounters and vignettes—captured in interstitial pieces like "Date with Spelman" and "Memo to Pricey"—evoking travels, reflections, and chance meetings that mirror the band's fascination with urban exploration and cinematic storytelling. The album culminates in the spoken-word piece "Chicken Soup," returning to the café setting and a sense of place and belonging, thereby framing the entire work as an auditory road trip through familiar yet evocative landscapes.[18] This structure not only immerses listeners in a fictional progression but also underscores the intent to craft a "soundtrack" experience, where spoken elements provide contextual bridges between the songs' pop sensibilities and broader thematic echoes of transience and connection.[19] By integrating these dialogue snippets, So Tough achieves a unique blend of immersion and nostalgia, prioritizing the emotional resonance of transient moments over linear plotting, while occasionally nodding to diverse musical styles that enhance the journey's eclectic tone.[20]Musical Style and Samples
So Tough exemplifies an eclectic blend of indie pop, house, dub, folk, and synth-pop, drawing influences from acts such as Pet Shop Boys, Rush, and Van Dyke Parks.[5][17] The album's sound merges loungey electro-pop with warm, sample-heavy beats, creating a hazy, early-morning atmosphere that juxtaposes casual construction with ambient and dream-pop elements.[21][17] Reggae-tinted reverb and hip-hop influences further enrich its diverse palette, evoking a "coffeehouse dance" vibe through layered vocals and acoustic guitars interwoven with electronic textures.[17][1] A hallmark of the album's production is its heavy reliance on sampling techniques, particularly the integration of film dialogue snippets to serve as transitions between tracks, fostering a narrative flow reminiscent of a road trip.[2] These audio clips are drawn from 1960s and 1970s British cinema, including Peeping Tom (1960), Billy Liar (1963), The Picture of Dorian Gray (1945 adaptation), Lord of the Flies (1963), and That'll Be the Day (1973), which mimic field-recorded pub chatter and add a cinematic intimacy.[22][2] Musical samples enhance this collage-like approach; for instance, "Calico" incorporates percussion from the Incredible Bongo Band's "Last Bongo in Belgium" (1973) alongside dialogue from That'll Be the Day.[23] Other tracks draw from 1960s pop and beyond, while the album overall features nods to Rush's "The Spirit of Radio" (1980).[6][24] Standout tracks highlight the album's stylistic range. "You're in a Bad Way" channels Joe Meek-inspired pop with its quirky orchestration and effervescent melody, blending 1960s production flair with contemporary indie dance.[12] "Avenue" unfolds as an extended house groove, stretching over seven minutes with hypnotic rhythms and lush synths that underscore the group's Italo disco and acid house roots.[1] In contrast, "Hobart Paving" emerges as an acoustic ballad, featuring a delicate arrangement by Van Dyke Parks that infuses folk introspection amid the album's electronic framework.[5][25] These elements collectively define So Tough as a pivotal work in 1990s sample culture, prioritizing atmospheric cohesion over rigid genre boundaries.[17][26]Artwork and Packaging
Cover Art
The front cover of So Tough features a black-and-white photograph of lead singer Sarah Cracknell at the age of six, captured by her father, Derek Cracknell.[6][27] This childhood image evokes nostalgia and innocence, aligning with the album's exploration of youth, escapist journeys, and British pop culture references, such as dialogue samples from the 1963 film Billy Liar.[26][12] It contrasts sharply with the record's overarching concept of an imaginary movie soundtrack.[28] The cover's minimalist design, incorporating the photograph with custom typography, was created by Anthony Sweeney of M Design.[29]Packaging Details
The original 1993 vinyl edition of So Tough, released by Heavenly Records, was packaged in a standard LP sleeve and included an inner art sleeve featuring artwork by Michael Gillette, credited as "Painter Man".[30] The inner sleeve provides space for credits and production notes, aligning with the album's eclectic aesthetic.[30] The CD version came in a standard jewel case with a 16-page booklet containing liner notes by Kevin Pearce, black-and-white photographs by James Fry and Paul Kelly, and full production credits.[31] This booklet emphasizes the album's collaborative spirit through visual and textual elements, including an illustration in the form of a painting by Michael Gillette.[31] Label variations include the UK Heavenly Records LP with its custom inner sleeve, while cassette editions featured a simplified adaptation of the cover artwork on the J-card insert.[6] Original 1993 pressings across formats are distinguished by their matte-finish sleeves, making them sought after by collectors for their period-specific design fidelity.[6] Later reissues, such as the 2023 30th anniversary box set, incorporate expanded packaging with additional anniversary notes in a 28-page booklet.[32]Release and Promotion
Release History
So Tough was initially released on 22 February 1993 in the United Kingdom by Heavenly Records, marking the band's second studio album following their 1991 debut Foxbase Alpha.[33] The album was made available in multiple formats, including vinyl LP (catalogue number HVNLP6), compact disc (HVNLP6CD), and cassette (HVC6), positioning it as a standard indie release through Heavenly's distribution network, which at the time included a deal with BMG for broader European reach.[6] Despite being recorded primarily in 1992, the release proceeded without significant delays, allowing the album to capitalize on the momentum from prior singles like "Join Our Club." In the United States, So Tough was issued later in 1993 by Warner Bros. Records, with the CD version (9 45166-2) and cassette (9 45166-4) featuring minor track variations from the UK edition, including the addition of the single "Join Our Club" and, on some pressings, "Who Do You Think You Are" to extend the tracklist to 17 songs.[14] This adaptation aimed to incorporate recent non-album material for the American market, while maintaining the core 15-track sequence of the original. The US launch occurred around March 1993, broadening the album's international accessibility under Warner Bros.' major-label infrastructure.[34] Internationally, variations included a Japanese edition released in 1993 by Warner Bros. (WPCP-5209), which featured an obi strip and followed the standard UK tracklist.[35] These editions were distributed without notable postponements, reflecting efficient coordination between Heavenly and its partners, and the album was priced as a mid-tier indie offering, typically around £10-12 for the UK CD at launch. The release set the stage for subsequent promotional efforts centered on key singles.Promotion and Singles
To promote So Tough, Saint Etienne embarked on a UK tour in spring 1993, performing at university venues and clubs across the country, including Glasgow Mayfair on February 23, Manchester University Union on February 26, and South Parade Pier in Portsmouth on March 5.[36] The tour supported the album's release and helped build momentum following the success of lead singles. The band also gained exposure through radio play on BBC Radio 1 and a live appearance on Top of the Pops on February 11, performing "You're in a Bad Way."[36] Music videos for "Avenue" and "You're in a Bad Way" were directed by Paul Kelly, incorporating visual elements that echoed the album's use of film dialogue and samples to evoke a cinematic, narrative feel.[37] Press coverage in publications such as NME and Melody Maker emphasized the album's conceptual structure, with ads appearing in NME on February 27 and Melody Maker ranking So Tough at number 33 in its end-of-year albums list. The band further promoted the record with live performances, including a set at the Glastonbury Festival in 1994.[38] The album was supported by three main singles, each featuring B-sides with remixes and non-album tracks such as "No Rainbows for Me" and "Erica America." "You're in a Bad Way," released on February 8, 1993, became the band's biggest hit to date, peaking at number 12 on the UK Singles Chart.[39] "Avenue," issued on 5 October 1992, as the lead single ahead of the album, reached number 40 on the UK Singles Chart.[40] "Hobart Paving," released on May 10, 1993, charted at number 23 on the UK Singles Chart and number 10 on the UK Dance Chart.[41]Track Listing and Formats
Original Track Listing
The original edition of So Tough, released on CD in the United Kingdom by Heavenly Records (HVNLP6CD) on February 22, 1993, features 15 tracks that integrate full-length songs with brief spoken-word interludes, creating a conceptual journey inspired by 1960s pop culture and British life. The album's core songwriting is credited to Saint Etienne's founders Bob Stanley and Pete Wiggs, with additional contributions on select tracks from collaborators including vocalist Sarah Cracknell, producer Ian Catt, and guest rapper Q-Tee (Tatiana Mais). Durations vary slightly across pressings due to mastering differences, but the standard timings are as follows:| No. | Title | Duration | Writer(s) |
|---|---|---|---|
| 1 | Mario's Café | 4:38 | Stanley, Wiggs |
| 2 | Railway Jam | 4:14 | Stanley, Wiggs |
| 3 | Date with Spelman | 0:18 | Stanley, Wiggs |
| 4 | Calico | 5:12 | Stanley, Wiggs, Mais (as Q-Tee) |
| 5 | Avenue | 7:33 | Stanley, Wiggs, Cracknell, Catt |
| 6 | You're in a Bad Way | 3:07 | Stanley, Wiggs, Cracknell |
| 7 | Memo to Pricey | 0:23 | Stanley, Wiggs |
| 8 | Hobart Paving | 4:50 | Stanley, Wiggs |
| 9 | Leafhound | 4:09 | Stanley, Wiggs |
| 10 | Clock Milk | 0:14 | Stanley, Wiggs |
| 11 | Erin | 1:10 | Stanley, Wiggs |
| 12 | Some Place Else | 3:20 | Stanley, Wiggs |
| 13 | The Process | 1:56 | Stanley, Wiggs |
| 14 | Soft Like Me | 2:00 | Stanley, Wiggs |
| 15 | Spring | 3:11 | Stanley, Wiggs |
