Hubbry Logo
Soul MenSoul MenMain
Open search
Soul Men
Community hub
Soul Men
logo
7 pages, 0 posts
0 subscribers
Be the first to start a discussion here.
Be the first to start a discussion here.
Soul Men
Soul Men
Soul Men
View on Wikipedia
from Wikipedia

Soul Men
Theatrical release poster
Directed byMalcolm D. Lee
Written byRobert Ramsey
Matthew Stone
Produced byDavid T. Friendly
Charles Castaldi
Steve Greener
StarringSamuel L. Jackson
Bernie Mac
Sharon Leal
Sean Hayes
Affion Crockett
Adam Herschman
John Legend
Narrated byRandy Jackson
CinematographyMatthew F. Leonetti
Edited byWilliam Henry
Paul Millspaugh
Music byStanley Clarke
Production
companies
Dimension Films[1]
Friendly Films[1]
Distributed byMetro-Goldwyn-Mayer[1]
Release date
  • November 7, 2008 (2008-11-07)
Running time
100 minutes
CountryUnited States
LanguageEnglish
Budget$40 million
Box office$12.3 million[2]

Soul Men is a 2008 American musical comedy film directed by Malcolm D. Lee, and starring Samuel L. Jackson, Bernie Mac, Sharon Leal and Sean Hayes.

The film released on November 7, 2008. It was one of three films featuring Mac that were released after his death (and was actually released on the same date as another posthumous film, Madagascar: Escape 2 Africa). distributed by Metro-Goldwyn-Mayer. Mac and Isaac Hayes died on August 9 and 10, 2008, respectively,[3] and the film is dedicated to their memory. Director Lee said the film was heavily re-edited to soften the tone of the film, as a tribute to the two actors. Critical reviews were mixed, and the film was financially unsuccessful.

Plot

[edit]

The Real Deal was a soul music trio (lead singer Marcus Hooks and backup singers Floyd Henderson and Louis Hinds) that was popular decades ago. However, the group dissolved when Marcus left to become a solo act. Louis and Floyd's friendship soured, and they did not speak to each other for the next 30 years. Floyd, recently retired, is having difficulty adjusting to his new life. He learns that Marcus has died. Louis, an ex-convict who became an auto mechanic, is contacted by executive Danny Epstein to perform with Floyd at the Apollo Theater in New York City as a tribute to Marcus. Louis declines. Floyd meets with Louis and mentions that they will be paid $40,000.[a] Louis begrudgingly agrees to travel with Floyd cross-country for the concert.

They arrive at a hotel in Flagstaff, Arizona, where they will stay overnight and perform, but their performance is a disaster. As they argue after the failed performance, they recall what caused their friendship to resolve decades earlier: Floyd's bedding Louis's girlfriend. The next morning, however, they hear one of their old songs playing on the radio, and they start dancing, reminiscing on their time as a group.

The duo perform well at a hotel in Amarillo, Texas. When their money is stolen by women posing as groupies, they contact Phillip, Epstein's intern, but he is unable to provide funds. The duo travel to Tulsa, Oklahoma to the home of a woman they used to know, Odetta. They meet Odetta's daughter Cleo and Cleo's live-in boyfriend Lester, a rapper and drug dealer. Cleo informs the travelers that Odetta died.

During their visit, Louis notices Cleo singing and playing on her piano; he realizes she has musical talent. Floyd and Louis ask Cleo if she will join them on their trip. They see signs of physical abuse, so Louis confronts Lester, who pulls out a gun but is overtaken by Louis. Louis forces Lester to apologize to both Floyd and Cleo, then breaks Lester's arm. Arriving in Memphis, Tennessee, Floyd, Louis and Cleo meet Phillip at their hotel. Floyd and Louis perform at the hotel, with Cleo as their lead singer. Her performance attracts the attention of famed soul musician Isaac Hayes (playing himself). Meanwhile, Lester has pursued the group to Memphis, and he abducts Phillip. Floyd, who's about to tell Cleo that he believes he is her father, learns that he is not. Cleo explains that Louis is actually her father, and this leads to a physical altercation between Floyd and Louis. After the fight, Louis states that it is a bad idea to be in Cleo's life because he ruined his own. After hearing this statement, Cleo tearfully runs away. Lester confronts Louis and Floyd to retaliate against both of them, but they subdue him. However, Floyd and Louis are arrested.

Floyd is released, but Louis stays in custody due to a parole violation. Floyd breaks Louis out of jail, believing that he is dying. They steal Lester's friends' car and discover Phillip has been locked in the car's trunk. Phillip contacts Danny that The Real Deal are on their way to perform, but Phillip is fired, and Floyd and Louis are removed from the show. They arrive at the theater anyway, and Floyd convinces Danny to let them perform, confiding that Louis is dying. Isaac Hayes greets them at their dressing room, and they are surprised when Cleo appears. As Louis and Cleo reconcile, he experiences abdominal pain, which causes concern that the pain is indicating his health is failing, but Louis reveals it is merely a kidney stone.

The police arrive at the theater, so Louis and Floyd hide in what looks like a piano. However, it is a piano shaped casket which contains Marcus's corpse. Floyd and Louis get out of the casket and step onstage to perform their hit "Walk In the Park", once again with Cleo. They are then arrested by the police.

An epilogue reads that Floyd and Louis were later released on good behavior, and they resumed touring, with Cleo as their new lead singer and Phillip as their new manager.

Cast

[edit]

Production

[edit]

Music

[edit]

The score for the film was composed by Stanley Clarke. The song, "I'm Your Puppet", which serves as the fictional trio's 1969 hit single, was actually a hit for James & Bobby Purify in 1966. The official soundtrack was released November 4, 2008 by Stax Records, and features music by John Legend, Isaac Hayes, Sharon Jones & The Dap-Kings, and others.[4]

Reception

[edit]
Bernie Mac on the set of the film in March 2008
Jackson and Mac with Gabe Witcher prerecording songs for the film in December 2007

Soul Men received mixed reviews from film critics. Based on 99 reviews, Rotten Tomatoes reported that 44% of critics gave the film a positive review stating that "Soul Men features lively performances from Bernie Mac and Samuel L. Jackson, and some hilarious moments, but ultimately suffers from an unoriginal script."[5] Metacritic, another review aggregator, reported that critics gave the film an average score of 49/100, based on 23 reviews.[6] Roger Ebert of The Chicago Sun-Times gave the Soul Men three stars out of a possible four, saying it "will make you miss Bernie Mac" and also allowed Mac to hint at talent with dramatic roles that the comedian rarely had a chance to explore.[7]

The film opened at #6 with a gross of about $5 million, behind Zack and Miri Make a Porno, Changeling, High School Musical 3: Senior Year, Role Models, and Madagascar: Escape 2 Africa (the latter also featured Mac; both films are dedicated in his memory).[8] At the conclusion of its domestic theatrical run on February 5, 2009, the film's gross was $12,082,391.

Director Malcolm D. Lee said the movie was a box office failure because "nobody gave a shit about two old R&B singers."[9]

Lawsuit

[edit]

In February 2009, singer Sam Moore of the musical duo Sam & Dave filed suit against The Weinstein Company and other producers. Moore alleged copyright infringement on the marks "Soul Man" and "Soul Men", claiming the movie is based on the careers of Sam & Dave who did not speak for years after a feud, and had a major hit with the 1967 song "Soul Man". The suit also claimed the film damaged Moore's reputation and career. The judge agreed there were "broad similarities" between Moore's life and the film's story, but also noted Moore was not named in the film and there no evidence the film was ever confused with reality. Thus, the case was dismissed on summary judgment in May 2012.[10]

Home media

[edit]

The film was released on DVD on February 10, 2009 and by the 5th week, about 483,360 units have been sold, bringing in $9,443,721 in revenue. This does not include Blu-ray Disc sales.[11]

Notes

[edit]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Soul Men

View on Grokipedia
from Grokipedia
Soul Men is a 2008 American musical comedy film directed by and written by Robert Ramsey and Matthew Stone. The film stars and as Louis Hinds and Floyd Henderson, two estranged former backup singers for a renowned R&B group, who reunite after 20 years to perform at the Apollo Theater in honor of their late . It also features as a young singer who joins them on their cross-country road trip, and as a quirky . Released on November 7, 2008, by , the movie blends humor, music, and themes of reconciliation, marking one of 's final roles before his death in August 2008. The story follows Louis, a limousine driver with a grudge against his past, and Floyd, a down-on-his-luck hustler, as they embark on a chaotic journey from California to New York, picking up a hitchhiker along the way and confronting personal demons amid performances of classic soul tunes. The screenplay draws inspiration from real-life soul music history, incorporating performances by artists like Earth, Wind & Fire's Philip Bailey and cameos including rapper T.I. and actress Jennifer Coolidge in supporting roles. Filmed primarily on location across the United States, Soul Men emphasizes camaraderie and the enduring power of music, with a runtime of 100 minutes and a focus on the golden era of 1960s and 1970s R&B. Produced on a modest budget, the film grossed approximately $12.1 million domestically during its theatrical run, opening in 2,048 theaters but underperforming at the amid competition from other releases. Critically, it received mixed reviews, with a 44% approval rating on based on 99 reviews, praised for the chemistry between Jackson and Mac but criticized for a formulaic script and uneven pacing. On , it holds a 6.4/10 rating from over 12,000 users, often highlighted for its heartfelt moments and musical numbers despite narrative shortcomings. The movie is appreciated for its tribute to legends and as a showcase of late-career performances by its lead actors.

Synopsis and cast

Plot

In the opening scenes, Marcus Hooks, the legendary singer and , passes away from a heart attack, prompting his former backup singers, Floyd Henderson and Louis Hinds, to reunite after two decades of estrangement for a tribute concert Theater in New York. Floyd, a struggling car salesman facing financial ruin after his wife leaves him and takes their savings, learns of the opportunity from Marcus's daughter and sees it as a chance to revive his career and earn some money. Louis, now a driver harboring deep resentment toward Floyd over a past betrayal—Floyd had an affair with Louis's girlfriend while Louis was on tour, leading Odetta to leave Louis for Floyd—initially refuses but eventually agrees, driven by a sense of duty to honor Marcus. The two men embark on a cross-country road trip from in a 1971 Eldorado convertible provided by Marcus's estate, but their journey quickly sours due to their unresolved tensions, leading to constant bickering and physical scuffles as they navigate the highways. To ease the driving burden, they pick up Cleo, a young aspiring singer fleeing an abusive relationship with her boyfriend , who joins them with her belongings and dreams of making it in music after they intervene at his ; Cleo becomes an unexpected ally, mediating their disputes and sharing her own vulnerabilities and desire to perform. Along the way, the group encounters enthusiastic fans who recognize Floyd and Louis from their glory days, prompting impromptu performances where the duo impersonates famous soul artists like to entertain crowds at roadside bars and motels. During the journey, they discover Cleo is the daughter of Floyd's ex-girlfriend and Floyd himself, deepening their makeshift family dynamic. Tensions escalate during a chaotic stop at a in , where Louis's impulsive behavior results in a mishap involving , leading to his and a humorous bailout orchestrated by Floyd and Cleo, further straining but also humanizing their bond. The trip reaches a dramatic turning point when Floyd suffers a severe scare in a , collapsing in apparent —mimicking the very condition that killed Marcus—but it turns out to be a case of severe from , providing a moment of vulnerability that forces Louis to confront his lingering anger and assist in Floyd's recovery. As they press on toward New York, shared renditions of classic soul tracks like "Soul Man" and "Hold On, I'm Comin'" during drives and stops begin to thaw their rift, allowing Cleo to showcase her talents alongside them and fostering reconciliation. Upon arriving at the Apollo, the reconciled trio takes the stage for the emotional climax, delivering a powerful performance in tribute to Marcus that celebrates their shared history and personal growth, with Floyd overcoming his desperation through renewed purpose, Louis releasing his resentment, and Cleo gaining confidence in her musical aspirations.

Cast

The principal cast of Soul Men features as Louis Hinds, a cynical and street-smart former backup singer with a penchant for guitar playing, and as Floyd Henderson, his boisterous and impulsive counterpart who favors , forming the core of the film's road-trip dynamic through their contrasting personalities and long-simmering . portrays Cleo, a talented young singer serving as their driver, whose vocal abilities add a fresh, aspiring energy to the group's musical interactions. plays Danny Epstein, the quirky who orchestrates their reunion, providing a comedic foil with his polished, opportunistic demeanor. appears as Marcus Hooks, the late lead singer of their soul band, depicted in flashback sequences that highlight the trio's past harmony and underscore the film's themes of legacy. Supporting roles include Adam Herschman as Phillip Newman, an enthusiastic but awkward local promoter who aids the duo in their travels, injecting youthful naivety into their misadventures. plays Lester, Cleo's abusive live-in boyfriend and aspiring rapper who runs a and offers through his streetwise antics. is cast as Rosalee, an eccentric fan whose over-the-top enthusiasm amplifies the film's humorous encounters. The film also features cameos from soul musicians, notably appearing as himself in a brief role that ties into the story's musical tribute, enhancing the authentic R&B atmosphere. Casting emphasized performers with ties to comedy and to capture the film's blend of humor and soulful homage; Jackson and Mac were selected for their proven comedic chemistry, drawing from their abilities to channel the banter of classic duos like while infusing personal affinity for the genre. was chosen for her strong vocal skills, allowing her to contribute meaningfully to the soundtrack's performances. Notably, Bernie Mac's portrayal of Floyd marked one of his final on-screen roles, completed before his death on August 9, 2008, adding poignant resonance to the character's exuberance. Similarly, ' cameo was his last film appearance, filmed prior to his passing on August 10, 2008, the day after Mac's death. This ensemble's dynamic, blending veteran charisma with emerging talents, drives the film's exploration of friendship and redemption through .

Production

Development

The screenplay for Soul Men was written by Robert Ramsey and Matthew Stone, who had previously collaborated on films including and Man of the House. The story centers on two estranged former backup singers for a soul group who reunite for a cross-country to perform a at the Apollo Theater, paying homage to the legacy of classic duos. In September 2007, —a division of —announced the project with and attached as the leads, both set to perform singing and dancing sequences. Producers David T. Friendly and Steven Greener oversaw the pre-production, emphasizing a blend of road-trip comedy and musical tribute. Shortly thereafter, in November 2007, was hired to direct, selected for his prior work on comedic features like and , which demonstrated his ability to handle ensemble humor and cultural themes. Development prioritized securing rights to the catalog to enable authentic soul performances, with negotiations underway by late 2007. The production was budgeted at $40 million, reflecting the costs of and the stars' involvement. The script was structured to accommodate Jackson and Mac's improvisational comedy styles, allowing room for their dynamic interplay without major rewrites during . Filming was scheduled to commence on January 15, 2008.

Filming

Principal photography for Soul Men commenced on January 28, 2008, and concluded on April 2, 2008. The production wrapped its final scenes in on April 1, 2008, following location shoots earlier in the schedule. Filming primarily took place in the to capture the road trip narrative, with key exteriors shot in , including scenes on , inside the , along South Main, and outside the Stax Museum of American Soul Music. Additional location work occurred in , where the historic Strand Theatre served as a stand-in for New York's during the tribute concert sequences. Interiors and remaining exteriors, simulating the film's cross-country journey, were completed at soundstages and streets in , . The production faced minor logistical hurdles, such as tight scheduling at the due to consecutive film shoots in March 2008. No significant delays were reported, and filming wrapped well before the August 9, 2008, death of star from complications related to and , allowing the movie to proceed to without reshoots. Cinematography was handled by , who employed a dynamic visual style to evoke the vibrant energy of soul culture through warm lighting and fluid tracking shots during road and performance scenes.

Music

The soundtrack for Soul Men was produced in collaboration with and , featuring a collection of cover versions of classic soul hits from the and , including "Soul Man," "Hold On, I'm Comin'," and "Knock on Wood," performed by the film's cast members such as and . These renditions aimed to capture the raw energy of Stax-era soul, with production oversight by Scott Bomar, who helmed key tracks like the opening "Soul Music" by Anthony Hamilton and The Bo-Keys, recorded at Royal Studios in Memphis to evoke the label's historic sound. The film's music blended original and licensed elements, incorporating diegetic performances by the cast—such as Jackson and Mac's rendition of "I'm Your Puppet" alongside John Legend—to drive narrative moments, alongside an original score composed by Stanley Clarke that underscored emotional beats with jazz-infused soul grooves. Archival tracks from , including his version of "," added authentic period flavor, highlighting the characters' shared musical history. Clarke's score, featuring synth elements and rhythmic bass lines, complemented the licensed classics without overpowering the vocal showcases. To prepare for their musical roles, the cast underwent vocal training under coach Jason Stasium, focusing on soulful phrasing and to ensure believable performances despite the actors' non-professional backgrounds. Recording sessions took place primarily in with a live band of session musicians, including Freddie Washington, emphasizing influences through horn sections and groove-oriented arrangements for authenticity. These efforts extended to an end-credits medley that revisited key songs like "Soul Man" and "Hold On, I'm Comin'," reinforcing the film's themes of as the protagonists' journey culminates in a tribute performance. The complete was released commercially on November 4, 2008, by under , compiling 12 tracks that preserved the era's heritage while advancing the story's arc of friendship and redemption.

Release

Premiere and marketing

The world premiere of Soul Men took place at the Apollo Theater in on October 28, 2008, attended by cast members including and . The event drew media attention for its timing as a posthumous showcase for stars , who died on August 9, 2008, from complications of , and , who passed away the following day on August 10, 2008, from a . Jackson addressed the emotional weight of promoting the film without Mac during interviews around the premiere. The film received a wide theatrical release in the United States and on November 7, 2008, distributed by () in partnership with The Weinstein Company's . Distribution focused primarily on the U.S. market, with subsequent limited releases in select international territories such as (April 3, 2009), and . It was rated R by the of America for pervasive language and sexual content including nudity. Marketing efforts highlighted the on-screen chemistry between Jackson and Mac as estranged soul singers, with theatrical trailers featuring clips of their banter alongside classic soul tracks to evoke nostalgia for the genre. Promotional posters depicted the leads in sharp suits against urban backdrops, often incorporating road-trip motifs tied to the film's plot. The campaign included tie-ins with for the , released on November 4, 2008, which featured new recordings by artists like Anthony Hamilton and performing soul-inspired songs to cross-promote the movie and album. Advertising was targeted at urban audiences through limited television spots and radio promotions.

Box office

Soul Men was released in 2,044 theaters on November 7, 2008, and earned $5.4 million during its opening weekend from November 7 to 9, finishing in sixth place at the domestic behind : Escape 2 Africa, , High School Musical 3: Senior Year, , and Zack and Miri Make a Porno. The performance was modest amid stiff competition from family-oriented animated films and other wide releases during the early holiday season buildup. In its second weekend, the film experienced a 55% drop, grossing $2.4 million and holding in seventh place as new releases including dominated the chart. Overall, Soul Men played in a maximum of 2,048 theaters and accumulated $12.08 million in the United States and , with international earnings totaling just $0.25 million for a worldwide gross of $12.33 million. Produced on a $40 million budget, the film underperformed financially, failing to recoup its costs at the even before accounting for marketing expenses. The results placed Soul Men below expectations for a starring and , especially when compared to similar Jackson-led releases like , which grossed $39 million domestically earlier that fall. Contributing factors included the crowded November release slate and the film's completion shortly after Mac's in August 2008, which prompted re-edits and may have tempered promotional momentum.

Reception

Critical response

Soul Men received mixed reviews from critics, with praise centered on the performances and but criticism focused on its formulaic . On , the film holds a 44% approval rating based on 99 reviews, with the consensus stating that it "features lively performances from and and some hilarious moments, but ultimately suffers from an unoriginal script." On , it scores 49 out of 100 from 23 critics, indicating "mixed or average" reviews. Critics frequently highlighted the strong chemistry between and as a standout element, noting their energetic banter and comedic timing in the road trip sequences brought authenticity to the buddy comedy dynamic. The integration of was also commended for its heartfelt tribute to the genre, with scenes featuring live performances and cameos adding emotional depth, particularly in the climax where the characters reconcile through song. Reviewers appreciated the film's amiable humor in these moments, seeing it as a fitting showcase for Mac's vitality in what became his final leading role. However, many found the plot predictable and derivative, relying on familiar tropes of estranged partners reuniting without fresh twists, leading to uneven pacing and reliance on stereotypical, crude humor such as scatological gags and sexual innuendos. awarded it three out of four stars, praising the underlying real feelings amid the formula but acknowledging its conventional structure. of described it as a "raucous, rambling " that offers "some laughs, some groans," emphasizing Mac's poignant presence while critiquing the overall lack of innovation. Despite these flaws, the film was often viewed as an endearing, if imperfect, send-off for Mac and , to whom it is dedicated.

Awards and nominations

Soul Men garnered nominations across several awards ceremonies, highlighting its comedic performances and musical elements, though it did not secure any wins. These recognitions underscored the film's tribute to traditions and the contributions of its lead actors, particularly in the wake of Bernie Mac's passing shortly before release.
YearAwardCategoryNomineeResult
2008Best DirectorNominated
2008Best Original ScoreNominated
2009Best ActorNominated
The nominations emphasized the film's homage to soul music, with the soundtrack recognition reflecting its integration of classic tracks and original contributions.

Post-release

Lawsuit

In February 2009, Sam Moore, a member of the 1960s soul duo Sam & Dave known for hits like "Soul Man," filed a lawsuit in the U.S. District Court for the Middle District of Tennessee against The Weinstein Company, MGM Studios, and several other producers and distributors of the film Soul Men. Moore alleged that the film, which features fictional soul singers portrayed by Samuel L. Jackson and the late Bernie Mac, was an unauthorized biopic drawing directly from his life and partnership with Dave Prater without permission or compensation. Moore's complaint included claims of right of publicity violation, invasion of privacy, under the for terms like "Soul Man" and his asserted common-law rights to "Soul Men," and unfair competition under and laws. He contended that the film's title was confusingly similar to his trademarks, that its characters mirrored his and Prater's real-life story—including their musical reunion tour—and that the inclusion of songs such as "Hold On, I'm Comin'" without his consent damaged his reputation through depictions of controversial behavior like racial slurs and profanity. Moore sought an to halt distribution of the film and , along with unspecified for the alleged harms. The defendants moved to dismiss the suit, but in May 2010, District Judge Aleta Trauger denied the motion, finding that the claims raised issues of potential consumer confusion and that the right of allegations were not barred outright by the First Amendment, allowing the case to proceed toward . In May 2012, however, the court granted to the defendants, ruling that Moore lacked enforceable rights due to insufficient evidence of fame or prior use, that no likelihood of confusion existed, and that the film's expressive content was protected under the First Amendment as a transformative work not directly portraying Moore. Moore appealed to the U.S. Court of Appeals for the Sixth Circuit, which in October 2013 unanimously upheld the district court's dismissal. The appellate court affirmed that the film did not appropriate Moore's likeness or create public confusion, emphasizing First Amendment protections for fictionalized storytelling and rejecting the state-law claims for lack of evidence of malice or direct harm. prevailed fully, with Moore's claims dismissed as unprotected and in the context of entertainment, underscoring broader challenges in unauthorized biopics and the intersection of with artistic expression.

Home media and legacy

The film was released on DVD and Blu-ray by in association with on February 10, 2009. The editions included an track featuring director and writers Robert Ramsey and Darryl Quarles, deleted scenes, and featurettes such as behind-the-scenes looks at the music production and tributes to stars and . Special features emphasized the film's homage to the era, with segments highlighting the performances and the late actors' contributions. Home video sales outperformed the film's theatrical earnings, with estimated domestic video revenue reaching $12.4 million. The soundtrack album, released by on November 4, 2008, featured classic soul tracks and original music tied to the film, further extending its reach through home entertainment. In the years following, Soul Men became available for digital streaming on platforms including in the 2010s, and as of 2025, it is accessible for free on ad-supported services such as and , broadening access to audiences. The film's legacy is marked by its status as a poignant to the golden age of and as the final on-screen appearances of and , who died on August 9 and 10, , respectively—just months before the theatrical premiere. Released posthumously, it served as an emotional capstone to Mac's career, with reviews and retrospectives noting its heartfelt road-trip as a fitting showcase of his raw humor and Hayes' iconic presence. Often described as a bittersweet homage, the movie has been referenced in obituaries, documentaries, and discussions of , underscoring themes of friendship, reconciliation, and cultural heritage without spawning sequels.

References

  1. https://www.imdb.com/title/tt1111948/
  2. https://www.boxofficemojo.com/release/rl2221966849/
  3. https://www.rottentomatoes.com/m/10009635-soul_men
  4. https://www.imdb.com/title/tt1111948/plotsummary/
  5. https://www.rottentomatoes.com/m/10009635-soul_men/cast-and-crew
  6. https://www.tvguide.com/movies/soul-men/cast/2000140143/
  7. https://variety.com/2008/film/reviews/soul-men-1200472535/
  8. https://www.bet.com/article/nnfbic/crockett-makes-his-mark-in-soul-men
  9. https://www.imdb.com/title/tt1111948/fullcredits/
  10. https://www.bet.com/article/klyggg/the-cast-of-soul-men-where-are-they-now
  11. https://concord.com/concord-albums/various-artists-soul-men/
  12. https://www.backstage.com/magazine/article/soul-men-17671/
  13. https://variety.com/2007/film/markets-festivals/jackson-mac-to-star-in-soul-men-1117972526/
  14. http://www.blackfilm.com/20071122/features/soulmennews.shtml
  15. https://www.the-numbers.com/movie/Soul-Men
  16. https://www.imdb.com/title/tt1111948/locations/
  17. https://archive.commercialappeal.com/entertainment/movie-with-the-memphis-sound-ep-397067006-323974901.html
  18. https://www.memphisflyer.com/too-crude-soul-men-unworthy-of-its-sources
  19. https://archive.commercialappeal.com/entertainment/news-in-the-arts-stax-infused-film-soul-men-premieres-friday-ep-395558565-324078661.html
  20. https://www.hmdb.org/m.asp?m=139605
  21. https://www.today.com/popculture/jackson-its-weird-mac-didnt-see-soul-men-1c9419539
  22. https://www.seattlepi.com/ae/movies/article/Not-much-soul-in-Bernie-Mac-s-slightly-creepy-1290696.php
  23. https://shotonwhat.com/soul-men-2008
  24. https://www.imdb.com/title/tt1111948/soundtrack/
  25. https://soultracks.com/review/soul_men_soundtrack/
  26. https://stanleyclarke.com/scores/
  27. https://www.discogs.com/release/5751083-Samuel-L-Jackson-Bernie-Mac-Soul-Men-Original-Motion-Picture-Soundtrack
  28. https://www.ajc.com/entertainment/soul-men-premiere-new-york/eJpdRVqji7qbPHROGmlD9J/
  29. https://www.gettyimages.com/photos/soul-men-world-premiere
  30. https://people.com/bernie-mac-death-what-to-know-8655092
  31. https://www.nytimes.com/2008/08/11/arts/music/11hayes.html
  32. https://www.imdb.com/title/tt1111948/releaseinfo/
  33. https://www.imdb.com/title/tt1111948/companycredits/
  34. https://www.imdb.com/title/tt1111948/parentalguide/
  35. https://www.youtube.com/watch?v=SrP7tzXuqqs
  36. https://www.billboard.com/music/music-news/stax-records-to-release-soul-men-soundtrack-1302884/
  37. https://www.the-numbers.com/box-office-chart/weekend/2008/11/07
  38. https://variety.com/2008/film/box-office/quantum-posts-bond-s-best-opening-1117995955/
  39. https://abcnews.go.com/Entertainment/story?id=5566396&page=1
  40. https://www.metacritic.com/movie/soul-men/
  41. https://www.rogerebert.com/reviews/soul-men-2008
  42. https://www.metacritic.com/movie/soul-men/critic-reviews/
  43. https://www.ign.com/articles/2008/11/07/soul-men-review
  44. https://www.nytimes.com/2008/11/07/movies/07soul.html
  45. https://www.blackfilm.com/20081106/reviews/soulmen.shtml
  46. https://www.imdb.com/title/tt1111948/awards/
  47. https://www.tvguide.com/movies/soul-men/2000140143/
  48. https://www.reuters.com/article/lifestyle/studio-loses-key-ruling-in-battle-with-soul-icon-idUSTRE64H08H/
  49. https://www.law360.com/articles/88043
  50. https://www.loeb.com/en/insights/publications/2012/06/samuel-david-moore-v-the-weinstein-company-llc
  51. https://law.justia.com/cases/federal/appellate-courts/ca6/12-5715/12-5715-2013-10-31.html
  52. https://www.hollywoodreporter.com/business/business-news/weinstein-beats-sam-moore-soul-652151/
  53. https://www.amazon.com/Soul-Men-Blu-ray-Samuel-Jackson/dp/B001KKU9FA
  54. http://hkfilmnews.blogspot.com/2009/01/soul-men-starring-samuel-l-jackson-and.html
  55. https://www.dvdtalk.com/reviews/36182/soul-men/
  56. https://www.blu-ray.com/movies/Soul-Men-Blu-ray/3733/
  57. https://alternativemagazineonline.co.uk/2011/01/25/film-review-soul-men/
  58. https://www.netflix.com/title/70105137
  59. https://tubitv.com/movies/588534/soul-men
  60. https://www.justwatch.com/us/movie/soul-men
  61. https://www.savannahnow.com/story/news/2008/11/05/bernie-macs-comedy-lives-soul-men/13345520007/
  62. https://legacy.aintitcool.com/node/38474
Add your contribution
Related Hubs
User Avatar
No comments yet.