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Syed Noor (Punjabi, Urdu: سید نور) (born Syed Ghulam Mohyuddin Noor) is a Pakistani film director based in Lahore.

Key Information

Early life and education

[edit]

Syed Ghulam Mohyuddin Noor was born on 21 February 1950 in Lahore, Punjab, Pakistan. He completed his schooling in Lahore and earned a Bachelor’s degree in Journalism from Government Dyal Singh College, Lahore.[2]

Career

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Screenwriter

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In 1970, Syed Noor joined the Pakistani film industry as an assistant to director S. Suleman. Noor assisted S. Suleman for 18 feature films, after which, he penned his first script for the film, Society Girl (1976), which was considered the best film of the year. After the success of his first film, Noor became the prime screenwriting talent in the Pakistani film industry and worked with all the prominent directors of the time.[3]

Syed Noor wrote about 250 films from 1976 to 1992. His written scripts and screenplays were both in Urdu and in Punjabi. As a writer, Noor won many awards in his career, including National Award, Nigar Award, Graduate Award, Bolan Award, and Asian Award. During his writing career, he was also offered acting opportunities, which he turned down as his ultimate goal was to direct feature films. He had assisted Pakistani film director S. Suleman for 5 years with the intention of one day directing his own work.[3]

Director

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In 1993, Syed Noor made his directorial debut with the movie, Qasam, which was successful at the box office. During this time, Pakistani cinema was reigned by Punjabi films. Syed Noor began to make films with the intention of reviving Urdu cinema, and his second film Jeeva (1995) and third film Sargam (1995) realized his intent. Noor also introduced a number of new actors in his films, who went on to have illustrious careers in the film industry. With the success of Urdu movies, now Punjabi films began to disappear from cinemas, especially after the death of Punjabi film superstar, Sultan Rahi. At this point, Noor announced that he would work on Punjabi films and gave his first Punjabi directorial super hit film, Choorian (1998), which is still considered one of the most successful films of Pakistani film industry. The vast success of Choorian was followed by another film in the Punjabi language, Majajan (2006), which ran in cinemas for even longer than its predecessor.

Media education

[edit]

With the intent of teaching filmmaking to a new generation, Syed Noor launched Paragon Studios and Paragon Academy of Performing Arts. Partnering with the Mass Communications department of Punjab University, Noor began to teach film as a subject. During this time, multiplex cinemas began to be built in Pakistan and film became digitized, which gave new filmmakers excellent opportunities for new material and projects.

Awards and recognition

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After writing nearly 300 films, directing 55 films, and winning more than 10 National Awards and many other honors, Syed Noor was awarded the highest civilian honor of Pakistan, the "Sitara-i-Imtiaz" (Star of Excellence) Award by the Pakistani government in 2013.[4]

Filmography

[edit]

Screenwriter

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  • Syed Noor was the screenwriter for film director Sangeeta's successful film Society Girl followed by over 250 more films.

Director

[edit]
Year Film Language Starring
1984 Judai Punjabi language film
1987 Lady Smuggler Urdu Babra Sharif, Bobita, Sabita, Ismael Shah
1993 Qasam Urdu Iram Hassan, Saleem Sheikh, Kaveeta, Nadeem Baig
1995 Jeeva Urdu Resham, Babar Ali, Javed Sheikh, Neeli
Sargam Urdu Zeba Bakhtiar, Adnan Sami, Nadeem
1996 Hawaien Urdu Reema Khan, Saud, Meera
Chor Machaye Shor Urdu Resham, Reema, Sahiba, Rambo, Babar Ali
Ghunghat Urdu Saima, Resham, Shaan, Andaleeb
Raju Ban Gaya Gentleman Urdu Jan Rambo, Meera, Laila, Andaleeb, Mohsin Khan
1997 Uqabon Ka Nasheman Urdu Reema Khan, Babar Ali, Jan Rambo, Javed Sheikh
Sangam Urdu Resham, Shaan, Sana Nawaz,
Raja Pakistani Urdu Nirma, Reema Khan, Babar Ali, Sahiba Afzal,
Deewane Tere Pyar Ke Urdu Moammar Rana, Jia Ali, Nadeem, Yasmin Ismail
1998 Muhafiz Urdu Saima, Nadeem Baig, Jana Malik, Sahiba Afzal,
Zewar Urdu Reema Khan, Babar Ali, Sahiba Afzal, Jan Rambo
Zor Urdu Saima, Moammar Rana, Jana Malik
Choorian Punjabi Saima, Moammar Rana, Nargis
Deewarain Urdu Saima, Reema Khan, Babar Ali,
Dupatta Jal Raha Hai Urdu Arbaz Khan, Resham, Saima Noor, Nadeem
1999 Daku Rani Urdu Saima, Shaan, Arbaaz Khan,
2000 Mehndi Waley Hath Punjabi Saima, Moammar Rana, Nagma,
Angaray Urdu Saima, Shaan, Deeba,
Jungle Queen Urdu Saima, Moammar Rana, Saira Khan, Jan Rambo,
Billi Urdu Saima, Noor, Meera,
Lakhon Main Aik Urdu Saima, Moammar Rana, Abid Ali,
Beti Urdu Saima, Babar Ali, Moammar Rana, Sana
2001 Daket Urdu Saima, Shaan, Moammar Rana, Resham
Chooriyan Nahin Hathkarian Urdu Saima, Moammar Rana, Arbaaz Khan
Uff Yeh Beewiyan Urdu Saima, Moammar Rana, Reema Khan
Sapne Apne Apne Urdu Saima, Moammar Rana, Saud
Baghi Urdu Saima, Shaan, Saud
2002 Sholay Urdu Saima, Shaan, Reema Khan
Behram Daku Punjabi Saima, Shaan, Babar Ali
Buddha Gujjar Punjabi Saima, Shaan, Resham
2003 Commando Urdu Saima, Shaan, Zara Sheikh
Larki Punjaban Urdu Saima, Shamyl Khan, Babar Ali
2004 Hum Aik Hain Urdu Saima, Shaan, Shamyl Khan
2006 Majajan Punjabi Saima, Shaan, Saud
2007 Jhoomar Urdu Saima, Moammar Rana, Aleena
2010 Wohti ley ke jaani ay Punjabi Saima, Shaan, Mustafa Qureshi, Iftikhar Thakur
2011 Aik Aur Ghazi Punjabi Saima, Heera Malik, Safqat Cheema
Jugni Punjabi Saima, Shaan, Moammar Rana
Dane Pay Dana Punjabi Saima, Moammar Rana, Haya Ali
2012 Shareeka Punjabi Saima, Shaan
Meri Shadi Karao Bollywood (Syed Noor's debut in India) Gurdeep Mehndi, Sakhawat Naz
2013 Ik Si Sher Punjabi Saima, Shaan Shahid
2013 Devar Bhabhi (television film) Urdu Saima, Sami Khan, Saud, Sadia Khan
2017 Chain Aye Na Urdu Shehroz Sabzwari, Sarish Khan, Adil Murad, Sobia Khan, Waqar Ali Godhra
2022 Tere Bajre Di Rakhi Punjabi Saima Noor, Jannat Mirza, Iftikhar Thakur, Mustafa Qureshi, Shafqat Cheema, Babar Ali, Nadeem Baig, Agha Majid, Naghma Begum
TBA Price of Honour[6][7] Urdu Atif Naveed, Danyal, Rakshi
TBA Bhai Wanted [8] Urdu Saima, Moammar Rana, Khurram Patras, Danish Nawaz
TBA Aina 2 [9] Urdu Shehroz Sabzwari, Nadeem, Shabnam

See also

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References

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[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Syed Noor

View on Grokipedia
from Grokipedia
Syed Noor, born Syed Ghulam Mohyuddin Noor on 21 February 1950 in , , is a Pakistani filmmaker, , , and based in , best known for directing blockbuster films that revitalized the industry during the . Noor entered the Pakistani film industry in 1970 as an to S. Suleman, assisting on 18 feature films over five years before transitioning to . His first credited script was for the film Society Girl in 1976, and he went on to write over 250 scripts between 1976 and 1992, many of which became commercial successes. He made his directorial debut with Qasam in 1993, followed by a string of hits including Jeeva (1995), Sargam (1995), Choorian (1998)—which became one of the highest-grossing Pakistani films of all time—and Majajan (2006). Throughout his career, Noor has written nearly 300 films and directed more than 55, often blending social themes with commercial elements to appeal to broad audiences. In recognition of his contributions to Pakistani cinema, Noor received the from the in 2013, multiple National Awards, and several for best director in 1995, 1996, and 1997. He holds a in from Dayal Singh College in and has been married to actress since 2005, following his first marriage to Rukhsana Noor (d. 2017), with whom he has four children. Noor suffered a mild in 2011 but has continued to influence the industry through projects addressing social issues, such as honor killings.

Early years

Birth and family background

Syed Ghulam Mohyuddin Noor, professionally known as Syed Noor, was born on February 21, 1951, in , . He was the son of Syed Ahmad and grew up in a middle-class family with deep roots in the region. , a historic cultural center, provided a formative environment for Noor's early years, especially in the years following the 1947 , when the city became a hub for displaced artists and a vibrant scene for Punjabi and arts. The post-partition era saw emerge as Pakistan's cultural capital, with thriving traditions in theater, music, and that reflected resilience amid social upheaval. This immersive atmosphere in post-partition Lahore, marked by community storytelling and artistic expression, shaped Noor's foundational interests in narrative forms and journalism, influencing his path toward education and eventual media involvement.

Education and early influences

Syed Noor completed his schooling in , a city renowned as a cultural center in . Following this, he enrolled at Government Dyal Singh College in , where he obtained a in . During his time at college, Noor gained substantial exposure to journalism and writing through coursework and academic projects, which cultivated his foundational skills in narrative construction and media communication. This educational environment played a pivotal role in shaping his understanding of storytelling techniques essential for media production. Noor's early interest in the media was further sparked by the dynamic cultural milieu of Lahore, including local theater performances and radio programming that captivated audiences in the mid-20th century. Prior to entering the professional sphere, Noor participated in student journalism initiatives and cultural clubs at his college, activities that allowed him to practice reporting, scriptwriting, and collaborative creative endeavors, thereby refining his ability to craft engaging stories.

Professional career

Entry into the film industry

Syed Noor entered the Pakistani in 1970, joining as an under the mentorship of veteran filmmaker S. Suleman. This initial role marked his transition from a background in , where his in the field provided foundational skills in structuring that later informed his cinematic work. Over the next five years, Noor assisted Suleman on 18 feature films, immersing himself in the practical aspects of production, including set management, coordination with crews, and the fundamentals of visual storytelling. During this period, Noor navigated the early challenges of a in decline, particularly following the 1971 separation of , which resulted in the loss of a significant market and led to reduced production and financial instability across the industry. The also saw the emergence of video cassette recorders (VCRs), which diverted audiences toward imported films and exacerbated the local sector's struggles with limited resources and competition. Despite these obstacles, Noor's assistant work allowed him to learn script development and production basics hands-on, honing his understanding of the industry's operational dynamics in an era of contraction. By the mid-1970s, Noor secured his first credited assistant roles on several projects, contributing to their execution while building essential networks with emerging actors, writers, and technicians in Lahore's film circles. These experiences solidified his position within the community, laying the groundwork for his future contributions amid Lollywood's ongoing turbulence.

Screenwriting achievements

Syed Noor began his screenwriting career in 1976 with the Urdu film Society Girl, directed by Sangeeta, which became a major commercial success and was recognized as one of the year's best films. This debut marked his transition from assisting director S. Suleman on 18 films starting in 1970 to becoming a lead screenwriter. Between 1976 and 1992, Noor penned approximately 250 to 300 screenplays for and Punjabi films, collaborating with prominent directors and contributing significantly to Lollywood's output during a prolific era. His scripts often explored romance and family dramas, blending emotional narratives with musical elements to appeal to broad audiences. Early works like Society Girl addressed social perceptions of modern, urban women, touching on cultural tensions between tradition and Western influences in Pakistani society. Noor's evolution as a influenced genre blends in Pakistani cinema, shifting focus toward Urdu-language stories while sustaining Punjabi productions, and earning him accolades such as the Nigar Award for Best Screenplay. His emphasis on entertainment-driven plots with underlying helped revitalize audience interest in local films amid competition from foreign cinema.

Directing milestones

Syed Noor made his directorial debut with the Punjabi film Qasam in 1993, marking his transition from screenwriting to behind-the-camera work. Over his career, he has directed a total of 55 films, skillfully blending and Punjabi languages to appeal to diverse audiences in Pakistan's cinema landscape. A key milestone in Noor's directing career came in the mid-1990s when he played a pivotal role in reviving , which had been declining amid the dominance of Punjabi films. His second film, Jeeva (1995), introduced fresh narratives and debuted actors like and , helping to reinvigorate interest in Urdu storytelling. This was followed by Sargam (1995), a musical romance that further boosted the genre's popularity through its innovative integration of song sequences and emotional depth. Noor expanded his success into with Choorian (1998), a blockbuster that became one of Pakistan's highest-grossing films, earning approximately Rs 200 million and running for 290 weeks in theaters. The film's blend of action, romance, and resonated widely, solidifying Noor's reputation for commercially viable storytelling. Another Punjabi triumph was Majajan (2006), inspired by the life and poetry of Sufi saint , which offered on , , and rural life while achieving massive box-office success and running for more than 300 weeks. Noor's directorial style emphasized musical elements, as seen in Sargam, where elaborate song-and-dance routines enhanced emotional narratives, and , evident in Majajan's exploration of cultural and spiritual themes. He also significantly impacted the industry by launching and promoting talents like , whom he frequently cast as a leading lady, and , whose career took off with Jeeva. Many of his directed films were self-written, allowing seamless integration of his scripting vision with on-screen execution. His most recent directorial effort, (2022), a Punjabi drama starring , continued his tradition of family-oriented stories rooted in cultural traditions.

Production and media education efforts

Syed Noor established Paragon Studios as a platform for his production endeavors in the Pakistani , enabling him to oversee the creation of commercially successful projects. Notable among these is the 2006 Punjabi-language film Majajan, a romantic drama that achieved significant box-office success and ran in cinemas for an extended period, reflecting his focus on culturally resonant storytelling. Beyond production, Noor has advanced media education through the establishment of the Paragon Academy of Performing Arts (PAPA) in . Founded by him and located on Multan Road, the academy offers structured courses in and , serving as a formal alternative to the traditional model prevalent in Pakistan's cinema sector. This initiative aims to equip emerging talents with professional skills in areas such as directing, , and technical production. In May 2025, Noor announced plans to produce a Seraiki-language , continuing his efforts to promote regional cinema. Noor has been a vocal advocate for the revival of , emphasizing institutional support to address longstanding challenges like inadequate infrastructure and limited global outreach. He has urged the government to reinstate the National Film Development Corporation (NAFDEC) and create a dedicated ministry for to foster international collaborations, drawing parallels to India's growth. Additionally, he has pushed for enhanced education in universities, advocating access to essential tools like cameras and lighting equipment to train future filmmakers effectively.

Personal life

Marriages and family

Syed Noor was first married to Rukhsana Noor, a , , and scriptwriter, from April 20, 1984, until her death on January 12, 2017, after a prolonged battle with cancer at the age of 58. Rukhsana Noor passed away in , leaving behind a legacy in and media. Noor entered his second marriage with actress on July 24, 2005, a union that remained private for several years. The marriage became public knowledge in 2007 when Saima confirmed it in an interview, noting that Noor's first wife had been unaware of it for four years and learned about it through reports. This revelation initially strained family dynamics, but Noor has described how the two wives eventually met amicably during a film shoot near their residence. From his first marriage, Noor has four children: three daughters and one son, Shazil Noor. Shazil, who was young at the time of his mother's passing, has spoken publicly about initial toward his Saima but ultimately accepting her role in the family, highlighting the gradual harmony achieved. No children have been reported from his second marriage. The family provided crucial support to Noor during the highs of his career and the challenges of industry downturns, though details remain limited as Noor has consistently prioritized privacy in his personal affairs amid public fame. Professionally, Noor's collaborations with Saima in films like Ghunghat (1996) intersected with their personal relationship, where he played a key role in advancing her career.

Health and later activities

Syed Noor suffered a mild in December 2011, from which he fully recovered, allowing him to continue his career. Following the passing of his wife, Rukhsana Noor, from in January 2017, Syed Noor navigated personal loss while maintaining his professional momentum in the film industry. In February 2025, he publicly disclosed the cause of her death during an , sparking but underscoring his ongoing reflections on and resilience amid continued creative pursuits. In his later years, Noor has remained actively engaged, with no reported major health impediments affecting his work as of 2025. He clarified in an April 2025 interview that recent changes to his appearance, which led to speculation about his well-being, were intentionally made for an advertisement shoot and not indicative of illness or depression. Demonstrating recovery and vitality, he participated in a creative writing workshop at Bahauddin Zakariya University in Multan in May 2025, where he fielded questions from students and faculty on the evolving film landscape. Noor's later activities include announcements of new projects, such as a forthcoming Seraiki-language he plans to write in consultation with the BZU Seraiki Study Centre, slated for production after completing his ongoing endeavors. During the workshop, he highlighted industry hurdles like writer unemployment and advocated for stronger emphasis on to revive Pakistani cinema. He has also voiced support for emerging talent, expressing in an August 2024 interview his pride in having introduced actress to films, groomed her professional image—including guidance on hairstyles and outfits—and openness to casting her in future roles if suitable opportunities arise, despite her not recognizing him as a mentor. In September and October 2025, Noor participated in interviews reflecting on his love story with Saima and offering insights on Pakistani cinema's evolution. These efforts reflect his commitment to mentoring without indications of retirement, as he continues critiquing television's oversight of seasoned directors like himself in 2023–2025 interviews.

Awards and honors

National and presidential awards

Syed Noor was conferred the , one of Pakistan's highest civilian honors, by President on March 23, 2013, in recognition of his outstanding contributions to the arts as a . The award, approved on August 14, 2012, highlights his pivotal role in revitalizing Pakistani cinema through direction, screenwriting, and production of commercially successful and culturally significant films. In addition to the , Noor has received several National Film Awards for his contributions to Pakistani cinema. This presidential accolade underscores Noor's enduring impact on the national , where he has been instrumental in promoting and that resonates with Pakistani audiences.

Industry and international recognitions

Syed Noor's contributions to Pakistani cinema have been recognized by prominent industry bodies through several prestigious awards. He received the Nigar Award for Best Film Director for his work on Jeeva in 1995, Sargam in 1996, and multiple projects in 1997, marking consecutive years of peer acknowledgment for his directorial prowess. His film Sargam notably swept eight categories at the 1995 Nigar Awards, including Best Film, underscoring its impact on the industry. In addition to the Nigar honors, Noor earned other notable industry accolades, such as the Graduate Award, Bolan Award, and Asian Award during his phase, reflecting early recognition for his narrative contributions. At the 6th in 2007, he won Best Film Director for Majajan, a Punjabi drama that highlighted his versatility across languages. Later, in 2015, the presented him with a Lifetime Achievement Award in Film, honoring his decades-long influence on Pakistani filmmaking during a ceremony attended by industry peers. On the international front, Noor has garnered nods through participation in global events, including an invitation to the in , where he represented Pakistani cinema alongside his wife, actress . This exposure highlighted his work to an international audience, fostering cross-cultural appreciation for productions.

Filmography and legacy

Key films as screenwriter

Syed Noor's debut as a came with the 1976 Urdu film Society Girl, directed by Sangeeta, which depicted the struggles of a young woman caught between modern aspirations and traditional societal pressures, marking a successful entry into social drama . Over the subsequent decades, particularly from the to the , Noor contributed to approximately 300 film scripts, with a significant portion being social dramas in and Punjabi that tackled women's issues and cultural conflicts, such as familial expectations and roles in Pakistani . A prominent non-directed example is Ishq Ishq (1977), also helmed by Sangeeta, which explored romantic entanglements amid social taboos and featured leading actor Nadeem in a pivotal role that highlighted emotional depth and cultural tensions. These scripts distinguished Noor by emphasizing narrative innovations like nuanced portrayals of female agency and societal , often without his directorial involvement in early works to focus purely on writing craft. His writing sustained the careers of established stars like Nadeem by providing layered characters in resonant stories that resonated during the industry's transitional phase, enabling sustained popularity through substantive roles rather than formulaic plots.

Key films as director and producer

Syed Noor's directorial debut came with the 1993 Urdu film Qasam, a family drama starring Nadeem Baig and Iram Hassan that explored themes of parental separation and childhood struggles, achieving commercial success at the box office. In 1998, he directed the Punjabi blockbuster Choorian, a romantic drama featuring Saima Noor and Moammar Rana, which became Pakistan's highest-grossing film of its time with earnings of Rs 200 million across limited screens. Noor returned to Punjabi cinema with Majajan in 2006, a passionate love story inspired by the life of poet Baba Bulleh Shah, starring Shabnam Chaudhry and Shafqat Cheema, emphasizing themes of unconditional devotion across social barriers. His most recent directorial effort, the 2022 Punjabi film Tere Bajre Di Rakhi, written and directed by Noor, starred Saima Noor, Jannat Mirza, and Abdullah Khan, focusing on familial emotions and rural traditions, with music by Zulfiqar Ali. As a producer, Noor established Paragon Studios to support filmmaking and talent development, producing the 2000 Urdu horror film Billi under this banner, which he also directed, starring Meera and Saima Noor in a story based on urban legends of a mysterious figure. Noor's production approach often involved budget-conscious innovations, such as maximizing limited resources through efficient shooting schedules and location versatility in rural Punjab, enabling high-impact films on modest investments compared to international standards. He frequently launched and promoted emerging actors, notably featuring in multiple lead and supporting roles across his projects, starting from her early appearances in films like Ghonghat (1996), which helped establish her as a prominent figure in Pakistani cinema. Among his upcoming productions through Paragon Studios are the sequel Aina 2, reuniting veterans Nadeem Baig and in a modern take on the classic 1977 romance, announced with a focus on dignified storytelling. Additionally, Noor has confirmed plans for Price of Honour, addressing honor killings; Bhai Wanted, a commercial venture; a Seraiki-language slated for production in late 2025; Lalkara Singh in Lahore expected for release in 2026; and a potential 2.

Influence on Pakistani cinema

Syed Noor is widely credited with playing a pivotal role in the revival of during the 1990s, a period when the Pakistani industry faced severe decline due to the influx of foreign videos and economic challenges. By producing issue-based films that blended and Punjabi elements to appeal to diverse audiences, he helped sustain domestic cinema through commercial successes that drew large crowds and provided financial stability to producers and theaters. Notable among these were blockbusters like Choorian (1998), a Punjabi-language that became one of the highest-grossing Pakistani movies of all time, reportedly earning over Rs. 200 million, thereby injecting vital economic boost into an ailing industry. Noor's influence extended to mentorship, where he launched the careers of several prominent actors, including Saima Noor in Choorian, Babar Ali in multiple projects, and Resham in early roles that elevated their stardom within Lollywood. His approach emphasized nurturing new talent alongside established stars, fostering a generation of performers who contributed to the industry's output during its transitional phase. Complementing this, Noor founded the Paragon Academy of Performing Arts in the early 2000s, serving as its chief executive to train aspiring filmmakers and actors in technical and creative skills, which has supported post-2000s talents amid the shift to digital production and helped bridge gaps in formal media education in Pakistan. Over his career spanning more than four decades, Noor wrote approximately 300 screenplays and directed 55 films, establishing a benchmark for prolific output in Pakistani cinema that underscored his commitment to consistent production despite industry fluctuations. This extensive body of work has influenced modern Pakistani filmmaking by prioritizing social themes such as family dynamics, rural-urban divides, and moral dilemmas, themes that resonate in contemporary productions addressing societal issues. In recent commentary from 2023 to 2025, Noor has highlighted the ongoing tension between industry decline—attributed to factors like high ticket prices and competition from streaming—and potential rise through affordable access and quality content, urging a return to culturally rooted narratives to reclaim Lollywood's vitality.

References

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  46. https://www.instagram.com/p/DOLKgaICPIC/
  47. https://www.instagram.com/p/DQIvgSMDAUS/
  48. http://www.brecorder.com/news/4075054
  49. https://www.thenews.com.pk/archive/print/420097-president-grants-different-awards-to-citizens-foreigners
  50. https://www.imdb.com/title/tt0237699/
  51. https://www.imdb.com/title/tt4524072/fullcredits/
  52. https://images.dawn.com/news/1173937/lux-style-awards-2015-and-the-award-goes-to
  53. https://www.urdupoint.com/en/showbiz/syed-noor-returns-from-iranian-film-festival-614675.html
  54. https://www.imdb.com/title/tt0248459/fullcredits/
  55. https://www.supernadeem.com/filmo3.htm
  56. https://www.imdb.com/title/tt0239855/
  57. https://www.allmovie.com/movie/qasam-am468076
  58. https://www.imdb.com/title/tt0937409/
  59. https://www.imdb.com/title/tt21070194/
  60. https://www.imdb.com/title/tt1240412/
  61. https://images.dawn.com/news/1175152/the-time-of-punjabi-cinema-is-over-says-syed-noor
  62. https://minutemirror.com.pk/syed-noor-opens-up-about-his-love-story-with-saima-432324/
  63. https://tribune.com.pk/story/1388096/cupid-strikes-sequel-lollywood-classic-aina-making
  64. https://www.youtube.com/watch?v=4J3hXkXwImA
  65. https://reviewit.pk/syed-noors-upcoming-film-bhai-wanted-whats-the-scope/
  66. https://www.instagram.com/p/C3nUVOwouDt/?hl=en
  67. https://www.instagram.com/reel/DG_Njq2I1Z2/
  68. https://tribune.com.pk/story/220009/syed-noor%E2%80%99s-struggles
  69. https://tribune.com.pk/story/9778/pakistan-yet-to-have-a-national-film-academy
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