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The Alien Factor
The Alien Factor
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The Alien Factor
Theatrical release poster
Directed byDon Dohler
Written byDon Dohler
Produced byDon Dohler
StarringDon Leifert
Tom Griffith
Richard Dyszel
Mary Mertens
Richard Geiwitz
George Stover
Eleanor Herman
Anne Frith
CinematographyBritt McDonough
Edited byDon Dohler
Dave Ellis
Music byKenneth Walker
Production
company
Cinemagic Visual Effects
Distributed byCinemagic Visual Effects
Release date
  • May 12, 1978 (1978-05-12)
Running time
80 minutes
CountryUnited States
LanguageEnglish
Budget$3,500

The Alien Factor is a 1978 science fiction horror film written, edited, produced, and directed by Don Dohler. The film centers on a small town that is besieged by three aliens that have crash-landed in the nearby forest. A mysterious stranger named "Ben Zachary" shows up claiming to be able to save the day. Can he do what he claims?[1]

Plot

[edit]

A spaceship crashes in a sparsely populated area of Earth and three horrific aliens survive the accident. The grotesque extraterrestrials soon begin to terrorize the local residents, until one intrepid soul named "Ben Zachary" chooses to fight back.

Cast

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  • Don Leifert as Ben Zachary
  • Tom Griffith as Sheriff Cinder
  • Richard Dyszel as Mayor Wicker
  • Mary Mertens as Edie Martin
  • Richard Geiwitz as Pete
  • George Stover as Steven
  • Eleanor Herman as Mary Jane Carter
  • Anne Frith as Dr. Ruth Sherman

Larry Schlechter and John Cosentino starred as the Inferbyce and Zagatile aliens respectively.

Production

[edit]

The Alien Factor became the directorial debut of Don Dohler who after working as a payroll manager for a restaurant chain for 12 years moved into film-making after being laid off from his position.[2] The initial script was written as a comedy titled Lance Sterling, Monster Killer which would've called for 15 different monsters to be created, before Dohler and his crew decided it would be more prudent to do a straight horror film with only three monsters.[2] The creature suits for the Inferbyce and Zagtile were built and designed by Larry Schlechter and John Cosentino respectively, while the Leemoid was created through stop motion animation which Ernest D. Farino was responsible for along with the design of the creature using earlier designs by Britt McDonough and Tim Hammell.[2] Filming was done sporadically from October 1976 through April 1977 in and around the Baltimore, Maryland area.[2]

Release

[edit]

Home media

[edit]

The film was released on DVD by Retromedia Entertainment on February 26, 2002. Image Entertainment released the film on November 15, 2005 as a part of its Don Dohler Collection. It was last released by Mill Creek Entertainment on July 19, 2011.[3]

It was very popular on release and garnered much attention from the media, critics and people.

Reception

[edit]

TV Guide awarded the film a negative two out of five stars calling it "silly", also writing, "Only the undiscriminating will be able to sit through this one".[4] Dave Sindelar on his film review website Fantastic Movie Musings and Ramblings criticized the film's acting as "non-existent when it isn’t bad" and direction, which Sindelar equated to being "inspired by Larry Buchanan" and concluded that the film would only be of interest for bad movie fanatics.[5] Critical Outcast gave the film a negative review writing, "The Alien Factor is undeniably bad, but it does have a certain energy to it, credit for a guy who went out and just did it. I would not really recommend you go out of your way for it. It is not a good movie, just admirable for the conditions under which it was made."[6] VideoHound's Golden Movie Retriever awarded the film one and a half out of four bones, noting that the film had "decent special effects".[7]

Sequel

[edit]

Alien Factor 2: Alien Rampage was released in 2001.[8] The film was not actually a sequel.[citation needed] Retromedia distributor Fred Olen Ray chose the sequel-sounding title to market the film on DVD in 2002.[citation needed] The original title for The Alien Factor 2 was Alien Rampage.[citation needed] Alien Rampage was filmed in 1999 and was Don Dohler's comeback movie after an 11-year hiatus from filmmaking.[citation needed]

Dread Central called the film "a crushing bore" and said it lacked Dohler's usual "hokey B-movie charm".[9]

References

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Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
The Alien Factor is a 1978 American independent written, produced, and directed by . The story centers on a spaceship carrying extraterrestrial creatures for an intergalactic zoo that crashes near a rural town, allowing the monsters—including the reptilian Leemoid, the gooey Inferbyce, and the furry Zagatile—to escape and terrorize the local population. A mysterious stranger named Ben Zachary arrives to combat the aliens and restore order. Shot on a low budget in the rural areas, bars, and backyards of , the film stars Don Leifert as Ben Zachary, alongside Tom Griffith and Richard Dyszel, and features practical effects like spray-painted costumes and stop-motion animation created by Dohler's , . Released directly to regional theaters and drive-ins, The Alien Factor runs 80 minutes and pays homage to , marking Dohler's directorial debut and establishing him as a pioneer in 's independent horror cinema scene. Despite mixed reception, with an user rating of 3.9/10 (as of November 2025) and a audience score of 30%, it has garnered a for its earnest low-budget charm and enthusiastic monster mayhem.

Plot and characters

Plot summary

In rural , a spaceship transporting zoological specimens for an intergalactic crash-lands in a remote area, allowing three dangerous aliens to escape into the surrounding woods. The creatures include the Leemoid, a reptilian stop-motion animated entity; the Inferbyce, an insectoid beast with a shelled and ; and the Zagatile, a tall furry sasquatch-like figure. Soon after, the aliens begin terrorizing local residents: a teenage couple parked in a is attacked by the Leemoid, resulting in the boyfriend's death; a group of hunters is slaughtered by the Zagatile in the woods; and the town mayor, while investigating strange reports to protect an upcoming project, is brutally decapitated by one of the beasts during a nighttime pursuit. The local , leading the investigation amid growing panic, encounters the aliens multiple times, including a tense chase where he narrowly escapes the Inferbyce. At a local bar, townsfolk gather to discuss the bizarre killings over drinks and a live band performance, unaware of the extraterrestrial threat lurking nearby. Enter Ben , a mysterious expert on alien life who arrives in town and briefs the on the crashed vessel's origins, revealing it as a transport for captured specimens from . , portrayed as a knowledgeable adventurer (with Don Leifert in the role), takes charge by tracking the creatures through the dense forest, using specialized equipment to confront them. In the climactic sequence, employs a high-frequency sound device to eliminate the Leemoid and a ray gun to dispatch the Inferbyce during a fierce battle. He then faces off against the Zagatile near the spaceship remnants, ultimately defeating the furry creature with his weaponry and confirming the craft's purpose as a vessel for the escaped animals. However, in a tragic twist, the mistakenly shoots Zachary during the final confrontation, mistaking him for one of the threats, leaving the town safe but the hero's fate ambiguous amid the wreckage.

Cast

The cast of The Alien Factor draws primarily from local Baltimore talent, reflecting the film's low-budget, independent production roots in the regional filmmaking scene led by director . Many performers were recurring collaborators in Dohler's oeuvre, contributing to the film's intimate, community-driven ensemble dynamic that underscores its amateur yet earnest sci-fi horror tone. Key roles include Don Leifert as Ben Zachary, the enigmatic outsider and alien expert who brings crucial knowledge to the unfolding crisis; Tom Griffith as Sheriff Jack Cinder, the pragmatic and doubtful local law enforcer; and Richard Dyszel as Mayor Wicker, the comically inept town leader navigating the threat. Supporting the core trio are Mary Mertens as Edie Martin, a concerned civilian; Richard Geiwitz as Pete, a deputy; George Stover as Sgt. Paul Tanner, a reliable officer in the sheriff's team; Eleanor Herman as Miss Brooks, a community member; and Anne Frith as Dr. Ruth Sherman, another resident entangled in the events. The extraterrestrial antagonists are brought to life by Larry Schlechter as the Inferbyce alien and John Cosentino as the Zagatile alien, enhancing the film's creature-feature elements through practical performances.

Production

Development

Don Dohler, a Baltimore-based enthusiast of science fiction and horror cinema, transitioned from publishing the fanzine Cinemagic—which he founded in 1972 to provide practical advice for aspiring low-budget filmmakers—to directing his first feature film after a near-fatal robbery in 1976 motivated him to pursue his cinematic ambitions full-time. His early influences included 1950s creature features such as Creature from the Black Lagoon (1954), which shaped his interest in practical effects and monster-driven narratives. Dohler penned the screenplay for The Alien Factor in 1976, incorporating classic alien invasion tropes while introducing a distinctive premise of extraterrestrial "zoological specimens" escaping from a crashed ship to terrorize a rural community. This script marked his directorial debut, emphasizing straightforward entertainment over complex messaging, and was produced under his company, Cinemagic Visual Effects. The film's total budget was approximately $3,500, funded by Dohler and a small group of investors including family members, who faced significant hurdles in assembling a minimal and due to the shoestring financing and reliance on amateur resources. involved recruiting a small drawn from Cinemagic subscribers and local contacts, highlighting the project's grassroots origins. Casting prioritized local non-professionals from the area, including family members, friends, semi-professional actors, and regional media personalities to fill roles with minimal costs. Dohler and his effects collaborators sketched initial concepts for the film's alien creatures during this phase, focusing on feasible practical designs suitable for the production's scale. The team planned to shoot on 16mm film to accommodate the limited resources while aiming for a professional enough quality for eventual distribution.

Filming and effects

Principal photography for The Alien Factor occurred intermittently from October 1976 to March 1977, capturing scenes in and around , , including rural forests, local taverns for interior dialogues, and backyards to evoke a small-town setting. Specific locations encompassed Perry Hall and other Baltimore County sites, allowing the production to utilize accessible outdoor environments for alien encounter sequences. Cinematography was led by Britt McDonough, who employed handheld 16mm cameras to film the action, resulting in a raw, documentary-like style. The amateur crew encountered significant challenges with inconsistent in outdoor night scenes and rudimentary sound capture, as the equipment lacked professional capabilities, often requiring fixes. Dohler, drawing from his background in , directed the shoots while the team navigated these limitations through . Special effects emphasized practical techniques suited to the low-budget constraints, with alien costumes constructed as wearable suits: Larry Schlechter designed and portrayed the insect-like Inferbyce, while John Cosentino created and performed as the tall, Zagatile. Stop-motion brought the tentacled Leemoid to life, handled by Ernest D. Farino, whose work added dynamic creature movements to key attack scenes. Gore details, including fake blood and improvised props sourced from everyday materials, were integrated to heighten the horror elements, underscoring the film's resourceful, homegrown production values.

Release

Theatrical release

The Alien Factor premiered on May 12, 1978, in theaters in , , marking its initial limited screening as an independent production. Following the premiere, the film was primarily distributed through television syndication. In 1977, prior to its theatrical debut, Dohler sold The Alien Factor to a television distributor as part of a 15-movie package, leading to airings across the and in some Spanish-speaking countries. Distributed by Don Dohler's Cinemagic Films, it had no wide theatrical release, with screenings limited to local venues.

Home media

The film was first made available on home video through VHS releases in the early 1980s, distributed by Media Home Entertainment in 1984 and VCI Entertainment, becoming a common sight in video rental stores during the burgeoning home video era. DVD editions followed in the 2000s, beginning with Retromedia Entertainment's release on February 26, 2002, which presented the film in its original aspect ratio without additional extras. Image Entertainment issued a double-feature DVD titled Alien Fiend: The Don Dohler Collection on November 15, 2005, pairing The Alien Factor with Dohler's 1980 film Fiend and including bonus materials such as an audio commentary track by director Don Dohler and actor Richard Dyszel, as well as interviews and a photo gallery. In 2011, Mill Creek Entertainment included the film in its expansive Sci-Fi Invasion 50-movie pack on July 19, offering a budget-friendly multi-disc set that bundled The Alien Factor with other low-budget science fiction titles from the era. Blu-ray availability arrived later, with Retromedia releasing a limited edition on June 14, 2016, restricted to 1,000 copies signed by actor George Stover and featuring restored visuals, an , and extras. Retromedia rereleased the film on Blu-ray in an on-demand manufactured-on-demand (MOD) format in August 2024, accessible via digital platforms and including supplements like a cast reunion , an alternate creature sequence with commentary, bloopers, and an original trailer. No 4K UHD upgrades have been announced as of November 2025. By the 2020s, The Alien Factor gained wider digital accessibility through free streaming services. The full film has been available on since February 10, 2022, uploaded by distributor TriCoast Worldwide. As of November 2025, it streams ad-supported on and , providing easy access for modern audiences without . International home media releases have been limited, primarily focused on the U.S. market, though tapes appeared in during the 1980s via regional distributors, including PAL-formatted big-box editions in the UK.

Reception

Contemporary reviews

Upon its in 1978, The Alien Factor received predominantly negative reviews from critics, who highlighted its low-budget production and amateurish elements while occasionally noting strengths in its creature designs. In the , VideoHound's Golden Movie Retriever rated it 1.5 out of 4 bones, praising the decent stop-motion effects despite the evident low production values.

Modern assessment

In modern assessments, The Alien Factor has garnered a mixed but increasingly appreciative reception, often reevaluated through the lens of its status as an early indie horror production made on a $3,500 budget. Critics highlight its charm deriving from the "cheesiness" and DIY ethos, with the film's low-fi aesthetic now seen as endearing rather than deficient compared to the harsher judgments of reviewers who dismissed it as amateurish. On , as of November 2025, the film has no Tomatometer score (based on 1 review), while the audience score stands at 30% from over 500 ratings, where viewers frequently praise its nostalgic, so-bad-it's-good appeal and unpretentious fun. Similarly, users rate it 3.9 out of 10 from 1,470 votes, as of November 2025, with many comments emphasizing its nostalgic value as a late-night TV staple from childhood viewings that evokes fond, ironic enjoyment despite technical flaws. Retrospective analyses in genre publications from the 2000s onward laud the film's practical effects innovations, particularly the handmade alien costumes and makeup achieved on a micro-budget, positioning it as a testament to resourceful independent filmmaking. The 2024 entry in The Encyclopedia of Science Fiction acknowledges the reasonable premise of escaped alien zoo specimens but critiques the cliché-laden scripting, viewing it as a foundational example of regional American horror with original, if rudimentary, creature designs like the satyr-like and insectoid aliens. In broader discussions of indie horror history during the , the film is cited as an early precursor to low-budget that influenced later DIY trends, with its alien designs analyzed for their quirky originality in blending folklore-inspired elements with sci-fi tropes, though scholarly works prioritize its cultural role over artistic merit.

Legacy

Cult status

The Alien Factor has cultivated a dedicated among enthusiasts of low-budget and horror cinema, emerging as a quintessential example of regional American filmmaking from the late 1970s. Its grassroots appeal grew through the boom of the and , where releases made it accessible to B-movie collectors and traders seeking obscure genre titles, often bundled in schlock horror compilations that celebrated its DIY charm and amateur effects. The film's reputation as a "so-bad-it's-good" entry was further amplified by its selection for riffing by , the live commentary group formed by alumni of , whose 2010 DVD release of their performance on the film introduced it to a broader audience of bad-movie aficionados. Fan communities have sustained the film's legacy through events and preservation efforts. Screenings occur at genre festivals, including retrospectives during the at Maryland-based gatherings honoring local filmmakers and a 2025 presentation at the Imagine Fantastic Film Festival in as part of its "Straight to Video" program spotlighting cult obscurities. Dedicated fan groups maintain memorabilia, with items such as posters, T-shirts, and production artifacts traded and sold through specialty outlets for collectors. Online, the movie enjoys ongoing engagement in genre discussions, with user reviews on sites like praising its quotable dialogue, earnest monster designs, and unintentional humor as hallmarks of B-movie endearment. YouTube channels dedicated to cult reviews frequently highlight memorable lines like those delivered by the enigmatic character played by Don Leifert, fostering comment sections alive with nostalgic appreciation. The Alien Factor's influence extends to inspiring subsequent generations of independent filmmakers, particularly in regional horror, by exemplifying ultra-low-budget production techniques using practical effects and local talent—approaches that empowered DIY creators in the pre-digital era. By 2025, it remains a fixture in B-movie marathons, valued for its unpolished authenticity amid a revival of interest in 1970s outsider cinema.

Sequel

Alien Factor 2: The Alien Rampage is a 2001 American independent directed by . The movie has a runtime of 75 minutes. Produced on an ultra-low estimated at around $35,000, it serves as a to the original The Alien Factor, sharing thematic elements of alien invasions in rural settings but featuring an entirely new cast of characters and storyline without direct narrative continuity. The plot centers on a small town in that becomes trapped within an electric forcefield created by a rampaging alien, which has escaped from a government facility and begins terrorizing the residents. Local and FBI agents must collaborate to exploit the creature's weaknesses using available resources to break the barrier and defeat the invader, emphasizing themes of isolation and human resilience against extraterrestrial threats similar to the original film. Filming took place in 1999 around Baltimore, Maryland, Dohler's longtime production base, utilizing local talent and locations to maintain the grassroots style of his earlier works. Actor George Stover, a frequent collaborator in Dohler's films, reprises a supporting role, providing continuity in the ensemble. Special effects were handled by returning team members, including contributions from Phil Lister on digital enhancements, marking an evolution from the practical effects dominant in the 1978 original by incorporating early computer-generated elements for the alien and forcefield sequences. The film received a direct-to-video release in 2001 through Retromedia Entertainment, a distributor associated with producer , targeting the market for cult horror enthusiasts. It holds a 3.6 out of 10 rating on based on 212 user votes, reflecting mixed to negative reception for its pacing and production values, though some praise its enthusiastic low-budget energy. As of November 2025, it is available for streaming on platforms like Plex, though options remain limited outside of cult collections and unofficial uploads on sites like .

References

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