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The Littlest Angel
The Littlest Angel
The Littlest Angel
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The Littlest Angel is an American children's book by Charles Tazewell. It was first published in 1946, illustrated by Katherine Evans. It was reissued with different illustrators in 1962 and 1991. All the versions were published by Children's Press Inc. As of 2001 it was the fifteenth best-selling children's book of all time.[1] In a review of the 1991 edition, School Library Journal called it a "classic Christmas story."[2]

Key Information

Plot

[edit]

The story concerns a four-year-old boy who arrives in heaven but is unable to adapt to the heavenly life. He cannot sing, he is always late for prayers, and his robe and halo are always dirty. The other angels are bothered by him and he is miserable and lonely. Finally he is introduced to an Understanding Angel who asks what he really wants. He asks for a box of childhood treasures that he kept under his bed on Earth, and when he gets it he becomes happy and angelic. Then the birth of the Christ Child is announced and all the angels prepare their finest gifts for him. The Littlest Angel decides to give the child his own box of boyhood favorites. This gift pleases God so much that he causes it to mount into the sky, and it becomes the Star of Bethlehem.[3]

Radio play and book

[edit]

Charles Tazewell wrote the story in just three days in 1939 as a Christmas story for radio.[4] It was first broadcast in 1940 and rebroadcast multiple times, read by narrators including Ethel Barrymore, Helen Hayes, and Loretta Young.[5] The book version, illustrated by Katherine Evans, was published in 1946.[6] It was reissued in 1962 with illustrations by Sergio Leone, and again in 1991 with illustrations by Paul Micich. At the time of Tazewell's death in 1972, The Littlest Angel was in its 38th printing.[4] As of 2001 the book had sold more than 5 million copies.[7]

Recordings

[edit]

The story was recorded by many well-known actors, including Joan Crawford and Bob Keeshan ("Captain Kangaroo").[4] Loretta Young made a recording of the story for Decca Records released in 1950.[8] The McGuire Sisters recorded a song based on the story.[5] Bing Crosby also recorded the song for his 1962 album I Wish You a Merry Christmas.[9]

Films

[edit]

The Littlest Angel was adapted into several films.[4] A semi-animated version of the story (much of the motion created by "panning" the camera across the artwork) was produced in 1950 by Coronet Films, and was widely distributed in 16mm for church and school showings.[10] In 1969 it was presented on NBC as a Hallmark Hall of Fame musical production, and repeated for multiple subsequent Christmas seasons.[11] Johnny Whitaker portrayed the Littlest Angel, with Fred Gwynne as the Understanding Angel (adapted to be Patience, the Guardian Angel); other performers included Cab Calloway, John McGiver, Tony Randall, George Rose, Connie Stevens, and E. G. Marshall as God.[5] The soundtrack album peaked at #33 on Billboard's Best Best For Christmas album chart on December 26, 1970.[12] An animated version was produced in 2011; the voice cast included Caleb Wolfe as the Littlest Angel, Ed Kelly as his dog, and Ron Perlman as God.[13][14]

Reviews

[edit]

Margaret Redfield of the Los Angeles Times wrote, "Probably not since Dickens wrote A Christmas Carol has anyone made Christmas so peculiarly his own as Charles Tazewell, author of The Littlest Angel".[15]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

The Littlest Angel

View on Grokipedia
from Grokipedia
The Littlest Angel is a children's written by American author Charles Tazewell, first published in book form in 1946 and illustrated by Katherine Evans. The narrative follows an unnamed young boy who arrives in heaven as the littlest angel, where his clumsy and homesick nature causes constant mishaps among the celestial order. Guided by the Understanding Angel, he eventually offers a humble, earthly treasure box as a gift for the newborn , which God transforms into the , symbolizing the value of sincere giving. Originally conceived in 1939 as an unproduced radio script that Tazewell completed in just three days, the story drew from his experiences writing for children's radio programs and his interest in heartfelt, moral tales. Tazewell, born in 1900 in Chesterfield, , was a prolific of juvenile , though The Littlest Angel became his most enduring work, remaining in print continuously since its debut and selling over seven million copies worldwide. The book has seen multiple reissues with new illustrations, including editions in 1962 and 1991 by Ideals Children's Books, targeting readers aged 4 to 8. The story's popularity led to numerous adaptations across media, including radio broadcasts, films, television specials, and stage productions. In 1950, it inspired a short animated produced by . This was followed by a 1969 television musical () starring child actor as the littlest angel and featuring music by and . Animated versions include a 1997 release and a 2011 special, both emphasizing the tale's themes of adjustment and redemption in a heavenly setting. Recordings, such as Bing Crosby's 1950 narration set to music, have also contributed to its status as a staple. As a perennial Christmas classic, The Littlest Angel explores themes of imperfection, belonging, and the true meaning of gifts, resonating with generations through its simple yet poignant message that even the smallest contributions hold divine worth. Its enduring appeal lies in Tazewell's ability to blend whimsy with spiritual insight, making it a foundational text in American children's holiday literature.

Origins and Publication

Authorship and Creation

Charles Tazewell, born on June 2, 1900, in , was a prolific known for his work in , poetry, and . He began his writing career in , contributing scripts to radio programs and later authoring several beloved children's books with holiday themes. Among his notable works is (1947), a story about a that carried Mary to , which was adapted into an animated short in 1978. Tazewell's style often emphasized emotional depth and moral lessons, drawing from his experiences in theater and broadcasting. The Littlest Angel originated as an unproduced radio script penned by Tazewell in 1939, crafted over just three days as a heartwarming about a young boy's challenges adjusting to life in heaven. The story reflects Tazewell's focus on the inner worlds of children, particularly their feelings of displacement and longing during festive times. It was first broadcast on radio in 1940, marking its debut to audiences before any print adaptation. Following , the script transitioned to book form, published in 1946 by Children's Press with illustrations by Katherine Evans. This timing aligned with a growing public appetite for uplifting, family-oriented tales amid postwar recovery, propelling the story to widespread popularity and continuous reprints.

Book Editions

The Littlest Angel was first published in 1946 by Children's Press, Inc., in as a 32-page children's , illustrated by Katherine Evans with soft watercolor depictions of heavenly and earthly scenes. The book quickly gained traction as a favorite, selling over seven million copies worldwide and establishing itself as a perennial bestseller among . Subsequent editions maintained the core text while updating visuals to reflect evolving artistic trends. The 1962 revised edition, published by Ideals Publishing Corporation, featured new illustrations by , shifting toward a more vibrant and detailed style compared to the original's gentle watercolors. In 1991, Ideals Children's Books released another edition with artwork by Paul Micich, emphasizing whimsical, expressive angel figures to appeal to contemporary young readers. The 2001 hardcover edition from the same publisher preserved the classic narrative in a durable format, continuing the tradition of refreshed illustrations to sustain its holiday appeal. Across editions, minor textual adjustments appeared in abridged formats, such as board books, to suit younger audiences by simplifying phrasing without altering the story's essence. Illustration styles evolved from Evans's realistic, ethereal portrayals to more playful and colorful interpretations in later versions, enhancing accessibility for new generations. The publisher transitioned from Children's Press to Ideals Publications starting in the early , with Ideals specializing in inspirational, family-oriented holiday books that aligned with the story's themes of wonder and giving. This shift supported the book's ongoing success through targeted seasonal releases and varied bindings, including gift sets and keepsakes.

Plot and Themes

Synopsis

The Littlest Angel centers on a four-year-old shepherd boy from ancient who dies and arrives in heaven exactly four years, six months, five days, seven hours and forty-two minutes of age, where he is dubbed the "Littlest " due to his youth and inexperience. Upon arrival, the Littlest Angel presents himself at the heavenly gates but immediately struggles with adjustment, feeling profound homesickness for his earthly life among the hills and flocks. In heaven, the Littlest Angel's mischief disrupts the celestial order; he fumbles his playing, trips over clouds, and arrives late to celestial lessons, earning the patient guidance of the Understanding Angel, who helps temper his restless energy. Despite these efforts, his longing persists, leading the Understanding Angel to retrieve a small wooden box containing his cherished earthly treasures: a with golden wings captured one bright summer day on the hills above , a sky-blue egg from a ’s nest in the tree that shaded his ’s kitchen door, two white stones found on a muddy river bank where he and his friends had played, and a limp, tooth-marked leather strap once worn as a collar by his —items dismissed by other angels as mere "trash." As heaven prepares for the arrival of the , all angels select magnificent , but the Littlest Angel, unsure what to offer, presents his humble box in a moment of vulnerability. The Understanding Angel conveys it to , who deems it the most precious of all for its sincere devotion, transforming the contents into the radiant to guide the world to the newborn Savior. The narrative unfolds in third-person omniscient style from a heavenly vantage, infused with childlike wonder and gentle humor.

Key Themes

The story of The Littlest Angel delves into the theme of and adjustment by portraying the , a young known as the Littlest Angel, as a grappling with the transition to the following his untimely death on . Arriving at precisely "four years, six months, five days, seven hours and forty-two minutes of age," the Littlest Angel embodies unspoiled childhood purity but is overwhelmed by , leading to disruptive behaviors such as hiding under the golden steps or flinging his halo like a hoop. This depiction illustrates not as an immediate paradise of ease, but as a realm demanding patience and growth, where the Littlest Angel's mirrors the emotional challenges of bereavement and adaptation for young souls. Central to the narrative is the value of ordinary gifts, emphasizing that sincere, imperfect offerings surpass grandiose displays in spiritual worth. The Littlest Angel's humble "small, rough, unsightly box" contains everyday earthly treasures—a "butterfly with golden wings," a "sky-blue egg," "two white stones," and a "limp, tooth-marked leather strap"—collected from his life on , symbolizing the unadulterated love a can offer to the newborn Christ. When he presents this box as his contribution to the heavenly gifts for the Nativity, it underscores how heartfelt simplicity, drawn from personal vulnerability, holds profound meaning over perfection. Theological motifs weave through the tale via childlike faith and the miracle of Bethlehem's star, representing divine acceptance of genuine sincerity amid subtle Christian undertones that avoid prescriptive doctrine. The Littlest Angel's unwavering belief in sharing his treasures, despite his inadequacies, leads to God's declaration that "of all the gifts... this small box pleased me most," transforming the box's contents into the radiant Star of Bethlehem to guide the wise men. This act highlights a theology of grace, where innocence and earnest intent invite miraculous affirmation, portraying faith as accessible and redemptive for the imperfect. Emotionally, the story resonates through themes of redemption achieved via , contrasting the flawless harmony of with the raw imperfections of human experience. The Littlest Angel's tearful struggles and clumsy halo-dropping moments evoke , culminating in his redemption when his vulnerable elevates him from outcast to honored contributor, affirming that earthly flaws can bridge to divine purpose. Recurring motifs reinforce this, such as everyday earthly items gaining sacred status through their association with pure affection, and the nurturing role of guardian figures like the "Understanding Angel," who compassionately guides the Littlest Angel, embodying as a heavenly virtue.

Adaptations

Radio and Audio Versions

The radio adaptations of The Littlest Angel began with an initial broadcast in , followed by numerous rebroadcasts and standalone productions through the , often featuring celebrity narrators on networks including , , and Mutual. These audio versions emphasized narrative storytelling with minimal production embellishments, focusing on the tale's emotional core through and subtle sound effects to evoke heavenly realms, such as echoes and harp-like tones for celestial scenes. Runtimes typically ranged from 20 to 30 minutes, allowing for dramatic pauses that heightened the story's poignant moments while maintaining fidelity to Charles Tazewell's original script, including voice portrayals for the angels without added musical scores in the earliest iterations. A prominent early production aired on CBS's Inner Sanctum Mysteries on December 25, 1945, starring as narrator, which captured the story's themes of adjustment and redemption through Hayes's expressive delivery and period-appropriate . In the late 1940s, provided narration for radio versions, contributing her acclaimed dramatic style to holiday broadcasts that aired multiple times seasonally. The tale received further exposure on and throughout the decade, with rebroadcasts emphasizing its appeal as a family-oriented program. One of the most enduring radio adaptations was the Family Theater presentation on the , narrated by , which premiered on December 21, 1949, and was repeated the following year on December 27, 1950. This 29-minute episode featured an in-studio orchestra for transitional effects but adhered closely to the book's and structure, with Young's warm narration enhancing the angelic characters' interactions. These Family Theater airings, produced in cooperation with the network's family-oriented mission, were replayed annually through the on various stations, solidifying the story's place in holiday radio programming. Commercial audio recordings emerged in the 1950s, transitioning the story from broadcast to home listening formats. released a three-disc 45 RPM vinyl album in 1950, narrated by with orchestral accompaniment directed by and featuring the Ken Darby Choir, which ran approximately 25 minutes and closely mirrored the radio script while introducing light musical underscoring for heavenly ambiance. That same year, recorded a narration set to music for , further popularizing the story through his holiday recordings. Later adaptations included cassette tapes in the 1990s, such as a 1997 Nova Audio Books release, and CD versions like a 2000s recording narrated by , preserving the narrative's dramatic pauses and voice acting for broader accessibility. Today, these radio and audio versions remain available through archival rebroadcasts on old-time radio enthusiast platforms and digital streaming services, including Audible editions of the original text since the early , allowing modern audiences to experience the productions' timeless and faithful .

Film and Television Adaptations

The first screen adaptation of The Littlest Angel was a 1950 animated short film produced by in collaboration with animator . This 10-minute educational production utilized simple to depict key scenes from the story, targeting school and church audiences to teach moral lessons about and acceptance. Distributed in 16mm format, it featured techniques typical of postwar instructional films, focusing on the young angel's adjustment to the without elaborate effects. The most prominent adaptation arrived nearly two decades later as a 1969 Hallmark Hall of Fame television musical, broadcast on NBC and directed by Joe Layton. This 75-minute special starred Johnny Whitaker as the young angel Michael, Fred Gwynne as his guardian angel Patience, Cab Calloway as the gatekeeper Gabriel, E.G. Marshall as the narrator voicing God, and Connie Stevens as the Angel of Tranquility, among other supporting roles including John McGiver and Tony Randall. Adapted from Charles Tazewell's book with screenplay contributions by Lan O'Kun and Patricia Thackray, it incorporated original songs such as "I'm Master of All I Survey" and "The Heavenly Ever After" to emphasize emotional moments, alongside dance sequences that expanded character interactions beyond the source material's concise narrative. The production deviated from the book by adding musical elements for dramatic pacing, portraying heaven with stylized, chroma-keyed backgrounds that blended live-action with ethereal visuals, though some airings included semi-animated flourishes for heavenly scenes. Originally airing on December 6, 1969, the special was repeated annually on during the seasons of the early , including confirmed rebroadcasts in 1970 and 1971, contributing to its status as a staple. It later received releases on and DVD, often in budget compilations of classic specials. No major theatrical films have been produced from the story, though excerpts have appeared in various television compilations. Later animated adaptations include a 1997 direct-to-video release, a 30-minute special produced by f.h.e. () featuring voices such as Maxine Miller as the Understanding Angel and Blu Mankuma as the gatekeeper, which highlights the boy's homesickness and gift to the through simple 2D animation. In 2011, a (CGI) animated feature titled The Littlest Angel was released direct-to-video and streamed on , directed by Dave Kim with a runtime of approximately 90 minutes, starring voices like C.J. Vemmer as Michael and emphasizing themes of adjustment in heaven with added adventures involving the boy's dog.

Stage Productions

The stage adaptations of The Littlest Angel have primarily taken the form of musicals and plays suitable for theater, schools, and churches, emphasizing family-friendly holiday performances with themes of redemption and heavenly wonder. These productions often feature simple staging to evoke celestial settings, making them accessible for community groups and youth ensembles. One of the earliest and most widely licensed musical adaptations is the version published by Dramatic Publishing Company in the , with a full script including songs that transform the story into a lively heavenly spectacle. Book and lyrics by Joseph Robinette and music by Diane Leslie, this one-hour musical accommodates a flexible cast of 10 to 30 performers of any gender, including children as angels, and incorporates solos like "Homesick" and "My Gift," a titled "The Little Things," and ensemble numbers for a chorus. It is designed for schools, churches, and amateur theaters, with worldwide licensing available at a minimum royalty of $90 per performance, and has received the Charlotte B. Chorpenning Award for its dramatic adaptation of Charles Tazewell's tale. Elements such as cloud backdrops, star projections, and minimal props enhance the ethereal atmosphere without requiring elaborate sets. For youth theater, Eldridge Plays offers a non-musical dramatic script titled Littlest Angel by Helen Roberts, tailored for children's performances with a 25-minute runtime and 13 speaking roles plus extras, focusing on the littlest 's mischievous journey to contribute to the Christ Child's arrival. This version suits smaller casts and emphasizes educational elements for young actors, allowing groups to stage it in community or school settings with straightforward heavenly preparations as the backdrop. Key productions include the annual holiday runs at Oglebay Institute's Towngate Theatre in , which has featured the Dramatic Publishing musical since at least 2019, with performances like the December 6–8 and 13–14 shows directed by P.D. Gregg and starring local actors in roles for a cast of around 15–20, including child performers as the angelic ensemble. Another notable example is the 2017 original musical adaptation by UpStage Theatre in , which premiered on December 2 and highlighted a youthful cast navigating the angel's transformation through custom songs and interactive staging. Church and nativity-focused variants, such as Spotlight Scripts' 20–30-minute play for ages 4–7, adapt the story as an inclusive nativity with a large cast of up to 60 children, teacher-led , short simple lines, and five original group songs emphasizing Christian educational themes like small acts of kindness and the birth of . These productions prioritize participation and confidence-building, using adaptable roles for narrators, angels, and shepherds in school halls or worship spaces. A recent example is the December 21, 2024, production at Blue Ocean Music Hall in , presented by The Actors Studio of Newburyport using their longstanding adaptation with book by Anna Smulowitz, lyrics by , and music by Mike Yelle, featuring matinee and evening shows for a family audience of 45–60 minutes with a chorus of young angels and simple starry sets. This version, which has run annually in the region for over 40 years, draws inspiration from earlier musical elements like those in the 1969 television adaptation to underscore inspirational staging.

Reception and Legacy

Critical Reception

Upon its publication in 1946, The Littlest Angel was praised by Book Review for its heartwarming depiction of a child's innocent struggle in heaven and its charming holiday appeal. The story's emotional depth resonated with readers, establishing it as a beloved narrative that emphasized themes of acceptance and selfless giving. In later assessments, such as a 1991 review of a reissued edition, School Library Journal hailed it as a "classic Christmas story," underscoring its timeless draw for young audiences and families. Aggregated reader feedback reflects this enduring popularity, with an average rating of 4.3 out of 5 on based on over 6,000 reviews. The 1969 television musical adaptation, starring as the titular angel, received mixed but generally favorable notices for its heartfelt message and strong performances. The New York Times commended the production for casting a "hypnotic spell" through its blend of whimsy and sincerity, particularly highlighting Whitaker's portrayal and the supporting cast including and . However, some reviewers pointed to pacing issues and overly precocious elements that occasionally disrupted the flow. The special holds an average user rating of 6.1 out of 10 on from over 400 votes, indicating solid but not exceptional reception among audiences. Critics have occasionally faulted the work for its sentimental tone, with some mid-20th-century observers viewing the narrative's overt emotionalism as overly maudlin for sophisticated tastes. Religious commentators have raised theological concerns, noting deviations from biblical angelology, such as depicting angels as deceased human children rather than distinct celestial beings, which conflicts with scriptural traditions. A 1964 critique in The Guardian, published by the Orthodox Presbyterian Church, lambasted the story's portrayal of heaven as depicted in a related television reading, calling it a "jolly" misrepresentation that provoked strong disapproval among conservative Christians. Additionally, the heaven in the tale has been described as bureaucratic and restrictive, lacking joy or suitability for children, which some see as diminishing its inspirational quality. Despite these points, the book's overall reception remains positive, valued for its family-oriented warmth over strict doctrinal adherence.

Cultural Influence

The Littlest Angel has embedded itself in American holiday traditions, with families incorporating annual readings during the Advent season to emphasize themes of and giving. Since the , the story has been featured in programs, including choral performances and activities that highlight its narrative of a child's innocent contribution to the Nativity. These practices underscore its role in fostering seasonal reflections on childlike faith and emotional authenticity within educational and familial settings. Commercially, the book has achieved enduring success, with over seven million copies sold since its 1946 publication, establishing it as a cornerstone of . It has inspired a range of merchandise, such as Hallmark ornaments depicting the littlest angel and his treasured box, which have become collectible items in decorations. The 1969 television special further cemented its place in the company's canon, airing repeatedly and contributing to its widespread recognition as a festive staple. In broader terms, The Littlest Angel has influenced by prioritizing emotional authenticity and the purity of a child's perspective, portraying how humble, personal offerings hold profound value in spiritual narratives. This approach has resonated in Christian contexts, promoting themes of childlike faith that affirm the significance of individual innocence in divine stories. The story's modern endurance is evident in its availability through digital audiobooks on platforms like Audible and streaming versions of the 1969 film on YouTube, ensuring accessibility for new generations. Church pageants worldwide, including musical adaptations for youth groups, continue to stage its tale, maintaining its seasonal relevance more than 80 years after its debut as of 2025. While primarily U.S.-centric in origin and popularity, the book has achieved global reach through translations into multiple languages, allowing its message of selfless giving to influence observances in diverse Christian communities.

References

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