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Udaari
Udaari
from Wikipedia

Udaari
GenreDrama
Romance
Crime
Created byMomina Duraid Productions
Developed bySultana Siddiqui
Written byFarhat Ishtiaq
Screenplay byFarhat Ishtiaq
Directed byMohammed Ehteshamuddin
StarringSamiya Mumtaz
Bushra Ansari
Ahsan Khan
Urwa Hocane
Farhan Saeed
Hina Altaf Khan
Theme music composerSahir Ali Bagga
Sohail Haider
Opening themeSajna Ve Sajna by
Hadiqa Kiani and Farhan Saeed
Ending themeBol Ke Lab Azaad
Hadiqa Kiani and Farhan Saeed
Country of originPakistan
Original languagesUrdu
Punjabi
No. of seasons1
No. of episodes25
Production
ProducerMomina Duraid
Production locationsLahore, Punjab
Multan, Punjab
CinematographyAzhar Ali
EditorsMehmood Ali
Shehraz Fiyaz
Muhammad Ali Sooni
Ali Raza Ansari
Camera setupMulti camera
Running time35-42 minutes
Production companiesMomal Productions
Kashf Foundation
Original release
NetworkHum TV
Release10 April (2016-04-10) –
25 September 2016 (2016-09-25)

Udaari (title from Punjabi: اُڈاری; lit: Flight) is an Urdu and Punjabi language social Pakistani television series that was created and co-produced by Kashf Foundation and Momina Duraid for Hum TV. It focused on the social and economic marginalisation of citizens in Pakistani rural society alongside highlighting deep-rooted issues such as child sexual abuse, gender discrimination and violence against women. It was originally aired from 10 April 2016 to 4 September 2016. The show is written by Farhat Ishtiaq and directed by Mohammed Ehteshamuddin. The plot of Udaari centres on the families of two Punjabi villagers Sheedan and Sajida. Sheedan faces discrimination as she is in the performing arts and is looked down upon as belonging to the "Marasis" which is a derogatory term when referring to musicians. Sajda is a widow and a struggling single mother working as a maid for her daughter's upbringing, she decides to marry Imtiaz for her daughter's wellbeing. The story takes a turn when Sheedan's daughter Ameera accuses Imtiaz of sexually harassing her.[1][2]

Udaari has an ensemble cast with Bushra Ansari as Sheedan, Samiya Mumtaz as Sajida, Urwa Hocane as Ameera, Farhan Saeed as Arsh, Ahsan Khan as Imtiaz, and Hina Altaf Khan/Areesha Ahsan as Zebo.[1][2] The show is set in the village of Mirpur and urban areas of Punjab.

Udaari received positive reviews from critics and audiences throughout its broadcast, critics considered the sensitive issues within the story's arc well-drafted and well-composed, and also lauded the entire cast's performance, it also scored highest ratings in 2016 and was ranked as the highest rated TV series of 2016 season. At the 16th Lux Style Awards, the series won the most for the ceremony including, Best TV Actor for Khan, Best TV Director and Best TV Play for Duraid.

Plot

[edit]

It is the story of two different worlds, the urban and the rural as well as highlighting prevalent issues in modern society. The series depicts the lives of two neighbouring families in a village, and the struggle of a group of four friends living in the city, trying to pursue a music career. In the village, it focuses on two close neighbours, Rashida and Sajida. Rashida (nicknamed as Sheedaan) along with her husband Maajid, daughter Meera and son Ejaz are local musicians who earn through singing and entertaining people at weddings, because of which they are discriminated and criticised in the society, being termed as Marasi. Whereas Sajida, Parvez's widow, works as a maid in a distant house. She runs the household, cares for herself and her 10-year-old daughter, named Zebo. Simultaneously, in the urban city of Lahore, resides a group of four students, Maleeha, Haris, Arsh and Farwa who want to pursue a music career. Meera is in a complicated relationship with Illyas who happens to be Sajida's nephew. He always warned her to stop singing or he will break his relationship. Imtiaz, Parvez's best friend, proposes to Sajida for marriage who first shows reluctance but later marries him for Zebo's sake. On their wedding, Majid passes away which makes Imtiaz closer to Sheedaan's family resulting in his negative sexual desires for Meera. One day, when Sajida and Zebo are not home, Imtiaz attempts to sexually abuse Meera, but she escapes from there. This results in a dispute between Sajida and Sheedaan where Sajida claims Meera's intentions were wrong, refuses to believe her and supports Imtiaz. After this Sheedan breaks off all her relations with Sajida and Illyas breaks off his relationship with Meera. On the other hand, Farwa is forced by her parents to bid adieu to her music career. Milli and her mother Muneera (who runs an NGO) visit the village for a wedding where she sees Meera tearfully singing and recording her music. The band then visits Meera's house and takes her on as a replacement singer for Farwa. After immense arguments and disputes, Arsh and Meera grow close to each other. The band successfully wins the music competition, leaving the village shocked to see Meera on Television. Complications begin when Imtiaz's sexual desires arise for Zebo. One rainy afternoon while Sajida is at work, Imtiaz lures Zebo into a room and rapes her, she is threatened to keep silent otherwise he threatens to kill Zebo herself and her mother. Back in Lahore, Meera gains fame and recognition all over the country, she earns enough money to purchase a house and settles in Lahore with her family.

Cast

[edit]
Main cast of Udaari featuring (from left) Ahsan Khan as Imtiaz, Hina Altaf as Zebo, Urwa Hocane as Meera, Bushra Ansari as Sheedan, Samiya Mumtaz as Sajida, Farhan Saeed as Arsh and Areesha Ahsan as young Zebo

Child stars

[edit]
  • Areesha Ahsan as Zebo
  • Saad as Ejaz

Special appearances

[edit]

Episodes

[edit]
No. Title Directed by Written by Run Time Original air date Overnight UK Viewers
(thousands)
7 day Viewing Data
(thousands)
1"Episode 1"Mohammed EhteshamuddinFarhat Ishtiaq39:5010 April 2016 (2016-04-10)87.1[3]-
Sheedan and her family are local musics entertainers. Sajida's s boss suggests her to think over second marriage where as Meera secretly meets Illyas (Sajida's Nephew), the two promise to get married one day. Meera and her family are set to sing in a wedding nearby where a strange man teases Meera.
2"Episode 2"Muhammad EhtishamudinFarhat Ishtiaq42:4817 April 2016 (2016-04-17)51.4[4]63[5]
Sajida faces street goons teasing her and is saved by Imtiaz who later proposes to her; she refuses. Meera is about get molested but is saved by her family; all of them receive disrespect by the entire village as they are local musicians. Illyas has a rude attitude towards Meera as he wants her to stop singing. Illyas's mother hates Meera and shows disrespect for her family; she also abuses Sajida for thinking of re-marriage.
3"Episode 3"Muhammad EhtishamudinFarhat Ishtiaq41:0024 April 2016 (2016-04-24)60.3[6]72[7]
Sheedan and Zebo convince Sajida to marry Imtiaz. Their marriage takes place. Illyas scolds Meera for dancing and tells her that if she continues to do so, he will not marry her. Majid dies in a car accident. Farwa receives resentment from her mother for music.
4"Episode 4"Muhammad EhtishamudinFarhat Ishtiaq39:141 May 2016 (2016-05-01)42.4[8]72[9]
Farwa's mother finds out the truth and makes her abandon her pursuit for music. Illyas badmouths Meera and her family and asks her to stay away from them and stop singing. Arsh, Maleeha, Haris and Farwa get selected for their band. Farwa tearfully bids farewell to her music career and leaves her song Saajna Ve Saajna with her band; she asks the members to start searching for a new female vocalists. Imtiaz develops false feelings for Meera.
5"Episode 5"Muhammad EhtishamudinFarhat Ishtiaq37:448 May 2016 (2016-05-08)83.0[10]100[11]
Sheedan finds out about Meera and Illyas's love affair. Sajida's sister scolds her for Meera and Illyas's relation and warns her to keep them away from her family. She then reaches Sheedan's house and insults them. The next morning, Imtiaz tries to rape Meera in his house but she escapes; Imtiaz denies when Meera and Sheedan accuse him. Sajida supports her husband over Sheedan and breaks all ties with them.
6"Episode 6"Muhammad EhtishamudinFarhat Ishtiaq38:0215 May 2016 (2016-05-15)70.5[12]110[13]
Meera meets Illyas who breaks their relationship; he tells her that he has agreed to marry Jamila as he considers her as a woman with good character and rejects Meera calling her a Marasi. Muneera is invited to Shehnaz's (her former client's) daughter; she asks Milli to accompany her. At that marriage, Meera sings a song which describes her sorrow for Illyas; with this song, she wants to forget every moment with Illyas. Her song attracts Milli who records it. Sajida brightens herself and wears colorful dress for Imtiaz; he makes fun of her instead and calls her old; Sajida is left heartbroken.
7"Episode 7"Muhammad EhtishamudinFarhat Ishtiaq37:2722 May 2016 (2016-05-22)89.5[14]-
Imtiaz asks Zebo to give him foot Massage; he plans to molest her but Sajida comes and asks him to get himself ready for Illyas's engagement. Imtiaz's plan foils. Sheedan meets Zebo in the street as Sajida has forbidden her to meet Sheedan and Meera. Milli finally convinces Arsh and Haris to meet Meera. Imtiaz's lust increases for Zebo. The musicians meet Meera and decide not to cast her but the family is still invited by Milli to their house in Lahore.
8"Episode 8"Muhammad EhtishamudinFarhat Ishtiaq38:3029 May 2016 (2016-05-29)68.3[15]87[16]
Sheedan and Meera leaves for Lahore. Imtiaz tries to falsely touch Zebo but gets interrupted by Sajida. Zebo tells Illyas and Imtiaz about Meera planning to sing on television. Illyas gets jealous of them and is manipulated by Imtiaz. Urban living is different for Sheedan and Meera who find music appliances hard to understand; this makes Arsh furious. Sajida finds out about Sheedan moving to Lahore; Imtiaz badmouths them which makes her uncomfortable.
9"Episode 9"Muhammad EhtishamudinFarhat Ishtiaq37:335 June 2016 (2016-06-05)72.8[17]116[13]
Arsh and Haris try teaching Meera how to sing but continue their rude attitude; Milli supports her. Sheedan tries to correct daily chores applying her traditional habits. Zebo is playing in the rain; Imtiaz's rapes her and threatens her to keep her mouth shut or he will kill her mother who was not home. Sajida reaches home and finds Zebo sick. Arsh yells at Meera for singing wrong and discourages her, but later apologizes to her when he finds her crying.
10"Episode 10"Muhammad EhtishamudinFarhat Ishtiaq37:2712 June 2016 (2016-06-12)35.9[18]74[19]
Muneera is invited to a social conference event where she conducts her speech against child sexual abuse and Pedaphiles. Zebo gets panic attacks facing Imtiaz and is again threatened by him that he will kill her mother if she tells her. One morning, Arsh finds Meera practising for their music and gets impressed by her voice. Imtiaz begins to physically torture Zebo.
11"Episode 11"Muhammad EhtishamudinFarhat Ishtiaq37:2919 June 2016 (2016-06-19)115.6[20]130[21]
The music band reaches the Audition venue where Haris finds out that only fifty bands will be selected. Sajida scolds Zebo for disputing Imtiaz. The band finally performs their song Sajna ve Sajna. The next day, the band is interviewed and Meera accidentally reveals that she is not Farwa.
12"Episode 12"Muhammad EhtishamudinFarhat Ishtiaq38:4826 June 2016 (2016-06-26)119.6[22]143[23]
The band is given forty seconds to prove themselves and all judges gave them the title of top one band. The next day, their song is broadcast on TV and the entire village sees Meera on TV, making Illyas regretful. Imtiaz's plan of raping Zebo again foils. Sajida gets suspicious of Imtiaz's harsh attitude for Zebo and recalls Meera's incident with Imtiaz. At night, when Imtiaz goes out, Zebo's panic attack reveals to Sajida that Imtiaz had raped her, leaving her shocked.
13"Episode 13"Muhammad EhtishamudinFarhat Ishtiaq37:143 July 2016 (2016-07-03)59.6[24]91[25]
Sajida's anger increases for Imtiaz; she tells Zebo to never discuss her incident with anyone. Meera gets an offer for the OST of a TV series. Sheedan reaches her village to take all her belongings and asks Ejaz to return the money back to Sajida which she once borrowed as a loan. Along with the money, Ejaz hands over Meera's letter where she has mentioned her house address.
14"Episode 14"Muhammad EhtishamudinFarhat Ishtiaq37:0310 July 2016 (2016-07-10)101.1[26]128[27]
Sajida reveals to Imtiaz that she knows everything he did and warns him to stay away from Zebo. He gets angry and gives her an open challenge that he will rape Zebo in front of her and forcefully locks her into a room. The entire incident is being watched by Imtiaz's colleague. Sajida loses control over her anger when he rapes her daughter and attacks him and leaves him for dead. The mother and daughter escape for Sheedan's house.
15"Episode 15"Muhammad EhtishamudinFarhat Ishtiaq38:3417 July 2016 (2016-07-17)79.2[28]106[29]
Milli and Haris are going to England for completing a music course. Meera asks Sajida and Zebo to change their identity and name themselves as Tahira and Komal. The next day, Illyas sees Meera with Arsh. After meeting her, he tells her that he does not want to marry Jamila anymore and once again proposes to Meera. She rejects his proposal and tells him that she is a Marasi. Milli and Haris leave for England.
16"Episode 16"Muhammad EhtishamudinFarhat Ishtiaq38:2924 July 2016 (2016-07-24)57.7[30]84[31]
Arsh tells his mother that he is in love with Meera; she compares their background and also terms Meera as a Marasi. The entire conversation is overheard by Meera who gets hurt and feels the same way as she felt earlier by Illyas's mother. She tells Arsh that she doesn't want any relationship. Tahira starts a business. After six years, Tahira is a successful businesswoman. Milli gets married and Arsh is a lawyer and Meera is now a successful singer. Tahira goes to a bakery shop where Imtiaz sees her as a changed Urban woman.
17"Episode 17"Muhammad EhtishamudinFarhat Ishtiaq38:0831 July 2016 (2016-07-31)85.8[32]101[33]
Meera goes to America for her concert. Imtiaz returns and reveals how he was saved; he shocks Sajida and Zebo and gives them an open threat that he will attack Zebo once again. The next day, Sajida leaves Zebo in care of Sheedan and Ejaz. Imtiaz decides to kidnap Zebo who is currently residing at Sheedan's house.
18"Episode 18"Muhammad EhtishamudinFarhat Ishtiaq37:007 August 2016 (2016-08-07)165.0[34]164[35]
The Police SHO falsely helps Imtiaz with his FIR and arrests Sajida on charges of attempted murder. Sheedan and Ejaz seek Muneera for help who has gone to Bangladesh for social work. Along with attempted murder, the police make a false charge of a robbery on Sajida and illegally attempt a third degree force on Sajida.
19"Episode 19"Muhammad EhtishamudinFarhat Ishtiaq35:5714 August 2016 (2016-08-14)71.5[36]84[37]
Sajida forbids Sheedan from disclosing Zebo's case. Arsh finds out about Sajida's attempted murder charge. Meera returns to Pakistan.
20"Episode 20"Muhammad EhtishamudinFarhat Ishtiaq37:5821 August 2016 (2016-08-21)64.2[38]77[39]
Arsh is suspicious about Imtiaz's attitude with Zebo and tries to find out what happened on 21 April 2010. Sajida gets arrested over the allegation of attempting to murder Imtiaz. Afrooz (Arsh's mother) finds out about Arsh's involvement in Sajida's case and apologises to him, revealing that she has turned positive for Meera and asks him to take her to Meera's house for marriage proposal. However Meera again rejects Arsh, claiming that she will never marry anyone in her life.
21"Episode 21"Muhammad EhtishamudinFarhat Ishtiaq38:4928 August 2016 (2016-08-28)123.4[40]130[41]
Arsh forcefully asks Meera to reveal him about Imtiaz; she first reveals to him about the incident of him trying to molest her, then she reveals him of the rape incident of Zebo. Arsh tells Zebo to stand for her rights. In the court hearing, Imtiaz blames Sajida and says that she wanted to pursue prostitution along with Zebo.
22"Episode 22"Muhammad EhtishamudinFarhat Ishtiaq39:174 September 2016 (2016-09-04)141.0[42]114[43]
In the court session, a police officer bribed by Imtiaz, lies showing false proofs against Sajida. Muneera, Arsh and Zebo finally get Zebo's medical report from hospital records, Zebo shows up in the next court proceeding and shocks Imtiaz. An anti-child abuse campaign is formed by the Kashf Foundation for Zebo's justice.
23"Episode 23"Muhammad EhtishamudinFarhat Ishtiaq37:5611 September 2016 (2016-09-11)68.2[44]TBD
On his interview, Malik Iftikhar states that he will never support Imtiaz in any of his crimes. Sajida is angry with Zebo and asks her to leave, Zebo tells her that she does not want to be labelled as a victim but wants to be known as a survivor.
24"Episode 24"Muhammad EhtishamudinFarhat Ishtiaq38:1118 September 2016 (2016-09-18)19.5[45]TBD
Muneera gathers public attention for Zebo and starts campaigning for her case, Meera reveals Imtiaz's rape attempt on her in the court, back in the village, it is shown that Imtiaz's gambling partner, Jamshed (eye witness of Zebo's rape incident) grieves his pain in front of his wife and daughters grave.
25"Last Episode"Muhammad EhtishamudinFarhat Ishtiaq66:4025 September 2016 (2016-09-25)60.1[46]TBD
Zebo gets justice when Jamshed confesses that he saw Imtiaz raping her. Imtiaz is then sentenced life imprisonment while Sajida is declared innocent. Meera gets engaged to Arsh, they both tribute a song for Zebo and all women of their country and the entire family gets united after Sajida's release.

Production

[edit]

Development

[edit]

Udaari was developed by Hum TV's senior producer Momina Duraid of MD Productions, the channel hired the award-winning director Mohammed Ehteshamuddin to direct the series.[1][2] Story of serial is written by award-winning writer Farhat Ishtiaq.[2][47] It was Ishtiaq's first screenplay without a novel release, she has previously worked thrice with Momina, when she wrote mega-hit drama serials in Pakistan television history Humsafar,[48] Mata-e-Jaan Hai Tu,[49] and Diyar-e-Dil.[50]

Song composition is done by Sahir Ali Bagga and Sohail Haider while background music is given by Mohsin AllahDitta who chose singers like Bushra Ansari, Hadiqa Kiani and Farhan Saeed for singing. It was Insari and Kiani's second collaboration after Pakistan Idol. Kiani and Saeed collaborated on the title song and also provided the vocals for the characters of Meeran and Arsh (portrayed by Saeed).[51] There were discussions laid on its time slot, previously it was announced that the show will air on Saturdays replacing Durad's Gul-e-Rana. However, due to promotional reasons and Slot importance the show was given time slot of Sundays, 8:00 pm, whereas the long running series, Abroo was given a time slot of Saturdays.[52] Udaari was initially planned to be released in 2017 after completion of filming but Duraid decided to release it in 2016 to For higher ratings to her channel. It was released in April and was planned to end along with Hum TV's Mann Mayal thereby both the shows were slotted to maintain Sunday and Monday slots to bring higher Television Rating Points (TRP) to them for the future.

Casting

[edit]
Samiya Mumtaz portrays Saajida's

Producer, writer and Director mutually chose the cast which includes Bushra Ansari, Samiya Mumtaz, Ahsan Khan, Urwa Hocane, Farhan Saeed and Hina Altaf Khan and Areesha Ahsan to play the leading roles of Sheedhan, Sajida, Imtiaz, Meera, Arsh and Zebo.[2][53][54]

Veteran Actress Bushra Ansari was cast to portray the role of Rashida Bibi after her appraisal for her role in Kis Ki Ayeegi Baraat series,[55] and Bilqees Kaur. The actress received critical acclaim within the pilot episode, according to her, this role was a challenge.

Urwa Hocane and Farhan Saeed marked their second appearance together as a couple being previously acted in Ary Digital's Mere Ajnaabi.[56][57]

Udaari was Samiya Mumtaz's second collaboration with Momina Duraid and Mohammed Ehteshamuddin, she previously acted in drama-serial Sadqay Tumhare[54][58] after which she was finalised to portray the role of Sajida.[59] Alongside Mumtaz, actress Hina Altaf Khan was cast to portray series's the pivotal character of Zebo. Zebo's role was initially portrayed by Areesha Ahsan as child artist.[60][61]

Udaari was Ahsan Khan's first portrayal of a negative role. Khan was cast to portray the role of 'Imtiaz a pedophile,[2][47][62][63] this role was initially offered to actor Mikaal Zulfiqar who rejected it due to its grey personality. Speaking about difficulty in portraying this role, Khan states that Even while reading the script, I could not digest these scenes. It is definitely the most difficult character to portray on-screen, further sommecfting on his role Khan states Such abuse leaves the child traumatised forever. My maid's child was suffering from it and that's what made me realise that I need to spread awareness.[62]

Production also chose Behroze Sabzwari, Laila Zuberi, Maryam Fatima, Rehan Sheikh, Haris Waheed and Aqeel Abbas for the supporting roles of Khalid, Muneera, Farwa, Majid, Illyas and Balay respectively.[1] Sabzwari received critical acclaim for his role of Tajamul in Duraid's Diyar-e-Dil, he was selected to portray Khalid alongside Zuberi who joined the series after her previous project Mann Mayal with Duraid.[64]

Music and sound

[edit]
OST Vocalists Hadiqa Kiani and Farhan Saeed

All the music and songs of Udaari were composed by musician Sahir Ali Bagga and Sohail Haider with Mubarak and Zahid being the sound engineer. The background score is given by Bilal Allahdittah, the lyrics for the OST were penned down by Imran Raza. The OST Sajna Ve Sajna was sung by Farhan Saeed and Hadiqa Kiani.[65][66] It marks the return of Hadiqa Kiani to Hum TV, since she performed for the channel's hit drama series Zindagi Gulzar Hai's title song. Veteran actress and vocalist Bushra Ansari performed only Punjabi music for various episodes. Rahat Fateh Ali Khan's Samjhawanki was taken and performed by Hadiqa Kiani for the series.

Udaari's full OST was released in May 2016. Saajna Ve Saajna received critical acclaim for Sahir Ali Bagga and Sohail Haider for comping and Hadiqa Kiani and Farhan Saeed for vocals. The Series dominated the Top No.1 rank according to Pakistan's Official Music App Taazi.[67] "Mein Tenu Samjhawanki" received critical acclaim and success.[68]

Filming and locations

[edit]

Principal photography and filming began in February 2016 and finishes in June 2016,[69] with approximately 25 episodes.[69] Shooting was extensively done in Multan's village Mirpur Khas and in Karachi.[70] Udaari's first promo was released in March 2016.[71] Chief editing and cinematography was done by Azhar Ali who edited the series.

Post production and pre-release

[edit]

Press conference

[edit]

On 7 April 2016 a press conference was held for Udaari. The programme, hosted by Shanaz Ramzi, CEO Starlinks PR began the proceedings with the series's introduction. Producer Momina Duraid said that some of the actors came out of their comfort zones for the roles that they portrayed. Furthermore, Roshaneh Zafar from Kashf Foundation reflected on common rape cases in Kasur city which led them to produce a screenplay for awarenesses against child-sexual abuse. Director Ehteshamuddin, revealed how challengingvit had been to get the writer, Farhat Ishtiaq to write the script, as not only was the subject a difficult one to portray on screen but it also needed a script that was very close to reality. Bushra Ansari shared her role which is that of a woman who is extremely confident but unrefined, and embodies the real culture of Pakistan's rural areas. She regaled the media present with her quick vivid descriptions and stories painted about the time on set in Mirpur Khas.[72]

Music

[edit]
Udaari OST
Soundtrack album by
Released12 April 2016 (2016-04-12)
Recorded2016
GenreTelevision soundtrack
LanguagePunjabi, Urdu
LabelM.D Productions and Kashf Foundation
ProducerMomina Duraid

The title song of Udaari was composed by musician Sahir Ali Bagga and Sohail Haider, the lyrics were penned down by Imran Raza. The OST was sung by Farhan Saeed and Hadiqa Kiani.[65][66] It marks the return of Hadiqa Kiani to Hum TV, since she performed for the channel's hit drama series Zindagi Gulzar Hai's title song.

The Soundtrack is produced along with the series production by Momina Duraid and Kashf Productions. The original music was recorded by the production house itself while few songs used in the show were covers of previous classics, including the song Mein Tenu Samjhawanki which was sung by Hadiqa Kiani. Actress Bushra Ansari revamped classic Punjabi Pakistani songs.

Udaari's full OST was released in May 2016. Saajna Ve Saajna received critical acclaim for Sahir Ali Bagga and Sohail Haider for comping and Hadiqa Kiani and Farhan Saeed for vocals. The Series dominated the Top No.1 rank according to Pakistan's Official Music App Taazi.[67] "Mein Tenu Samjhawanki" received critical acclaim and success.[68]

Track listing

[edit]

All lyrics are written by Imran Raza; all music is composed by Sahir Ali Bagga & Sohail Haider.

No.TitleArtist(s)Length
1."Sajna ve Sajna"Hadiqa Kiani & Farhan Saeed6:32
2."Alif Allah Chambe di booti"Bushra Ansari2:00
3."Main Tenu Samjhawan"Hadiqa Kiani3:06
4."Udaari (Instrument)"Hadiqa Kiani & Farhan Saeed4:33
5."Kukra Dhamidiya"Bushra Ansari1:19
6."Mere Banre Tey"Bushra Ansari1:10
7."Bol Ke Lab"Hadiqa Kiani & Farhan Saeed4:40
8."Pehli Pehli Vaari"Bushra Ansari2:32
9."Jab Se Mile Tum"Farhan Saeed1:22
Total length:16:22

Broadcast and release

[edit]

Broadcast

[edit]

Udaari was originally decided to release in September after completion of filming in July and post production delays, but instead Production decided to release it in April. With its release, it was initially decided to premiere on 9 April 2016, and air every Saturday night with higher reception, replacing Gul-e-Rana which had maintained the slot with a high viewership for the channel.[52] But to maintain their Sunday slot, the channel instead released Udaari on 10 April 2016, airing every Sunday night, replacing Abro, which was then shifted to Saturdays. The channel aired a weekly episode for approximately 30–45 minutes (without commercials). It was ordered and compromised 25 episodes. It was aired on Hum Europe in UK,[73] on Hum TV USA in USA[73] and Hum TV Mena on UAE,[73] with same timings and premiered date. All International broadcasting aired the series in accordance with their standard times.

Homa media and digital release

[edit]

Udaari was released on Hum TV's YouTube channel alongside its airing but in 2017, it was taken off. It was also released on a DVD set on late November 2016. In January 2017, iflix app streamed Udaari on a subscription basis but was pulled off by the channel in 2018. In December 2019, ‘’Udaari’’ was digitally released again by Hum TV on their youtube channel with all its music removed. Furthermore, the show is also available on MX Player.

Reception

[edit]

Ratings

[edit]
Number of Episodes Timeslot (PST) Premiere Finale TV Season Rank (2016) Overall viewership
(Millions)
Date PAK Viewers
(Millions)
Television Rating Points (TRP) Date PAK Viewers
(Millions)
Television Rating Points (TRP)
25 Sundays
08:00 pm
10 April 2016 (2016-04-10) 19[74] 4.9 25 September 2016 (2016-09-25) 29[75] 10 2016 No #1 18.67

Udaari's ratings were announced by Hum TV on their official Facebook page. Udaari premiered with 4.9 Television Rating Points (TRPs), the third episode also scored 4.9 TRPs. With the fourth episode, ratings increased to 5.5 TRPs and with episode six it gained 4.0 TRPs. On its eighth episode, Udaari scored a hit by jumping to 7.1 TRPs, the series averaged 6 TRPs till episode thirteen where as on episode fourteen the series once again bought a higher point of 7.3 TRP, next week the series bought Its highest ratings of 7.8 TRP. Udaari was Ramadan's most watched show where viewership decreases, the series received higher viewership leaving behind several gameshows. On its sixteenth episode, Udaari received 6.2 TRPs, it was expected to score the same next week but it peaked at 7.3 TRPs on its seventeenth episode. On Its eighteenth episode Udaari moved further receiving 7.8 TRPs. Close to its finale Udaari peaked at 6.0 TRPs on its Twentieth episode and 6.6TRPs on its Twenty first episode. The Last episode of Udaari averaged 6.8TRP at 20:00, after 21:00 it averaged 7.9 TRPs peaking at points above 10 TRP's.

Viewership

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On episode eleven, Udaari scored 11.5 Million Viewership[20] followed by episode twelve which gained 11.9 Million viewers,[22] with further episodes it averaged viewership in millions. After Averaging a viewership of 70 Thousand viewers till episode seventeen, the eighteenth episode gained a record breaking viewership for the series of 16.5 Million viewers.[34] On a scale of Top ten shows of Pakistan in 2016,Udaari had dominated the No. #2 spot where as another Hum TV series, Mann Mayal dominated the No. #1 position. Both the shows bought a higher reception for the channel. The series competed with Geo TV's most expensive Pakistani series, Mor Mahal which was then shifted to 22:00 slot between the course of show.

Episode ranking

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Udaari episode rankings in the P.A.K. television market
Episode Timeslot (PST) TV season Rank (overall) Timeslot Rank Viewers
(millions)
2 Sunday 8:00pm/20:00 2016 #2 #2 21[76]
5 Sunday 8:00pm/20:00 2016 #2 #1 21[77]
8 Sunday 8:00pm/20:00 2016 #2 #1 27[78]
12 Sunday 8:00pm/20:00 2016 #2 #1 27[79]
18 Sunday 8:00pm/20:00 2016 #1 #1 27[80]
22 Sunday 8:00pm/20:00 2016 #1 #1 26[80]
25 Sunday 8:00pm/20:00 2016 #1 #1 30[81]

Critical appreciation

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Actors Bushra Ansari and Ahsan Khan earned the most critical acclaim in 2016 for their portrayals.[60] Commenting on his character's acclaim, Khan stated It's a huge honour for me to receive this appreciation from one of the greatest villains of all time.[82] Imtiaz's character was also internationally recognised, earning critical acclaim from Indian artists Reena Roy and Alka Yagnik. Speaking about series reviews from India, Khan states Udaari isn't being aired in India currently but these two stars have been watching my show on YouTube. I really appreciate their love and support.[82]

Writing for Dawn News, Sadaf Haider moderately reviewed the series praising its parody if culture saying, Udaari reads like a brightly colored map of Pakistani society today. Divisions of class and wealth are amply illustrated but so are everyday human interactions.[83] Furthermore, Haider praises the casting stating, Udaari has a strong star cast and it looks as if we will see some great performances.[83] She concluded her review saying that Udaari seems like a safe bet for some informative and enjoyable hour every Sunday.[83] In April issue of The Express Tribune, Udaari was ranked third behind Mann Mayal and Dillagi'.[84]

Khan and Bushra Ansari received immense popularity and appraisal for their portrayal of Imtiaz and Sheedan.

However, Sheeba Khan of Dawn praised the series script and characters saying, ..Udaari, gave an astounding opening this week with its larger than life first episode. After watching the serial, one is blown away by the phenomenal acting and superb characterization in this drama.[85] Moreover, Khan praised Udaari's premier and culture saying Udaari has a very impressive opening with flamboyant characters and their dull sides of life. Every actor is immersed into the feel of his and her role, and gives a magnificent performance. All of them have acquired Punjabi accents with so much ease and grace that it will make you think as if they are not just characters, but are real people from an actual rural setting.[85] She concluded her by issue praising Farhat Ishtiaq's writing saying The best part about Udaari is its characterization of each actor, for which the writer Farhat Ishtiaq should be applauded.[2]

Sadaf Haider of Dawn News praised Udaari's direction saying, "Udaari's success lies firmly with director Ehtashamuddin's masterful ability to translate Farhat Ishtiaq's wonderful script flawlessly to the screen. He has elicited some great performances from his team and made sure this wide-ranging storyline did not lose its way".[86] Furthermore, she stated that even after Seven episodes, "Uddari is successfully topping rating charts".[86] Talking about same publication, Sheeba Khan praised the Urban and rural life combination for Dawn's review, Khan states, "The director has managed to extract the best out of all of his actors and has shown a great amount of sensitivity to what should be projected on screen. Sexual abuse is a huge issue in Pakistan, yet for some odd reason has become a taboo and cannot be spoken about".[87] Lastly she praised the theme of child abuse and societal issues by saying, "Pairing a debate on sexual abuse with a commentary on parenting is a smart move, and just shows how, of all the plays running right now, Udaari is not only intelligent and real, it highlights issues in society that need attention so they can be prevented. It shows that victims need not keep quiet and that their families should be their first line of defence".[87] Further more Sadaf Haider praised the roles of Ahsan Khan and Samiya Mumtaz praising Sajida's positivity for her Daughter Zebo, according to her reviews, was Mumtaz's most powerful role, where she portrayed the role of a village women with an extreme powerful getup sparking her role.[59]

Dawn News's article Sadaf Haider praised the Twenty first episode of Udaari with series giving its message, Haider praised the character of Zebo and Arsh stating, "Most significant of all, instead of lecturing Zebo to do the right thing, Arsh becomes a true hero by empowering her and showing her a way to take control of her life. He explains that any shame or guilt is not her burden to carry; all of it should be firmly placed on the perpetrator's shoulders, never the victim's."[88]

While talking to local media about, Urwa Hocane portraying the role of Meera discussed the importance of the drama and social taboos like child abuse and rape. Hocane said, "It's about time for women to talk about this. I think Udaari has brought a change. The people who wanted to ban it couldn't because of the people who wanted the drama to bring about a change. Girls don't speak about such things. I am probably destined to change that mindset."[89] Furthermore, talking about her role of Meera being a local musician, Hocane stated, "I want to change the mindset of people. Bushra jee told me that the word miraasi comes from miraas. You should be proud of it rather than feel horrible about it."[89]

In addition to critical reviews Imtiaz's character received wide media attention and has been a subject of popularity since the beginning, commenting in his role Ahsan Khan stated that "Even while reading the script, I could not digest these scenes. It is definitely the most difficult character to portray on-screen".[90] Moreover, Khan decided to donate 20% of his fee from the serial to the victims of the heinous crime, he also began working with an NGO to make his contributions more substantial and concrete.[91] Khan commented on the series theme "child abuse" stating, "Such abuse leaves the child traumatised forever. My maid's child was suffering from it and that's what made me realise that I need to spread awareness."[62] commenting on critical acclaim Khan stated "It's a huge honour for me to receive this appreciation from one of the greatest villains of all times."[82] Khan's negative role of child molester earned him critical acclaim.[60]

Moreover, Fatima Awan of Review It praised the role of rape-victim Zebo, according to her Udaari played a major role in educating their audience against communal crimes. Apart from sexual abuse, Awan also commented on other societal issues such as politician's negative support and bribing police which plays a major role in societies. The role of Zebo was furthermore praised when Awan stated that every girl should stand for justice and live her life not as a victim but as a survivor. Further more Awan commented on the final episode of Udaari where she praised the roles of Zebo, Sajida, Imtiaz, Arsh, Muneera, Meera and Sheedan. With Arsh (Portrayed by Farhan Saeed) Awan praised the message he gave against child sexual abuse and in favour of Women's rights, she praised the roles of Sajida and Zebo where the two finally sealed justice and Munnera educating her society. According to her review, Udaari has proved to be the major commercial success of 2016.

Controversies

[edit]

On 10 May 2016, 'Pakistan Electronic Media Regulatory Authority' (PEMRA) issued a notice against Udaari calming that it had inappropriate content for Television audiences.[92][93][94] However, on 25 May 2016 Momina Duraid responded PREMRA regarding the reality of society and responded the issue, as a result the issue was taken back.[95][96] Further more Duraid stated that, We feel that Pemra might have been misled by a group of people who would never want our society to raise and flourish. We will explain our view point and present it with evidence. We are attaching articles and feedback supporting Udaari with the our reply. Following this Udaari received support from several audiences and various TV Artists including actress Yumna Zaidi .[97]

Awards and accolades

[edit]
Year Award Date Category Recipient(s) Result Ref.
2017 Hum Awards April 29, 2017
22 July 2017 (televised)
Best Drama Serial (Jury) Momina Duraid Won [98]
Best Drama Serial - Popular Won
Best Director Drama Serial Mohammed Ehteshamuddin Won
Best Actor (Jury) Ahsan Khan Won
Best Actor in a Negative Role Won
Best Actor - popular Nominated
Most Impactful Character Nominated
Bushra Ansari Won
Best Actress - Popular Urwa Hocane Nominated
Best Supporting Actor Farhan Saeed Nominated
Best Writer Drama Serial Farhat Ishtiaq Won
Best Original Soundtrack Sajna ve Sajna by Hadiqa Kiani & Farhan Saeed Nominated
Best Onscreen Couple - Popular Farhan Saeed & Urwa Hocane Nominated
Best Onscreen Couple (Jury) Won
Honourable Award for Best Child Performance of the Year Arisha Ahsan Won
Lux Style Awards July 29, 2016
20 August 2016 (televised)
Best TV Play Momina Duraid Nominated [99]
Best TV Director Mohammed Ehteshamuddin Won
Best Original Soundtrack Momina Duraid Nominated
Best Actor Ahsan Khan Won
Best TV Writer Farhat Ishtiaq Won
IPPA Awards 20 August 2016 (televised) Best Actor TV Ahsan Khan Won
Best TV Director Mohammed Ehteshamuddin Won
Best Supporting Actor Farhan Saeed Nominated
Best Soundtrack of the Year Momina Duraid for Sajna ve Sajna Nominated
Best Actor (Male) Ahsan Khan Won
Best TV Writer Farhat Ishtiaq Won
Best on-screen couple Farhan Saeed & Urwa Hocane Won

Impact

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Udaari received global recognition due to its tackling the taboo themes with authenticity and sensitivity, which got it huge viewership and global acclaim.[100][101] Following the success of Udaari, the producers invested in making series on taboo subjects for television such as Khuda Mera Bhi Hai (2016, deals with the status of intersex individuals in the society), Sammi (2017, deals with the evil practice of Vani) which was previously dominated by domestic stories.[102][103][104]

See also

[edit]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
is a Pakistani Urdu-language television drama series that aired on in 2016, produced by Productions in collaboration with the Kashf Foundation to address social issues including , , and . The narrative centers on two neighboring families led by close friends Sheedan, a folk singer played by , and Sajida, portrayed by , as they confront exploitation, familial pressures, and the long-term impacts of trauma on their children. Written by and directed by Ehtisham-ud-Din, the series features a cast including as Imtiaz, , , and , emphasizing resilience and justice over victimhood tropes common in Pakistani television. Udaari garnered critical acclaim for its unflinching portrayal of subjects, particularly the grooming and of children by figures, culminating in a finale that shifts societal onto perpetrators rather than survivors. The series achieved commercial success and won multiple awards at the 16th , including Best Television Actor for , Best Television Director, and Best Television Play. Its production marked a pioneering effort by the Kashf Foundation in using media to foster public discourse on gender-based violence and economic marginalization, influencing subsequent dramas to tackle similar realities.

Synopsis

Plot Overview

centers on the lives of two neighboring families in a rural village, grappling with poverty, social taboos, and systemic marginalization. (Samiya Mumtaz), a widowed cook, raises her 10-year-old daughter Zebo alone until she remarries (Ahsan Khan) for financial support. Nearby resides the Mirasi family, traditional musicians stigmatized for their , led by the widowed singer (Bushra Ansari) and her talented daughter (Urwa Hocane), whose vocals are provided by . The narrative contrasts their rural struggles with urban aspirations through Meera and her love interest (Farhan Saeed), an aspiring musician seeking fame via a reality show. The plot escalates with Imtiaz's revelation as a predator, abusing Zebo and attempting to Meera, which fractures relationships and exposes societal victim-shaming. Sajjo faces and isolation, while Meera flees to , joining Arsh and allies like Milli to pursue music amid class divisions and economic barriers. Legal hurdles for low-income victims underscore the pursuit of justice, blending heavy themes of and with lighter elements of musical ambition. Spanning 25 episodes aired on from April to October 2016, the series culminates in empowerment narratives, where survivors challenge taboos around music professions and roles, highlighting causal links between , , and vulnerability to exploitation.

Central Themes and Motifs

The central theme of Udaari is , particularly incestuous exploitation perpetrated by family members in rural i communities, where victims face compounded trauma from both the acts and subsequent familial cover-ups to uphold notions of honor. The series draws on documented prevalence, such as the Society for the Protection of the Rights of the Child reporting 3,768 cases in in 2015 alone, equivalent to approximately 10 incidents daily, to underscore the epidemic's scale while critiquing systemic denial that perpetuates cycles of abuse. Interwoven with this is the theme of through economic self-reliance and resilience, portraying protagonists who leverage and vocational skills to escape dependency on abusive kin, challenging traditional patriarchal structures that equate female silence with virtue. The narrative rejects passive victimhood, instead emphasizing agency, as seen in characters who pursue despite barriers like evidentiary hurdles and judicial biases favoring the powerful, reflecting real-world obstacles for low-income litigants in Pakistan's courts. Motifs of confinement versus liberation recur, symbolized by the title Udaari—evoking flight or soaring—which contrasts the metaphorical cages of , , and taboo-induced muteness with breakthroughs via vocal and . Victim-blaming emerges as a stark motif, illustrated through ostracism of survivors while perpetrators evade , mirroring cultural patterns where honor codes prioritize reputation over . The series employs these elements to advocate breaking silence, as protagonists deliver public speeches decrying and , fostering motifs of transformation from isolated suffering to communal reckoning.

Cast and Characters

Principal Cast

The principal cast of Udaari, a 2016 Pakistani drama serial produced by Momina Duraid Productions in collaboration with the Kashf Foundation, featured veteran and emerging actors portraying central characters addressing social issues such as child sexual abuse and exploitation. Samiya Mumtaz played the dual roles of Sajida Bibi (Sajjo) and Tahira, depicting a mother confronting trauma and resilience. Bushra Ansari portrayed Rasheeda Bibi (Sheedan), a pivotal figure in the narrative's exploration of friendship and societal pressures.
ActorRole(s)
Imtiaz Ali Sheikh
Meera Majid
Taimoor Arshad (Arsh)
These roles were confirmed across production credits, with as the antagonist Imtiaz, as the young Meera facing vulnerability, and as the supportive Taimoor. The casting emphasized actors capable of handling sensitive themes, contributing to the serial's impact on public discourse in .

Supporting Roles

The supporting roles in Udaari featured actors who portrayed family members, friends, and community figures essential to the unfolding of social issues like child exploitation and familial resilience. depicted Sajida Bibi (also known as Sajjo or Tahira), a widowed whose daughter's drives much of the emotional core, with her portrayal earning praise for conveying quiet determination amid trauma. Bushra Ansari played Rasheeda Bibi (Sheedan), Sajida's steadfast friend from a higher social stratum, whose support highlights themes of solidarity across class lines; Ansari's veteran performance added gravitas to scenes of moral confrontation. Arjumand Hussain appeared as a family patriarch figure, contributing to depictions of patriarchal control and its consequences within households. Hina Altaf's role as a younger family member provided contrast through innocence and vulnerability, noted for enhancing relational tensions. Additional supporting performers, including and Areesha Ahsan, filled out extended family and community interactions, underscoring the pervasive societal pressures addressed in the series.

Child Actors and Performances

Areesha Ahsan portrayed the young Zebo, also known as Komal, a pivotal character central to the narrative's exploration of . Her depiction of the traumatized girl effectively conveyed vulnerability and helplessness, drawing critical acclaim for tugging at viewers' emotions through subtle expressions of fear and isolation. Ahsan's performance earned an Honourable Award for Best Child Performance of the year from the production collaborators, highlighting her ability to handle demanding scenes involving exploitation without exaggeration. Reviews noted her adeptness in embodying the character's enduring psychological scars, contributing to the serial's impact on raising awareness about child victimization in Pakistan. No other child actors received comparable prominence in cast analyses or reviews, with supporting young roles like those of potential siblings or victims appearing minimally documented and uncredited in major critiques. The focus on Ahsan's Zebo underscored the serial's commitment to authentic portrayal of child trauma, though some observers questioned the ethical handling of such sensitive depictions involving minors.

Production

Development and Concept

Udaari was co-produced by 's MD Productions for and the Foundation, with additional funding from a Canadian grant to support its social advocacy elements. The project originated as Kashf's second television initiative aimed at leveraging for issue-based , building on the foundation's prior work in women's economic . Development emphasized breaking cultural silences around sensitive topics, with Momina Duraid overseeing creative direction to ensure narrative authenticity amid Pakistan's conservative media landscape. The core concept revolved around confronting —a widespread problem often shrouded in and underreporting in —through a format designed to foster public dialogue without overt didacticism. Described as "edu-tainment" by Kashf Foundation Managing Director Roshaneh Zafar, the series integrated entertainment with education to highlight not only abuse but also intersecting issues like poverty-driven marginalization, class-based exploitation, legal barriers for the poor, and barriers to women's agency. This multifaceted approach stemmed from consultations involving executives, including , who prioritized realistic depictions to challenge stereotypes and encourage survivor advocacy, positioning Udaari as a for broader social reform rather than isolated sensationalism. The script by and direction by were selected to balance emotional depth with evidentiary grounding in real societal patterns, avoiding unsubstantiated narratives.

Casting Decisions

The casting for Udaari was managed by producer of MD Productions in partnership with the Kashf Foundation, emphasizing actors equipped to address the serial's focus on and empowerment. Director collaborated on selections to ensure realistic depictions of complex rural and familial dynamics. Several performers were required to venture beyond their typical roles, adapting to the emotionally taxing narrative. Bushra Ansari portrayed Sheedan, a bold rural matriarch, drawing on her experience to capture cultural nuances observed during filming in . Samiya Mumtaz took on Sajida, a widowed mother navigating vulnerability and strength, marking another project under Duraid's production banner. Ahsan Khan was cast as the antagonist , delivering a performance that highlighted the perpetrator's facade, which later garnered three awards for its intensity. Supporting roles included as Arsh, a musician entangled in the protagonists' struggles, and as Meera, whose character's vocal talents were voiced by in key scenes. These choices prioritized versatility and authenticity, with Duraid underscoring the cast's commitment to raising awareness on subjects despite potential backlash.

Filming and Locations

Udaari principal photography occurred in , emphasizing rural village settings to depict the socioeconomic struggles of characters like Sheedan and Sajida. Director oversaw on-location shoots that captured authentic countryside environments, as shown in footage featuring cast members in natural, rural backdrops during scene preparations. These exteriors aligned with the narrative's focus on marginalized communities outside urban centers. Urban sequences, integral to the plot involving Lahore-based elements such as Imtiaz's residence, were likely filmed in or around the city to replicate metropolitan contrasts. The production, handled by MD Productions in alongside Foundation, prioritized realism without specified exotic or international sites, completing shoots ahead of the , 2016 premiere. No detailed list exact villages or studios, but the visual style reflects standard practices for using Punjab-region locales for rural authenticity.

Music and Sound Design

The original soundtrack (OST) of Udaari features vocals by singers and , with lyrics and composition credited to , who also served as producer. The OST was released on May 15, 2016, prior to the drama's premiere, and integrates melodic elements reflecting the series' themes of resilience and struggle. Background music throughout the series was composed by , emphasizing emotional depth through instrumental arrangements that underscore key dramatic moments, such as scenes of familial conflict and personal trauma. Bagga's score employs traditional Pakistani instrumentation blended with contemporary orchestration to enhance narrative tension without overpowering dialogue. Sound design in Udaari focuses on subtle ambient effects to evoke rural settings, including natural sounds like wind and rural ambiences, integrated seamlessly with the score to maintain immersion. Specific details on sound mixing credits remain limited in public records, but the overall audio production aligns with Hum TV's standard practices for dramatic emphasis. The combination of OST and background elements contributed to the series' atmospheric realism, supporting its portrayal of social issues.

Post-Production Processes

The phase of Udaari was overseen by , which managed the assembly and refinement of episodes after conducted under MD Productions and Kashf Foundation. This encompassed to sequence scenes, for visual consistency across the rural settings, and to align with broadcast standards for the Urdu-Punjabi bilingual serial. Sound post-production involved mixing dialogue tracks with ambient effects and the integration of the original soundtrack (OST), composed by and featuring vocals by and , to underscore key motifs of trauma and resilience. The OST's production, handled as a endeavor, emphasized thematic songs like "Sajna Ve Sajna" to amplify emotional cues without overpowering narrative dialogue. Final mastering ensured compatibility for Hum TV's primetime slot, with episodes prepared for simultaneous upload alongside linear broadcast starting April 10, 2016. This streamlined workflow supported the serial's 25-episode run, concluding on September 25, 2016, while adhering to collaborative oversight from producers focused on social advocacy themes.

Original Score and Songs

The original score for the Pakistani drama serial Udaari was composed by , who integrated thematic musical motifs to underscore the narrative's exploration of social issues such as child exploitation and familial resilience. Bagga's background score employed a blend of traditional Punjabi instrumentation, including strings and percussion, to evoke emotional depth and cultural authenticity, aligning with the series' rural setting. The primary original song, the official soundtrack (OST) titled "Sajna Ve Sajna," features vocals by and , with lyrics and composition by . Released on May 15, 2016, ahead of the drama's premiere, the OST was produced by Bagga and quickly rose to prominence, topping Pakistani music charts due to its poignant melody and relatable themes of longing and struggle. The track's success contributed to heightened anticipation for the series, amassing millions of views on platforms like shortly after release.

Track Listing and Composition Details

The principal track of the Udaari soundtrack is the title song "Udaari," alternatively titled "Sajna Ve Sajna," featuring vocals by and . Lyrics and musical composition for this track were crafted by , who also handled production. Additional songs integrated into the series include a rendition of "Main Tenu Ki" performed by , aligning with narrative musical sequences. Another featured piece, "Bol Ke Lab Azad Hain Tere," also credits 's vocals within the drama's context. Composition for the soundtrack involved contributions from and Sohail Haider, encompassing both vocal tracks and underlying musical arrangements.
Track TitlePerformersComposer/Lyricist
Udaari (Sajna Ve Sajna) &
Main Tenu Samjhawan KiTraditional/Cover
Bol Ke Lab Azad Hain TereUnspecified

Broadcast and Distribution

Premiere and Scheduling

Udaari premiered on on 10 April 2016, airing weekly on Sundays at 8:00 PM (PKT). The series occupied 's prime-time Sunday slot, a common placement for high-profile dramas produced by under MD Productions. The broadcast maintained a consistent weekly schedule without reported interruptions or time shifts, concluding after 25 episodes on 25 September 2016. Each episode typically ran for 35 to 45 minutes, aligning with standard Pakistani television drama formatting for the channel. No international syndication or alternative scheduling was announced during the original run.

Viewership and Ratings Data

Udaari garnered strong television ratings during its original airing on from May to October 2016, consistently achieving the highest Television Rating Points (TRPs) in its Sunday 8:00 PM slot compared to all competing channels over its 25-week run. This dominance was reported by the drama's producers, Foundation, highlighting its competitive edge despite addressing taboo themes like . Detailed episode-specific TRP figures were not publicly disclosed beyond summaries, though the series' sustained lead in the slot reflected broad in Pakistan's urban markets, where TRPs are measured via household metering systems representative of cable and satellite viewers. In the UK market, where BARB ratings track viewership, select episodes drew peaks exceeding 140,000 viewers, such as 141,000 during a September 2016 broadcast. Post-broadcast digital metrics further evidenced popularity, with full episodes accumulating hundreds of thousands of views on platforms like , though these do not directly correlate to initial linear TV ratings. The drama's TRP success contrasted with Hum TV's variable performance in other slots, attributing its hold to compelling rather than formulaic tropes.

Reception

Critical Evaluations

Critics have lauded Udaari for its bold confrontation of , a subject rarely addressed with such directness in Pakistani television, crediting it with sparking national on the issue without resorting to graphic depictions. The series' producers emphasized that on-screen content remained non-objectionable, focusing instead on societal ramifications like and perpetrator accountability, which reviewers highlighted as a strength in raising awareness. Dawn Images commended the finale for appropriately shifting shame onto the rapist rather than the victim, marking a departure from conventional narratives that often perpetuate stigma. Performances received particular acclaim, with Ahsan Khan's portrayal of a pedophile noted for its nuanced intensity, contributing to the drama's ability to humanize complex antagonists without excusing their actions. Reviewers also appreciated the ensemble's authenticity in depicting economic marginalization and class divides alongside , arguing that these layers elevated the narrative beyond simplistic . Academic analyses, including cultural feminist examinations, praised the series for amplifying female agency and challenging honor-based cultural norms, positioning it as an edutainment tool that critiques gender-based violence through realistic character arcs. However, some evaluations critiqued the drama for occasional sprawl, describing it as extensive yet shallow in exploring certain socioeconomic themes despite strong technical execution and acting. Concerns arose over whether depictions of inadvertently glamorized or normalized predatory in pursuit of viewership, though such views were minority opinions amid broader acclaim for myth-debunking elements, like portraying abusers as known members rather than strangers. Overall, Udaari's critical reception underscored its role in proving that socially conscious content could achieve commercial success without relying on passive female stereotypes, influencing subsequent dramas to tackle similar issues with greater sensitivity.

Audience Responses

Udaari garnered widespread positive feedback from Pakistani audiences, who praised its bold handling of and societal taboos, contributing to national conversations on these issues. Viewers appreciated the drama's strong female protagonists and realistic portrayals, with many noting it defied typical tropes of passive women in television narratives. On platforms like , the series holds an 8.6/10 rating from over 800 user reviews, reflecting acclaim for the cast's performances—particularly Ahsan Khan's portrayal of a complex antagonist and Bushra Ansari's supporting role—and its role in raising awareness without sensationalism. comments highlighted the emotional impact, with viewers describing it as a "masterpiece" for its storytelling on marasi culture and child exploitation, often recommending rewatches for its depth. A post-broadcast survey by Kashf Foundation, the drama's co-producer, found that 44% of 800 respondents had watched Udaari, with a majority declaring it their favorite serial due to its advocacy focus. Social media reactions amplified this, as the series sparked public discourse on abuse prevention, outperforming competitors in its time slot and year for viewership engagement.

Quantitative Metrics and Rankings

Udaari maintained the highest Television Rating Points (TRPs) in its time slot across all Pakistani channels throughout its 25-week run from to 2016. This performance positioned it as the most popular drama serial of the year, according to evaluations by the Kashf Foundation, which partnered on the production for its social advocacy focus. Survey data from the foundation's indicated Udaari as the top-viewed program on , surpassing competitors amid a field where the channel itself ranked as the most watched overall. User-generated metrics reflect strong audience approval, with the series earning an 8.6 out of 10 rating on based on 802 votes as of recent data. While comprehensive national viewership totals in absolute numbers (e.g., millions of viewers per episode) are not publicly detailed for 2016-era dramas due to reliance on TRP sampling rather than digital streaming analytics prevalent today, Udaari's slot dominance underscores its quantitative lead over contemporaries like those on . No formal cross-network rankings beyond time-slot specifics were issued by rating agencies such as MediaLogic for that period, but its sustained TRP edge contributed to industry benchmarks for socially themed content.

Controversies

Regulatory Actions and Censorship

In May 2016, the Pakistan Electronic Media Regulatory Authority (PEMRA) issued a show-cause notice to Hum TV regarding the drama serial Udaari, citing complaints about the portrayal of "unethical" and "immoral" scenes in its episode aired on May 8. The notice stemmed from viewer objections that the depiction of child sexual abuse and related societal vices, intended to highlight real issues, instead promoted immorality and potentially incited pedophilic tendencies by dramatizing such content on prime-time television. PEMRA demanded an explanation from Hum TV within 15 days, warning of potential fines or suspension of transmission rights if the channel failed to justify the content under the PEMRA Ordinance of 2002, which prohibits broadcasts that violate cultural norms or public decency. Despite the regulatory scrutiny and subsequent public debates, Udaari was not banned or censored in terms of episode cuts during its original run from April to October 2016; the series completed its 25-episode schedule uninterrupted. PEMRA's actions reflected broader patterns of intervention in Pakistani media, where authorities have historically responded to complaints about sensitive topics by issuing notices rather than outright prohibitions, though re-runs of the series faced informal restrictions in later years due to ongoing sensitivities. The notice drew criticism from industry figures and advocates, who argued that PEMRA's focus on "immorality" overlooked the serial's evidence-based intent to expose underreported child exploitation, supported by collaborations with NGOs like the Kashf Foundation, and risked stifling public discourse on verifiable societal problems documented in official reports. No further formal regulatory penalties were imposed on for Udaari, but the episode underscored PEMRA's discretionary enforcement, often influenced by public complaints rather than consistent application of standards across less controversial content.

Societal and Cultural Backlash

The depiction of child sexual abuse and related societal issues in Udaari elicited backlash primarily from regulatory authorities and conservative cultural elements in Pakistan, who viewed the explicit addressing of taboos as disruptive to prevailing norms of silence and propriety. The Pakistan Electronic Media Regulatory Authority (PEMRA) issued a formal notice to Hum TV on May 13, 2016, targeting scenes from the May 8 episode for allegedly containing "immoral content," despite the drama's focus on real-world prevalence of abuse by known perpetrators. This action highlighted tensions between public discourse on hidden social ills—such as the statistic that 32% of abusers are family members—and institutional preferences for avoiding graphic realism in media. PEMRA's interventions extended beyond a single notice, accumulating a record number for Hum TV productions challenging norms, as noted by network president in 2025 reflections on the series' role in confronting violence and marginalization. Actress , involved in the production, later criticized the regulatory scrutiny in 2025, pointing to multiple PEMRA directives against highlighting as emblematic of regressive attitudes stifling awareness. Such measures reflected broader cultural resistance, where discussions of , power imbalances, and victim marginalization were seen as threats to familial and communal harmony, often prioritizing myth-perpetuating silence over empirical confrontation of data showing abuse's ubiquity in rural and urban settings alike. Public and media commentary amplified this divide, with some outlets decrying PEMRA's stance as counterproductive that equates truth-telling with indecency, while others debated the drama's unflinching scenes—such as those implying non-graphic but implication-heavy —as potentially excessive for prime-time audiences. Reports of temporary bans or heightened scrutiny, akin to those faced by other content addressing power abuses, underscored how Udaari's causal portrayal of socioeconomic drivers behind exploitation clashed with societal inclinations to externalize blame or suppress visibility, thereby sustaining cycles of underreporting and victim-blaming. This backlash, though not universal, illustrated entrenched cultural mechanisms favoring decorum over data-driven reform, even as from child protection agencies affirmed the drama's alignment with documented abuse patterns.

Debates on Moral and Ethical Portrayals

PEMRA, Pakistan's electronic media regulator, issued a notice to Hum TV on May 13, 2016, regarding specific scenes in the May 8 episode of Udaari, citing "immoral content" that allegedly promoted vulgarity and incited pedophilic tendencies through depictions of child sexual abuse and incest. The regulatory action reflected broader conservative concerns in Pakistani society that prime-time television, accessible to families including children, should not air explicit portrayals of taboo subjects like familial abuse, arguing such content erodes traditional moral standards and risks normalizing deviant behavior rather than condemning it. Critics, including some religious and cultural commentators, contended that Udaari's narrative—centering on a stepfather's incestuous abuse of his stepdaughter—sensationalized trauma for ratings, potentially retraumatizing survivors or desensitizing audiences without sufficient ethical safeguards, such as viewer warnings or post-episode counseling resources. This viewpoint gained traction amid Pakistan's conservative media landscape, where PEMRA's mandate emphasizes content aligned with Islamic ethical norms, leading to debates on whether artistic license to depict real societal ills justifies breaching broadcast decency codes. Proponents, including the drama's producers at Kashf Foundation and , defended the portrayals as ethically imperative for fostering public discourse on underreported crimes, with empirical data from the foundation's 2016 impact assessment showing increased parental awareness and helpline calls for post-broadcast. Actress , who portrayed a key maternal figure, emphasized in a July 2016 that the series responsibly highlighted and abuse's long-term psychological scars without gratuitous detail, crediting it with empowering survivors to break silence in a culture stifled by shame. Supporters argued that censoring such content perpetuates ignorance, citing Pakistan's official data of over 3,000 reported cases in 2016 alone, many involving familial perpetrators, as evidence that ethical storytelling demands unflinching realism over sanitized narratives. The controversy underscored tensions between advocacy-driven media and regulatory oversight, with outlets like Dawn criticizing PEMRA's intervention as misguided, potentially silencing vital conversations on causal factors like and patriarchal in cycles, while acknowledging that conservative regulators often prioritize over evidence-based social reform. Academic analyses, such as a 2020 study on transnational feminist edutainment, noted Udaari's balanced approach in veiling explicitness through implication, aligning with South Asian cultural while ethically challenging viewers to confront systemic ethical failures in protecting vulnerable children.

Awards and Recognition

Major Wins and Nominations

Udaari achieved notable success at the 5th on April 29, 2017, securing the Best Drama Serial award in both the Jury and Popular categories. won (Jury) and in a Negative Role for his performance as Imtiaz. received the Most Impactful Character award for her role as Sajida. Further wins included Best Director for Muhammad Ehteshamuddin, Best Writer for , Best On-Screen Couple (Jury) for and , and Best Child Star for the actress portraying Zebo. At the 16th Lux Style Awards in 2017, Ahsan Khan earned Best TV Actor for his lead role. The series also won Best TV Director for Ehteshamuddin and Best TV Writer for Ishtiaq. It received a nomination for Best Television Play.
Awarding BodyYearCategoryWinner(s)
Hum Awards2017Best Drama Serial (Jury)Udaari production team
Hum Awards2017Best Drama Serial (Popular)Udaari production team
Hum Awards2017Best Actor (Jury)Ahsan Khan
Hum Awards2017Best Actor in a Negative RoleAhsan Khan
Hum Awards2017Most Impactful CharacterBushra Ansari
Lux Style Awards2017Best TV ActorAhsan Khan
Lux Style Awards2017Best TV DirectorMuhammad Ehteshamuddin
Lux Style Awards2017Best TV WriterFarhat Ishtiaq

Industry Accolades

Udaari earned significant recognition at the 16th in 2017, securing wins in four categories reflective of its production excellence and performances. The series received the Best TV Play award, acknowledging its overall impact in Pakistani television. was honored with Best TV Actor for his dual portrayal of Imtiaz and Tajammul, highlighting his versatile acting in addressing complex character dynamics. won Best TV Director for his handling of the sensitive narrative on . claimed Best TV Writer for crafting a script that integrated social advocacy with dramatic storytelling. At the 5th Hum Awards in 2017, Udaari dominated with nine victories, underscoring its prominence within the Hum Network's ecosystem. It swept Best Drama Serial in both the Popular and Jury categories, demonstrating broad appeal and critical esteem. Ahsan Khan again excelled, winning Best Actor Male (Jury) and Best Actor in a Negative Role for his layered depiction of abusive figures. Bushra Ansari's portrayal of Salma garnered the Most Impactful Character award, noted for embodying resilience against societal taboos. Additional wins included Best Director for Mohammed Ehteshamuddin, Best Writer for Farhat Ishtiaq, Best Child Star for the character Zebo, and Best On-Screen Couple (Jury) for Farhan Saeed and Urwa Hocane.
Award EventCategoryRecipient
16th Lux Style Awards (2017)Best TV PlayUdaari
16th Lux Style Awards (2017)Best TV ActorAhsan Khan
16th Lux Style Awards (2017)Best TV DirectorMohammed Ehteshamuddin
16th Lux Style Awards (2017)Best TV WriterFarhat Ishtiaq
5th Hum Awards (2017)Best Drama Serial (Popular)Udaari
5th Hum Awards (2017)Best Drama Serial (Jury)Udaari
5th Hum Awards (2017)Best Actor Male (Jury)Ahsan Khan
5th Hum Awards (2017)Best Actor in a Negative RoleAhsan Khan
These accolades from established Pakistani industry bodies affirmed Udaari's technical and artistic merits, particularly in tackling underrepresented issues like child exploitation through structured narrative and authentic characterizations.

Impact and Legacy

Social Awareness and Advocacy Effects

Udaari, a 2016-2017 Pakistani television drama produced by the Kashf Foundation, significantly elevated public discourse on child sexual abuse (CSA) by portraying it as a pervasive issue often occurring within families and communities, challenging the cultural silence surrounding the topic. The series depicted survivors' resilience and the societal stigma that perpetuates abuse, prompting viewers to confront realities such as intra-family perpetration, which accounts for a substantial portion of cases in Pakistan according to contemporaneous reports. This narrative approach, rooted in entertainment-education strategies, led to widespread conversations, with an estimated 66.4% of surveyed viewers reporting that the drama initiated new reflections on CSA prevention and victim support. The drama's impact extended to advocacy efforts, as it aligned with Kashf Foundation's mission to use media for behavioral change, fostering a more receptive environment for women's economic as a buffer against vulnerability to . Post-broadcast analyses indicated that a majority of respondents viewed such dramas as instrumental in shifting societal attitudes toward subjects, with none in one assessment denying their role in altering perceptions of social issues like and intertwined with CSA. For instance, the series encouraged discussions on for survivors, highlighting systemic failures in reporting and prosecution, which resonated in urban and rural audiences alike during its airing from April 2016 to October 2016. Empirical feedback from youth-focused studies underscored Udaari's role in destigmatizing reporting, with participants agreeing that dramas addressing molestation heightened awareness and advocated for more such content to normalize . While produced by an NGO with an agenda, these effects were corroborated across independent viewer surveys, demonstrating the series' contribution to broader calls for policy reforms, including stronger child protection mechanisms, amid Pakistan's estimated high prevalence of unreported CSA cases.

Influence on Pakistani Television

Udaari marked a pivotal shift in Pakistani television by demonstrating the viability of commercially successful dramas addressing taboo social issues, particularly and women's economic empowerment. Airing on from 2016, the series achieved the highest viewership among its contemporaries, consistently outperforming competitors in its time slot over 25 episodes and ranking as the top-rated show for audiences aged 18-35, especially females. An found that 44% of 800 surveyed respondents had watched the series, with 58% aided awareness indicating broad penetration. This popularity validated the entertainment-education model, blending advocacy with narrative appeal in a commercial landscape dominated by lighter fare. The drama's co-production by the Kashf Foundation, an NGO, with MD Productions introduced a funding and thematic approach, incorporating transnational elements that influenced production modes in Pakistan's liberalized TV sector. It set a for issue-driven content, prompting a marked increase in similar serials tackling social taboos, such as Sammi, as 62% of respondents in post-broadcast surveys attributed the trend to Udaari's success. This shift encouraged producers to prioritize substantive over formulaic romances, fostering greater diversity in genres and empowering female characters as resilient figures rather than passive victims. By outperforming expectations in a competitive market, Udaari challenged industry norms, proving that high ratings—evidenced by its dominance in TRP metrics—could coexist with , thereby inspiring subsequent works to explore , legal reforms, and rural-urban dynamics without diluting value. The series' awards sweep, including multiple Lux Style and honors in 2016, further solidified its role in elevating production standards and thematic depth. This legacy persists in the proliferation of socially conscious dramas, reflecting a broader toward causal realism in portrayals of societal challenges.

Long-Term Cultural and Academic Analysis

Udaari's portrayal of child sexual abuse and related social taboos has influenced long-term discussions in Pakistani media, fostering a trend toward edutainment formats that prioritize social advocacy over conventional melodrama. Post-2016, the series catalyzed a "domino effect" in television production, with subsequent dramas such as Daam and Cheekh adopting similar themes of gender-based violence and familial exploitation, reflecting a cultural normalization of confronting entrenched issues like incest and pedophilia within conservative societal frameworks. This shift is evidenced by industry analyses noting Udaari's role in debunking myths, such as the misconception that abusers are exclusively strangers, thereby encouraging public discourse on intra-family dynamics of abuse. Academic examinations frame Udaari as a transnational feminist edutainment tool, supported by organizations like the Kashf Foundation, which leveraged the series for awareness campaigns reaching over 5 million viewers through Hum TV's broadcast and rebroadcasts. A 2019 empirical study surveying 300 respondents in Punjab revealed that 66.4% initiated critical thinking on child abuse post-viewing, with 71.1% reporting heightened awareness of prevention strategies, underscoring the drama's efficacy in altering perceptions amid Pakistan's reported 3,000 annual child abuse cases documented by NGOs like Sahil. Culturally, this has manifested in sustained advocacy, including viewer-led petitions and policy dialogues, though critiques highlight uneven implementation, as rural stigma persists despite urban sensitization. Feminist scholarship, including a 2023 cultural analysis, positions Udaari as amplifying marginalized female narratives against patriarchal honor cultures, portraying survivors as agents of resilience rather than passive victims, which challenged traditional drama tropes of helpless women. Longitudinally, a 2022 youth perception study across Pakistani universities indicated that dramas like Udaari elevated societal consensus on the need for more such content, with 78% of participants agreeing it fostered proactive attitudes toward reporting abuse, though quantitative data on conviction rates post-2016 remains limited due to underreporting. These analyses caution against overattributing systemic change to media alone, emphasizing complementary needs like legal reforms under Pakistan's 2016 Zainab Alert Act, yet affirm Udaari's enduring benchmark for ethical storytelling in South Asian television.

References

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