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Andrew Douglas Paley (November 1, 1951 – November 20, 2024) was an American songwriter, record producer, composer, and multi-instrumentalist who formed the Paley Brothers, a 1970s power pop duo, with his brother Jonathan Paley. Following their disbandment, Paley was a staff producer at Sire Records, producing albums for artists, such as Brian Wilson, Jonathan Richman, NRBQ, John Wesley Harding, the Greenberry Woods, and Jerry Lee Lewis. He also worked in film and television, composing scores and writing songs mostly for animated series, such as The Ren & Stimpy Show, SpongeBob SquarePants, Camp Lazlo, and Handy Manny.

Early life and career

[edit]

Andrew Douglas Paley was born in Washington, D.C., on November 1, 1951,[2][3] the son of Henry Paley, a college administrator and lobbyist, and Cabot Barber Paley, a teacher and therapist.[4][5] He was the third of five children and grew up in Crescent, New York, near Albany.[2][5] His younger sister Sarah is married to former U.S. senator Bob Kerrey. In 2010, he married Heather Crist in a ceremony officiated by Kerrey.[6]

"These snappy, hard-hitting songs are what rock and roll used to sound like back when singles were singles and boys would be boys."

—Review of The Sidewinders in Christgau's Record Guide: Rock Albums of the Seventies (1981)[7]

Paley began performing in his early teens as a drummer and singer for local Albany-area bands before moving to Boston. He was a founding member and the drummer of the Boston, Massachusetts band, Catfish Black, which also included future Modern Lovers members Jerry Harrison and Ernie Brooks. The band was renamed the Sidewinders and was later joined by Billy Squier. The band performed around Boston and in New York City at venues like Max's Kansas City.[2] They released an album, produced by Lenny Kaye, which featured songs written and sung by Paley. The Sidewinders broke up in the mid-1970s. Paley then played on Elliott Murphy's album Night Lights, and performed with Jonathan Richman after the break-up of the original Modern Lovers.[8]

The Paley Brothers

[edit]
Main article: The Paley Brothers

Paley went on to form The Paley Brothers[9] with his younger brother Jonathan, a guitar/bass player and singer who also was part of the early Boston punk scene and had played with Boston and New York bands such as Mong. They disintegrated as an act in 1979 when Jonathan joined the Nervous Eaters. Although the Nervous Eaters collapsed after Ric Ocasek, who had produced their demo, was not permitted to produce their second album,[10] the Paley Brothers did not reform. Said Jonathan, "It was more of an evolution. Andy went on the road with Patti Smith's band and got into production work; I went and sailed around the world."[11]

Collaborative work

[edit]

In 1979, Andy Paley played guitar on Jonathan Richman's album Back in Your Life, and continued to perform on and off with Richman and later incarnations of the Modern Lovers, and produce many of their recordings, through the 1980s. He produced Richman's 1985 album Rockin' and Romance. Paley then focused on songwriting, session work and record production while working with Madonna, k.d. lang, Mandy Barnett, Jerry Lee Lewis, Elton John, Brenda Lee, Little Richard, and many others.[2]

In 1988, Paley produced and co-wrote songs on Wilson's solo comeback album Brian Wilson, and continued to work with him on unreleased material in the 1990s.[12] Wilson described Paley as a multi-instrumentalist with "a lot of talent for anything you can think of. ... Andy Paley is the most frighteningly talented person I’ve ever worked with, and he has an unparalleled seriousness about music."[13]

Film and television work

[edit]

Paley produced the soundtracks for Dick Tracy (1990) and A Walk on the Moon (1999) and wrote the original music for Traveller (1997, starring Bill Paxton). In 2009, he contributed to the soundtrack of World's Greatest Dad, directed by Bobcat Goldthwait and starring Robin Williams. He also wrote the musical score for the first season of Showtime's The L Word.[citation needed]

Paley also scored for cartoons such as The Ren & Stimpy Show,[14] and later wrote and produced the music for Nickelodeon's SpongeBob SquarePants. He and Tom Kenny – the voice of SpongeBob – co-wrote the It's a SpongeBob Christmas! Album (2012). Paley and Kenny were also both members of Tom Kenny and the Hi-Seas.[citation needed] He led the Andy Paley Orchestra, which provided the music for The Thrilling Adventure & Supernatural Suspense Hour, a theater group in Los Angeles that performs original stage productions in the style of old radio melodramas. Additionally he provided music for The Dana Gould Hour podcast.[15]

Personal life and death

[edit]

Paley and his wife, Heather Crist Paley, have twin sons and lived in Grand Isle, Vermont.[2][3]

In July 2024, Paley was diagnosed with throat cancer. Though he was successfully treated and had been cancer-free from September, it was found to have returned on November 7, after he was admitted to a hospital in Burlington, Vermont. Heather Crist Paley wrote on her blog that her husband's health steadily deteriorated over the following days, and he was eventually admitted to a hospice facility in Colchester, Vermont.[16] He died there on November 20, at the age of 73.[3][17]

Discography

[edit]

Albums produced

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Andy Paley

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Andy Paley (November 1, 1951 – November 20, 2024) was an American , songwriter, , and renowned for his versatile contributions to rock, pop, and television music, including key collaborations with on his solo debut album and work on soundtracks like as well as scores for . Born Andrew Douglas Paley in , to Henry D. Paley, a college administrator and lobbyist, and Cabot Paley, he grew up in near Albany, where he developed an early fascination with rock 'n' roll through his older sisters' records and local radio. After dropping out of high school, Paley moved to in the late 1960s, fronting the band Sidewinders alongside future rock star and opening for acts like . In 1976, he toured Europe with and formed the Paley Brothers with his , releasing a self-titled debut album in 1978 on that featured contributions from the . Throughout the 1980s and 1990s, Paley established himself as a sought-after producer at under , working with a diverse array of artists influenced by his admiration for Phil Spector's production style. He co-produced Brian Wilson's eponymous 1988 solo album, helping revive co-founder's career after years of personal struggles, and later collaborated on Wilson's Sweet Insanity (1990) and (1998). Paley's production credits also include tracks for (such as "" on her 1989 album Like a Prayer), , and , , , , , and . In addition to recording artists, Paley composed and produced music for film and television, overseeing the Dick Tracy soundtrack (1990) with performances by , , and , as well as produced soundtracks for films including (1999), Shag (1988), Wild Orchid (1989), and (1999). His television work encompassed theme songs and incidental music for animated series, notably and , where his playful, eclectic style left a lasting imprint on children's programming. Paley, a proficient , continued creating music until his death from cancer in , survived by his wife Heather Crist Paley, sons Jackson and Charlie, and siblings Sarah, Brewster, Debby, and Jonathan.

Early life

Upbringing and family

Andrew Douglas Paley was born on November 1, 1951, in He was raised in , a small hamlet in the town of Halfmoon near Albany, where he spent his childhood in a suburban environment in . Paley was the third of five children born to Henry D. Paley, a prominent administrator and lobbyist, and Cabot Barber Paley, a teacher and therapist. His siblings included older sisters Brewster and Deborah, younger brother Jonathan, and younger sister Sarah. Sarah Paley later became a writer, notably for , and married former U.S. Senator in 2001. The Paley household emphasized education and intellectual pursuits, with both parents' professional backgrounds in administration, teaching, and providing a supportive environment for creative development among the children. This familial foundation, reflected in the siblings' later careers in , writing, and , likely nurtured an early appreciation for artistic expression. Paley developed an early fascination with rock 'n' roll through his older sisters' records and local radio.

Initial musical pursuits

After dropping out of high school, Paley moved to in the late , where he began developing his musical talents during adolescence, teaching himself to play multiple instruments including guitar, drums, and keyboards, while also experimenting with songwriting and recording basic demos by age 17 or 18. Growing up in near Albany, he started on drums at age 6 and joined his first band, the Satellite Six, at age 11 around 1962, marking the onset of his hands-on engagement with group performance. His early self-taught approach was supported by access to family record collections and local radio, fostering a broad appreciation for structures. Paley's formative influences drew heavily from 1960s rock and , particularly the harmonic innovations of and the layered productions of , whose live performance he witnessed as a child at RPI Field House in . He also absorbed Phil Spector's technique and acts like , which shaped his interest in multi-instrumental arrangements and catchy melodies broadcast on AM radio. These elements informed his adolescent experiments, blending rock energy with pop accessibility in informal home recordings and local jam sessions. In the late 1960s and early 1970s, Paley participated in his first band experiments in the area, initially with Catfish Black around 1970 before it evolved into the Sidewinders, which later included on guitar; Paley contributed drums, vocals, and songwriting to the group, which opened for acts like and performed at college mixers and venues in , reflecting the vibrant rock scene, and gained initial exposure through gigs like the First event near in 1970. By 1971, the Sidewinders secured a residency at in , their first significant urban showcase following the Velvet Underground's era there. This period culminated in Paley's move to in the early 1970s to pursue music professionally, immersing himself in the emerging punk and new wave scenes at clubs like while continuing to hone his multi-instrumental skills. The relocation bridged his regional band experiences to broader industry opportunities, building on the foundational techniques and inspirations from his youth.

The Paley Brothers

Formation and debut

In 1976, brothers Andy and Jonathan Paley formed the power pop duo the Paley Brothers in Boston, Massachusetts, drawing inspiration from 1960s harmony acts such as the Ronettes, the Shirelles, the Crystals, and the Beach Boys. Andy, the elder sibling born in 1951, contributed as a multi-instrumentalist, lead vocalist, and co-songwriter alongside Jonathan, born in 1954, focusing on crafting melodic, harmony-driven songs that blended punk energy with pop-rock accessibility. The duo's formation built on their shared New York upbringing and early musical experiments, transitioning from local bands to a professional act aimed at capturing the era's burgeoning power pop revival. The Paley Brothers signed with in 1976, at the recommendation of label co-founder , who recognized their potential amid Sire's roster of innovative acts. Their debut release was a four-song EP produced by , recorded in a studio and featuring original tracks that showcased their tight harmonies and upbeat songcraft. This led to their full-length debut album, The Paley Brothers, issued in 1978 on . The self-titled LP, primarily produced by Earle Mankey and recorded at the Beach Boys' Brother Studios in Santa Monica (with one track, "Come Out and Play," handled by Iovine in ), emphasized a polished pop-rock sound with key originals like "Come Out and Play," "You're the Best," and covers such as Initial reception for the album was modest commercially, with no significant chart placement despite touring as openers for artists like and . Critics, however, praised the duo's sophisticated songwriting and harmonious style, hailing it as a high point of for its blend of '60s influences and fresh energy—AllMusic's later described it as a "pinnacle" of the genre. The release established Andy Paley's early reputation as a skilled performer and tunesmith, though it garnered more cult appreciation over time than immediate mainstream breakthrough.

Subsequent releases

Following their debut album, the Paley Brothers contributed to the soundtrack for the 1979 film with a cover of ' "," recorded alongside the and released as a single on in 1978. This collaboration highlighted their style but did not lead to broader commercial success, as the duo's recordings struggled amid shifting industry trends favoring punk and new wave over polished pop harmonies. Despite interest from figures like of and praise from , the Paley Brothers faced declining sales and label support waned, prompting a pivot toward more experimental elements in unreleased demos that blended their signature hooks with edgier production. No second full-length album materialized, though sessions yielded tracks like "," intended as a potential for follow-up material. The band dissolved in 1979, with Andy Paley shifting to production and touring roles—such as with Patti Smith's band—while Jonathan Paley explored other pursuits, reflecting broader industry changes and diverging personal ambitions in the early . This marked the end of their performing era and the brothers' transition to behind-the-scenes contributions. Their legacy endures as a key influence on the 1970s revival, celebrated for crafting anthemic, Spector-inspired songs that captured AM radio's golden age amid a rock landscape moving toward grit. Rare reissues, including the 2013 compilation The Paley Brothers: The Complete Recordings on Real Gone Music, have preserved their output, featuring 26 tracks with unreleased material and underscoring their cult status among genre enthusiasts.

Record production career

Sire Records period

In the early 1980s, Andy Paley joined as a staff producer at the invitation of label founder , marking his transition from performing artist to a key behind-the-scenes figure in the label's roster. This role positioned him within Sire's vibrant ecosystem, which was then dominated by punk and new wave acts like the and , allowing Paley to apply his sensibilities to emerging talent. Paley's initial productions at Sire highlighted his ability to refine raw energy into accessible recordings, beginning with The Real Kids' album Outta Place in 1982, where his production emphasized tight rhythms and guitar-driven hooks, bridging garage rock roots with a more commercial sheen. He later produced Jonathan Richman & the Modern Lovers' album Rockin' and Romance in 1985, shaping Richman's quirky songwriting into a crisp, melodic collection that blended folk-rock introspection with subtle pop arrangements, earning praise for its clarity amid the label's edgier output. These efforts established Paley as a versatile collaborator during Sire's transitional years. Beyond production, Paley continued performing as a session musician, including keyboard duties on Group's 1976 European tour, where he supported the band's live intensity with his multi-instrumental skills. This dual role helped him build a reputation for a polished pop-rock sound that contrasted yet complemented Sire's punk and new wave ethos, influencing how the label balanced underground grit with broader appeal in the mid-1980s.

Major collaborations

Andy Paley's most notable production partnership was with , beginning in the late 1980s. He co-produced and co-wrote much of Wilson's eponymous 1988 solo debut album on , including the lead single "Love and Mercy," which helped mark Wilson's successful return to creative control following years under the influence of psychologist . Paley also produced Wilson's contribution to the 1988 tribute album Folkways: A Vision Shared – A Tribute to & , which won a Grammy Award for best album notes. Throughout the 1990s, Paley and Wilson continued their collaboration on an unfinished album project known as the Andy Paley Sessions, recorded primarily between 1992 and 1996, featuring co-written tracks that blended Wilson's signature harmonies with Paley's pop sensibilities. Several demos from these sessions, including "It's Not Easy Being Me" and "Soul Searchin'," have circulated via bootlegs and leaks, showcasing their ongoing creative synergy despite the project's eventual cancellation in favor of Wilson's more commercial Imagination album in 1998. Beyond Wilson, Paley produced full albums for several prominent artists during his Sire Records tenure, including Jerry Lee Lewis's 1995 comeback effort Young Blood, which revived Lewis's rockabilly roots with a mix of covers and originals. He also contributed to sessions during Madonna's Like a Prayer era in the late 1980s, co-writing unreleased material like "To Love You" amid her transition to more introspective pop. Paley's work extended to k.d. lang, producing tracks that highlighted her vocal range in a sophisticated pop framework, and to the Ramones, including a 1979 collaborative single "Come On Let's Go" with his band the Paley Brothers. These partnerships underscored Paley's influence on 1980s and 1990s pop and rock production, blending vintage influences with contemporary polish.

Film and television work

Film compositions

Andy Paley's contributions to film music marked a significant expansion from his record production roots into cinematic soundtracks, where he primarily produced albums and composed original songs tailored to contexts. His work emphasized period-specific authenticity, particularly in blending contemporary pop sensibilities with retro influences to enhance . A pivotal project was his involvement in the 1990 film , directed by , where Paley produced the soundtrack album and wrote most of its original songs in a 1930s-inspired style evoking torch songs and jazz-era pop. These compositions, performed by artists including , , Erasure, and , complemented the film's noir aesthetic and integrated seamlessly with Danny Elfman's orchestral score, which earned an Academy Award nomination for Best Original Score. Paley's songs, such as "Ridin' the Rails" and "Back in Style," captured the era's rhythmic swing and emotional depth, contributing to the soundtrack's cohesive period immersion. Beyond , Paley produced soundtrack albums for several feature films, curating selections that amplified their thematic tones through eclectic mixes of pop, , and soul elements. For the 1988 coming-of-age comedy Shag, he oversaw the album featuring tracks from , , and , blending upbeat 1960s rock and R&B to mirror the film's Southern dance culture. In 1989's Wild Orchid, Paley contributed original songs like "Children of Fire (Call of Xango)" and produced the album, incorporating sensual pop and influences to heighten the narrative's exotic tension. His work on the 1991 crime comedy produced a rich in and standards, performed by artists such as and , which underscored the film's vibe. Later, in 1999, Paley handled soundtracks for the satirical high school drama , selecting and alternative tracks to reflect its sharp wit, and the Drop Dead Gorgeous, where he curated a mix of country-pop and humorous interludes to match the film's dark comedy. Paley's film compositions often fused pop accessibility with jazz improvisation and orchestral swells, adapting to each project's emotional and visual demands without overpowering the dialogue or action. This versatile approach earned critical praise for the Dick Tracy soundtrack, noted for its evocative recreation of 1930s musicality within a modern blockbuster framework, helping the album achieve commercial success and cultural resonance as part of the Oscar-nominated production.

Television scoring

Andy Paley composed music for the The from 1991 to 1996, contributing original songs and scores that complemented the program's irreverent and energetic style. His work included tracks such as "Don't Whiz on the Electric Fence" co-composed with Elinor Blake and , enhancing the show's distinctive comedic tone. Paley's involvement with SpongeBob SquarePants spanned from 1999 into the 2010s, where he served as a key composer and songwriter, often collaborating with voice actor Tom Kenny. Together, they co-wrote songs like "The Best Day Ever," the series' opening theme, featured on the 2005 soundtrack album of the same name. In 2012, Paley and Kenny co-wrote the full-length holiday album It's a SpongeBob Christmas! Album, which included original tracks such as "Don't Be a Jerk (It's Christmas)" tied to the stop-motion special. Paley also composed themes and additional music for other animated series, including in the late 1990s and early 2000s, as well as projects like through the early 2010s. For , he earned a Daytime Emmy Award for Outstanding Original Main Title Theme Music in 2007. His television scoring, particularly for productions, helped shape the vibrant, whimsical sound of 1990s and 2000s animated programming, with contributions to supporting the series' multiple Daytime Emmy nominations in music categories.

Personal life and death

Family and later residence

Paley married Heather L. Crist on June 26, 2010, at Prairie View in . The couple welcomed twin sons, Jackson and Charlie, in 2012. In 2021, during the , Paley and his family relocated from to Grand Isle, , in the Champlain Islands. This move allowed Paley to maintain his professional commitments remotely. During their time in , Paley immersed himself in local community life, notably by playing the harp with Maple Run Band, led by his brother-in-law Trevor Crist, contributing to regional music gatherings and fostering ties within the area's creative scene.

Illness and passing

In July 2024, Paley was diagnosed with throat cancer. Despite initial successful treatment that left him cancer-free by September, the disease returned in November. Paley died on November 20, 2024, at the age of 73, while receiving care in . The cause was throat cancer, following a brief but aggressive battle with the illness. Following his death, tributes poured in from longtime collaborators. , with whom Paley had worked extensively on solo projects, described him as "the most frighteningly talented person" and "greatest musical genius" he had ever met. , for which Paley composed iconic songs for , hailed him as a "creative genius" essential to the show's musical identity. Voice actor , a frequent collaborator, called their partnership "one of the greatest true joys" of his career, praising Paley's of . Industry figures connected to founder also mourned Paley as a close associate and key artist on the label. Obituaries reflected on Paley's enduring influence across pop and animation music, crediting him with revitalizing careers like Wilson's through innovative production and bridging 'n' roll with modern soundtracks. His work on and other animated series was noted for capturing whimsical energy in memorable tunes, while his pop productions for artists including and demonstrated a chameleon-like versatility that shaped late-20th-century music.

Discography

Performer credits

Andy Paley primarily performed as a and vocalist with his brother Jonathan in the power pop duo The Paley Brothers, contributing guitar, keyboards, harmonica, and lead and backing vocals across their limited output. The duo released one studio album and a promotional EP before disbanding in 1979, with material later compiled on the 2013 anthology The Paley Brothers: The Complete Recordings. The Paley Brothers' self-titled debut album, released in 1978 on and produced by Earle Mankey, featured Paley on keyboards, harmonica, and vocals alongside his brother's guitar and vocals, with additional musicians including Eric Rose on guitar and Leigh Foxx on bass. Key tracks included the original "Come Out and Play" (co-written by the Paley brothers), the cover "Stick with Me Baby" (originally by ), "You're the Best" (co-written by Andy Paley, Jonathan Paley, and Eric Rose), "Tell Me Tonight," "Too Good to Be True" (written by Andy Paley), "I Heard the Bluebirds Sing" (a cover of ' song), "Magic Power," and "Turn the Tide." Prior to the album, the duo issued a 1976 promotional EP on containing four tracks: "Come Out and Play" and "Rendezvous" (both written by Andy Paley), "Hide and Seek" (written by Andy Paley), and a cover of "Ecstasy" (written by Billy Connors). Additional singles and outtakes from 1976–1979, such as "Here Comes My Baby" (co-written by the Paley brothers) and covers like "Come On, Let's Go" (Ritchie Valens) and "Down the Line" (Buddy Holly and Bob Montgomery), appeared on the 2013 compilation, where Paley also handled production on several selections. Beyond the duo, Paley made guest appearances as a , notably playing guitar and providing backing vocals on Jonathan Richman's 1979 album Back in Your Life (Beserkley Records), contributing to tracks including "Abdul and Cleopatra," "Respect Me," "Lover Please," "Affection," and "Buzz Buzz Buzz." He also performed live with Richman and during this period. Paley toured with in the mid-1970s, filling in on keyboards during her 1976 European tour and appearing on select , though no verified studio recording credits with Smith have been documented. Paley released no major solo albums as a performer, and the Paley Brothers' material remains scarce in physical formats outside the 2013 Real Gone Music compilation, which includes 26 tracks and has not been widely reissued since.

Production discography

Andy Paley's production work, particularly during his tenure as a staff producer at Sire Records, encompassed a range of rock, pop, and soundtrack projects in the 1980s and 1990s. His credits highlight collaborations with established artists and contributions to film soundtracks, often blending power-pop sensibilities with diverse genres. Below is a chronological selection of key albums and projects he produced or co-produced.
YearArtistAlbum/ProjectLabelNotes
1985Jonathan Richman & the Modern LoversRockin' and RomanceTwin/Tone RecordsFull album production; featured acoustic folk-rock arrangements with 1960s influences. No major chart success.
1988Brian WilsonBrian WilsonSire RecordsCo-produced select tracks with Russ Titelman, Jeff Lynne, and Lenny Waronker; Wilson's first solo album, peaking at No. 54 on the Billboard 200.
1989MadonnaLike a PrayerSire RecordsProduced the track "Dear Jessie".
1990Various ArtistsDick Tracy (Original Motion Picture Soundtrack)Sire RecordsProduced and wrote most songs; featured contributions from Jerry Lee Lewis ("It Was the Whiskey Talkin' (Not Me)"), k.d. lang with Take 6 ("Ridin' the Rails"), Madonna, and others; peaked at No. 26 on the Billboard 200.
1992–1996Brian WilsonAndy Paley Sessions (unreleased)N/ACo-produced approximately 15 tracks with Wilson, intended for a solo album; sessions yielded songs like "This Girl I Knew," "You're Still a Mystery," and "Some Sweet Day"; several tracks later appeared on compilations such as Made in California (2013), but most remain unreleased or bootlegged.
1995Jerry Lee LewisYoung BloodSire RecordsFull album production; rockabilly revival with guest musicians including James Burton; peaked at No. 163 on the Billboard 200.
1999Various ArtistsElection (Music from the Motion Picture)Sire RecordsExecutive producer for the soundtrack; compiled indie rock tracks from artists like Badly Drawn Boy and Blur; no major chart entry but critically noted for its alternative selections.

Composition credits

Andy Paley contributed original compositions to several film soundtracks, notably co-writing multiple songs for the 1990 Dick Tracy soundtrack album, including "Ridin' the Rails" with Ned Claflin, "Pep, Vim and Verve" with Jeff Vincent, "Back in Business" with Claflin and Vincent, "Some Lucky Day" with Michael Kernan, and "Live Till I Die" with Claflin. These tracks blended , swing, and pop elements to complement the film's 1930s detective noir aesthetic, with Paley's contributions performed by artists such as , , and . For the 1988 film Shag, Paley co-wrote the title track "The Shag" with , which captured the movie's 1960s beach-party vibe and was performed by Page as an original upbeat pop number. In television, Paley composed cues and themes for animated series, including original incidental music for from 1991 to 1996, such as "Don't Whiz on the Electric Fence" co-written with Elinor Blake and . His work on included co-writing songs with , notably "The Best Day Ever" for the 2004 film , which became a signature upbeat anthem for the series. Paley also composed full scores for post-2000 animation projects like , providing thematic music that supported the adventure narratives. Paley's songwriting extended to standalone tracks for major artists, including co-writing "Melinda" with and for Wilson's 1988 self-titled album, a tender dedicated to Wilson's wife.) For Madonna's 1990 album , tied to , Paley co-wrote "I'm Going Bananas" with Michael Kernan, a playful that showcased his flair for theatrical pop. A highlight of Paley's television composition work was the 2012 album It's a SpongeBob Christmas!, where he co-wrote and composed nearly all tracks with , including "Don't Be a Jerk (It's )," "Christmas Who?," "Wet, Wet ," "Ho Ho Hoedown," "Christmas Is Mine," "Hot Fruitcake," and "A Rockin' Tropical ." The album's 12 original songs featured the full SpongeBob cast, blending cheer with the show's whimsical style, though some bootleg recordings of related session material remain undocumented.

References

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  41. https://www.allmusic.com/artist/paley-brothers-mn0000408612
  42. https://www.discogs.com/release/4906678-The-Paley-Brothers-The-Complete-Recordings
  43. https://www.discogs.com/release/3783486-The-Paley-Brothers-The-Paley-Brothers
  44. https://www.discogs.com/release/477409-Jonathan-Richman-And-The-Modern-Lovers-Back-In-Your-Life
  45. https://twintonemerch.square.site/product/jonathan-richman-and-the-modern-lovers-rockin-and-romance-ltd-edition-cd-/7
  46. https://www.banquetrecords.com/jerry-lee-lewis/young-blood/MOVLP3231C
  47. https://www.discogs.com/master/4017964-Various-Election-Music-From-The-Motion-Picture
  48. https://genius.com/albums/Various-artists/Dick-tracy-music-from-the-film
  49. https://www.discogs.com/release/3664626-Various-Shag-Original-Motion-Picture-Soundtrack
  50. https://www.yahoo.com/entertainment/andy-paley-famed-music-producer-215408056.html
  51. https://secondhandsongs.com/work/288440/all
  52. https://www.imdb.com/title/tt2476918/soundtrack/
  53. https://www.halleonard.com/product/117447/dont-be-a-jerk-its-christmas
  54. https://www.awn.com/news/nickelodeon-releases-spongebob-christmas-album
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