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Jeff Barry (born Joel Adelberg; April 3, 1938) is an American pop music songwriter, singer, and record producer. Among the most successful songs that he has co-written in his career are "Tell Laura I Love Her" (written with Ben Raleigh and a number 1 hit in the UK Singles Chart when it was recorded by Ricky Valance and number 7 in the US as sung by Ray Peterson), "Do Wah Diddy Diddy", "Da Doo Ron Ron", "Then He Kissed Me", "Be My Baby", "Chapel of Love", and "River Deep - Mountain High" (all written with his then-wife Ellie Greenwich and Phil Spector); "Leader of the Pack" (written with Greenwich and Shadow Morton); "Sugar, Sugar" (written with Andy Kim); "Without Us" (written with Tom Scott), and "I Honestly Love You" (written with Peter Allen).

Early life

[edit]

Barry was born in Brooklyn to a Jewish family.[1][2] His parents divorced when he was seven, and his mother moved him and his sister to Plainfield, New Jersey, where they resided for several years before returning to New York.[3]

Chart success

[edit]
Further information: List of songs written by Jeff Barry and Ellie Greenwich
Barry and Ellie Greenwich with the Dixie Cups on the cover of Cash Box, August 29, 1964

In 1964, Leiber and Stoller brought Barry and Greenwich on board their new label, Red Bird Records, as songwriter-producers. Of Red Bird's first 20 releases, 15 hit the charts; all were written and/or produced by the Barry-Greenwich team, including "Chapel of Love", "People Say", and "Iko Iko" by the Dixie Cups, and "Remember (Walkin' in the Sand)" (co-produced by Artie Ripp)[4] and "Leader of the Pack" by the Shangri-Las.

In late 1966, Barry was asked to produce tracks for the Monkees, a music group put together specifically as the stars of an NBC sitcom, also called The Monkees. Drafted by the show's musical supervisor, Don Kirshner, Barry brought with him a few tunes penned by Neil Diamond for the group to record. One among them, "I'm a Believer", under Barry's production, would sail up the U.S. charts to No. 1 and become one of the biggest-selling records of all time. The group also had a hit with another single composed by Diamond and produced by Barry, "A Little Bit Me, a Little Bit You". After Kirshner's dismissal from Colgems Records, however, Barry would not produce songs for the Monkees again until 1970's Changes, which contained many songs co-written by Barry, and their 1971 single "Do It in the Name of Love".[5][6]

Having been removed from the Monkees project, Kirshner became music supervisor for a new Saturday morning cartoon, The Archie Show, in 1968, and enlisted Barry as producer and main songwriter.[citation needed] During the next three years, Barry composed dozens of songs for the fictional Archies group, including the show's theme, "Everything's Archie", and the "Dance of the Week" (a staple of the show's first season). Barry had also recently founded his own label, Steed Records, and one of his most successful recording artists was Montreal native Andy Kim, who had hits with remakes of Barry's Ronettes tunes "Be My Baby" and "Baby, I Love You". Barry and Kim collaborated on several tunes for the Archies to record, including their best-known single, "Sugar, Sugar", which hit No. 1, became the RIAA Record of the Year for 1969, and earned the group a gold record.

In 1969, Barry penned his first music for motion pictures (in the films Hello Down There and Where It's At), and wrote the music for and produced Tom Eyen's hit off-Broadway revue The Dirtiest Show in Town. The following year, he wrote and produced singles and albums for Archies lead singer Ron Dante, Bobby Bloom ("Montego Bay"), and Robin McNamara ("Lay a Little Lovin' on Me"), among others.[citation needed] In 1975, Barry produced "Ooh, I'm Satisfied" for the briefly successful mid-'70s pop singer and later session vocalist Polly Cutter.[citation needed]

Production and film work

[edit]

In 1971 Barry moved from New York to California, where he had a production and administration deal with A&M Records for several years.[citation needed] Between 1972 and 1975, he produced hit singles for Nino Tempo and April Stevens (together and separately) and the a cappella vocal group the Persuasions. In subsequent years he shifted his focus to television (writing the theme songs for One Day at a Time, The Jeffersons, and Family Ties) and movies (the score for 1980's The Idolmaker), although he continued his work in the pop music field. "I Honestly Love You", written by Barry with Peter Allen, became a 1974 No. 1 for Olivia Newton-John; and, in 1984, Jeffrey Osborne and Joyce Kennedy hit the Top 40 with another Barry composition, "The Last Time I Made Love", written with Barry Mann and Cynthia Weil.[citation needed]

During the 1970s and 1980s Barry also scored numerous hit songs on the country charts, among them "Out of Hand" by Gary Stewart, "Sayin' Hello, Sayin' I Love You, Sayin' Goodbye" by Jim Ed Brown and Helen Cornelius, "Lie to You for Your Love" by the Bellamy Brothers, a remake of "Chip Chip" (originally a 1962 Gene McDaniels pop smash) by Patsy Sledd, and "Walkin' in the Sun" by Glen Campbell.[citation needed]

In 1990, Barry co-produced the theme song for the television series based on Where's Waldo? with media executive Richard Goldsmith. Barry and Goldsmith would collaborate throughout the 90s on a number of projects, including children's albums based on The Babysitter's Club and Clifford the Big Red Dog, songs for the interstitial series Nounou Time, the Spanish language series Mi casita, theme songs for The Slow Norris and Someday School, and would executive produce the 1998 film Jack Frost.[7]

In May 1991, Barry and Greenwich were inducted into the Songwriters Hall of Fame. In 2004, Rolling Stone's list of the 500 greatest rock songs included six Greenwich-Barry compositions, more than by any other non-performing songwriting team.[8]

During the mid-1990s, Barry served as president of the National Academy of Songwriters, and in December 1998 he was a recipient of their Lifetime Achievement Award. In March 2000, Barry filmed a music special for the PBS television network, Chapel of Love: Jeff Barry and Friends. The show featured performances of Barry tunes by several of the artists who made them famous, including the Dixie Cups, the Crystals, Ronnie Spector, Andy Kim, Ray Peterson, and Ron Dante of the Archies.[citation needed]

In recent years, Barry has been involved in several projects, among them the stage musical The Girl Who Would Be King, written by the husband-and-wife team of Prudence Fraser and Robert Sternin, best known for their writing and production work on the CBS series The Nanny. The musical had its official world premiere in Vero Beach, Florida.[citation needed]

In 2016, Barry composed songs for the musical theater show Jambalaya the Musical[9] along with his production partner, Clarence Jey, a US Billboard and viral record producer. Jeff Barry was involved in part of the music in the Hallmark Channel movie titled My Christmas Love.[10]

In 2019, Barry and his writing partner Clarence Jey composed and wrote songs for Lego City Adventures,[11] an animated television series, produced by The Lego Group, for Nickelodeon television.[12]

Awards and honors

[edit]

Barry and Greenwich were among the 2010 recipients of the Ahmet Ertegün Award from the Rock and Roll Hall of Fame.[13] As he was unable to attend the ceremony, Steven Van Zandt accepted the award on Barry's behalf.[14] Jeff Barry and Ellie Greenwich were inducted into the Songwriters Hall of Fame in 1991.[15][16]

References

[edit]
[edit]
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Jeff Barry

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Jeff Barry (born Joel Adelberg; April 3, 1938) is an American pop music songwriter, singer, and renowned for his prolific output during the 1960s era, where he co-wrote numerous chart-topping hits that defined the sound of and girl groups. Born in , New York, Barry began his career as a performer before transitioning to songwriting and production, collaborating closely with his then-wife on iconic tracks such as "Da Doo Ron Ron" (1963, ), "Do Wah Diddy Diddy" (1964, ), "Leader of the Pack" (1964, ), and "Chapel of Love" (1964, ). His work extended to producing major successes like ' "" (1966) and ' "" (1969), the latter of which he also co-wrote and which became one of the best-selling singles of the decade. Barry's partnership with Greenwich, whom he married in 1962 and divorced in 1966, was instrumental in shaping his early success, yielding over a dozen Top 10 hits and earning them recognition as one of the era's most influential songwriting duos. After relocating to in 1971, he continued to thrive, co-writing Olivia Newton-John's "" (1974), which won two , and composing theme songs for television series including One Day at a Time (1975), (1975), and (1982). He founded his own label, Steed Records, in the late 1960s, further solidifying his role as a and entrepreneur in the music industry. In recognition of his contributions, Barry was inducted into the in 1991 and, alongside Greenwich, who had passed away in 2009, into the Rock & Roll Hall of Fame in 2010 as part of the Award for non-performing contributors. Now semi-retired and residing in at age 87, he remains active in creative projects, including the musical Knight Life.

Early life

Childhood and family background

Jeff Barry was born Joel Adelberg on April 3, 1938, in , New York, to a working-class Jewish family. His father worked as a blind insurance salesman, while his mother managed the household amid financial hardships during the and . When Barry was seven years old, his parents divorced, prompting his mother to relocate him and his sister—who had intellectual disabilities—to , where they resided for several years before returning to . This period of upheaval and poverty in both urban and suburban fostered resilience in the young Barry, exposing him to a mix of cultural influences amid the family's challenges. From an early age, Barry displayed a strong affinity for music, composing his first song—a country and western ditty titled "Got a Gun, Got a Saddle, Got a Pony, Too"—around age six or seven, reflecting his dual childhood fascinations with cowboys and tunes. The diverse soundscapes of Brooklyn's bustling streets and Plainfield's quieter surroundings introduced him to varied styles, including pop and , which sparked his lifelong passion for songwriting and performance.

Education and name change

After graduating from in , New York, in 1955, Barry served in the U.S. Army for a brief period. He then enrolled at the to study engineering but soon left to pursue music full-time. Following his parents' divorce at age seven, which led to a family relocation to , Barry had returned to New York with his mother and sister to complete his secondary education in the city. During his high school years, he was immersed in the burgeoning 1950s scene, which profoundly influenced his early interest in music, alongside contemporaries like and . Lacking formal conservatory training, Barry developed his musical abilities independently, teaching himself to play and guitar while experimenting with songwriting. He contributed to amateur high school productions by writing and arranging songs, honing his skills through local performances and creative endeavors that foreshadowed his professional path. Around 1959, as he prepared to enter the music industry, Barry legally changed his name from Joel Adelberg to to better align with his show business aspirations. The new first name was inspired by actor , while the surname drew from family friends, marking a deliberate ahead of signing his first with RCA.

Songwriting career

Early songwriting and recordings

Barry began his professional music career as a performer in 1959, adopting the stage name Jeff Barry to facilitate entry into the recording industry. That year, he released his debut singles on RCA Victor, including the novelty tracks "Hip Couple" b/w "It's Called ," produced by Charles Grean and featuring saxophonist , though they achieved no significant commercial success. Over the next few years, he issued approximately a dozen singles across labels such as RCA Victor and , including "It Won't Hurt" b/w "Never, Never" and "Lenore" b/w "Why Does The Feeling Go Away" on Decca in 1960 and additional RCA releases like "Lonely Lips" b/w "The Face From " and "All You Need Is a Quarter" b/w "Teen Quartet." These efforts, often self-composed, garnered limited chart performance and modest airplay, marking Barry's initial forays into as a vocalist. Parallel to his recording pursuits, Barry started building a songwriting portfolio in the late 1950s. His earliest credited compositions included "Paper Crown," recorded by The Crests in 1959. In 1960, he co-wrote the teenage tragedy ballad "Tell Laura I Love Her" with Ben Raleigh, which Ray Peterson recorded for RCA Victor and peaked at No. 7 on the Billboard Hot 100 chart that August. Another early credit that year was "Teenage Sonata," performed by Sam Cooke, which reached No. 22 on the Billboard R&B chart and No. 50 on the Hot 100. These songs demonstrated Barry's emerging talent for crafting emotionally resonant pop narratives, though his focus remained divided between performing and writing. In the early 1960s, Barry's marriage to Lenore Kronstein shifted his priorities toward songwriting over solo recording, as the stability of the union encouraged a more dedicated creative path. Amid this transition, he immersed himself in New York's vibrant music scene, connecting with publishers and fellow aspiring talents through family gatherings and industry contacts, laying the groundwork for future professional alliances.

Major hits and collaborations

In 1962, Jeff Barry married songwriter , forming a prolific husband-and-wife songwriting duo that became one of the most successful teams of the era. Their partnership yielded numerous chart-topping hits, including "" (1964), which reached No. 1 on the for , and "" (1963), a No. 3 hit for . Other major successes included "" (1963), peaking at No. 2 for , "" (1964), a No. 1 single for , and "" (1964), which hit No. 1 for . Barry and Greenwich closely collaborated with producer Phil Spector, contributing essential songs to his signature "Wall of Sound" style that defined the girl group sound of the early 1960s. Their compositions, such as those for the Ronettes and Crystals, emphasized lush orchestration and youthful romance, helping to shape Spector's influential productions. In 1964, Barry and Greenwich co-founded Red Bird Records alongside George "Shadow" Morton, where they served as key songwriters and producers, launching the label with hits like "Chapel of Love." During the mid-1960s, Barry expanded into production, helming "I'm a Believer" (1966) for the Monkees, which topped the Billboard Hot 100 for seven weeks and became one of the best-selling singles of the decade. By the late 1960s, he produced "Sugar, Sugar" (1969) for the Archies, another No. 1 Billboard hit that exemplified the bubblegum pop surge. Barry's collaborations with Andy Kim further advanced the bubblegum pop genre, with the duo co-writing "Sugar, Sugar" and other upbeat tracks that captured the era's playful, candy-coated sound and achieved widespread commercial success.

Later songwriting efforts

In the 1970s, Jeff Barry's songwriting evolved from the energetic rock and bubblegum pop of his earlier hits toward more introspective ballads and adult contemporary styles, reflecting broader changes in the music industry. A prime example of this shift was his collaboration with Peter Allen on "I Honestly Love You," a heartfelt completed in 1974 that captured emotional vulnerability through simple, direct lyrics. The track became a major success, reaching No. 1 on the when recorded by , marking Barry's adaptation to softer, radio-friendly formats. Barry continued contributing to prominent artists during the decade, including producing and arranging tracks for Neil Diamond's early releases such as "Shilo," "Solitary Man," and "Do It," helping refine Diamond's folk-rock sound. A successful cover of his original "" appeared in Cassidy's 1977 album, blending roots with emerging trends. These efforts demonstrated Barry's versatility in supporting diverse artists while maintaining a focus on catchy, melodic hooks. One standout composition from this period was "Movin' On Up," co-written with Ja'Net DuBois in 1975, an optimistic anthem celebrating upward mobility with rhythmic energy and aspirational themes that resonated widely as a standalone pop song. Into the 21st century, Barry extended his songwriting into musical theater and family-oriented media. In 2016, he created original songs for Jambalaya the Musical, a production exploring Louisiana bayou life through Cajun-inspired narratives and lively ensemble numbers, in partnership with producer Clarence Jey. By 2019, he supplied songs for the animated series Lego City Adventures, including playful tracks like "The Loud Song" that infused adventure and humor into the show's youthful storytelling.

Production and business ventures

Record production highlights

Jeff Barry's production work in the late 1960s established him as a key figure in crafting polished pop records, particularly through his involvement with manufactured groups and upbeat arrangements that emphasized catchy hooks and harmonious vocals. His approach often featured layered vocal performances to create a full, energetic sound, setting it apart from the denser, orchestral "wall of sound" pioneered by Phil Spector. This style contributed to the commercial success of several landmark releases during the era. One of Barry's most notable production efforts was with , where he helmed sessions for multiple tracks on their early albums, including significant contributions to (1967), which featured half its songs under his guidance. He produced and arranged the band's single "A Little Bit Me, a Little Bit You," released in March 1967, which peaked at No. 2 on the and helped solidify the group's pop dominance. Overall, Barry produced over 30 tracks for , blending studio musicians with the band's vocals to deliver radio-friendly results that captured their youthful, television-driven appeal. Barry's production on The Archies' Everything's Archie album (1969) exemplified his mastery of the bubblegum pop genre, a style he helped define through simple, infectious rhythms and multi-tracked vocals that simulated a band's energy without live instrumentation. As the primary producer for the fictional cartoon group, he oversaw recordings featuring lead vocals by and , layering harmonies to enhance the sugary, optimistic tone that drove the title track to No. 1 on the Hot 100. The album's success, selling millions, highlighted Barry's ability to create accessible, youth-oriented pop that prioritized melodic repetition and bright arrangements. After relocating to in 1971, Barry signed a production and administration deal with , becoming a staff producer from 1972 onward and working with a diverse roster of artists. His early A&M output included the debut single for duo Robin & Jo, marking his entry into the label's lineup, followed by sessions for established acts such as and , where he applied his pop sensibilities to refine their recordings. During this period, Barry also produced his own track "Walkin' in the Sun" (1973), an inspirational ballad that showcased his continued focus on emotive vocal stacks and uplifting instrumentation, influencing covers by artists like . These efforts underscored his versatility in transitioning from bubblegum hits to more mature pop productions while maintaining an emphasis on vocal depth and rhythmic drive.

Label founding and management

Red Bird Records was founded in 1964 by songwriters along with record executive . Jeff Barry and his then-wife served as primary producers and creative leads for the label, shaping its distinctive sound characterized by dramatic arrangements and teen-oriented narratives, while George "Shadow" Morton contributed as a staff producer on several landmark recordings. Under their production guidance, Red Bird quickly achieved commercial success, releasing chart-topping singles for artists including The Dixie Cups' "" and The Shangri-Las' "." To expand the label's roster and genre reach, the founders created Blue Cat Records as a imprint in , targeting R&B and soul acts with a focus on urban markets. This structure allowed for targeted releases, like ' "The Boy from ," but underscored the operational complexities of managing multiple imprints under a single independent banner. Red Bird's rapid ascent was short-lived, dissolving in 1966 amid severe financial strain, including unpaid royalties and embezzlement allegations against co-owner , which prompted Leiber and Stoller to sell their shares for $1 and exit the business. The collapse forced Barry into freelance production, but the experience illuminated broader challenges for independent labels, such as unreliable distribution through regional independents, vulnerability to scandals, and intense competition from major labels for radio airplay and shelf space. These hurdles emphasized the high risks of self-financed ventures in an industry dominated by consolidated corporate power. In 1967, Barry founded his own independent label, Steed Records, in , distributed by . Steed focused on pop and rock acts, achieving success with artists such as , whose hits included "Baby I Love You" (1969, No. 9 on ) and "Rock Me" (1970, No. 26). The label released over a dozen singles and albums until its closure in 1971, marking Barry's direct entrepreneurial effort in the industry.

Media and film work

Television themes and scores

Jeff Barry transitioned into television music in the , leveraging his songwriting expertise to create memorable themes for sitcoms that captured the essence of their narratives. His work emphasized concise, hook-driven compositions designed to instantly convey a show's premise and emotional tone, often drawing from his earlier pop songcraft to ensure broad appeal. One of Barry's most iconic contributions was the theme song "Movin' On Up" for the sitcom (1975–1985), which he co-wrote with actress , who also performed it with a gospel choir. The upbeat track, produced by Barry, celebrated the show's central family's rise to affluence, becoming a cultural staple and later ranked as the greatest TV theme song by . Barry extended his 1980s sitcom successes with the theme "Without Us" for Family Ties (1982–1989), where he provided the lyrics while saxophonist Tom Scott composed the music; the song, performed by Johnny Mathis and Deniece Williams, highlighted familial bonds with its heartfelt melody. He also co-wrote "This Is It" with his wife Nancy Barry for One Day at a Time (1975–1984), an optimistic anthem that underscored the series' focus on single motherhood and resilience, ranking among notable TV themes. In later years, Barry contributed original songs to the animated series (2019–2022), collaborating with and Jon Colton Barry on tracks like "The Loud Song" and "We Are On Our Way," which infused the show's adventurous spirit with playful, energetic pop elements. His production approach for TV consistently involved reviewing scripts and pilot episodes to tailor short, narrative-aligned hooks—typically under a minute—that resonated with audiences and enhanced the viewing experience.

Film contributions

Jeff Barry began contributing to film soundtracks in the late , marking his entry into motion picture music with original compositions that blended pop sensibilities with cinematic needs. In 1969, he wrote and performed the title song "Hello, Down There" for the comedy film , directed by Jack Arnold, and composed additional tracks such as "I Can Love You" and "Hey, Little Goldfish," performed by the fictional band Harold and the Hang-Ups. These songs featured upbeat, accessible pop arrangements that underscored the film's whimsical underwater adventure theme. That same year, Barry composed the theme song "Where It's At" for the drama Where It's At, directed by , which captured the era's cultural shifts through its lively, introspective lyrics and melody; he released it as a single on . His early film work demonstrated a knack for crafting pop-oriented music that supported character development and scene transitions without overpowering the narrative. Barry's most prominent film contribution came in with The Idolmaker, a musical drama inspired by the life of rock promoter Bob Marcucci. He served as composer and producer for the entire original soundtrack, writing all 10 songs, including "Here Is My Love," performed by , which plays a pivotal role in the protagonist's rise to fame. Other key tracks, such as "Sweet Little Lover" (performed by ) and "Baby" (by Jeff Barry), integrated and rock influences to mirror the 1950s-1960s music scene depicted in the film. The soundtrack's pop-driven scores enhanced emotional arcs, with songs like "However Dark the Night" underscoring dramatic confrontations. Released on , it featured vocalists including and , showcasing Barry's production experience in assembling ensemble performances. In later years, Barry's film-related efforts extended to musical theater projects with potential cinematic adaptations, such as composing songs for the Musical in 2016, a production exploring Cajun culture that premiered at the Orpheum Theater in New Orleans. This work highlighted his ongoing emphasis on weaving pop elements into narrative-driven performances, building on his film scoring techniques. Barry's film contributions often prioritized the integration of memorable pop songs into key scenes, allowing music to propel plot and character emotions while maintaining broad commercial appeal.

Personal life and legacy

Marriages and family

Barry married songwriter on October 28, 1962, after meeting her at a family gathering where they discovered shared interests in music. Their union lasted until their in 1965, amid growing personal strains despite professional triumphs, though they maintained some collaborative work afterward. On January 23, 1967, Barry wed Nancy Cal Cagno, with whom he had two children born in the early 1970s. The ended in 1978. Public information on Barry's subsequent relationships and life remains sparse after the 1970s, reflecting his preference for privacy in personal matters. He remarried multiple times, including to actress in 1978 and Elizabeth Gaunt in 1979, before his current to Nancy Elissa Ganan since 1984. Barry's marriages significantly shaped his songwriting career, particularly his partnership with Greenwich, which fueled a prolific output of pop hits like "" and "" during their wedded years, blending personal synergy with creative energy. Post-divorce collaborations with Greenwich and later personal stability from his second marriage supported his transition into production and broader ventures, though specific influences from subsequent unions are less documented.

Awards, honors, and influence

Jeff Barry has received numerous accolades recognizing his contributions to songwriting and production. In 1991, he was inducted into the alongside his frequent collaborator , honoring their joint work on iconic 1960s hits. In 1998, Barry received the Lifetime Achievement Award from the National Academy of Songwriters, where he had served as president during the mid-1990s. He earned another Lifetime Achievement honor in 2005 at the LA Weekly Music Awards. In 2010, Barry and Greenwich were awarded the Ahmet Ertegun Award by the Rock & Roll Hall of Fame for their non-performing songwriter achievements, with Greenwich's induction posthumous and the ceremony presented by . Barry's influence extends to defining key pop genres of the 1960s. With Greenwich, he helped shape the girl group sound through sophisticated, emotionally charged songs like "Da Doo Ron Ron" for the Crystals and "Leader of the Pack" for the Shangri-Las, which captured teenage romance and drama with innovative production techniques. He pioneered bubblegum pop as a producer, most notably with The Archies' 1969 hit "Sugar, Sugar," which topped the Billboard Hot 100, sold over seven million copies worldwide, and exemplified the genre's catchy, upbeat simplicity aimed at young audiences. Barry also mentored emerging artists, notably discovering and producing early recordings for at Bang Records in the 1960s and guiding Canadian singer , with whom he co-wrote "Sugar, Sugar" and produced several top-10 hits on Steed Records, helping launch Kim's career as a pop star. His legacy endures through the timeless appeal of his compositions, with eight songs—including "Be My Baby," "Da Doo Ron Ron," and "Sugar, Sugar"—named among BMI's most performed tracks of the 20th century in 2000. These works continue to be covered and sampled in contemporary media; for instance, elements of his productions appear in modern tracks like Nelly's 2001 hit "Batter Up." Barry's Brill Building-era innovations remain a cornerstone of pop songcraft, influencing generations of writers and producers up to the present day.

References

  1. http://jeffbarry.com/biography/
  2. https://americansongwriter.com/5-famous-chart-topping-hits-co-written-by-jeff-barry/
  3. https://www.songhall.org/profiles/jeff-barry
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  10. https://pages.vassar.edu/musicalurbanism/2013/09/17/how-the-sound-of-new-york-came-from-four-brooklyn-high-schools/
  11. https://vancouversignaturesounds.com/hits/shake-shake-sherry-by-the-flairs-the-redwoods/
  12. https://www.45cat.com/record/931037us
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  47. https://www.nola.com/entertainment_life/arts/orpheum-theaters-jambalaya-the-musical-will-explore-cajun-culture/article_74e7ce77-5ddf-59b0-8a44-c007d0dc1298.html
  48. https://www.soundtrackinfo.com/OST/idolmaker/
  49. https://www.bear-family.com/barry-jeff/
  50. https://www.whosdatedwho.com/dating/jeff-barry-musical-artist
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  52. https://abreathoffreshair.com.au/episodes/how-canadian-singer-andy-kim-became-a-global-pop-superstar/
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