Back to Bedlam
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Back to Bedlam

Back to Bedlam is the debut studio album by English singer-songwriter James Blunt, released on 11 October 2004 by Custard and Atlantic Records. It is named after the famous psychiatric institution of Bethlem Royal Hospital in London, which is commonly known as "Bedlam".

Initially lingering in the lower regions of the UK Albums Chart in its first few months of release, it became a major worldwide success after its third single, "You're Beautiful", became a worldwide hit in mid-2005. Back to Bedlam would go on to become the highest-selling album of 2005 in the UK, with over 2.4 million copies sold. By December 2009, the album had been certified 10× Platinum by the British Phonographic Industry for sales of over 3 million, making it the best-selling album of the 2000s in the UK. In 2011, it was overtaken by Amy Winehouse's Back to Black as the best-selling album of the 21st century in the UK. Back to Bedlam currently ranks as the 18th-best-selling album in UK chart history, and the biggest-selling debut album by a British artist. As of 2017, it has sold 3.33 million copies in the UK, and over 14.1 million copies worldwide.

Blunt had piano and violin lessons as a child, but his first significant exposure to popular music was at Harrow School. There, he was introduced to the guitar by a fellow student, and started playing the instrument and writing songs at age 14. At University of Bristol, his undergraduate thesis was The Commodification of Image – Production of a Pop Idol; one of his main references for the thesis was sociologist and rock critic, Simon Frith, chairman of the Mercury Music Prize panel of judges since 1992.

Because the British Army sponsored his university education, Blunt was obliged to serve a minimum of four years in the armed forces. He stated on an interview in his Back to Bedlam sessions that he chose to join the military as his father was "pushing for it, so that [Blunt] could obtain a secure work placement and income". Blunt trained at the Royal Military Academy Sandhurst. While still in the army, he worked on demos during his time off. A backing vocalist and songwriting collaborator suggested he contact Elton John's manager Todd Interland, with whom she used to share a house. Interland told HitQuarters that he listened to Blunt's demo while driving home and after hearing the track "Goodbye My Lover", pulled over and called the mobile number written on the CD to set up a meeting.

Blunt left the British Army in 2002 so that he could pursue his musical career. It was at that period that he started using the stage name "Blunt", in part to make it easier for others to spell; "Blount" is pronounced the same way, and remains his legal surname. Shortly after leaving the army, he was signed to EMI music publishers and Twenty-First Artists management. A record contract remained elusive, with label executives pointing to Blunt's posh speaking voice as a barrier in class-divided Britain. Linda Perry, who was just launching her own label Custard Records in early 2003, heard Blunt's promotional tape when visiting London, and soon after heard him perform live at the South by Southwest Music Festival. She made an offer to him the same night and within a few days, Blunt signed a recording contract with Perry, and one month later he was in Los Angeles working with producer Tom Rothrock.

Blunt recorded Back to Bedlam from December 2003 to June 2004 with producer Tom Rothrock at Rothrock's home studio, using session musicians and performing on many different instruments himself. While in Los Angeles, he lodged with actress Carrie Fisher, whom he had met through the family of a former girlfriend. Fisher was very supportive of Blunt's aspirations, suggesting the name of the album and providing use of a bathroom in her home for Blunt to record the song "Goodbye My Lover".

Back to Bedlam's album cover was photographed on 3 August 2004 and designed by Salvador Design.

Due to release delays, Back to Bedlam was released on 11 October 2004 as a limited-edition digipak. By 24 November 2004, the digipak went out of circulation and further pressings were distributed with the updated blue reissue cover.

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