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Betty Who
Betty Who
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Key Information

Jessica Anne Newham (born 5 October 1991), known by her stage name Betty Who, is an Australian musician and singer.[1] After independently releasing her debut single, "Somebody Loves You" (2012), and her debut extended play, The Movement (2013), she signed with RCA Records and later released her debut studio album, Take Me When You Go (2014).[2] Her second studio album, The Valley (2017), saw the commercial success of her cover of "I Love You Always Forever", which peaked inside the top ten in Australia and reached the top of the Billboard Dance Club Songs chart in the United States.

Who made her Broadway debut in Hadestown at the Walter Kerr Theater on 5 September 2023. She played the role of Persephone until 4 February 2024.

Early life

[edit]

Jessica Anne Newham was born in Sydney, Australia, where she lived until her mid-teens.[2] Trained since the age of four as a cellist, she moved to the United States in 2007 to attend Interlochen Center for the Arts in Michigan.

Newham is also self-taught on piano and guitar, wrote her first songs at age 14, and began performing as a singer-songwriter two years later.[3] Her stage name comes from the title of a song she composed at age 16 about unrequited love.[4]

After school at Ascham in Sydney and Frensham in the Southern Highlands, NSW, Newham attended Berklee College of Music in Boston.[3] During her first semester, she met producer Peter Thomas who was also attending Berklee. Thomas suggested pairing Newham's songwriting with a more dreamy, anthemic production style. The two began writing new material together and developed Newham's sound over the next two years.[2]

Career

[edit]

2010–2013: Career beginnings, "Somebody Loves You" and The Movement

[edit]

As Betty Who, Newham's debut single "Somebody Loves You" was initially released independently as a free download, and was premiered by pop music blogger and at-the-time official Grammy blogger Arjan Writes on 30 November 2012.[5] Co-written by Newham and Thomas, and produced by Thomas, the song garnered immediate praise, spreading quickly online and being featured by other well-known outlets including Socialite Life,[6] Pop on And On,[7] and Popservations.[8] A music video, directed by Evan Savitt, was released on 22 January 2013, and an official remix by acclaimed indie pop producer FM Attack was released on 11 March 2013.[9]

Newham's debut EP, The Movement, was released on 17 April 2013.[10] An independent, free-download release initially, the EP's huge success online helped lead to a large amount of major label interest, before she ultimately signed with RCA Records.[11] It premiered on Billboard on 9 April 2013, one week prior to its official release date.[12]

On 11 September 2013, Spencer Stout uploaded a YouTube video[13] of him proposing to his boyfriend Dustin in a flash mob dance routine at a Salt Lake City, Utah Home Depot. The video, which featured "Somebody Loves You" became a viral hit online. The attention of the video coupled with the track's official iTunes release, led to the song debuting at number 44 on the overall iTunes Charts, as well as debuting as the number 4 most viral song on Spotify.[14]

Who signed to RCA Records on 15 September 2013.[15]

2014–2017: Take Me When You Go and The Valley

[edit]

On 8 March 2014, "Somebody Loves You" reached number one on Billboard's Dance/Club Play Songs chart.[16]

In April 2014, Who released her second EP, Slow Dancing, which made it to number one on the iTunes pop music charts. The first single from that EP, titled "Heartbreak Dream", was released on iTunes and Google Play on 18 February 2014.[17] The song is used over the end credits of the 2015 film Pitch Perfect 2.

Who has praised Katy Perry, Robyn and Miley Cyrus as influences. She told Variance Magazine in 2014 that they "make pop that's generational. They're making the pop music of our generation that's going to stick around. People are going to look back and be like, 'Oh my God, it's Robyn's Body Talk album. That's one of the best pop albums of the last 10 years.'"[18] Who supported Katy Perry and Kylie Minogue on part of the Australia leg of The Prismatic World Tour and Kiss Me Once Tour respectively. In 2014, Who made her American television debut when she performed "Somebody Loves You" on Watch What Happens: Live.[19]

In late August 2014, Who made the announcement that her full-length debut album, Take Me When You Go, would be released on 7 October 2014. She also released the track list with the announcement. Thirteen songs, four of them being taken from her previous EPs, appeared on the album. From the album, the track "All of You" was her second number one on the US Dance chart, peaking at number one on 21 February 2015.[20]

On 3 June 2016, Who released a cover of Donna Lewis' "I Love You Always Forever". It became her third number one on the Billboard Dance Club Songs chart, and proved to be her breakthrough hit in Australia, reaching number 6 on the ARIA Singles Chart.[citation needed]

On 24 March 2017, Who's second album, The Valley was released.[citation needed]

2018–2020: Betty

[edit]

On 19 January 2018, Who released "Ignore Me", which is Who's first single as an independent artist, after parting in 2017 with RCA Records.[21][22] On 16 February 2018, the singer released a cover of Kylie Minogue's "Come Into My World" for Made in Australia compilation by Amazon Music.[23] In 2018, Who released a remixed version of Widelife's "All Things (Just Keep Getting Better)" to be used as the theme song for season two of the Netflix reboot Queer Eye.[24][25] A music video was released featuring the cast of Queer Eye and Who.[26][27][28]

On 15 June 2018, Betty, Pt. 1, Who's third EP, was released containing the singles "Ignore Me", "Look Back" and "Taste" as well as two other previously unreleased songs: "Just Thought You Should Know" and "Friend Like Me".

On 14 November 2018, "Between You & Me" was released as another new single. It was the first single from the new album Betty that had not been previously released on the Betty, Pt 1 EP.[29] With the release of this single, Betty Who used different shades of blue and photos of herself on her social media profiles to release lyrics to the song.[30] The lyrics that were revealed were "You've got one hand on the wheel", "Sitting at the red light, tensions are high, vibe you could cut with a knife", and "just between you & me, I can feel something here, wondering if you do too". An Instagram post by Betty Who on the day after the release showed that the single already had 22,310 streams on Spotify, and had risen to 31,000 streams two hours later.[31] By 12 December 2018, streams had surpassed 500,000.[32] The music video for this song dropped on 28 November 2018, in which Betty Who plays herself as well as her own love interest. On 10 January 2019, "I Remember" was released as the fifth single from the album, with the music video for the song being released on 24 January.[33]

In June 2020, she launched a Patreon to fund new music and give fans access to exclusive content.[34] That September, Who made her acting debut in the comedy-drama film Unpregnant portraying Kira Matthews, a character she described as "a totally badass, confident and queer race car driver".[35]

2022-present: The One That Got Away and Big!

[edit]

In May 2022, it was revealed that Who would be making her reality TV debut by hosting the new dating show The One That Got Away. Produced by Amazon Studios and Fulwell 73 and executive produced by Elan Gale, the series is set to premiere on 24 June 2022. The show is a time-traveling, experimental dating series where six people searching for their soulmates are given the chance to explore a lifetime of missed connections as, one by one, people from their pasts enter through "The Portal" to surprise them and take their shot at love.[36]

On 3 June 2022, Who released her first single in over two years titled "Blow Out My Candle". The music video, directed by Tyler Cunningham, made its broadcast premiere on MTV and finds Who embracing the '80s aesthetic as she dances around in a Jamie Lee Curtis-inspired workout leotard, sweatband, and high socks as she sings about self confidence and love. Speaking of the delay in her return due to the COVID-19 pandemic, Who stated: "It's been a long couple years for all of us. 'Blow Out My Candle' is the story I want to share most. The feeling I held onto in the darkest moments of the last couple years." The song is the lead single to her upcoming fourth studio album, set for release in late 2022.[37] Big! followed later in the year.

On 5 September 2023, she made her Broadway debut in the musical Hadestown as Persephone.[38][39]

Artistry

[edit]

Who is an alto,[40][41] whose vocal delivery has been described as "breathy".[42][43] As a multi-instrumentalist,[42] she has played cello, piano, and guitar since childhood,[44] having taught herself the latter two.[1][4] Several critics have noted that Who's work is heavily influenced by 1980s music.[4][45][46][47] The singer admitted she is strongly biased towards "big-sounding 1980s synth-pop",[48] a sound she cultivated with songwriting-producing partner Peter Thomas.[49] The Phoenix New Times music critic Benjamin Leatherman described Who as equally "influenced by ’80s synth music and ’90s dance-pop as she is by the maximalist production style of Max Martin".[41] AllMusic biographer Heather Phares said the singer "makes big-hearted pop music" while "Borrowing sounds and styles from the '80s onward and putting her own joyous stamp on them".[44] The artist has described her songwriting method as "taking influences from [past] music and mixing it in with the emotions I’m actually living through".[50] Who has also cited 1990s pop acts such as Britney Spears and the Backstreet Boys as musical influences.[51][52] PopMatters' Evan Sawdey summarized her work as "a streamlined, full-pastel celebration of her favorite dance-pop idols".[53]

Who is primarily a pop, dance-pop, and synth-pop singer, which starkly contrasts her classical music training.[54] CBS News described her debut album, Take Me When You Go, as a combination of "dance hits, love songs and ballads – all with a hint of synthesizer, drums and keyboard",[40] whereas Betty was her most diverse body of work upon its release.[44] Josh Rogosin of NPR, who served as audio engineer for Who's Tiny Desk Concert in 2019, observed that "When all the studio production is stripped away, what's left are intricate melodies that soar through Betty's impressive vocal range and relatable lyrics".[55] According to Sam Lansky of Idolator, she frequently combines heartbreaking lyrics with infectious melodies, spunk, and "massive" hooks.[49] Who's artistry has been compared to the works of female artists such as Cyndi Lauper, Robyn,[53] Pink,[43] Katy Perry, Madonna, and Whitney Houston,[40][49][48] with Houston's death in 2012 inspiring the writing of her debut single, "Somebody Loves You".[56][44][57] Who has also cited Joni Mitchell and Carole King as songwriting influences,[49][42] as well as singer-songwriters Missy Higgins and Ingrid Michaelson.[54] She recalled that early in her career, she was criticized as unoriginal for closely resembling Pink, and noted that female artists are often held to an expectation of originality that male artists are not.[4]

Who's output has been generally acclaimed by music critics and the press.[42][49][58] In 2013, Lansky hailed her as "the next great pop star", before she had released a full-length album.[49] Following her successful debut, in 2014 Edward Helmore of The Guardian hailed Who as "the latest bright young thing to provide a lesson in how to construct a career with few of the conventional components", describing her as "a singer whose talent and following has come naturally, rather than under the direction of a pop Svengali or management team that oversees every tweet or Instagram picture".[48] Meanwhile, music consultant Andy Gershon labeled her "an accidental pop star" due to her perceived authenticity and way in which she initially established a strong following and fanbase with little involvement from a record company.[48] Comparing her public profile and potential to that of dance-pop contemporary Carly Rae Jepsen, Sawdey observed that Who continues to fall short of mainstream success despite positive reviews and constantly selling out smaller venues, describing her as "a guilty pop secret that only a select few knew about".[53]

Who cites actress Marilyn Monroe as one of her main fashion inspirations, crediting her size with helping her appreciate her own body type.[4]

Personal life

[edit]

Who describes herself as a "queer, bisexual".[59] In 2014, Who began dating photographer Zak Cassar, son of director and producer Jon Cassar. The couple announced their engagement on 21 November 2017.[60] They were married in 2020.[61] Who is a dual citizen of Australia and the United States.[62] In 2025 Who came out as non-binary.[63]

Discography

[edit]

Studio albums

[edit]
List of studio albums, with selected chart positions and certifications
Title Album details Peak chart positions
AUS
[64]
US
[65]
US
Indie

[66]
Take Me When You Go [A] 68
The Valley
  • Released: 24 March 2017[67]
  • Label: RCA
  • Formats: CD, digital download, LP
58 105
Betty
  • Released: 15 February 2019
  • Label: AWAL
  • Formats: CD, Digital download, LP
[B] 24
Big!
  • Released: 14 October 2022
  • Label: BMG
  • Formats: CD, Digital download, LP
"—" denotes releases that did not chart or were not released in that territory.

Extended plays

[edit]
Title Details Peak chart positions
US
[65]
US Heat.
[69]
The Movement
  • Released: 16 April 2013 (independent)[70]
  • Re-released: 17 September 2013 (RCA)[71]
  • Label: RCA, Sony Music Entertainment
  • Format: Digital download
22
Slow Dancing
  • Released: 8 April 2014[72]
  • Label: RCA, Sony Music Entertainment
  • Format: Digital download
57 [C]
Spotify Sessions
  • Released: 6 June 2014[73]
  • Label: RCA Records / Sony Music Entertainment
  • Format: Streaming
Worlds Apart
  • Released: 23 June 2014 (United Kingdom)[74]
  • Label: RCA / Sony Music Entertainment
  • Format: Digital download
Betty, Pt. 1
  • Released: 15 June 2018
  • Label: AWAL
  • Format: Digital download

Singles

[edit]

As lead artist

[edit]
Singles as lead artist, showing year released and album name
Title Year Peak chart positions Certifications Album
AUS
[75]
NZ
[76]
US
Bub.

[77]
US
Dance

[78]
"Somebody Loves You"[5] 2012 16 1 The Movement and Take Me When You Go
"Heartbreak Dream"[79] 2014 Slow Dancing, Worlds Apart, and Take Me When You Go
"All of You"[80] 2015 1 Take Me When You Go
"I Love You Always Forever"[81] 2016 6 33 1 The Valley
"Human Touch"[83]
"Some Kinda Wonderful" 2017
"You Can Cry Tomorrow"
"Mama Say"
"If You're Hearing This"[84]
(with Hook N Sling & Parson James)
Non-album single
"Ignore Me" 2018 Betty, Pt. 1 and Betty
"Look Back" Betty, Pt. 1
"Taste"[85] Betty, Pt. 1 and Betty
"All Things (Just Keep Getting Better)" (from Queer Eye) Non-album singles
"The Other Side" (from Sierra Burgess Is a Loser)
"Between You & Me"[86] Betty
"I Remember" 2019
"Merry Christmas, Happy Holidays"[87] 2020 Non-album single
"Blow Out My Candle" 2022 Big!
"She Can Dance"
(solo or Brabo remix featuring Pabllo Vittar)
"Big"
"Running Up That Hill" 2023 Non-album single
"Run!" 2025 TBA
"Sweat"
"Fabulous"
"—" denotes a single that failed to chart.
[edit]
Singles as lead artist, showing year released and album name
Title Year Album
"Heaven"
(Troye Sivan featuring Betty Who)
2016 Blue Neighbourhood
"Rocket Girl"
(Lemaitre featuring Betty Who)
2018 Non-album single
"Dust"
(Matt Simons featuring Betty Who)
2019 After the Landslide
"Lovely"
(Fly by Midnight featuring Betty Who)
Happy About Everything Else...
"End of My Rope"
(MisterWives featuring Betty Who)
2024 Nosebleeds: Encore

Album appearances

[edit]
Title Year Album Other artist(s)
"Heartbreak Dream" 2015 Pitch Perfect 2 (Special edition)[88]
"Higher" 2018 Future Don Diablo
"The Other Side" Sierra Burgess Is a Loser
"Easy" Samurai Sessions Vol. 3 Miyavi, RAC

Remixes

[edit]
Title Year Artist
"Neon Lights" 2013 Demi Lovato

Music videos

[edit]
Title Year Director
"Somebody Loves You" 2013 Evan Savitt
"Heartbreak Dream" 2014
"Somebody Loves You" (New version)
"All of You" 2015
"I Love You Always Forever" 2016
"Human Touch" (acoustic version) (featuring Jarryd James) George Sloan
"Some Kinda Wonderful" 2017
"Mama Say"
"Human Touch"
"Human Touch" (To the Beat with Kurt Hugo Schneider)
"Ignore Me" 2018 Mark McCune & Mariana McCune
"Taste" Jake Wilson
"Between You & Me"
"I Remember" 2019 Jake Wilson
"Just Thought You Should Know" (stripped version)
"The One" 2020
"Blow Out My Candle" 2022 Tyler Cunningham
"She Can Dance" Aerin Moreno

Notes

  1. ^ Take Me When You Go did not chart in the top 100 of the Australian albums chart, but reached number 4 on the Hitseekers albums chart.
  2. ^ Betty did not chart on the Billboard 200, but peaked at number 86 on the Top Current Albums chart.[68]
  3. ^ Since Take Me When You Go charted in the top 100 of the Billboard 200 in 2014 all of Who's subsequent releases are ineligible for the Heatseekers Albums chart.

Awards

[edit]
Year Association Category Nominated work Result
2014 NewNowNext Awards Best New Musician Herself Won

See also

[edit]

References

[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Jessica Anne Newham (born 5 October 1991), known professionally as Betty Who, is an Australian singer-songwriter, musician, and actress based in the United States. Born in Sydney and trained as a classical cellist from age four, she relocated to Boston in 2007 to attend Berklee College of Music, graduating in 2013. Her debut single, "Somebody Loves You," released independently in 2012, achieved viral success in 2013 after featuring in a widely viewed YouTube marriage proposal video set in a Home Depot store, which amassed millions of views and propelled her career. This breakthrough led to a recording contract with RCA Records, under which she issued her first full-length album, Take Me When You Go, in 2014. Who has released subsequent albums including The Valley (2017) and the self-titled Betty (2019), alongside EPs such as BIG! (2022), characterized by upbeat synth-pop production drawing from 1980s influences and themes of love and self-empowerment. She has built a substantial audience through energetic live performances and collaborations, with her work often resonating in queer cultural spaces. Expanding beyond music, she debuted on Broadway in 2023 as Persephone in Hadestown, marking a significant foray into theater. In September 2025, Who drew criticism for onstage remarks interpreted by some as minimizing lesbian perspectives within bisexual experiences, prompting a public apology for any unintended harm.

Early life

Upbringing and musical training

Jessica Anne Newham, known professionally as Betty Who, was born on October 5, 1991, in , , . From an early age, she immersed herself in , beginning formal training on the at age four. This rigorous classical foundation, which included studies in cello performance, shaped her technical proficiency as a and exposed her to symphonic traditions, though she also developed interests in pop influences alongside her instrumental work. Newham expanded her skills as a , incorporating and guitar into her practice, while also training as a vocalist and dancer. By her mid-teens, seeking advanced opportunities, she relocated to the in 2007 at age 16, accompanied by her parents. She enrolled at the Los Angeles County High School for the Arts, a specialized institution for , where she continued honing her and vocal abilities in a conservatory-like environment. Following high school, Newham pursued higher education at in , , focusing on contemporary writing and production while building on her classical roots. Her time at Interlochen, a prestigious academy, further reinforced her cello training and provided foundational blocks for her musical development, emphasizing discipline and performance skills. These formative experiences in structured programs transitioned her from classical instrumental focus toward broader vocal and compositional techniques, without yet entering professional recording or performance spheres.

Career

2010–2013: Career beginnings, "Somebody Loves You," and The Movement

In 2013, Betty Who independently released her debut , The Movement, initially as a free digital download on April 16, comprising four tracks including the lead single "Somebody Loves You," which she co-wrote and produced with collaborators Peter Thomas and . The EP, self-released via platforms like starting in late March, marked her transition from classical training to contemporary pop production, recorded in New York studios during her post-university period. "Somebody Loves You" gained initial traction through online streaming but achieved breakthrough virality in September 2013 when a YouTube video of a choreographed flash mob proposal at a Salt Lake City Home Depot, set to the track, amassed over 3 million views within days. The video, uploaded by Spencer Stout on September 11, depicted a surprise dance routine involving friends and family in the store's aisles, highlighting the song's upbeat, romantic appeal and propelling Betty Who into wider media attention. The viral exposure prompted major label interest, culminating in her signing a U.S. recording deal with RCA Records on September 17, 2013, just days after the video's surge. Under RCA, The Movement received broader distribution, laying the groundwork for her electropop style focused on love and relational dynamics, with the EP's sales and streams building momentum ahead of subsequent releases.

2014–2016: Take Me When You Go and The Valley

Betty Who's debut studio album, Take Me When You Go, was released on October 7, 2014, through . The record featured collaborative songwriting with contributors including , Martin Johnson, and Mag, alongside production from Peter Thomas and , emphasizing an sound influenced by synth elements. Themes centered on heartbreak, past relationships, and emotional reflection, as articulated in tracks like the title song, which Who described as contemplating the intensity of former love. The album incorporated material from her prior EPs while introducing new songs, marking her transition to major-label production. The lead single "All of You" achieved commercial success, reaching number one on the Billboard Dance Club Songs chart on February 21, 2015, marking Who's second such hit following "Somebody Loves You." Other tracks like "High Society" and "Glory Days" highlighted the album's upbeat yet introspective electropop style, with electronic production evoking nostalgic dance-pop structures. Critical reception noted the album's expressive songwriting and avoidance of clichés, though some observed reliance on familiar pop formulas. Promotion included the Hopeless Romantic Tour in summer 2014, spanning club and theater dates across the , alongside festival appearances such as in . In 2015, Who launched the Convertible Nights Tour, presented by SiriusXM, expanding to additional cities and supporting acts like on select dates. These efforts, combined with steady radio play and dance chart performance, bolstered her recognition in the indie-pop scene amid growing live audiences. By 2016, Who shifted focus to her sophomore effort, The Valley, recorded with collaborators including Peter Thomas, Oligee, and Vaughn Oliver, evolving her toward broader experimentation with layered vocals and rhythmic influences. The album's themes explored personal rediscovery and growth, reflecting introspective narratives amid fizzy production. Though released in March 2017, preparatory work during the period underscored her collaborative approach, building on Take Me When You Go's foundation without immediate label transitions.

2017–2019: Departure from RCA, Betty, and independent era

In 2017, Betty Who parted ways with RCA Records following the release of her sophomore album The Valley, motivated by a desire for greater artistic autonomy. This departure marked the end of her major-label affiliation and the beginning of her independent career, allowing her to self-manage releases without label constraints. On January 19, 2018, Who released "Ignore Me" as her first single as an independent artist, distributed under her own licensing agreement with Recordings America. The track, produced by Peter Thomas and Kyle Moorman, served as the lead single for a planned series of monthly releases, signaling her intent to maintain momentum through frequent output. To sustain visibility during this transition, she covered Kylie Minogue's "" in March 2018 exclusively for Amazon Music's Made in playlist. Additional singles followed, including "" on May 18, 2018, and "Between You & Me" on November 14, 2018, building anticipation for her next project. Who released her self-titled third studio album on February 15, 2019, via , comprising 10 tracks that highlighted her reclaimed control over songwriting, production, and thematic focus on joy and relationships. The album featured the preceding singles alongside new songs like "The One" and "Marry Me," emphasizing upbeat electronic production and personal lyrics without major-label oversight. This era solidified her shift to self-management, enabling direct fan engagement and creative decisions unhindered by corporate priorities.

2020–2022: The One That Got Away EP and BIG!

In 2020 and 2021, amid the pandemic's restrictions on live performances and touring, Betty Who focused on personal reflection following her independent transition from major-label constraints, drawing from experiences of creative stagnation and industry pressures. This period of isolation fostered themes of self-examination that carried into her subsequent work, emphasizing resilience and inner validation over external validation. On June 24, 2022, Who hosted the reality dating series The One That Got Away, which reunited former high school connections in a format. In interviews, she credited the show's emphasis on authentic connections and past regrets with reinforcing lessons in and presence, which she applied to her songwriting process. These insights contributed to a shift toward unfiltered personal narratives in her music, moving away from polished pop facades toward raw empowerment. Who released her fourth studio , BIG!, on October 14, 2022, through . The 11-track project explores , , and embracing one's inherent scale—both literal, as a tall performer, and metaphorical—amid reflections on childhood insecurities and adult self-reckoning. Lyrically, it promotes danceable anthems of defiance and , with Who stating that a core theme involves "coming to terms with who you are and the hand life has dealt you." Production incorporated expansive arrangements and upbeat tempos, co-produced with collaborators like Brandon Paddock and Peter Rena, to evoke larger-than-life energy as a counter to pandemic-era confinement. Promotional singles such as "She Can Dance" highlighted this evolution, underscoring a journey from label-driven expectations to autonomous expression of and bodily confidence.

2023–present: Broadway debut in Hadestown, new singles like "Fabulous" and "Sweat," and live performances

In September 2023, Betty Who debuted on Broadway as in the Tony Award-winning musical at the , beginning performances on September 5 alongside as . The role highlighted her and presence, with critics noting her ability to infuse the character with a fresh, queer-inflected energy drawn from her pop background. Shifting focus to new music releases, Betty Who issued the single "Sweat" on May 30, 2025, accompanied by an official directed by Zak Cassar, capturing themes of immersive dancefloor escapism and renewed artistic joy after prior creative exhaustion. This was followed by "Fabulous" on August 15, 2025, a track emphasizing self-empowerment and stylistic reinvention, positioned as a continuation of her efforts to recapture unburdened fun in performance. Her live engagements from 2023 onward expanded into high-profile events blending pop with orchestral and community-focused settings. On June 6, 2025, she performed at the Music Festival in , at RFK Stadium Grounds, delivering a set that resonated with queer audiences through hits like "She Can Dance" and tracks exploring . Later that year, on August 30, she collaborated with the at The Ford Amphitheater, reinterpreting her synth-pop catalog with full orchestral backing to underscore her instrumental roots in and guitar. These appearances formed part of the 2025 Out of the Darkness Tour, launched May 31 in , and extending to major U.S. cities including New York, , and , signaling sustained touring momentum independent of major-label support.

Artistry

Musical style and influences

Betty Who's music primarily falls within the genres of and , characterized by an upbeat, synth-driven aesthetic that evokes the polished energy of pop. This style features layered synthesizers, infectious hooks, and rhythmic propulsion designed for both festival stages and intimate settings. Her influences draw heavily from 1980s and early 1990s icons such as , , and , whose dance-oriented productions and vocal dynamism inform her emotive delivery and thematic focus on empowerment and romance. Contemporary peers like also shape her sound, blending nostalgic with personal to create tracks that prioritize emotional resonance over . Despite these pop roots, her earlier classical training as a cellist and in music theory introduces subtle structural sophistication, evident in intricate melodic phrasing and vocal agility that contrast her genre's typical simplicity. Over time, her production has shifted toward rawer, more resilient expressions of joy, moving from label-refined sheen to independent-era tracks that amplify unfiltered synth textures and lyrical vulnerability, reflecting a commitment to authentic emotional highs. This evolution maintains her core electropop foundation while prioritizing resilience amid personal and artistic challenges.

Songwriting, vocals, and production approach

Betty Who's songwriting process emphasizes personal narratives of empowerment, romantic relationships, and self-love, often developed through co-writing sessions with producers. She initiated this practice in her youth, composing her first songs at age 14 using self-taught skills on and guitar, which allowed for intimate, guitar-driven demos before expanding into collaborative pop structures. Her approach incorporates vivid imagery and coherent emotional arcs, honed via Berklee lessons with professor Pat Pattison, ensuring lyrics balance specificity with universal appeal—such as tinges of sadness amid themes of fun and accountability. Her vocal delivery features an emotive, vulnerable quality with a wide , enabling builds to soaring, anthemic choruses that suit synth-pop's dramatic arcs. This stems from voice training at Berklee under professor Armsted Christian, which encouraged openness in expression, diverging from her primary classical foundation begun at age four but retaining disciplined phrasing for memorable hooks. The result is a style that conveys raw human connection, adapting classical precision to contemporary pop's need for immediacy and relatability. Post-2017 departure from , Betty Who shifted toward greater self-involvement in production, directing co-producers to layer synthesizers, beats, and effects via digital tools for her signature upbeat, danceable sound. This independent era granted autonomy over sonic choices, as evidenced on BIG! (2022), where she instructed collaborators to "think of me as a gay man instead of a " to cultivate a bolder, masculine edge distinct from prior feminine-leaning aesthetics. Such targeted guidance underscores her evolution from label-driven outputs to hands-on crafting of polished, empowering tracks.

Personal life

Family background and relationships

Jessica Anne Newham, professionally known as Betty Who, was born on October 5, 1991, in , , where her family encouraged her classical music training, beginning with lessons at age four. Her parents supported her relocation to the in 2007 during her mid-teens to attend the in , followed by enrollment at in . Her father provided the primary musical influence in the household, while her mother has been described as an enthusiastic supporter of her career. Betty Who began a relationship with Zak Cassar in 2014, coinciding with the breakthrough of her debut single "Somebody Loves You" and her early professional momentum. The couple announced their on November 21, 2017, and married in 2020 during the after a three-year period. Her extended residence in the United States has not severed her Australian family connections, as evidenced by her mother's nickname "Aus-merican" for her, recognizing the roughly equal time spent in during childhood and in America thereafter.

Public identity and sexuality

Betty Who publicly came out as in the early , aligning her with her emergence as a pop whose often explore romantic and self-acceptive themes drawn from same-sex attractions and fluid experiences of love. In a 2022 interview, she described her sexuality as straddling lines, stating, "I like men and women," which has informed songs emphasizing emotional vulnerability and partnership without rigid boundaries. This openness has positioned her as a figure in queer pop, where her catalog resonates with listeners navigating similar identities, though she maintains boundaries on deeply private aspects of her life. Her advocacy includes frequent performances at LGBTQ+ events, such as headlining WorldPride in Washington, D.C., in June 2025 and appearing at NWA Pride Weekend in the same year, where she has been described as a "Pride festival staple" for fostering communal celebration through upbeat, inclusive anthems. In 2023, she was invited to a White House Pride Month event hosted by President Joe Biden, highlighting her role in broader visibility efforts alongside thousands of community members. These engagements underscore her commitment to queer spaces while prioritizing artistic expression over explicit activism. Empirically, Who’s fanbase skews heavily toward LGBTQ+ audiences, with interviews noting an "insanely supportive" following that credits her authenticity for building safe listening environments amid pop's mainstream dynamics. Her sustained appeal in scenes is evidenced by repeated bookings at events like GLSEN's NYC rooftop concerts in 2024 and consistent references to her music as a "lifeline" for fans seeking representation in . This intersection has amplified her influence without overshadowing her broader commercial trajectory.

Controversies

2025 podcast comments on queer relationships and backlash

On the August 19, 2025, episode of the podcast Made It Out, hosted by Mallorie Glownke, Betty Who discussed her experiences as a bisexual woman married to a cisgender straight man, highlighting perceived biphobia within queer communities for appearing in "straight-presenting" relationships. During the conversation, Who referenced singer Reneé Rapp, who identifies as a lesbian, suggesting that Rapp might eventually find "the love of [her] life" in a man despite her current orientation, framing it as part of broader sexual fluidity among queer artists under public scrutiny. Who described such dynamics as feeling "like a crime" in queer circles, implying pressure to maintain visibly queer relationships to affirm identity. The remarks quickly drew backlash from online queer communities, particularly on platforms like and , where critics accused Who of lesbophobia for perpetuating the that lesbians are not truly committed to same-sex attraction and may "revert" to , a trope viewed as invalidating fixed lesbian identities. Commentators argued the comments reinforced harmful myths about fluidity erasing lesbian specificity, with some labeling them "blatant lesbophobia" and questioning Who's standing to opine on lesbian experiences as a bisexual artist. This criticism amplified debates within LGBTQ+ discourse on whether personal anecdotes about fluidity should prioritize community norms over individual expression, with detractors emphasizing accountability for public figures influencing perceptions of sexuality. On August 28, 2025, Who issued a public apology via Stories, acknowledging her phrasing as "harmful" and stating, "That was never my intention, and I'm truly sorry," while committing to "do better" and educate herself on the impact of her words. She clarified no intent to invalidate anyone's identity but recognized the offense caused, amid ongoing discussions framing the incident as a tension between free speech in personal storytelling and expectations of sensitivity in media spaces. Reneé Rapp addressed the comments on September 5, 2025, dismissing them sharply in an , stating, "Don't bring my big f**king energy into this," and rejecting the speculation about her future relationships as irrelevant to her self-identification. Rapp's response underscored the backlash's focus on in sexual labeling, with no further escalation reported between the parties by late September 2025. The episode contributed to broader online conversations about bisexuality's reception in spaces, where some defended Who's fluidity narrative as authentic while others prioritized protecting monosexual identities from perceived erasure.

Reception and legacy

Critical assessments

Critics have frequently commended Betty Who's music for its catchy hooks and high-energy delivery, often highlighting her ability to craft empowering anthems that resonate with themes of self-acceptance and queer joy. Reviews of her 2023 album BIG! emphasized its "larger-than-life" pop sensibility and personal introspection, with American Songwriter noting the album's exploration of relationships and life experiences through "friskier pop" tracks like "Weekend." Similarly, Atwood Magazine described BIG! as a "masterclass in vulnerability and self-acceptance," crediting its genesis in the artist's journey toward authenticity. Earlier works like the 2013 EP The Movement drew praise for "bold and beautiful builds" and "perfectly structured hooks" suited for radio, as per Under the Gun Review, while PopMatters lauded its "old school synth pop" as highly danceable. Live performances and overall artistry have been noted for their infectious energy, with outlets like SPIN praising the 2014 album Take Me When You Go as "expressive and emotional" with smart writing that avoids pop clichés. Clash Magazine highlighted Betty (2019) as a "challenging pop experience that ripples with ," underscoring her synth-driven sound's nostalgic appeal. singled out tracks like "You're in Love" for their "massive pop hooks" that shine despite comparisons to established artists. Some critiques point to formulaic elements in her synth-pop structures, particularly during label-affiliated releases, where reviewers observed a reliance on familiar 80s-inspired tropes that occasionally dilute innovation. PopMatters on Betty acknowledged the "80s-synth-sheen formula" but credited her twists for giving it a "striking identity." For BIG!, Metro Weekly found it "fundamentally well-executed" with memorable moments but lacking "some of the dynamism" of prior efforts, while Northern Transmissions noted fewer "punchy hits" compared to earlier albums, though praising its self-assured solidity as a step toward greater authenticity in her independent phase. These observations suggest a pattern where her unsigned, personal work is viewed as more genuine, contrasting with perceived genericism in major-label eras.

Commercial achievements and fanbase

Betty Who's single "Somebody Loves You" marked her commercial breakthrough, topping the Billboard Dance Club Songs chart on February 27, 2014. The track's official music video accumulated 4.1 million views on YouTube as of 2025. Her 2017 cover of "I Love You Always Forever" further boosted visibility, becoming one of her most streamed songs with over 96 million Spotify plays. Subsequent releases demonstrated sustained performance in niche markets. The 2019 album Betty peaked at number 24 on the Billboard Independent Albums chart. By 2025, Betty Who maintained approximately 488,000 monthly listeners on , with cumulative artist streams exceeding 670 million. Her 2017 album The Valley alone amassed over 206 million streams, reflecting growth during her independent phase after parting with major labels. Her fanbase exhibits strong loyalty within and pop communities, drawn to her upbeat and personal lyrics. Betty Who has described the LGBTQ+ audience as her core support, crediting them for early viral traction and ongoing tour attendance at events. In 2025, releases like the singles "Run!", "Sweat", and "Fabulous", alongside her "Out of the Darkness" tour announcement, sustained visibility among these groups without achieving mainstream chart breakthroughs.

Awards and nominations

Major recognitions

Betty Who won the Best New Musician (Female) award at Logo TV's 2014 NewNowNext Awards, held on December 2 in Miami Beach, Florida, which highlighted her emerging presence in pop music following the viral success of her single "Somebody Loves You." In recognition of her contributions to LGBTQ+ representation through music, her 2022 album BIG! received a nomination for Outstanding Music Artist at the 34th GLAAD Media Awards in 2023.
YearAwardCategoryNominated workResult
2014NewNowNext AwardsBest New Musician (Female)HerselfWon
2023 Media AwardsOutstanding Music ArtistBIG!Nominated
Who has not received major mainstream accolades such as Grammy or Awards, consistent with her targeted appeal in and independent circuits rather than broad commercial dominance.

Discography

Studio albums

Betty Who's debut studio album, Take Me When You Go, was released on 3 October 2014 by . The record marked her first full-length release following an earlier EP and featured production emphasizing 1980s-inspired elements. Her second studio album, The Valley, followed on 24 March 2017, also via . It comprised 10 tracks and explored themes of personal rediscovery through arrangements. Betty, the third studio album, appeared independently on 15 February 2019. Self-produced in part by Who, it reached number 24 on the US Independent Albums chart. The fourth album, BIG!, was issued on 14 October 2022 through . This self-released effort under her own production banner included 12 tracks focused on euphoric, genre-blending pop.
TitleRelease dateLabelUS Indie peak
Take Me When You Go3 October 2014
The Valley24 March 2017
Betty15 February 2019Independent (Betty Who Productions)24
BIG!14 October 2022

Extended plays

Betty Who's debut extended play, The Movement, was independently released on April 16, 2013. The five-track EP introduced her synth-pop sound influenced by 1980s aesthetics and included the breakout single "Somebody Loves You," which gained viral traction through a proposal video. It peaked at number 22 on the Billboard Heatseekers Albums chart, marking an early indicator of her independent momentum before signing with RCA Records. Following her label deal, Slow Dancing arrived on April 8, 2014, via as her second EP. Comprising five tracks—"Heartbreak Dream" (the released February 18, 2014), "Alone Again," "Giving Me Away," "Lovin' Start," and "Silas"—it expanded on her style with emotional ballads and upbeat elements, serving as a bridge to her full-length debut Take Me When You Go. The release coincided with U.S. tour dates, promoting her growing live presence. In June 2014, Worlds Apart was issued exclusively in the as a four-track compilation drawing from prior releases. Featuring "High Society," "Right Here," "Heartbreak Dream," and a cover of ' "You're in Love," it targeted international expansion but remained a promotional rather than original collection. After departing her label, Betty Who returned to independent releases with Betty, Pt. 1 on June 15, 2018. This five-song EP—"Just Thought You Should Know," "Taste," "Look Back," "Ignore Me," and "Friend Like Me"—experimented with introspective lyrics and varied production, reflecting personal themes of relationships and self-reflection as a precursor to her self-titled . Recorded in 2017–2018, it underscored her artistic control post-label, with tracks like "Ignore Me" highlighting vulnerability amid pop structures.

Singles as lead artist

Betty Who's debut single, "Somebody Loves You", was independently released on October 9, 2012, ahead of her EP The Movement in 2013; it later appeared on her debut studio album Take Me When You Go (2014) and peaked at number one on the Billboard Dance Club Songs chart on March 8, 2014. The track received a music video directed by Matt Alonzo, emphasizing its upbeat dance-pop style. Her follow-up single, "All of You", arrived on February 25, 2014, as the lead from Take Me When You Go, topping the Billboard Dance Club Songs chart in early 2015 and marking her second number-one there. A music video, released in April 2014, featured choreography highlighting themes of self-empowerment. In 2016, "I Love You Always Forever", a cover of Donna Lewis's 1996 hit and single from her second album The Valley (2017), became a commercial standout, reaching number one on the Billboard Dance Club Songs chart and peaking at number eight on the ARIA Singles Chart in Australia. Subsequent singles from her third album Betty (2019) included "Ignore Me" (January 19, 2018), "Taste" (May 18, 2018), and "Between You & Me" (November 14, 2018), each accompanied by music videos that explored personal introspection and relationships; none reached the Billboard Hot 100 but sustained visibility on dance charts. Independent releases post-Betty featured non-album singles like "Fabulous" in 2025, promoting self-celebration, followed by "Sweat" on May 30, 2025, both under Betty Who Productions and targeting dance/electronic audiences without major Billboard peaks reported by mid-2025. Betty Who has appeared as a featured vocalist on tracks by other artists, including "Heaven" by , released December 4, 2015, as part of his debut studio album . The song, co-written by Sivan, Betty Who, , and Alex Hope, addresses themes of concealing one's sexuality from family. She provided vocals for "Rocket Girl" by Norwegian electronic duo Lemaitre, issued as a single on May 11, 2018. The track blends and electro elements, with Who contributing lead and backing vocals. In 2018, Who featured on a remix of "All Things (Just Keep Getting Better)", the theme song for the Netflix series Queer Eye, released May 31 to promote season two. The version incorporates her vocals over the original by Wankelmut and Emma Louise, and was accompanied by a promotional music video starring the show's cast. Who has also contributed remixes to other artists' work. In 2013, she remixed Demi Lovato's "Neon Lights" from the album Demi, emphasizing an upbeat electro-pop arrangement released as part of the single's remix package.

References

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