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María Rosario Pilar Martínez Molina Baeza,[1][note 1] professionally known by her stage name Charo, is a Spanish-born actress, singer, comedian, and flamenco guitarist who rose to international prominence in the 1960s on American television, as well as starring in several films.

Key Information

Charo began playing classical (Spanish-style) guitar at the age of nine, training under the famed guitarist Andrés Segovia.[6][7] In 1966, she married 66-year-old bandleader Xavier Cugat and moved to the United States with him. In the late 1960s and 1970s, she became a ubiquitous presence on American television, frequently appearing as a guest star on series such as Laugh-In, Fantasy Island, The Love Boat, and The Tonight Show Starring Johnny Carson. She is known for her uninhibited and exuberant manner, high energy levels, vague age, heavy Spanish accent, and catchphrase "cuchi-cuchi". She frequently pokes fun at herself, while also pointing out the potential judgment of others, through her accent.

As a musician, Charo has performed and recorded in various styles for five decades. She released a series of disco recordings in the 1970s with Salsoul Records, most notably Dance a Little Bit Closer (1977). In 1995, her flamenco album Guitar Passion (1994) was awarded Female Pop Album of the Year at the Billboard International Latin Music Conference, and was named Best Female Latin Pop Album by Billboard Magazine.[2][8] In an interview, Charo has said, "Around the world I am known as a great musician. But in America, I am known as the cuchi-cuchi girl. That's okay, because cuchi-cuchi has taken me all the way to the bank."[8]

Early life

[edit]

Charo was born in the city of Murcia, Spain.[1] Her birth date has been a matter of some dispute (see 'Birth year controversy' below). Her Spanish passport gives her name as María del Rosario Mercedes Pilar Martínez Molina Baeza.[3][note 1]

Charo has claimed she was enrolled in a convent school until the age of 15, when a nun told her that she belonged in show business.[9] In the most colorful version of her childhood, Charo's grandmother hired a music professor to give her weekly classical guitar lessons, and he became the first man to enter the convent.[10]

In a 2005 interview, she reminisced:

"The institution had great young teachers and students. Everything was a charity. Mr. Segovia, between concerts that's when he'd come, and if you'd been there a year and you weren't good, you'd go out and they would give your place to another young kid."[11]

Charo has stated in several interviews that she graduated with honors at age 16.[12][7]

Bandleader Xavier Cugat "discovered" her while in Spain filming a television special in 1964.[13] They wed on August 7, 1966. An April 1966 column by Earl Wilson on the couple's wedding plans announced:

"Sixty-year-old Xavier Cugat and his 20-year-old Spanish girlfriend and singing star Charo hope to marry in San Cugat, Spain, in a few days if Cugat can convince church authorities his two divorces should not be counted against him since he wasn't married in church."[14]

They were the first couple to be wed at Caesars Palace in Las Vegas. Charo later claimed that her marriage to Cugat was merely a business contract, a way for him to legally bring her to the United States.[15]

Birth year controversy

[edit]
Charo in the 1960s

Charo's year of birth is the subject of dispute. Her Spanish birth certificate and passport, as well as her American naturalization papers, give her birthdate as March 13, 1941. She later claimed she was born in 1947, then changed it to 1949.[16] In 1977, she asserted in a court hearing that her passport and naturalization papers were incorrect and that her birthdate was January 15, 1951.[3]

Several newspaper articles around the time of her 1966 wedding to Cugat gave Charo's age as 17.[17] Others referred to her as Cugat's "18-year-old protégée".[18] An April 1966 column on the wedding plans stated that she was 20 and Cugat was 60.[19] Many sources identified her as 21 on the day of her wedding.[20][21][22]

Later, when asserting her birthdate was 1951, she claimed her parents allowed her to falsify her age to appear older when marrying Cugat. However, that would have made her 15 at the time, contradicting her claim to have graduated from school at 16, not yet having begun her performing career. She has never clarified the discrepancy.[23][14]

In October 1977,[24] the same year in which Charo filed for divorce from Cugat and became a naturalized American citizen, judge Roger Foley in Las Vegas adjudicated the 1951 birth year to be official. Charo provided sworn affidavits from her parents,[25][26] although the claim has been viewed with skepticism.[8][27] Commenting on the disputes over her age, she has said that the public's disbelief could prove advantageous:

"But if people really believe I'm older, that's fine. Don't be surprised if I come out with my own cosmetics, a new energy bar, and maybe some vitamins."[14]

Career

[edit]

Charo was highly visible throughout the 1970s, appearing ten times on The Love Boat, and on variety and talk shows such as Donny & Marie,[28] Tony Orlando and Dawn,[29] The Captain and Tennille,[30] The John Davidson Show, The Mike Douglas Show (which she guest-hosted at least once)[31] and the short-lived The Brady Bunch Variety Hour.[32]

In 1975, Dallas Morning News critic Harry Bowman wrote that the ABC network had "penciled in . . . a half-hour comedy starring the uninhibited wife of Xavier Cugat" and commented, "This is probably the worst idea of the season."[33] By October of that year, Charo was promoting a TV special slated for November,[34] but it did not actually appear until May 1976.[35][36]

A television listing for August 24, 1976, shows what appears to be an unsold pilot airing on ABC at 8:30 p.m. CST: "Charo and the Sergeant—Situation comedy starring Charo Cugat. Charo's first U.S. job is to be a dancer at an off-limits nightclub, and her conservative Marine Corps husband finds out. The few episodes that were taped ended up being broadcast on the American Armed Forces Network overseas."[37] Writer Bruce Vilanch wrote about his work on Charo and the Sergeant in his 2025 memoir It Seemed Like a Bad Idea at the Time.[38]

By the late 1970s, Charo was being mentioned as an example of how overexposure could damage a celebrity. One such article quoted the "Q score" of Performer Q, Steve Levitt's celebrity popularity rating service, to show that her popularity declined slightly even as her familiarity increased:

Before she gained national fame on talk shows in 1975, bosomy Latina starlet Charo was 'recognized' by 57 percent of Levitt's national television sample and had a 'popularity quotient' of 9 percent. Today, known by 80 percent, a figure as high as Clint Eastwood's 80 percent, Charo's popularity is 8 percent. 'If she was known by 100 percent of the world, chances are her popularity might go down to 7 or 6 percent,' Levitt says coolly. That paradox makes some performers think twice when invitations to talk shows come in.

— "The TV Talk Shows", The Washington Post July 14, 1977 (Style section, pg. B1)

Charo performing in 2004

She was named Best Flamenco Guitarist in Guitar Player Magazine's readers' poll twice.[39]

Charo returned to the dance-music scene in June 2008 with the single "España Cañi", which was released through Universal Wave Records.[40]

On March 1, 2017, Charo was revealed a contestant for Season 24 of Dancing with the Stars, paired with professional dancer Keo Motsepe.[41] On April 3, 2017, they were the second couple eliminated from the competition and finished in 11th place.

Personal life

[edit]

In 1977, she became a naturalized citizen of the United States. That year, she filed for divorce from Cugat, which was granted on April 14, 1978.[42]

On August 11, 1978, she married her second husband, producer Kjell Rasten, in South Lake Tahoe, California.[43] He soon became her manager. They had one child, son Shel Rasten (born 1981),[44] who is the drummer for the heavy metal band Treazen. He is also an actor and producer, known for The Boulevard (2013), FAMOUS (and on the List) (2010) and CSI: Miami (2002).

They moved to Hawaii, but eventually moved back to Beverly Hills, California.[45]

Kjell Rasten died by suicide on February 18, 2019, at the age of 78. Charo publicly stated:

In recent years, his health began to decline and he developed a rare and horrible skin disease called bullous pemphigoid. He also became very depressed. That, along with the many medications he needed to take, became too much for him, and he ended his suffering.[45]

Discography

[edit]

Albums

[edit]
  • Cuchi-Cuchi (1977) (with the Salsoul Orchestra)
  • Olé Olé (1978) (with the Salsoul Orchestra)
  • Bailando con Charo (Dancing with Charo, 1981) (with the Salsoul Orchestra)
  • Guitar Passion (1994)
  • Gusto (Pleasure, 1997)
  • Charo and Guitar (2005)

Singles

[edit]
  • 1976: "La Salsa"
  • 1977: "Dance a Little Bit Closer" – US Dance No. 18; UK No. 44[46]
  • 1978: "Mamacita, ¿dónde está Santa Claus?" ("Mommy, Where's Santa Claus?")
  • 1978: "Olé Olé" – US Dance No. 36
  • 1979: "Sha Na Na"
  • 1979: "Stay with Me" – US Dance No. 55
  • 1979: "Hot Love"
  • 1981: "La Mojada (Wet Back)"
  • 2003: "Prisionera De Tu Amor" (with Seductive Souls)
  • 2008: "España Cañi" – US Dance No. 14
  • 2011: "Sexy Sexy" – US Dance No. 24
  • 2013: "Dance a Little Bit Closer" (Charo & the Salsoul Orchestra vs. the Cube Guys Remix)

Filmography

[edit]
Year Title Role Notes
1963 New Friendship
Ensayo general para la muerte English Title: "Dress Rehearsal for Death"
1967 The Big Mouth Mexican Maid Uncredited
1970 Tiger by the Tail Darlita
Elvis: That's the Way It Is Herself Documentary
1979 The Concorde... Airport '79 Margarita
1988 Moon Over Parador Madame Loop
1994 Thumbelina Mrs. Toad Voice
1996 Blame It on the Macarena!
2017 Sharknado 5: Global Swarming The Queen of the United Kingdom
2021 The Bitch Who Stole Christmas

Television

[edit]

See also

[edit]

Notes

[edit]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
María Rosario Pilar Martínez Molina Baeza, known professionally as Charo, is a -born American actress, singer, comedian, and flamenco guitarist renowned for her flamboyant stage persona, rapid-fire Spanish-accented English, and signature catchphrase "cuchi cuchi." Born on January 15, 1951, in , she rose to international fame in the through television appearances that showcased her musical talents and comedic flair. Despite early controversy over her age—official records suggested 1941, but she successfully petitioned a in 1977 to affirm 1951—she has maintained a career spanning over five decades, blending flamenco guitar virtuosity with variety show entertainment. Charo's early life was marked by prodigious musical talent; she began studying classical and as a child under the renowned maestro Andrés Segovia and made her film debut in the Spanish production Don Juan Tenorio at age 12. Discovered by bandleader Xavier Cugat as a teenager, she joined his orchestra and married him in 1966, relocating to the where she honed her bilingual performance style. Their marriage ended in 1978, after which she wed producer Kjell Rasten, with whom she had a son, Shel, in 1981; the family settled in Kauai, , in 1988, and Rasten passed away in 2019. Her breakthrough came on The Tonight Show Starring in the late 1960s, where her energetic "cuchi cuchi" routine captivated audiences, leading to regular spots on shows like , , and . Charo released successful albums such as La Salsa (1976) and Guitar Passion (1994), with her single "Cuchi Cuchi" achieving platinum status, and she earned accolades including two "Best Flamenco Guitarist" titles from Guitar Magazine, a International Latin Music Award, and the 2014 Ricardo Montalbán Lifetime Achievement Award at the ALMAs. She headlined Las Vegas residencies, including Bravo at The Venetian, and appeared in films like (1979) and (1994). In later years, Charo competed on Dancing with the Stars in 2017 and guest-starred in Sharknado 5 that same year, while continuing to perform live, including a 2017 Hollywood Bowl concert for 17,000 fans. Often typecast for her over-the-top, self-deprecating humor, she has been praised for her technical guitar prowess and enduring vitality, as highlighted in a 2022 New York Times profile describing her as a multifaceted artist still practicing guitar into the early morning hours. Now based in Beverly Hills, California, Charo remains active on social media and in occasional gigs, embodying a career defined by resilience and reinvention.

Early life

Upbringing in Spain

María Rosario Pilar Martínez Molina Baeza, known professionally as Charo, was born in , southeastern , to a father and a homemaker mother, in a middle-class family during the Franco dictatorship. Her early years were marked by political instability, as the regime seized her family's assets when she was around 7 years old, forcing her father into exile in while her mother remained in with the children. This turbulent environment shaped a childhood of resilience, with the family navigating economic hardships in . Charo's initial exposure to music stemmed from the vibrant Spanish cultural landscape, particularly the traditions prevalent in and surrounding areas. As a young girl, she took her first guitar lessons from Romani musicians camping near her grandparents' farm, sparking a lifelong passion for the instrument. By age 9, while attending the Catholic Convent of the Sacred Heart in , she began formal guitar practice, using music as a psychological refuge amid the family's challenges; her relatives pooled resources to buy her a second-hand guitar. The family's circumstances, compounded by Spain's post-Civil War recovery and ongoing repression, prompted her parents to send her to around age 12 for advanced musical studies, providing an opportunity to escape local instability and pursue her emerging talent in a larger cultural hub. This move immersed her further in Spain's classical and flamenco guitar traditions before any professional training abroad. She later received brief instruction from renowned guitarist .

Birth year controversy

Charo's birth year has long been a subject of dispute, with official Spanish records indicating she was born on March 13, 1941, in , . Her original and U.S. naturalization papers also listed this date, reflecting the documentation from her birthplace under the Franco regime, which she later claimed was administratively flawed. Publicly, Charo has maintained that her true birth year is 1951, specifically January 15, asserting that the earlier records were erroneous. In 1977, she petitioned the U.S. District Court in to correct her age, supported by sworn affidavits from her parents confirming the 1951 date. The court accepted her claim, officially ruling her birth year as 1951, which she has since used in professional and personal contexts. This discrepancy has significant implications for her early career timeline, particularly her 1966 marriage to bandleader ; under the 1951 ruling, she would have been 15 at the time, whereas the 1941 date would make her 25. The controversy fueled media scrutiny in the 1970s, with outlets questioning the validity of the court decision and speculating on motivations tied to her rising fame in the U.S., though no further legal challenges ensued.

Career

Rise to prominence

Charo was discovered as a teenager by renowned bandleader while performing in , leading her to join his orchestra as a singer and dancer. Having trained in under and in during her youth in , she brought her musical skills to Cugat's ensemble. In 1966, she married the 66-year-old Cugat in a ceremony at in , an arrangement she later described as a business contract to facilitate her legal entry and residency in the United States. Following the marriage, Charo relocated to the U.S. and began performing regularly as part of Cugat's , showcasing her and abilities. Their act quickly gained traction on the Las Vegas casino circuit, with debut shows at Caesars Palace's Nero's Nook in 1966, where they entertained audiences with Latin-infused performances. These early Vegas engagements, including appearances at The Flamingo Hotel, helped establish her presence in American entertainment venues during the mid-1960s. Charo's initial U.S. television exposure came through guest spots alongside Cugat, marking her breakthrough in the late 1960s. She appeared multiple times on , performing Latin medleys and solo guitar pieces that highlighted her vibrant energy. A notable solo appearance occurred on in March 1969, hosted by Sammy Davis Jr., where she sang a Latin medley and demonstrated her comedic flair. During these television outings, Charo developed her signature style, blending precision with playful humor to captivate audiences. Her "cuchi cuchi"—a playful Spanish expression she developed in her act, paired with a distinctive hip —emerged as a hallmark of her act, particularly after an improvisational moment on with . This comedic persona, often infused with exaggerated Spanish-accented English and infectious enthusiasm, solidified her image as a lively entertainer in the evolving landscape of variety programming.

Music and performance

In the 1970s, Charo transitioned to a solo music career, blending her flamenco guitar roots with disco influences in releases produced by Salsoul Records. Her early solo releases in the 1970s included tracks with Salsoul Records leading to albums like Cuchi Cuchi (1977) and Dance a Little Bit Closer (1978), which featured upbeat Latin-disco tracks that highlighted her energetic vocal style and guitar work, marking her shift from orchestral accompanist to independent artist. This fusion era capitalized on the disco boom while preserving flamenco elements, such as rhythmic strumming and passionate phrasing, earning her recognition as a versatile performer in contemporary Latin music. Charo's live performances emphasized her stage charisma and guitar prowess, with long-running residencies in at venues like the Sahara Hotel and Casino, where she developed a signature combining comedy, song, and solos. She has toured internationally across , , and , delivering sold-out shows that showcase her authentic interpretations and improvisational flair. These engagements, often spanning decades, solidified her reputation as a global entertainer capable of captivating diverse audiences through high-energy sets. A pinnacle of her musical output arrived with the 1994 album Guitar Passion, a flamenco-focused collection that returned to her classical training and earned the Female Pop Album of the Year award at the International Conference, along with 's designation as Best Female Album. Charo, who began studying under flamenco masters as a child, demonstrated her technical expertise on the record through intricate fingerpicking and traditional Spanish compositions, affirming her status as a beyond her comedic persona. The album's success on Latin charts underscored her enduring skill in , twice voted "Best Flamenco Guitarist" by magazine readers. In later years, Charo's performance style evolved to incorporate broader entertainment formats, blending music with dance in high-profile appearances. Her 2017 participation in Dancing with the Stars season 24 featured routines like a salsa to "Cuban Pete" and a paso doble to her own "España Cani," highlighting her rhythmic precision and flamenco-inspired footwork despite an early elimination. These outings reflected her adaptability, maintaining flamenco's fiery essence while engaging contemporary audiences through collaborative, visually dynamic shows.

Later work and television

Following her breakthrough television appearances in the 1970s, Charo maintained a sustained presence on American TV through recurring guest roles on popular series during the 1980s. She appeared in 10 episodes of The Love Boat between 1977 and 1986, often portraying vibrant characters that highlighted her comedic flair and musical talents. Similarly, she guest-starred in four episodes of Fantasy Island from 1981 to 1984, playing roles such as a surrogate mother in one installment and a woman seeking her father in another. Charo continued her television visibility as a semiregular panelist on , appearing across its original run (1972–1978), 1980s revival (1986–1989), and later iterations (1998–2004), where her quick wit and catchphrase "cuchi cuchi" became staples. In more recent decades, she made notable guest spots on modern shows, including a cameo as the Queen of in the 2017 Syfy film 5: Global Swarming. That same year, she competed on season 24 of , partnered with professional dancer , and was eliminated in the second week, placing 11th overall. Post-2019, Charo's television-related activities have been more limited, focusing on archival nods and cultural reflections rather than new on-screen roles. In 2023, she returned to for a residency at the Westgate Theater, performing her classic act. As of 2025, she continues occasional live gigs and engagements.

Personal life

Marriages

Charo married the renowned Cuban bandleader on August 7, 1966, at in , in a union that lasted until their divorce in 1978. She later described the marriage as primarily a business arrangement intended to facilitate her relocation to the and career opportunities there. During this period, Charo obtained U.S. citizenship in 1977. Shortly after her from Cugat, Charo wed Swedish-born Kjell Rasten on , 1978, in . Rasten, who had worked as a production manager on projects including the International Championship of Magic (1985), became her manager following their marriage. The couple remained together for over 40 years until Rasten's death by on February 18, 2019, at their Beverly Hills home; he was 78 and had been battling bullous pemphigoid, a severe , along with depression. In public statements, Charo has reflected on how her first marriage provided the platform for her American breakthrough, crediting Cugat's industry connections despite the arrangement's transactional nature. Regarding her second marriage, she expressed profound grief over Rasten's , stating, "My husband put a bullet in his head. I have an invisible bullet in my heart," while affirming that the partnership with Rasten as her manager strengthened her professional resilience and commitment to entertaining audiences.

Family and citizenship

Charo and her second husband, Kjell Rasten, welcomed their only child, son Shel Rasten, on March 30, 1981, in , . Shel has pursued a career in , working as an , , and ; he is known for roles in films such as The Boulevard () and FAMOUS (and on the List) (2010), as well as guest appearances on television shows including (2002) and (2014). Additionally, he serves as the drummer for the heavy metal band Treazen. The family resided primarily in Beverly Hills, California, where they maintained an elegant, multi-generational home on the 1800 block of Lexington Road, a spacious 8,002-square-foot property built in 1931 that often hosted relatives. In 1985, the Rastens visited Hawaii, and Shel was raised there for a period, contributing to the family's varied residential experiences before settling back in California. Following Rasten's death in 2019, Charo and Shel continued to reside in Beverly Hills. Charo became a naturalized U.S. citizen in 1977. This reflects her roots in , , and her long-term life in the United States, where she has resided since the .

Discography

Albums

Charo's debut album, Cuchi-Cuchi, released in 1977 by in collaboration with the , marked her entry into the genre with a fusion of Latin rhythms and upbeat tracks. Produced by the Salsoul team, the album featured covers and originals like "Dance a Little Bit Closer" and the title track, blending flamenco influences with electronic production. It received moderate commercial success, with the "Dance a Little Bit Closer" peaking at No. 18 on the Hot Dance Club Play chart. Her follow-up, Olé, Olé, arrived in 1978, also on Salsoul Records and continuing the disco-Latin hybrid style, this time with tracks such as the title song and a cover of the "Love Boat Theme." Released on distinctive pink vinyl, the album was produced similarly to its predecessor. The title single "Olé, Olé" peaked at No. 36 on the Billboard Hot Dance Club Play chart, while the single "Stay With Me" reached No. 55. Critical reception noted its energetic performances but highlighted the formulaic disco sound prevalent in the era. In 1981, Bailando con Charo (also known as Dancing with Charo) was issued by Caytronics, shifting toward more traditional Latin and flamenco elements with guitar-driven arrangements of classics like "Guantanamera" and "Concierto de Aranjuez." Self-produced with a focus on her instrumental talents, the album received limited distribution but showcased her versatility beyond disco, earning praise for its authentic Spanish flair in niche music circles. A significant pivot came with Guitar Passion in 1994 on Universal Wave Records, a flamenco-centric studio album emphasizing Charo's guitar prowess through original compositions and arrangements like "Caliente" and "Leyenda." Produced to highlight her classical training, it won Female Pop Album of the Year at the 1995 Billboard International Latin Music Conference and was lauded by Billboard Magazine as a "fine showcase for her flamenco guitar." The album was reissued in 1999 as Caliente! with additional tracks, underscoring its enduring appeal. Gusto, released in 1997 by Universal Wave Records, served as a compilation blending new recordings with updates of earlier hits, including a refreshed "Dance a Little Bit Closer" and Spanish-language versions of tracks like "El Amore." It received positive notices for bridging her past with contemporary Latin pop, though it did not chart prominently. The 2005 release Charo and Guitar on Universal Wave Records combined standards and originals such as "Luna de Fuego" and "Malagueña," produced to accentuate live-performance energy with minimal electronic elements. Critics appreciated its return to roots, describing it as a heartfelt to her Spanish heritage. In 2008, : The Remixes Vol. 1 (and its companion Vol. 2) on Universal Wave Records reimagined the traditional Spanish song in remixes by producers like Peitor Angell and Twisted Dee, peaking at No. 14 on the Hot Dance Club Play chart. Recorded as a protest against , the album revitalized her career and earned acclaim for its bold cultural commentary fused with club beats. Subsequent releases up to 2025 have primarily been compilations and remixes, such as Fantastico: The International in 2020, which gathered global reinterpretations of her catalog without new original material. A 2025 expanded CD reissue of Cuchi-Cuchi by Vibe On Records included bonus tracks, reflecting ongoing interest in her early work but no new studio albums.

Singles

Charo's singles career primarily flourished in the late 1970s with disco-infused tracks produced in collaboration with the , blending her roots with upbeat rhythms. Her debut U.S. single, "Dance a Little Bit Closer," released in November 1977 on , marked her entry into the scene and peaked at No. 18 on the Hot Dance Club Play chart in early 1978, also reaching No. 104 on the Bubbling Under Hot 100. This track, featuring her signature energetic vocals over a Latin-disco , became a club favorite and was later re-released as a in 2013 by Charo & the vs. the Cube Guys. Following this success, Charo released several other 1970s singles that showcased her flamenco guitar influences within disco frameworks. "Olé, Olé," issued in 1978 on as a pink vinyl 12-inch, peaked at No. 36 on the Hot Dance Club Play chart that year, drawing from traditional Spanish motifs with pulsating beats. Another notable entry, "Stay With Me" from the same era, reached No. 55 on the Hot Dance Club Play chart in 1979, highlighting her versatile phrasing on a cover of the standard adapted for dance floors. These releases, including B-sides like "Hot Love" and the holiday track "Mamacita, ¿Dónde Está Santa Claus?" (both 1978 on ), emphasized promotional ties to her albums while achieving independent club play. Internationally, Charo ventured early with "La Salsa" in 1976, a 12-inch single on , capturing her flamenco style in a salsa-disco hybrid for European audiences. In the 1980s, she issued "La Mojada (Wet Back)" in 1981 on Caytronics, a bilingual track with provocative themes that extended her output. Post-1990s, Charo returned to singles with renewed focus on remixes. Her 2008 release "" on Universal Wave Records, a modern take on the traditional Spanish pasodoble, achieved her highest placement at No. 14 on the Hot Dance Club Songs chart on October 11, 2008, featuring remixes by artists like Twisted Dee. This flamenco- fusion was released in protest of bullfighting and garnered club nominations. Later, the 2010 single "Feliz Navidad" on Universal Wave marked a festive digital pivot, while her output tapered, with occasional promotional tracks tied to performances.
Single TitleRelease YearLabelPeak Chart PositionNotes
Dance a Little Bit Closer1977US Dance #18With ; B-side "Cuchi-Cuchi"
Olé, Olé1978US Dance #3612-inch pink vinyl; flamenco-disco
Stay With Me1979US Dance #55Cover adaptation; B-side ""
España Cañí2008Universal WaveUS Dance #14Remixes included; highest charting single
La Salsa1976Capitol (France)N/AInternational 12-inch release

Film and television

Film roles

Charo's first American film appearance was in the 1967 comedy The Big Mouth, directed by and starring Jerry Lewis, where she appeared uncredited as a Mexican maid; her then-husband Xavier Cugat also had a role in the production as himself, marking an early on-screen collaboration for the couple. In 1970, she portrayed Darlita in the action-comedy Tiger by the Tail, directed by R.G. Springsteen, a film centered on a former stuntman (played by Christopher George) entangled in a kidnapping plot involving a circus tiger, with Tippi Hedren as a co-star; Charo's character added flair to the film's mix of adventure and humor. Charo played the eccentric passenger Margarita in (1979), the fourth and final installment in the Airport disaster franchise, directed by David Lowell Rich and featuring and ; her role involved a comedic attempt to smuggle her Chihuahua onto the supersonic jet amid escalating threats to the flight. She appeared as Madame Loop in the 1988 political satire , directed by and starring as a method impersonating a South American dictator, with as the dictator's mistress; Charo's character contributed to the film's farcical tone in a fictional nation rife with regime intrigue. In the animated musical (1994), directed by and , Charo provided the voice for Mrs. (Ma) Toad, a glamorous, self-absorbed Spanish-style and mother to three bickering sons who kidnaps the titular fairy girl to marry off to her son Grundel, infusing the role with her signature exuberant energy alongside voices by and . Charo made a cameo as the Queen of in Sharknado 5: Global Swarming (2017), a entry in the campy shark disaster series directed by , where her royal character briefly navigates the global chaos of airborne sharks alongside stars and .

Television appearances

Charo began her television career in the 1960s with appearances on variety shows, including multiple performances on The Ed Sullivan Show alongside Xavier Cugat and later solo. By the 1970s, she became a staple of American television through frequent guest spots on comedy and variety programs, leveraging her flamboyant persona and musical talents. She joined the cast of Chico and the Man as a regular in its final 1977–1978 season following the death of star Freddie Prinze, portraying a lively family member in the sitcom. That same year, she headlined her own variety special, Charo, which showcased her singing, dancing, and comedy routines. Throughout the 1970s and 1980s, Charo made numerous guest appearances on popular series, often playing vibrant, exotic characters that highlighted her Spanish heritage and "cuchi cuchi" catchphrase. She holds the distinction of being one of the most frequent guest stars on The Love Boat, appearing in 10 episodes between 1977 and 1986, typically as the stowaway entertainer April Lopez, whose antics involved romantic entanglements and performances aboard the cruise ship. Other notable roles included episodes of Fantasy Island, Rowan & Martin's Laugh-In, The Sonny and Cher Comedy Hour, and The Carol Burnett Show, where her high-energy sketches and musical numbers contributed to the era's lighthearted programming. She also performed on specials with entertainers like Bob Hope and Sammy Davis Jr., and made regular appearances on game shows such as Hollywood Squares. Charo continued her television presence into later decades with a mix of guest roles and reality formats. In the 1990s and 2000s, she appeared as herself on VH1's The Surreal Life, bringing her comedic flair to the reality series. More recently, she guest-starred in several episodes of Jane the Virgin in 2016, playing a fictionalized version of herself, and portrayed the Queen of England in the 2017 TV movie Sharknado 5: Global Swarming. In 2017, she competed on season 24 of Dancing with the Stars, where she was partnered with Keo Motsepe and eliminated in the third week. Additional guest spots include multiple episodes of RuPaul's Drag Race and appearances on talk shows like The View. In 2021, she appeared as Aunt Bea in the TV movie The Bitch Who Stole Christmas. Charo's talk show outings were particularly prolific; she made at least 17 appearances on from the 1970s onward, often performing guitar-accompanied songs and engaging in humorous banter. These frequent bookings, along with spots on and Donny & Marie, solidified her as a beloved, recurring figure in late-night and .

References

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