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El Oso
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| El Oso | ||||
|---|---|---|---|---|
| Studio album by | ||||
| Released | September 29, 1998 | |||
| Recorded | 1998 | |||
| Genre | ||||
| Length | 56:54 | |||
| Label | Slash/Warner Bros. Records | |||
| Producer |
| |||
| Soul Coughing chronology | ||||
| ||||
| Singles from El Oso | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic | |
| Christgau's Consumer Guide | A−[2] |
| Entertainment Weekly | B+[3] |
| NME | |
| Pitchfork | 4.6/10[5] |
| Rolling Stone | |
| Spin | 5/10[7] |
El Oso (Spanish for The Bear) is the third and final studio album by the New York City band Soul Coughing, released on September 29, 1998, by Slash Records and Warner Bros. Records. The album received generally positive critical reception upon release.
El Oso made it to #1 on KTUH's charts on the week of January 25, 1999.[8]
Background
[edit]The album's style takes heavy inspiration from the electronic music style drum and bass, which followed after the band toured with supporting DJs Krust and Die prior to the album's conceptualization; drum and bass DJ and producer Optical was enlisted to co-produce the album. Artist Jim Woodring (Frank) drew the cartoon "monkey-bear" on the disc's cover. The chorus of the song "$300" is a sample of a Chris Rock joke; singer Mike Doughty heard the joke which is backmasked on Rock's live standup album Roll with the New. Curious, Doughty recorded it into his ASR-10 sampler with the intention of simply reversing it and seeing what the joke was, and wrote the song around what he found there.
In popular culture
[edit]The album contains their biggest hit single, "Circles". Cartoon Network aired a music video in which a Flintstones cartoon was synched to the song as part of their Groovies interstitial.[9] The music video features Fred, Barney and other Hanna-Barbera characters walking in front of the same repeating background, with subtitles showing existential dialogue. The video for the song "Rolling" was also produced, which was synced with a scene from a Betty Boop cartoon. The song was used in the 2004 remake of Walking Tall. "$300" was used in the House episode "The Softer Side" in 2009.
Track listing
[edit]All music by Soul Coughing. All lyrics written by Mike Doughty unless otherwise noted.
- "Rolling" – 3:36
- "Misinformed" – 3:25
- "Circles" – 3:07
- "Blame" – 5:01
- "St. Louise Is Listening" – 4:29
- "Maybe I'll Come Down" – 4:32
- "Houston" – 4:04
- "$300" – 3:08
- "Fully Retractable" – 3:26
- "Monster Man" – 4:16
- "Pensacola" (Doughty/Ava Chin) – 4:16
- "I Miss the Girl" – 4:03
- "So Far I Have Not Found the Science" – 2:53
- "The Incumbent" (Doughty/Mark De Gil Antoni) – 6:46
- "212" (Japanese release bonus track)
- "Rare Star Ball" (Japanese release bonus track)
Personnel
[edit]Soul Coughing
[edit]- Mike Doughty (billed as "M. Doughty") – vocals, guitar, songwriting, keyboards, programming
- Sebastian Steinberg – bass, upright bass, backing vocals, keyboards, programming
- Mark de Gli Antoni – keyboards, programming, Pro Tools editing, songwriting (14)
- Yuval Gabay – drums, keyboards, programming
Other personnel
[edit]- Tchad Blake - producer, mixing, keyboards, programming
- Pat Dillett - producer, mixing, keyboards, programming, overdubs (2)
- Optical - producer, mixing, keyboards, programming (1, 4)
- Ryoji Hata (2, 9, 13, 14), Husky Huskolds (1 to 3, 5 to 7, 8, 10 to 13) - assistant engineering
- Ava Chin - songwriting (10)
- Jim Woodring - cover illustrations
- John Cutcliffe - management
- Bob Ludwig - mastering
- Snorri Bros. - photography
- STAIN - art Direction, design
References
[edit]- ^ a b El Oso at AllMusic
- ^ Christgau, Robert (October 15, 2000). "Soul Coughing". Christgau's Consumer Guide: Albums of the '90s. Macmillan Publishing. ISBN 9780312245603.
- ^ Brunner, Rob (October 2, 1998). "El Oso". Entertainment Weekly. Retrieved August 4, 2017.
- ^ "El Oso". NME. Retrieved July 4, 2018.
- ^ DiCrescenzo, Brent. "Soul Coughing: El Oso". Pitchfork. Archived from the original on December 31, 2005. Retrieved November 13, 2019.
- ^ Diehl, Matt (November 12, 1998). "Soul Coughing: El Oso". Rolling Stone. Archived from the original on December 1, 2007.
- ^ Eddy, Chuck (November 1998). "Cake: Prolonging the Magic/Soul Coughing: El Oso". Spin. SPIN Media LLC. Retrieved July 4, 2018.
- ^ [1] Archived October 25, 2008, at the Wayback Machine
- ^ "Cartoon Network Groovies video for "Circles"". YouTube. Archived from the original on December 12, 2021.
External links
[edit]- El Oso at MusicBrainz (list of releases)
- The Making of El Oso (Written by Mike Doughty, December 1997) Archived 2018-02-13 at the Wayback Machine
El Oso
View on GrokipediaHistory
Background
Soul Coughing formed in 1992 in New York City, emerging from the downtown music scene at the Knitting Factory, where vocalist Mike Doughty worked as a doorman. The lineup included Doughty, keyboardist and sampler Mark de Gli Antoni, bassist Sebastian Steinberg, and drummer Yuval Gabay, brought together by their shared interest in improvisation, sampling, and eclectic rhythms. The band's early sound drew from jazz, hip-hop, and spoken-word elements, setting the stage for their experimental alternative rock style.[10][11] The group released their debut album Ruby Vroom in 1994, which established their reputation for blending spoken-word vocals with looped samples and groove-oriented instrumentation, followed by Irresistible Bliss in 1996, a more polished effort that achieved commercial success with tracks like "Super Bon Bon." By the late 1990s, tours with drum and bass artists such as Krust and DJ Die in 1997 and 1998 exposed the band to electronic dance influences, prompting a shift toward denser, breakbeat-driven rhythms. El Oso was conceived during this 1997–1998 period, reflecting these evolving sonic experiments while building on the improvisational foundations of their prior work.[10][12] Amid these developments, internal band tensions escalated, fueled by creative differences over songwriting credits—where Doughty sought greater recognition for his lyrics—and his personal struggles with heroin and alcohol addiction. These conflicts created a strained dynamic, often described by Doughty as an "abusive marriage," ultimately positioning El Oso as the band's swan song before their disbandment in 2000, with the band reuniting for a tour in 2024–2025. The album's title, El Oso (Spanish for "The Bear"), was inspired by the surreal cover art by cartoonist Jim Woodring, featuring anthropomorphic characters including a prominent bear-like figure that captured the band's quirky, otherworldly aesthetic.[13][14][10][15][11]Recording and production
The recording sessions for El Oso took place primarily in early 1998, with the band tracking most of the material before April of that year and adding some overdubs afterward.[16] The album was co-produced by the band alongside several key figures, including Tchad Blake as the primary producer for the majority of tracks.[17] Pat Dillett handled production duties on track 9 ("Fully Retractable"), while drum and bass artist Optical contributed to tracks 4 ("Blame") and 13 ("So Far I Have Not Found the Science"), incorporating electronic layers inspired by the band's recent tours alongside DJs like Krust and Die (with Pat Dillett assisting on track 4).[17][18] Recording occurred at multiple studios to accommodate the producers' schedules and the project's experimental needs. Tracks 1–3 ("Rolling," "Misinformed," "Circles"), 5–8 ("St. Louise Is Listening," "Maybe I'll Come Down," "Houston," "$300"), and 10–12 ("Monster Man," "Pensacola," "I Miss the Girl") were recorded and mixed at Sunset Sound Factory and the adjacent Magic Hotel in Hollywood, California, under Tchad Blake's supervision.[19] Track 9 was captured at The Looking Glass Studios in New York, New York, with Pat Dillett engineering.[19] Tracks 4 and 13 were handled at The Looking Glass Studios in New York, New York, where Optical added his drum and bass elements.[20] Additional mixing took place across these sites to integrate the diverse contributions.[19] Tchad Blake oversaw most of the recording and mixing, with assistance from Pat Dillett, Optical, and band member Mark de Gli Antoni on Pro Tools editing for select tracks.[17] Notable production techniques included the use of backmasked samples, such as the chorus in "$300," which features a reversed clip from Chris Rock's joke on his 1997 album Roll with the New.[21] Optical's role emphasized electronic drum and bass textures, enhancing the album's rhythmic complexity without overshadowing the band's core instrumentation.[17] The final mastering was completed by Bob Ludwig at Gateway Mastering Studios in Portland, Maine.[17]Music and lyrics
Musical style
The music in El Oso (known as The Bear in English) features an eclectic soundtrack that blends original score with licensed songs, emphasizing alternative rock, indie, and "dad rock" from the 1980s to 2000s to heighten the show's intense kitchen atmosphere and emotional depth.[22] The original score, composed by Chicago musicians Jeffrey "JQ" Qaiyum and Johnny Iguana, uses tense, instrumental builds with percussion and strings to mimic the chaos and rhythm of restaurant operations, often cranking up urgency in "back of house" scenes.[23] Music supervisors Christopher Storer (the show's creator) and Josh Senior curate the soundtrack, drawing heavily from Midwestern and Chicago-rooted artists like Wilco ("Spiders (Kidsmoke)", "Impossible Germany") and Sufjan Stevens ("Chicago"), alongside global acts such as Radiohead ("Let Down"), Pearl Jam ("Animal"), and The Replacements ("Bastards of Young"). Later seasons incorporate broader influences: season 3 features instrumental compositions by Trent Reznor and Atticus Ross for select episodes, adding electronic and ambient layers, while season 4 includes classic rock from Led Zeppelin and Bob Dylan, as well as contemporary tracks by Taylor Swift and St. Vincent.[24][25] This mix prioritizes nostalgic, character-driven selections over a unified genre, with songs often fading in during high-stress moments to underscore the "grind" of the industry. As of November 2025, across four seasons, the soundtrack spans over 100 licensed tracks, evolving from punk-infused energy in season 1 to more introspective and classical elements in later installments.[26]Song themes
The featured songs in El Oso often parallel the series' core themes of grief, family tension, ambition, and resilience, with lyrics selected to reflect characters' inner turmoil and the relentless pace of Chicago's culinary world. For instance, Sufjan Stevens' "Chicago" in season 1 evokes Carmy Berzatto's return home and personal loss, its wandering folk-rock narrative mirroring his grief-stricken journey. Tracks like The Replacements' "Bastards of Young" capture raw frustration and failed relationships, aligning with Richie Jerimovich's arcs of loyalty and self-doubt, while Radiohead's "Let Down" amplifies moments of isolation and exhaustion in the kitchen.[27] In later seasons, song choices deepen thematic ties: Eddie Vedder's "Save It For Later" in season 3 underscores deferred confrontations in family dynamics, and Taylor Swift's "Long Live (Taylor's Version)" in season 4 highlights triumphant yet bittersweet rebranding efforts at the restaurant.[24][25] Surreal and high-energy selections, such as Refused's "New Noise" or Nine Inch Nails instrumentals, punctuate chaotic episodes, blending punk aggression with the show's humor and tenderness to explore mental health and addiction without overt narration. Overall, the lyrics and moods of these songs serve as emotional shorthand, enhancing the narrative's focus on immigrant influences and work-life pressures in Chicago's food scene as of the four seasons aired by November 2025.[28]Release and reception
Commercial performance
The Bear premiered its first season on FX on Hulu on June 23, 2022, with all ten episodes released simultaneously. The second season followed on June 22, 2023, the third on June 26, 2024, and the fourth on June 25, 2025. The series has achieved significant viewership success. Season 1 became the most-watched comedy series in FX history. Season 2 marked the most-watched season premiere for the network. For season 3, it garnered 5.4 million views in the first four days and 1.233 billion minutes watched according to Nielsen for the week of June 24–30, 2024. Season 4 debuted with 917 million minutes watched in its first full week (as of July 2025), ranking seventh on Nielsen's streaming originals chart, though down 24% from season 3.[29] Overall, the series has driven increased interest in Italian beef sandwiches and Chicago's culinary scene nationwide.[3]Critical reception
The Bear has received widespread critical acclaim for its writing, acting, and portrayal of the restaurant industry. As of November 2025, the series holds a 93% approval rating on Rotten Tomatoes based on 385 reviews, with an average score of 8.9/10. The audience score is 76%. Per-season Tomatometer scores on Rotten Tomatoes are: season 1 at 100%, season 2 at 99%, season 3 at 89%, and season 4 at 85%. On Metacritic, seasons score 88/100 (season 1), 92/100 (season 2), 80/100 (season 3), and 72/100 (season 4), indicating "universal acclaim" for the first two seasons and "generally favorable" for the later ones.[2][30][31][32][33] Critics have praised the show's intense depiction of kitchen chaos, character development, and themes of grief and ambition. The first season earned a Peabody Award in 2023. The series won the Primetime Emmy Award for Outstanding Comedy Series in 2023 (season 1) and 2024 (season 2), totaling 21 Emmy wins, but received no wins for season 3 at the 2025 Emmys. It also won Golden Globe Awards for Best Television Series – Musical or Comedy in 2023 and 2024, with acting wins for Jeremy Allen White and Ayo Edebiri.[34][8][9]Track listing and personnel
Standard edition
The standard edition of El Oso contains 14 tracks with a total runtime of 57:01. All music was composed by Soul Coughing; lyrics were written by Mike Doughty, except for "Pensacola" (co-written with Ava Chin) and "The Incumbent" (co-written with Mark de Gli Antoni).[35][36]| No. | Title | Duration |
|---|---|---|
| 1 | "Rolling" | 3:36 |
| 2 | "Misinformed" | 3:24 |
| 3 | "Circles" | 3:06 |
| 4 | "Blame" | 5:00 |
| 5 | "St. Louise Is Listening" | 4:29 |
| 6 | "Maybe I'll Come Down" | 4:32 |
| 7 | "Houston" | 4:03 |
| 8 | "$300" | 3:07 |
| 9 | "Fully Retractable" | 3:25 |
| 10 | "Monster Man" | 4:16 |
| 11 | "Pensacola" | 4:15 |
| 12 | "I Miss the Girl" | 4:03 |
| 13 | "So Far I Have Not Found the Science" | 2:53 |
| 14 | "The Incumbent" | 6:46 |
