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Emma Kirkby
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Emma Kirkby
Dame Carolyn Emma Kirkby, DBE (/ˈkɜːrkbi/; born 26 February 1949) is an English soprano and early music specialist. She has sung on over 100 recordings.
Kirkby was educated at Hanford School, Sherborne School for Girls in Dorset, and Somerville College, Oxford University. Her father was Geoffrey John Kirkby, a Royal Navy Officer.
Kirkby did not originally intend to become a professional singer. In the late 1960s, while she was studying classics at Oxford, she joined the Schola Cantorum of Oxford, a student choir which, at the time, was being conducted by Andrew Parrott. After graduation, Kirkby went to work as a school teacher, but became increasingly involved in singing with the growing number of music ensembles that were being founded during the Early music revival of the early 1970s. She married Parrott, and sang with his Taverner Choir which he founded in 1973. Her vocal career developed throughout the 1970s, and she became noted as a soloist in performances and recordings with prominent early music performers, including Anthony Rooley and the Consort of Musicke and Christopher Hogwood's Academy of Ancient Music.
She taught for many years at Dartington International Summer School and the Guildhall School of Music & Drama.
Kirkby has made over 100 recordings, including madrigals of the Italian and English Renaissance, cantatas and oratorios of the Baroque, works of Mozart, Haydn and Johann Christian Bach. Some of her most noted recordings have included a 1981 recording with the Gothic Voices of sequences of Hildegard of Bingen's A Feather on the Breath of God; the Taverner Consort's 1984 recordings of Monteverdi's Selva Morale e Spirituale and Bach's Mass in B minor; and her 1980 recording of Handel's Messiah conducted by Christopher Hogwood, which brought her international acclaim. The Messiah recording was later named one of the top 20 recordings of all time by BBC Music Magazine.
Other recordings include Handel Opera Arias and Overtures 2 for Hyperion, Bach wedding cantatas for Decca, Bach Cantatas 82a and 199 for Carus; and four projects for BIS: with London Baroque, one of Handel motets and one of Christmas music by Scarlatti, Bach and others; with the Royal Academy Baroque Orchestra the first recording of the newly rediscovered Gloria by Handel; and with the Romantic Chamber Group of London, Chanson d'amour, an album of songs by the American composer Amy Beach.[citation needed]
In the 2000s, she recorded an anthology, Classical Kirkby, devised and performed with Anthony Rooley, on the BIS label, 2002; Cantatas by Cataldo Amodei, also for BIS, 2004; with Fretwork, consort songs by William Byrd, for Harmonia Mundi USA, 2005.; Scarlatti Stabat Mater with Daniel Taylor, for ATMA, 2006; Honey from the Hive, songs of John Dowland, with Anthony Rooley, for BIS, 2006: and Musique and Sweet Poetrie, also for BIS, 2007; lute songs from Europe with Jakob Lindberg.[citation needed]
Kirkby's recordings include:
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Emma Kirkby
Dame Carolyn Emma Kirkby, DBE (/ˈkɜːrkbi/; born 26 February 1949) is an English soprano and early music specialist. She has sung on over 100 recordings.
Kirkby was educated at Hanford School, Sherborne School for Girls in Dorset, and Somerville College, Oxford University. Her father was Geoffrey John Kirkby, a Royal Navy Officer.
Kirkby did not originally intend to become a professional singer. In the late 1960s, while she was studying classics at Oxford, she joined the Schola Cantorum of Oxford, a student choir which, at the time, was being conducted by Andrew Parrott. After graduation, Kirkby went to work as a school teacher, but became increasingly involved in singing with the growing number of music ensembles that were being founded during the Early music revival of the early 1970s. She married Parrott, and sang with his Taverner Choir which he founded in 1973. Her vocal career developed throughout the 1970s, and she became noted as a soloist in performances and recordings with prominent early music performers, including Anthony Rooley and the Consort of Musicke and Christopher Hogwood's Academy of Ancient Music.
She taught for many years at Dartington International Summer School and the Guildhall School of Music & Drama.
Kirkby has made over 100 recordings, including madrigals of the Italian and English Renaissance, cantatas and oratorios of the Baroque, works of Mozart, Haydn and Johann Christian Bach. Some of her most noted recordings have included a 1981 recording with the Gothic Voices of sequences of Hildegard of Bingen's A Feather on the Breath of God; the Taverner Consort's 1984 recordings of Monteverdi's Selva Morale e Spirituale and Bach's Mass in B minor; and her 1980 recording of Handel's Messiah conducted by Christopher Hogwood, which brought her international acclaim. The Messiah recording was later named one of the top 20 recordings of all time by BBC Music Magazine.
Other recordings include Handel Opera Arias and Overtures 2 for Hyperion, Bach wedding cantatas for Decca, Bach Cantatas 82a and 199 for Carus; and four projects for BIS: with London Baroque, one of Handel motets and one of Christmas music by Scarlatti, Bach and others; with the Royal Academy Baroque Orchestra the first recording of the newly rediscovered Gloria by Handel; and with the Romantic Chamber Group of London, Chanson d'amour, an album of songs by the American composer Amy Beach.[citation needed]
In the 2000s, she recorded an anthology, Classical Kirkby, devised and performed with Anthony Rooley, on the BIS label, 2002; Cantatas by Cataldo Amodei, also for BIS, 2004; with Fretwork, consort songs by William Byrd, for Harmonia Mundi USA, 2005.; Scarlatti Stabat Mater with Daniel Taylor, for ATMA, 2006; Honey from the Hive, songs of John Dowland, with Anthony Rooley, for BIS, 2006: and Musique and Sweet Poetrie, also for BIS, 2007; lute songs from Europe with Jakob Lindberg.[citation needed]
Kirkby's recordings include:
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