Community hub
0 subscribers8 pages, 0 posts
Recent from talks
All channels
Be the first to start a discussion here.
Be the first to start a discussion here.
Be the first to start a discussion here.
Be the first to start a discussion here.
Contribute something
Welcome to the community hub built to collect knowledge and have discussions related to Faithless discography.
Nothing was collected or created yet.
Faithless discography
View on Wikipediafrom Wikipedia
| Faithless discography | |
|---|---|
 Faithless live at Palmesus 2013 | |
| Studio albums | 8 |
| Compilation albums | 3 |
| Singles | 39 |
| Remix albums | 6 |
The discography of Faithless, a British electronic band, consists of eight studio albums, four remix albums, three compilation albums, thirty-nine singles and a number of other appearances. They are perhaps best known for their 1995 hit single "Insomnia"; it was voted by Mixmag readers as the fifth greatest dance record of all time in 2013,[1] was certified triple platinum by the British Phonographic Industry (BPI) in 2023, with sales of over 1.8million.
As of September 2025, Faithless have released eight studio albums: Reverence (1996), Sunday 8PM (1998), Outrospective (2001), No Roots (2004), To All New Arrivals (2006), The Dance (2010), All Blessed (2020), and Champion Sound (2025). An eighth Faithless studio album, titled Champion Sound, is due for release in 2025; it was preceded by four singles: "Find A Way", "I'm Not Alone (Rest Well Maxwell)", "Peace and Noise" and "Dollars and Dimes".
Faithless have sold over 15 million records worldwide.[2] They have scored three UK number ones: studio album No Roots, 2010 remix album Faithless 2.0, and compilation album Forever Faithless – The Greatest Hits (2005).
In 2019, Faithless member Rollo Armstrong started a separate project under the alias R Plus, with some online streaming services erroneously listing Faithless as a collaborative artist on R Plus' releases. Rollo's sister, Dido has collaborated frequently with the band, including 2002 hit "One Step Too Far", which charted in thirteen countries.
Albums
[edit]Studio albums
[edit]| Title | Album details | Peak chart positions | Certifications | ||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| UK [3] |
AUS [4] |
AUT [5] |
GER [6] |
IRE [7] |
NLD [8] |
NZ [9] |
NOR [10] |
SWI [11] |
US Dance [12] | ||||
| Reverence | 26 | 51 | 26 | 17 | 71 | 45 | 17 | 7 | 18 | — | |||
| Sunday 8PM |
|
10 | 41 | 23 | 6 | 59 | 7 | 21 | 4 | 9 | — |
| |
| Outrospective |
|
4 | 11 | 17 | 3 | 5 | 2 | 26 | 2 | 4 | 9 |
| |
| No Roots |
|
1 | 23 | 26 | 12 | 18 | 3 | — | 17 | 10 | 4 |
| |
| To All New Arrivals |
|
30 | — | 73 | 70 | 34 | 29 | — | — | 11 | — |
| |
| The Dance |
|
2 | 28 | 34 | 10 | 83 | 6 | 40 | 40 | 4 | — |
| |
| All Blessed |
|
6 | — | — | 44 | 74 | 46 | — | — | 20 | — | ||
| Champion Sound |
|
15 | — | — | — | — | — | — | — | — | — | ||
| "—" denotes album that did not chart or was not released | |||||||||||||
Remix albums
[edit]| Title | Album details | Peak chart positions | Certifications | |||||
|---|---|---|---|---|---|---|---|---|
| UK [3] |
AUS [4] |
BEL [14] |
GER [6] |
NLD [8] |
SWI [11] | |||
| Reverence / Irreverence |
|
—[a] | — | — | — | — | — | |
| Sunday 8PM / Saturday 3AM |
|
— | — | — | — | — | — | |
| Outrospective / Reperspective |
|
64 | — | — | — | — | — | |
| Everything Will Be Alright Tomorrow |
|
— | — | — | — | — | — | |
| The Dance Never Ends |
|
—[b] | — | — | — | — | — | |
| Faithless 2.0 |
|
1 | 73 | 4 | 50 | 10 | 16 |
|
Compilation albums
[edit]| Title | Album details | Peak chart positions | Sales | Certifications | ||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| UK [3] |
AUS [4] |
AUT [5] |
BEL [14] |
FIN [18] |
GER [6] |
NLD [8] |
NZ [9] |
SWI [11] | ||||
| Forever Faithless – The Greatest Hits |
|
1 | 32 | 22 | 1 | 15 | 9 | 3 | 34 | 5 |
|
|
| Faithless – Renaissance 3D |
|
— | — | — | — | — | — | — | — | — | ||
| Insomnia: The Best of Faithless |
|
67 | — | — | — | — | — | — | — | — | ||
Live albums
[edit]| Year | Album details | Peak chart positions |
|---|---|---|
| UK [3] | ||
| Passing the Baton – Live from Brixton |
|
43[c] |
Singles
[edit]| Year | Title | Peak chart positions | Certifications (sales thresholds) |
Album | |||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| UK [3] |
AUS [4] |
AUT [5] |
BEL [14] |
FIN [18] |
GER [21] |
IRE [7] |
NLD [8] |
SWI [11] |
US | ||||||||||||||||||||
| 1995 | "Salva Mea" | 9 | — | 9 | 32 | — | 5 | 8 | 22 | 1 | — | Reverence | |||||||||||||||||
| "Insomnia" | 3 | 16 | 5 | 2 | 1 | 2 | 3 | 12 | 1 | 62 | |||||||||||||||||||
| 1996 | "Don't Leave" | 21 | 73 | — | 63 | — | 72 | — | 45 | 38 | — | ||||||||||||||||||
| 1997 | "Reverence" | 10 | — | — | — | 15 | — | — | 55 | — | — | ||||||||||||||||||
| 1998 | "God Is a DJ" | 6 | 37 | 9 | 4 | 6 | 2 | 11 | 1 | 2 | — | Sunday 8PM | |||||||||||||||||
| "Take the Long Way Home" | 15 | 73 | 36 | 37 | — | 56 | — | 43 | 50 | — | |||||||||||||||||||
| "Why Go?" (featuring Boy George) | — | — | — | — | — | — | — | 65 | — | — | |||||||||||||||||||
| 1999 | "Bring My Family Back" | 14 | — | — | 52 | — | 48 | — | 44 | 39 | — | ||||||||||||||||||
| 2001 | "We Come 1" | 3 | 62 | 29 | 9 | 4 | 17 | 6 | 2 | 16 | — | Outrospective | |||||||||||||||||
| "Muhammad Ali" | 29 | — | — | 54 | — | 87 | 43 | 70 | — | — | |||||||||||||||||||
| "Tarantula" | 29 | 40 | — | 49 | 18 | 92 | 42 | 22 | 89 | — | |||||||||||||||||||
| 2002 | "One Step Too Far" (featuring Dido) | 6 | 21 | — | 56 | — | 48 | 8 | 37 | 51 | — | ||||||||||||||||||
| 2004 | "Mass Destruction" | 7 | 43 | — | 24 | — | 63 | 18 | 40 | 43 | — | No Roots | |||||||||||||||||
| "I Want More" | 22 | 64 | — | 18 | — | 81 | 30 | 8 | 96 | — | |||||||||||||||||||
| "Miss U Less, See U More" | — | — | — | 48 | — | 93 | — | 51 | — | — | |||||||||||||||||||
| 2005 | "Why Go?" (re-release; featuring Estelle) | 49 | — | 61 | — | 18 | 90 | 24 | 52 | — | — | Forever Faithless: Greatest Hits | |||||||||||||||||
| "Insomnia" (2005 remix) | 17 | — | 40 | 66 | — | 37 | 8 | 56 | 29 | — | |||||||||||||||||||
| 2006 | "Bombs" | 26 | — | — | 47 | 15 | — | 45 | 47 | 74 | — | To All New Arrivals | |||||||||||||||||
| 2007 | "Music Matters" | 38 | — | — | — | — | — | — | — | — | — | ||||||||||||||||||
| "A Kind of Peace" | — | — | — | — | — | — | — | — | — | — | |||||||||||||||||||
| 2010 | "Sun to Me" | — | — | — | 20 | — | — | — | — | 39 | — | The Dance | |||||||||||||||||
| "Not Going Home"[24] | 42 | — | — | 6 | — | 63 | — | — | — | — | |||||||||||||||||||
| "Tweak Your Nipple" | —[d] | — | — | — | — | — | — | — | — | — | |||||||||||||||||||
| "Feelin' Good" (featuring Dido) | —[e] | — | — | 88 | — | — | — | — | — | — | |||||||||||||||||||
| 2015 | "Insomnia 2.0" | — | — | 58 | 97 | — | — | — | — | — | — | Faithless 2.0 | |||||||||||||||||
| 2020 | "Let the Music Decide" | — | — | — | — | — | — | — | — | — | — | Non-album single | |||||||||||||||||
| "This Feeling" [27] (featuring Suli Breaks and Nathan Ball) | — | — | — | — | — | — | — | — | — | — | All Blessed (Deluxe Edition) | ||||||||||||||||||
| "Synthesizer" (featuring Nathan Ball) | — | — | — | — | — | — | — | — | — | — | All Blessed | ||||||||||||||||||
| "Innadadance" (featuring Suli Breaks and Jazzie B) | — | — | — | — | — | — | — | — | — | — | |||||||||||||||||||
| 2021 | "Everybody Everybody"[28] | — | — | — | — | — | — | — | — | — | — | All Blessed (Deluxe Edition) | |||||||||||||||||
| "In Those Times" (featuring Nathan Ball and Suli Breaks) | — | — | — | — | — | — | — | — | — | — | |||||||||||||||||||
| 2022 | "Main Title (The Crown Soundtrack)" (remix) | — | — | — | — | — | — | — | — | — | — | Non-album singles | |||||||||||||||||
| 2023 | "Life Is a Melody"[29] (with Sister Bliss, Hyacinth and Apollo) |
— | — | — | — | — | — | — | — | — | — | ||||||||||||||||||
| 2024 | "Find a Way" (featuring Suli Breaks) | — | — | — | — | — | — | — | — | — | — | Champion Sound | |||||||||||||||||
| "I'm Not Alone (Rest Well Maxwell)" (featuring Amelia Fox and LSK) | — | — | — | — | — | — | — | — | — | — | Non-album single | ||||||||||||||||||
| 2025 | "Peace and Noise" (featuring Suli Breaks) | — | — | — | — | — | — | — | — | — | — | Champion Sound | |||||||||||||||||
| "Dollars and Dimes" (featuring Bebe Rexha) | — | — | — | — | — | — | — | — | — | — | |||||||||||||||||||
| "—" denotes the single failed to chart or was not released. | |||||||||||||||||||||||||||||
Promotional singles
[edit]| Year | Title | Peak chart positions | Album |
|---|---|---|---|
| IRE [7] | |||
| 2007 | "I Won't Stop" | 37 | Non-album singles |
| 2025 | "Find a Way" (feat. Dido & Suli Breaks) |
- |
Other charted songs
[edit]Songs appearances
[edit]Films
[edit]| Year | Title | Songs | Notes |
|---|---|---|---|
| 1997 | Chasing Amy | "Insomnia (Monster Mix)" | |
| A Life Less Ordinary | "Don't Leave", "If Lovin' You is Wrong" | ||
| 1998 | A Night at the Roxbury | "Insomnia" | |
| Cruel Intentions | "Addictive" | ||
| Forces of Nature | "Bring My Family Back", "If Lovin' You is Wrong" | ||
| 1999 | Entrapment | "Hour of Need" | |
| Wonderland | "Don't Leave" | ||
| Strange Planet | "Hour of Need" | ||
| 2000 | The Beach | "Woozy" | |
| 2001 | High Heels and Low Lifes | "We Come One" | |
| 2003 | Haggard: The Movie | "The Garden", "Sunday 8PM" |
Television
[edit]| Year | Title | Songs | Notes |
|---|---|---|---|
| 1997 | New York Undercover | "Reverence" | Episode: "Vendetta" |
| 1999 | Hinter Gittern - Der Frauenknast | "Insomnia" | Episode: "Partner fürs Leben" |
| 2002–2004 | Smallville | "I Want More: Part 2", "God Is a DJ" | Episodes: "Bound" and "Zero" |
| 2004 | Peace One Day | "Salva Mea" | |
| 2005 | Entourage | "We Come One" | Episode: "Chinatown" |
| Sleeper Cell | "God Is a DJ" | Episode: "Immigrant" | |
| 2006 | Murder City | "One Step Too Far" | Episode: "Wives and Lovers" |
| 2010 | Radio 1's Big Weekend | "God Is a DJ", "Insomnia" | Episodes: "Radio 1's Big Weekend: The Best Bits" and "Dizzee Rascal and Florence & the Machine @ R1BW" |
| T in the Park 2010 | "Insomnia", "We Come One", "Happy", "Sun to Me", "God Is a DJ", "Mass Destruction" and "Insomnia" | Episodes: "Highlights", "Black Eyed Peas" and "Florence & the Machine/Faithless" | |
| iTunes Festival London 2010 | "Not Going Home", "Mass Destruction" | ||
| 2022 | Tokyo Vice | "Insomnia" | Episode: "Sometimes They Disappear" |
Video games
[edit]| Year | Title | Songs | Notes |
|---|---|---|---|
| 2001 | WRC | "Speed" | |
| 2005 | FIFA 2005 | "No Roots" | |
| 2007 | Forza Motorsport 2 | "Insomnia" | |
| 2012 | Lumines Electronic Symphony | "Flyin' Hi" |
Music videos
[edit]| Year | Title |
|---|---|
| 1995 | "Insomnia" |
| 1996 | "Don't Leave" |
| 1996 | "Salva Mea" |
| 1996 | "If Lovin' You Is Wrong" |
| 1997 | "Reverence" |
| 1998 | "God Is a DJ" |
| 1998 | "Take the Long Way Home" |
| 1999 | "Bring My Family Back" |
| 2001 | "We Come 1" |
| 2001 | "Muhammad Ali" |
| 2001 | "Tarantula" |
| 2002 | "One Step Too Far" |
| 2004 | "Mass Destruction" |
| 2004 | "I Want More" |
| 2005 | "Miss U Less, See U More" |
| 2005 | "Why Go?" (featuring Estelle) |
| 2006 | "Bombs" |
| 2006 | "Music Matters" |
| 2010 | "Not Going Home" |
| 2010 | "Feelin' Good" |
| 2011 | "Tweak Your Nipple" |
| 2011 | "Sun to Me" |
| 2020 | "This Feeling" |
| 2020 | "Synthesizer" |
| 2024 | "Find A Way" (ft Suli Breaks) |
| 2025 | "Find A Way" (ft Suli Breaks & Dido) |
DVDs
[edit]- Live at the Melkweg Amsterdam (2001)
- Forever Faithless – The Greatest Hits (16 May 2005)
- Live at Alexandra Palace (October 2005)
- Faithless – Live in Moscow (Filmed in 2007, Released on DVD, 17 November 2008)
Notes
[edit]- ^ Reverence/Irreverence did not enter the UK Albums Chart, but peaked at number 9 on the UK Dance Albums Chart in 2023.[16]
- ^ The Dance Never Ends did not enter the UK Albums Chart, but peaked at number 40 on the UK Dance Albums Chart.[17]
- ^ Passing the Baton - Live from Brixton also peaked at numbers 18 and 7 on the UK Dance and UK Independent Albums charts, respectively.[20]
- ^ "Tweak Your Nipple" did not enter the UK Singles Chart but peaked at number 33 on the UK Dance Singles Chart.[25]
- ^ "Feelin' Good" did not enter the UK Singles Chart but peaked at number 23 on the UK Dance Singles Chart.[26]
References
[edit]- ^ What is the Greatest Dance Track of All Time? Archived 18 December 2013 at the Wayback Machine Mixmag (15 February 2013).
- ^ "Faithless songs and albums". Official Charts. Retrieved 31 August 2024.
- ^ a b c d e f "UK Charts > Faithless". Official Charts Company. Retrieved 29 May 2020.
- ^ a b c d Australian (ARIA Chart) peaks:
- Top 50 peaks: "Australian Charts > Faithless". australian-charts.com Hung Medien. Retrieved 4 April 2011.
- Top 100 peaks to December 2010: Ryan, Gavin (2011). Australia's Music Charts 1988–2010. Mt. Martha, VIC, Australia: Moonlight Publishing.
- Faithless 2.0: "The ARIA Report > Week Commencing 26 October 2015 - Issue #1339" (PDF). ARIA. Archived from the original (PDF) on 27 October 2015. Retrieved 2 December 2015.
- ^ a b c "Austrian > Faithless" (in German). austriancharts.at Hung Medien. Retrieved 4 April 2011.
- ^ a b c "Discographie von Faithless". GfK Entertainment. Retrieved 28 October 2020.
- ^ a b c "Irish Charts > Faithless". irish-charts.com Hung Medien. Archived from the original on 24 October 2012. Retrieved 4 April 2011.
- ^ a b c d "Discografie Faithless" (in Dutch). dutchcharts.nl Hung Medien. Retrieved 29 May 2020.
- ^ a b "New Zealand Charts > Faithless". charts.nz Hung Medien. Retrieved 4 April 2011.
- ^ "Norwegian Charts > Faithless". norwegiancharts.com Hung Medien. Retrieved 4 April 2011.
- ^ a b c d "Swiss Charts > Faithless". swisscharts.com Hung Medien. Retrieved 4 April 2011.
- ^ "Faithless Chart History > Dance/Electronic Albums". Billboard. Retrieved 29 May 2020.
- ^ a b c d e f g h i j "British certifications – Faithless". British Phonographic Industry. Retrieved 19 February 2025. Type Faithless in the "Search:" field.
- ^ a b c "Discografie Faithless". Ultratop. Retrieved 29 May 2020.
- ^ "New Releases: albums". Music Week. 9 November 1996. p. 42.
- ^ "Faithless - Reverence/Irreverence". Official Charts. 5 January 2023. Retrieved 19 July 2024.
- ^ "Faithless - The Dance Never Ends". Official Charts. 20 November 2010. Retrieved 19 July 2024.
- ^ a b "Discography Faithless". finnishcharts.com. Retrieved 29 May 2020.
- ^ Jones, Alan (16 October 2015). "Official Charts Analysis: Faithless only need 12,341 sales to top album chart". Music Week. Retrieved 17 October 2015.
- ^ "Faithless - Passing the Baton - Live from Brixton". Official Charts. 31 March 2012. Retrieved 19 July 2024.
- ^ "Faithless German singles discography". musicline.de. Archived from the original on 4 January 2005. Retrieved 5 October 2009.
- ^ a b c "Gold-/Platin-Datenbank (Faithless)" (in German). Bundesverband Musikindustrie. Retrieved 9 June 2011.
- ^ Ryan, Gavin (2011). Australia's Music Charts 1988–2010. Mt. Martha, VIC, Australia: Moonlight Publishing.
- ^ "MTV | Hitlist Germany KW 36 | charts". Mtv.de. 8 September 2011. Archived from the original on 14 February 2010. Retrieved 15 September 2011.
- ^ "Official Dance Singles Chart on 20/6/2010 20 June 2010 - 26 June 2010". Official Charts. 20 June 2010. Retrieved 19 July 2024.
- ^ "Official Dance Singles Chart on 22/8/2010 22 August 2010 - 28 August 2010". Official Charts. 22 August 2010. Retrieved 19 July 2024.
- ^ DJ Mag Staff (27 July 2020). "Faithless share first new single in 10 years, 'This Feeling': Listen". DJ Mag. Archived from the original on 30 July 2020. Retrieved 30 July 2020.
- ^ Murray, Eoin (17 September 2021). "Faithless drop new single, 'Everybody Everybody': Listen". DJ Mag. Archived from the original on 2 October 2021. Retrieved 2 October 2021.
- ^ "Life Is A Melody - Sister Bliss, Hyacinth & Apollo and Faithless)". Spotify. 17 March 2023. Retrieved 30 April 2023.
External links
[edit]- Faithless discography discography at Discogs
Faithless discography
View on Grokipediafrom Grokipedia
Albums
Studio albums
Faithless's studio albums represent the core of their creative output, spanning nearly three decades of electronic music production. Formed in 1995, the group—primarily driven by producer Rollo Armstrong and DJ Sister Bliss—debuted with a fusion of trip-hop, house, and breakbeat elements, evolving toward more uplifting trance and progressive influences in later works. Their discography includes eight original studio albums, all primarily produced by Armstrong, with contributions from vocalist Maxi Jazz until his passing in 2022. These releases, initially under Cheeky Records before shifting to major labels like Sony and BMG, achieved varying commercial success in the UK, peaking as high as number one.[3][4] The following table summarizes the studio albums, including release dates, labels, UK peak chart positions, and certifications where applicable:| Album | Release Date | Label | UK Peak | Certification (BPI) |
|---|---|---|---|---|
| Reverence | 29 April 1996 | Cheeky Records | 26 | Platinum (300,000) |
| Sunday 8PM | 28 September 1998 | Cheeky Records | 10 | Gold (100,000) |
| Outrospective | 18 June 2001 | Cheeky Records | 4 | Platinum (300,000) |
| No Roots | 5 July 2004 | Cheeky Records | 1 | Gold (100,000) |
| To All New Arrivals | 27 November 2006 | Epic Records | 30 | None |
| The Dance | 15 November 2010 | RCA Records | 2 | None |
| All Blessed | 23 October 2020 | BMG Rights Management | 6 | None |
| Champion Sound | 5 September 2025 | Faithless Records | 15 | None |
Remix albums
Faithless's remix albums consist of collaborative reinterpretations of their studio tracks, crafted by guest DJs and producers to emphasize dancefloor energy and electronic experimentation. These releases, often issued as companion pieces to original albums, showcase the band's versatility in the trip-hop and house genres, transforming introspective compositions into high-impact club anthems. Typically formatted as double-CD sets pairing originals with remixes, they highlight Faithless's role in bridging mainstream electronica with underground remixing culture.[1] The following table summarizes the band's six remix albums, including release years and formats:| Title | Release Year | Format | Key Notes |
|---|---|---|---|
| Reverence / Irreverence | 1996 | Double CD | Companion to debut studio album Reverence; features remixes by Rollo and Sister Bliss.[10] |
| Sunday 8PM / Saturday 3AM | 1999 | Double CD | Remixes of tracks from Sunday 8PM; includes contributions from Rollo and David Randall.[11] |
| Outrospective / Reperspective | 2002 | Double CD | Paired with Outrospective; remixes by Leftfield, Ernest St. Laurent, and others.[12] |
| Everything Will Be Alright Tomorrow | 2004 | CD | Instrumental versions of No Roots tracks; produced by Rollo. |
| The Dance Never Ends | 2010 | CD | Remixes from The Dance; includes reworkings by Paul Oakenfold.[13] |
| Faithless 2.0 | 2015 | CD, digital | Career-spanning remixes; includes updates to classics like "Insomnia" and "We Come 1."[14] |
Compilation albums
Faithless's compilation albums serve as curated retrospectives of their electronic and dance music output, drawing primarily from tracks on their studio albums while occasionally incorporating remixes or thematic selections. These releases highlight the band's commercial success in the UK and Europe, with a focus on greatest hits collections that emphasize their signature blend of trance, house, and trip-hop elements. The band's debut compilation, Forever Faithless – The Greatest Hits, was released on 16 May 2005 by Cheeky Records in association with Sony BMG. It peaked at number 1 on the UK Albums Chart and was certified 4× Platinum by the British Phonographic Industry (BPI) for sales of 1,200,000 units in the UK. The album features 16 tracks spanning Faithless's first four studio albums, including key hits such as "Insomnia" (from Reverence), "God Is a DJ" (from Sunday 8PM), "We Come 1" (from No Roots), and "Muhammad Ali" (also from No Roots). A special edition included a bonus DVD with music videos for several tracks, enhancing its appeal to fans. Following Maxi Jazz's death in December 2022, it re-entered the UK Album Downloads Chart at number 7. The full tracklist is as follows:- Insomnia
- Mass Destruction
- God Is a DJ
- Don't Leave
- Muhammad Ali
- We Come 1
- Reverence
- Salva Mea
- One Step Too Far
- Bring My Family Back
- Miss U Less, See U More
- Tarantula
- Fatty Boo
- Reasons (Saturday Night)
- Why Go?
- I Want More
Live albums
Faithless has released two live albums, both issued as CD/DVD sets that highlight the band's signature blend of electronic dance music with live instrumentation, improvisation, and the commanding presence of frontman Maxi Jazz. The debut live release, Live at Alexandra Palace, was recorded on 30 April 2005 during the band's No Roots tour at London's Alexandra Palace and issued on 14 October 2005.[22] Spanning 18 tracks drawn primarily from their early catalog, the album features adapted live renditions of key songs such as an eight-minute version of "God Is a DJ" with extended builds and percussive flourishes, and "Insomnia" reimagined with heightened crowd engagement and rhythmic variations from supporting musicians including percussionist Sudha Kheterpal.[23] These performances emphasize the group's evolution from studio productions to expansive, venue-filling spectacles, incorporating elements like guest vocal contributions from Pauline Taylor on tracks such as "Bring My Family Back."[24] Passing the Baton – Live from Brixton, the band's second and final live album with its original lineup, captures their farewell concert on 8 April 2011 at the O2 Academy Brixton in London, released in March 2012 as a two-disc CD set paired with a DVD.[25] The 12-track CD selection showcases live adaptations of career-spanning hits, including an extended 10-minute rendition of "We Come 1" with improvisational solos from Sister Bliss on keyboards and layered crowd chants, alongside a concise yet intense "Insomnia" clocking in at nearly six minutes with Maxi Jazz's raw vocal delivery amplified by the venue's atmosphere.[26] Guest appearances feature recurring collaborator Pauline Taylor providing soulful vocals on "Mass Destruction" and "Bombs," while the production credits core members Rollo and Sister Bliss for mixing, supported by a live band comprising drummer Andy Treacey, bassist Stan White, and percussionist Sudha Kheterpal, resulting in a raw, multi-layered sound distinct from studio versions.[27] The album reached number 43 on the UK Albums Chart.[28] The accompanying DVD extends the experience with the complete 137-minute concert footage, bonus interviews with Maxi Jazz, Sister Bliss, and Rollo reflecting on the band's journey, and archival photos, underscoring the emotional weight of the event as a baton-passing moment.[29] Following Maxi Jazz's death in December 2022, Faithless has sustained live performances through a rotating multi-artist ensemble of new vocalists and longtime associates, paying homage to his influence, though no further live albums have emerged as of November 2025.[30]Singles
Charting singles
Faithless released their debut single "Salva Mea (Save Me)" in 1995, marking the beginning of a prolific run of charting releases that spanned three decades and totaled 39 singles across major markets, with a strong emphasis on the UK and European charts. Early successes from their debut album Reverence established the band as electronic music staples, often blending trance, house, and trip-hop elements with spoken-word vocals. These singles were typically issued in multiple formats, including 12-inch vinyl for club play and later digital downloads, frequently featuring guest artists to enhance their crossover appeal.[31][4][1] The band's singles frequently dominated dance charts while achieving top-40 placements on the UK Singles Chart, reflecting their enduring popularity in club and radio circuits. "Insomnia," their signature track, exemplifies this impact: originally peaking at number 27 in the UK in 1995, its 1996 re-release soared to number 3 there, number 62 on the US Billboard Hot 100, and number 1 on the US Dance Club Songs chart; it also topped charts in Finland, Latvia, Norway, and Switzerland. Certified 3x Platinum by the BPI in 2023 for over 1.8 million units, "Insomnia" underscores Faithless's global reach and longevity.[31][32][33] Subsequent releases from albums like Sunday 8PM and Outrospective built on this momentum, with tracks like "God Is a DJ" (1998, number 6 UK, number 1 US Dance) and "We Come 1" (2001, number 3 UK, number 3 US Dance) earning Platinum certifications from the BPI. Later hits such as "Mass Destruction" (2004, number 7 UK) from No Roots addressed social themes amid commercial peaks, while 2000s singles often incorporated collaborations, like Dido on "One Step Too Far" (2002, number 6 UK). Into the 2010s and beyond, Faithless maintained chart presence with remix-focused releases and new material, including "Not Going Home" (2010, number 42 UK) from The Dance.[4][31][34] The 2020s saw a resurgence with the 2025 album Champion Sound, yielding charting singles like "Find A Way" featuring Suli Breaks and Dido (2024, number 45 UK, digital release) and "Peace and Noise" featuring Suli Breaks (2025, number 72 UK, digital release), demonstrating the band's evolution while honoring their dance roots. These tracks, alongside earlier hits, highlight Faithless's ability to blend introspective lyrics with anthemic production, securing certifications and sustained airplay. Additional singles from Champion Sound include "Dollars and Dimes" featuring Bebe Rexha (2025).[4][35]| Year | Single | Album | UK Peak | Notable International Peaks | Certifications |
|---|---|---|---|---|---|
| 1995 | Salva Mea (Save Me) | Reverence | 30 | #1 US Dance (1997 re-release) | - |
| 1995 | Insomnia | Reverence | 27 | #1 Finland, #1 Latvia, #1 Norway, #1 Switzerland, #62 US Hot 100, #1 US Dance | 3x Platinum (BPI, 2023) |
| 1996 | Don't Leave | Reverence | 34 | - | - |
| 1997 | Reverence | Reverence | 10 | - | - |
| 1998 | God Is a DJ | Sunday 8PM | 6 | #1 US Dance | Platinum (BPI, 2025) |
| 1998 | Take the Long Way Home | Sunday 8PM | 15 | #5 US Dance | - |
| 1999 | Bring My Family Back | Sunday 8PM | 14 | #17 US Dance | - |
| 2001 | We Come 1 | Outrospective | 3 | #3 US Dance | Platinum (BPI) |
| 2002 | One Step Too Far (feat. Dido) | Outrospective | 6 | #4 US Dance | - |
| 2004 | Mass Destruction | No Roots | 7 | - | Silver (BPI) |
| 2006 | Bombs (feat. Harry Collier) | To All New Arrivals | 26 | - | - |
| 2007 | Music Matters (feat. Cass Fox) | To All New Arrivals | 38 | - | - |
| 2010 | Not Going Home | The Dance | 42 | - | - |
| 2024 | Find A Way (feat. Suli Breaks & Dido) | Champion Sound | 45 | - | - |
| 2025 | Peace and Noise (feat. Suli Breaks) | Champion Sound | 72 | - | - |
Promotional singles
Faithless issued "I Won't Stop" in 2007 as a non-album promotional single, primarily distributed as a digital download in copy-protected AAC and MP3 formats across the UK, Europe, and the US.[36][37] The track, written by Maxi Jazz and Rollo and produced by Rollo and Sister Bliss, was created specifically for a Coca-Cola commercial campaign, serving as an international teaser to build hype without full commercial retail intent.[38] It featured radio-friendly edits and achieved limited airplay success, peaking at number 37 on the Irish Singles Chart. In 2024, Faithless released "Find a Way" featuring Dido and Suli Breaks as a promotional single ahead of their eighth studio album, Champion Sound (2025).[39] Distributed digitally in high-resolution FLAC and standard formats, the track included radio edits tailored for broadcast play and international markets to generate album buzz.[40] Lyrically focused on enduring love and resilience, it debuted with targeted airplay promotion, contributing to early streaming momentum without immediate full commercial charting.[41]Other charted songs
In addition to their officially released singles, Faithless have seen select album tracks enter the UK Singles Chart through digital downloads and streaming activity. One prominent example is "Drifting Away", an album track from their 1996 debut studio album Reverence, which peaked at number 98 on the UK Singles Chart in June 2009 after spending one week in the top 200.[42] This entry occurred primarily via the Official Singles Downloads Chart, reflecting the era's shift toward digital sales enabling non-single tracks to gain chart traction without traditional physical releases or promotional pushes. The charting of such tracks highlights how streaming platforms and download metrics have broadened access to deeper cuts from Faithless's catalog, allowing incidental popularity—often driven by playlist inclusions or fan rediscovery—to contribute to official positions. While Faithless's core hits dominate airplay and sales, these organic climbers underscore the enduring appeal of their electronic soundscapes in the digital age.Song appearances
Films
Faithless songs have been featured in several films, often in soundtracks to enhance dramatic or atmospheric scenes. "If Lovin' You Is Wrong" and "Bring My Family Back" appear in the 1999 romantic comedy Forces of Nature, directed by Bronwen Hughes, contributing to the film's eclectic mix of pop and electronic tracks during travel and emotional sequences.[43][44] "Addictive" is included in the 1999 drama Cruel Intentions, directed by Roger Kumble, playing during a conversation scene involving the character Kathryn, underscoring themes of desire and manipulation.[45][46] In the 2000 adventure film The Beach, directed by Danny Boyle, "Woozy" provides an ambient electronic backdrop for exploratory and introspective moments in the Thai island setting.[47][48] "Hour of Need" features in the 1999 thriller Entrapment, directed by Jon Amiel, adding tension to heist and pursuit sequences.[49] The "Insomnia (Monster Mix)" remix is used in the 2001 British thriller The Hole, directed by Nick Hamm, to heighten suspense in underground confinement scenes.[50]Television
Faithless tracks have appeared in various television series, often as background music in dramatic or club scenes, enhancing the atmospheric tension or energy. These placements span both traditional broadcast networks and streaming platforms, with official credits typically listed in episode soundtracks. "God Is a DJ" from the 1998 album Reverence features prominently in the American broadcast series Smallville (The WB/CW, 2001–2011). It plays during multiple flashback sequences in Season 1, Episode 14, "Zero" (aired January 29, 2002), depicting the chaotic Club Zero incident where Lex Luthor's friend Jude is shot, underscoring the high-stakes action and nightlife vibe. The track also recurs in related radio playback scenes, such as when Lex starts his car, evoking the traumatic memory. This broadcast placement highlights the song's role in early 2000s superhero drama soundscapes.[51][52] "Insomnia," the 1995 single from Reverence, appears in the HBO Max streaming series Tokyo Vice (2022–present). In Season 1, Episode 7, "Sometimes They Disappear" (aired April 21, 2022), it scores the scene where journalist Jake Adelstein and his colleague Dave arrive at a Tokyo nightclub, building suspense as Jake spots a key contact amid the electronic pulse of the environment. This usage in a prestige streaming crime drama credits the original mix, emphasizing the song's enduring thematic fit for nocturnal intrigue.[53][54] The "Insomnia (Monster Mix)" remix is featured in the British broadcast series Shameless (Channel 4, 2004–2013). It plays in Season 9, Episode 3, "Open to All" (aired January 17, 2012), during a sequence of Kelly drunk dancing at a party, capturing the raw, hedonistic chaos of the Gallagher family's world. This placement on a public service broadcaster underscores the track's appeal in gritty, character-driven narratives.[55] As of November 2025, no additional Faithless tracks have been officially credited in new television episodes or series beyond these established uses.Video games
Faithless tracks have been licensed for inclusion in several video games, primarily sports and racing titles, where they serve as part of the official soundtracks to enhance gameplay atmospheres such as menus, loading screens, and in-race or in-game sequences.[56][57][58] The band's song "No Roots" from their 2004 album of the same name was featured in the soundtrack for FIFA Football 2005, released in 2004 by EA Sports, appearing during menu navigation and match highlights to provide an energetic electronic backdrop.[56][59] In 2007, "Insomnia (Monster Mix)," a remix of the seminal track from Faithless's 1995 debut album Reverence, was incorporated into Forza Motorsport 2 for Xbox 360, developed by Turn 10 Studios, where it played as background music during races and selection screens, contributing to the game's high-octane driving experience.[57][60] "We Come 1," released in 2001 from Outrospective, appeared in the 2008 snowboarding simulation Shaun White Snowboarding by Ubisoft, utilized in dynamic in-game sequences to match the adrenaline of tricks and descents.[58][61] These licensing deals reflect Faithless's appeal in interactive media, with tracks selected for their rhythmic drive suitable for action-oriented gameplay, though no significant chart performance boosts directly attributable to these placements have been documented in official reports.[56][57]| Game Title | Release Year | Song Featured | In-Game Role |
|---|---|---|---|
| FIFA Football 2005 | 2004 | No Roots | Menus and match highlights |
| Forza Motorsport 2 | 2007 | Insomnia (Monster Mix) | Races and selection screens |
| Shaun White Snowboarding | 2008 | We Come 1 | In-game sequences and tricks |
Video releases
Music videos
Faithless has accompanied many of its singles with official music videos that visually capture the band's blend of electronic beats, introspective lyrics, and spiritual undertones. These videos, produced primarily for promotional purposes, often emphasize atmospheric and narrative-driven imagery, evolving alongside advancements in filmmaking technology and the band's thematic maturation. The debut era videos from the mid-1990s, such as "Salva Mea" (1995), "Don't Leave" (1996), and "Insomnia" (1995), were directed by Lindy Heymann and featured a gritty, black-and-white aesthetic typical of the era's independent electronic scene. "Insomnia," in particular, employs a surreal dream theme, depicting vocalist Maxi Jazz in headphones navigating desolate urban landscapes and echoing corridors to evoke the track's relentless insomnia motif.[62] Similarly, "Reverence" (1997), also by Heymann, incorporates shadowy performance shots and abstract symbolism aligned with the album's reverential tone. By the late 1990s, collaborations with Jamie Catto marked a shift toward more conceptual storytelling. Videos for "Bring My Family Back" (1998), "Take the Long Way Home" (1998), and "God Is a DJ" (1998) explore familial bonds, journeys, and divine intervention through emotive, montage-style editing with religious motifs, such as celestial light and communal gatherings reimagined in nightlife contexts.[63] This period's productions, often filmed in London studios and warehouses, reflected modest budgets focused on narrative depth rather than high production values.[64] Entering the 2000s, Faithless' videos adopted brighter, more dynamic visuals with influences from global directors. "Why Go?" (1999), directed by Ben Unwin, blends street-level realism with performer cameos from Estelle, highlighting urban resilience. "We Come 1" (2001) and "Mass Destruction" (2004), both helmed by directing duo Dom & Nic, feature high-energy club environments and social commentary through rapid cuts and diverse casting, underscoring themes of unity and conflict.[65] "Tarantula" (2001), directed by Jake Wynne and Jim Canty, introduces exotic, narrative-driven elements with actor Robbie Williams in a dramatic storyline.[66] "Insomnia 2005," directed by Hexstatic, employs glitchy visuals in a club setting. Howard Greenhalgh's direction of "Bombs" (2006) brought stark anti-war imagery, using stark desert landscapes to amplify the song's protest message, though it faced broadcast restrictions due to its intensity.[67] Later videos reflect a transition to digital effects and animation. "Not Going Home" (2010) from The Dance album, directed by EB, pioneers 3D stereoscopic animation to depict nocturnal cityscapes and existential wandering, marking an experimental pivot post-Maxi Jazz's reduced presence.[68] In the 2020s, following the band's return with All Blessed (2020) and Champion Sound (2025), videos embrace uplifting, contemporary aesthetics. From All Blessed, "This Feeling" (2020, feat. Suli Breaks & Nathan Ball), directed by Josh Cole, uses poetic spoken-word overlays and dynamic performance shots to convey emotional release.[69] "I Need Someone" (2021, feat. Nathan Ball & Caleb Femi) features expressive, evocative imagery of longing and connection. "Find A Way" (2024, with a 2025 remix featuring Dido and Suli Breaks) utilizes vibrant, motivational imagery of personal breakthroughs and communal harmony, directed by modern collaborators to align with the track's empowering message.[70] This evolution from 1990s grainy, analog grain to 2020s sleek digital effects mirrors Faithless' enduring adaptation to visual media trends while maintaining core thematic consistency.| Year | Song | Director(s) | Thematic Elements |
|---|---|---|---|
| 1995 | Insomnia | Lindy Heymann | Surreal dream sequences in abandoned spaces |
| 1998 | God Is a DJ | Jamie Catto | Religious motifs in club settings |
| 2001 | We Come 1 | Dom & Nic | Unity and ecstasy in nightlife |
| 2001 | Tarantula (feat. Raphael Saadiq) | Jake Wynne, Jim Canty | Dramatic narrative with celebrity cameo |
| 2004 | Mass Destruction | Dom & Nic | Social unrest and global solidarity |
| 2006 | Bombs (feat. Harry Collier) | Howard Greenhalgh | Anti-war protest in desolate terrains |
| 2010 | Not Going Home | EB | Animated 3D urban existentialism |
| 2020 | This Feeling (feat. Suli Breaks & Nathan Ball) | Josh Cole | Emotional release through spoken-word and performance |
| 2024 | Find A Way (feat. Suli Breaks) | Modern collaborators | Uplifting personal and communal growth |
DVD releases
Faithless has released five notable DVD titles, focusing on live performances and video compilations that capture the band's evolution from their early club roots to large-scale arena shows. These releases provide visual documentation of their dynamic live energy, often featuring multi-camera setups and surround sound mixes to enhance the immersive experience. They align with key album eras, particularly the 2005 titles that supported the touring cycle for their fourth studio album, No Roots.[23] The earliest DVD appearance came in 2001 with Live at the Melkweg Amsterdam, included as part of the compilation The Sunday Morning Club. Recorded on May 11, 2001, at the iconic Amsterdam venue, it features five full live tracks by Faithless, including "Muhammad Ali" and "Crazy English Summer," performed in a raw, intimate setting that highlights their post-Outrospective sound. This release, while not standalone, marked an early effort to document their growing live prowess beyond audio formats.[72][73] In 2005, Forever Faithless – The Greatest Hits was issued as a companion to the compilation album of the same name, released on May 16. The DVD compiles 12 promotional music videos spanning the band's first four albums, such as "Insomnia," "God Is a DJ," and "We Come 1," showcasing their cinematic visuals and collaborations with artists like Dido. It includes a bonus Hexstatic video mash-up, blending footage creatively, though no extensive interviews are featured. This collection served as a retrospective tie-in during the No Roots promotional period.[74][75] That same year, Live at Alexandra Palace captured a sold-out performance from April 30, 2005, at London's Alexandra Palace, released in October. The 18-track set, directed by Hans Pannecoucke with multi-camera production, includes staples like "No Roots," "Mass Destruction," and "Salva Mea," emphasizing the band's expansive live arrangements with guest vocalists. Audio options include Dolby Digital 5.1 and DTS 5.1 surround sound, plus a photo gallery extra, making it a cornerstone visual record of their No Roots tour peak.[76][77][78] The final major DVD from the original lineup era, Faithless – Live in Moscow, was released in 2008, documenting a 2007 performance at the Kremlin Palace with orchestral elements for the Smirnoff Experience series. The NTSC-formatted disc features 17 live tracks, such as "Sweep," "Emergency," and "Muhammad Ali," reflecting their post-To All New Arrivals maturity. A bonus 11-minute interview with the band provides insights into the show's production, underscoring their international appeal.[79][80][81] In 2012, Passing the Baton – Live from Brixton was released on March 19 as a CD+DVD set, capturing the band's farewell performance with Maxi Jazz on April 8, 2011, at Brixton Academy. The 137-minute NTSC DVD (Region 0, 16:9, stereo & 5.1 surround) includes the full show with guest appearances by artists like Suli Breaks and Pauline Black, spanning career highlights from "Insomnia" to newer tracks, marking the end of an era.[26] No Blu-ray editions of any Faithless DVDs have been issued to date.| Title | Release Date | Format/Details | Key Content |
|---|---|---|---|
| Live at the Melkweg Amsterdam | 2001 | DVD (compilation inclusion) | 5 live tracks from May 11, 2001, performance |
| Forever Faithless – The Greatest Hits | May 16, 2005 | DVD (PAL/NTSC) | 12 music videos + Hexstatic mash-up bonus |
| Live at Alexandra Palace | October 2005 | DVD (PAL, 16:9, 5.1 audio) | 18-track live set + photo gallery |
| Faithless – Live in Moscow | 2008 | DVD (NTSC, Region 2-5) | 17-track live show + band interview |
| Passing the Baton – Live from Brixton | March 19, 2012 | DVD (NTSC, Region 0, 16:9, 5.1 audio) | Full 137-min farewell concert with guests |