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Frida Boccara
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Frida Boccara
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Danielle Frida Hélène Boccara (29 October 1940 – 1 August 1996) was a French singer of Italian descent, who performed and recorded in a number of languages, including French, Spanish, English, Italian, German, Dutch and Russian.

Early life

[edit]

Boccara was born in Casablanca, Morocco, into a Jewish family of Italian origin that lived in Tunisia before they settled in Morocco. When she was 17, she moved from Casablanca to Paris, France, where she eventually started her artistic career as a singer. Boccara also had a brother and a sister in show business, composers Jean-Michel Braque (born Roger Boccara) and Lina Boccara. Her son, Tristan Boccara, was born in the mid-1970s and also became a singer known by the stage name Goldinski (he is also a composer, pianist and arranger)

Career

[edit]

In 1964, Boccara had submitted the song "Autrefois" ("In the past") to the French Eurovision Song Contest selection panel, but she was unsuccessful. Five years later, at the Eurovision Song Contest 1969, held in Madrid, Spain, she represented France performing "Un jour, un enfant" ("A day, a child") – with music by Émile Stern and text by Eddy Marnay. Her song shared first place along with the entries from the Netherlands, the UK, and Spain, the first and last time more than one country was declared the winner.

Songwriter Eddy Marnay was her professional partner (most of the songs performed by Boccara were written by him), but she also performed songs composed by Jacques Brel, Georges Brassens, Charles Aznavour, Émile Stern, Michel Legrand, Michel Magne, Nino Rota and Mikis Theodorakis.

"Cent mille chansons" ("A hundred thousand songs") was recorded in 1968 and earned her a gold disc, while "Un jour, un enfant" (1969) earned her a platinum disc and "Pour vivre ensemble" ("To live together", 1971) earned her another gold. Other of her famous songs include "Cherbourg avait raison" (1961), "Aujourd'hui" (1965), "Les moulins de mon cœur" (1969), "L'enfant aux cymbales" (1969), "Belle du Luxembourg" (1969), "La croix, l'étoile et le croissant" (1970), "Venise va mourir" (1970), "Trop jeune ou trop vieux" (1971), "Valdemosa" (1976), "L'année où Piccoli jouait Le choses de la vie" (1978), "Un monde en sarabande" (1979) and "La prière" (1979). In the late 1960s, she also recorded "Un pays pour nous", a song that was a French version of "Somewhere" (from the musical West Side Story). Leonard Bernstein, who composed the original melody, declared that Boccara's version was his favorite.

Later years and death

[edit]

Boccara renewed her links with Eurovision by participating in the French national finals of 1980 – performing "Un enfant de France" – and 1981 – with "Voilà comment je t'aime". However, neither song was selected. She died in 1996 in Paris, France, aged 55, from a pulmonary infection, after a decline in health.

Discography

[edit]
  • 1959: "Baccara 9" n° 17 (VA compilation, EP)—Mes frères/La chanson d'Orphée
  • 1960: L'orgue des amoureux/Le doux caboulot (super 45 RPM, Festival)
  • 1960: Verte campagne/Quand la valse est là/Le grand amour/Depuis ce temps-là (super 45 RPM, Festival)
  • 1961: La Seine à Paris/Les amours du samedi/Les Bohémiens/Jenny (super 45 RPM)
  • 1961: On n'a pas tous les jours 20 ans/Berceuse tendre/Les nuits/Les yeux de maman (super 45 RPM, Totem)
  • 1961: Cherbourg avait raison/Comme un feu/Un jeu dangereux/Tiens, c'est Paris (super 45 RPM, Festival)
  • 1962: Les trois mots/Aujourd'hui je fais la fête/Je veux chanter/Je ne peux plus attendre (super 45 RPM, Festival)
  • 1962: Le ciel du port/Les portes de l'amour/Ballade pour un poète/D'abord je n'ai vu (super 45 RPM, Festival)
  • 1962: Un premier amour/Bruxelles/L'homme de lumière/Les Pas (super 45 RPM, Festival)
  • 1962: Java des beaux dimanches/Les Javas/Rose de sang/Quien sabe (Qui peut savoir) (super 45 RPM, Festival)
  • 1963: Moi je n'avais pas compris/J'ai peur de trop t'aimer/On les a attendus/Rien a changé (super 45 RPM, Festival)
  • 1963: Souviens-toi des Noëls de là-bas/Donna/Johnny Guitar/Ballade pour notre amour (super 45 RPM, Festival)
  • 1964: Autrefois/Chaud dans mon cœur/Le souffle de ma vie/Je suis perdue (super 45 RPM, Festival)
  • 1965: Tous les enfants/Aujourd'hui/Plus jamais/Un jour (super 45 RPM, Festival)
  • 1967: Frida Boccara (1961–1965 compilation, 33 RPM, MusiDisc)
  • 1969: Un jour, un enfant (33 RPM, Philips)
  • 1969: Les vertes collines (33 RPM, Philips, only released in Brazil)
  • 1970: Au pays de l'arbre blanc (33 RPM, Philips)
  • 1971: Pour vivre ensemble (33 RPM, Philips)
  • 1971: Place des Arts 71 (live in Montreal, double 33 RPM, Philips, reissued in CD format in 2006 only in Canada)
  • 1971: So ist das Leben/Er wird dir dankbar sein (45 RPM, Polydor, only released in Germany)
  • 1972: Rossini et Beaumarchais (33 RPM, Philips)
  • 1972: Greatest Hits (compilation, 33 RPM, Philips, only released in the Netherlands)
  • 1974: Je me souviens ("Mia malinconia" and "Je me souviens", instrumental version, from Amarcord by Federico Fellini, 45 RPM, Deram)
  • 1975: Oriundi (33 RPM, London)
  • 1976: Valdemosa – Oublier (33 RPM, Philips)
  • 1978: An Evening With Frida Boccara (live at Dallas Brooks Hall, Melbourne, 2 LP, Philips)
  • 1978: L'année où Piccoli jouait "Les choses de la vie" (33 RPM, Philips)
  • 1979: Un monde en sarabande (33 RPM, Philips)
  • 1980: Un enfant de France/Écrit dans la pierre (45 RPM, Philips)
  • 1983: Dis-leur/Aime-moi (45 RPM, Kébec-Disc in Canada and Ariola in France)
  • 1984: Cent mille chansons, Série grandes vedettes (33 RPM compilation, Philips)
  • 1988: Témoin de mon amour (33 RPM, Productions Guy Cloutier, only released in Canada)
  • 1989: Expression (CD compilation, Polygram, 23 tracks)
  • 1993: Master série (CD compilation, Polygram, 16 tracks, only released in Québec)
  • 1994: Un jour, un enfant (CD compilation, Spectrum Music / Karussell France)
  • 1997: Frida Boccara (CD compilation, Podis / Polygram France, 23 tracks)
  • 1999: Un jour on vit (CD, Disques Yvon Chateigner)
  • 1999: Ses premiers succès (CD compilation, Disques Yvon Chateigner)
  • 2003: Canta en español (CD compilation, Divucsa Music SA, only released in Spain)
  • 2005: Live Place-des-Arts de Montréal (CD, XXI-21 / Universal Canada, only released in Canada)
  • 2006: Un sourire au-delà du ciel (CD, Édina Music – Nocturne)
  • 2007: La grande Frida Boccara, l'ultime compilation (CD compilation, XXI-21 / Universal Canada, 25 tracks, only released in Canada)
  • 2008: Un enfant de France (CD, Édina Music – Nocturne)
  • 2010: Les grandes années – 1972–1988 (three-CD box set, Marianne Mélodie)
  • 2010: Collection chanson française (CD compilation, Disques Mercury)
[edit]
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Frida Boccara

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Frida Boccara (29 October 1940 – 1 August 1996) was a French singer of Italian descent, born into a Jewish family in Casablanca, Morocco, who rose to prominence in the 1960s for her emotive performances in the chanson tradition and her multilingual recordings. Born Danielle Frida Hélène Boccara, she moved to Paris at age 18 to pursue music, training at the Petit Conservatoire de la Chanson under instructor Mireille. She achieved her greatest international recognition as one of four tied winners at the Eurovision Song Contest 1969 in Madrid, representing France with the poignant ballad "Un jour, un enfant", composed by Émile Stern with lyrics by Eddy Marnay. Boccara's career spanned over two decades, marked by extensive touring across , , , and , where she sold millions of records. Early hits included "Cent mille chansons" (1968) and covers like "Les moulins de mon cœur", earning her the Prix de l'Académie and multiple golden discs in 1969. Her discography featured more than a dozen albums on labels like , blending French pop with classical influences from composers such as Telemann, and she recorded in languages including French, Spanish, English, Italian, German, Russian, and Japanese. After retiring from the stage in the 1970s, Boccara occasionally appeared in film and television, including the series Martine (1975), and focused on family life as the mother of musician Tristan Boccara. She died in at age 55 from a pulmonary .

Early life

Childhood in Morocco

Danielle Frida Hélène Boccara was born on October 29, 1940, in , French (now ), to parents of Italian descent who had emigrated from , , and previously lived in before settling there. She grew up in a Jewish family immersed in , with her parents, brother, and sister fostering an environment rich in music and that predisposed her to an artistic path. Boccara's early years were spent in this multicultural hub of , a bustling port city under French protectorate rule from 1912 to 1956, where French colonial administration coexisted with Arab, Berber, Jewish, and European communities. Her childhood coincided with the tail end of World War II, during which fell under French control from 1940 to 1942 before transitioning to Allied Free French administration, events that marked the broader socio-political landscape of her formative environment. Boccara's initial exposure to music came through her family, as she trained in classical during her youth and joined her in forming a vocal and instrumental trio that performed in with modest local success. This sibling collaboration highlighted her budding interest in performing and , setting the foundation for her later multilingual versatility influenced by her Italian heritage.

Move to France and early training

In 1958, at the age of 18, Frida Boccara relocated from , , to , , accompanied by her brother and sister, in pursuit of opportunities in . Her multicultural childhood in served as a foundation for her adaptability during this transition. Upon arrival, Boccara faced initial challenges in adapting to life in , including immersion in the competitive French music scene and balancing artistic aspirations with everyday survival. She enrolled at the Sorbonne to earn a degree in classical literature, which complemented her creative pursuits. To hone her skills, she joined the Petit Conservatoire de la Chanson, a renowned training program founded by singer in 1954 at rue de l'Université, where she studied as a and received specialized instruction in performance. Under Mireille's mentorship, Boccara formed a vocal and instrumental trio with her brother and a fellow conservatory student, enabling her first amateur performances in local venues. She also auditioned and appeared in cabarets and music halls, gaining practical experience through informal showcases that tested her stage presence. During this period, Boccara's exposure to the French chanson tradition, influenced by artists such as and , deepened her appreciation for lyrical storytelling, while her Italian heritage from her parents reinforced her bilingual proficiency in French and Italian. These early experiences in solidified her versatile vocal style, blending operatic elements from her classical training with emerging international influences.

Career

Debut and rise in the 1960s

Frida Boccara made her professional debut in the French music industry in the late 1950s and early , signing with the label and releasing her first singles in 1960, such as "L'orgue des amoureux / Le doux caboulot," followed by "On n'a pas tous les jours 20 ans" and "Cherbourg avait raison" in , both showcasing her clear, emotive voice in the style of classic French infused with light pop elements. By 1964, Boccara had begun to attract notice with the single "Autrefois" on , a track she also submitted unsuccessfully to the French Eurovision selection that year. This release highlighted her growing versatility, blending lyrical introspection with accessible melodies. In the same period, her training in enabled her first significant live performances, including an invitation to the renowned Bobino by singer-songwriter . The mid-1960s saw Boccara building a domestic fanbase through consistent releases and appearances. Her 1965 single "Aujourd'hui" on Festival achieved minor chart success and exemplified her emerging pop-chanson fusion, while television spots on French programs allowed her to reach wider audiences with live renditions. These outings, combined with music hall engagements across , solidified her reputation as a promising young performer adept at intimate, heartfelt delivery. Boccara's breakthrough came in 1968 upon signing with the major label , where she released the single "Cent mille chansons." This poignant track, adapted from Johann Sebastian Bach's chorale with lyrics evoking a world of peace amid conflict, became a commercial smash hit in , propelling her to national prominence and earning critical praise for its emotional depth and timeliness. The song's success, peaking high on sales charts, established Boccara as a leading voice in French popular music and paved the way for her debut album of the same name.

Eurovision Song Contest 1969

Frida Boccara was internally selected by the French broadcaster (ORTF) to represent at the , following the success of her 1968 single "Cent mille chansons," which helped establish her as a rising star in French . She performed the song "Un jour, un enfant," a poignant about the wonders of the world seen through a child's eyes, with music composed by Émile Stern and lyrics by , a songwriter known for his collaborations with artists like and . The track was arranged and conducted by , whose orchestral style added depth to its emotional resonance. The 14th took place on March 29, 1969, at the in , , featuring 16 participating countries. Boccara delivered a live as the 14th entry of the evening, dressed in a simple white gown against a minimalist stage setup that focused attention on her expressive vocals and the swelling orchestral accompaniment. The haunting melody and her sincere interpretation earned enthusiastic applause from the audience, highlighting the tradition's enduring appeal in the competition. In the voting, conducted by national juries where each of 10 members awarded one point to their favorite song, "Un jour, un enfant" received 18 points, tying for first place with the United Kingdom's "" by Lulu, the ' "De troubadour" by , and Spain's "Vivo cantando" by Salomé. This unprecedented four-way tie sparked , as no tie-breaking procedure existed under the rules at the time, leading to all four songs being declared joint winners and prompting an encore performance by each artist. The outcome drew criticism from some participating countries, contributing to withdrawals by , , , and from the 1970 contest and the introduction of new tie-break rules by the . The shared victory provided a significant boost to Boccara's career, elevating her profile internationally and leading to widespread media coverage across . The single "Un jour, un enfant" achieved commercial success, topping charts in and gaining popularity in several other European markets, solidifying her status as a prominent interpreter of French popular .

International recordings and later hits

Following her Eurovision victory in 1969, Frida Boccara expanded her career into international markets, recording songs in multiple languages including Spanish, English, Italian, German, Dutch, and Russian to reach broader audiences across and beyond. She represented at the inaugural Popular Festival in in 1970. This multilingual approach was evident in releases like the 1970 album Au Pays de l'Arbre Blanc on , which featured orchestral arrangements blending French with universal themes, and the 1975 album Oriundi on , issued in the , with Italian influences reflecting her heritage and targeting international listeners. Collaborations with international producers underscored her versatility and helped distribute her work in non-French markets. In the 1970s, Boccara sustained her success with notable hits that highlighted her evolving style toward more theatrical and introspective interpretations. The 1971 album Pour Vivre Ensemble included the title track, a poignant emphasizing harmony and love co-written by frequent collaborator , which resonated in French and international circuits for its emotional depth. Similarly, Berceuse Pour Luciana (1972, ) showcased lullaby-like compositions with lush instrumentation, while the 1976 single "Valdemosa" from her album of the same name became a standout for its evocative Mediterranean imagery, drawing from her multicultural background. These works marked a shift from pop-oriented Eurovision fare to richer, narrative-driven pieces, often performed live in international venues like the 1978 recording An Evening With Frida Boccara captured at Melbourne's Dallas Brooks Hall in . Boccara's international recognition grew through participation in global events and sustained output into the , releasing around 10 albums in the and continuing into the , amassing over 20 albums in the decades following Eurovision. Her covers of classics like Charles Aznavour's "Il Faut Savoir" in her repertoire, as featured in later compilations, demonstrated her interpretive prowess in traditions. By the , releases such as the 1979 collaboration Frida Boccara & De Mastreechter Staar with the Dutch choir group blended her vocals with choral elements for European audiences, and the 1980 single "Un Enfant de " earned acclaim in French selections while echoing her thematic focus on unity. These efforts, including honors from European music festivals for her linguistic adaptability, solidified her legacy with approximately 30 albums over three decades, prioritizing original material and tributes to icons.

Later years

Ongoing performances and multilingual work

In the late 1980s and early 1990s, following her retirement from the stage in the 1970s, Frida Boccara made occasional live television appearances in , delivering emotive renditions of her classic hits, such as "Cherbourg avait raison" on a national TV show toward the end of the 1980s. In 1980 and 1981, she participated in the French national selections for the , performing "Un enfant de " and "Voilà pourquoi," respectively, in attempts to revive her contest career. These appearances highlighted her interpretive style, drawing on her extensive multilingual repertoire that spanned French chanson standards, Italian-influenced pieces reflective of her heritage, and English-language songs. Her performances often featured seamless transitions between languages, underscoring the versatility that defined her career and allowed her to appeal to international audiences. Boccara's emphasis on multilingualism persisted into the 1990s, as evidenced by the reissue of her 1979 collaboration with the Dutch choir De Mastreechter Staar, released on CD in 1990 under the title Frida Boccara & De Mastreechter Staar. This project included tracks in French ("Cent Mille Chansons," "La Prière"), English ("," ""), and German ("Choral 'Jesus Bleibet Meine Freude,'" "Wiegenlied"), blending orchestral choral elements with her vocal style to revive her international appeal. The reissue served as a to her earlier multilingual recordings, focusing on timeless standards rather than new material, and demonstrated her ongoing influence in European music circles. Throughout this period, Boccara's engagements in French theaters and cabarets, though less frequent than in her peak years, centered on revivals of her hits and collaborative tributes, prioritizing emotional depth in live settings over prolific studio output. Her artistic evolution emphasized the interpretive power of multilingual song, which she credited with sustaining her relevance across generations and borders.

Health decline and death

After retiring from the stage in the 1970s and focusing on family life, including raising her son Tristan Boccara who later became a , Frida Boccara's health began to deteriorate in the mid-1990s. She was hospitalized in , where she succumbed to a pulmonary infection on August 1, 1996, at the age of 55. Following her death, Boccara was buried at the Cimetière Parisien de Bagneux in the 63rd division, where her simple slab grave is maintained by devoted fans. Tributes poured in from the French music community, including a statement from Philippe Douste-Blazy, who described her as an "authentic popular singer and great French interpreter." Obituaries in British and French press highlighted her enduring legacy, with public reactions expressing sorrow over the loss of a Eurovision icon whose multilingual repertoire had captivated audiences worldwide.

Discography

Studio albums

Frida Boccara released her first studio album in , marking the beginning of a that spanned over two decades and reflected her versatility as a singer. Her early works, primarily in French, often incorporated orchestral arrangements and explored themes of and social harmony, evolving toward more personal and multicultural expressions in later releases. Throughout her career, she recorded in multiple languages, including French, Italian, Spanish, and English, to reach international audiences, though specific sales figures for individual remain scarce in available records. Her debut album, Поёт Фрида Боккара, was released in the Soviet Union by Melodiya, featuring interpretations of French chansons adapted for a broader Eastern European market. This collection introduced her warm, expressive vocal style but was limited in distribution outside the region.
Album TitleYearLabelKey TracksNotes
Поёт Фрида Боккара1967MelodiyaVarious French chanson coversDebut studio release; mono format, focused on early solo interpretations.
Frida Boccara1969Electrecord"Tous les enfants", "La maison sous les arbres"Multilingual tracks in French and Romanian; showcased her international appeal early on.
Un Jour, Un Enfant1969Philips"Un Jour, Un Enfant", "Belle du Luxembourg"Produced by Eddy Marnay and Erdem Buri, with arrangements by Alain Goraguer; title track, her Eurovision winner, emphasizes peace and childhood innocence as an anti-war motif.
Au Pays de l'Arbre Blanc1970Philips"Cent mille chansons", "Les moulins de mon cœur"Poetic themes of nature and romance; built on her post-Eurovision popularity.
Pour Vivre Ensemble1972Philips"Pour vivre ensemble", "La source"Focused on unity and love; included hits like the title track, reflecting 1970s romantic chanson style.
Berceuse pour Luciana1972Philips"Berceuse pour Luciana", lullaby selectionsGentle, familial themes; dedicated to her daughter, highlighting maternal influences.
Oriundi1975London RecordsTracks exploring Italian heritageMultilingual with Italian and French songs; delved into her multicultural roots.
Valdemosa1976Philips"Valdemosa", "L'arbre d'amour"Inspired by Spanish locales; romantic and evocative, with orchestral production.
L'Année Où Piccoli...1978PhilipsVarious narrative songsProduced with Alain Goraguer; cinematic themes drawing from film influences.
Un Monde en Sarabande1979PhilipsTitle track and balladsLater romantic works; continued her exploration of emotional depth. (Note: Spotify confirms release but lacks detailed credits; cross-referenced with Discogs artist page.)
Témoin de Mon Amour1988Les Productions Guy Cloutier"Témoin de mon amour"Reflective romantic album; one of her final major releases, emphasizing enduring love.
Boccara's studio output evolved from the optimistic, peace-oriented chansons of the late —exemplified by the anti-war undertones in Un Jour, Un Enfant—to more introspective and romantic albums in the 1970s, such as Pour Vivre Ensemble, which featured lush productions and hit singles indicating commercial success in . Her multilingual recordings, particularly in Oriundi and earlier international editions, allowed her to connect with diverse audiences, though chart data for full albums is limited compared to her singles. Later works like Témoin de Mon Amour demonstrated her sustained artistic maturity, blending classic with personal narratives.

Singles and compilations

Frida Boccara's singles discography spans from the early to the , with several achieving top positions on the French charts and reflecting her versatility across languages. Her major breakthrough came with "Cent mille chansons," released in 1968 by , which was a significant hit in . This was followed closely by her Eurovision-winning entry "Un jour, un enfant," a 1969 Philips single that reached number one in , solidifying her status as a leading French pop artist. Other key releases include "Les moulins de mon cœur" (1969, Philips), a French adaptation of the Award-nominated song, and "L'arbre d'amour" (1976, Philips), which charted moderately and highlighted her mature vocal style. Boccara also pursued international markets with multilingual versions of her hits. The Eurovision track "Un jour, un enfant" appeared in Italian as "Un giorno, un bambino" and in Spanish as "Un día, un niño," both released in 1969 by Belter Records for the respective markets, broadening her appeal in Europe and Latin America. Additional Spanish-language singles, such as "La casa del sol naciente" (a cover of "House of the Rising Sun"), were compiled in later collections, demonstrating her adaptability to non-French audiences. Early singles like "Cherbourg avait raison" (1961, Festival) and "Aujourd'hui" (1965) marked her initial rise in the French music scene.
Single TitleRelease YearLabelPeak Position (France)
Cent mille chansons1968PhilipsMajor hit
Un jour, un enfant1969Philips#1
Les moulins de mon cœur1969PhilipsChart success
L'arbre d'amour1976PhilipsModerate chart
Boccara's compilation releases, often retrospective, have preserved her legacy through curated selections of her hits. During her career, "Greatest Hits" (1972, ) compiled early successes like "Cent mille chansons" and "Un jour, un enfant," achieving commercial success in . Posthumous compilations, following her death in 1996, include "Ses premiers succès" (1999, Yvon Chateigner), focusing on her 1960s breakthrough tracks, and "Chanson française" (2010, Mercury), a digital reissue featuring remastered versions of over 20 songs for modern streaming platforms. These collections, such as the 2008 "La Grande Frida Boccara" (25 tracks including international versions), have introduced her work to new generations, with ongoing digital availability up to 2025 via platforms like and .

References

  1. https://www.the-independent.com/news/people/obituary-frida-boccara-1309417.html
  2. https://eurovision.tv/event/madrid-1969
  3. https://eurovision.tv/video/frida-boccara-sings-un-jour-un-enfant
  4. https://www.discogs.com/artist/468106-Frida-Boccara
  5. https://www.allmusic.com/artist/frida-boccara-mn0000976088
  6. http://eurocovers.blogspot.com/2009/01/4-x-40-madrid-1969-un-jour-un-enfant.html
  7. https://www.imdb.com/name/nm1485942/
  8. https://www.passionchanson.net/2020/07/30/boccara-frida/
  9. https://www.bide-et-musique.com/artist/1030.html
  10. https://archives.mrap.fr/mediawiki/images/9/9e/Dl70_291opt.pdf
  11. https://www.liberation.fr/culture/1996/08/05/mort-de-frida-la-brune-eurovision-69-prix-charles-cros-plusieurs-fois-disque-d-or-frida-boccara-a-su_180429/
  12. https://www.melody.tv/artiste/frida-boccara/
  13. https://www.linternaute.fr/musique/biographie/1777724-frida-boccara-biographie-courte-dates-citations/
  14. https://www.jesuismort.com/tombe/frida-boccara
  15. https://fromthevaults-boppinbob.blogspot.com/2019/10/frida-bocarra-born-29-october-1940.html
  16. https://lescharts.com/showinterpret.asp?interpret=Frida+Boccara
  17. https://www.independent.co.uk/news/people/obituary-frida-boccara-1309417.html
  18. https://www.discogs.com/release/4499020-Frida-Boccara-Cent-Mille-Chansons
  19. https://eurovision.tv/story/madrid-1969-victory-4-countries
  20. https://eurovision.tv/event/madrid-1969/final
  21. https://eurovision.tv/story/fifty-years-since-four-way-tie-at-eurovision-1969
  22. https://eurovision.tv/story/milestone-moments-1969-the-four-way-tie
  23. https://eurovisionworld.com/eurovision/1969
  24. https://musicbrainz.org/artist/7760c10e-5640-46eb-9eec-c9d2186f829d
  25. https://www.discogs.com/release/4272526-Frida-Boccara-Au-Pays-De-Larbre-Blanc
  26. https://www.discogs.com/release/7022466-Frida-Boccara-Oriundi
  27. https://www.youtube.com/watch?v=fjxP9IwYPiw
  28. https://open.spotify.com/album/3Iy67eOcD2vbyQuerRiw8t
  29. https://www.youtube.com/watch?v=pxZjLTBpeek
  30. https://www.discogs.com/release/7876637-Frida-Boccara-De-Mastreechter-Staar-Olv-Hennie-Ramaekers-Frida-Boccara-De-Mastreechter-Staar
  31. https://landrucimetieres.fr/spip.php?article1842
  32. https://www.la-croix.com/Culture/1996-08-06/Deces-de-la-chanteuse-Frida-Boccara-_NP_-1996-08-06-380045
  33. https://www.discogs.com/master/1411124-Frida-Boccara-Frida-Boccara
  34. https://www.discogs.com/master/176320-Frida-Boccara-Un-Jour-Un-Enfant
  35. https://www.discogs.com/master/2959930-Frida-Boccara-Au-Pays-De-Larbre-Blanc
  36. https://www.discogs.com/master/1203843-Frida-Boccara-Pour-Vivre-Ensemble
  37. https://www.discogs.com/master/750134-Frida-Boccara-Berceuse-Pour-Luciana
  38. https://www.discogs.com/master/837267-Frida-Boccara-Oriundi
  39. https://www.discogs.com/master/709062-Frida-Boccara-Valdemosa
  40. https://www.discogs.com/master/613821-Frida-Boccara-Cent-Mille-Chansons
  41. https://www.amazon.co.uk/dp/B0FQ6HVGCJ
  42. https://music.apple.com/us/album/la-grande-frida-boccara/1243859390
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