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Guardian Devil
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| "Guardian Devil" | |
|---|---|
 Cover of Daredevil: Guardian Devil (1999), trade paperback collected edition, art by Joe Quesada | |
| Publisher | Marvel Comics |
| Publication date | November 1998 – June 1999 |
| Genre | |
| Title(s) | Daredevil (vol. 2) #1-8 |
| Main character(s) | Daredevil Karen Page Foggy Nelson Bullseye Mysterio |
| Creative team | |
| Writer | Kevin Smith |
| Artist(s) | Joe Quesada Jimmy Palmiotti |
"Guardian Devil" is an eight-issue Daredevil story arc originally published by Marvel Comics in Daredevil (vol. 2) #1-8. It features the hero suddenly caring for an infant that may be either the Messiah or the Antichrist. The issues were written by filmmaker Kevin Smith and illustrated by Joe Quesada and Jimmy Palmiotti. The 1999 graphic novel combining the eight issues into one collection features an introduction by Ben Affleck, who portrayed Daredevil in the 2003 feature film adaptation (in which Kevin Smith had a supporting role). The story features strong Catholic themes, which came from Smith's experiences.[1]
Synopsis
[edit]Daredevil's love interest, Karen Page, breaks up with him because she is confused about her feelings for him. Angry and heartbroken, Daredevil falls back on his Catholic faith for support.
A 15-year-old girl who knows his secret identity leaves her baby with Daredevil, claiming that the baby was born without her ever having sex. As he tries to discover more about the child's origins, he is contacted by a man called Nicholas Macabes, who claims that the child is actually the Antichrist, leaving Daredevil a small crucifix.
Karen visits Daredevil and reveals that she has HIV from her time as a porn actress. His partner Foggy Nelson is accused of murdering a wealthy divorcee with whom he was having an affair, after she seemingly turned into a demon. Rosalynd Sharpe, who is both their boss and Foggy's mother, fires Foggy to avoid having his arrest affect the financial future of their law firm. Matt quits the firm in disgust. Daredevil asks for assistance from Black Widow, but then attacks her, apparently convinced that Macabes was telling the truth about the child. Daredevil throws the baby off of the roof, prompting Black Widow to leap off herself, saving the child.
Daredevil speaks with Karen. She has been contacted by Macabes, who claims that the child is responsible for her HIV. Daredevil asks Doctor Strange for help. Strange tells Daredevil that the cross Macabes gave him was tainted with an undetectable drug which made him hostile whenever someone suggested that the child was innocent, revealing the cause of his attack on the Black Widow. Strange is able to purge the drug from Daredevil's system.
Summoning Mephisto for information, Daredevil and Strange learn that the church where Murdock left the baby is under attack. Daredevil arrives back just in time to confront Bullseye, who has murdered several nuns. Daredevil is unable to stop Bullseye from killing Karen and stealing the baby.
After briefly contemplating suicide, Matt tracks Macabes to his headquarters, fighting his way to the final stronghold, where Macabes reveals that he is actually the villain Mysterio. It is revealed that he was disappointed when he deduced from newspaper articles that the current Spider-Man was just a clone and saw no dignity in overpowering a 'copy' (even though by then, the clone had been killed and the current Spider-Man was indeed the original). A year ago, Mysterio was diagnosed with an inoperable brain tumour. He resolved to die after enacting his greatest scheme, turning his attention to Daredevil.
Mysterio purchased information about Daredevil from the Kingpin, and began to set up his scheme. He used artificial insemination to impregnate the girl, drugged Foggy, faked the demonic transformation and death of the divorcee, posed as Karen's doctor to fake the HIV diagnosis, and hired Bullseye to lure Daredevil to him for a final confrontation. Mysterio believed that Daredevil would kill him when he learned of his plot. Daredevil dismissed Mysterio as unoriginal, pointing out that the Kingpin had already attempted to drive him insane once before, and that Mysterio had previously attacked J. Jonah Jameson with fake supernatural occurrences. Despondent, Mysterio frees the baby, and then—noting that his last move was stolen from Kraven—shoots himself.
After Karen's funeral, a conversation with Spider-Man leads Daredevil to realize that the infant he had saved represented a positive outcome among the tragedy. His faith renewed, he names the baby after Karen and gives it up for adoption to a couple in New Jersey. He visits Black Widow and asks for forgiveness. After Foggy is released from jail, he and Matt visit the site of their old office, and Matt suggests that he will use Karen's money—left to him in her will—to re-open their own practice.
Supplemental releases
[edit]- A prologue was released as a #0 cybercomic in September 2008.[2]
- A special #1/2 issue was released through a promotion with Wizard #96.[3]
- The story was released on DVD as a Digital Comic Book by Intec Interactive in 2003.[4]
In other media
[edit]
- Karen Page's death in Guardian Devil was alluded to in "The Rogues' Challenge" game on the Spider-Man DVD Spider-Man: The Return of the Green Goblin. One of the questions was which hero's girlfriend was Mysterio responsible for the death of. Two wrong answers were the Thing and Spider-Man, with Stan Lee hinting to eliminating the latter by saying that Mary Jane Watson was alive.
- Bullseye's fight with Daredevil in the church is adapted in the Daredevil episode "Karen".
Collected editions
[edit]| Format | Title | Material collected | Pages | Publication date | ISBN |
|---|---|---|---|---|---|
| Trade paperback | Marvel's Finest: Daredevil | Daredevil (vol. 2) #1-3 | 86 | January 1999 | 978-0785107156 |
| Trade paperback | Daredevil Visionaries: Kevin Smith | Daredevil (vol. 2) #1-8 | 192 | September 1999 | 978-0785107378 |
| Hardcover | Daredevil Visionaries: Kevin Smith | Daredevil (vol. 2) #1-8; comes with CD-ROM that includes #0 and #1/2 and other special features | 192 | August 2000 | 978-0936211558 |
| Oversized hardcover | Daredevil Vol. 1 | Daredevil (vol. 2) #1/2, 1-11, 13-15 | 392 | April 2003 | 978-0785110156 |
| Oversized hardcover | Daredevil Vol. 1 (reprint) | Daredevil (vol. 2) #1/2, 1-15 | 392 | September 2006 | 978-0785124016 |
| Premiere hardcover | Daredevil: Guardian Devil (10th Anniversary Edition) | Daredevil (vol. 2) #1-8 | 232 | September 2008 | 978-0785134381 |
| Trade paperback | Daredevil: Guardian Devil (10th Anniversary Edition) | Daredevil (vol. 2) #1-8 | 232 | April 2010 | 978-0785141433 |
References
[edit]- ^ Moss, Charlie (2015-04-10). "Daredevil's Greatest Superpower Is His Catholicism". Slate. Retrieved 2015-10-11.
- ^ "CyberComics/Video Games". DD Resource.
- ^ "Specials/Mini-Series". DD Resource.
- ^ "Daredevil Digital Comics". Daredevil: The Man Without Fear.
Stan Lee and Bill Everett | |||||||
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Guardian Devil
View on Grokipediafrom Grokipedia
Guardian Devil is an influential comic book storyline in Marvel Comics' Daredevil series, written by Kevin Smith and illustrated by Joe Quesada. Originally published across eight issues of Daredevil (vol. 2) #1–8 from late 1998 to mid-1999, along with the special issue #1/2, it marks the debut narrative of the Marvel Knights imprint and revitalized the character's prominence in the late 1990s superhero landscape.[1]
The story follows Matt Murdock, the blind attorney and vigilante known as Daredevil, as he grapples with a series of interconnected crises that challenge his faith, relationships, and sense of justice. Central to the plot is a terrified teenage girl who entrusts Daredevil with a mysterious infant, claiming it was born of immaculate conception and is humanity's savior, drawing him into supernatural and criminal threats including a villainous plot endangering New York City.[1][2] Key supporting elements involve Murdock's former lover Karen Page harboring a dark secret, his law partner Foggy Nelson facing false accusations, and the return of classic adversaries like Bullseye and Mysterio, all amplifying themes of redemption, doubt, and protection.[1]
Regarded as a modern classic, Guardian Devil transitioned filmmaker Kevin Smith into mainstream comics writing while showcasing Joe Quesada's dynamic artwork, which later propelled him to Marvel's editorial leadership.[1] The arc's blend of personal drama, religious undertones, and high-stakes action has influenced subsequent Daredevil narratives and adaptations, cementing its status as a pivotal entry in the character's 60-year history.[1]
Publication history
Creative team
The creative team behind Guardian Devil, the eight-issue storyline in Daredevil (vol. 2) #1–8, was led by writer Kevin Smith, who transitioned from his acclaimed indie filmmaking career—highlighted by films like Clerks (1994)—to comics, infusing the narrative with character-driven, dialogue-heavy storytelling that echoed the introspective tone of Frank Miller's earlier Daredevil runs.[1][3] Smith's scripts emphasized Catholic motifs central to Matt Murdock's psyche, drawing on his own Catholic upbringing to explore themes of faith and guilt through religious symbolism such as crosses and shadowed religious icons.[4][5] Penciling duties for issues #1–8 fell to Joe Quesada, whose dynamic and gritty artwork captured the urban realism of Hell's Kitchen while heightening emotional intensity through expressive poses and dramatic lighting that amplified Daredevil's internal conflicts.[6][5] Quesada's visuals synergized with Smith's writing by visually reinforcing religious elements, using stark shadows and symbolic compositions to underscore motifs of divinity and damnation, a style that marked a high point in his illustration career just prior to his ascension to Marvel's Editor-in-Chief in 2000.[7][8] Jimmy Palmiotti served as inker across the arc, enhancing Quesada's pencils with bold, textured shading that lent depth to scenes involving Daredevil's heightened senses and supernatural encounters, creating a visceral sense of motion and atmosphere in the urban nightscapes.[7][9] Colorists including Dan Kemp, Laura Martin (as Laura DePuy), and Richard Isanove contributed atmospheric tones, employing muted palettes and selective highlights to evoke the moral ambiguity and nocturnal grit of the story, with Isanove's work particularly noted for enhancing symbolic shadows in later issues.[10][11] Lettering was handled by Richard Starkings and Comicraft's Liz Agraphiotis, whose expressive typography integrated seamlessly with the dialogue-heavy script to convey emotional nuance in conversations and internal monologues.[7][12] Quesada also took on a dual role as editor for the Marvel Knights imprint, overseeing the production alongside associate editor Nanci Dakesian and editor-in-chief Bob Harras, ensuring the team's vision aligned with the relaunch's mature, creator-driven ethos.[9][8] Palmiotti received additional editorial credit, reflecting the close collaboration among the core artists.[9]Development and serialization
Guardian Devil was developed as the flagship storyline of Marvel's Marvel Knights imprint, launched in 1998 by Joe Quesada and Jimmy Palmiotti to revitalize key titles amid the company's post-bankruptcy recovery from the mid-1990s financial crisis.[13] The imprint targeted mature audiences with creator-driven narratives that evoked an independent, "creator-owned" sensibility, selecting Daredevil for its rich legacy and potential for gritty, character-focused revival.[13] Quesada, who also served as the artist, emphasized Daredevil's suitability due to its established fanbase and opportunities for bold storytelling.[13] Kevin Smith was recruited by Quesada and Palmiotti, leveraging their prior acquaintance from a 1995 screening of Smith's film Mallrats, following his rising profile in independent cinema with hits like Clerks and Chasing Amy.[13] Initially hesitant, fearing he could not honor the character's legacy, Smith was persuaded through persistent encouragement and pitched a faith-crisis narrative inspired by Frank Miller's Born Again, focusing on themes of doubt and redemption.[14][13] He delivered a concise outline—less than two pages—for issues #1-8, allowing Quesada to employ the Marvel Method for artwork while Smith expanded the scripts amid delays caused by his concurrent film Dogma pre-production, spanning late 1997 to early 1999.[13] The first issue faced a slight delay for artwork refinements, including adjustments to dense dialogue.[13] The storyline serialized monthly in Daredevil (vol. 2) #1 (cover-dated November 1998) through #8 (June 1999), comprising the complete eight-issue arc.[15] Promotional efforts highlighted Smith's Hollywood credentials and Quesada's dynamic art as a "return to roots," including a tie-in preview in the Wizard #1/2 giveaway issue distributed with Wizard magazine #96 in August 1998.[13][16] Following completion, Smith outlined a planned follow-up arc titled "Guardian Angel" but ultimately departed the series after editorial interventions altered his vision, though this did not impact the Guardian Devil storyline itself.[17]Plot and analysis
Synopsis
The storyline of Guardian Devil begins with Matt Murdock, known as Daredevil, grappling with a profound crisis of faith after a 15-year-old girl named Gwyneth approaches him, revealing his secret identity as Daredevil before entrusting him with her newborn infant, whom she claims was miraculously conceived through a virgin birth and is the reincarnation of Christ, the Messiah. Overwhelmed and isolated, Murdock takes the child into his care at his apartment, torn between his duties as a lawyer by day and vigilante by night, while supernatural visions begin to haunt him, amplifying his doubts about his role as a protector. Later, a man named Nicholas Macabes claims the child is actually the Antichrist, leaving Daredevil a small crucifix.[18] As events escalate, Karen Page, Murdock's former lover and longtime associate, reenters his life after years away, confessing that she contracted HIV during her past involvement in the pornography industry. Simultaneously, Murdock's law partner, Foggy Nelson, faces severe legal threats orchestrated by Mysterio, who frames Nelson for a brutal rape and murder to dismantle Murdock's personal and professional life. Plagued by increasingly vivid demonic visions, Daredevil confronts threats including brutal street-level battles tied to the scheme, while the Kingpin hires the assassin Bullseye to target him, further blurring the lines between Murdock's dual identities and pushing him toward despair.[19] These mid-story developments heighten the tension, as Murdock struggles to safeguard the infant amid mounting chaos and personal betrayals. The narrative reaches its climax with the revelation that the enigmatic Nicholas Macabes is actually Mysterio, who has masterminded the entire scheme as an elaborate suicide mission driven by his terminal brain cancer diagnosis. Seeking to manipulate Murdock's faith for his own twisted end, Mysterio employs hallucinogenic drugs, staged supernatural elements—including the infant's supposed demonic nature—and proxies like Bullseye to provoke a final confrontation in a church, where Daredevil battles through illusions and real threats in a desperate bid to protect the child.[20] In the resolution, Karen sacrifices herself to shield the infant from Bullseye's attack during the church confrontation, dying in Murdock's arms and deepening his emotional scars. Daredevil ultimately defeats Mysterio, who takes his own life after realizing the futility of his plan, and learns that the child is ordinary—conceived via artificial insemination with no supernatural ties. Murdock arranges for the baby's adoption, naming it after Karen, and emerges recommitted to his heroic path, reopening his law practice with Nelson and finding renewed purpose despite his losses.[21]Themes
"Guardian Devil" prominently explores Matt Murdock's crisis of faith, rooted in his Catholic upbringing, as supernatural events force him to confront doubts about divine intervention and his own moral worth. This internal conflict is symbolized through guardian angel and devil dichotomies, with Murdock's red, horned costume representing his self-perceived demonic role amid heavenly visions and biblical prophecies, such as the Antichrist narrative surrounding a mysterious infant. Smith's narrative draws on scriptural references and Catholic rituals like confession to underscore Murdock's spiritual turmoil, portraying a lapsed Catholic grappling with God's existence in the face of personal tragedy.[22][4] The storyline delves into themes of redemption and sacrifice, particularly through Karen Page's arc, which examines forgiveness for her past involvement in pornography and contraction of HIV, leading to her ultimate heroic self-sacrifice. This parallels Murdock's self-doubt as a "fallen" hero, emphasizing atonement through acts of protection and moral reckoning, influenced by his mother's role as a nun who embodies unwavering faith. Karen's journey from degradation to redemption highlights the possibility of grace despite profound mistakes, reinforcing the narrative's focus on sacrificial love as a path to spiritual renewal.[4][23] Illusion versus reality forms a core motif, as Mysterio's hallucinogenic manipulations distort Daredevil's heightened senses, critiquing overreliance on perception and blurring the line between supernatural omens and psychological deception. Smith's dialogue-heavy style facilitates introspective monologues that probe Murdock's fractured psyche, using meta-fictional elements to question narrative truth and heighten the story's disorienting tension. This technique ties into broader explorations of doubt, where perceived angelic visitations challenge the hero's grasp on objective reality.[6][23] Urban vigilantism is depicted through Hell's Kitchen as a moral battleground, where religious iconography—such as churches and crosses—contrasts with the gritty underbelly of crime dominated by Kingpin's empire, symbolizing the clash between divine aspirations and human corruption. Murdock's dual life as lawyer and vigilante embodies this tension, positioning the neighborhood as a microcosm for eternal good-versus-evil struggles.[4][6] The arc echoes Frank Miller's "Born Again" in its portrayal of personal downfall and resilience but introduces an overt supernatural layer unique to Smith's vision, amplifying religious and metaphysical dimensions beyond Miller's more grounded psychological deconstruction. This evolution adds layers of cosmic stakes to the vigilantism, distinguishing "Guardian Devil" through its blend of faith-based horror and redemptive heroism.[23][22]Reception
Critical reception
Upon its release in 1998-1999, Guardian Devil received praise for revitalizing the Daredevil series during Marvel's Marvel Knights imprint, with critics noting its return to a darker, character-focused tone reminiscent of Frank Miller's earlier work.[24] The storyline was lauded for Kevin Smith's script and Joe Quesada's artwork, which together injected emotional intensity and visual dynamism into the narrative, helping to reposition Daredevil as a brooding street-level hero.[6] Reviewers highlighted the story's emotional depth, particularly in exploring Matt Murdock's crisis of faith and relationships, as well as mature themes of loss, redemption, and moral ambiguity that added layers to the character's internal struggles.[6] Karen Page's arc was seen as a poignant element, driving the plot through her personal tragedies and influencing Murdock's descent into despair, though some later analyses critiqued its execution as reductive.[3] The series' blend of noir atmosphere and high-stakes action was described as "mature and memorable," earning a 9.5/10 rating in a 2018 retrospective for its ahead-of-its-time handling of psychological turmoil.[6] Criticisms emerged regarding the pacing, which some found slow and overly reliant on verbose dialogue that occasionally overshadowed the visuals and built tension unevenly.[6] The supernatural elements, initially presented as apocalyptic threats, were faulted as over-the-top and contrived once revealed as deception, contributing to a sense of narrative excess typical of late-1990s comics.[24] Later critiques, including a 2025 analysis, labeled the portrayal of HIV/AIDS—tied to Karen Page's storyline—as tactless and superficial, using the disease primarily for shock value without deeper exploration or sensitivity toward affected characters.[3] Amateurish twists, such as the villain reveal and plot resolutions, were also called out for logical inconsistencies and prioritizing drama over coherence.[25] The storyline has proven polarizing among fans and critics in retrospectives from the 2010s onward, with some viewing it as an essential milestone for its lasting impact on Daredevil's mythos and influence on adaptations like the Netflix series, while others dismissed it as overrated due to dated tropes and uneven storytelling.[26] A 2025 review described it as bringing "the best and worst elements of comics in the '90s," underscoring its bold swings alongside flaws like casual misogyny and heavy-handed themes.[24] Despite divisions, its role in elevating mature discussions around heroism and faith has cemented its place in ongoing debates about the character's evolution.[4]Commercial success and legacy
The debut issue of Guardian Devil, Daredevil vol. 2 #1, sold approximately 91,100 copies through Diamond Distributors, ranking 11th in overall comic sales for September 1998 and marking a 66.5% increase from the previous volume's final issue. Subsequent issues in the arc consistently charted in the top 15, with #6–8 entering the top 10, contributing to the Marvel Knights imprint's strong performance amid Marvel's post-bankruptcy recovery efforts following its 1996 filing. This commercial boost helped stabilize the publisher by attracting new readers to mature, creator-driven titles. The success of Guardian Devil as Marvel Knights' flagship launch solidified the imprint's model of outsourcing high-profile talent for prestige miniseries and relaunches, influencing subsequent lines like the Ultimate Marvel Universe, which modernized core characters for broader appeal starting in 2000 under Quesada's editorial oversight. Quesada's achievements with Marvel Knights directly propelled him to Editor-in-Chief in January 2000, where he shaped Marvel's creative direction throughout the decade, emphasizing bold storytelling that revitalized stagnant titles. In Daredevil's lore, the storyline's pivotal event—Karen Page's death—established a canonical emotional anchor, profoundly shaping subsequent runs by Brian Michael Bendis, Ed Brubaker, and Mark Waid, who explored its psychological aftermath on Matt Murdock's psyche and relationships. It also pioneered a template for integrating faith and supernatural elements into the series, echoed in arcs like Bendis's Shadowland (2010), where Murdock grapples with demonic influences and moral ambiguity. Kevin Smith's transition from independent filmmaking to comics with Guardian Devil highlighted cross-media potential, drawing film audiences to superhero narratives and foreshadowing Marvel's cinematic expansions. Commemorative editions, including the 10th Anniversary hardcover in 2008 and the Marvel Knights 20th Anniversary trade paperback in 2018, underscore its enduring status as an essential non-Miller-era Daredevil tale. As of 2025, its thematic focus on doubt and redemption maintains relevance in Chip Zdarsky's ongoing run, while fan discussions on platforms like Reddit frequently debate its place among top Daredevil arcs for its narrative impact.Media and collections
Adaptations in other media
Elements from the "Guardian Devil" storyline have been adapted into live-action television, with the Netflix series Daredevil incorporating key plot points in its third season, episode 10, titled "Karen" (2018). In this episode, Karen Page returns to her hometown amid personal turmoil, facing a climactic confrontation in a church where an imposter Daredevil attempts to assassinate her, directly paralleling the comic's church fight sequence involving Bullseye and Karen's death.[27] The adaptation alters Mysterio's illusionary elements to fit live-action constraints, replacing supernatural visions with psychological tension and emotional revelations about Karen's past, while omitting her HIV diagnosis from the source material to focus on her addiction and moral struggles.[28] In video games, "Guardian Devil" receives a minor reference in the interactive DVD-ROM game bundled with the 2003 Spider-Man: The Return of the Green Goblin release, specifically in the mini-game "The Rogues' Challenge." This segment features a Daredevil cameo that alludes to his role as a protector of Hell's Kitchen in a style reminiscent of the storyline's guardian theme.[29] The full "Guardian Devil" arc was adapted into a full-cast audio drama by GraphicAudio in 2015, presented as a dramatized audiobook with sound effects enhancing Daredevil's radar sense and hallucinatory sequences.[30] Narrated by a ensemble cast including Jonathan Feuer, the production captures the storyline's emotional depth, including Matt Murdock's crisis of faith and the intense action scenes, while preserving the original dialogue from Kevin Smith's script.[31] Other media includes a direct retelling in the 2003 Intec Interactive DVD-ROM Daredevil Vol. 1: Guardian Devil, an animated comic adaptation that animates select scenes from the eight-issue run with interactive elements allowing viewers to navigate key moments.[32] Loose inspirations appear in the 2003 live-action film Daredevil, particularly in Matt Murdock's Catholic guilt and crisis of faith, drawing from Joe Quesada's visual style in the comic without adapting the full plot involving the Antichrist child or Mysterio's schemes.[33] Across these adaptations, supernatural aspects like the demonic baby prophecy are largely toned down or excised to emphasize psychological and action-oriented elements suitable for broader audiences.Collected editions
The "Guardian Devil" storyline has been reprinted in various trade paperback, hardcover, and digital formats since its original serialization.Early Trade Paperbacks
The initial collections focused on partial arcs of the story. Marvel's Finest: Daredevil collected Daredevil (vol. 2) #1–3 and was published in January 1999 as a 72-page trade paperback (ISBN 978-0785107156).[34] Daredevil Visionaries: Kevin Smith collected the full arc in Daredevil (vol. 2) #1–8 and was released in September 1999 as a 192-page trade paperback (ISBN 978-0785107378).[35]Hardcovers
Hardcover editions expanded on the trade paperbacks with additional material. Daredevil Visionaries: Kevin Smith hardcover edition collected Daredevil (vol. 2) #1–8 plus extras, including a CD-ROM with Daredevil #0 and #1/2, and was published in August 2000 as a limited 192-page edition (ISBN 978-0936211558).[36] The oversized Daredevil Vol. 1 hardcover collected Daredevil #1/2 and #1–15 and was released in September 2006 as a 392-page edition (ISBN 978-0785124016).[37] Daredevil: Guardian Devil Gallery Edition collected Daredevil (vol. 2) #1–8 and #1/2 and was released in November 2023 as a 232-page oversized edition (ISBN 978-1302950170).[38]Anniversary Editions
Later reprints commemorated the storyline's impact. Daredevil: Guardian Devil 10th Anniversary trade paperback collected Daredevil (vol. 2) #1–8 and was published in April 2010 as a 232-page edition (ISBN 978-0785141433).[39] Marvel Knights Daredevil by Smith & Quesada: Guardian Devil collected Daredevil (vol. 2) #1–8 plus an introduction and was released in September 2018 as a 232-page trade paperback (ISBN 978-1302913885).[1]Digital and Other Formats
The storyline has been available digitally on Marvel Unlimited since 2012.[40] It is also offered in bundles on Comixology alongside other Marvel Knights volumes.[41] An interactive DVD-ROM edition was released in 2003 by Intec Interactive, adapting the full story with animation and audio.[42] As of November 2025, no Absolute or Omnibus editions exist.[43]| Edition | Format | Contents | Pages | Publication Date | ISBN |
|---|---|---|---|---|---|
| Marvel's Finest: Daredevil | Trade Paperback | Daredevil (vol. 2) #1–3 | 72 | January 1999 | 978-0785107156 |
| Daredevil Visionaries: Kevin Smith | Trade Paperback | Daredevil (vol. 2) #1–8 | 192 | September 1999 | 978-0785107378 |
| Daredevil Visionaries: Kevin Smith | Hardcover (Limited) | Daredevil (vol. 2) #1–8 + extras (incl. CD-ROM with #0, #1/2) | 192 | August 2000 | 978-0936211558 |
| Daredevil Vol. 1 | Oversized Hardcover | Daredevil #1/2, #1–15 | 392 | September 2006 | 978-0785124016 |
| Daredevil: Guardian Devil 10th Anniversary | Trade Paperback | Daredevil (vol. 2) #1–8 | 232 | April 2010 | 978-0785141433 |
| Marvel Knights Daredevil by Smith & Quesada: Guardian Devil | Trade Paperback | Daredevil (vol. 2) #1–8 + introduction | 232 | September 2018 | 978-1302913885 |
| Daredevil: Guardian Devil Gallery Edition | Oversized Hardcover | Daredevil (vol. 2) #1–8, #1/2 | 232 | November 2023 | 978-1302950170 |