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HitClips
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HitClips player with NSYNC cartridge.

HitClips is a digital audio player created by Tiger Electronics that plays low-fidelity mono one-minute clips of usually teen pop hits from exchangeable cartridges.[1] It first launched in August 2000[2] with 60-second microchip songs featuring Britney Spears, NSYNC, and Sugar Ray. The following year, songs by Destiny's Child, Backstreet Boys, Dream, and Pink were additionally released.[3] There is a version for young children called KidClips.[4] Tiger Electronics had licensing agreements for HitClips with popular major record labels including Atlantic Records, Jive Records/Zomba Label Group,[5] and Capitol Records.[6] While it is commonly supposed that HitClips started as a McDonald's toy, this is untrue.[7] By June 2002, HitClips players and music disks combined had sold more than 20 million units.[2]

Hilary Duff became the spokesperson for HitClips in 2003. In 2004, she was succeeded by Raven-Symoné when the format was changed into a 2-minute mini circular cartridge. At that point 30 million units had been sold.[8]

Song list

[edit]

HitClips

[edit]

In June 2002, 80 singles from 30+ artists were available.[2]

Aaron Carter
"Aaron's Party"
"I Want Candy"
"Leave It Up to Me"
"Not Too Young, Not Too Old"
"Oh Aaron"
"That's How I Beat Shaq"
Atomic Kitten
"The Tide Is High (Get the Feeling)"
A-Teens
"Dancing Queen"
Avril Lavigne
"Complicated"
"Sk8er Boi"
Backstreet Boys
"I Want It That Way"
"Larger Than Life"
"More than That"
"Shape of My Heart"
"The Call"
Baha Men
"Move It Like This"
"Who Let the Dogs Out?"
"Accident"
Blue Swede
Hooked on a Feeling
Brandy
"Full Moon"
Britney Spears
"(You Drive Me) Crazy"
"...Baby One More Time"[6]
"I'm a Slave 4 U"
"I'm Not a Girl, Not Yet a Woman"
"Lucky"
"Oops!... I Did It Again"
"Overprotected"
"Stronger"
Daniel Bedingfield
"Gotta Get Thru This"
Destiny's Child
"Emotion"
"Independent Women"
"Survivor"
Dream
"He Loves U Not"
"This is Me"
Dream Street
"Gotta Get the Girl"
"It Happens Every Time"
Elvis Presley
"Jailhouse Rock"
"Hound Dog"
"(Let Me Be Your) Teddy Bear"
Enrique Iglesias
"Hero"
Faith Hill
"This Kiss"
"The Way You Love Me"
"Breathe"
Geri Halliwell
"It's Raining Men"
Scream If You Wanna Go Faster"
Gloria Gaynor
"I Will Survive"
Gorillaz
"Clint Eastwood"
Goo Goo Dolls
"Here Is Gone"
Hanson
"If Only"
Hilary Duff
"I Can't Wait"
"Why Not"
Hoku
"Another Dumb Blonde"
"How Do I Feel"
Jenifer Bartoli
Au soleil
Jewel
"Standing Still"
Jump5
"God Bless the USA"
Justin Timberlake
"Like I Love You"
KC and the Sunshine Band
"That's the Way (I Like It)"
Kool & the Gang
Celebration
Krystal Harris
"Supergirl"
Las Ketchup
"The Ketchup Song (Aserejé)"
Lil Romeo
"My Baby"
"The Girlies"
Lindsay Pagano
"Everything U R"
M2M
"Mirror Mirror"
Madonna
"Cherish"
"Don't Tell Me"
"Lucky Star"
"Material Girl"
"Music"
"Hollywood"
"Ray of Light"
Manfred Mann
Do Wah Diddy Diddy
Michelle Branch
"All You Wanted"
"Everywhere"
Nick Carter
"Help Me"
Nivea & Jagged Edge
"Don't Mess with My Man"
No Secrets
"Kids in America"
"That's What Girls Do"
NSYNC
"Bringin' da Noise"
"Bye Bye Bye"
"Celebrity"
"Girlfriend"
"It's Gonna Be Me"
"No Strings Attached"
"Pop"
"This I Promise You"
Otis Day and the Knights
"Shout"
O-Town
"All or Nothing"
"Baby I Would"
"We Fit Together"
"These Are the Days"
Paulina Rubio
"Don't Say Goodbye"
Pink
"Don't Let Me Get Me"
"Most Girls"
"There You Go"
Play
"Us Against The World"
Ritchie Valens
"La Bamba"
S Club 7
"Natural"
Sammie
"I Like It"
Sister Sledge
We Are Family
Shaggy
"Angel"
Simple Plan
"Addicted"
Smash Mouth
"All Star"
"I'm a Believer"
"Pacific Coast Party"
"Why Can't We Be Friends"
Solange
"Crush"
soulDecision
"Faded"
"Let's Do It Right"
"Ooh It's Kinda Crazy"
Stacie Orrico
"Stuck"
Sugar Ray
"Answer the Phone"
"Someday"
"When It's Over"
Technotronic
"Pump Up the Jam"
the Angels
"My Boyfriend's Back"
the Beach Boys
"California Girls"
"Fun, Fun, Fun"
"Good Vibrations"
The Jackson 5
"ABC"
The Kingsmen
"Louie Louie"
the Temptations
"My Girl"
The Simpsons
"Bart"
"Homer"
"People of Springfield"
Tiktak
"Upside Down"
Toya
"I Do!!"
"No Matta What (Party All Night)"
Triple Image and Jamie Lynn Spears
"(Hey Now) Girls Just Want To Have Fun"
the Troggs
"Wild Thing"
Usher
"U Remind Me"
Vanessa Carlton
"A Thousand Miles"
"Ordinary Day"
Will Smith
"Nod Ya Head"
Willa Ford
"Did Ya' Understand That"
"I Wanna Be Bad"
Village People
"Y.M.C.A."

HitClips Disc

[edit]
3 Doors Down
"Here Without You"
Atomic Kitten
"The Tide Is High (Get the Feeling)"
Avril Lavigne
"Complicated"
"Sk8er Boi"
Bow Wow and Baby
"Let's Get Down"
Britney Spears and Madonna
"Me Against the Music"
Clay Aiken
"Invisible"
Hilary Duff
"Come Clean"
"I Can't Wait"
"So Yesterday"
Howie Day
"Perfect Time of Day"
Jason Mraz
"The Remedy (I Won't Worry)"
Kelly Clarkson
"A Moment Like This"
"Low"
Lindsay Lohan
"Ultimate"
Madonna
"Hollywood"
Michelle Branch
"Are You Happy Now?"
"Breathe"
Nikki Cleary
"1-2-3"
Raven-Symoné
"Supernatural"
"True to Your Heart"[3]
Simple Plan
"Addicted"
"Perfect"
Smash Mouth
"All Star"
"I'm a Believer"
"Pacific Coast Party"
"You Are My Number One"
Stacie Orrico
"(There's Gotta Be) More to Life"
The Ataris
"The Boys of Summer"

See also

[edit]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

HitClips

View on Grokipedia
from Grokipedia
HitClips were a line of portable players designed for children and preteens, manufactured by —a of — that played short, 60-second clips of popular songs stored on small, collectible chip cartridges. Introduced in late 1999 and officially launched in 2000, these devices combined toy-like portability with basic music playback, allowing users to insert cartridges into compact players—typically about two inches long—that featured a single play button, headphone jack, and clip for attachment to clothing or bags. The players targeted children aged 6 to 10, featuring clips from mainstream pop artists such as , NSYNC, , , and later acts like and , while avoiding genres like rap or heavy metal deemed unsuitable for the audience. Priced at around $20 for the base player and $3.99 per cartridge, HitClips were initially promoted through a with , including in Happy Meals, to build initial buzz and quickly became a cultural among youth, serving as both music samplers that encouraged full album purchases and status symbols for collecting rare or limited-edition chips. By mid-2002, the line had sold over 20 million units worldwide, generating approximately $80 million in revenue, with total sales reaching around 30 million before the fad waned. HitClips expanded beyond basic players to include hybrid models compatible with longer 2-minute "HitClips Discs" introduced in 2003, as well as themed accessories like machines, boomboxes, and FM radio integrations, often endorsed by child stars such as and . Despite their tinny sound quality, lack of volume control, and single-use cartridges, the devices tapped into early digital music trends and for physical collectibles, paving the way for later portable audio innovations. The product line was discontinued by as players and iPods gained popularity, though vintage units remain sought after by collectors today.

Product Overview

Description

HitClips are miniature players designed for children, consisting of keychain-sized players and attachable cartridges that play 60-second clips of . The players, produced by —a subsidiary—measure approximately 2 inches in length and feature lightweight plastic construction with a single earbud output, delivering crackly mono audio without volume control. Core functionality centers on automatic playback of the pre-loaded clip upon cartridge insertion, with some models incorporating LED lights or simple animations. Initially branded as "micro audio systems" and introduced in late 1999, HitClips captured the interest of tweens in the early .

Target Audience

HitClips were primarily targeted at children aged 6-10, with a particular emphasis on girls entering the tween phase who were beginning to explore music independently. This demographic was seen as outgrowing traditional toys but not yet ready for full-scale adult audio devices, allowing HitClips to bridge the gap as an accessible entry into pop culture. The marketing strategy leveraged the era's trends, featuring short clips from artists like and *NSYNC to appeal to young fans, and was promoted through commercials, placements in toy stores, and promotional tie-ins such as a partnership with where bundles of mini-players with cartridges were offered for $5. Pricing was kept affordable to encourage collecting, with basic players retailing for around $20 and cartridges at $3.99, making it easy for children to amass a library of 60-second song snippets. Spokespeople like and further amplified visibility among this audience. Key appeal factors included the product's keychain-style portability, enabling personalization by attaching players to backpacks or bracelets for on-the-go listening during or play. This design fostered social sharing, as children could easily trade or show off their music clips with peers, enhancing its role as a social accessory. The product's heavy emphasis on tween girl culture was evident in its colorful, playful designs—contrasting with more utilitarian adult devices—and selections from female-led pop acts, positioning HitClips as a , empowering tailored to this group's interests.

History

Development and Launch

HitClips was invented in the by designers Dave Capper and Andy Filo, who pitched the concept to as a low-cost, child-friendly alternative to emerging full-length players, utilizing compact digital chips to store and play brief audio snippets of hit songs. Tiger Electronics, acquired by Hasbro in 1998 for $335 million, developed the product under its ownership to tap into the growing demand for portable digital music among younger audiences. The invention drew initial skepticism from record label executives, but Tiger secured key licensing deals with major labels including Jive Records/Zomba, Atlantic Records, and Capitol Records to feature licensed pop tracks. The product debuted at the American International Toy Fair in New York in February 2000, where showcased variants like the Yahoo! HitClips Downloader. HitClips officially launched in the United States in 2000, with an initial lineup of approximately 10 to 15 song cartridges highlighting hits from licensed artists.

Popularity Peak

HitClips reached its commercial zenith in 2001–2002, driven by explosive sales among preteens amid the tween surge. By mid-2002, had sold more than 20 million HitClips cartridges, generating approximately $80 million in revenue from units priced at around $3.99 each. This success was amplified by the early boom in , with cartridges featuring one-minute clips from chart-topping acts like , *NSYNC, and the [Backstreet Boys](/page/Backstreet Boys), which resonated strongly with young audiences too immature for full albums but eager for portable music snippets. The product's affordability and collectible nature—often traded like trading cards or displayed in bandoleers—further fueled its status as a must-have accessory, clipped to keychains, backpacks, and bikes. Widespread distribution through major retailers and initial promotions propelled HitClips into everyday accessibility, initially debuting in Happy Meals in 1999 before expanding to standalone sales in toy aisles nationwide. As low-cost promotional tools, the clips were integrated into artists' marketing strategies to generate buzz and drive full-song purchases, effectively bridging toys and music merchandising during the holiday peaks of 2001 and 2002. Media outlets highlighted HitClips as a quintessential toy of the era, with coverage in trade publications like noting its rapid market saturation and appeal to under-12 demographics during the 2001–2002 seasons. This visibility underscored its dominance in the electronic segment, where it outperformed expectations by capitalizing on the Y2K-era obsession with portable, bite-sized entertainment.

Decline and End

Following the peak popularity in the early , HitClips experienced a sharp decline in sales starting around , as the toy industry broadly saw reduced demand for traditional playthings amid the rise of . The introduction of Apple's in October 2001 marked a pivotal shift, offering portable access to full-length songs that overshadowed HitClips' limited 60-second clips. This was compounded by the launch of the , which popularized affordable digital downloads of complete tracks, further eroding interest in clip-based formats. As a fad-driven product, HitClips suffered from market oversaturation by 2004, with consumers tiring of the repetitive short excerpts and seeking more versatile audio options like CD players and emerging devices that provided uninterrupted listening. Consumer criticism highlighted the format's poor —characterized by low-fidelity mono audio and lack of volume control—as well as frustration over the inability to play full songs, limiting replay value for young users. Although the brief 60-second clips were initially marketed as a parental safeguard against explicit content by editing out objectionable portions, this restriction ultimately contributed to waning appeal as kids demanded longer tracks. In a late attempt to revive the line, Tiger Electronics released HitClips Disc in 2003, featuring circular cartridges that extended playback to two minutes, but it failed to recapture momentum. Final cartridge releases appeared through 2004, including redesigned circular variants, yet the overall trend had faded. Production of HitClips ceased around 2004, with —having acquired in 1998—redirecting resources toward other successful toy lines like rather than sustaining the struggling music player format.

Technology

Player Variants

HitClips players were designed in diverse physical form factors to enhance portability and visual appeal for young users, typically measuring about two inches in length with a clip on the back for attachment to backpacks or belts. Basic models emphasized compact, keychain-style , making them easy to carry as everyday accessories. Among the standard variants, miniature boombox designs featured built-in speakers to facilitate shared listening experiences without requiring . In contrast, personal audio variants mimicked early players, incorporating a headphone jack for private playback and often including bundled earphones. Themed and specialty models expanded the line's appeal with unique aesthetics and functionalities. Artist-specific editions, such as the NSYNC-branded , adopted a DJ console-like shape, enabling users to edit simple routines or create basic music videos synced to clips. Educational variants like the Music Trivia Player integrated playback with pop star trivia quizzes, promoting through its handheld form. Additional creative designs included pendants for wearable , ballpoint pen hybrids that served dual purposes as writing instruments, alarm clocks with embedded playback, and even a bot model with rudimentary motion features. Later developments introduced further diversification, such as FM radio-integrated players that combined music clips with broadcast scanning in a compact unit. The HitClips Disc player variant shifted to a miniature aesthetic, supporting longer clips while retaining a clip-on mechanism for cartridges. These evolutions maintained the core ergonomic focus on child-friendly portability, with early 2000 models prioritizing simplicity and subsequent releases adding minor interactive elements like mode-switching buttons.

Cartridge System

The HitClips cartridge system employed compact plastic modules, typically measuring around 1.5 by 1 inches, designed as flat, keychain-compatible chips containing embedded digital audio for a single 60-second song clip. Each cartridge featured eight metal contacts on the rear surface to facilitate electrical interfacing with the player. The internal construction utilized chip-on-board technology, with the audio data hard-coded directly into a silicon wafer under a protective epoxy blob, rather than using rewritable flash memory, rendering the cartridges non-rewritable and dedicated to one track. These cartridges connected to HitClips players via a slide-in slot on the device's base, where the contacts aligned with corresponding pins to deliver power at 4.5 volts (from three AAA batteries), ground, clock signals, and mono audio output. Insertion into the slot secured the cartridge mechanically, often with a simple clip or friction fit, while compatibility was universal across most player variants, including miniature boombox and MP3-style models, due to the standardized eight-pin design. Production involved low-cost mass manufacturing by Tiger Electronics, incorporating colorful labels on the front surface adorned with artist photographs and song titles to attract child consumers. In usage, inserting a cartridge into the player automatically prepared it for playback, with audio triggered by pressing the device's single play button, which grounded a specific pin to initiate the 60-second clip output through a connected earbud; removing the cartridge immediately stopped the audio and reset the system. This simple mechanical integration prioritized ease for young users but was prone to durability challenges, such as loose connections from wear on the contacts or slot, leading to intermittent playback failures.

Audio Format

The HitClips audio system featured short, approximately 60-second loops of popular songs, edited down from full tracks to emphasize choruses and hooks for engaging playback. These clips were stored in a proprietary digital format on (ROM) chips embedded directly into the cartridges, rather than using standard compression like , to keep manufacturing costs low for a children's . The audio was mono only, output through a single 3.5mm jack designed for a basic earbud, which contributed to its simplistic and portable design. Technically, the sound was encoded using sigma-delta modulation at a 24 kHz sample rate with 7-bit signed resolution (ranging from -64 to +63), resulting in low-fidelity reproduction that prioritized compactness over clarity. Playback limitations were inherent to the device's basic hardware: there was no ability to skip, pause, or adjust equalization, and volume was fixed without controls, often leading to at maximum levels during louder passages. Battery life typically lasted 4-6 hours on small batteries, such as LR44 types, before requiring replacement. Critics and users noted the tinny, muffled quality—far inferior to audio—as adequate for casual, on-the-go listening by young audiences but unsuitable for audiophiles.

Music Content

Song Selections

HitClips cartridges offered a core library of approximately 100 tracks released between 2000 and 2004, consisting of edited 1-minute mono clips of Top 40 pop hits aimed at young audiences. These selections emphasized contemporary chart-toppers, with each cartridge dedicated to a single song clip designed to loop the most memorable portion for repeated playback. Songs were typically bundled in multi-packs containing 4 to 6 cartridges, allowing users to collect themed sets of popular tracks from major artists. Key examples include "...Baby One More Time" by (1999), "" by (1999), "" by (2000), and "" by (2001), all of which captured hooks from their respective hits. The initial release wave from 1999 to 2000 heavily featured boy bands, reflecting the era's pop dominance with tracks like those from and dominating early catalogs. By the mid-period of 2001 to 2002, selections shifted toward solo artists, incorporating rising stars such as and later in 2003 with songs like "Why Not." This evolution mirrored broader trends in , maintaining focus on accessible, high-energy clips without venturing into full-length formats.

HitClips Disc Expansion

In 2003, introduced the HitClips Disc format as an extension of the original HitClips line, featuring circular ROM cartridges designed to resemble miniature compact discs while maintaining the core digital . These discs were marketed to children as a stylish upgrade, allowing for longer audio playback compared to the standard 60-second clips on rectangular cartridges from the Song Selections. Technically, each HitClips Disc consisted of a round shell encasing a silicon chip and circuit board, capable of storing up to 120 seconds of mono audio per disc, though remained low-fidelity due to the format's compression and hardware limitations. Unlike the original cartridges, which were incompatible, HitClips Discs required dedicated players with a modified slot to accommodate the circular shape, though some models allowed with adapters or modifications like removing a blanking plate. This evolution aimed to offer slightly extended listening experiences, such as fuller choruses or verses, but retained the mono output and segment limitations inherent to the platform. Releases for the HitClips Disc format were limited, with approximately 22 individual song discs produced between 2003 and 2004, focusing on popular and rock tracks from artists like ("I Can't Wait"), ("Complicated"), and (""). These discs typically featured edited versions of hit singles, emphasizing catchy segments to appeal to young audiences, and were sold individually for around $3.99 each alongside compatible players priced at about $20. The format did not include multi-artist compilations in significant numbers, prioritizing single-track discs to mirror the collectible nature of the original cartridges. Adoption of HitClips Discs was modest, with far fewer units sold than the original HitClips, which had sold over 20 million units by 2002. The expansion sought to position the product against emerging portable players by offering a more disc-like aesthetic and extended playtime, but it arrived amid declining interest in the overall line and rapid advancements in digital . Select player models transitioned to accommodate the disc format via adjusted insertion mechanisms, yet the variant contributed to the brand's wind-down by 2004 without achieving widespread market traction.

Legacy

Cultural Reception

HitClips received mixed critical reception during its peak in the early , with praise centered on its affordability and entertainment value for young users. At around $20 for a player and $3.99 per clip, the device was seen as an accessible entry into portable music, appealing to budget-conscious families and aligning with the era's pop music boom featuring artists like and NSYNC. Its fun, keychain-style design encouraged collecting and sharing, positioning it as a toy that blended music consumption with play. Media outlets highlighted its role in engaging tweens, with sales exceeding 20 million units by 2002 underscoring its commercial success as a hit . However, reviewers frequently criticized the product's technical shortcomings, including subpar mono audio quality, lack of volume control, and single-ear , which made listening experiences tinny and unsatisfying. The 60-second song clips were a major point of contention, often described as incomplete teasers that frustrated users eager for full tracks, leading some publications to label the format a given that entire CDs cost less. Additional complaints included the overall low-fidelity sound, which detracted from its appeal despite the novelty. User experiences reflected this duality, with children embracing HitClips for their portability and collectibility, often attaching them to backpacks or sharing clips on playgrounds to boost among peers. The devices sparked trends in song-swapping and customization, fostering a in settings, though frustrations with the short playback led to quick disposability. Parents and older siblings sometimes viewed them as disposable fads, yet kids' enthusiasm drove widespread adoption. In its societal role, HitClips emerged as a hallmark of early tween culture, bridging traditional toys with emerging digital music amid the explosion and helping cultivate younger fans for the recording industry. Marketed primarily to girls through vibrant designs and female-led pop hits, it subtly reinforced gender norms in tech toys by associating portable audio with feminine accessories like keychains, while appealing broadly to preteens seeking independence from adult-controlled media. Controversies arose around the commercialization of music for children, with debates focusing on whether the partial tracks exploited young consumers by acting as bait for full album purchases. Some parents dismissed HitClips as a rip-off due to the high cost per clip relative to content length, sparking discussions on ethical marketing to kids too young for traditional music buying. Despite this, the format's tie-ins with major labels highlighted its role in early digital music experimentation.

Modern Nostalgia

Since the , HitClips has seen a revival through nostalgia-focused media, capitalizing on millennial and Gen Z interest in early artifacts. A 2018 Mashable article highlighted the device's "absurd" yet entertaining role in pre-smartphone music consumption, sparking renewed conversations about its cultural quirkiness. By 2020, unboxing videos proliferated, with creators demonstrating functional vintage players and cartridges, often emphasizing their portability and collectible charm. On , content from 2022 to 2025 frequently tied HitClips to Y2K aesthetics, featuring short clips of the players alongside butterfly designs and pop song snippets to evoke turn-of-the-millennium vibes, including fan discussions on custom modifications. The collector market for HitClips has grown steadily, driven by marketplaces where players and cartridges typically sell for $10 to $50, depending on condition and included accessories. Enthusiasts value the items for their rarity and sentimental value, with complete sets from artists like commanding higher prices. Fan communities have innovated by reverse-engineering the cartridge system, creating homebrew modifications that allow users to load custom audio clips, thus breathing new life into the obsolete hardware. In broader cultural discourse, HitClips symbolizes a simpler of childhood entertainment before ubiquitous digital streaming, appearing in podcasts and articles exploring obsolete tech fads. It is frequently cited as an early precursor to clip-based audio formats in modern platforms like , where short, looped sound bites dominate . , which acquired Tiger Electronics in 1998, has referenced HitClips in company retrospectives as a pivotal tween-targeted from the late 1990s.

References

  1. https://mashable.com/article/hitclips-toys-music-nostalgia
  2. https://www.mentalfloss.com/fun/hitclips-portable-music-players
  3. https://obsoletemedia.org/hitclips/
  4. https://www.yahoo.com/news/hitclips-remembering-most-absurd-way-180151079.html
  5. https://wheeljackslab.com/blog/a-retrospective-on-tiger-electronics/
  6. https://www.chiefmarketer.com/connecting-to-kids/
  7. https://www.theglobeandmail.com/technology/hitclip-sales-humming-along/article22626965/
  8. https://kidscreen.com/2000/07/01/29455-20000701/
  9. https://www.latimes.com/archives/la-xpm-1998-feb-10-fi-17396-story.html
  10. https://www.nytimes.com/2002/02/12/business/making-toys-for-children-too-mature-for-most-toys.html
  11. http://www.toymania.com/news/messages/887.shtml
  12. https://www.chicagotribune.com/2000/02/14/toying-with-technology/
  13. https://www.90stoys.com/electronic-toys/hitclips/
  14. https://www.stereophile.com/content/hitclips-are-hot
  15. https://www.hollywoodreporter.com/hollywoodreporter/music/article_display.jsp?vnu_content_id=1482829
  16. https://www.nbcnews.com/id/wbna11334054
  17. https://www.wsj.com/articles/SB1013739898278697960
  18. https://consequence.net/2023/02/hitclips-songs-legacy/
  19. https://investor.hasbro.com/static-files/f7416d16-7b3c-4d58-90b3-595eb0e67dde
  20. https://tech.yahoo.com/general/articles/hitclips-remembering-most-absurd-way-180151652.html
  21. https://www.nightwater.email/hitclips/
  22. https://www.amazon.com/Clips-Micro-Music-System-Jockey/dp/B000MF74XO
  23. https://www.ebay.com/itm/167851729766
  24. https://ch00ftech.com/2013/12/31/reverse-engineering-a-hit-clip/
  25. https://www.ebay.com/itm/236225797744
  26. https://electronic-toys-wiki.fandom.com/wiki/HitClips
  27. https://www.ebay.com/b/Hit-Clips/145943/bn_7023277901
  28. https://www.discogs.com/release/15716693-Hilary-Duff-Why-Not
  29. https://obsoletemedia.org/hitclips-disc/
  30. https://tangiblemediacollection.com/artifacts/hitclips-disc.html
  31. https://www.youtube.com/watch?v=X8568_3amO4
  32. https://www.iheart.com/content/2018-03-07-hit-clips-didnt-make-any-sense-but-they-paved-the-way-for-the-future/
  33. https://www.washingtonpost.com/archive/lifestyle/2000/09/04/want-a-little-music/e7719b03-e5d1-432e-afdd-cf7ae1e6d597/
  34. https://www.bustle.com/articles/35177-hitclips-may-have-been-terrible-tools-of-corporate-evil-but-man-were-they-fun
  35. https://www.youtube.com/watch?v=j9XZpYUrr9M
  36. https://hackaday.io/project/183495-homebrew-hitclips
  37. https://hackaday.com/2022/01/10/hitclips-custom-cartridge-hack-will-never-give-up-let-down-or-turn-around/
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