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Highlander (film)
Highlander (film)
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Highlander
Theatrical release poster
Directed byRussell Mulcahy
Screenplay by
Story byGregory Widen[1]
Produced by
Starring
CinematographyGerry Fisher[2][3]
Edited byPeter Honess[1]
Music byMichael Kamen[1]
Production
companies
Distributed by
Release dates
Running time
111 minutes[1]
Countries
LanguageEnglish
Budget$19 million[7]
Box office$12.8 million[8]

Highlander is a 1986 fantasy action-adventure film and the first installment in the Highlander franchise. It follows Connor MacLeod, a Scottish Highlander who discovers he is immortal and, after centuries of clandestine duels, confronts his ultimate rival in contemporary New York. It stars Christopher Lambert as MacLeod and also features Roxanne Hart, Clancy Brown, and Sean Connery. It is directed by Russell Mulcahy from a screenplay by Gregory Widen, Peter Bellwood, and Larry Ferguson.

Highlander was a commercial failure on its initial theatrical release, grossing only a little less than $13 million worldwide against a production budget of $19 million, while receiving mixed reviews. Nevertheless, it became a cult film and inspired several film sequels and television spin-offs. The rock band Queen recorded several songs for the soundtrack, with "Princes of the Universe" also used for the title sequence in the television series.[9][10] The tagline, "There can be only one", has carried on into pop culture.

Plot

[edit]

In 1985 New York, Connor MacLeod encounters an old enemy, Iman Fasil, in the parking garage of Madison Square Garden. After a sword duel, Connor beheads Fasil and absorbs a powerful release of energy from his body, then hides his sword in the garage's ceiling. NYPD officers detain him on suspicion of murder but lack evidence to hold him.

Connor's history is revealed through a series of flashbacks. In the Scottish Highlands in 1536, Connor fights against the rival Fraser clan as a warrior of the MacLeod clan. The Frasers are aided by an outlander knight in exchange for his right to slay Connor. In battle the knight fatally stabs Connor but is driven off by his clansmen. After Connor makes a complete recovery, his lover Kate and his cousin Dougal accuse him of witchcraft. The clan wishes to kill him, but his other cousin, chieftain Angus, mercifully exiles him. Connor quietly settles into a new life as a blacksmith and marries a woman named Heather MacDonald.

Juan Sánchez-Villalobos Ramírez, a swordsman from Spain, seeks out Connor. He explains that they and others like them are immortals. They possess a sixth sense known as the "quickening" and can be killed only by beheading. Each immortal must be ready to do battle with others, save on holy ground. Ramírez trains Connor in sword fighting and the two become friends. He tells Connor that as the number of immortals wanes, they will gather in a distant land for a final confrontation, until only one remains with the combined quickening of all. Immortals cannot conceive children, and Ramírez urges Connor to leave Heather so that he will be unburdened in the fight ahead. The knight that he encountered, the Kurgan, is a powerful and vicious immortal who would subject humanity to an eternity of darkness.

One night while Connor is away, the Kurgan finds his home and duels Ramírez before decapitating him and leaving. Connor remains with Heather until she dies of old age, leaving him heartbroken. He wanders the earth, adopting Ramírez's katana as his own.

In 1985, the Gathering approaches and the Kurgan comes to New York, where Connor deals antiques under the alias "Russell Nash" assisted by his confidant and adopted daughter Rachel Ellenstein. Brenda Wyatt, a metallurgy expert working for the police as a forensic scientist, finds shards of Connor's sword at Fasil's death scene and is puzzled that the swordsmithing techniques do not match the age of the blade. She follows Connor for clues and witnesses the Kurgan attack him. The police arrive, forcing them to flee. She meets with Connor twice afterward, hoping to learn about the paradoxical sword. Connor likes her but tells her to leave him alone.

The Kurgan duels and beheads Sunda Kastagir, another immortal. A witness to the fight gives the NYPD a description of him. Brenda investigates Connor and finds evidence that he has lived for centuries. On Heather's birthday, Connor lights a candle for her in a church as he has done every year. The Kurgan arrives and confirms that he and Connor are now the last remaining immortals, and also reveals he raped Heather after killing Ramírez. Disgusted, but prohibited from fighting on holy ground, Connor leaves.

Brenda confronts Connor, who explains his true identity. After spending the night together they part company, but the Kurgan finds out about their newfound intimacy and kidnaps Brenda to draw Connor out. Connor decides to leave behind the Russell Nash identity, says goodbye to Rachel and confronts the Kurgan at Silvercup Studios in Queens, rescuing Brenda in the process. After a long duel, Connor outfights and decapitates the Kurgan, absorbing his power. Connor returns to Scotland with Brenda and reveals that he is now a mortal man who can age and have children. He is also able to read the thoughts and feelings of people all around the world, and remembering Ramírez's lessons, he hopes to encourage co-operation, understanding, and peace among humanity.

Cast

[edit]
  • Christopher Lambert as Connor MacLeod, a 16th-century immortal born in Glenfinnan, Scotland near the shores of Loch Shiel. Under the alias Russell Nash, he lives and works as an antique dealer in New York in 1985.
  • Sean Connery as Juan Sánchez-Villalobos Ramírez, an Egyptian immortal. He also lives for a time in Japan and then later in Spain. Learning the Kurgan has targeted Connor MacLeod, Ramírez tracks down the Highlander and becomes his mentor in the ways of immortals.
  • Clancy Brown as The Kurgan, Connor's nemesis, said to be the last of the Kurgan tribe and a sadistic murderously brutal barbarian. In 1985, he travels to New York under the name "Victor Kruger" intending to kill the few remaining immortals and claim "The Prize."
  • Roxanne Hart as Brenda Wyatt, a forensic scientist and published metallurgy expert helping to investigate the string of beheadings in New York City.
  • Beatie Edney as Heather MacLeod, Connor's first wife. After Connor is banished from his village, he starts a new life with her. She lives with the eternally youthful Connor for many years until she dies of old age.
  • Alan North as Lt. Frank Moran, Brenda's colleague in the NYPD.
  • Jon Polito as Det. Walter Bedsoe, an NYPD detective working alongside Moran.
  • Sheila Gish as Rachel Ellenstein, Connor's middle-aged secretary and adopted daughter. Saved from the Nazis by Connor when she was a Jewish child during the Holocaust, Rachel is one of the few mortal people who know his true identity.
    • Nicola Ramsey as a young Rachel.
  • Hugh Quarshie as Sunda Kastagir, Connor's fellow immortal and friend. He is beheaded by the Kurgan during a battle in New York.
  • Christopher Malcolm as Kirk Matunas, an emotionally unstable Vietnam War US Marine Corps veteran who witnesses the duel between the Kurgan and Kastagir, machine guns the Kurgan, and is then impaled on the villain's sword.
  • Peter Diamond as Iman Fasil, a French immortal. He attacks Connor before the Highlander can have a chance to draw his own sword. Despite this, Connor defeats and beheads him. Diamond was also the film's stunt co-ordinator.
  • Celia Imrie as Kate MacLeod, Connor's lover in 1536, before he met Heather. Convinced Connor's immortality means he is "in league with Lucifer", Kate leads an unsuccessful effort to have him burned at the stake.
  • Billy Hartman and James Cosmo as Dougal and Angus MacLeod, Connor's cousins and leaders of the MacLeod Clan.

Other actors in the film include Edward Wiley as Garfield, a slightly unhinged NYPD officer who is correct in suspecting Nash as a possible perp in the homicide of Fasil; Corinne Russell as Candy, a prostitute hired by the Kurgan; Jimmy McKenna as Father Rainey; Alistair Findlay as NYPD Chief Murdoch; Ian Reddington as Bassett; and Damien Leake as Tony.

Professional wrestlers Greg Gagne, Jim Brunzell, Sam Fatu, Michael Hayes, Terry Gordy, and Buddy Roberts appear as themselves in the film's opening sequence at a tag-team match. The event in the film is supposedly held at Madison Square Garden, but was actually shot at Brendan Byrne Arena in New Jersey.[11][12]

Production and development

[edit]

Conception

[edit]

Gregory Widen wrote the script for Highlander, as a class assignment while he was an undergraduate in the screenwriting program at UCLA, then under the title of Shadow Clan.[13] Widen also used Ridley Scott's 1977 film The Duellists as inspiration for his story. After reading the script, Widen's instructor advised him to send it to an agent. Widen sold the script for US$200,000. It became the first draft of what would eventually be the screenplay for the film.[14]

According to Widen, "The idea of the story was basically a combination of a riff on The Duellists—guy wants to finish a duel over years—and a visit I made both to Scotland and the Tower of London armour display, where I thought, 'What if you owned all this? What if you'd worn it all through history and were giving someone a tour of your life through it?' That scene is basically in the movie."[14]

According to William Panzer, producer of Highlander: The Series, "And that's where everything fell into place—the idea that there are Immortals and they were in conflict with each other, leading secret lives that the rest of us are unaware of."[15]

In a 2006 interview with The Action Elite, Gregory Widen remarked, "I've always been amazed that a project I wrote as a UCLA student has had this kind of life. I think its appeal is the uniqueness of how the story was told and the fact it had a heart and a point of view about immortality."[16]

Widen's original draft of the script differed significantly from the film. The initial story was darker and more violent. Connor is born in 1408 rather than 1518. He lives with his mother and father and a younger brother. Heather does not exist; Connor is promised to a girl named Mara, who rejects him when she learns that he is immortal. Connor willingly leaves his village after his clan's attitude towards him changes, instead of being banished. His alias is Richard Taupin and his weapon is a custom broadsword. Ramírez is a Spaniard born in 1100, instead of an ancient Egyptian born more than two thousand years earlier. The Kurgan is known as the Knight, using the alias Carl William Smith. He is not a savage, but a cold-blooded killer. Brenda is Brenna Cartwright, a historian at the Smithsonian who sometimes helps the police.

Other elements were changed during the rewrite. Initially, immortals could have children; in the draft Connor is said to have had 37. In a flashback in the first draft, Connor attends the funeral of one of his sons. His wife (in her 70s) and his two sons, who are in their mid 50s, see him revealed as an immortal. In the early draft, there is no release of energy when an immortal kills another nor is there any mention of the Prize. Immortals can still sense each other and when Connor finally kills the Knight, he feels a sharp burning pain. As he senses another immortal nearby, the ending implies this is simply one of many battles as the Game continues.

Director Russell Mulcahy was flipping through a magazine and saw a photograph of Christopher Lambert from his recent role as the title hero of Greystoke: The Legend of Tarzan, Lord of the Apes. At the Neuchâtel International Fantastic Film Festival in 2015, Mulcahy said he showed the photo to his production staff and "I said, 'who's this?' They had no idea. He couldn't speak English. But he had the perfect look. And he learned English very fast."[14] Mulcahy originally considered Kurt Russell or Mickey Rourke for the role of Connor MacLeod.[17]

Widen had originally envisioned Connor as a very serious, grim character following centuries of violence and loss. The film portrayed MacLeod as a person who has suffered loss and fears new attachment but doesn't deny the possibility of love, maintains a sense of humor about life, and tells his adopted daughter to have hope and remain optimistic. In a 2016 interview with HeyUGuys, Lambert said part of what he found appealing about Connor MacLeod was the man still having humor and hope despite his long life and many losses. "It's the only role that I have played that is touching on the subject of immortality, through a character carrying five hundred years of violence, pain, love, and suffering on his shoulders, who is still walking around and being positive. That is what amazed me about him the most...it's difficult living through one life but to see all the people around you dying over and over. How do you cope with that pain? How do you have the strength to keep on walking, to keep being positive and optimistic? To be capable of falling in love again when you know the pain it creates when you lose them."[18]

Widen also had a different vision of the Kurgan originally. "Kurgan was the thing that was most different about my screenplay. He was much more tortured. The Kurgan in Highlander as it is pretty much like Freddy [Krueger] – he's just a cackling psychopath. I envisaged him as a guy who loses everything over time. The only thing he could hold onto, to give him a reason to get up in the morning, was to finish this thing – finish it with our guy [MacLeod]. It was more about that…it was just a reason to get up in the morning. Otherwise, what is the point? Everything is impermanent, everything is lost. That made him much more serious – in a weird way, a sympathetic bad guy." Widen commented that actor Clancy Brown had similar thoughts about the Kurgan, wishing to make him more complex and interesting by dressing the villain in a bowler hat and suit, disguising his villainy rather than wearing the biker outfit he had instead.[14]

Casting

[edit]

As the film readied for production, Kurt Russell was cast as Connor Macleod beating Michael DouglasEd HarrisSam ShepardDavid KeithKevin CostnerScott GlennSting (who was also considered to provide the soundtrack for the movie), Mickey RourkePeter WellerMel Gibson and William Hurt; however, Russell dropped out of the film at the insistence of Goldie Hawn. Arnold Schwarzenegger was offered the role of the Kurgan but turned it down. Scott Glenn and Roy Scheider were the earlier choices for the role of the Kurgan back when he was The Knight in the early draft. Rutger Hauer and Nick Nolte were considered for the role.

Catherine Mary Stewart was cast as Brenda Wyatt beating many actresses that had included Brooke Adams , Diane LaneCarolyn McCormickDemi Moore, Lisa Eilbacher, Annette O'TooleMadolyn SmithLinda Hamilton and Sigourney Weaver. But like Kurt Russell, she dropped out of the film during pre-production and Roxanne Hart was cast in her place.

Peter O'TooleMichael Caine and Gene Hackman were considered for the role of Ramirez.

Filming

[edit]
Scotland's Eilean Donan Castle and its bridge featured prominently in the film

The budget was put up by Thorn EMI.[7][19] When brought to Russell Mulcahy, the title was The Dark Knight.[20] Filming took place in Scotland, England, Wales and New York City.[21][22]

Director Russell Mulcahy filmed Highlander using music video techniques including fast cutting and pacy music.[23]

In preparation, actor Christopher Lambert spent months working four hours each morning with a dialect coach and four hours in the afternoons sword training with Bob Anderson, who had been a Darth Vader stunt double in the Star Wars franchise.[24]

On filming a scene underwater in a Scottish loch, Lambert said, "The first time it's a surprise. I thought the water would be cold, but not that cold. The second time you know it is going to be freezing. The third time you turn away and you say, 'That's the last take you're doing.'"[25] Director of photography Arthur Smith actually filmed the scene in which fish fall out of MacLeod's kilt, but Lambert's kilt proved to be too short. Smith said, "I stuck part of a drain pipe above Chris's kilt out of camera range, and fed live trout down the tube."

Smith also had difficulties shooting MacLeod meeting the Kurgan. It was raining that day and the crew had to use umbrellas and hair dryers to prevent water from hitting the camera lenses and appearing on the film. Smith also remembered that Lambert, who was near-sighted, "kept forgetting to take off his glasses as he came over the hill on his horse."[26]

Bow Bridge in Central Park

The filming of the parking garage scene took place in two different places. According to New York location manager Brett Botula, "the garage exterior is Manhattan, across from Madison Square Garden, and the interior is 'somewhere in London.'"[27] The pro-wrestling match in the opening scene featured The Fabulous Freebirds vs. Greg Gagne, Jim Brunzell and The Tonga Kid.[28]

The scene in which the MacLeod clan sets off to battle is supposed to take place "in the village of Glenfinnan, on the shore of Loch Shiel" in the Lochaber area, but was actually filmed at Eilean Donan Castle, which is in the same general area but is really on the shore of Loch Duich, a sea loch near Kyle of Lochalsh and the Isle of Skye.

According to the DVD commentary, the film's climax was originally intended to take place on top of the Statue of Liberty. Then it was changed to an amusement park and finally changed to the rooftop of the Silvercup Studios building.[21] The opening sequence was originally intended to take place during a National Hockey League game, but the NHL refused because the film crew intended to emphasize the violence of the match.[21]

The scene in the alley where the Kurgan beheads Kastagir and stabs the former marine, followed by an explosion, was filmed in an alley in England even though it was set in New York.

The opening voice-over by Connery has an echo effect because it was recorded in the bathroom of his Spanish villa, where he had been working on his Spanish accent for the film with a voice coach. It was played for the producers over the phone, and they approved of it because they could not discern the quality of the recording.[14]

In a Reddit "Ask Me Anything" session in 2014, Clancy Brown said "It was a strange set. We were all trying to make a good movie, and the producers were trying to make money any way they could, so there were a lot of things we had to work around, do on the cheap because of those producers."[29]

As an example of the lengths to which the producers were prepared to go to save production costs, they initially decided on the first day of filming that the extras would not receive breakfast. The crew threatened to leave, but only when one of the assistant directors threatened to bring in Connery to force the issue did the producers back down.[9] The tension also led the largely Scottish extras to burn then-Prime Minister Margaret Thatcher in effigy.[9]

Soundtrack

[edit]

The Highlander original orchestral score was composed by Michael Kamen. The British rock band Marillion turned down the chance to record the soundtrack because they were on a world tour, a missed opportunity which guitarist Steve Rothery later said he regretted.[30] The band's Scottish lead singer, Fish, had also accepted a part in the film but pulled out because of the scheduling conflict.[31] David Bowie, Sting, and Duran Duran were considered to do the soundtrack for the film.[citation needed] The eventual soundtrack includes several songs by Queen, such as "A Kind of Magic" and "Princes of the Universe" (the latter also being used for the Highlander television series title sequence).[10] Brian May was inspired to write "Who Wants to Live Forever" after watching the love scenes between Connor and his wife Heather, and the song ultimately accompanied the film.[14]

Despite a mention in the end credits, to date a complete soundtrack album for Highlander has not been released. Queen's 1986 album A Kind of Magic features several songs from the film (although sometimes in different arrangements): "Princes of the Universe", "Gimme the Prize (Kurgan's Theme)" (the album version includes snippets of dialogue from the film), "One Year of Love", "Don't Lose Your Head", "Who Wants to Live Forever", and "A Kind of Magic". The album and single edits of "A Kind of Magic" feature a different mix from the one in the film; a 2011 re-release of the album includes the long-unreleased Highlander version of the song. The album does not include Queen's recording of "Theme from New York, New York", which features briefly in Highlander. "Hammer to Fall", a Queen song heard playing from a car radio in one scene, was from an earlier album, The Works.

The 1995 CD Highlander: The Original Scores includes five cues from Kamen's Highlander score (along with seven cues from Stewart Copeland's Highlander II score and four cues from J. Peter Robinson's Highlander III score). Furthermore, a rearrangement of an excerpt from Kamen's score (specifically, the beginning of the track "The Quickening") was eventually used as the logo music for New Line Cinema's ident between 1994 and 2011.

Release and reception

[edit]

Highlander premiered at the Avoriaz Fantasy Film Festival in January 1986 as the non-competitive closing film.[5] It opened in Los Angeles on March 7, 1986.[32] The film had a 116-minute running time in the United Kingdom and a 111-minute running time in the United States.[1] Roughly eight minutes of footage was cut from the film for its U.S. theatrical release. Most of the cuts were sequences involving a specifically European brand of humor which the distributors thought American audiences would not find funny, such as Connor being repeatedly head-butted by one of his clansmen, the duelist shooting his assistant, and the Kurgan licking the priest's hand.[21] The cut Mulcahy found most objectionable was the deletion of the scene showing how Connor met Rachel, because he could see no reason for its removal and believed that the relationship between Connor and Rachel was incomprehensible without it.[21]

The film grossed $2.4 million on its opening weekend in the United States and ended with $5.9 million in the United States and Canada. In the UK, the film grossed £147,753 in its opening weekend.[33] Internationally, the film grossed $12.9 million.[8] Upon initial U.S. release, Highlander was not well received, but it gained wide and persistent popularity in Europe and other markets, as well as on home video. It has since become a cult film in both domestic and non-domestic markets, leading to four sequels, a television series, and various other spin-offs.[34]

Critical response

[edit]

Variety stated that there were "entertaining moments" but the "total work is a mess".[35] People described it as "a moody combination of Blade Runner, The Terminator and your last really good nightmare".[35] Alex Stewart reviewed Highlander for White Dwarf #79 and stated, "What the film does have going for it is stylish direction, a breathless pace and some exquisite camerawork. The performances aren't bad either, especially Brown and Connery, who are so far over the top they're practically in the next trench."[36] Stewart reviewed the British release print of Highlander for White Dwarf #81, and stated that "Highlander is visually stunning, from the timeless grandeur of the Scottish landscape to the surrealist urban jungles of New York. And the swordfights are terrific."[37]

John Nubbin reviewed Highlander for Different Worlds magazine and stated that "Lambert, Mulcahy, and all of the people involved with this film have poured all of their talent into its making, and it shows. There are no flaws in the special effects, the photography, the rapid transitions, etc. It is a flowing masterpiece with but one problem - after it was finished, some heavy-handed, second guessing editing was added, which bruised, but did not break, a number of scenes."[38]

Home media

[edit]

The video was a hit in the United States.[39] Released on VHS by HBO/Cannon Video in 1986. Re-released on VHS by Republic Home Entertainment in 1993. The theatrical release of Highlander II: The Quickening in 1991 significantly increased the rental activity on Highlander even though the sequel was not a box-office success.[40] Highlander was first released to DVD in the United States in 1997, in a "10th Anniversary Edition" Director's Cut that contained the international uncut version of the film.[41] A "15th Anniversary" edition was released in Australia in 2001, which also contained the International cut of the film.[42]

Highlander was again released in 2002 in two editions: a special "Immortal Edition" with several extra features (including three Queen music videos and a bonus CD containing three Queen songs from the film) and a standard edition, both of which contain the International uncut version with remastered video and DTS ES sound.[43] On June 17, 2009, French distributor StudioCanal issued the film on Blu-ray[44] with identical releases following in Germany,[45] UK,[46] Holland, Australia and Japan.[47] The U.S. director's cut is available on DVD and Blu-ray in North America from Lionsgate Studios under license from the film's current owner, StudioCanal, while television rights stand with The Walt Disney Company, parent company of theatrical distributor 20th Century Studios.

An Ultimate release of the movie was rereleased in France and Europe on April 10, 2012.

In 2022, StudioCanal released a 4K & Blu-ray double disc set in the UK on October 31, November 2 in Australia & New Zealand, and November 22 in France in standard and limited collectors edition formats. The 4K disc contained new special features such as a featurette on the soundtrack, an interview with photographer David James, a featurette with Clancy Brown, a look back on the magic of Highlander, and a new audio commentary by author Jon Melville as well as the original commentary by director Mulcahy, and producers Panzer and Davis, whereas the Blu-ray disc contained the original Blu-ray release's extras.

Deleted scenes

[edit]

There were a number of alternate and deleted scenes that were cut from the film and ended up being destroyed in a fire. Among these included:

A duel between the Kurgan and an Asian Immortal named Yung Dol Kim played by Sumar Khan. The fight takes place in an office building where the Kurgan uses brute force against Kim. The Kurgan says to him that he fights like a woman to which Kim response to by dropping his swords and falls to his knees. Kurgan tells him to pick up his swords and fight but Kim tells him that he is tired after 400 years wanting peace in death. The Kurgan agrees and beheads him. David Yip was supposed to play Yung Dol Kim in the 1986 film, but some theories suggest Yip was unavailable.

A scene where Connor and Kastagir are at nightclub for one last night of fun. They are then joined by Detective Bledsoe.

A bedroom scene set after the sex scene where Connor shows Brenda his katana.

The final scene between Connor and Rachel before he goes to face the Kurgan was much longer.

A scene set after Connor's showdown with the Kurgan had Rachel burning down Connor's antique store and home. Moran arrives to tell her about the killing. Moran sees a silver picture frame she is holding of her when she was a child and Connor. Moran is confused about the picture and then Rachel takes his arm and asks him if she would have coffee with her, which he accepts and the two leave with Rachel telling him that she would explain everything.

Another scene had had three UPS men arriving at Bledsoe's home to deliver Connor's fish tank.

Legacy

[edit]

Critical reassessment

[edit]

On Rotten Tomatoes the film has an approval rating of 69% based on 42 reviews, with an average rating of 6.20/10. The site's critical consensus reads, "People hate Highlander because it's cheesy, bombastic, and absurd. And people love it for the same reasons."[48] On Metacritic, the film has a weighted average score of 24 out of 100 based on 7 critics, indicating "generally unfavorable" reviews.[49] Audiences surveyed by CinemaScore gave the film a grade "C+" on scale of A to F.[50]

In 1998, Halliwell's Film Guide described Highlander as a "muddled, violent and noisy fantasy" and stated that "the explanation doesn't come until most people will have given up."[35] In 2000, Matt Ford of the BBC gave the film three stars out of five, writing, "From the moody, rain-soaked, noir-ish streets of late 20th century America to the wild open spaces of medieval Scotland, Mulcahy plunders movie history to set off his visceral fight scenes with suitably rugged locations. ... What the film loses through ham acting, weak narrative, and pompous macho posturing it more than compensates with in sheer fiery bravado, pace, and larger than life action."[51] Also in 2000, IGN, awarding it eight out of ten, wrote, "This 80s classic has a lot going for it. The hardcore MTV manner in which it was filmed is common these days, but was groundbreaking then. This movie features some of the best scene transitions committed to celluloid. ... To this is added some fun performances by Connery and especially Clancy Brown."[41] In 2000, Christopher Null of FilmCritic.com gave the film four-and-a-half stars out of five, writing, "Highlander has no equal among sword-and-sorcery flicks."[52] Null later called Highlander "the greatest action film ever made," saying that it features "awesome swordfights, an awesome score, and a time-bending plotline that only a philistine could dislike".[53]

In 2002, giving the film three stars out of five, Adam Tyner of DVD Talk wrote, "The screenplay spots a number of intelligent, creative ideas, and I find the very concept of displacing the sword-and-sorcery genre to then-modern-day New York City to be fairly inventive. The dialogue and performances don't quite match many of the film's concepts, though. The tone seems somewhat uneven as if Highlander is unsure if it wants to be seen as a straight adventure epic or if it's a campy action flick."[54] In his 2009 Movie Guide, Leonard Maltin gave the film one-and-a-half stars out of four, describing it as an "interesting notion made silly and boring", but acknowledged that "Connery, at least, shows some style." He added that "former rock video director Mulcahy's relentlessly showy camera moves may cause you to reach for the Dramamine."[55] Tom Hutchinson of Radio Times awarded it three stars out of five, calling it "so confused as to be hilariously watchable". Hutchinson praised "some great sword-lunging duels — the best of which is set in a Madison Square Garden garage — but the story is never that engaging."[56]

Novelization

[edit]

A novelization of the film was written by Garry Kilworth under the pen name "Garry Douglas." It expanded the events of the movie by revealing details such as Heather finding out about Connor's immortality from Ramírez, the Kurgan's First Death, and the villain's training with an Arabian immortal known as "The Bedouin" (whom he eventually kills). The novel depicts the Kurgan battling and defeating an immortal Mongol warrior soon before meeting MacLeod in 1536. Another scene reveals how he acquires his customised longsword.

The novel depicts Connor and Kastagir as having a more somber relationship, the two comfortable talking and confiding in each other about their fears. An alternate scene has them meet in the subway before going to the Bridge.

The book expands the ending following Connor's last battle with the Kurgan. He returns to his antique shop to say a final goodbye to Rachel before leaving for Scotland. Once there, he and Brenda tour the country for two months then open an antique shop in Camden Alley. On one occasion, Connor returns to the Scottish Uplands alone and stares at the remnants of his home with Rachel. There is no croft there but he finds a few stones from the fallen tor and locates the burial place of Ramírez and Heather. Finding two timbers and fashioning a crude cross, Connor tells Heather that she would like Brenda because "she is much like you."

Sequels

[edit]

The film was followed by two direct sequels. Highlander II: The Quickening was released in 1991 and met with an overall negative response, with some considering it among the worst films ever made.[57] Highlander III: The Sorcerer (also known as Highlander: The Final Dimension) was released in 1994 and retroactively erased the canon of Highlander II, acting as an alternate sequel to the first film. The movies Highlander: Endgame (2000) and Highlander: The Source (2007) follow the continuity of the TV show Highlander: The Series. Both movies received negative reviews from fans of both the original film and the TV show. The anime movie Highlander: The Search for Vengeance (2007), which existed in its own continuity with protagonist Colin MacLeod, received largely positive reviews.

Reboot

[edit]

TV series

[edit]

Christopher Lambert was offered a chance to return as Connor MacLeod in a TV series adaptation. Lambert turned down the role, so the series became a spin-off, introducing a new character Duncan MacLeod played by Adrian Paul. Highlander: The Series began airing on television in 1992, with Lambert appearing as Connor in the first episode. The series explains Duncan is a man born decades after Connor's banishment and adopted by the Clan MacLeod. After Duncan discovers he is immortal, Connor finds him and trains him before going his separate way. The season two premiere episode "The Watchers" confirms Connor's battle with the Kurgan still happened in 1985 in the canon of the show, but the Prize was not won because there were still several living immortals in this version of events, including Duncan. Lambert did not appear in any other episode, but he and Duncan meet again in the movie Highlander: Endgame.

Highlander: The Animated Series aired 1994 to 1996. A loose science fiction adaptation and sequel of the original film, the series imagines a meteorite causing an apocalypse on Earth. In the wake of this, Connor MacLeod is one of several immortals who decides to help preserve knowledge for humanity rather than continue their war for the Prize, though he is then killed by Kortan, the one remaining evil immortal. Taking place in the 27th century, the series features the young immortal hero Quentin MacLeod, last descendant of the MacLeod Clan. He is trained by another immortal named Don Vincente Marino Ramirez, an old friend of Connor's.

Future film

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In March 2008, Summit Entertainment announced that it had bought the film rights to Highlander and was remaking the original film. Kevin McKidd was rumoured to have been offered the role of Connor Macleod.[58][59][60] Chad Stahelski was announced as a new director of the reboot which has been described to be John Wick with swords with the reboot planned as a possible trilogy. As of May 2020, the filming for the remake had not yet begun.[61]

Kit Harington, James MacAvoy, Robert Pattinson, Stephen Amell, Sam Heughan and Charlie Hunnam were rumoured to be in the running for the role of Connor MacLeod. Ryan Reynolds was cast in 2012 but dropped out of the role the following year. In May 2021, Henry Cavill was confirmed to play the lead role in the film, although his exact character was unknown.[62] In October 2023, Lionsgate was moving forward with the reboot, with Cavill starring as MacLeod and Stahelski directing from a screenplay by Mike Finch. Michael Fassbender was rumoured to be in the running for the villain role in the film. Stahelski has confirmed that music by Queen will be used in the reboot film. On June 20, 2025, Russell Crowe was announced to have joined the film as Ramirez. Dave Bautista has been cast as The Kurgan. Karen Gillan has been cast as Heather MacLeod.[63]

References

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Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Highlander is a 1986 British-American fantasy action-adventure film directed by and written by , with revisions by Peter Bellwood and Larry Ferguson. It stars as , an immortal Scottish swordsman born in the who discovers his after surviving a fatal battle wound, leading him to a life of exile and training under the ancient Egyptian immortal Ramirez, played by . The plot spans centuries, interweaving flashbacks of MacLeod's past with his present-day confrontation in 1980s against the ruthless immortal (), who seeks to claim "the Prize" by beheading all other immortals in ritual combats known as "The Game." Supporting roles include as forensic expert Brenda Wyatt and as police lieutenant Frank Moran, who investigate a series of mysterious decapitations linked to MacLeod's alias, Russell Nash. Produced by Peter S. Davis and William Panzer for Highlander Productions Ltd. and Screen Entertainment, the film was shot on locations in , , and New York from May to July 1985, with a estimated at $14–17 million. Released on March 7, 1986, by 20th Century Fox in the United States, Highlander runs 110 minutes and blends swordplay, rock soundtrack by Queen, and themes of and destiny. Though initially met with mixed reviews for its bombastic style and plot inconsistencies, it grossed approximately $5.9 million domestically and $12.9 million worldwide, and achieved cult status through , praised for its energetic direction and iconic "There can be only one" . The film's success launched a franchise, including five sequels (1991–2007), with three released between 1991 and 2000, two live-action television series (Highlander: The Series from 1992–1998 and Highlander: The Raven from 1998–1999), animated series, comic books, and novels, expanding the immortal lore while varying in quality. A reboot starring is in development as of 2025, overseen by Lionsgate and directed by , aiming to reintroduce the Highlander universe to new audiences.

Narrative Elements

Plot

In 1985 New York City, Connor MacLeod, an immortal living under the alias Russell Nash as an antiques dealer, senses the presence of another immortal through "the Buzz," a psychic alert unique to their kind. He pursues and decapitates Iman Fasil, an Algerian immortal, in an abandoned warehouse during a sword duel, shattering Fasil's blade and leaving a fragment behind. The incident draws the attention of police lieutenant Frank Moran and forensic expert Brenda Wyatt, who analyzes the sword remnant and links it to Nash, inadvertently pulling her into the immortals' hidden world as she begins to suspect his extraordinary nature. Flashbacks reveal Connor's origins in 16th-century . Born in 1518 near to the MacLeod clan, Connor grows up as a blacksmith's son and warrior. In 1536, during a clan battle against the invading Frasers—bolstered by the savage immortal —he suffers a mortal sword wound to the chest from the Kurgan but inexplicably revives hours later, his wound healed. Branded a sorcerer by his terrified clansmen, Connor is tried and exiled. After his exile, he settles in Glencoe and marries the mortal Heather, a kind-hearted villager, around the early 1540s; they begin a life together, sharing quiet domesticity. In 1541, the ancient Egyptian immortal Juan Sánchez Villa-Lobos Ramírez locates him in , where he has settled after his exile. Ramírez, over 2,000 years old, explains the immutable rules of to Connor: Immortals are scattered across , born as ordinary humans but revealed upon their first "death" around age 30 to 40; they cease aging, cannot bear children, and heal from any injury except , which ends their existence. They detect one another via the Buzz and must fight in "The Game," a ritual combat off consecrated Holy Ground where the victor severs the loser's head, absorbing their essence, knowledge, and power through the explosive ""—a storm of lightning and energy. All immortals are inexorably drawn to "The Gathering," a prophesied final convergence in a modern city where only one survivor claims "The Prize," the accumulated power of every immortal who ever lived, granting the ability to wield mortal emotions and live as a normal human. Ramírez vows to train Connor, emphasizing that "there can be only one." From 1541 to 1547, Ramírez mentors Connor in a rigorous training montage across the , teaching advanced swordplay, strategy, and immortal lore while they evade , who seeks to eliminate rivals early. Their bond grows like father and son, but in 1547, while Connor is away, ambushes their home, decapitating Ramírez in a fierce and assaulting Heather. Connor returns heartbroken after finding his teacher's severed head amid the ruins. He stays with Heather, and they share decades of quiet domesticity, but she ages and dies peacefully in his arms in 1590, her death underscoring the immortals' curse of outliving loved ones. After her death, Connor roams the world for centuries, adopting aliases and professions from to , amassing power from defeated immortals while grieving the isolation of eternal life. By 1783, during the American Revolutionary War, Connor—now fighting for the colonists—intercepts and duels an English immortal assassin in a Boston mansion, beheading him in a rapier clash amid chandeliers and finery, preventing a plot against revolutionary leaders. Returning to 1985, the Gathering accelerates as the Kurgan, now a hulking, sadistic mercenary enhanced by countless Quickenings, slaughters remaining immortals, including a Japanese swordmaster in a dojo and others to consolidate power. Connor evades police while protecting Brenda, who deciphers clues about his immortality; their relationship deepens as she aids his flight, witnessing a Quickening and committing to his side despite the danger. The Kurgan tracks them to a church on Holy Ground, where immortals are forbidden to fight by ancient rules—violating it risks cosmic retribution—but he terrorizes Connor verbally, boasting of Ramírez's death and kidnapping Brenda to force a confrontation off sacred soil. Connor rescues from the 's lair, but the ancient enemy escapes, mocking their bond. With only two immortals left, the intensifies, compelling the final duel atop the rooftop in amid a . In an epic battle blending strikes, improvised weapons, and brutal hand-to-hand, Connor outmaneuvers the stronger , severing his head in a climactic thrust. The resulting erupts in a cataclysmic surge of lightning, wind, and visions of the 's millennia of atrocities, nearly overwhelming Connor but ultimately empowering him with The Prize. Embracing mortality, Connor chooses to age alongside , relinquishing immortality's burden to experience human joys and sorrows fully.

Cast

The principal cast of the 1986 film Highlander features in the lead role of , an immortal Scottish swordsman born in the who confronts his destiny in contemporary . Lambert, a French making one of his early English-language performances, adopted a unique accent blending his native inflection with attempts at Scottish brogue, working intensively with a dialect coach for four hours daily alongside sword-fighting training to embody the character's timeless outsider status. His portrayal emphasizes Connor's brooding intensity and emotional depth, marking a breakthrough that elevated Lambert to international prominence. Clancy Brown delivers a menacing performance as the Kurgan, the film's primary antagonist and a brutal ancient warrior driven by a lust for power among the immortals. Brown's physicality, standing at 6 feet 2 inches with a imposing build, suits the role's demand for raw intimidation, though initial plans for extensive prosthetics were abandoned due to his allergy to makeup, relying instead on customized armor elements he personally modified for authenticity. The result is a villainous presence defined by guttural menace and chaotic energy, often cited as one of the film's standout elements despite critiques of its occasional lack of genuine terror. Sean Connery portrays Juan Sánchez-Villa-Lobos Ramírez, Connor's enigmatic Egyptian-Spanish mentor who imparts crucial knowledge about immortality and combat during flashbacks. Connery's charismatic, campy interpretation—complete with a thick Scottish accent for the non-Scottish character—provides pivotal guidance and humor, exerting a profound influence on the narrative despite his relatively brief appearances. His scenes, blending wisdom with eccentricity, underscore the mentor archetype and add gravitas to the immortal lore. Roxanne Hart plays Brenda Wyatt, a sharp forensic expert drawn into Connor's world as both ally and romantic interest, bringing a grounded to the elements. Her performance highlights Brenda's intelligence and resilience, serving as an emotional anchor for Connor amid the chaos of duels. Beatie Edney embodies Heather MacLeod, Connor's devoted 16th-century wife, whose tender relationship with him illustrates the personal toll of immortality in the film's historical segments. Edney's portrayal conveys quiet strength and heartbreaking , contrasting the epic battles with intimate human loss. In supporting roles, appears as Lt. , the tenacious police detective investigating the bizarre murders linked to immortal confrontations, adding procedural tension to the modern storyline.
ActorCharacterRole Description
Immortal protagonist and Scottish Highlander
Ruthless antagonist and ancient warrior
Juan Sánchez-Villa-Lobos RamírezMentor to Connor
Brenda WyattForensic expert and love interest
Heather MacLeodConnor's 16th-century wife
Lt. Police detective

Production

Development

The development of Highlander originated in 1981 when , an undergraduate screenwriting student at UCLA, wrote the initial titled "Shadow Clan" as his senior thesis project. Inspired by Ridley Scott's 1977 film , which depicted obsessive duels across the , Widen crafted a story centered on immortals who battle across centuries until only one remains, blending swordplay with themes of eternal conflict. Producers Peter S. Davis and William N. Panzer encountered Widen's rough draft through their production company, Davis-Panzer Productions, and were immediately drawn to its high-concept premise of and ritualistic combat. To refine for production, they hired Peter Bellwood and Larry Ferguson for revisions, which lightened the originally darker tone, eliminated elements like the protagonist's children, and formalized core rules such as immortals' invulnerability except by , the explosive "" energy transfer upon victory, and "The Gathering"—a prophesied final convergence of survivors. Conceptually, the screenplay evolved from Widen's exploration of historical vengeance into a hybrid narrative structure, interweaving flashbacks to medieval and with a contemporary New York setting, emphasizing the immortals' hidden lives among mortals. This structure drew directly from ' motif of recurring confrontations, but expanded it into a fantastical framework with a mentor-protégé dynamic between the Scottish Highlander and the ancient warrior Ramirez. Davis and Panzer selected Australian director to helm the project, valuing his background in high-energy music videos and his 1984 feature Razorback for its visual flair, which they believed would infuse the film's action sequences with a modern, kinetic style. For casting, the producers conducted an international talent search for MacLeod, ultimately choosing French actor after Mulcahy spotted his photograph in a magazine promoting his role in Luc Besson's Subway (1985), despite Lambert's . To bolster commercial appeal, they cast as the enigmatic Ramirez—a 2,000-year-old Spanish-Egyptian immortal—leveraging his star power from films, even though the actor's age mismatched the character's backstory; Connery agreed to a brief seven-day commitment. Funding proved challenging due to the script's supernatural elements, which deterred some studios, but secured funding from Screen Entertainment, with distribution by 20th Century Fox, on a $16 million budget, enabling Davis-Panzer to proceed toward in 1985.

Filming

for Highlander commenced in late April 1985 in , , following a twelve-week schedule that concluded on August 30, 1985. The production spanned multiple locations to capture the film's temporal contrasts, including Scotland's rugged Highlands for 16th-century flashbacks—such as Castle near the Isle of Skye, for battle sequences, and for scenic exteriors—and for contemporary scenes in areas like , Chelsea, and Central Park's Bow Bridge. Several modern New York sequences were doubled in , including the alley fight in and parking garage duel at , to manage budget and logistics on the $16 million production. The film's action sequences emphasized practical techniques, particularly the sword fights choreographed by Olympic fencer and sword master Bob Anderson, who trained actors including with progressively heavier blades to build authenticity and endurance. For visual impact during clashes, crew strapped car batteries to performers' legs, wiring them to generate real sparks on sword contact, though the heated handles limited takes to three per setup. The scenes, depicting energy transfers between immortals, relied on practical explosions, , and wire work to simulate and , avoiding early CGI in favor of tangible effects that enhanced the film's visceral intensity. Filming faced logistical hurdles, including unpredictable Scottish weather that disrupted outdoor shoots, such as the pivotal encounter between and amid Highland rains. Lambert's relative inexperience with swordplay, compounded by his poor eyesight, led to physical strain during training and rehearsals, while a near-miss during the castle fight sequence saw a shard from a shattered table fly perilously close to , prompting him to briefly threaten to leave the set. Director , transitioning from music videos to his feature debut, adapted by employing rapid cuts and theatrical rigs—like fishing lines for collapsing walls—to maintain pace on the guerrilla-style shoot. Cinematographer Gerry Fisher contributed to the film's dual-era aesthetic through careful and composition, ensuring period authenticity in Scottish exteriors while contrasting them with the gritty urban sheen of New York. Production designer Allan Cameron oversaw sets that bridged historical and modern worlds, from medieval interiors rebuilt for the Ramirez-Kurgan to New York antiques shop facades, highlighting the immortals' timeless existence. Following the principal wrap, post-production proceeded without major reshoots, allowing Mulcahy to refine the edit for rhythmic flow and integrate practical effects seamlessly into the narrative.

Music

Soundtrack

The rock band Queen played a pivotal role in the musical landscape of Highlander, with members Brian May, Freddie Mercury, Roger Taylor, and John Deacon composing several original songs tailored to the film's themes of immortality and conflict. These included Mercury's "Princes of the Universe," which served as the main title theme; May's "Who Wants to Live Forever," a poignant ballad reflecting the immortals' eternal solitude; Taylor's "A Kind of Magic," capturing the mystical elements of the Quickening; and Deacon's "One Year of Love" and the band's collaborative "Gimme the Prize (Kurgan's Theme)," the latter underscoring the villain's aggressive persona. These tracks, recorded between late 1985 and early 1986 at Musicland Studios in Munich and Mountain Studios in Montreux, marked Queen's return to film music following their 1980 Flash Gordon soundtrack, blending hard rock anthems with orchestral flourishes that amplified the movie's epic scope and appealed to MTV audiences during the mid-1980s rock revival. In the film, the songs were strategically placed to heighten emotional and dramatic beats: "" opens the credits, establishing Connor MacLeod's immortal destiny; "Gimme the Prize" accompanies Kurgan's brutal confrontations, emphasizing his menace; "" plays during the heartbreaking scene of Connor watching his wife Heather age and die, evoking profound loss; "" features in a tender moment between Connor and modern love interest Brenda Wyatt in a nightclub, adding romantic intimacy; and "" rolls over the end credits, providing an uplifting close. Brian May's guitar work in these songs occasionally intertwined with Michael Kamen's orchestral cues, creating seamless transitions between rock energy and symphonic tension. The songs were featured on Queen's twelfth studio album, , released on June 2, 1986, by in the UK and in the , which effectively functioned as the film's unofficial despite no dedicated compilation being issued at the time. The album's track listing prominently showcased the Highlander contributions alongside other material, such as "" and "Don't Lose Your Head," with no additional artists beyond the band. It debuted at number 1 on the , spending 63 weeks there, and peaked at number 46 on the ; certifications include 2× Platinum in the UK (600,000 units) by the BPI and Gold in the (500,000 units) by the RIAA. A 40th anniversary edition of the complete , including Queen's songs and Kamen's score, was released in 2023 by . Produced amid Queen's grueling touring schedule, the album's Highlander tracks were developed in close collaboration with director , who provided script excerpts to inspire and moods, resulting in a cohesive vibe that boosted the film's promotional tie-ins on radio and video outlets. Initially selling over 1 million copies worldwide within months of release, has endured with over 14 million equivalent album sales (EAS) globally as of 2025, frequently appearing in rock anthology compilations and sustaining the songs' cult status among fans.

Film Score

The instrumental score for Highlander was composed by , an up-and-coming Anglo-American composer whose previous credits included The Dead Zone (1983) and (1985), blending orchestral and electronic elements to underscore the film's immortal battles and historical flashbacks. Kamen was assigned the project at the suggestion of producer Peter Davis, drawing on his expertise in dramatic, period-infused music to evoke the epic scope of Connor MacLeod's eternal struggle. Central to the score are its key thematic motifs, including a heroic main theme featuring a two-note answered by a six-note horn response, which prominently signals "The Gathering" of immortals and symbolizes MacLeod's resilience. Bagpipe-inspired cues, performed by soloist Bob Murphy, infuse Scottish regional flavor during the 16th-century flashbacks, while romantic leitmotifs—arranged for lush strings and a female solo vocalist (Alexandra Thompson)—accompany the relationship between Connor and Heather, heightening the emotional drama of their mortal love. These elements integrate seamlessly with the film's hybrid , incorporating Queen's songs for added rock intensity. The score was recorded in November and December 1985 with the National Philharmonic Orchestra at EMI Studios and Video Sonic Studios in , under Kamen's direction and with mixing by ; Kamen also handled orchestrations, incorporating instruments like the (played by Ben Murdock) for exotic textures. Technically, synthesizers such as Kurzweil sequences were employed for dynamic effects in battle sequences, including the electrifying "Quickening" absorptions of , contributing to the film's tension. The total score length is around 40 minutes, with the full recorded material extending further in later releases. Notable tracks include the expansive "The Gathering" suite, which captures the main motif's triumphant orchestration, and unused cues such as "The Castle – Anno Domini 1518" and "Heather’s Death," which were later included on expanded bootleg and compilation albums like the 1995 Highlander: The Original Scores. These pieces exemplify Kamen's ability to balance intimate drama with bombastic action, enhancing the film's mythic atmosphere.

Release

Theatrical Release and Box Office

Highlander was released theatrically in the United States on March 7, 1986, by Fox, following an earlier premiere at the Fantasy Film Festival in in January 1986. The film reached international markets shortly thereafter, with general releases in on March 26, 1986, and in the on August 29, 1986, distributed by Thorn EMI Screen Entertainment. These staggered rollouts allowed for broader exposure in before the U.S. launch, capitalizing on the film's Scottish Highlander origins and fantasy elements. Marketing efforts highlighted the film's high-energy sword fights and its rock soundtrack featuring Queen, with trailers showcasing dramatic beheading sequences set to the band's music to evoke epic immortal battles. Promotional posters prominently featured the "There can be only one," emphasizing the central rule of the immortals' Gathering and starring as against backdrops. This campaign positioned Highlander as a bold fusion of and modern action, targeting audiences interested in swordplay and supernatural lore. The film underperformed at the domestic box office, earning $5.9 million in the United States against a $16 million production budget, with its entire U.S. gross achieved during a limited run of 1,040 theaters. Internationally, earnings contributed to a worldwide total of approximately $12.9 million, reflecting modest returns that fell short of expectations for a mid-budget action-fantasy. Despite the initial financial disappointment, the film's performance benefited from stronger reception in the UK, where its Scottish ties and Highland settings resonated with local audiences, fostering early word-of-mouth buzz. This regional appeal laid the groundwork for its post-theatrical cult following, as repeat viewings and fan discussions amplified its visibility. In some markets, Highlander faced for its , with the U.S. theatrical version edited to remove explicit beheading scenes and chants like "Kill the !" compared to the international cut, which retained more intense depictions of sword combat and torture. These alterations, aimed at securing an R rating and broader distribution, toned down elements such as bloodier immortal duels to comply with local standards in violence-sensitive territories.

Critical Reception

Upon its release, Highlander received mixed reviews from critics, who were divided over its blend of fantasy, action, and stylistic flair. On , the film holds a 69% approval rating based on reviews, with the critics' consensus noting that audiences it for the same reasons some dismiss it as cheesy, bombastic, and absurd—its entertaining mythology and characters provide a despite tonal inconsistencies. Variety described the film as a "confusing mishmash" of genres including sci-fi, thriller, horror, and romance, praising the fantastic opening sword-fighting sequence in a garage but criticizing director Russell Mulcahy's struggle with tonal consistency across scenes. echoed this mixed sentiment, calling the proceedings "cumbersome" and "overblown," with pacing hampered by a lack of substance after the early sequences, though it commended the "noise and flash" of Mulcahy's music-video-inspired visuals and the contributions of Queen's songs to the eclectic score. On the television program Siskel & Ebert, both critics gave the film thumbs down, faulting its convoluted narrative and execution. Positive responses highlighted Mulcahy's stylish direction, which infused the film with kinetic energy through quick cuts and atmospheric visuals, evoking his in music videos. The Queen's soundtrack was widely acclaimed for elevating the action and emotional beats, with songs like "" adding dramatic weight to the immortal warriors' saga. Performances drew praise as well: was seen as effectively conveying the brooding isolation of despite his non-Scottish accent, while Clancy Brown's portrayal of the villainous was noted for its menacing physicality, even if some found it uneven. Critics frequently pointed to the film's confusing plot structure, with frequent time jumps between 16th-century and 1980s New York disorienting viewers unfamiliar with the rules, leading to complaints about logical inconsistencies in the process and immortal lore. Lambert's inconsistent Scottish accent was another common target, often described as a distracting affectation that undermined the cultural authenticity of the Highland setting. The film received no major awards, though it earned nominations for Jupiter Awards in 1987 for Best International Film and Best International Director. Reviews in the UK were somewhat more favorable, appreciating the Scottish cultural elements and Connery's charismatic turn despite the overall silliness, as reflected in The Guardian's description of it as a "hare-brained sword-and-sorcery romp" with energetic appeal.

Home Media

The film was first released on in 1986 by /Cannon Video, which played a significant role in establishing its through robust sales in the United States. This early home media availability helped expand the film's audience beyond its modest theatrical performance, fostering franchise awareness among fans. Subsequent DVD releases included the 10th Anniversary Edition in 1997, featuring additional footage and extras that enhanced viewer engagement. A 15th Anniversary Special Edition DVD was released in 2001. The film's transition to high-definition formats culminated in the 2016 30th Anniversary Edition Blu-ray, which utilized a new 4K remaster for improved picture quality and audio. This edition was later incorporated into 4K UHD Blu-ray releases, including a 2022 Lionsgate version with enhancements. Special editions across these formats incorporated deleted scenes, such as extended sequences involving Connor MacLeod's early life and interactions with other immortals, providing deeper context to the narrative. Audio commentaries by director and interviews with actor were also included, offering insights into the production challenges and creative decisions. The film has been available for streaming on various platforms, including in the early and, as of November 2025, on Prime Video, Peacock Premium, and , contributing to its accessibility for new generations. As of 2025, discussions around further 4K upscales continue among collectors and archivists, building on the restoration to potentially refine detail in future editions.

Legacy

Cultural Impact and Reassessment

Highlander developed a dedicated in the years following its theatrical release, particularly through distribution on and frequent broadcasts, which allowed audiences to discover its blend of fantasy, action, and Queen's rock beyond its initial struggles. The film's iconic line, "There can be only one," delivered by Clancy Brown's villainous , has endured as a cultural touchstone, frequently referenced in memes, video games, and other media to evoke themes of ultimate competition or singularity. Thematically, the movie explores not as a but as a profound burden of isolation, with protagonists like forced to live on society's fringes to conceal their ageless nature while enduring perpetual conflict among their kind. This portrayal underscores the emotional toll of eternal life, including the pain of outliving loved ones and the moral weight of absorbing others' essences through ritual combat, themes that resonate in later analyses of the film's philosophical depth. In the and beyond, retrospectives have reassessed Highlander for its innovative fusion of historical flashbacks with modern urban settings, positioning it as a foundational influence on the genre by integrating supernatural immortals into contemporary cityscapes like 1980s New York. The film earned nominations for the 1987 Jupiter Awards in categories including Best International Film and Best International Actor for , recognizing its international appeal within fantasy cinema. As of November 2025, amid ongoing development of a reboot starring —delayed due to an injury but with filming slated to begin soon—renewed interest has surfaced in podcasts and articles praising the original's quirky charm, diverse casting of immortals from various eras and cultures, and its status as an uplifting "feelgood" oddity despite violent elements.

Novelization and Merchandise

The novelization of Highlander was written by Garry Kilworth under the Garry Douglas and published in 1986 by Grafton Books in the and Warner Books in the United States. It adapts the film's while expanding on character backstories, such as the Kurgan's brutal origins among nomadic tribes, and includes additional internal monologues and scenes not present in the movie, providing deeper insights into the immortals' and lore. Merchandise tied to the original film included promotional posters featuring key imagery like Connor MacLeod's and the "There can be only one," which were widely distributed during the 1986 theatrical release. replicas, particularly of Connor's dragon-head and the Kurgan's spiked blade, became popular collectibles, with early versions produced by United Cutlery and later high-fidelity models by Kit Rae Designs in the 2000s. In 2006, released a 13-issue comic series based on the Highlander universe, including one-shots that revisited the original film's events through new immortal conflicts. The 1995 video game Highlander: The Last of the MacLeods, developed by Lore Design Limited for the , drew inspiration from the film's lore, featuring action-adventure gameplay centered on immortal swordplay and Quickening-like energy mechanics. Collectible action figures emerged later, with producing a 12-inch figure in 2007, capturing the character's 1980s New York attire and including a detailed sword accessory. The film's Queen soundtrack, incorporated into the 1986 album A Kind of Magic, spurred significant merchandise like vinyl records, cassettes, and tour-related apparel, contributing to the album's global sales of over 14 million copies by leveraging the movie's cult appeal.

Sequels

The first sequel, Highlander II: The Quickening, was released in 1991 and directed by Russell Mulcahy. Set in a dystopian 2024 where Earth's ozone layer has collapsed, the film follows Connor MacLeod (Christopher Lambert), who has voluntarily renounced his immortality and grown elderly while helping create an artificial shield to protect the planet from radiation. When assassins from an alien world—revealed as the true origin of immortals—target him on behalf of the corrupt Shield Corporation, Connor regains his youth and immortality, teaming up with his mentor Ramirez (Sean Connery) to dismantle the corporation and confront the extraterrestrial threat. Produced on a budget of $30 million, it grossed $15.6 million domestically (approximately $30 million worldwide) but received overwhelmingly negative reviews, earning a 0% critic score on Rotten Tomatoes based on 25 reviews, with critics like Roger Ebert decrying it as "hilariously incomprehensible." Highlander III: The Sorcerer (also known as Highlander: The Final Dimension in some markets) arrived in 1994, directed by Andy Morahan. The plot flashes back to 16th-century , where Connor trains under the immortal sorcerer Nakano (Mako) and battles Nakano's former pupil, the ruthless Kane (), who was imprisoned in a for centuries. In the present day, Kane escapes and pursues Connor (now living as Russell Nash) and a new immortal, Dr. Alexandra Johnson (), leading to a climactic confrontation that ignores the events of the second film. Production faced challenges, including briefly walking off set due to a pay dispute, prompting initial filming without him before his return. With a $26 million budget, it earned approximately $36.7 million worldwide. Reviews were mixed to negative, holding a 5% score from 20 reviews, though some praised its action sequences over the predecessor's convoluted narrative. The fourth installment, Highlander: Endgame (2000), was directed by and served as a crossover with the Highlander television series. It unites (Lambert) with (Adrian Paul from the TV show), as they form the "Watchers" to combat the immortal Jacob Kell (), a powerful mentored by the now-deceased who seeks revenge against Connor for past defeats. Produced for $25 million, the film grossed $15.8 million worldwide. It met with poor reception, scoring 11% on from 53 reviews, criticized for underdeveloped characters and failing to capitalize on the series crossover potential. The fifth and final film, Highlander: The Source (2007), directed by Brett Leonard, shifted focus to Duncan MacLeod (Adrian Paul) on a quest to find "The Source" of immortality, joined by fellow immortals including Methos (Peter Wingfield). Intended as a continuation of the TV series, it featured a more mystical tone with elemental guardians and a romance subplot. Produced on a budget of approximately $12 million, it received a limited theatrical release in some markets, grossing under $1 million worldwide, and was generally released direct-to-video. It holds a 14% Rotten Tomatoes score based on limited reviews, criticized for poor pacing and effects, and is often disregarded in franchise canon due to inconsistencies. The sequels maintained core elements of the original's rules—such as beheading to absorb the and the Gathering prophecy—but introduced inconsistencies, notably the alien origin of immortals in the second film, which later entries largely disregarded to realign with the established lore. Across the five films in the franchise, they generated approximately $95 million in worldwide earnings.

Television Adaptations

The television franchise based on the 1986 film Highlander expanded into multiple series that explored the immortal lore through serialized storytelling, introducing new characters and organizations while adhering to core rules like the Quickening and the prohibition on fighting on holy ground. Highlander: The Series, which aired from 1992 to 1998, follows Duncan MacLeod, a 400-year-old Scottish immortal portrayed by Adrian Paul, as he navigates modern life in Seacouver, Washington, while evading enemies and adhering to the immortal code. The series spans six seasons and 119 episodes, with Christopher Lambert reprising his film role as Connor MacLeod in a cameo appearance in the pilot episode "The Gathering," establishing Duncan as a kinsman and mentee. Produced by Davis-Panzer Productions under Peter S. Davis, the show was filmed primarily in Vancouver, Canada, and distributed internationally by Rysher Entertainment. It received multiple nominations for Gemini Awards, including for Best Dramatic Series in 1996 and Best Performance by an Actor in a Guest Role in a Dramatic Series in 1997. The production budget for the first season totaled approximately $26.1 million, or about $1.2 million per episode, with subsequent seasons facing reductions due to changing international distribution deals. A spin-off, Highlander: The Raven, ran for one season from 1998 to 1999, shifting focus to , a 1,200-year-old female immortal and thief played by , who had previously appeared as a in The Series. partners with Nick Wolfe, a mortal ex-cop portrayed by , to protect the innocent while she attempts to reform her larcenous ways; Wolfe becomes an immortal mid-season after a . The series consists of 22 episodes and was produced by Fireworks Entertainment in association with Davis-Panzer, airing on syndicated networks. It struggled with lower viewership ratings compared to its predecessor, leading to its cancellation after the first season despite a planned multi-year arc. In addition to live-action formats, the franchise ventured into animation with Highlander: The Animated Series, a French-Canadian production that aired from 1994 to 1996. Set in a post-apocalyptic future, the 40-episode series centers on Quentin MacLeod, a young immortal hero voiced by , who battles the evil warlord Kortan (voiced by Lawrence Bayne) alongside mentors like the ancient Ramirez (Benedict Campbell). Developed by Gaumont Television and Marathon Media Group, it adapts the immortal concept for a younger audience, emphasizing themes of destiny and survival in a dystopian world. These series significantly broadened the Highlander mythology by introducing dozens of new immortals with diverse backstories spanning history, from ancient warriors to modern figures, and formalizing the Watchers as a secretive mortal organization dedicated to chronicling immortal lives without interference. The Watchers' role, first deeply explored in The Series, adds layers of intrigue through their tattoos, chronicles, and internal conflicts. Highlander: Endgame (2000) directly ties into this expanded universe by reuniting Duncan MacLeod with Connor, incorporating elements like the Watchers' Sanctuary and ongoing immortal hunts. As of November 2025, no new television series have been announced in the franchise, though Highlander: The Series and Highlander: The Raven are available for streaming on Peacock, alongside select episodes of the animated series on various platforms.

Reboot

Development History

The development of the Highlander reboot began in May 2008 when Summit Entertainment acquired the rights to remake the 1986 film, assigning screenwriters Art Marcum and Matt Holloway to pen the initial script. The project quickly encountered setbacks, entering development hell as multiple writers, including Cormac and Marianne Wibberley and Melissa Rosenberg, revised the screenplay over the following years. Early directorial attachments included in 2009, who departed shortly after, followed by in 2011, but the project stalled amid creative differences and shifting studio priorities. By 2013, had been cast as but exited due to prolonged delays, leaving the film without a lead or director. , acquired by Lionsgate in 2012, revived interest in November 2016 by attaching , known for directing , to helm the reboot and infuse it with high-octane action sequences. Script iterations continued under Lionsgate, with Ryan J. Condal delivering a draft in 2018 that advanced pre-production plans, though further revisions by Michael Finch and Kerry Williamson refined the story to adhere closely to the original film's immortal warrior lore while updating the narrative to a modern setting. In May 2021, entered negotiations to star, building momentum after his exit from in 2022. By October 2023, Cavill was officially cast as , marking a significant step forward amid ongoing budget discussions estimated at over $100 million to accommodate elaborate swordplay and visual effects. The project's challenges persisted with director swaps and financial hurdles, as Stahelski's vision for expansive action clashed with studio constraints, leading to repeated delays through 2024. In April 2025, the project shifted from Lionsgate to due to budget disputes, with reports indicating a exceeding $150 million.

Current Status

As of November 2025, for the Highlander has been delayed to early 2026 following a injury sustained by during training in September 2025. The production, under , is reported to have a budget exceeding $150 million, allowing for expansive action sequences and . Henry Cavill stars as Connor MacLeod, the immortal Scottish warrior, with Russell Crowe cast as his mentor Ramírez, a role originally played by Sean Connery. Recent cast expansions announced in early November include Siobhán Cullen, Jun Jong-seo, Nassim Lyes, and Kevin McKidd, joining an ensemble featuring Dave Bautista, Marisa Abela, Karen Gillan, Jeremy Irons, Djimon Hounsou, and Max Zhang. Filming preparations emphasized intensive sword training for the leads, with Bautista describing the project as a "game changer" for its action-oriented approach. Amazon MGM Studios is targeting a theatrical release in 2027 or 2028, aligning with timelines for the VFX-heavy elements central to the immortals' "" sequences. Production overcame a brief delay from Cavill's , from which he confirmed recovering, ensuring momentum despite earlier development hurdles like the 2023 writers' strike. Stahelski's vision draws on his expertise, prioritizing practical effects for sword fights while updating supernatural visuals for modern audiences.

References

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