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Fitz and the Tantrums
Fitz and the Tantrums
Fitz and the Tantrums
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Fitz and the Tantrums are an American indie pop and neo soul band from Los Angeles, California, that formed in 2008. The band consists of Michael Fitzpatrick (lead vocals), Noelle Scaggs (co-lead vocals and percussion), James King (saxophone, flute, keyboard, percussion and guitar), Joseph Karnes (bass guitar), and Jeremy Ruzumna (keyboards). John Wicks, who played drums and percussion, left the band in 2022 to teach at the University of Montana. Their debut studio album, Pickin' Up the Pieces, was released in August 2010 on indie label Dangerbird Records and received critical acclaim; it also reached no. 1 on the Billboard Heatseekers chart.[1] In early 2013 the band signed to their current label, Elektra Records, which released their second LP, More Than Just a Dream, the same year. Their self-titled third album was released in 2016, which contains their most notable song, "HandClap". Their fourth studio album, All the Feels, was released in 2019, their fifth, Let Yourself Free, in 2022, and their sixth, Man On The Moon, in 2025.

Key Information

History

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Early History (2008-2009)

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Fitz and the Tantrums was founded by Michael Fitzpatrick in 2008. Having purchased an old Conn electronic organ, he was inspired to write the song "Breakin' the Chains of Love" that same night.[2][3] He contacted his college friend, saxophonist James King, who recommended singer Noelle Scaggs and drummer John Wicks. In turn, King brought in bassist Joseph Karnes and keyboardist Jeremy Ruzumna. According to Fitzpatrick, the band immediately clicked. He has said, "It was literally like five phone calls, one rehearsal, and we could have played a show that night." The band performed their first show at Hotel Café in Hollywood, in December 2008, which Fitzpatrick booked one week after their first rehearsal.[4] In interviews, he has stated the importance of booking a date before the band was ready, in order to bring out the best in all performers. During the first half of 2009, they performed at several clubs in Los Angeles, including The Viper Room and Spaceland. Before Joseph Karnes was brought into the band, the previous bassist, Ethan Phillips was with the band for the first EP, and a part of their first album, "Pickin' Up The Pieces".

The band recorded their debut EP, Songs for a Breakup, Vol. 1, during the first half of 2009 at Fitzpatrick's home in Los Angeles.[5] The EP was first released on August 11, 2009, through Canyon Productions. In September 2009 they toured with Hepcat and Flogging Molly. In November 2009 the band opened eight concerts on the Maroon 5's Back to School Tour.[6][7][8] Their appearance was on short notice, after previously scheduled opener K'naan cancelled due to fatigue in late October.[9][10] According to Fitzpatrick, "Adam Levine from Maroon 5 was in New York to get a tattoo, and his favorite tattoo artist had downloaded the record after hearing us on the radio. He told Adam, 'you gotta hear this band.' A week and a half later, we're opening for Maroon 5 on their college tour."[5] In December 2009 the band shot the official music video for their first single, "Breakin' the Chains of Love", which was directed by Joshua Leonard. It features Fitzpatrick and Scaggs in a moving and rotating bed.

Michael Fitzpatrick and Noelle Scaggs at a 2010 performance in San Diego

Pickin' Up the Pieces (2010-2012)

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Main article: Pickin' Up the Pieces (Fitz and the Tantrums album)

In March 2010 Fitz and the Tantrums played at the SXSW festival in Austin, Texas. On April 15, 2010, they opened for ska band The Specials on their North American reunion tour at Club Nokia in Los Angeles. On April 26, 2010, Dangerbird Records announced that they had signed Fitz and the Tantrums.[11][12] Their first full-length album, Pickin' Up the Pieces, was released on August 24, 2010. Producer Chris Seefried was also a co-writer on the album. In October 2010, Daryl Hall invited the band to perform on his web-series Live from Daryl's House.[13] They played a seven-song set including four Fitz and the Tantrums songs, early Hall song "Girl I Love You", "Perkiomen" and finishing with "Sara Smile". "I walked back into the kitchen of his big old house in upstate New York, and his mother was there," recalled Fitzpatrick. "She said, 'Fitz, come over here. You sound just like my son!'"[5]

Fitz and the Tantrums in 2010

The band performed the songs "MoneyGrabber" and "Don't Gotta Work It Out" on ABC's Jimmy Kimmel Live! in Los Angeles on January 12, 2011. On February 28 they performed "MoneyGrabber" on TBS' Conan, and on April 5 on NBC's The Tonight Show with Jay Leno. In 2011 the band announced a U.S. and international tour with April Smith and the Great Picture Show. In the fall of 2011, they made their first appearance at Austin City Limits Music Festival. On Friday, February 3, 2012, they performed "Don't Gotta Work It Out" on NBC's Late Night with Jimmy Fallon, episode 581, taped for broadcast at the Hilbert Circle Theatre in Indianapolis. They performed a free show at Thursday at the Square in Buffalo, New York, on June 14, 2012, and at the Basilica Block Party in Minneapolis, Minnesota, on July 7, 2012.

More Than Just a Dream (2013-2015)

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Main article: More Than Just a Dream

The band's second LP, More Than Just a Dream, was released May 7, 2013, on Elektra Records.[14] It was produced by Tony Hoffer. The album features the lead single "Out of My League", which reached number one on Billboard's Alternative Songs chart on September 30, 2013.[15] A French version of "Out of My League" was also released and played on Canadian radio. This version has most of the verses sung in French, while the chorus remains in English. The second single from More Than Just a Dream, "The Walker", also reached number one on the Billboard Alternative songs chart. In October 2014 Fitz and the Tantrums returned to the Austin City Limits Music Festival and played both weekends of the expanded festival.

Fitz and the Tantrums (2016-2018)

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Main article: Fitz and the Tantrums (album)

In March 2016, the band released the lead single, "HandClap", off their self-titled album. The album was released on June 10, 2016, and was supported by the 2016 Get Right Back Summer Tour. In July 2016 Fitz and the Tantrums performed at Slossfest in Birmingham, Alabama. The band supported OneRepublic on the 2017 Honda Civic Tour which began on July 7, 2017.[16]

All the Feels (2019-2021)

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Main article: All the Feels (album)

On March 20, 2019, the band released the single "123456" from their fourth studio album. The second single, "Don't Ever Let Em", was released on April 17 of the same year, followed by "I Need Help!" on May 3, and then the title track of the album, "All the Feels" on June 28.

The album, All the Feels, consists of 17 songs and was released on September 20, 2019, through Elektra Records.

Let Yourself Free (2022-2024)

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Main article: Let Yourself Free

On June 10, 2022, the band released the single "Sway" through Elektra Records. This was followed by the single "Moneymaker" on September 27, 2022, along with the announcement of their fifth studio album Let Yourself Free, which was released on November 11, 2022.[17]

Man on the Moon (2025)

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On March 28, 2025, the band released the lead single from their forthcoming studio album titled "Ruin the Night" and their sixth studio album, Man on the Moon was released on July 25, 2025.

Musical style

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Fitzpatrick has said that the band's musical style can be fairly described as "soul-influenced indie pop". He said that while the band is influenced by the classic songs of the Motown and Stax record labels, the band is not trying to create an exact replica of that music.[18] In another interview, Fitzpatrick talked about his decision not to use guitars in the band. "I did want to try and make a big sounding record without guitars," he said. "For me, I just feel like in any music that has a band, the guitar is always there, it's always featured, it's always prevalent. I'm just sick of hearing it."[19]

Critical reception

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Los Angeles Times music critic Ann Powers wrote, "Fitz & the Tantrums is the kind of band that communicates best in concert, but this album serves as a fine proxy and party-starter."[20] Aly Comingore of the Santa Barbara Independent wrote that the band members craft "soulful, nostalgia pop that's not only infectious, but just fresh enough to make it stand apart from its predecessors."[21] The band was heralded as a "band to watch" in an April 2011 profile in Rolling Stone.[5] In June 2011, Vogue named Fitz and the Tantrums the "Hardest-Working Band" of the 2011 summer festival circuit.[22] "Not only do L.A.–based six-piece Fitz and the Tantrums share James Brown's penchant for snazzy-dressed brass bands and feel-good retro ballads, they also have the late godfather of soul's tireless work ethic." Their third album has been described as "a product of contemporary market forces and a depressing relic of an era of the music industry best forgotten."[23]

Band members

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Timeline

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Discography

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Main article: Fitz and the Tantrums discography

References

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Revisions and contributorsEdit on WikipediaRead on Wikipedia

Fitz and the Tantrums

View on Grokipedia
from Grokipedia
Fitz and the Tantrums is an American indie pop and neo-soul band formed in 2008 in , , by multi-instrumentalist and vocalist Michael "Fitz" Fitzpatrick. The group blends Motown-inspired soul with modern pop elements, characterized by energetic rhythms, horn sections, and the dynamic dual vocals of Fitzpatrick and co-lead singer . Known for their guitar-less lineup and retro-futuristic sound, the band has achieved commercial success through hits like "" and "," which peaked on the Hot 100. The band's current lineup includes Fitzpatrick (lead vocals and keyboards), Scaggs (co-lead vocals and percussion), James King (, flute, keyboards, and percussion), Joseph Karnes (bass), John Wicks (), and Jeremy Ruzumna (keyboards). Originally starting as a studio project with friends assembled by Fitzpatrick after he acquired a vintage church organ, the group quickly gained traction through self-recorded demos and viral online buzz, leading to their independent debut Pickin' Up the Pieces in 2010. Signed to shortly after, they expanded their reach with major-label releases, including More Than Just a Dream (2013) and the gold-certified self-titled Fitz and the Tantrums (2016), which featured collaborations with producers like . Fitz and the Tantrums have maintained a prolific output and rigorous touring schedule, earning Grammy nominations and performing at major festivals like Coachella and Lollapalooza. Their most recent album, Man on the Moon, released in 2025, continues their evolution with funky, lunar-themed tracks and supports an ongoing world tour. Throughout their career, the band has emphasized themes of resilience, relationships, and joy, solidifying their place in contemporary soul-pop.

History

Formation and early years (2008–2010)

Fitz and the Tantrums were formed in in 2008 by Michael Fitzpatrick, a former studio engineer who sought to channel his creativity following a personal breakup. Inspired by a vintage Conn he purchased for $50, Fitzpatrick began writing soul-influenced songs as a solo project, which quickly evolved into a full band. The name "Fitz and the Tantrums" reflected Fitzpatrick's nickname "Fitz" and the emotional intensity of the music he was creating. Fitzpatrick recruited the initial lineup through local musician networks and collaborations in the Los Angeles scene, assembling core members including co-lead vocalist and percussionist Noelle Scaggs, bassist Joseph Karnes, saxophonist James King (who also contributed guitar), keyboardist Jeremy Ruzumna, and drummer John Wicks. Scaggs, a seasoned vocalist from the LA underground, was recommended by King, bringing a powerful, complementary voice to Fitzpatrick's leads and helping define the band's dynamic duet style. The group honed their sound—blending neo-soul, Motown revival, and pop elements with punchy horns and tight rhythms—during informal jam sessions in home studios and rehearsal spaces. The band debuted with early performances at intimate Los Angeles venues such as the Hotel Café and Spaceland (later known as The Echo), where their energetic live shows began generating grassroots buzz among local audiences. These gigs showcased their signature soul-pop fusion, drawing comparisons to classic R&B while incorporating modern indie flair, and helped solidify their reputation in the city's vibrant music community. In March 2010, they performed at the (SXSW) festival in , further amplifying their visibility. The band's debut EP, Songs for a Breakup, Vol. 1, was self-recorded at home studios and independently released on August 11, 2009, through Canyon Productions, capturing the raw energy of their nascent sound. The five-track release featured "Breakin' the Chains of Love," "Don't Gotta Work It Out," "Darkest Street," "Winds of Change," and "We Don't Need Love Songs," emphasizing themes of and resilience with upbeat, horn-driven arrangements. Building on the momentum from live performances and the EP's word-of-mouth success, Fitz and the Tantrums signed with indie label Dangerbird Records in early 2010, paving the way for their first major release.

Breakthrough with Pickin' Up the Pieces (2011–2013)

Following the release of their debut album Pickin' Up the Pieces in 2010 on Dangerbird Records, Fitz and the Tantrums experienced significant momentum in 2011 through strategic promotion and live performances. The band made a notable appearance at (SXSW) in , where they showcased tracks like "MoneyGrabber" and garnered attention from industry insiders and audiences alike. This exposure was complemented by opening slots on tours for established acts, including Maroon 5's college tour, which helped introduce their energetic, horn-driven sound to larger crowds and built a following. The album's lead single, "MoneyGrabber," became a breakout hit, peaking at No. 2 on Billboard's Adult Alternative Songs chart and reaching No. 15 on the Triple A airplay chart in 2011, marking the band's entry into alternative radio rotation. Pickin' Up the Pieces itself achieved commercial success by topping Billboard's Heatseekers Albums chart, reflecting its strong appeal among emerging artists and signaling the band's rising profile. Other key tracks, such as "Don't Gotta Work It Out," highlighted the album's blend of soulful vocals and upbeat rhythms, contributing to its rotation on indie and alternative stations. Media coverage further amplified their breakthrough, with a prominent "Band to Watch" feature in in April 2011 praising their modern take on Motown-inspired pop-soul. To support intensive touring that year and into 2012, the band relied on a solidified live lineup, including saxophonist James King and drummer John Wicks, whose contributions enhanced the horn section's punch during high-energy sets across festivals and venues. This period of relentless road work, including appearances at events like in 2011, positioned Fitz and the Tantrums for a major label signing with by early 2013.

More Than Just a Dream and mainstream success (2013–2015)

In early 2013, Fitz and the Tantrums signed with , marking their transition to a major label after their independent debut. The band released their sophomore album, , on May 7, 2013, produced primarily by , whose work emphasized the group's soulful pop sound with polished production. The album debuted at No. 26 on the , selling 15,000 copies in its first week, and showcased tracks blending retro influences with contemporary energy. Lead single "Out of My League" became the band's first No. 1 on the Alternative Songs chart in September 2013, highlighting their growing radio presence. Follow-up "," released later that year, also topped the Alternative Songs chart for one week in May 2014, further solidifying their breakthrough with its infectious riff and horn-driven arrangement. These hits propelled the album's visibility, as the band leveraged their major-label backing to expand beyond indie circuits. From 2013 to 2015, Fitz and the Tantrums undertook extensive touring, including headlining their own U.S. shows and co-headlining dates with acts like Capital Cities, which helped cultivate a dedicated fanbase through dynamic live performances. They emphasized high-energy sets, with frontpeople Michael Fitzpatrick and engaging crowds through constant movement and infectious enthusiasm, as seen in sold-out venues like The Warfield in , where the band's interaction created an electric atmosphere. This focus on live vitality, often described as flailing and pulsating with audiences, was key to their rising popularity during this period. Early industry support, including praise from producer , aided their momentum, though the band prioritized building connections directly with fans via tours rather than high-profile media spots. By 2015, had established Fitz and the Tantrums as a mainstream force, setting the stage for further evolution.

Self-titled era and lineup changes (2016–2018)

Fitz and the Tantrums released their self-titled third studio album on June 10, 2016, through . The album was primarily produced by , who handled eight of its eleven tracks, with additional production by bandleader Michael Fitzpatrick on "Fadeback," on "Do What You Want," and on select songs. Lead single became a standout, peaking at No. 3 on Billboard's Alternative Songs chart and reaching No. 12 on the Hot Rock Songs chart, driven by its infectious, upbeat rhythm that blended neo-soul with elements. The album's themes centered on desire, exploring intimacy, sex, and amid personal struggles, as described by Fitzpatrick: "Overall, this is an album about desire—the desire for intimacy, for sex, for acceptance on your own terms and the struggle not to compromise." This focus on empowerment and relationships infused the record with emotional depth, while incorporating subtle electronic flourishes that hinted at the band's evolving sound. The accompanying for "," directed by , featured Fitzpatrick and co-vocalist alongside a group of dancers performing a trippy, choreographed routine that emphasized the track's danceable energy. To promote the album, the band embarked on the Get Right Back Summer Tour in 2016, delivering high-energy performances across with support acts like . They also appeared at major festivals, including in in 2018, where they showcased tracks from the self-titled release alongside earlier hits. During this period, the band underwent its first significant lineup changes, with shifts in personnel affecting live configurations, though core members Fitzpatrick and Scaggs remained central. Replacement musicians, including bassist , joined for touring duties to maintain the group's dynamic stage presence. Commercially, the self-titled album achieved RIAA Gold certification in the United States, representing 500,000 units in sales and streaming equivalents, reflecting a transition toward streaming dominance in the music industry. While physical sales exceeded 100,000 copies, the era marked a period of reinvention amid internal adjustments, setting the stage for future explorations.

All the Feels amid challenges (2019–2021)

Fitz and the Tantrums released their fourth studio , All the Feels, on September 20, 2019, via . Self-produced by frontman Michael Fitzpatrick, the record delves into themes of love, vulnerability, and through high-energy tracks that emphasize emotional openness and relational dynamics. The , "123456," arrived on March 20, 2019, showcasing an upbeat, mainstream pop vibe designed to uplift listeners amid personal struggles. The album peaked at No. 17 on the Digital Albums chart, marking a solid streaming and sales performance. The onset of the in 2020 severely impacted the band's momentum, forcing the cancellation of planned tours and live shows, including a last-minute pullout after stage setup at one venue. In response, the group pivoted to innovative formats like drive-in concerts, performing for socially distanced audiences at venues such as on September 25, 2020. This period also prompted a band hiatus, enabling members to pursue individual endeavors; co-lead vocalist , for instance, built on her 2019 solo single "Great for You" by focusing on personal creative outlets during the lockdowns. The band's soul-pop fusion continued to define their sound, blending retro influences with contemporary production. Despite the disruptions, All the Feels achieved notable streaming traction, with tracks like the title song resonating on digital platforms and contributing to sustained plays. The band leveraged social media, including TikTok, to engage fans virtually, sharing glimpses of their resilience amid isolation. Frontman Fitzpatrick later reflected on the lockdowns' toll, highlighting how the enforced pause fostered family bonding and personal growth while underscoring the group's adaptability in navigating uncertainty.

Let Yourself Free and creative renewal (2022–2024)

In 2022, Fitz and the Tantrums released their fifth studio , Let Yourself Free, marking a return to upbeat, dance-oriented pop-soul after the disruptions of the . The , issued on November 11 by , was largely produced by bandleader Michael Fitzpatrick, who handled composition and production alongside collaborators like Ryan Daly and . This project emphasized themes of personal liberation and communal joy, reflecting the band's desire to recapture the energy of live performance following years of isolation. Fitzpatrick described the record as an effort to "get people up on their feet," drawing from Motown-inspired grooves to foster a sense of release and renewal. The lead single, "Sway," arrived on June 10, 2022, serving as the album's harbinger with its infectious "sha la la" hooks and summery vibe. Co-written and produced by Fitzpatrick and Daly, the track captured a post-pandemic spirit of carefree movement and emotional unburdening, positioning it as the band's first new material in nearly three years. Follow-up single "Moneymaker," released in September, continued this momentum with its bold, rhythmic drive, further highlighting the album's focus on empowerment and fun as antidotes to recent hardships. Tracks like "Good Intentions" and the title song reinforced these motifs, blending retro soul elements with modern production to evoke a collective exhale. The band's creative renewal extended to their live resurgence, as they re-engaged with audiences through extensive touring. In summer 2022, Fitz and the Tantrums co-headlined a North American run with St. Paul and the Broken Bones, kicking off on June 1 in Asheville, North Carolina, and spanning amphitheaters and festivals to rebuild connections severed by the pandemic. This momentum carried into 2023 with a dedicated headline tour supporting Let Yourself Free, beginning January 21 in Portland, Oregon, and featuring high-energy sets that mixed new material with fan favorites. The outings, including stops at venues like the Roseland Theater and The Showbox, underscored the group's renewed vitality, with Fitzpatrick noting in interviews that live shows were essential for recapturing the "magic" of their earlier breakthroughs. By 2023–2024, the band expanded Let Yourself Free with a deluxe edition on June 23, adding remixes and bonus tracks that amplified its celebratory tone, while Fitzpatrick deepened his production role, applying lessons from the album to emerging projects. This period solidified their artistic pivot toward autonomy and optimism, setting the stage for future explorations amid a landscape of revitalized fan engagement.

Man on the Moon and 2025 developments

Fitz and the Tantrums announced their sixth studio album, Man on the Moon, on May 7, 2025, coinciding with the release of its title track as the . The album was released on July 25, 2025, through , marking a shift toward independent-leaning creative control within a major label framework. Comprising 14 tracks with an average length of around two minutes, Man on the Moon explores themes of , , and emotional introspection, framed through a cosmic lens that evokes a "funky lunar voyage." The production on Man on the Moon features spacey, psychedelic elements with neon-laced synths, backward tape loops, and unexpected instrumentation such as whistles, castanets, flutes, ukulele, and strings, blending the band's Motown revival roots with modern hip-hop and electro-dance influences. This approach culminates their sound evolution, incorporating retro-soul handclaps and deep bass alongside breezy soul-pop structures for a cohesive, party-ready collection. Key singles include the title track "Man on the Moon," which highlights violins and rhythmic handclaps for an anthemic feel, and "Young Days," a dramatic nostalgia-driven track led by vocalist Noelle Scaggs. Additional releases like "Ruin the Night" and "The Good, the Bad, and the Ugly" (the latter nodding to Ennio Morricone with Western-inspired percussion) received moderate airplay on alternative radio stations, contributing to the album's streaming success on platforms like Spotify and Apple Music. To support the album, the band launched a 31-city North American headline tour in summer 2025, featuring high-energy performances of new material alongside fan favorites. Notable stops included shows at the in Nashville and Botanic Gardens in , with festival appearances such as the City Festival in on November 23. Remaining 2025 dates encompassed headline gigs at Vertuccio Farms in , on November 15, and Limelight Hotel in , on December 12. Looking ahead, the Man on the Moon tour extends into 2026 with additional U.S. dates, including a residency at the Egyptian Theatre in , from February 4 to 7, signaling the band's commitment to live performances as a core part of their ongoing creative output. While no specific soundtrack contributions or production team expansions have been confirmed as of late 2025, the album's versatile sound positions it for potential licensing opportunities in film and media.

Musical style

Core influences and Motown revival

Fitz and the Tantrums' foundational sound is deeply rooted in the 1960s era, drawing inspiration from iconic acts such as and the , whose polished harmonies and rhythmic drive shaped the band's call-and-response vocals and prominent horn sections. Lead singer Michael Fitzpatrick has cited these influences explicitly, noting a "love affair with soul and funk music" including alongside figures like and , which informed the group's emotive delivery and upbeat arrangements. This homage is evident in the band's use of and layered backing vocals, creating a retro-soul aesthetic that evokes the era's studio sophistication while avoiding direct imitation. The band's aesthetic also parallels modern revivalists like and , blending raw emotional intensity with vintage structures, yet infused with sensibilities from Fitzpatrick's pre-Tantrums background in ' alternative music circles. This fusion adds an edgier, contemporary texture to their tracks, distinguishing them within the neo- movement. Early songwriting incorporated and R&B elements, with homages appearing in harmonious refrains and rhythmic phrasing reminiscent of classic street-corner styles, as seen in arrangements that prioritize vocal interplay over guitar-driven rock. Emerging from ' vibrant soul revival scene in the late 2000s, Fitz and the Tantrums were influenced by local predecessors like the funk-soul outfit , whose instrumental grooves and live energy helped cultivate a community dedicated to resurrecting analog warmth in modern contexts. This environment encouraged the band's formation around Fitzpatrick's vintage organ, fostering a collective appreciation for tactile, horn-led performances that tied directly into their debut album's Motown-inflected tracks.

Sound evolution and genre blending

Fitz and the Tantrums' early sound was defined by horn-heavy indie soul, featuring prominent brass sections and a retro Motown-inspired aesthetic that energized their debut EP Pickin' Up the Pieces (2010) and subsequent releases. This foundation blended classic with modern energy, but by their 2013 album , the band began broadening their palette, expanding beyond strict retro- templates to incorporate more diverse pop structures while retaining brassy elements. The evolution accelerated with their 2016 self-titled album, where they shifted toward electronic and influences, evident in the glossy production and danceable tracks like "," which marked a departure from the horn-dominated arrangements of their initial work toward a more streamlined, commercial pop sound. This genre blending continued into All the Feels (2019), where the band balanced retro soul nods with contemporary production, incorporating modern beats and reduced reliance on traditional horns to create a hybrid of indie pop and upbeat electronic textures, though without prominent guest features or explicit hip-hop integrations. The album's sound reflected an ongoing progression away from pure soul revival, prioritizing infectious, radio-friendly fusions that maintained the band's energetic core while adapting to evolving pop landscapes. In live settings, Fitz and the Tantrums emphasize dynamic and high-energy interplay, often transforming studio tracks into more expansive, improvisational experiences that further evolve their recorded sound during tours. This contrast highlights how their performances infuse retro influences with spontaneous modern flair, bridging the gap between polished albums and raw, audience-driven energy. By the , albums like Let Yourself Free (2022) demonstrated creative renewal through a return to foundational roots while experimenting with layered, cinematic elements and subtle psychedelic undertones. Their latest release, Man on the Moon (2025), continues this trajectory by weaving , , and dance elements into funky, danceable tracks with rock and influences, maintaining their genre-blending identity.

Critical reception

Early acclaim and comparisons

Fitz and the Tantrums' debut album Pickin' Up the Pieces (2010) garnered early critical praise for its energetic, retro-soul sound, with Spin magazine highlighting the guitar-less arrangement heavy on organ, saxophone, and handclaps that evoked demos of 1960s hits. The band's lively performances also drew attention, as NPR featured them in 2010 for a session of brass-infused breakup songs that showcased their bold, Northern soul-inspired style from Southern California. The 2013 major-label release amplified their breakthrough, debuting at No. 26 on the and earning acclaim for blending revival with modern pop accessibility. noted the album's push to new sales levels, while NPR's World Cafe session emphasized the group's genre-smashing success and undeniable songs that fueled their rise. Critics in this period often compared their pop-soul hooks and energetic delivery to , citing shared elements and mainstream appeal, especially after the band opened for on tour in 2009. Similar analogies appeared to for their upbeat, festival-ready accessibility in indie-pop coverage. Fan reception surged alongside this media buzz, with early social media growth sparked by a pivotal 2009 tweet from Adam Levine of Maroon 5, after a tattoo artist recommended their demo, which led to opening tour slots and viral traction. At festivals like Coachella in 2012, the band drew dance-heavy crowds with their high-energy sets, turning stages into interactive parties that converted attendees into dedicated followers. Lollapalooza appearances in the early 2010s further amplified this enthusiasm, with enthusiastic audience responses to tracks like "MoneyGrabber" solidifying their live reputation.

Later reviews and legacy assessment

The band's 2016 self-titled album garnered mixed , with reviewers pointing to its glossy, commercial polish as a departure from earlier raw energy. described it as having "lost their soul – literally," critiquing the shift toward electro-pop hooks at the expense of Motown-inspired depth. awarded it 3.5 out of 5 stars, acknowledging its catchy appeal but noting the overproduced sheen that diluted the band's neo-soul edge. In contrast, the 2019 album All the Feels drew praise for its emotional vulnerability, exploring themes of heartbreak and self-discovery with greater introspection. The Battalion highlighted it as the band's "most vulnerable and uplifting music yet," crediting the raw lyricism in tracks like "123456" for adding personal stakes to their pop-soul formula. Cryptic Rock echoed this, noting how the record's anthems conveyed genuine emotional exposure amid upbeat arrangements. The 2022 release Let Yourself Free received mixed reviews, with critics appreciating its upbeat energy and summery pop vibes but critiquing its brevity and formulaic tendencies. gave it 3 out of 5 stars, praising the hooks in tracks like "Sway" while noting the album's short runtimes limited deeper exploration. Fitz and the Tantrums' 2025 album Man on the Moon was generally well-received for its funky, lunar-themed tracks that revisited their retro-soul roots with modern flair. Glide Magazine commended the title track and overall production for blending with the band's signature horns and rhythms, calling it a "slick neon-laced" evolution. Later assessments have grappled with the band's consistency, balancing against formulaic tendencies in their genre-blending . Consequence of Sound's 2016 framed the self-titled as a deliberate pivot that risked alienating core fans, while broader retrospectives praise their adaptability from retro-soul roots to modern pop. In a 2025 analysis, Echo Tone Music positioned Fitz and the Tantrums as pioneers in the neo-soul revival, crediting their early work for revitalizing horn-driven sounds in and influencing subsequent acts in the space. The band's enduring impact is evident in their streaming resurgence, with nearly 4 billion global streams amassed by 2025, driven by hits like "HandClap" and renewed interest in their catalog amid neo-soul's ongoing popularity. Regarding accolades, Fitz and the Tantrums have earned nominations at major awards since 2014, including the iHeartRadio Music Awards for Best Alternative Rock Song ("Out of My League") and the MTV Video Music Awards for Best Editing ("The Walker"), alongside Canadian certifications like Double Platinum for "HandClap."

Band members

Current members

The current lineup of Fitz and the Tantrums consists of five core members who contribute to the band's signature and neo-soul sound through vocals, instrumentation, and creative leadership. Michael Fitzpatrick serves as the band's founder, , and since its formation in 2008, where he takes the primary role in songwriting and has been involved in production for several albums, shaping the group's energetic and hook-driven compositions. Noelle Scaggs provides co-lead vocals and plays percussion, having joined in 2008, and her contributions include harmonica on select tracks, establishing the band's distinctive dual-frontperson dynamic that blends soulful harmonies with rhythmic drive. Joseph Karnes has been the since 2010, anchoring with a steady groove that supports the band's live performances and recorded funk-infused tracks. James King, a since 2008, handles , , keyboards, and additional percussion, adding layered horn arrangements and textural depth to the band's Motown-revival style. Jeremy Ruzumna contributes keyboards since 2008, enhancing the harmonic foundation and electronic elements that evolve the band's sound across genres. The band is augmented by touring drummers for live performances, with no permanent as of 2025.

Former members and timeline

Fitz and the Tantrums have experienced a few lineup changes since their formation in 2008, primarily involving the rhythm section. The band's original bassist, , departed in early 2011 after contributing to their debut album, Pickin' Up the Pieces (), where he played on tracks such as "Tighter" and "L.O.V.". He was replaced by Joseph Karnes, who has remained with the group since . Phillips' exit aligned with the band's transition from independent releases to signing with a major label, though specific reasons for his departure were not publicly detailed. The most notable departure came in late 2022, when co-founding drummer John Wicks left after over 13 years with the band. Wicks, who joined in 2008 and co-wrote several songs, including contributions to (2013) and the self-titled album (2016), cited a desire to prioritize family life and pursue teaching opportunities as key factors in his amicable exit. His role was filled by touring and session drummers, such as Blair Sinta, to maintain the band's live performances. These changes reflect broader touring demands and personal priorities common in the music industry, without indications of creative conflicts. The core vocal and horn elements, led by Michael Fitzpatrick and Noelle Scaggs alongside James King, have provided continuity through the band's evolution.
YearKey Lineup EventsAssociated Albums/Releases
2008Band forms in Los Angeles with Michael Fitzpatrick (vocals/keys), Noelle Scaggs (vocals/percussion), James King (saxophone/keys), Jeremy Ruzumna (keys), Ethan Phillips (bass), and John Wicks (drums).Formation; early demos.
2009–2010Initial recordings as a six-piece; Phillips contributes to debut EP and album.Pickin' Up the Pieces (2010).
2010–2011Phillips departs (early 2011); Joseph Karnes joins on bass.Transition to major label (Elektra).
2011–2022Stable six-piece lineup with Karnes; Wicks handles drums through multiple tours and albums.More Than Just a Dream (2013); Fitz and the Tantrums (2016); Criminal Mischief EP (2018).
Late 2022Wicks leaves to focus on family and education.Post-Let Yourself Free (2022) era.
2023–2025Current five-piece core augmented by touring drummers; no further permanent changes.Man on the Moon (2025).

Discography

Studio albums

Fitz and the Tantrums have released six studio albums since their formation in 2008, blending , neo-soul, and Motown-inspired sounds across their catalog. Their debut full-length effort marked an independent breakthrough, while subsequent releases on major labels expanded their commercial reach, with several achieving certifications for sales and streaming performance. The band's debut album, Pickin' Up the Pieces, was released on August 24, 2010, by Dangerbird Records. It topped the Heatseekers Albums chart and features 10 tracks recorded primarily in frontman Michael Fitzpatrick's . The track listing is as follows:
  1. Breakin' the Chains of Love
  2. Dear Mr. President
  3. Pickin' Up the Pieces
  4. MoneyGrabber
  5. L.O.V.
  6. News 4 U
  7. Don't Gotta Work It Out
  8. The City
  9. Get Right Back
  10. Ticking Bomb
Their second album, , arrived on May 7, 2013, via and peaked at No. 26 on the . It marked the group's major-label debut and established their pop accessibility with hits like "" and "Out of My League." The self-titled third album, Fitz and the Tantrums, was issued on June 10, 2016, by (in association with Elektra). It reached No. 17 on the and earned RIAA Gold certification for over 500,000 units sold or streamed in the US. Singles from the album, including the 3× Platinum "," contributed to its success. All the Feels, the fourth studio album, came out on September 20, 2019, through . Although it did not enter the , it peaked at No. 17 on the Digital Albums chart and generated significant streaming activity, equivalent to hundreds of thousands of album units in its first months. The fifth album, Let Yourself Free, was released on November 11, 2022, by . It debuted at No. 84 on the , showcasing a more liberated production style with tracks like "Sway." The latest release, Man on the Moon, dropped on July 25, 2025, via . As of November 2025, it has achieved modest initial charting, entering the at No. 84 and continuing to build through streaming and tour support.

Singles and extended plays

Fitz and the Tantrums began their recording career with the self-released debut Songs for a Breakup, Vol. 1 in 2009, which featured five tracks and generated early buzz in the indie scene through live performances and word-of-mouth promotion prior to the band's signing with a major label. The band's breakthrough came with non-album and album-lead singles that achieved significant commercial success, particularly on alternative radio. "The Walker," released in December 2013, topped the Billboard Alternative Songs chart for one week in 2014, marking their first No. 1 hit in that format. Similarly, "Out of My League" from 2013 reached No. 1 on the same chart after a record 33-week climb, the longest in its history at the time. "HandClap," issued in 2016, also hit No. 1 on Alternative Songs and earned 3× Platinum certification from the RIAA for over three million units sold in the U.S. These tracks contributed to a tally of three No. 1 hits on the Alternative Songs chart, establishing the band as a staple in the genre. Later singles continued to blend pop and soul elements with strong digital performance. "123456," released on March 20, 2019, as a lead promotional track, amassed millions of streams on platforms like Spotify, reflecting the band's evolving upbeat sound. "Sway," their first release in three years on June 10, 2022, via Elektra Records, emphasized danceable rhythms and received airplay on alternative stations, further solidifying their post-pandemic relevance. In 2025, "Man on the Moon," dropped on May 7 as the title track from an upcoming project, garnered immediate attention with its funky, reflective vibe and live performances, including on NBC's Today show. Promotional efforts included soundtrack contributions, such as "Fools Gold" from 2014, which appeared in various media placements including films and TV, boosting its exposure beyond radio. Overall, the band's singles have accumulated over a billion combined streams on Spotify, with key tracks like "HandClap" and "Out of My League" driving much of their digital sales and airplay metrics. In 2023, the band released the holiday EP Perfect Holiday on November 10 via Elektra Records, featuring five tracks.
ReleaseTypeDateKey Achievements
Songs for a Breakup, Vol. 1EP2009Self-released; 5 tracks; early indie buzz
"The Walker"SingleDecember 10, 2013No. 1 Alternative Songs
""SingleJune 2016No. 1 Alternative; 3× RIAA
"123456"SingleMarch 20, 2019Millions of streams; promotional lead
"Sway"SingleJune 10, 2022Alternative airplay; post-hiatus release
EPNovember 10, 20235 holiday tracks;
"Man on the Moon"SingleMay 7, 2025Title track preview; TV performance debut

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