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John Mortimer
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John Mortimer
Sir John Clifford Mortimer (21 April 1923 – 16 January 2009) was a British barrister, dramatist, screenwriter and author. He is best known for short stories about a barrister named Horace Rumpole, adapted from episodes of the TV series Rumpole of the Bailey also written by Mortimer.
Mortimer was born in Hampstead, London, the only child of Kathleen May (née Smith) and (Herbert) Clifford Mortimer (1884–1961), a divorce and probate barrister who became blind in 1936 when he hit his head on the door frame of a London taxi but still pursued his career.
John Mortimer was educated at the Dragon School, Oxford, and Harrow School, where he joined the Communist Party, forming a one-member cell. He first intended to be an actor (his lead role in the Dragon's 1937 production of Richard II gained glowing reviews in The Draconian) and then a writer, but his father persuaded him against it, advising: "My dear boy, have some consideration for your unfortunate wife... [the law] gets you out of the house."
At 17, Mortimer went to Brasenose College, Oxford, where he read law, though he was actually based at Christ Church because the Brasenose buildings had been requisitioned for the war effort. In July 1942, at the end of his second year, he was sent down from Oxford by John Lowe, Dean of Christ Church, after romantic letters to a Bradfield College sixth-former, Quentin Edwards, later a QC, were discovered by the young man's housemaster. However, Mortimer was still allowed to take his Bachelor of Arts degree in law in October 1943. His close friend Michael Hamburger believed he had been very harshly treated.
With weak eyes and doubtful lungs, Mortimer was classified as medically unfit for military service in World War II. He worked for the Crown Film Unit under Laurie Lee, writing scripts for propaganda documentaries.
I lived in London and went on journeys in blacked-out trains to factories and coal-mines and military and air force installations. For the first and, in fact, the only time in my life I was, thanks to Laurie Lee, earning my living entirely as a writer. If I have knocked the documentary ideal, I would not wish to sound ungrateful to the Crown Film Unit. I was given great and welcome opportunities to write dialogue, construct scenes and try and turn ideas into some kind of visual drama.
He based his first novel, Charade, on his experiences with the Crown Film Unit.[citation needed]
Mortimer made his radio debut as a dramatist in 1955, adapting his own novel Like Men Betrayed for the BBC Light Programme. His debut as an original playwright came with The Dock Brief starring Michael Hordern as a hapless barrister, first broadcast in 1957 on BBC Radio's Third Programme, and later televised with the same cast. It later appeared in a double bill with What Shall We Tell Caroline? at the Lyric Hammersmith in April 1958, before transferring to the Garrick Theatre. The Dock Brief was revived by Christopher Morahan in 2007 for a touring double bill with Legal Fictions. It won the Prix Italia in 1957, and its success on radio, stage, and television led Mortimer to prefer writing for performance rather than writing novels.
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John Mortimer
Sir John Clifford Mortimer (21 April 1923 – 16 January 2009) was a British barrister, dramatist, screenwriter and author. He is best known for short stories about a barrister named Horace Rumpole, adapted from episodes of the TV series Rumpole of the Bailey also written by Mortimer.
Mortimer was born in Hampstead, London, the only child of Kathleen May (née Smith) and (Herbert) Clifford Mortimer (1884–1961), a divorce and probate barrister who became blind in 1936 when he hit his head on the door frame of a London taxi but still pursued his career.
John Mortimer was educated at the Dragon School, Oxford, and Harrow School, where he joined the Communist Party, forming a one-member cell. He first intended to be an actor (his lead role in the Dragon's 1937 production of Richard II gained glowing reviews in The Draconian) and then a writer, but his father persuaded him against it, advising: "My dear boy, have some consideration for your unfortunate wife... [the law] gets you out of the house."
At 17, Mortimer went to Brasenose College, Oxford, where he read law, though he was actually based at Christ Church because the Brasenose buildings had been requisitioned for the war effort. In July 1942, at the end of his second year, he was sent down from Oxford by John Lowe, Dean of Christ Church, after romantic letters to a Bradfield College sixth-former, Quentin Edwards, later a QC, were discovered by the young man's housemaster. However, Mortimer was still allowed to take his Bachelor of Arts degree in law in October 1943. His close friend Michael Hamburger believed he had been very harshly treated.
With weak eyes and doubtful lungs, Mortimer was classified as medically unfit for military service in World War II. He worked for the Crown Film Unit under Laurie Lee, writing scripts for propaganda documentaries.
I lived in London and went on journeys in blacked-out trains to factories and coal-mines and military and air force installations. For the first and, in fact, the only time in my life I was, thanks to Laurie Lee, earning my living entirely as a writer. If I have knocked the documentary ideal, I would not wish to sound ungrateful to the Crown Film Unit. I was given great and welcome opportunities to write dialogue, construct scenes and try and turn ideas into some kind of visual drama.
He based his first novel, Charade, on his experiences with the Crown Film Unit.[citation needed]
Mortimer made his radio debut as a dramatist in 1955, adapting his own novel Like Men Betrayed for the BBC Light Programme. His debut as an original playwright came with The Dock Brief starring Michael Hordern as a hapless barrister, first broadcast in 1957 on BBC Radio's Third Programme, and later televised with the same cast. It later appeared in a double bill with What Shall We Tell Caroline? at the Lyric Hammersmith in April 1958, before transferring to the Garrick Theatre. The Dock Brief was revived by Christopher Morahan in 2007 for a touring double bill with Legal Fictions. It won the Prix Italia in 1957, and its success on radio, stage, and television led Mortimer to prefer writing for performance rather than writing novels.