Mank
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Mank

Mank is a 2020 American biographical drama film about screenwriter Herman J. Mankiewicz and his development of the screenplay for the Orson Welles's 1941 film Citizen Kane. It was directed by David Fincher based on a screenplay written by his late father Jack Fincher and was produced by Ceán Chaffin, Douglas Urbanski, and Eric Roth. It stars Gary Oldman in the title role, alongside Amanda Seyfried, Lily Collins, Arliss Howard, Tom Pelphrey, Sam Troughton, Ferdinand Kingsley, Tuppence Middleton, Tom Burke, Joseph Cross, Jamie McShane, Toby Leonard Moore, Monika Gossman, and Charles Dance.

Fincher originally intended to make Mank after he completed The Game (1997), with Kevin Spacey and Jodie Foster as the leads, but the project did not come to fruition. Eventually, the project was officially announced in July 2019, and filming took place around Los Angeles from November 2019 to February 2020. To pay homage to the films of the 1930s, Mank was shot in black-and-white using RED cameras.

Mank had a limited theatrical release on November 13, 2020, and began streaming on Netflix on December 4. The film received positive reviews from critics, who praised Fincher's direction, as well as the acting (particularly Oldman and Seyfried), cinematography, production values, and musical score. The film earned the leading ten nominations at the 93rd Academy Awards, including Best Picture, Best Director, Best Actor (Oldman), and Best Supporting Actress (Seyfried), and won for Best Production Design and Best Cinematography. It received the leading six nominations at the 78th Golden Globe Awards, including Best Motion Picture – Drama as well as the six nominations at the 74th British Academy Film Awards.

In 1940, Orson Welles is given complete creative freedom for his next project by RKO. For the screenplay, Welles recruits Herman J. Mankiewicz, who is in Victorville, California, recovering from a broken leg he sustained in a car crash. Herman dictates the script to his secretary, Rita Alexander, who notices similarities between the main character (Charles Foster Kane) and William Randolph Hearst. Producer John Houseman is concerned about Herman's dense, nonlinear screenplay, while Herman's brother Joseph worries that it may anger the powerful Hearst.

In 1930, Herman visits an MGM location where he and the female lead, Marion Davies, recognize each other. She introduces him to Hearst, her benefactor and lover, who takes a liking to Herman. In 1933, Herman and his wife Sara attend Louis B. Mayer's birthday party at Hearst Castle with many Hollywood bigwigs. They discuss the rise of Nazi Germany and the upcoming gubernatorial election, in particular candidate Upton Sinclair. Herman and Marion go for a stroll, where they bond over discussions on politics and the film industry.

In 1940, Houseman grows impatient over Herman's lack of progress. Rita is also concerned with the timing of the writing and Herman's alcoholism. He does finish the screenplay in time. Houseman is impressed but reminds Herman that he will receive no credit for his work.

In 1934, Herman and Joseph begin working at MGM under Mayer. Studio executives, including Irving Thalberg, actively work against Sinclair's gubernatorial campaign. The studio produces propaganda films for a smear campaign, funded by Hearst, against Sinclair (the films were an ironic suggestion by Herman after a discussion on why he wouldn't publicly endorse Frank Merriam, Sinclair's Republican opponent in unity with Mayer and the studio's brass). Herman approaches Marion to pull the films but is unsuccessful as she has already left the studio for Warner Bros. Herman and Sara later attend an election night watch party at the Trocadero Nightclub, where Mayer announces the winner, Frank Merriam. Herman's colleague, director Shelly Metcalf, shoots and kills himself after being diagnosed with Parkinson's disease and guilt-ridden about the role he played in the smear campaign (he personally supported Sinclair).

In 1940, Charles Lederer picks up the screenplay from Herman to deliver to the studio. Joseph visits Herman after reading it, warning him of Hearst's reaction and how it might affect Marion. He does, however, believe that it is the finest thing Herman has ever written. Marion also visits and does her best to persuade Herman to change the screenplay but to no avail. She tells Herman she will try to stop the picture from getting made.

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