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Modillion
View on Wikipediafrom Wikipedia
In architecture, a modillion is an ornate bracket, more horizontal in shape and less imposing than a corbel. They are often seen underneath a cornice which helps to support them. Modillions are more elaborate than dentils (literally translated as small teeth).[1] All three are selectively used as adjectival historic past participles (corbelled, modillioned, dentillated) as to what co-supports or simply adorns any high structure of a building, such as a terrace of a roof (a flat area of a roof), parapet, pediment/entablature, balcony, cornice band or roof cornice. Modillions occur classically under a Corinthian or a Composite cornice but may support any type of eaves cornice.[2] They may be carved or plain.
See also
[edit]Gallery
[edit]-
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Trinity College, in Dublin. -
Modillion double spiral, Neoclassicism (from Classic Art), from keystone of Campanile of Monteforte d'Alpone (Verona ITALY) -
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Église de Dampierre, south side of the part of choir from the 13th century. -
A house in Hasselt, Belgium.
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References
[edit]- ^ "Illustrated Glossary of Classical Architecture". doric-column.com. Retrieved 15 August 2016.
- ^ Bradley, Simon, ed. (2010), Pevsner's Architectural Glossary, New Haven and London: Yale University Press, p. 83, ISBN 978-0-300-16721-4
 | This architectural element–related article is a stub. You can help Wikipedia by expanding it. |
Modillion
View on Grokipediafrom Grokipedia
A modillion is a projecting ornamental bracket, resembling a horizontal console, that supports the soffit of a cornice in classical architecture, particularly in the Composite, Corinthian, and Roman Ionic orders, where it creates a cantilever effect and is often spaced in alignment with column axes.[1] These brackets are typically carved with scroll motifs featuring acanthus leaves, though plain rectangular variants known as block or uncut modillions also exist.[2] Coffers are commonly set between modillions under the corona for added decorative depth.[1]
Originating in ancient Roman architecture, modillions became a hallmark of the Corinthian order, where the Romans developed a distinctive cornice featuring large projecting modillions embellished with acanthus foliage to enhance the entablature's elegance.[3] This element expressed structural support while serving primarily decorative purposes, evolving from earlier Greek precedents but achieving its most refined form in Roman designs, such as those described in classical treatises.[2] Over time, modillions influenced revival styles including Beaux-Arts Classicism, Federal, Georgian Revival, Greek Revival, Neoclassicism, and Renaissance Revival, appearing in cornices, eaves, and stringcourses across Europe and America.[2] Their use underscores the emphasis on proportion and ornament in classical building traditions.
Definition and Description
Definition
A modillion is an ornate bracket in classical architecture, characterized by its horizontal orientation and relatively subdued projection compared to a more vertical and robust corbel, primarily employed to support the projecting elements of a cornice.[2] This decorative element typically features scroll-like or acanthus-inspired forms, serving both structural and aesthetic purposes in entablatures. The term "modillion" derives from the Italian "modiglione," which traces back to Vulgar Latin *mutiliō, ultimately from Latin mutulus (referring to a mutule, a similar projecting block in Doric architecture), possibly with Etruscan influences.[4] Modillions are characteristically positioned beneath cornices, either within the entablature of columnar orders or along roof eaves, to provide rhythmic visual support.[2]Physical Characteristics and Function
A modillion is distinguished by its horizontal orientation, with a projection that exceeds its vertical height, commonly manifesting as a scroll-shaped bracket or simplified console form. In classical proportions, these elements typically measure about 5/12 of the column diameter in length, 1/5 in height, and 2/9 in width, ensuring a balanced, bracket-like profile that integrates seamlessly with entablature designs.[5] They are positioned in regular series beneath the soffit of a cornice, with spacing generally set at 2/3 of the column diameter on centers, aligning with the axes of underlying columns to maintain rhythmic continuity.[5] This arrangement often includes coffers between modillions, adding depth and shadow play to the overhead surface.[5] Modillions are fabricated from durable natural materials such as stone or marble for exterior and load-bearing contexts, where their carved details withstand environmental exposure.[6] Wood serves as a versatile alternative in interior or timber-based structures, allowing for intricate sculpting and lighter weight.[6] For finer ornamental work, especially indoors, plaster provides a moldable medium that replicates stone textures at lower cost, while metal and synthetic composites enable contemporary adaptations with enhanced weather resistance.[7][8] Functionally, modillions serve as decorative brackets that support the overhanging corona of a cornice, imparting visual emphasis to horizontal building lines and creating a patterned cadence along eaves or ceilings.[9] Their cantilever form contributes subtle structural reinforcement by distributing loads from the projecting cornice, akin to a horizontal counterpart to the more vertical corbel.[8] This dual role enhances both aesthetic rhythm and the perceived stability of the architectural frame.[6]Historical Development
Origins in Antiquity
The modillion, an ornate bracket supporting the cornice in classical entablatures, first emerged in Hellenistic Greek architecture during the late 4th to 3rd centuries BCE, particularly in Asia Minor, as part of decorative enhancements to traditional orders like the Corinthian. These early forms were rare in external structures and often limited to interior stucco work or theater geisons, reflecting a shift toward richer ornamentation in public monuments influenced by the expansive Hellenistic cultural sphere.[10] By the 1st century BCE, the element had fully developed within the Roman adaptation of the Corinthian order, where it became a standard feature for adding visual depth and structural emphasis to cornices.[10] In Roman architecture, modillions were integrated into the bedmould of the Corinthian entablature, positioned as projecting elements beneath the corona to support the overhanging roof while enhancing decorative complexity, as outlined in Vitruvius' De Architectura (c. 30–15 BCE). Vitruvius describes the Corinthian cornice as following Ionic proportions, with projections analogous to dentils or mutules in other orders, thereby establishing these elements as a harmonious extension of the entablature's sculptural hierarchy.[11] This integration underscored their dual role in bearing the corona's weight and contributing to the order's ornate aesthetic, particularly in monumental civic and religious buildings. Prominent ancient examples illustrate the modillion's evolution. The Pantheon in Rome (c. 126 CE), under Hadrian, features block modillions—simple, rectangular projections undercut with a cyma recta curve—encircling the drum beneath the main cornice, providing a robust yet understated support for the dome's transition to the pedimented portico.[12] In contrast, the Temple of Mars Ultor in the Forum of Augustus (dedicated 2 CE) employs more ornate modillions in its Corinthian entablature, with recessed coffers between them framed by elaborate moldings, exemplifying Augustan-era enrichment drawn from Hellenistic precedents to symbolize imperial triumph.[10] These instances highlight the modillion's adaptation for grandeur in public architecture, bridging Greek decorative traditions with Roman engineering precision.Evolution in Post-Classical Periods
The modillion, a bracket-like projection in classical cornices, experienced a significant revival during the Renaissance as architects sought to emulate Roman precedents. Leon Battista Alberti, in his seminal treatise De re aedificatoria (1452), advocated for the integration of modillions into entablatures to enhance structural expression and ornamental harmony, drawing directly from Vitruvian principles adapted to contemporary needs. Andrea Palladio further popularized this element in the 16th century through his I Quattro Libri dell'Architettura (1570), where he illustrated modillions in Corinthian and Composite orders, often combining them with dentils for rhythmic facades, as seen in his designs for the Basilica Palladiana in Vicenza.[13] This revival manifested prominently in structures like the Palazzo Farnese in Rome (1530s–1580s), where Michelangelo's crowning cornice features robust modillion brackets symbolizing rafter ends, underscoring the element's role in projecting grandeur and stability.[14] In the Baroque period of the 17th and 18th centuries, modillions evolved toward more exaggerated and dynamic forms, aligning with the era's emphasis on movement and drama. Sir Christopher Wren employed enriched modillions in the cornice of St. Paul's Cathedral in London (1675–1710), where they contribute to the building's layered entablature, blending neoclassical restraint with Baroque vitality to support the dome's visual thrust.[15] This elaboration transformed the modillion from a subtle structural cue into a sculptural accent, often carved with acanthus motifs or scrolls to heighten shadow play and depth, reflecting the influence of Roman Baroque precedents like those in Bernini's works. The Neoclassical movement in the 18th and 19th centuries refined modillions into simpler, more austere iterations, prioritizing clarity and proportion over ornamentation. Architects such as Claude-Nicolas Ledoux incorporated elements of purified classicism in his visionary projects. Similarly, Thomas Jefferson championed neoclassical forms featuring modillions during his oversight of the U.S. Capitol in Washington, D.C. (construction begun 1800), evident in the building's pedimented cornices that evoke Roman temples while adapting to republican ideals.[16] This period's block modillions, a simplified variant with rectangular profiles, emerged as a practical evolution for large-scale public works, emphasizing scale over intricacy. Architectural treatises played a crucial role in standardizing modillion design across these periods. Sebastiano Serlio's Regole generali di architettura (1537) detailed modillions—referred to as mensole—within the five orders, providing proportional guidelines that influenced Renaissance practitioners by linking them to Roman antiquity.[17] Later, James Gibbs's Rules for Drawing the Several Parts of Architecture (1732) illustrated block modillions in cornices, promoting their use in English neoclassical contexts to avoid fractional divisions and ensure modular precision.[18]Role in Architectural Orders
In the Corinthian Order
In the Corinthian order, modillions are positioned within the bedmould of the entablature, directly below the corona, serving as decorative brackets that support the overhanging roof elements while enhancing the overall ornamental quality of the structure.[19] Typically, one modillion is placed per column bay, aligning with the intercolumniations to maintain symmetry and rhythm across the facade.[20] These elements contribute to the order's slender and elegant proportions that emphasize verticality and lightness.[21] The decorative integration of modillions in the Corinthian order often incorporates acanthus leaf scrolls, mirroring the intricate foliage motifs of the column capitals to create a cohesive visual theme throughout the entablature.[22] This design choice echoes the natural, organic inspiration of the order, with the scrolls providing a sense of continuity and fluidity. Their spacing alternates rhythmically with dentils, fostering a dynamic interplay of projection and recession that heightens the entablature's decorative depth without overwhelming the structure's classical restraint.[19] Modillions held particular prominence in Roman Corinthian temples, where they exemplified the order's role in conveying imperial grandeur and sophistication. A quintessential example is the Maison Carrée in Nîmes, France, constructed around 16 CE, which features a richly adorned cornice with modillions that underscore the temple's pseudoperipteral hexastyle form and its dedication to the imperial cult.[23] In such imperial architecture, modillions amplified the sense of opulence, transforming functional supports into symbols of Roman prestige and artistic refinement.[20]In the Roman Ionic Order
In the Roman Ionic order, modillions appear in the cornice of the entablature, similar to their use in the Corinthian order, but adapted to the more restrained ornamental scheme of Ionic design. They project as brackets beneath the corona, often spaced in alignment with the column axes, and may feature simpler scroll motifs compared to the elaborate acanthus of Corinthian examples.[1] This placement supports the soffit while integrating with dentils and other moldings to balance the order's characteristic volutes and egg-and-dart enrichments. Roman Ionic modillions, as seen in structures like the Temple of Fortuna Virilis in Rome (c. 75 BCE), enhance the entablature's elegance without overpowering the capital's scrollwork, reflecting the order's evolution from Greek precedents toward greater decorative flexibility.[24]In the Composite Order
The Composite order, a distinctly Roman innovation, merges the volutes of the Ionic capital with the acanthus foliage of the Corinthian capital, creating a hybrid form characterized by heightened ornamentation and eclecticism. In this order, modillions appear in the cornice of the entablature, serving as projecting brackets that support the corona while introducing additional decorative richness to the overall composition. These modillions typically align with the axes of the columns below, spaced at intervals that maintain proportional harmony, and often include coffered panels between them for visual depth.[25] Distinct from the more standardized modillions of the Corinthian order, those in the Composite are generally larger and more elaborate, frequently incorporating volute-like terminations at their ends to reflect the Ionic influence and amplify the order's blended aesthetic. This adaptation underscores the Composite's role in bridging Ionic scrollwork with Corinthian leaf motifs, extending the hybrid theme into the entablature for a cohesive ornamental scheme. Renaissance treatises formalized these features; for instance, Giacomo Barozzi da Vignola's Regola delli cinque ordini d'architettura (1562) depicts Composite modillions with enriched profiles, including acanthus detailing and curved brackets that project significantly from the corona, emphasizing their function in elevating the cornice's grandeur.[26] An early prototype of the Composite order, including its modillions, is evident in the upper level of the Colosseum in Rome (70–80 CE), where the brackets contribute to the structure's layered hierarchy of orders, culminating in a richly detailed attic story. In later periods, such as the Baroque era, modillions in the Composite cornice were further dramatized for expressive effect, as seen in Francesco Borromini's facade for San Carlo alle Quattro Fontane (1638), where they integrate with undulating forms to enhance spatial dynamism and ornamental exuberance. Functionally, these modillions reinforce the entablature's stability while amplifying the order's eclectic fusion, allowing architects to blend classical precedents with innovative embellishment.[27][28]Variations and Types
Ornate Modillions
Ornate modillions represent a richly decorative variant of the modillion bracket, distinguished by their intricate sculptural embellishments that elevate them beyond mere structural support. These elements are typically carved with motifs such as acanthus leaves, scrolls, or volutes, drawing from classical traditions to infuse cornices with elaborate foliage and curving forms that evoke natural abundance and dynamic movement. In historical contexts, they were frequently gilded or painted to enhance their opulent appearance in grand architectural ensembles. Ornate modillions gained prominence during the Baroque period, where their dramatic flourishes contributed to the style's emphasis on theatricality and exuberance. In Baroque architecture, they supported sweeping cornices to amplify a sense of grandeur and motion. The craftsmanship of ornate modillions demands skilled artisanal techniques, often hand-carved from stone like marble or limestone to capture fine details in acanthus lobes and volute spirals without undermining the bracket's load-bearing role.[29] Alternatively, they were molded in plaster for more complex, repetitive patterns in interior applications, allowing for precise replication while maintaining structural integrity through reinforced compositions. Their proportions—typically scaled to the overall entablature—are calibrated to permit such detailing, ensuring aesthetic depth coexists with functional stability.[6] Aesthetically, ornate modillions serve to introduce texture and dynamic shadow play along cornices, where recessed carvings catch light variably to create rhythmic contrasts that guide the viewer's eye and heighten architectural hierarchy.[6] This interplay not only adds visual depth to flat surfaces but also reinforces the cornice's role as a crowning feature, contrasting with plainer block modillions used for subtler emphasis.[2]Block Modillions
Block modillions represent a simplified variation of the modillion, consisting of plain cubic or rectangular blocks that project horizontally from the frieze to support the corona of a cornice. Unlike their ornate counterparts, these blocks lack decorative scrolls or acanthus motifs, often featuring a subtle undercut profile such as a cyma recta curve to replicate crown molding effects while maintaining a restrained aesthetic. Typically constructed from durable materials like marble or limestone in historical contexts, or concrete for structural efficiency, they emphasize functional projection over embellishment.[18][2] In ancient Roman architecture, block modillions gained prominence for their utilitarian elegance, most notably in the cornice of the Pantheon's rotunda, completed around 126 CE under Emperor Hadrian, where projecting marble blocks form a succession that divides the exterior wall and supports the entablature. This design choice reflected Roman engineering priorities, integrating seamlessly with the building's massive concrete drum. The feature was revived during the Neoclassical period in the 18th and 19th centuries to evoke classical purity and simplicity, as seen in Thomas Jefferson's Academical Village at the University of Virginia (constructed 1817–1826), where pavilions like No. V incorporate modillions in Palladian Ionic orders to provide clean, horizontal emphasis along colonnades.[30][31] The advantages of block modillions lie in their ease of mass production and installation, requiring less skilled carving than ornate versions, which made them ideal for large-scale projects demanding uniform, cost-effective detailing. They offer subtle visual rhythm and structural illusion without overwhelming the overall composition, enhancing the clean lines of expansive facades as in Jefferson's UVA design. In contrast to corbels, which are typically tapered or stepped masonry elements integrated into walls for genuine load-bearing support, block modillions provide more uniform, horizontal projection primarily as decorative cornice brackets, deriving from wooden beam origins rather than vertical cantilever needs.[18][31][32]Modern Applications and Significance
In Contemporary Design
In the Postmodern and New Classical movements of the late 20th and early 21st centuries, modillions have been revived as decorative elements to blend historical motifs with contemporary forms, adding ornamentation and structural illusion to facades and cornices. For instance, the mid-1980s adaptation of the William Hengerer Company building (now Lafayette Court) in Buffalo, New York, incorporates classical modillions in its cornice above the fifth story, juxtaposed with Postmodern rounded arches and window treatments to create a playful historical reference.[33] Similarly, a contemporary residence in South Carolina designed by Historical Concepts features modillions as scrolled elements in the minimally detailed entablature of its full-width porch, enhancing the Greek Revival aesthetic while adhering to proportional classical rules in a modern context.[34] Material innovations have enabled modillions' adaptation to 21st-century construction demands, with fabrication in lightweight, durable synthetics like fiberglass-reinforced polyester resin offering superior strength-to-weight ratios compared to traditional stone or wood. These fiberglass modillions, often integrated into cornices with built-in brackets, reduce installation costs and structural loads, making them suitable for commercial facades in banks, government buildings, and universities where historical styling conveys stability without excessive maintenance.[35] Metal variants, such as those crafted from aluminum or copper, provide corrosion resistance and customizable finishes, further supporting their use in exposed exterior applications.[8] In interior design, modillions appear in molded ceiling treatments for luxury homes and hotels, particularly in Art Deco revivals that emphasize geometric patterns and glamour through simplified, bold cornices. Plaster-based modillions, often bespoke and combined with modern materials like glass accents, create depth and texture in contemporary spaces, as seen in Modern Classic interiors where scaled-down versions align with sleek, minimalist frameworks.In Restoration and Preservation
In the restoration of historic architecture featuring modillions, preservation techniques emphasize non-invasive methods to address deterioration while retaining original materials. Cleaning involves gentle removal of surface dirt and biological growth using low-pressure water or poultices to avoid damaging the stone substrate, as outlined in UNESCO's guidelines for conserving monuments and sites with classical elements.[36] Repairing cracks in stone modillions typically employs lime-based mortars, which are compatible with historic masonry due to their breathability and flexibility, allowing moisture to evaporate without trapping it and causing further damage; the U.S. National Park Service recommends these mortars for repointing and infilling to match the original composition and prevent salt efflorescence.[37][38] Replication methods prioritize authenticity by casting new modillions from molds taken directly from surviving originals, ensuring precise replication of decorative profiles in materials like cast stone or glass fiber reinforced concrete (GFRC). For instance, in the restoration of the Greater Whitehall Building's pediment in New York City, intricate ornamental elements including modillion-like projections were recreated using GFRC casting to match the historic Corinthian detailing without altering the structure.[39] This approach is particularly effective for block modillions, which feature simpler, unadorned forms that facilitate straightforward molding and installation. Challenges in modillion restoration often stem from their exposed positions on cornices and entablatures, where weathering from rain, freeze-thaw cycles, and pollution accelerates erosion and spalling of the stone.[40] Modern interventions, such as inserting stainless steel reinforcements into cracked or weakened modillions, provide structural support while resisting corrosion in harsh environments; these are installed via epoxy-grouted anchors to minimize visual impact and comply with conservation standards for stone monuments.[41] The significance of properly restored modillions lies in their contribution to the overall stylistic integrity of historic districts, preserving the architectural character defined by classical orders. According to the U.S. National Register of Historic Places criteria, maintaining elements like modillions ensures the retention of design and workmanship aspects of integrity, which are essential for eligibility and ongoing protection under federal preservation programs.[42][43]References
- https://commons.wikimedia.org/wiki/File:United_States_Capitol%2C_Washington%2C_D.C._Hall_of_Representatives_-_cornice%2C_ceiling_plan_LCCN2001697330.jpg