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Key Information

Navraj Singh "Nav" Goraya (born November 3, 1989) is a Canadian rapper, singer, songwriter, and record producer. He began his career as a producer for other artists before embarking on his recording career, with his first major production credit being Drake's 2015 single "Back to Back". In early 2017, Nav signed with fellow Canadian singer the Weeknd record label, XO.

Nav's second and third studio albums, Bad Habits (2019) and Good Intentions (2020), both debuted atop the Billboard 200. The latter album's lead single, "Turks" (with Gunna featuring Travis Scott), debuted at number 17 on the Billboard Hot 100 and remains his highest-charting song as a lead artist. Also in 2020, he guest appeared on the Internet Money, Gunna and Don Toliver's single "Lemonade", which peaked at number six on the chart and gave him his highest-charting entry overall. Later that year, he released his second commercial mixtape, Emergency Tsunami.

Nav's fourth studio album, Demons Protected by Angels (2022), debuted at number two on the Billboard 200. His 2023 single, "Calling" (with Metro Boomin and Swae Lee featuring A Boogie wit da Hoodie), yielded commercial success. His fifth studio album, OMW2 Rexdale (2025), lukewarmly entered the Billboard 200.

Early life

[edit]

Navraj Singh Goraya was born on November 3, 1989, in Toronto, Ontario, into a poor immigrant Punjabi Sikh family, from Punjab, India. He was raised in the Rexdale neighbourhood. His mother was involved in computer manufacturing and his father operated a forklift.[1] Nav first became interested in music after his mother bought him a boombox in the third grade.[2] His uncle was also a popular Punjabi singer in India and brought him to a studio.[3] He began making mash-ups in high school and producing beats for local underground Toronto artists, and became popular on SoundCloud. Nav first started producing using Sony's ACID Pro software.[1] He attended West Humber Junior Middle School and then later attended Thistletown Collegiate Institute for his high school education and had to spend an additional year to graduate. Following high school, he attended and graduated from Metalworks Institute in Mississauga, Ontario in 2010 with a diploma in Audio Production and Engineering.[4]

Career

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2015–2018: Commercial debut, Nav, and Perfect Timing

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On July 29, 2015, fellow Canadian rapper and singer Drake released the single "Back to Back", which Nav helped co-produce. On September 4, 2015, Nav released one of his earliest singles on SoundCloud and YouTube, "Take Me Simple", which has accumulated over eighteen million listens. He released the single "Ten Toes Down" (abbreviated as "TTD" on streaming services) on SoundCloud and YouTube on December 15, 2015. In 2016, another one of his SoundCloud and YouTube-exclusive singles, "The Man", was played on Drake's OVO Sound Radio.[5][6] On January 12, 2016, Nav released the single "Myself" on SoundCloud and YouTube, which quickly became his biggest song at the time, earning him numerous cosigns, including one from American model and internet personality Kylie Jenner. On June 4, 2016, he released the single "Up" on SoundCloud and YouTube. Following the popularity of the singles, he was signed to XO and Republic Records, after being called by his now-manager Amir "Cash" Esmailian.[7] On September 2, 2016, Nav was featured on and solely produced the single "Beibs in the Trap" by Travis Scott, as part of the latter's second studio album, Birds in the Trap Sing McKnight, in which the song reached number 90 on the US Billboard Hot 100 and was eventually certified double platinum by the Recording Industry Association of America (RIAA) after selling over two million copies.[8][9]

Nav at Coachella in 2017

On December 24, 2016, American record producer Metro Boomin, who helped produce "Up", took to Twitter to announce that he and Nav would be releasing a collaborative project in 2017. On February 15, 2017, Nav released his debut single, "Some Way" featuring the Weeknd, who is his label boss from XO, as the lead single from his self-titled debut mixtape, which was released exactly nine days later.[10] Exactly, one week after the release of the single, Nav tweeted that his collaborative mixtape with Metro Boomin would be titled Perfect Timing. "Myself" was chosen as the second and final single from Nav's self-titled mixtape as it was sent to rhythmic contemporary radio on April 11, 2017.[11] On July 14, 2017, Nav and Metro Boomin released "Perfect Timing (Intro)" and "Call Me", the dual lead singles of Perfect Timing, which was released exactly a week later.[12]

2018–2019: Reckless and Bad Habits

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On November 7, 2017, Nav was featured on the single "Bali" by Canadian hip hop duo 88Glam, which consisted of rappers and now-former XO signees Derek Wise and 88Camino before the duo split in late 2022, as part of the duo's self-titled debut mixtape. Three days later, he released the single "Wanted You" featuring Lil Uzi Vert, which became his first single as a lead artist, as well as a credited artist, to chart on the Billboard Hot 100, reaching number 64.[13] In February 2018, Nav received a Juno Award nomination for Breakthrough Artist of the Year at the Juno Awards of 2018.[14] On March 16, 2018, he released the single "Freshman List", which saw him taking aim at the magazine XXL for not including him in their segment of the same name to highlight up-and-coming artists in 2017.[15] On April 6, 2018, Nav was featured on the single "Maintain" by fellow XO signee Belly, which later appeared on the latter's second studio album, Immigrant.[16] On April 26, 2018, during his concert for his "Freshman Tour" in Los Angeles, he announced that he would be releasing two projects that year, in which he said that his debut studio album would be titled Reckless and that he would also be releasing another collaborative mixtape with Metro Boomin titled Perfect Timing 2, which is a sequel to their project together that was released in 2017, but the latter project has still not been released as of 2023. The next day, Nav took to social media to announce that Travis Scott, who came out to perform "Beibs in the Trap" with him onstage the previous day, would be featured on a song from Reckless. On May 18, 2018, Nav released Reckless, with "Wanted You" and "Freshman List" serving as the respective lead and second singles.[17][18] "Champion" featuring Travis Scott was chosen as the third and final single from the album as it was sent to rhythmic contemporary radio on June 26, 2018.[19] On August 3, 2018, Nav was featured alongside Gunna on the single "Yosemite" by Travis Scott, as part of the latter's third studio album, Astroworld, which he received worldwide attention because his voice was initially mixed at a lower volume, but it was fixed and re-released with a better mix at the correct volume eight days later.[20][21][22][23]

On November 2, 2018, Nav released the single "Know Me".[24] He received two Juno Award nominations for Fan Choice and Rap Recording of the Year at the Juno Awards of 2019 for Reckless. On March 22, 2019, Nav released his second studio album, Bad Habits, with "Know Me" serving as the lead single.[25] Four days later, he released the deluxe edition of the album and "Price on My Head" featuring the Weeknd was chosen as the second single of the album on the same day.[26][27][28] It debuted number one on the US Billboard 200.[29][30] "Tap" featuring Meek Mill was chosen as the third and final single from the album as it was sent to rhythmic contemporary radio on May 7, 2019.[31] On June 28, 2019, Mustard released his third studio album, Perfect Ten, with Nav featured alongside Playboi Carti and A Boogie wit da Hoodie on the fourth track, "Baguettes in the Face".[32]

2020: Good Intentions, Brown Boy 2, and Emergency Tsunami

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On March 27, 2020, Nav released a collaboration with Gunna titled "Turks" featuring Travis Scott.[33][34] The song became his highest-charting song in the United States as it reached number 17 on the Billboard Hot 100 and served as the lead single from his third studio album, Good Intentions. The album was released on May 8 and debuted at number one on the US Billboard 200.[35] Three days later, Nav released its deluxe edition with a reissued album titled Brown Boy 2, which also serves as a sequel to his unofficial EP, Brown Boy, which his manager Cash released exclusively on Audiomack in 2019.[36] Soon after the release of the albums, Nav released a merchandise collaboration with Vlone and Virgil Abloh for the album.[37] On August 14, Nav was featured on the single "Lemonade" by record label Internet Money, Gunna, and Don Toliver, which later appeared the label's debut studio album, B4 the Storm, and gave Nav his highest-charting song ever as it reached number seven on the Hot 100.[38] On November 6, 2020, Nav released his second commercial mixtape, Emergency Tsunami.[39] Five days later, he released a bonus version of the mixtape.[40] "Young Wheezy", a collaboration with Gunna, was chosen as the lead and only single from the mixtape as it was sent to rhythmic contemporary radio on January 12, 2021.[41]

2022–present: Demons Protected by Angels and OMW2 Rexdale

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On June 27, 2022, Nav shared that his fourth studio album would be titled Demons Protected by Angels. He released a collaboration with Lil Baby titled "Never Sleep" featuring Travis Scott, which serves as the album's lead single, on July 29.[42] Nav solely produced the second single, "Wrong Decisions", which was released on August 23, 2022.[43] The album was released on September 9, 2022, and a collaboration with Don Toliver titled "One Time" featuring Future, was chosen as the third single four days later.[44] On October 1, 2022, Nav shared that he would be releasing his now-scrapped third commercial mixtape, Nav2, a sequel to his self-titled mixtape, which was released back in 2017.[45] On February 10, 2023, he released the single "Lately", which was expected to serve as the lead single from the mixtape.[46] On May 21, 2023, Metro Boomin joined Nav onstage during the latter's performance at the Metro Metro Festival in Montreal, which was before his own set at the festival, in which the two announced that their collaborative mixtape, Perfect Timing 2, which they originally announced in 2018, would be released soon.[47] Exactly ten days later, Nav released a collaboration with Metro Boomin and Swae Lee titled "Calling" featuring A Boogie wit da Hoodie, which later appeared on Metro's first soundtrack album, which was for the film Spider-Man: Across the Spider-Verse.[48]

In April 2024, Nav performed twice at the Coachella festival in Indio, California, on April 14 and April 21, where he announced the title On My Way 2 Rexdale[49] at the end of his performance on the former date although it was unclear whether it was a single or a project and performed the then-unreleased song from the album titled "Red" on the latter date.[50] He released a trailer video for it on May 14, where he confirmed its title and the fact that it would be his fifth studio album with a release set for the summer of that year, which did not happen for unknown reasons.[51] Nav was featured on an updated version of Australian singer Lithe's single, "Fall Back", on August 16.[52] He announced release date of the official and now-shortened title of the album, OMW2 Rexdale, along with its final trailer video on March 18.[53] Nav released a collaboration with Metro Boomin titled "Real Me" as its lead and only single three days later, followed by the album being released on March 28.[54]

Controversies

[edit]

In early 2017, Nav had received backlash for saying the word "nigga" in some of his songs.[55] In an interview with Complex on July 21, 2017, Nav stated that the neighborhood he grew up in is very "multicultural" with members of the "Chinese to white to black to Jamaican" openly using the word with one another. He admitted that he and his friends constantly used the word with one another, but he saw some backlash once he had gained some popularity. He also stated that he would not say the word in his music anymore, starting from his collaborative mixtape with Metro Boomin titled Perfect Timing, which was released on the same day as the interview.[56]

Nav publicly criticized XXL through a series of tweets and Instagram posts along with releasing the single "Freshman List" on March 16, 2018.[57] His main reason for criticizing the magazine was due to not being selected for the 2018 freshman cover. In his tweets, Nav shared his thoughts that had ranged "from angry and bitter to motivational and inspirational". After his tweets and release of the single, Nav began addressing the outlet's editor-in-chief Vanessa Satten through now deleted Instagram posts and further continued to criticize the outlet.[58]

In March 2019, during an interview with Pitchfork, Nav was quoted by an interviewer to say: "Fame is something I want, it's a good problem to have. I'm still not there, because when I walk out of fucking Delilah in L.A. and TMZ will be standing out there with cameras and not even take a picture of me, I get sick. I get in my fucking Lambo truck right in front of them. All my jewelry on and they don't even take one picture".[59] However, he later clarified that this was taken out of context, as "sick" is in fact a positive term in Toronto slang, and rather than being disgusted for not being recognized, he is grateful to still have anonymity as a celebrity.[60] Nav further stated in the Pitchfork interview that he hoped his latest project, Bad Habits would help him become more noticed by TMZ along with other paparazzi. A week later, a TMZ interviewer found Nav in New York and did a brief video interview with him, asking him questions about a possible collaborative project with Lil Uzi Vert.[61]

On March 28, 2025, Nav released a new album, OMW2 REXDALE, featuring songs such as BURBS, UNLIMITED (FT PLAYBOI CARTI), RED, REAL ME (WITH METRO BOOMIN), and GET 2 U.

Discography

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Studio albums

Concert tours

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Headlining
Supporting

Awards and nominations

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Year Awards Category Work Result
2018 Juno Award Breakthrough Artist of the Year Nominated
2019 Juno Award Fan Choice Nominated
Rap Recording of the Year Reckless Nominated
2020 Juno Award Fan Choice[62] Nominated
Rap Recording of the Year[62] Bad Habits Nominated

References

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[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia

Navraj Goraya (born November 3, 1989), known professionally as Nav, is a Canadian , , and of Punjabi Sikh descent.
Born in , , , to immigrant parents from , he rose to prominence in 2016 after the viral success of his single "Myself" on , which propelled his entry into the hip-hop scene.
This breakthrough led to the release of his self-titled debut NAV on February 24, 2017, and a signing to The Weeknd's XO imprint alongside .
Nav's sound is defined by melodic trap production, featuring wavy sing-rap flows, autotune-heavy vocals, and introspective lyrics over spacious, moody beats.
His debut studio album Reckless (2018) marked his full-length entry, followed by Bad Habits (2019), which debuted at number one on the , outselling contemporaries like and in its opening week.
Subsequent releases include Good Intentions (2020) and (2022), the latter topping Billboard's R&B/Hip-Hop and Rap album charts while peaking at number two on the .
Nav has collaborated extensively with artists such as , , and , contributing to tracks like "Some Way" and "."
Early in his career, he faced backlash for using the N-word in on his mixtapes, given his non-Black background, prompting him to discontinue its use following public criticism.

Early life and background

Family and upbringing

Navraj Singh Goraya, professionally known as Nav, was born on November 3, 1989, in , , , to parents who immigrated from , as members of the Punjabi Sikh community. His family originated from the northern Indian state of , where Sikh traditions shaped their prior to migration. Raised as the youngest of three siblings in Toronto's neighborhood—a working-class, multicultural area in the city's northwest—Nav grew up amid the economic pressures common to many immigrant households, including his father's role as a operator and his mother's work in computer manufacturing. The family's Sikh heritage influenced daily life through religious observances and use, fostering discipline and communal values that contrasted with Rexdale's urban environment of diverse ethnic groups and socioeconomic strain. These immigrant experiences, marked by parental labor in blue-collar and technical fields, contributed to an emphasis on self-reliance and perseverance, as Nav has reflected in discussions of his formative years. He attended local institutions such as West Humber Junior Middle School and for , though his development leaned toward independent pursuits over extended institutional reliance.

Entry into music production

Nav began his forays into music production during high school, where he created mash-ups and beats for local underground artists in Toronto's emerging rap scene. This initial experimentation laid the groundwork for his production skills, focusing on hands-on beat-making without immediate commercial intent. After high school, Nav pursued formal training by enrolling in the Audio Production and Engineering diploma program at Metalworks Institute in , , graduating in 2010. There, he honed technical proficiencies in audio engineering, which he applied to early unreleased work and contributions for Toronto-area rappers, sharing beats on to gauge reception and refine his style through iterative feedback. These efforts marked a shift from casual hobby to dedicated pursuit, emphasizing practical trial-and-error in crafting trap-influenced instrumentals amid the competitive local underground.

Musical style and artistry

Genre contributions and production techniques

Nav's core musical style integrates melancholic, repetitive melodies with trap beats, employing heavy on vocals to create a layered, emotive delivery that emphasizes emotional resonance over lyrical clarity. This approach fuses singing-like flows with rhythmic trap elements, including prominent 808 bass lines and patterns typical of the , resulting in an ethereal, atmospheric sound. In production, Nav adheres to a DIY , frequently self-producing tracks using looped samples and atmospheric synths to construct moody, spacious backdrops that prioritize hook-driven structures over extended verses. These techniques favor economical song forms, with many tracks averaging 2 to 3 minutes in length and tempos ranging from 140 to 170 BPM, allowing melodies to dominate through repetition and minimalistic arrangements. Over time, Nav's outputs have evolved from sparser, beat-focused early productions to more layered compositions incorporating additional synth textures and refined vocal effects, enhancing density while retaining core trap sparsity. This progression reflects iterative refinements in sample selection and beat collaboration, maintaining a focus on intuitive, ear-guided construction rather than formulaic complexity.

Influences and thematic elements

Nav's primary musical influences stem from Toronto's hip-hop ecosystem, with Drake and The Weeknd serving as key figures in shaping his melodic trap aesthetic and atmospheric production sensibilities. His early production work on Drake's 2015 diss track "Back to Back" marked a pivotal entry point, reflecting an emulation of the city's introspective, R&B-infused rap style rather than American gangsta rap archetypes. Complementing this, Nav's Punjabi Sikh background introduced melodic elements from South Asian folk and bhangra traditions, influenced by his uncle's career as a Punjabi singer in India and pervasive family exposure to such sounds during childhood. This fusion avoids overt gangsta emulation, prioritizing vibe-driven flows over narrative bravado, as evidenced in his self-described "brown boy" ethos that grounds hip-hop in immigrant cultural hybridity. Recurring thematic elements in Nav's lyrics center on the pursuit of wealth as a counter to pre-fame deprivation, often framed through the lens of an immigrant grind from Toronto's neighborhood. Songs like "Wanted You" and "Up" depict rapid financial ascent amid relational isolation, portraying success as both triumphant and alienating. Drug-fueled excess, particularly and lean consumption, features prominently as a motif of escapism and indulgence, with tracks such as "" (featuring Gunna, released May 8, 2020) explicitly cataloging syrup's euphoric haze and relational fallout: " got me trippin', feel like I'm floatin' / No , I'm supposed to." These narratives balance glamorization of vice—evoking cycles of dependency and fleeting highs—with occasional realism on consequences, as in later reflections on addiction's personal toll during romantic entanglements. Critics have faulted these themes for normalizing without sufficient depth or cautionary undertones, arguing they prioritize party-oriented bravado over substantive , as seen in reviews decrying a lack of lyrical evolution beyond drugs, women, and . Defenders counter that such content authentically mirrors the high-stakes reality of breakout success for a first-generation Punjabi Canadian, capturing the causal link between socioeconomic struggle and compensatory excess without romanticizing origins—evident in Nav's own admissions of pre-fame scarcity driving his output. This tension underscores a broader on whether his work perpetuates escapist tropes or documents unvarnished upward mobility, with empirical sales data (e.g., over 100 million streams for drug-centric singles) indicating resonance despite polarizing reception.

Career

2015–2017: Mixtapes, production work, and commercial debut

In 2015, Nav began gaining recognition as a in Toronto's underground scene, creating beats for local artists and eventually contributing to high-profile tracks. He produced the beat for Travis Scott's "," originally his own demo, which was released on September 2, 2016, as part of Scott's album Birds in the Trap Sing McKnight, marking Nav's entry into mainstream hip-hop production circles. This independent effort, built through uploads and grassroots networking, highlighted his self-taught production skills amid limited industry access for South Asian artists in a predominantly Black-led genre. Nav self-released his debut project, the The Introduction, on September 4, 2016, featuring early singles like "Myself," which he had uploaded to in January 2016 and built buzz through organic streaming and performances. This independent release cultivated a dedicated fanbase in 's multicultural , particularly among South Asian youth, challenging by blending trap production with personal lyrics on wealth, isolation, and street life. On February 16, 2017, Nav signed to 's XO imprint and , leveraging connections from production work and a collaboration on "Some Way" with . Under XO, Nav released his self-titled commercial debut mixtape NAV on February 24, 2017, which debuted at number 22 on the Billboard 200 through streaming platforms like Spotify and Apple Music, driven by tracks such as "Up," "Myself," and the Weeknd feature. The project, co-produced by Nav alongside Metro Boomin and others, solidified his breakthrough by achieving over 100 million combined streams in its first months, reflecting fan-driven growth rather than traditional radio play or major label promotion prior to the deal.

2018–2019: Reckless, Bad Habits, and mainstream traction

In May 2018, Nav released his debut studio album Reckless through XO Records and , marking his transition to full-length major-label output. The project debuted at number 8 on the , selling 36,000 album-equivalent units in its first week, driven by streaming and features from artists including , , and . Despite commercial entry, early reviews highlighted repetitive trap elements and Nav's self-admitted dissatisfaction, with him later stating the album "sucked" due to rushed production and formulaic content. Building momentum, Nav announced the Freshman Tour in March 2018, commencing April 24 in Santa Ana, California, with support from 88Glam, escalating his live presence amid rising streams from prior singles. In November 2018, he dropped "Know Me" as the lead single for his follow-up, though it did not immediately chart high; the track underscored his ongoing XO affiliation, co-managed by The Weeknd's team. Nav's second album Bad Habits, executive produced by , arrived on March 22, 2019, via the same XO/Republic imprint. It debuted at number 1 on the with 82,000 equivalent units, featuring on "Price on My Head" alongside guests like and , signaling stronger collaborative traction. The Crash Tour followed in late 2019, including arena dates like Theater, reflecting sustained demand but amid critiques of sonic predictability in outlets like , which noted Nav's anger overshadowing innovation. While platinum certifications accrued for earlier hits like "Wanted You," Bad Habits' metrics suggested hype-driven peaks rather than enduring sales velocity, with first-week figures reliant heavily on bundles and streaming equivalents.

2020–2021: Good Intentions, Brown Boy 2, and Emergency Tsunami

In May 2020, amid global that halted live tours and public gatherings, Nav released his third studio album Good Intentions on May 8 via XO Records and . The project debuted at number one on the chart, earning 135,000 album-equivalent units in its first week, including 73,000 pure album sales, demonstrating sustained fan engagement through streaming platforms during widespread isolation. Three days later, on May 11, Nav issued the deluxe edition subtitled , adding 14 tracks with guest appearances from artists including and , which expanded the original release to 32 songs and further capitalized on heightened digital consumption trends. Later that year, Nav maintained output momentum with the Emergency Tsunami on November 6, primarily produced by and featuring collaborations such as "Young Wheezy" and "" with Gunna, the latter appearing on Good Intentions to underscore recurring creative synergies. These efforts, totaling over 40 new tracks across the period, highlighted resilience against disruptions that limited in-person promotion and performances, shifting reliance to remote production and viral streaming metrics. Nav reflected on personal shifts during this time, noting in a December 2020 social media post that he had forgone many vacations and parties in earlier years to prioritize long-term enjoyment, aligning with broader maturity themes amid reduced social outings enforced by lockdowns. This phase marked a pivot toward prolific studio work over live elements, setting groundwork for subsequent experimentation post-restrictions.

2022–2025: Demons Protected by Angels, independent shifts, and OMW2 Rexdale

In September 2022, Nav released his fourth studio album, , which delved into themes of emotional pain and internal conflict, as evidenced by lyrics reflecting personal struggles masked by , such as covering heartache with luxury brands. Executive produced by Nav and Amir “Cash” Esmailian, the project marked a shift toward introspective, darker content amid his ongoing association with XO Records and . Following the album's release, Nav encountered professional hurdles, including reported delays in music rollout attributed to label constraints, which fueled speculation about tensions with XO and prompted a reevaluation of his toward greater in creative decisions. This period coincided with personal maturation, as Nav reduced partying and emphasized sobriety's role in enhancing focus, stating in a 2025 that prioritizing studio time over social excesses sharpened his output. His , described as unmatched in intensity, underscored this phase, with Nav positioning himself as a relentless creator navigating identity challenges in hip-hop. By March 28, 2025, Nav returned with OMW2 Rexdale, his fifth studio album, explicitly honoring his , roots—a neighborhood in where he was born and raised to Punjabi immigrant parents—and reviving an earlier concept originally titled NAV2. The release echoed his foundational sound, signaling a deliberate reconnection to 's rap ecosystem amid evolving scene dynamics. Commercially, it projected strong debut performance, with estimates of 70,000 first-week units, bolstered by physical sales and streaming traction reflective of sustained fan engagement. Despite initial hype, final figures adjusted downward due to market factors, yet the album affirmed Nav's enduring ties to his origins and adaptive resilience in the industry.

Controversies and criticisms

Public beefs and media disputes

In March 2018, Nav publicly criticized XXL Magazine's annual Freshman Class list, releasing a diss track titled "Freshman List" that accused the publication of favoring artists through and industry favoritism rather than merit. He followed up on , declaring "FUCK XXL YOUR MAGAZINE IS TRASH" and targeting editor-in-chief Vanessa Satten for excluding established rising artists like himself. Nav explicitly stated he would not participate even if invited, positioning the dispute as a rejection of perceived gatekeeping in hip-hop media. Nav's conflicts with media personality escalated multiple times between 2019 and 2022, stemming from accusations of disloyalty and inconsistent support. The feud intensified in early when Nav tweeted that Akademiks "hop on and off d*ck so much he prolly got STDs," prompting Akademiks to retaliate with criticisms of Nav's career authenticity and personal attacks. Nav later alleged underlying racism in Akademiks' criticisms during a interview, though he expressed regret for escalating the personal animosity. The two, formerly friendly, traded barbs over perceived betrayals in online commentary, with Akademiks questioning Nav's independence from major labels and Nav viewing the attacks as envious opportunism; the beef concluded with a face-to-face reconciliation on Akademiks' in 2022. In March 2025, rumors circulated that Nav dissed Drake on his track "Back 2 Business" from the album OMW2 Rexdale, with some interpreting lyrics as subtle shots at the peer amid ongoing industry tensions. , citing direct communication from Nav, publicly clarified on a livestream that the lines were not aimed at Drake, dismissing the speculation as misinterpretation fueled by anonymous online narratives of Nav facing widespread "hate" for perceived inauthenticity. Nav has consistently framed such disputes as driven by envy from detractors, contrasting accusers' claims of his industry disconnect with his assertions of targeted sabotage against independent artists.

Accusations regarding lyrics and authenticity

In early 2017, Nav drew backlash for incorporating the n-word into on his self-titled debut , prompting accusations of cultural appropriation from non-Black artists, particularly those of Asian descent, appropriating elements of Black American without equivalent historical or experiential ties. Critics, including a Fader published on March 15, 2017, framed this as symptomatic of broader issues in Desi hip-hop circles, where such usage signals performative proximity to Black experiences rather than genuine cultural integration. The controversy highlighted tensions over authenticity in rap, with detractors arguing Nav's multicultural upbringing—spanning diverse neighborhoods in and —did not confer license for the term, viewing it as commodifying reclaimed language for commercial trap appeal. Beyond the n-word, Nav's lyrics faced repeated criticism for adhering to formulaic trap conventions, emphasizing repetitive motifs of consumption, fleeting wealth, and emotional numbness, which some reviewers deemed shallow and contributory to vice normalization. A March 30, 2017, review in The characterized his debut project as featuring "empty lyrics and the same, monotonous message: glorifying drugs," suggesting a lack of depth or personal evolution that prioritized atmospheric production over substantive . Such critiques extended to authenticity claims, positing that Nav's Punjabi-Canadian background clashed with the genre's roots in Southern U.S. street hardships, rendering his portrayals of lean, Xanax dependency, and melancholy as inauthentic emulation rather than lived causal realities, potentially fostering dependency among impressionable listeners without counterbalancing realism. Empirical data on Nav's commercial trajectory, however, underscores market dismissal of strict authenticity gatekeeping: despite lyrical backlash, his 2019 album Bad Habits debuted at number one on the with 102,000 album-equivalent units in its first week, and subsequent releases like Good Intentions (2020) amassed over 20 million streams in initial weeks, indicating consumer preference for his sound over critic-imposed experiential litmus tests. This persistence in —totaling millions across platforms—suggests causal drivers like melodic hooks and production outweighed authenticity purism, as trap's has empirically favored accessible tropes over rigid provenance.

Artist's responses and industry pushback

In response to persistent criticisms, Nav has emphasized his rigorous work ethic as a to detractors. In a September 2022 Rolling Stone interview, he stated that he "works harder than anyone else," attributing his prolific output and self-production capabilities to this discipline amid claims questioning his authenticity and effort. Nav has also addressed industry-wide skepticism, particularly as a South Asian artist in a with historically low representation of such backgrounds, which often amplifies doubts about cultural fit and legitimacy. In May 2020, he described enduring "crazy" and "offensive" racist comments from industry figures, framing them as baseless barriers rather than valid critiques, and underscoring his self-reliant approach to career control through in-house production and direct fan engagement over label dependencies. These rebuttals align with Nav's pivot toward greater following label tensions, prioritizing personal metrics like streaming endurance over external validation. Despite controversies, his catalog has amassed over 10.7 billion global streams, with fan support evident in sustained playlist placements (37,900+) and chart persistence, such as recent entries, refuting narratives of decline and highlighting commercial viability independent of mainstream approval.

Discography and commercial performance

Studio albums and mixtapes

Nav's primary full-length projects consist of studio albums released predominantly through XO Records and , alongside earlier and supplementary mixtapes issued independently or via the same imprints. These works were made available in digital download and streaming formats, with select releases offering physical editions such as and vinyl. His debut mixtape, NAV, was self-released on February 24, 2017, comprising 15 tracks produced largely by the artist himself. The first studio album, Reckless, followed in 2018 via XO and Republic Records, in standard and deluxe configurations. Bad Habits, the second studio album, was distributed by the same labels on March 22, 2019. Good Intentions, the third, appeared on May 8, 2020, also through XO and Republic, with a deluxe edition incorporating additional tracks under the Brown Boy 2 branding. The fourth studio album, Demons Protected by Angels, was issued in 2022. Nav released the commercial mixtape Emergency Tsunami on November 6, 2020, via XO and Republic Records, featuring production from CashMoneyAP. The fifth studio album, OMW2 Rexdale, came out on March 28, 2025, through Republic Records, including a deluxe edition with bonus tracks.

Key singles and collaborations

Nav's breakthrough single "Myself," produced by himself, was released on April 11, 2017, following an initial upload that built underground buzz among trap audiences. Earlier that year, on February 16, 2017, he dropped "Some Way" featuring , leveraging XO label connections for a melodic hook-driven track distributed via streaming platforms and . In November 2017, Nav issued "Wanted You" featuring , a standalone release emphasizing auto-tuned flows and relationship themes, promoted through official audio on and rapid SoundCloud rollout. This track exemplified his strategy of partnering with high-profile rappers for viral potential outside full projects. Later efforts included the 2020 single "Turks" with Gunna and , released March 27, which highlighted trap production ties to producers like those associated with Drake's OVO circle. In 2025, Nav collaborated with on "REAL ME," unveiled March 21 via music video, continuing his pattern of feature-heavy drops on platforms like for immediate accessibility.

Chart achievements and sales data

Nav's studio albums have demonstrated strong commercial performance, particularly in , with multiple entries in the top ten of the 200. His sophomore album Bad Habits (2019) debuted at number one on the chart, securing his first leader in that tally. Good Intentions (2020) followed suit, also debuting at number one with 135,000 album-equivalent units in its opening week, bolstered by 100 bundled merchandise offers. Demons Protected by Angels (2022) entered at number two, accumulating 67,000 equivalent units, including over 60 million on-demand streams and 26,000 pure sales. The project also topped the and Top Rap Albums charts. In , Nav's releases have frequently reached the summit of the Canadian Albums Chart, aligning with his domestic fanbase. Bad Habits and Good Intentions both claimed the top spot there, reflecting robust streaming and sales within the market. Later efforts like OMW2 (2025) debuted at number 34 on the Canadian Albums Chart, with U.S. first-week consumption under 40,000 equivalent units per estimates. UK chart performance has been more modest, with albums peaking outside the top 20 on the Official Albums Chart. Good Intentions reached number 18, while Reckless (2018), Bad Habits, and peaked at 24, 26, and 55, respectively, each spending limited weeks in the tally. Select singles, such as "Turks" (with Gunna and ), have fared better, peaking at 54. Nav holds four RIAA gold certifications for albums, indicating at least 500,000 certified units each in the U.S., though specific titles are not itemized in public records. No higher platinum awards or detailed cumulative sales figures beyond first-week data are publicly certified by RIAA or Music Canada for his catalog as of 2025.
AlbumBillboard 200 PeakFirst-Week U.S. Units
Bad Habits (2019)1Not specified
Good Intentions (2020)1135,000
Demons Protected by Angels (2022)267,000

Live performances

Concert tours

Nav headlined the Freshman Tour in 2018, shortly after the May release of his debut studio album Reckless, performing at venues across including theaters and clubs with capacities ranging from 1,000 to 3,000. The tour emphasized tracks from Reckless such as "Wanted You" and "Friend or Foe", marking his initial major headlining effort following mixtape promotion. In 2019, Nav launched the Bad Habits Tour, another North American headlining run through mid-sized venues, building on the momentum from his second mixtape Bad Habits. Setlists evolved to incorporate newer singles like "Tap" alongside staples from prior releases, reflecting a shift toward material produced under his XO affiliation. The COVID-19 pandemic prompted industry-wide suspensions of live tours starting March 2020, curtailing Nav's planned activities amid global venue closures and travel restrictions. Following his transition to independent distribution for Demons Protected by Angels in 2022, touring scaled back compared to peak 2018–2019 arena and theater scales, with fewer large-scale commitments. Nav resumed headlining with the Never Sleep Tour in 2023, a 23-date North American outing promoting Demons Protected by Angels, commencing February 14 at The Fillmore in Minneapolis (capacity 1,193) and concluding April 11 at Scotiabank Arena in Toronto (capacity 19,800). Key stops included The Fillmore in Detroit (capacity 2,900), Terminal 5 in New York City (capacity 3,500), and Fillmore Auditorium in Denver (capacity 3,700). Setlists prominently featured recent cuts like "Never Sleep" and "To My Grave" opener, blended with career-spanning hits such as "Up", "Baguettes in the Face", and "Wanted You", indicating a maturation from Reckless-heavy performances to broader catalog representation. Attendance data for individual dates remained undisclosed, though the Toronto finale aligned with strong local draw for his Rexdale roots.

Notable appearances and residencies

Nav performed a full set at in July 2023, delivering tracks from his catalog to a large festival audience. He previously appeared at New York in October 2021, where he also played a complete set highlighting his melodic rap style. In March 2025, Nav joined and onstage at California during their collaborative performance of a hit track, marking a amid the festival's high-energy lineup. Early in his career, Nav opened for on the Starboy Tour, debuting on a major stage at London's in 2017 before an audience of 20,000. This exposure stemmed from their prior collaborations and Nav's production work for . On television, he delivered a live rendition of "One Time" featuring on Jimmy Kimmel Live! on October 4, 2022, promoting his album . At the 2019 on March 17, Nav performed "Champion" and "Wanted You," representing Canadian hip-hop talent. In 2025, Nav scheduled appearances at club venues, including Zouk Nightclub in on October 25 and LIV Nightclub in on July 25, aligning with a shift toward intimate, high-profile sets rather than extensive touring. He is also set to perform at India in on November 23, expanding his festival presence internationally. These one-off events underscore his ongoing draw in selective live settings post-album cycles.

Accolades

Awards won

Nav has earned several certifications from the (RIAA), which recognize units sold and streamed exceeding specified thresholds, often presented as plaques. These include 2× Platinum certifications for the singles "Myself" and "Tap" (featuring ), reflecting over 2 million units each as of 2022. He has also received certifications for four albums, denoting at least 500,000 units apiece. In June 2024, Nav obtained five additional RIAA certifications for various tracks, underscoring sustained commercial viability. No competitive music awards, such as , have been won by Nav, despite nominations in categories like Rap Recording of the Year (2019) and Rap Album/EP of the Year (2023). This aligns with the competitive nature of such honors, where empirical sales data alone does not guarantee victory over artistic or peer-voted criteria.

Nominations and recognitions

Nav received a nomination for Rap Album/EP of the Year at the 2023 for his album , competing against releases such as Jazz Cartier's The Fleur Print Vol. 2 and TOBi's Shall I Continue? in a category recognizing five entries overall. The same album earned him a nod for Album of the Year, one of six nominees including works by and , highlighting its commercial performance atop the despite not securing a win. Earlier, in 2019, Nav was nominated for Rap Recording of the Year for Reckless at the , alongside competitors in a field emphasizing Canadian hip-hop output. He also received a Fan Choice nomination that year, reflecting streaming and fan engagement metrics in a broad category with multiple high-profile artists. In 2020, another Fan Choice nomination followed, underscoring persistent popularity without translating to victory in a competitive voting process influenced by industry panels and public input. For 2022, Nav's garnered a Rap Album/EP of the Year nomination, positioning him against peers in a category that prioritizes and from a select group of Canadian rap projects. Additionally, in 2023, "Wrong Decisions" earned a Rap Single of the Year nod, evaluated among tracks noted for production and lyrical content in a five-nominee field. These recognitions, spanning over a dozen cumulative Juno nods by 2023, illustrate industry acknowledgment of Nav's output amid critiques that bodies sometimes overlook trap-influenced styles favoring more mainstream or experimental entries, though merit assessments emphasize verifiable chart dominance over stylistic preferences.

Critical and fan reception metrics

Nav's albums have received mixed to negative reviews from professional critics, with aggregate scores on ranging from 42 to 54 out of 100 across major releases, indicating generally unfavorable critical consensus focused on his monotone delivery, lack of lyrical depth, and repetitive themes. , a prominent music publication, critiqued his 2018 album Reckless for its "unnecessary anger" and self-pitying tone, scoring it 4.2/10, while describing Bad Habits (2019) as containing "serviceable bangers" marred by "strange admissions" and emotional shallowness, rated 5.8/10. Similarly, Good Intentions (2020) earned a 5.5/10 from for attempting maturity but remaining monotonous, though noted as his strongest effort to date.
AlbumMetacritic ScoreKey Critic Notes
NAV (2017)42/100Bland production and simplistic lyrics; AllMusic gave 50/100.
Perfect Timing (with Metro Boomin, 2017)Not aggregatedThin-singing style fails to elevate shallow content.
Bad Habits (2019)52/100Fun but unremarkable; mixed on emotional authenticity.
Good Intentions (2020)54/100Incremental production improvements, but redeemed only by guests.
Fan reception contrasts with critics, showing a dedicated but polarized base that values Nav's melodic trap style and vibe-oriented tracks, often defending him against perceptions of monotony on platforms like , where users argue he is "overhated" for accessible, hook-driven music akin to praised artists like Gunna. User scores on average mixed (around 50-60% positive), with praise for features and beats on albums like (2022), described as his "best" by some listeners for hard-hitting collaborations. On Album of the Year, user ratings for projects like OMW2 (2024) highlight solid intros and vocals but criticize dragging verses, averaging around 60/100. This divide reflects fans prioritizing commercial hooks and production over critical demands for complexity, evidenced by sustained streaming success despite review scores.

References

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