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Nefertem
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| Nefertem | ||||||
|---|---|---|---|---|---|---|
 the Memphite god Nefertem with a water-lily headdress as a symbol of fragrance and beauty. | ||||||
| Name in hieroglyphs |
| |||||
| Major cult center | Memphis | |||||
| Symbol | the water-lily, lion (occasionally) | |||||
| Genealogy | ||||||
| Parents | Ptah and Sekhmet or Bast | |||||
| Siblings | Maahes (either full or half depending on the mother) | |||||
Nefertem (/ˈnɛfərˌtɛm/; possibly "beautiful one who closes" or "one who does not close"; also spelled Nefertum or Nefer-temu) was, in Egyptian mythology, originally a lotus flower at the creation of the world, who had arisen from the primal waters.[2] Nefertem represented both the first sunlight and the delightful smell of the Egyptian blue lotus flower, having arisen from the primal waters within an Egyptian blue water-lily, Nymphaea caerulea. Some of the titles of Nefertem were "He Who is Beautiful" and "Water-Lily of the Sun", and a version of the Book of the Dead says:
Rise like Nefertem from the blue water lily, to the nostrils of Ra (the creator and sungod), and come forth upon the horizon each day.
Nefertem or Nefertum was depicted either as a lion-headed man (left), as a beautiful young man (right)
Nefertem was eventually seen as the son of the creator god Ptah, and the goddesses Sekhmet and Bast were sometimes called his mother. In art, Nefertem is usually depicted as a beautiful young man having blue water-lily flowers around his head. As the son of Bastet, he also sometimes has the head of a lion or is a lion or cat reclining. The ancient Egyptians [specify] often carried small statuettes of him as good-luck charms.
One of the most notable depictions of Nefertem is the Head of Nefertem, a wooden bust depicting a young king Tutankhamun as Nefertem with his head emerging from a lotus flower.
Gallery
[edit]-
Nefertem (middle left) depicted with the head of a lion with a falcon and lotus atop his head. -
Nefertem, The Walters Art Museum. -
Closeup of a statuette of Nefertem. -
The Head of Nefertem, found in the Tomb of Tutankhamun. -
The Colossal Triad of Memphis, with Nefertem depicted standing at Ptah's right and Sekhmet at his left. -
.jpg)
References
[edit]- ^ Hart, George (2005). The Routledge Dictionary of Egyptian Gods and Goddesses. Routledge. p. 99
- ^ Nefertem page at Ancient Egypt: the Mythology retrieved June 21, 2008.
Further reading
[edit]- Morenz, Siegfried; Schubert, Johannes (1954). Der Gott auf der Blume: Eine ägyptische Kosmogonie und ihre weltweite Bildwirkung (in German). Verlag Artibus Asiæ.
Nefertem
View on Grokipediafrom Grokipedia
Nefertem, also known as Nefertum, was an ancient Egyptian deity embodying the blue lotus flower that emerged from the primeval waters of Nun at the moment of creation, symbolizing the rising sun, renewal, and the birth of the world. As a god of beauty, perfume, and healing, he was often depicted as a youthful figure wearing a lotus headdress, representing the flower's daily cycle of opening at dawn and closing at dusk, which mirrored the sun's journey and the theme of regeneration central to Egyptian cosmology.[1][2]
In mythology, Nefertem held a prominent role in the Memphite triad as the son of the creator god Ptah and the lioness goddess Sekhmet, though he was sometimes regarded as the offspring of Bastet or Wadjet in other regional traditions. His emergence from the lotus linked him directly to solar deities like Ra, with ancient texts describing him as "the great lotus flower who emerges from Nun" and associating him with the pleasant scents that pleased the gods, earning him patronage over aromatherapy and perfumery. Nefertem's cult gained prominence from the Old Kingdom onward, particularly in Memphis, where he was invoked for protection against darkness and illness, reflecting his dual aspects as a gentle healer and a militant guardian with leonine features.[3][1][2]
Depictions of Nefertem varied across periods, often showing him as a man with a lotus bloom and feathers atop his head, holding a lotus scepter or an ostrich feather fan, sometimes as a lion-headed figure emphasizing his fierce protective qualities or as a child seated on a lotus within the sun disk. Artifacts from the Late Period and Ptolemaic era, such as bronze statues, highlight his enduring worship, with donors offering votive figures to honor his role in creation myths and daily renewal rituals. His name, meaning "the beautiful one who closes" or "the perfect one," underscored his embodiment of aesthetic perfection and the transformative power of nature in Egyptian religious thought.[3][1][2]
Name and etymology
Meaning of the name
The name Nefertem, written in hieroglyphs as nfr-tm, combines two key elements in the ancient Egyptian language: nfr, signifying "beautiful," "good," or "perfect," and tm, referring to the creator god Atum. This yields interpretations such as "the beautiful (one of) Atum" or "the one who is beautifully complete," evoking the perfection and emergence of the lotus flower—central to Nefertem's identity—from the primeval waters. Many scholars interpret it as "Nefer-Atum" (Beautiful Atum), reflecting his role as a youthful manifestation of the creator in cosmogonic myths.[4][2][5] The name's earliest attestations appear in the Pyramid Texts of the Old Kingdom (c. 2400–2300 BCE), where Nefertem is invoked as the lotus blossom at the nose of the sun god Re, embodying the emerging sun and aromatic perfection.[6] This usage persists and expands in the Middle Kingdom's Coffin Texts (c. 2100–1800 BCE), reinforcing the name's ties to creation and sensory beauty through repeated epithets linking it to floral emergence and divine completion.Epithets and titles
Nefertem was frequently honored with epithets that underscored his associations with beauty, renewal, fragrance, and solar vitality. Key titles include "He Who Is Beautiful," which highlighted his role as an embodiment of aesthetic perfection and divine allure, often linked to the lotus's emergence as a symbol of creation. Another prominent epithet, "Water-Lily of the Sun," emphasized his connection to the solar cycle, portraying him as the youthful bloom that heralds the dawn and rejuvenates the sun god Ra. These titles appear in funerary texts and temple inscriptions, reflecting Nefertem's function in providing sensory delight and cosmic harmony to the gods.[7][2] Additional epithets such as "The Lotus Blossom at the Nose of Re" and "He Who Beautifies the Gods" further illustrated his perfumed and protective qualities. The former, drawn from the Pyramid Texts (Utterance 249), depicted Nefertem as the fragrant lotus offering pleasure to Ra's nostrils, symbolizing purification and the god's emergence from primordial waters to sustain divine order. "He Who Beautifies the Gods" appeared in hymns from the Book of the Dead, where Nefertem is invoked as a divine perfumer anointing deities for renewal in the afterlife, as in the prayer: "Rise like Nefertem from the blue water lily, to the nostrils of Ra, and come forth upon the horizon each day." These phrases adorned amulets and temple walls at Memphis, invoking Nefertem's power to enhance beauty and dispel chaos through aromatic essence.[4][7] Titles like "Lord of Fragrance" and "The Youth" accentuated his domains of perfume and eternal juvenescence, often in contexts of healing and protection. "Lord of Fragrance" positioned Nefertem as the patron of unguents and aromatics, essential for rituals that warded off illness and promoted vitality, as seen in New Kingdom inscriptions where he is praised for bestowing scented oils upon worshippers. "The Youth," evoking his depiction as a young prince, symbolized perpetual rebirth and vigor, appearing in Memphite triad reliefs alongside Ptah and Sekhmet to signify generational continuity and defensive prowess. These epithets collectively portrayed Nefertem as a multifaceted deity whose beauty and scents bridged the earthly and divine realms.[2][4] Over time, Nefertem's epithets evolved to incorporate stronger healing connotations, particularly during the New Kingdom (c. 1550–1070 BCE). Early Old Kingdom references in the Pyramid Texts focused primarily on solar and floral aspects, but by the 20th Dynasty, titles expanded to include protective and medicinal roles, such as in temple hymns at Karnak that lauded him as a healer using lotus-derived remedies. This shift aligned with his integration into the Memphite triad, where his youthful and fragrant attributes were invoked for personal amulets against disease, reflecting broader cultural emphases on health amid expanding trade in aromatics.[7][2][5]Iconography
Physical depictions
Nefertem is most commonly represented in ancient Egyptian art as a youthful human male, often portrayed in a standing or seated pose to emphasize his associations with renewal and beauty. His distinctive headdress consists of blue water-lily (Nymphaea caerulea) flowers and buds encircling his head, sometimes surmounted by two tall plumes, symbolizing the emerging sun and creation.[3] He frequently wears a menat necklace or broad collar adorned with floral and protective elements, enhancing his regal and divine appearance.[8] These depictions appear in sculptures, reliefs, and amulets from various periods, highlighting his role as a divine youth.[9] Alternative forms of Nefertem include a lion-headed man, reflecting his ties to leonine deities, or fully as a lion or cat, especially in artifacts linked to Memphis where he formed part of the local triad.[10] For instance, a Third Intermediate to Late Period faience figure from the Walters Art Museum shows him as a seated, nude lion-headed child with a lotus bud crown, blending his floral and feline aspects.[10] Such zoomorphic representations underscore regional variations in his iconography, particularly in the Memphite cult.[11] Notable examples include the "Head of Nefertem," a wooden bust from Tutankhamun's tomb (KV62) in the Valley of the Kings, portraying the young pharaoh emerging from a blue lotus flower as the god, with finely carved features and sidelock of youth to evoke Nefertem's form.[12] Late Period statuettes, often in bronze or faience, depict Nefertem as a striding youthful figure with his characteristic lotus headdress, sometimes accompanied by a held lotus or staff, as seen in votive figures from temple contexts.[13][14]Symbols and attributes
Nefertem's central symbol is the blue lotus flower, which embodies creation, rebirth, and the emergence of the rising sun from the primeval waters of Nun.[15][1] This association stems from myths where Nefertem manifests as the lotus blooming at dawn, often referred to as "the great lotus flower who emerges from Nun" or "the lotus blossom which is at the nose of Ra," linking him to solar renewal and the primordial origins of life.[1][15] His attributes frequently include perfume jars and oils, signifying his dominion over fragrance, healing, and sacred unguents, as he is titled "Lord of the Perfumes" and "Giver-of-Fragrance."[15][16] These elements reflect the lotus's aromatic properties and Nefertem's role in providing pleasant scents tied to purification and eternal life during mummification rituals.[15] He is occasionally depicted holding a lotus flower as a scepter, symbolizing regenerative power, or the ankh, representing life-giving forces.[1] The lion serves as a symbol of protection and ferocity for Nefertem, connecting to his militant aspects through familial ties to lion-headed deities like Sekhmet.[15] This is evident in artifacts such as a Late Period lead amulet from Tel Mikhal depicting him in human form with a lotus crown, and temple reliefs at Karnak where he appears alongside lion-headed figures, emphasizing his guardian role.[15][17]Mythological role
Origins and creation
In ancient Egyptian cosmology, Nefertem emerged from the Nun, the primeval waters of chaos, in the form of a blue lotus flower that rose to the surface and opened, releasing the first sunlight and inaugurating the cycle of dawn and renewal. This floral manifestation symbolized the initial triumph of order over the undifferentiated void, with the lotus's blossoming representing the birth of light and life from inert waters. Nefertem is first attested in the Pyramid Texts of the Old Kingdom (c. 2400–2300 BCE), where he is described emerging from the waters. Nefertem played a central role in solar mythology, particularly in the Heliopolitan creation accounts, where he embodied the newborn sun as the child aspect of Ra or Atum, emerging daily from the Nun to illuminate the world. In this narrative, tied to the Ennead's cosmogony, the deity's rise from the lotus illustrated the sun's perpetual rejuvenation, maturing into the midday sun before setting and being reborn at dawn, thereby perpetually defeating chaotic forces. The Memphite creation theology, as preserved in sources like the Shabaka Stone, incorporated Nefertem as an extension of Ptah's creative power through thought and speech, linking his lotus emergence to the broader act of divine manifestation. From this primordial floral state, Nefertem evolved into an anthropomorphic deity, often depicted as a youthful male figure crowned with a lotus, which underscored his symbolic function in cosmic renewal and the ongoing victory of structured existence over primordial disorder. This transformation reflected evolving theological emphases on regeneration, with Nefertem's form adapting to convey the sensory and vital energies of creation, such as fragrance and beauty inherent in the lotus.Family and associations
In the Memphite religious tradition, Nefertem formed a central part of the divine triad alongside his parents, the creator god Ptah and the lioness goddess Sekhmet, representing completion of the family unit as their youthful son who embodied renewal and protection.[18] This triad structure emphasized Ptah's role as patron of Memphis, with Sekhmet providing martial and healing aspects, and Nefertem symbolizing the lotus-born emergence that tied into broader creation themes.[7] Regional variations introduced alternative parentages for Nefertem, including Bastet as his mother in some Lower Egyptian contexts, where she replaced Sekhmet as Ptah's consort due to overlapping feline attributes.[2] In the cult center of Buto (Per-Wadjet), Wadjet occasionally assumed a parental role, portrayed as Ptah's wife and Nefertem's mother, reflecting localized syncretism with cobra and lioness iconography.[19] These shifts highlight Nefertem's sibling connections, particularly to Maahes, the lion-headed war god, who shared similar parentage—either as a full sibling with Sekhmet or half-sibling with Bastet as mother—underscoring shared themes of leonine ferocity and divine protection.[20] Nefertem's associations extended beyond family to domains of healing, inherited from Sekhmet's dual role as destroyer and healer, positioning him as a youthful mediator in medical and restorative rites.[7] His links to beauty and perfumery further aligned him with solar deities, manifesting as an aspect of Ra the younger or Horus the Child in syncretic forms like Nefertem-Horus, where the lotus crown evoked daily solar rebirth and aesthetic harmony.[2] These connections influenced composite deities in later periods, blending Nefertem's gentle, aromatic essence with the protective vigor of his lineage.[2]Worship
Cult centers and temples
Nefertem's primary cult center was Memphis, the ancient capital where he was venerated as the youthful son in the Memphite triad alongside his father Ptah and mother Sekhmet, a divine family structure established from the Old Kingdom period onward. Worship of Nefertem was fully integrated into the grand Temple of Ptah, known as Hut-ka-Ptah or "House of the Ka of Ptah," which served as the epicenter of Memphite religion and one of ancient Egypt's most prominent sacred complexes. This temple complex, encompassing multiple sanctuaries and courts, facilitated the triad's collective adoration, with Nefertem embodying renewal and fragrance within the creator god's domain.[21] Nefertem was symbolically linked to Heliopolis through his role in solar creation narratives, where the lotus flower—from which he emerged—represented the primordial mound and the birth of the sun god in Heliopolitan cosmology. In Thebes, evidence from New Kingdom inscriptions and Ptolemaic-era structures attests to his veneration, particularly in a dedicated chapel to the Memphite triad within the Temple of Ptah at the Karnak complex, dating back to the 18th Dynasty under Thutmose III and later expanded under Ptolemaic rulers.[22][23] Archaeological remains underscoring Memphis as the cult's epicenter include votive stelae and reliefs from the Saqqara necropolis, adjacent to the city, where Late Period inscriptions feature theophoric names like Nefertemhotep, held by priests involved in Ptah and Apis rituals. Notable examples, such as Louvre stelae IM 3142 and IM 4008 from the Serapeum's vaults, record these individuals' titles like "god's father" and "sem-priest," reflecting Nefertem's integration into funerary and divine service practices.[24]Rituals and veneration
Rituals dedicated to Nefertem emphasized sensory elements, particularly the use of scented oils, incense, and lotus flowers, to invoke his powers of healing and protection. These offerings were integral to both daily worship and medical practices, where priests or healers would anoint participants or burn kyphi incense—a complex blend including lotus and myrrh—while reciting incantations to Nefertem as the embodiment of fragrant renewal. In medical papyri, such as those detailing spells against snakebites or headaches, Nefertem was invoked alongside deities like Thoth to neutralize poisons, with the lotus's aroma symbolizing purification and vitality during the ritual application of herbal salves or oils.[25][26][27] Amulets and statuettes depicting Nefertem, often crafted from faience or gold and showing him as a youth crowned with a lotus, served as personal charms worn or carried for protection against illness, enhancement of beauty, and promotion of fertility. These objects gained widespread popularity from the New Kingdom onward, though their use extended into the Third Intermediate and Late Periods, where they were inscribed with protective formulas to channel Nefertem's benevolent essence. Devotees believed that proximity to such representations, especially in households near cult centers like Memphis, amplified his restorative influence in everyday life.[28][29][30] In funerary contexts, Nefertem's role centered on rebirth, with spells from the Book of the Dead—particularly 81A and 81B—enabling the deceased to transform into a divine lotus or identify directly with Nefertem, emerging renewed like the sun from primordial waters. Amulets of Nefertem were strategically placed within mummy wrappings, often near the head or torso, to facilitate this metamorphosis and ward off decay, underscoring his association with eternal fragrance and vitality in the afterlife. Lotus blooms and perfumed unguents were also offered during tomb rituals to honor this transformative aspect, ensuring the soul's aromatic ascent.[29][31]Cultural significance
In ancient Egyptian texts
Nefertem appears in the Pyramid Texts of the Old Kingdom, particularly in Utterance 266, where he is described as a solar-lotus entity emerging from the primeval waters to aid the pharaoh's ascent to the heavens and rejuvenation, symbolized as "the water-lily at the nose of Re" that brings fragrance and vitality to the sun god.[15][6] This portrayal underscores Nefertem's role in facilitating the king's transformation and eternal renewal, linking the lotus's daily emergence to the pharaoh's rebirth among the stars.[6] In the New Kingdom funerary corpus known as the Book of the Dead, Nefertem holds a prominent role in Spell 81 (and its variants 81A and 81B), which enables the deceased to transform into a lotus flower, invoking Nefertem as the youthful lotus deity who rises from the waters to embody beauty, purity, and eternal life.[32] The spell recites, "I am that lotus which came forth from the light which is in my eye... Hail, thou lotus, image of the god Nefertem!", emphasizing the aspirant's identification with Nefertem to achieve sensory restoration and divine splendor in the afterlife.[32] This transformation rite highlights Nefertem's association with rebirth and the aromatic lotus as a vehicle for immortality.[33] Temple inscriptions from the New Kingdom onward frequently invoke Nefertem, especially in contexts affirming royal legitimacy and invoking healing. At Karnak's Temple of Ptah, built under Thutmose III and expanded through the Ptolemaic period, wall reliefs and dedicatory texts depict Nefertem as part of the Memphite triad alongside Ptah and Sekhmet, with inscriptions from the Third Intermediate Period onward portraying offerings to him for the pharaoh's divine protection and vitality. Similarly, in Memphis's great Temple of Ptah (Hut-ka-Ptah), excavated fragments and surviving reliefs from the Late Period include hieroglyphic invocations of Nefertem on sanctuary walls, linking him to royal consecration rituals and therapeutic renewal, as seen in scenes where the king presents lotuses to the triad for legitimacy and health.[34][35] These epigraphic references reinforce Nefertem's integral function in state and divine cosmology.[35]Influence in later periods
During the Ptolemaic period, Nefertem's iconography, particularly the lotus crown symbolizing creation and solar birth, was adapted in depictions of the Greek-Egyptian syncretic god Harpocrates, a child form of Horus, blending Egyptian motifs with Hellenistic artistic conventions such as contrapposto poses and diadems.[36] This fusion reflected broader cultural exchanges, where Nefertem's lotus emblem contributed to Hellenistic ideals of beauty and renewal, appearing in temple decorations and libation scenes across Egypt from the 3rd century BCE onward.[37] In Roman-era Egypt, Nefertem retained his role as a youthful healing deity linked to perfume and medicinal lotus properties, with bronze statuettes and faience amulets produced for protective and therapeutic purposes, often invoking his solar and regenerative attributes.[9] Amulet production persisted into the Coptic period, where pagan elements like the lotus motif syncretized with emerging Christian iconography, symbolizing eternal life in art and artifacts as late as the 2nd–4th centuries CE.[37] In modern times, Nefertem's legacy endures in Egyptology through studies of Memphite theology and lotus symbolism, emphasizing his role in creation myths and healing practices.[38] Within neopagan Kemetic reconstructionism, practitioners revive veneration of Nefertem for themes of beauty, aromatherapy, and personal renewal, often incorporating lotus imagery in rituals.[39] His archetype also appears in contemporary art and literature as a emblem of rebirth and aesthetic harmony, influencing works that explore ancient motifs in modern spiritual and cultural contexts.[40]References
- https://en.wikisource.org/wiki/Egyptian_Literature/The_Book_of_the_Dead/Transformation_into_a_Lotus