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Nick Giannopoulos
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Nicholas "Nick" Giannopoulos (Greek: Νικόλαος Γιαννόπουλος, romanized: Nikólaos Giannópoulos; born 1 July 1963)[1] is an Australian stand-up comedian, stage, TV and film actor and film director. He is best known for his comedy stage show Wogs Out of Work alongside George Kapiniaris, the television sitcom Acropolis Now and The Wog Boy film series and has been described as "Australia's leading exponent of "wog" humour".[2][3]

Key Information

Early life and education

[edit]

Giannopoulos was born in Melbourne, the first-born son of Greek immigrant parents. He grew up in working class origins, his father ran a milk bar, which he staffed sometimes from a young age, while his mother was a machinist. Growing up at the time, Australia was a racially divided country, though in Richmond, Victoria there were a community of Greek Australian of which he was part.[4]

He grew up in the inner Melbourne suburbs of Fitzroy and Richmond and attended Abbotsford Primary School and Richmond High School. In 1981 he was accepted into the drama course at Rusden State College, where he also was a student in media studies. He left Rusden halfway through his course when he auditioned and was accepted into the Drama School at the Victorian College of the Arts, from where he eventually graduated.[5]

Career

[edit]

Comedy

[edit]

After facing challenges about progressing his career, partly because casting was difficult because of his Greek origins, Giannopoulos saved up his dole cheques and put on his first show, Wogs out of work at the Melbourne International Comedy Festival in 1987.[6] The show was wildly successful, toured around Australia, and remains one of the highest grossing Australian created live shows of all time.[7][8] He has followed up Wogs Out of Work with the Wog Boys, Wog-A-Rama and Wog Story stage shows.[9] Giannopoulos has also made appearances at the Melbourne Comedy Festival, as well as co-authored books.[10] In 1990–1991, he toured Australia to full house audiences for eight months as the star of the stage production of Acropolis Now Live Onstage, which he co-produced.[11][12] In 1993–1995, he toured Australia with his ethnic comedy stage show Wog-A-Rama. In the 1990s, he toured Australia with his ethnic comedy stage show Wogboys.[3][13]

In 2019, Giannopopulos joined the Sooshi Mango boys and Mary Coustas on stage in a show named Fifty Shades of Ethnic.[14]

Television

[edit]

Giannopoulos was one of the creators and stars of the television sitcom Acropolis Now. It was a popular TV show based on Greek-Australians maintaining a Greek café in Melbourne. It consisted of 5 seasons with 3 main characters throughout the shows series. The show aired from 1989 until 1992, on Channel Seven. Acropolis Now had higher ratings than 60 Minutes and A Current Affair.[12]

In 2004, Giannopoulos hosted and produced the TV special Greece Is The Word on the Seven Network and repeated before the Athens Olympics Opening Ceremony.[3] In 2005, he developed a new comedy series Get Nicked that was commissioned by the Seven Network but was cancelled just before going into production.[3]

Acting

[edit]

In 1990, Giannopoulos was the director and star of the play The Heartbreak Kid with which he toured Australia.[15] In 1991 he played Danny Zuko in the David Atkins production of the musical Grease at the Footbridge Theatre in Sydney.[16]

Film

[edit]

Giannopoulos' film credits include The Wog Boy (2000), which is the 20th highest grossing Australian movie of all time.[17] In 2003, he directed, wrote, and starred in The Wannabes. In 2010, he starred in Wog Boy 2: Kings of Mykonos, and had a cameo in 2014's Fat Pizza vs. Housos.[18][19][20] In June 2021, it was announced that Wog Boy 3: Wog Boys Forever was in production, with a tentative release scheduled for 2022.

Personal life

[edit]

Giannopoulos dated fellow comedian, his Acropolis Now co-star Mary Coustas for five years while in their 20s. As of 2017, he was in a relationship with Natalie Neville / DJ Femme after meeting a party in St Kilda.[21]

Awards

[edit]

Mo Awards

[edit]

The Australian Entertainment Mo Awards (commonly known informally as the Mo Awards), were annual Australian entertainment industry awards. They recognise achievements in live entertainment in Australia from 1975 to 2016. Nick Giannopoulos won two awards in that time.[22][23] and the Comedy Star of The Year award.[23]

Year Nominee / work Award Result (wins only)
1997 Nick Giannopoulos New Wave Comedy Performer of the Year Won
1999 Nick Giannopoulos New Wave Comedy Performer of the Year Won

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Nick Giannopoulos

View on Grokipedia
from Grokipedia
Nicholas Giannopoulos (born 1 July 1963) is a Greek-Australian , , , , and director best known for creating and starring in the Wog Boy film trilogy, which depicts the life of a stereotypical Greek-Australian "" navigating welfare systems and cultural clashes, and for his lead role in the television . Born in to Greek immigrant parents, Giannopoulos began his career in with stage shows like Wogs Out of Work in the late 1980s, drawing from his experiences in working-class Greek communities. His breakthrough came with (1989–1992), a five-season series he co-created and starred in as a cafe worker, which popularized ethnic humor centered on Greek-Australian immigrant . Giannopoulos's Wog Boy (2000), which he wrote, produced, and starred in as the welfare-dependent protagonist Steve "Wog Boy" Karamitsis, achieved significant commercial success by breaking Australian opening-weekend box office records and ranking among the country's top-grossing films at the time. The franchise expanded with sequels Wog Boy 2: Kings of Mykonos (2010) and Wog Boy: The Traditional Life (2019), maintaining a focus on comedic exaggerations of Mediterranean immigrant culture in Australia. His work has earned recognition including two MO Awards for Best Comedy Performer (1998–1999) and the IF Award for Most Successful Box Office Feature for Wog Boy. Beyond film and TV, Giannopoulos has performed live comedy tours and hosted events, leveraging his persona rooted in first-generation migrant anecdotes.

Early life and education

Childhood and family background

Nicholas Giannopoulos was born on July 1, 1963, in , , as the eldest son of Greek immigrant parents. His mother, Petroula, arrived in from in 1961 at the age of 19 aboard the liner Patris, while his father, Leonidas, had immigrated shortly before, seeking opportunities in the post-war migration wave. The family settled in Melbourne's working-class inner suburbs of Fitzroy and Richmond, where they navigated the challenges of assimilation as recent migrants. Leonidas initially worked on the Ford before managing a , a common for Greek immigrants, which provided modest stability but required long hours from the family. Young Giannopoulos often assisted at the , gaining early exposure to the entrepreneurial grit of his parents' generation amid ethnic prejudices like schoolyard taunts of "wog boy." Leonidas Giannopoulos, who passed away in January 2021 at age 88, embodied the refugee-to-citizen archetype, arriving penniless yet instilling values of hard work and resilience in his children despite cultural barriers. The family's Greek heritage remained central, with traditions preserved in a that balanced old-world expectations with Australian realities, shaping Giannopoulos's formative years in a milieu of economic frugality and community solidarity among migrants.

Initial interest in comedy

Giannopoulos, born to Greek immigrant parents in on July 1, 1963, grew up in working-class suburbs such as Fitzroy and Richmond, where his family's exposed him to a diverse array of characters and interactions that later informed his observational humor. As a child and adolescent, he faced ethnic , including schoolyard taunts labeling him a "wog boy," experiences that instilled resilience and a budding recognition of humor's power to reframe adversity. These formative encounters sparked his initial interest in as a means of self-expression and cultural commentary, transforming personal marginalization into material that celebrated migrant life. During high school, Giannopoulos exhibited comedic aptitude, particularly in drama classes, where encouragement from teachers highlighted his potential for performance. He pursued this inclination through formal education, graduating in 1985 with a degree in dramatic arts from Rusden College and the Victorian College of the Arts. However, post-graduation barriers to acting roles for ethnic performers prompted a pivot to stand-up, where he could originate content drawing directly from his background; this led to his professional debut with the self-financed stage show Wogs Out of Work at the inaugural Melbourne International Comedy Festival in 1987.

Comedy career

Stand-up beginnings

Giannopoulos entered the scene in 1987 by co-writing, co-producing, and starring in the ethnic humor stage show Wogs Out of Work alongside George Kapiniaris. The production debuted that year at the , drawing on exaggerated portrayals of Greek-Australian immigrant life to satirize cultural clashes and working-class stereotypes. The show rapidly gained traction, touring nationally across from 1987 to 1990 and performing to audiences exceeding 750,000, which established Giannopoulos as a pioneer in ethnic amid a landscape dominated by Anglo-centric humor. This success stemmed from its raw, unapologetic routines that transformed derogatory terms like "" into self-deprecating punchlines, resonating with second-generation migrants. Prior to this, Giannopoulos had graduated from the , where his training in performance laid the groundwork, though no earlier professional stand-up appearances are documented. The duo's collaborative format—blending scripted sketches with improvisational elements—served as his foundational platform, leading to subsequent solo and ensemble projects that refined his observational style on family dynamics, assimilation, and urban Australian identity.

Development of ethnic humor style

Giannopoulos drew from his upbringing in a Greek immigrant family in during the and 1970s, where encounters with Anglo-Australian shaped his comedic perspective on ethnic identity. The term "," originally a for southern European migrants, was reframed by him as a badge of resilience rather than shame, reflecting a deliberate strategy to confront through self-aware of cultural traits like familial loyalty, , and linguistic mangling of English. In the mid-1980s, amid Australia's shift toward under policies promoting ethnic diversity, Giannopoulos began integrating these observations into live performances at Melbourne's burgeoning venues, testing material on audiences familiar with migrant struggles such as and assimilation pressures. His style emphasized authenticity over caricature, using physical mannerisms, accents, and anecdotes about overbearing parents and community gossip to elicit recognition from second-generation audiences while challenging mainstream dismissals of ethnic life as inferior. The style crystallized with the 1987 debut of Wogs Out of Work at the inaugural , a stage production co-written and co-performed with Simon Palomares and George Kapiniaris that directly appropriated "" to satirize joblessness among Mediterranean migrants. Touring nationally from 1987 to 1990, the show drew over 750,000 attendees and refined the format through iterative feedback, balancing broad appeal with pointed commentary on inter-generational conflicts and economic marginalization, thus establishing ethnic humor as a viable, entrepreneurially driven genre in . Subsequent iterations, including extensions with additional performers like , allowed Giannopoulos to evolve the humor toward greater inclusivity across ethnic groups while maintaining a core of unapologetic realism about cultural foibles, such as Greek claims to historical primacy or immigrant thriftiness, which resonated empirically with audience demographics in working-class suburbs. This approach prioritized causal links between lived migrant experiences and comedic payoff, eschewing sanitized narratives in favor of raw, relatable truths that fortified ethnic pride amid ongoing societal tensions.

Television career

Acropolis Now

Acropolis Now is an Australian created by Nick Giannopoulos, George Kapiniaris, and Simon Palomares, who also starred in the series as key characters in a fictional Greek café in . The show premiered on the Seven Network on August 9, 1989, and ran for five seasons, concluding with its final episode in November 1992 after producing 63 episodes. Produced by , it drew inspiration from real-life Greek cafés like Cafe Neon in and evolved from the creators' successful show Wogs Out of Work. Giannopoulos portrayed Jim Stefanidis, the well-meaning but bumbling young Greek-Australian owner who inherits the Acropolis Café after his father returns to , managing a diverse staff amid everyday mishaps, romantic entanglements, and cultural clashes. Co-writing and co-creating the series, Giannopoulos contributed to its ethnic humor style, emphasizing second-generation migrant experiences, and played a pivotal role in casting as the sassy waitress , whose character debut in the fifth of the first season boosted the show's appeal. The ensemble included Kapiniaris as the cook Memo and Palomares as the Spanish waiter Rick, with guest appearances such as a young as Danny in 1991. The series received strong viewership, occasionally topping ratings charts and earning a Logie Award for Coustas as Most Popular Actress in 1991, praised for its portrayal of multicultural through comedic lenses on family, work, and assimilation. Despite its popularity, Channel Seven axed Acropolis Now at its peak, replacing it with the game show Newlyweds, a decision Giannopoulos later described as baffling given the show's ongoing success. Directed initially by Ted Emery and later by Pino Amenta, the program highlighted Giannopoulos' transition from stage to television, solidifying his reputation for unapologetic ethnic comedy.

Guest appearances and specials

In 2004, Giannopoulos hosted and produced the two-part Greece Is the Word, broadcast on the Seven Network. The program featured Giannopoulos touring , highlighting its islands such as and while blending travelogue elements with comedic insights into Greek culture and heritage. It drew an audience of over 3 million viewers and was rebroadcast immediately before the Olympics . Giannopoulos also served as a guest presenter on episodes of the Australian travel series , sharing perspectives on destinations tied to his Greek background. In 2007, he hosted , a competition show on 8, though it received limited acclaim and did not lead to further seasons. These appearances underscored his versatility beyond scripted comedy, leveraging his ethnic humor for light-hearted cultural commentary.

Film career

The Wog Boy franchise

The Wog Boy franchise comprises three Australian comedy films featuring the character Steve "The Wog Boy" Karamitsis, a Greek-Australian satirizing ethnic immigrant experiences, , and cultural clashes, played by Nick Giannopoulos, who created the role and served as across the series while co-writing the first installment. The films emphasize broad humor derived from "wog" stereotypes— for southern European migrants—with Giannopoulos drawing from his own background to portray Steve as a welfare-dependent, family-oriented anti-hero navigating in n society. Commercially, the series resonated with domestic audiences, particularly Greek-Australian communities, grossing over A$18 million combined in despite mixed critical reception for repetitive tropes. The inaugural film, , released on 25 February 2000 and directed by Aleksi Vellis, follows Steve Karamitsis, an unemployed resident on welfare, who collides his car with the limousine of a federal employment minister, sparking media frenzy and his unwitting recruitment as a poster boy for dole reform. Co-written by Giannopoulos and Chris Anastassiades, with Giannopoulos also co-producing, the film grossed A$11.46 million at the Australian box office, marking one of the highest-grossing local productions at the time and surpassing records set by . The sequel, Wog Boy 2: The Kings of (also marketed as The Kings of Mykonos), premiered on 20 May 2010 under director Peter Andrikidis, relocating Steve to the Greek island of after he inherits a prime beachfront plot from a deceased uncle, entangling him in local rivalries and development schemes alongside friend Frank (). Giannopoulos starred and produced, maintaining the franchise's focus on exaggerated ethnic pride and get-rich-quick mishaps, though it earned A$4.9 million domestically, underperforming relative to the original amid competition from international releases. The third entry, , released on 6 October 2022 and directed by Frank Lotito, depicts a middle-aged as a taxi driver targeted for by an minister seeking vengeance for his mother's political downfall two decades prior, forcing him and Frank to confront generational irrelevance, family obligations, and modern bureaucratic hurdles. Written and produced by Giannopoulos, the film grossed A$1.95 million in , reflecting a niche appeal in a streaming-dominated era but sustaining the series' unapologetic embrace of outdated cultural humor.

Other films and directing roles

Giannopoulos directed, wrote, produced, and starred in the 2003 The Wannabes (known as Criminal Ways in the United States), portraying , an unsuccessful entertainer tricked into training a group of amateur criminals as a children's band. The film, which premiered in Australian cinemas on September 25, 2003, co-starred Russell Dykstra as Marcus, as Kirsty, and Michael Carman as , and received mixed reviews for its humor centered on misfits pursuing absurd schemes. This marked his only feature-length directorial effort to date. Beyond The Wannabes, Giannopoulos took on supporting acting roles in other films, including a cameo as a taxi driver in the 2014 comedy Fat Pizza vs. Housos, a crossover featuring characters from the Pizza and Housos television series. He also voiced the character Georgios in the 2022 action-comedy Hazard. These appearances were minor compared to his lead work in the Wog Boy series.

Controversies and disputes

Trademark battles over "Wog Boy"

In late 2019, Nick Giannopoulos, known for creating the Wog Boy franchise, engaged in a public dispute with fellow Australian comedians over his trademarks on the terms "wogs" and "wog boy". Giannopoulos had successfully registered these marks with IP Australia, which he stated were intended to protect branding associated with his comedy work, including the 2000 The and its sequels. Upon discovering other performers using variations like "" in show titles—such as proposed productions titled "Wog Life" or similar ethnic humor routines—Giannopoulos instructed his lawyers to issue cease-and-desist letters, warning of potential legal action for . The conflict escalated into media coverage, with Giannopoulos defending his position on programs like A Current Affair, arguing that the trademarks safeguarded his developed over decades of pioneering "" , and that unauthorized use diluted his brand without compensation. Critics among peers, including rival ethnic comedians, labeled the moves "petty" and accused him of attempting to monopolize a cultural term central to Greek-Australian and migrant humor traditions, potentially stifling emerging artists. No formal lawsuits materialized from the 2019 exchanges, but the spat highlighted tensions between individual IP rights and communal ethnic tropes. Giannopoulos clarified that the trademarks applied specifically to entertainment services and merchandise linked to his productions, not the standalone ethnic slur "", countering claims of overreach. The episode underscored broader debates in about commercializing reclaimed slurs, with some outlets framing it as a "war of the ethnics" over linguistic ownership.

Backlash against un-PC comedy

Giannopoulos's comedy, characterized by self-deprecating ethnic stereotypes and reclamation of the slur "wog," drew limited but pointed criticism from segments of the Greek-Australian community and commentators sensitive to racial language. In a 2019 letter to Neos Kosmos, Odysseus Gipalis argued that Giannopoulos's humor "perpetuates a racist view of Greek Australians" and misleads non-Greeks into assuming universal acceptance of the term "wog." This reflected broader unease among some diaspora members who viewed such routines as reinforcing outdated caricatures rather than subverting them, though empirical data on audience reception—such as high ratings for Acropolis Now (peaking at over 1 million viewers per episode in 1990-1992)—indicated mainstream appeal outweighed niche objections. Critics in cultural commentary have highlighted the "flagrant use of ethnic stereotypes" in works like (2000), where humor derives from exaggerated immigrant tropes such as and family loyalty, potentially normalizing derogatory views under the guise of in-group . A 2018 SBS analysis questioned whether "wog" humor remained viable amid shifting sensitivities, noting Giannopoulos's acknowledgment in live shows that "many find the use of the word offensive," yet defending it as authentic reclamation from his 1988 performances onward. Such discourse aligns with academic observations of ethnic comedy's dual role in challenging and entrenching class-based immigrant identities, but no large-scale boycotts or cancellations materialized, contrasting with more polarized reactions to non-ethnic comedians. Despite these critiques, Giannopoulos maintained that his approach exposed "essential truth to [the] 'offensive' ," prioritizing lived migrant experiences over external propriety standards, as echoed in defenses from peers in the ethnic scene. Community figures like George Kapiniaris credited with softening prejudices against migrants, suggesting the humor's causal impact leaned toward integration rather than alienation, substantiated by its role in popularizing positive ethnic visibility without formal backlash metrics like complaint tallies from broadcasters.

Reception and legacy

Commercial achievements

The Wog Boy (2000), co-written, produced, and starring Giannopoulos as Steve 'The Wog Boy' Karamitsis, grossed A$11.46 million at the Australian , ranking it among the top 30 highest-earning Australian films historically. The low-budget production, partially self-financed by Giannopoulos with an estimated A$2.5 million , achieved significant commercial viability through strong domestic appeal to ethnic audiences. The sequel Wog Boy 2: Kings of (2010) earned A$4.9 million in , securing it as the third highest-grossing local of that year and demonstrating sustained franchise profitability. (2022), the trilogy's conclusion with Giannopoulos reprising his lead role, generated A$1.96 million domestically despite post-pandemic market challenges, marking the strongest opening for an Australian that year. Overall, the Wog Boy series has amassed over A$18 million in Australian receipts across its three entries.

Cultural impact and influence

Giannopoulos's work, beginning with the 1987 stage production Wogs Out of Work co-created with Simon Palomares and Maria Portesi, pioneered a form of self-deprecating ethnic humor that reclaimed the term ""—originally a derogatory slur for Mediterranean migrants in —as a symbol of cultural pride and resilience. This approach allowed and to satirize their own experiences of migration, labor, and assimilation, transforming immigrant stigma into a source of communal laughter and identity. By centering narratives on unemployment, family dynamics, and class struggles within migrant communities, his productions highlighted the economic and social realities faced by post-World War II arrivals, fostering broader societal recognition of multiculturalism's contributions to Australian life. The television adaptation Acropolis Now (1989–1992), which Giannopoulos co-wrote and starred in, extended this influence by depicting a Greek-run café, thereby embedding ethnic comedy into mainstream broadcast media and reaching audiences beyond live theater. This , alongside the Wog Boy film series starting in 2000, normalized portrayals of non-Anglo , loyalty, and cultural clashes, influencing subsequent Australian comedians and filmmakers to draw from migrant heritage for authentic storytelling. The franchise's commercial success underscored a shift in cultural attitudes, where humor served as a tool to challenge exclusionary norms and affirm the integral role of "" labor in shaping Australia's economy and identity. Through these efforts, Giannopoulos contributed to the " phenomenon," a body of cultural texts that evolved ethnic into convivial labor narratives, inspiring later multicultural works while prompting debates on the term's ongoing relevance in an era of heightened sensitivity to racial language. His insistence on unfiltered as a counter to has been credited with empowering second-generation migrants to own their , though some contemporary critics argue it risks perpetuating outdated tropes amid evolving social norms.

Retirement from stage

In 2023, Nick Giannopoulos announced his retirement from live stage performances following a farewell tour titled Wog Life - My Farewell Tour Farken!, marking the end of over 3,000 appearances spanning four decades. The tour, which blended stand-up routines with iconic characters like The Cleaning Lady and , reflected on Greek-Australian immigrant experiences from the and , including themes of and cultural , while incorporating personal anecdotes and archival photos for a nostalgic tone. Performances commenced in late 2023, with key dates including Melbourne's on February 16–17, 2024, and concluding in in March 2024, alongside stops in , Perth, , and . Giannopoulos cited the physical and logistical demands of touring—such as extended time away from home and living out of a suitcase—as factors contributing to his decision, expressing a desire to pursue other interests after a lengthy career. A pivotal influence was a 1990s encounter with actor , known for , whom he observed performing in a diminished capacity at age 75 in a U.S. to a sparse audience of 5–10 people; Giannopoulos described this as "one of the saddest things" he had witnessed, vowing not to replicate such an undignified scenario by continuing "wog jokes" into old age. He articulated this resolve in a interview, stating, "I refuse to become Cousin Jim at 75, hawking my Monaro outside a , sporting a fake monobrow and a mullet, clinging to past glories. No more jokes at 75 for me." The retirement applies specifically to live stage work and does not preclude other forms of performance or creative endeavors, though Giannopoulos has not detailed immediate post-tour plans beyond emphasizing gratitude to audiences. The tour served as both a commercial send-off and a cultural capstone, allowing fans a final opportunity to experience his ethnic humor in person.

Personal life

Relationships and work-life balance

Giannopoulos began dating at age 17 with an Australian woman two years his senior. In his twenties, he entered a five-year relationship with comedian , whom he met while co-starring in the television series ; the pair remain close friends. He has approached on multiple occasions but never proceeded, citing priorities. As of 2017, Giannopoulos was in a relationship with Natalie Neville, known professionally as DJ Femme, whom he had been dating for 18 months after meeting at a party in St Kilda. Giannopoulos's extensive touring schedule from 1987 to 2002—15 years of near-constant road work—severely strained his personal relationships, as he prioritized professional success over romantic commitments. He has acknowledged regrets but maintains that forgoing such focus would have prevented his achievements, stating, "if I didn’t put my work first I wouldn’t have succeeded." By 2017, he reported improved equilibrium, describing himself as "in a much better place now." No public records indicate that Giannopoulos has children or has ever married.

Awards and recognition

Mo Awards

Nick Giannopoulos won two Mo Awards for Best Comedy Performer in 1998 and 1999, recognizing his routines that drew on Greek-Australian immigrant experiences. These victories highlighted his breakthrough in Melbourne's live entertainment scene, where the Mo Awards annually honor achievements in , , and variety acts. The awards followed sold-out shows at venues like the Athenaeum Theatre, cementing his status as a leading ethnic comedian in during the late . No further Mo Awards were reported for Giannopoulos after 1999, as his career shifted toward film and television production.

Other honors

Giannopoulos received the Comedy Star of the Year award at the 55th Australian International Movie Convention in 2000 for his leading role in The Wog Boy, recognizing his contribution to the film's commercial success as Australia's highest-grossing comedy at the time. This honor, presented on the Gold Coast, underscored his breakthrough in blending ethnic humor with mainstream appeal. Reports of a New York Media Award appear in promotional profiles but lack independent verification from primary sources. No additional major personal honors beyond these and the Mo Awards were documented in contemporary entertainment records.

References

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  2. https://www.themoviedb.org/person/80950-nick-giannopoulos?language=en-US
  3. https://www.famousbirthdays.com/people/nick-giannopoulos.html
  4. https://www.onlymelbourne.com.au/nick-giannopoulos-giannopolous
  5. https://www.imdb.com/name/nm0316318/
  6. http://www.nanettefox.com.au/Artists/Nick-Giannopoulos/
  7. https://mabumbe.com/people/nick-giannopoulos-biography-early-life-career-net-worth-and-personal-life/
  8. https://www.platinumspeakers.com.au/speaker/nick-giannopoulos/
  9. https://www.ellines.com/en/the-wog-boy-of-australia/
  10. https://au.linkedin.com/in/nickgiannopoulos
  11. https://www.imdb.com/name/nm0316318/bio/
  12. https://www.smh.com.au/lifestyle/life-and-relationships/nick-giannopoulos-ive-finally-learnt-how-to-balance-my-career-and-relationships-20170719-gxee1z.html
  13. https://www.afr.com/companies/one-last-chance-to-flog-the-wog-19950619-kaxc6
  14. https://9now.nine.com.au/a-current-affair/wog-boys-forever-film-nick-giannopoulos-australian-showbiz-success-story/24c28e73-9c9d-4d81-b5c3-b370eac6a593
  15. https://www.facebook.com/nickg1/posts/my-father-leonidas-giannopoulos-88-passed-away-last-tuesday-after-a-short-illnes/248136803342564/
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  22. https://neoskosmos.com/en/2018/07/23/features/nick-giannopoulos-ill-tell-you-what-wog-face-is/
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  46. https://www.youtube.com/watch?v=w7SlHbDjuHU
  47. https://womensagenda.com.au/latest/theres-a-war-over-the-wogs-trademark-but-where-are-all-the-female-voices/
  48. https://neoskosmos.com/en/2019/11/29/dialogue/opinion/letters-and-readers-reactions-on-nick-giannopoulos-and-the-trademarking-of-wogs/
  49. https://go.gale.com/ps/i.do?id=GALE%257CA148007814&sid=googleScholar&v=2.1&it=r&linkaccess=abs&issn=03122654&p=AONE&sw=w
  50. https://www.sbs.com.au/voices/article/comment-is-wog-humour-still-funny/xm2u9sr27
  51. https://www.smh.com.au/entertainment/tv-and-radio/australia-s-new-wave-of-wog-humour-is-about-class-as-much-as-race-20180627-p4zo2s.html
  52. https://greekcitytimes.com/2022/09/30/kapiniaris-we-used-to-be-the-enemy/
  53. https://australiancinema.info/db/2001/wogboy.html
  54. https://neoskosmos.com/en/2011/02/07/news/australia/wog-boy-2-wins-3rd-highest-grossing-australian-film/
  55. https://www.boxofficemojo.com/title/tt14909354/
  56. https://www.smh.com.au/culture/movies/where-s-the-respect-nick-giannopoulos-on-his-battle-to-make-wog-boy-3-20220929-p5bm11.html
  57. https://search.informit.org/doi/10.3316/informit.940773050797174
  58. https://neoskosmos.com/en/2019/11/26/dialogue/opinion/nick-giannopoulos-wog-tm-and-the-custodian-of-wogs/
  59. https://neoskosmos.com/en/2024/01/31/life/entertainment/nick-giannopoulos-on-why-wog-life-is-your-final-chance-to-see-him-live-on-stage/
  60. https://greekcitytimes.com/2024/01/18/exclusive-acropolis-now-to-curtain-call-nick-giannopoulos-legacy-and-last-laugh/
  61. https://neoskosmos.com/en/2024/01/25/life/stage/nick-giannopoulos-makes-wog-comeback-with-farewell-tour/
  62. https://www.whosdatedwho.com/dating/nick-giannopoulos
  63. https://www.drive.com.au/news/star-and-car-nick-giannopoulos-20121031-28jso/
  64. https://www.ovations.com.au/speakers/nick-giannopoulos
  65. https://www.nanettefox.com.au/Artists/Nick-Giannopoulos/
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