Hubbry Logo
Origami paperOrigami paperMain
Open search
Origami paper
Community hub
Origami paper
logo
8 pages, 0 posts
0 subscribers
Be the first to start a discussion here.
Be the first to start a discussion here.
Origami paper
Origami paper
Origami paper
View on Wikipedia
from Wikipedia
Origami paper and a traditional origami crane

Origami paper is the paper used for origami, the art of Japanese paper folding. The only real requirement of the folding medium is that it must be able to hold a crease, but should ideally also be thinner than regular paper for convenience when multiple folds over the same small paper area are required (e.g. such as would be the case if creating an origami bird's "legs", "feet", and "beak").

Kami

[edit]

Kami, or koiy paper, is the cheapest paper made specifically for origami, and the most widely available. It was developed for use in schools.[1] The word kami is simply Japanese for paper, but it has acquired this specific meaning.[1][2]

Kami is thin and easy to fold. It is usually printed only on one side, with a solid color or pattern. These patterns can be as simple as a gradation from red to blue, or as complex as a multi-colored kimono pattern of flowers and cranes with gold foil embellishments. Kami comes in several sizes, but standard sizes include 75 × 75 mm (about 3 × 3 inches), 6-inch squares and 10-inch squares.

Paper-backed foil

[edit]

This medium is a slightly more expensive, flashier, paper that is good for retaining creases called paper-backed foil paper, Japanese foil, or simply foil. Foil paper is composed of a thin layer of foil adhered to an extremely thin sheet of paper. The most common colors are silver and gold, but any color is possible in foil paper including bright pink, blue and copper. In many multi-color packs, one sheet each of silver and gold paper is included. These are usually placed on the bottom end of the string if used in a thousand origami cranes.

Washi

[edit]

Washi is traditionally a fine handmade thin paper coveted by artists and craftspeople. Washi is made with renewable long-fibered crops and is very strong even when thin. Some washi does not hold a sharp fold due to the extremely long and thick fibers of the paper. Occasionally you will find strands of the long fibers (often kozo) in washi. Washi is also accepting of ink, making it easy to print on as it holds very fine detail. Printed washi has a unique and occasionally transparent texture. Washi paper is not as commonly used as kami paper in origami.

Chiyogami / Yuzen

[edit]

Chiyogami refers to Japanese hand-screened decorative kozo washi / paper consisting of repetitive patterns. “Chiyo” means 1,000 generations and "gami” means paper. Originally the design was applied to handmade kozo paper with wood blocks, but today most chiyogami is produced with silkscreen techniques.[3]

Paper was one of the major materials used in making toys and dolls. The brightly printed chino-gami of Edo (Tokyo) and Kyoto and the crisp strength of newly laid kozo paper were fully utilized. Many urban housewives and girls with the spare time for a hobby have taken up the making of sophisticated paper dolls and figurines – both traditional and modern – and provide a steady and major market for the makers of highly decorative colored papers.[4]

Banknotes

[edit]

Notes and references

[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Origami paper

View on Grokipedia
from Grokipedia
Origami paper, often referred to as in Japanese, is a thin, lightweight sheet material specifically designed for the art of , which involves folding into intricate two- and three-dimensional shapes without cuts or glue. Typically cut into squares ranging from 1 inch to 14 inches on each side, it features a grammage of 50 to 80 to facilitate sharp creases and multiple folds while resisting tears, and is commonly colored on one side with a white backing on the other for visual contrast in models. The most traditional and widely used type is standard , a machine-made paper developed in the early for school use in , prized for its affordability and ease of folding despite its relative weakness compared to heavier stocks. Other notable varieties include double-sided or "duo" paper, which displays two different colors to enhance visibility in complex designs; foil-backed paper, featuring a metallic layer for malleability and curve-holding in three-dimensional sculptures; and textured options like or chiyogami, traditional Japanese papers often adorned with patterns or made from natural fibers for added aesthetic and tactile appeal. Key characteristics of high-quality origami paper include its ability to retain creases (fold memory), minimal grain direction to prevent warping, and sufficient strength to support wet-folding techniques pioneered by artist , where dampening allows for organic shaping that hardens upon drying. While everyday alternatives like copy paper (20-24 lb bond) can suffice for beginners, specialized papers elevate advanced models by improving durability and precision in folding.

Introduction

Definition and Characteristics

Origami paper is a specialized type of engineered for the of , characterized by its square shape, thin profile, and enhanced to facilitate precise folding and maintain creases without tearing. Unlike general-purpose , it is designed to withstand repeated manipulations, enabling the creation of intricate two- and three-dimensional models. Typically cut into squares ranging from 6 to 15 inches on each side, this paper prioritizes foldability over writing or suitability. Key characteristics include a uniform thickness of approximately 50-80 grams per square meter (), which allows for crisp creases and layered constructions while remaining lightweight enough for complex designs. It exhibits high tensile strength—often around 6 kg along the for standard varieties—to resist breaking during folding, coupled with good crease memory that helps models retain their shape over time. Color options are diverse, with traditional sheets featuring a solid color on one side and white on the other to aid visibility during assembly, though double-sided and patterned variants exist for aesthetic enhancement. Resistance to tearing is another vital trait, ensuring the paper endures the stress of sharp and folds without fraying. In contrast to regular printer paper, which is thicker (around 80-100 ) and more prone to buckling or splitting under repeated folds, origami paper offers superior tensile strength and flexibility, making it ideal for artistic applications. Its lower opacity in certain translucent types, such as tissue-based sheets, permits light transmission that enhances the visual depth of models like lanterns or modular sculptures. This opacity variation supports both opaque and semi-transparent designs, broadening creative possibilities. A fundamental prerequisite for effective folding is consideration of the paper's grain direction—the alignment of fibers from the manufacturing process—which influences fold sharpness and overall model durability. Folding with the yields cleaner, more precise creases and greater strength, while folding against it can result in weaker holds and potential , especially in humid conditions where anisotropic swelling may occur. Selecting with the oriented appropriately ensures sharper edges and longer-lasting structures.

Historical Context

Paper was introduced to Japan from China via Korea in the 6th century CE, with traditional papermaking techniques evolving during the (794–1185 CE) to produce , a durable handmade paper from plant fibers such as mulberry bark. Early paper folding practices, known as orikata, were simple and tied to ceremonial and symbolic uses, such as noshi attachments on gifts and shide—zigzag paper streamers used in purification rituals to ward off evil spirits. These basic folds appeared in traditions during the Muromachi (1336–1573) and Sengoku periods as ceremonial elements in weddings, gift exchanges, and formal oaths. By the (Edo period), increased paper availability from advancements in papermaking shifted folding from elite ceremonial contexts to recreational pursuits among the general populace, with the earliest unambiguous records of folded paper models dating to 1680. The (1868–1912) accelerated this evolution through industrialization, introducing machine-made papers that supplemented traditional handmade , making high-quality stock more accessible and affordable for widespread use. In the early , Japanese paper mills began mass-producing affordable —the standard single-sided colored paper essential for —for school and artistic use across Japan. The post-World War II era saw origami paper gain international prominence, largely due to the innovations of Akira Yoshizawa, whose 1950s publications and wet-folding techniques elevated folding into a global art form, inspiring the export of kami and similar papers worldwide. By the 1980s, origami associations, such as the British Origami Society and Japan Origami Association, promoted standardization, adopting square formats derived from ISO 216 dimensions (e.g., 15 cm squares from A4 sheets) to facilitate consistent designs and international collaboration. This shift from artisanal washi to standardized machine-made variants marked origami paper's transition from a culturally insular material to a universally adopted medium.

Properties and Standards

Ideal Material Qualities

Ideal origami paper requires high tensile strength and fold endurance to endure the repetitive creasing and manipulation inherent in folding techniques, particularly for intricate models that involve numerous folds. These qualities enable the paper to withstand hundreds of double folds without tearing or weakening, as measured by standard folding endurance tests like the MIT tester, which quantify the logarithm of folds until breakage. For origami, suitable papers typically exhibit folding endurance values exceeding 200 double folds, similar to high-quality bond papers optimized for durability. Tensile strength is assessed through standardized tests such as ISO 1924-2, ensuring the paper resists pulling forces during shaping. Additionally, , or basis weight, is a key metric, with ideal origami paper ranging from 50 to 80 to provide sufficient strength without excessive bulk that hinders precise folding. Burst strength tests, per ISO 2758, further evaluate rupture resistance under , where values above 150 kPa for papers indicate suitability for complex constructions. The texture and finish of origami paper play a crucial role in crease retention and overall foldability, with smooth surfaces promoting sharp, enduring creases by allowing fibers to compress evenly without snagging. Textured finishes, such as those in traditional , offer grip for detailed work but may soften creases over time unless balanced with a semi-smooth . Acid-free composition is vital, as it eliminates lignins and acids that cause yellowing and embrittlement during storage, preserving the paper's integrity for archival models; pH levels above 7.0 ensure longevity without degradation. These properties are confirmed through accelerated aging tests like ISO 5630-1, demonstrating minimal discoloration after simulated decades of exposure. Opacity and colorfastness contribute to aesthetic and functional balance in origami, where moderate opacity prevents excessive show-through in multi-layered designs while permitting subtle translucency for depth in complex assemblies like modular units. Standard origami papers achieve 85-95% opacity to maintain color vibrancy without transparency issues, as per ISO 2471 standards. Colorfastness ensures dyes resist fading from handling or light exposure, with high-quality papers using pigment-based inks that score above 4 on the for . This stability supports repeated manipulation without color migration or dulling. Environmental factors, particularly moisture resistance, are essential for maintaining dimensional stability during folding, as paper is hygroscopic and absorbs ambient humidity. Ideal papers resist warping above 60% relative humidity (RH) through controlled fiber content and minimal sizing, limiting expansion to less than 1% in length; excessive moisture can cause fibers to swell, distorting creases and complicating precision work. Testing via ISO 535 (Cobb method) quantifies water absorption, with low values (under 50 g/m²) indicating suitability for varied climates. In high-humidity environments, lightly buffered or coated variants enhance resistance without compromising foldability.

Common Sizes and Formats

Origami paper is predominantly produced and sold in square formats, with the traditional standard size being 15 cm (approximately 6 inches) on each side, suitable for a wide range of beginner to intermediate models. This size balances ease of handling with sufficient surface area for detailed folding, and it is widely available from manufacturers like those supplying the OrigamiUSA community. For more complex designs requiring greater precision or scale, larger squares such as 20 cm to 30 cm (8 to 12 inches) are common, allowing for intricate structures without excessive bulk. Adaptations from ISO A-series paper, such as folding or cutting A4 sheets (210 mm × 297 mm) into squares, provide an accessible option for hobbyists using standard printer paper, yielding approximately 14.7 cm squares after trimming the excess strip. Origami paper is distributed in various formats to accommodate different user needs, including single sheets for individual projects and multi-sheet packs, often containing 100 sheets in assorted colors for versatility in model creation. Beginner-friendly options include pre-creased or scored sheets, which feature preliminary folds to guide assembly, particularly useful for modular where units interlock to form larger sculptures. These pre-creased formats simplify the initial setup, reducing errors for novices while maintaining the paper's foldability. International variations reflect regional preferences and measurement systems, with the favoring 6 × 6 inch (15.24 cm) squares that align closely with imperial standards and are stocked by major suppliers. In and metric-dominant markets, smaller 7.5 cm squares are popular for miniature or modular works, enabling compact designs like ornaments. Conversions between metric and are straightforward for global trade, but availability may vary, with European suppliers emphasizing centimeter-based sizing. Packaging norms emphasize practicality and organization, with many packs featuring color-coded assortments—typically 10 to 20 solid or patterned hues—to support multi-model projects requiring visual contrast. Bulk rolls or large sheets, often 50 cm wide or more, cater to advanced users or educators for custom cutting into desired sizes, promoting sustainability through minimal waste in instructional settings.
Common SizeDimensions (Metric/Imperial)Typical Use
7.5 cm / 3 inchesModular and miniature models
Standard15 cm / 6 inchesGeneral beginner to intermediate folding
Intermediate20–25 cm / 8–10 inchesDetailed single-sheet designs
Large30 cm / 12 inchesComplex or display models

Traditional Types

Kami

Kami is the standard, mass-produced paper widely used in origami, particularly valued for its accessibility and suitability for everyday folding. It is typically composed of wood pulp, resulting in a lightweight and smooth material that measures around 60-63 grams per square meter () in weight. This composition allows for a single-sided color application with a plain white reverse, enabling effective shading and highlighting in folded models through strategic color orientation. Production of began in in the early , specifically machine-rolled since the 1920s for educational purposes in schools, making it an affordable option that democratized practice. Manufacturers like Jong Ie Nara, established in 1972, produce it using modern processes that ensure uniformity and acid-free quality for longevity. Packs of 100 sheets typically cost under $5, reflecting its economical design for widespread availability in craft stores and online. In terms of uses, excels for beginner-level models such as the classic crane, where its thin yet sturdy nature facilitates precise creases and shape retention. It also demonstrates versatility in wet-folding techniques, allowing the paper to be dampened for creating smooth, curved shapes in more sculptural designs. Variations include standard colors like red and blue, which provide visual contrast, along with subtle textures that improve crease visibility during folding. These features make a foundational choice for both learning and casual exploration.

Washi

Washi is a traditional Japanese handmade paper renowned for its exceptional durability and artisanal craftsmanship, primarily derived from the inner bark fibers of specific plants such as kozo (paper mulberry, Broussonetia papyrifera), gampi (Wikstroemia species), and mitsumata (Edgeworthia chrysantha). These natural fibers, particularly the long strands from kozo, which can exceed several millimeters in length, impart superior tensile strength and flexibility to the paper, making it far more resilient than machine-made alternatives. The composition relies on these bast fibers, which are processed without synthetic additives, resulting in a material that can withstand repeated folding and creasing without tearing, ideal for demanding applications like origami. The production of involves meticulous handcrafting techniques, most notably the nagashizuki method, where a watery pulp suspension is gently flowed and deposited onto a screen mold to form thin, interwoven sheets. This process, which interlaces the fibers for enhanced cohesion, is traditionally practiced in regions such as Echizen in , where clear local waters and skilled artisans contribute to the paper's quality. In 2014, the craftsmanship of traditional Japanese was inscribed on 's Representative List of the of Humanity, recognizing its transmission through family lineages and community associations in select areas such as Misumi-cho (Sekishu), Mino, and Ogawa. As of November 2025, has recommended the inclusion of Echizen Torinoko-type handmade ganpi fiber paper from . The entire process—from harvesting bark in winter to drying sheets on wooden boards—emphasizes , using renewable plant sources and minimal chemical intervention. In , excels for creating intricate and durable models, as its robust fiber structure allows for complex folds and collapses while maintaining sharp creases over time. The paper's natural texture, arising from the uneven fiber distribution during hand-forming, facilitates the sculpting of organic shapes and adds subtle visual depth to finished pieces without requiring additional treatments. Unlike more uniform papers, 's inherent suppleness supports wet-folding techniques for curved forms, enhancing its utility in advanced designs. Variations of washi often remain unbleached to preserve the natural color of the fibers, promoting eco-friendliness through biodegradability and reduced environmental impact from processing. These unprocessed forms highlight the paper's subtle off-white or beige tones, derived directly from the plant materials. Thickness typically ranges from 40 to 100 grams per square meter (), with lighter weights (around 40-60 ) favored for delicate to ensure ease of manipulation, while heavier variants provide added resilience for larger or multi-layered models.

Chiyogami and Yuzen

Chiyogami is a decorative form of paper featuring repeating motifs such as flowers like chrysanthemums and cherry blossoms, as well as geometric patterns including intersecting circles and interlocking designs. These papers originated during the (1603–1868) as woodblock-printed designs, initially used for creating colorful paper dolls, tea tins, and small boxes. Yuzen, another patterned variant derived from , employs a resist-dyeing technique to produce intricate, custom designs often inspired by nature. This method was developed in late 17th-century , originally by fan painter Miyazaki Yuzensai for decorating garments and later adapted for paper applications. Both chiyogami and yuzen papers are produced through hand-stenciled or screen-printing processes on a base typically weighing around 60–70 , using vibrant, pigment-based inks that resist fading. In chiyogami production, multiple layers of color are applied separately via silkscreen, evolving from traditional woodblock methods, while yuzen involves applying rice paste as a resist before to create sharp, detailed outlines and gradations. In , chiyogami and yuzen enhance the aesthetic appeal of decorative models such as , where the bold patterns add visual interest to assembled spheres. However, the intricate designs can pose challenges in folding, as aligning creases with motifs requires precise orientation to maintain the paper's artistic integrity.

Modern and Specialty Types

Paper-Backed Foil

Paper-backed foil is a specialty origami paper composed of a thin aluminum foil layer laminated to an backing, resulting in a durable, reflective material that enhances sculptural effects in folded models. The foil layer is typically even thinner than the paper, with the combined sheet weighing around 49 and measuring approximately 0.06 mm in thickness, where the foil accounts for about 19 and the backing paper 30 . This composition provides a smooth, metallic surface on one side while allowing the paper side to accept dyes or colors for added versatility. The production of paper-backed foil involves bonding the foil to the substrate, with the metallic layer often created through of aluminum to achieve a uniform shine without imperfections. Introduced and popularized in the 1970s by Western manufacturers, such as those producing wrapping papers adapted for crafting, it marked a shift toward materials enabling more three-dimensional and curved designs beyond traditional limitations. Early commercial versions were available in pre-cut squares, making them accessible for hobbyists and artists experimenting with metallic aesthetics. In origami applications, paper-backed foil excels at forming models requiring reflective surfaces or , such as shiny , organic creatures, or architectural simulations, where the malleable foil maintains sharp creases and complex curves more effectively than standard . Its resilience supports intricate detailing, like compressing thin appendages or shaping rounded forms, contributing to visually striking results in both representational and abstract works. Variations of paper-backed foil include single-sided types with foil on one face and plain or colored on the reverse, as well as double-sided options featuring metallic coatings on both sides for all-around shine. Common colors encompass silver and gold for classic metallic looks, alongside holographic finishes that produce iridescent, light-shifting effects ideal for dynamic models. These adaptations, often sold in 6-inch or 10-inch squares, cater to diverse folding needs while preserving the material's core strength and reflectivity.

Double-Sided and Patterned Variants

Double-sided origami paper, featuring identical coloring on both surfaces, enables the folding of reversible models that maintain visual consistency when viewed from either side. This property is especially valuable for complex tessellations, where intricate, repeating patterns benefit from multi-directional visibility and backlighting effects, producing variations in opacity based on layer count (e.g., single layers appear transparent, while multiple layers create darker contrasts). Patterned variants expand creative possibilities beyond plain colors, with tissue foil, developed in the 1980s, standing out as an ultra-thin composite of overlaid with metallic foil, typically 40 g/m², offering superior crease retention and shaping potential. The foil provides a vivid metallic finish on one side while the tissue allows flexibility, making it suitable for detailed, durable folds in non-traditional designs. Metallic and gradient papers further innovate by creating dynamic 3D effects through light reflection and color transitions, enhancing the dimensionality of folded forms like curved surfaces or layered assemblies. These papers are produced through global manufacturing hubs, primarily in for cost-efficient , with significant distribution and customization in the via specialty suppliers. Digital printing techniques, adopted widely since the early 2000s, facilitate custom patterns and small-batch runs, enabling personalized designs for diverse applications. In practice, double-sided and tissue foil papers support advanced modular origami constructions, where interchangeable units form expansive polyhedra, and wet-folding techniques with tissue variants yield organic shapes such as lifelike flowers by softening the material for precise curving.

Unconventional Materials

Origami enthusiasts have adapted banknotes for folding, a practice known as moneygami, due to the unique properties of currency paper. This material, composed of a 75% and 25% blend, provides exceptional strength and durability compared to standard paper, enabling precise creases and resistance to tearing during complex folds. Moneygami gained popularity in the early as a creative way to present monetary gifts, transforming bills into intricate models like animals or jewelry without cutting the notes. Beyond currency, folders repurpose everyday items such as wrapping paper, magazine pages, and synthetic sheets like for unconventional . Wrapping paper and magazine pages, often glossy and colorful, lend themselves to decorative projects like boxes or bows, though their varying weights can complicate precise folding. , a durable fiber produced by , excels in weatherproof applications; its tear- and water-resistant qualities make it ideal for outdoor installations, such as crane chains, that can withstand exposure for 1-3 months depending on conditions. These materials promote eco- initiatives, where junk mail or flyers are trimmed into squares and folded into simple shapes, reducing waste while encouraging sustainable creativity. Challenges arise with these ad-hoc materials, including inconsistent thickness that affects fold sharpness and model stability. For banknotes specifically, legal considerations apply: in the United States, under 18 U.S.C. § 333 prohibits mutilating or defacing with intent to render it unfit for circulation, though simple folding for personal art is generally not prosecuted unless it involves or significant damage. Similar restrictions exist in other countries, advising folders to use low-value notes or replicas to avoid potential issues. Representative examples include folding U.S. dollar bills into rings, a popular moneygami design that twists the bill into a wearable band, often given as a novelty . Eco-origami from junk mail might yield modular stars or envelopes, highlighting resourcefulness in household refuse.

Cultural and Practical Aspects

Role in Japanese Culture

Origami paper holds a profound place in Japanese culture, particularly through its use in rituals dating back to the 6th century, when paper was first introduced to from . Traditional folded papers such as shide, zigzag streamers symbolizing purification, are attached to wands like and used to demarcate sacred spaces, purify offerings, and invoke blessings from the (deities) during ceremonies at shrines. Similarly, noshi—ceremonial folded paper ornaments derived from ancient attachments—adorn to convey good fortune and respect, a custom that evolved into a staple of Japanese gifting etiquette by the (794–1185 CE). These practices underscore origami paper's role as a medium for spiritual expression and social harmony, transforming simple folds into vessels of ritual significance. Beyond rituals, origami paper embodies enduring cultural symbols, most notably in the tradition of senbazuru, or the folding of , believed to grant a wish based on where the crane represents longevity and good fortune. This practice gained global resonance through the story of , a young girl who, in 1955, folded cranes while battling caused by the atomic bombing; her perseverance turned senbazuru into an emblem of and healing, inspiring annual commemorations at the . In contemporary Japan, origami is practiced as a traditional art alongside others such as (flower arranging) and chanoyu (tea ceremony). Modern festivals, such as the annual Origami Tanteidan Convention in organized by the Japan Origami Academic Society, celebrate this legacy through exhibitions, workshops, and collaborations that highlight origami's artistic depth. The cultural motifs embedded in Japanese origami paper, including traditional patterns on and chiyogami, have extended their influence internationally via participation in global conventions, where Japanese artists share techniques and designs that infuse events with elements of symbolism and seasonal aesthetics. This export fosters cross-cultural appreciation, as seen in organizations like OrigamiUSA, which incorporate Japanese-inspired folds to promote peace and creativity worldwide.

Sustainability and Modern Production

The production of origami paper, primarily derived from wood pulp, contributes to global as the accounts for 33–40% of industrial wood consumption worldwide. The industry is one contributor to broader patterns, with total forest loss in global hotspots exceeding 160,000 square miles (about 414,000 square kilometers) between 2004 and 2017, including in high-conservation areas like Borneo's rainforests where pulp production plays a significant role. In response, the industry has shifted toward sustainable sourcing, with (FSC) certification gaining traction since the 2010s; for instance, companies like adopted FSC chain-of-custody certification in 2010 to verify responsible material use in paper products. This certification ensures forests are managed under strict environmental and social standards, benefiting specialty papers like those used in origami by reducing risks and promoting recycled content. Modern origami paper production is dominated by automated mills in , which accounts for 54% of global paper output as of 2023, driven by countries like and . These facilities employ advanced machinery for efficient pulping, dyeing, and cutting, enabling high-volume manufacturing of specialty sheets tailored for folding. By 2025, recycled materials are incorporated into a growing share of and similar origami papers, with examples like Skytone featuring 30% recycled content to support practices. This trend aligns with broader industry efforts, where recycled fiber use in specialty papers has increased to minimize virgin pulp demand. Innovations in origami paper focus on eco-friendly enhancements, such as plant-based dyes derived from natural sources, which replace synthetic chemicals in colored variants and reduce during production. For foil-backed papers, alternatives like wood-derived films offer biodegradable, flexible options that mimic metallic sheen without mining-dependent metals. Zero-waste cutting techniques, inspired by folding principles, optimize sheet layouts to eliminate scraps, as seen in sustainable crafting methods that repurpose offcuts for additional models. These advancements lower environmental footprints while maintaining foldability. Despite progress, challenges persist in balancing affordability with eco-standards; recycled or FSC-certified origami paper often incurs higher upfront costs due to complex , though long-term savings from reduced use make it viable for larger producers. The rise of digital alternatives, such as virtual folding apps like Origami Simulator, has gained popularity by , allowing users to practice designs without physical materials and further easing pressure on paper demand.

References

  1. https://origami-resource-center.com/origami-paper/
  2. https://langorigami.com/article/paper/
  3. https://origamiusa.org/thefold/article/paper-review-12-kami
  4. https://origami.kosmulski.org/blog/2021-10-31-paper-grain-in-origami
  5. https://www.nationalgeographic.com/travel/article/unlocking-mystery-of-japans-perfect-washi-paper
  6. https://www.britannica.com/art/origami/History-of-origami
  7. https://hiromipaper.com/pages/history-of-washi-2
  8. https://www.britishorigami.org/cp-lister-list/origins-of-paper-sizes/
  9. https://www.japanhouselondon.uk/read-and-watch/washi/
  10. https://www.pulppapermill.com/the-folding-endurance-of-paper/
  11. https://origami.me/paper/
  12. https://www.tarosorigami.com/which-paper-is-right-for-you/
  13. https://www.smithers.com/industries/packaging/manufacturers-and-users/packaging-materials-testing/paper-testing-physical-properties/folding-endurance
  14. https://www.paperpapers.com/news/acid-free-paper/
  15. https://www.theorigamipapershop.com/c-601-smooth-mulberry-origami-paper.aspx
  16. https://tulsiorigami.com/blogs/blog-post/the-science-of-paper-understanding-the-materials-behind-origami
  17. https://www.iso.org/standard/80320.html
  18. https://www.nytimes.com/wirecutter/reviews/best-origami-supplies/
  19. https://www.origami-shop.com/en/choosing-right-size-your-origami-papers-xsl-2658_510_511.html
  20. https://origami.me/beginners-guide/
  21. https://www.tarosorigami.com/buying-guide-for-paper-for-origami/
  22. https://www.amazon.com/stores/TAROSORIGAMISTUDIO/KamiPaper/page/343E4AFE-3E28-4951-89BE-A9DAD6AE7E6F
  23. https://kamyi.art/blogs/the-artisans-path/origami-paper-types-what-makes-a-good-origami-paper
  24. https://www.japanesepaperplace.com/papermaking-in-japan/
  25. https://paper.gatech.edu/washi/washi-history-japanese-papermaking
  26. https://kozo.studio/blogs/journal/the-difference-between-washi-hanji-sangpi-rice-paper-mulberry-paper-and-kozo-paper
  27. https://hiromipaper.com/collections/japanese-papers
  28. https://kogeijapan.com/locale/en_US/echizenwashi/
  29. https://foundland.com/journal/the-makings-of-japanese-washi/
  30. https://ich.unesco.org/en/RL/washi-craftsmanship-of-traditional-japanese-hand-made-paper-01001
  31. https://www.nippon.com/en/news/yjj2025111100231/
  32. https://lampoonmagazine.com/washi-japanese-paper-making-craft/
  33. https://japanobjects.com/features/washi-paper
  34. https://origamipolly.com/blogs/news/what-are-the-differences-between-kami-and-washi-paper
  35. https://www.tohoku.ac.jp/en/press/creating_a_green_composite_material_from_japanese_washi_paper.html
  36. https://hickmandesign.co.uk/blog/tips/paper-weights-and-printmaking/
  37. https://www.japanhouselondon.uk/read-and-watch/chiyogami-hand-printed-japanese-paper/
  38. https://www.princeton.edu/~graphicarts/2011/04/bird_and_bull_press.html
  39. https://digitalcommons.unl.edu/cgi/viewcontent.cgi?article=1474&context=tsaconf
  40. https://legacyweb.philamuseum.org/doc_downloads/education/object_resources/89297.pdf
  41. https://origamiusa.org/catalog/products/chiyogami-patterns-duo-200-675-inch
  42. https://origamiok.com/best-origami-paper/
  43. https://origami-track.fandom.com/wiki/Paper-backed_foil
  44. https://ojif-tex.co.jp/en/product-info-2/dtp/707-arumik.html
  45. https://origamiusa.org/thefold/article/paper-review-10-nicolas-terry-tissue-foil
  46. https://origamiusa.org/catalog/products/duo-foil
  47. https://origamiusa.org/catalog/products/american-foil-assorted-10
  48. https://origamiusa.org/thefold/article/tessellations-brief-theory-warping-paper
  49. https://www.amazon.com/Origami-Paper-Double-Sided-Color/dp/B06XW45PMR
  50. https://www.origami-shop.com/en/tissuefoilorigamipaper-xsl-207_215_2515_221_258_360.html
  51. https://www.paperpapers.com/news/amazing-3d-model-from-metallic-paper/
  52. https://www.made-in-china.com/manufacturers/origami-paper.html
  53. https://www.accio.com/plp/origami-paper
  54. https://www.uscurrency.gov/learn/ask-us/ask-the-expert/what-paper-us-currency-made
  55. https://banknoteartconcept.com/origami-moneygami/
  56. https://www.instructables.com/No-Cost-Magazine-Gift-Wrap-Origami-Box-Bow/
  57. https://www.dupont.com/tyvekdesign/design-with-tyvek/dupont-tyvek-faq.html
  58. https://littlebirddepapelblog.wordpress.com/2017/04/01/ceramics-and-my-tyvek-origami-cranes/comment-page-1/
  59. https://www.instructables.com/Junk-Mail-etc-Origami/
  60. https://uscode.house.gov/view.xhtml?req=granuleid:USC-prelim-title18-section333&num=0&edition=prelim
  61. https://www.homemade-gifts-made-easy.com/dollar-bill-ring.html
  62. https://www.origamiheaven.com/historypracticaljapan.htm
  63. https://origami-resource-center.com/noshi/
  64. https://www.britishorigami.org/cp-lister-list/noshi-by-honda/
  65. https://www.city.hiroshima.lg.jp/english/peace/1033408/1009685.html
  66. https://origami.jp/en/convention/29th/
  67. https://www.gov-online.go.jp/eng/publicity/book/hlj/html/202112/202112_01_en.html
  68. https://www.worldwildlife.org/our-work/forests/pulp-and-paper/
  69. https://fsc.org/en/businesses/paper-packaging
  70. https://statranker.org/economy/top-10-paper-producing-countries-in-2025-global-industry-insights/
  71. https://gtaic.ai/trends/paper-industry
  72. https://origamiusa.org/thefold/article/paper-review-13-skytone
  73. https://tulsiorigami.com/blogs/blog-post/sustainable-art-the-role-of-origami-in-eco-friendly-design
  74. https://www.sciencedirect.com/science/article/pii/S2405844024096774
  75. https://pubs.acs.org/doi/abs/10.1021/acsami.0c15326
  76. https://www.manufacturingtomorrow.com/news/2023/01/19/what-origami-can-teach-us-about-sustainable-manufacturing/19968/
  77. https://www.bergencountyprinters.com/2025/01/16/recycled-vs-virgin-paper-cost-breakdown
  78. https://origamisimulator.org/
Add your contribution
Related Hubs
User Avatar
No comments yet.