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Pommel horse
Pommel horse
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A gymnast on the pommel horse

The pommel horse, also known as vaulting horse, or "hobble horse" is an artistic gymnastics apparatus. Traditionally, it is used by only male gymnasts. Originally made of a metal frame with a wooden body and a leather cover, the modern pommel horse has a metal body covered with foam rubber and leather, with plastic pommels (handles).[1] A similar apparatus designed for physical education lessons is called a vaulting buck.

Apparatus

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History

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The apparatus originates from the Romans, who used wooden horses to teach mounting and dismounting. They later added it to the ancient Olympic Games. The basic modern exercises were developed in the early 19th century by Friedrich Ludwig Jahn, founder of the German Turnverein.[2]

An early pommel horse

Dimensions

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Measurements of the apparatus are published by the Fédération internationale de gymnastique (FIG) in the Apparatus Norms brochure.[3]

  • Height from top surface to floor: 115 centimetres (3.77 ft) ± 1 centimetre (0.39 in)
  • Length at top: 160 centimetres (5.2 ft) ± 1 centimetre (0.39 in)
  • Length at bottom: 155 centimetres (5.09 ft) ± 1 centimetre (0.39 in)
  • Width at top: 35 centimetres (14 in) ± 1 centimetre (0.39 in)
  • Width at bottom: 30 centimetres (12 in) ± 1 centimetre (0.39 in)
  • Height of the pommels: 12 centimetres (4.7 in) ± 0.5 centimetres (0.20 in)
  • Distance between the pommels: 40 centimetres (16 in) – 45 centimetres (18 in) (adjustable)

Routines

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A typical pommel horse exercise involves both single-leg and double-leg workouts. Single-leg skills are generally in the form of scissors. Double leg workout, however, is the main staple of this event. The gymnast swings both legs in a circular motion (clockwise or counterclockwise, depending on preference) and performs such skills on all parts of the apparatus. To make the exercise more challenging, gymnasts will often include variations on a typical circling skill by turning (moores and spindles), straddling their legs (flares), placing one or both hands on the pommel or the leather, or moving up and down the horse placing their hands on the pommel or the leather (traveling). Routines end when the gymnast performs a dismount by swinging his body over the horse or going through a handstand to land on the mat. The pommel horse, its gymnastic elements, and various rules are all regulated by the Code of Points.

Pommel horse is considered one of the more difficult men's events.[4] While it is well noted that all events require a particular build of muscle and technique, pommel horse tends to favor technique over muscle. This is because horse routines are done from the shoulders in a leaning motion, and no moves need to be held, unlike other events. Therefore, stress induced in one's arms is reduced, meaning less muscle is required for this event than in events like still rings or parallel bars.

International level routines

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Alberto Braglia

A pommel horse routine should contain at least one element from all element groups:[5]

  • Single leg swings and scissors
  • Circles and flairs, with or without spindles and handstands
  • Side and cross-support travels
  • Dismounts

Scoring and rules

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Form is crucial to any successful routine, as with all events in the Fédération Internationale de Gymnastique guidelines. For pommel horse, form consists of keeping one's feet pointed and legs straight during the entire routine. The gymnast should keep his legs together during all elements except for scissors, single-legged elements, and flairs, where the degree and control of separation are considered important.[5] Points are also deducted for not using all three sections of the horse and pausing or stopping on the apparatus.[5] Deductions also apply for brushing and hitting the apparatus.[6]

Olympic pommel horse medalists

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See also: Pommel horse at the Olympics

The most decorated and successful Olympic pommel worker in history is Great Britain's Max Whitlock, with three medals, including two gold medals. Two other gymnasts have three pommel horse Olympic medals across three Games: Romania's Marius Urzică with one gold and two silver medals, and Whitlock's compatriot and teammate Louis Smith with two silvers, and a bronze—under historic rules Smith would have shared gold in 2012, but was awarded silver behind Kristian Berki after a tie was broken on execution score.

Three other pommel workers have two Olympic gold medals, each considered a legend of the sport: the Soviet Union gymnast Boris Shakhlin, the Yugoslav Miroslav Cerar, and the Hungarian master, Zoltán Magyar.

Pommel horse medalists at the world championships

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See also: World Artistic Gymnastics Championships – Men's pommel horse

The pommel horse has been contested at the World Artistic Gymnastics Championships since their inauguration. The record for most world victories is held by several workers at three. Three of the four double Olympic champions, Miroslav Cerar, Zoltan Magyar, and Max Whitlock have each won the world title three times, to set the record for combined global titles at five. The most decorated workers at the World Championships are Whitlock and two one-time Olympic champions, Xiao Qin of China, and Hungary's Kristian Berki, all with three gold and two silver medals. Although Xiao and Berki each have won one Olympic gold, they are both considered to be among the major figures in the event's history along with the double Olympic champions.

Overall, Whitlock is the most successful and decorated pommel worker in the event's history, with five global gold medals, two silvers, and a bronze.

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Pommel horse

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from Grokipedia
The pommel horse is an apparatus in men's consisting of a rectangular, padded body covered in or synthetic material, measuring 115 cm in height from the floor, 160 cm in length at the top, and 35 cm in width at the top, with two adjustable pommels (handles) spaced 40–45 cm apart on the upper surface for gripping. perform routines exclusively using their hands for support, executing continuous circular and scissor movements with the legs and trunk across the entire apparatus without pausing, emphasizing , precision, and endurance. The event demands exceptional upper-body strength, flexibility, and coordination, as any break in momentum or support can lead to deductions or falls. Originating in the early 19th century in , the pommel horse was developed by as a training tool to improve soldiers' horsemanship skills, drawing from ancient military practices that date back to Roman times for mounting and dismounting exercises. Early versions resembled actual horses with heads and tails, but by the late 19th century, the design simplified to its modern form, becoming a staple in European clubs. It debuted as an Olympic event at the 1896 Athens Games, where Swiss gymnast Louis Zutter won the first , and has since been standardized by the (FIG) in 1956 to its current 160 cm length. In contemporary competitions, pommel horse routines last 30–40 seconds and are scored based on difficulty (elements like spindles, flairs, and dismounts) and execution (form, amplitude, and stability), with no allowance for stops, making it one of the most technically demanding and suspenseful events in the . Notable innovations include the Magyar spindle by Zoltán Magyar in the 1970s and the Thomas flair by Kurt Thomas in the 1976 Olympics, which elevated the event's complexity and remain integral to high-level performances. The apparatus is used only in men's , distinguishing it from women's events, and competitions require a 10 cm thick landing mat for safety.

History

Origins

The pommel horse traces its origins to ancient training practices, where it served as a wooden vaulting apparatus to simulate mounting and dismounting horses. Roman soldiers utilized such devices as early as the , as described by the writer , to develop equestrian skills essential for warfare. Similarly, Macedonian troops under employed rudimentary wooden horses around 300 BCE for vaulting exercises to prepare for maneuvers. These early forms were basic structures without handles, focused on practical drills rather than . In the , the apparatus was revived in amid a nationalist push for following the . , known as the "father of modern ," introduced the pommel horse around 1811 at his outdoor training ground, the Hasenheide in , as part of the Turnverein movement he founded to foster , discipline, and national strength among youth. Jahn's design evolved the ancient vaulting horse into a leather-covered wooden frame called the "schwingel," initially featuring wooden pommels or iron handles for swinging exercises, though basic vaulting versions omitted them to emphasize simple leaps. This innovation integrated the apparatus into broader European systems during the early 1800s, spreading from German Turnverein clubs to schools and military academies across the continent to promote health and patriotism. By the late , the pommel horse transitioned from a utilitarian military and fitness tool to a core element of . The first international competitions featuring the apparatus emerged in the at European gymnastic festivals, influenced by progressive Swiss techniques that emphasized swinging and circling movements. The formation of the European Union in 1881 in further standardized its use, paving the way for formalized routines beyond mere vaulting.

Evolution in Modern Gymnastics

The pommel horse debuted in the Olympic program at the 1896 Athens Games as one of the men's events, marking its formal entry into international competition. Initial routines at this time primarily featured single-leg swings and leg circles, with gymnasts maintaining a tight grip on the pommels while emphasizing controlled leg movements. These exercises reflected the apparatus's roots in military training for mounting and dismounting horses, adapted for competitive display. The Fédération Internationale de Gymnastique (), founded in , began establishing standardized norms for apparatus in the early , with significant developments in the that formalized dimensions and construction for consistency across events. In 1975, adjustable pommels were introduced, allowing the distance between handles to vary from 40 to 45 cm to accommodate different gymnast preferences and promote safety. Post-World War II innovations further refined the apparatus, including the official adoption of a 160 cm length in 1956 and height standardization to 115 cm during the 1960s, ensuring uniformity in international competitions. In the 1980s and , competitive focus shifted toward increasing difficulty, with elements such as —double-leg travels introduced in the 1958 FIG Code of Points—and flares gaining prominence as key components for high-scoring routines. These advances elevated the event's technical demands, encouraging continuous circling and travel variations. During the 2000s, FIG mandated covering for the apparatus body to enhance grip and reduce slippage, a requirement that persists in modern norms using chrome-tanned or equivalent materials. Recent updates to the FIG Apparatus Norms in the 2022-2024 cycle included minor revisions to height tolerances, permitting ±1 cm variation from the 115 cm standard to allow for practical adjustments while maintaining precision. Following the 2024 Paris Olympics, no major changes to the pommel horse apparatus have been implemented, with FIG efforts concentrating on Code of Points modifications rather than structural alterations.

Apparatus

Design and Dimensions

The pommel horse is a stationary apparatus used in men's artistic gymnastics, characterized by a rectangular body supported by two legs at each end, with a pair of symmetrical pommels mounted on the top surface. According to the Fédération Internationale de Gymnastique (FIG) Apparatus Norms, the body takes the form of a prismoid with slanted sides, an arched upper surface, and rounded corners and edges to facilitate smooth movement during routines. The standard dimensions ensure consistency across international competitions. The height from the upper surface to the floor measures 115 cm ± 1 cm, while the body height itself is 28 cm ± 1 cm. The length spans 160 cm ± 1 cm at the top and 155 cm ± 1 cm at the bottom, with a width of 35 cm ± 1 cm at the top and 30 cm ± 1 cm at the bottom. These specifications provide a stable platform approximately 1.15 meters high, allowing gymnasts to perform continuous swings and circles without interruption. The pommels, which serve as the primary gripping points, are precisely engineered for functionality and safety. Each pommel has a of 12 cm ± 0.5 cm, a base width of 31 cm ± 0.5 cm, a horizontal profile diameter of 3.4 cm ± 0.1 cm, and a horizontal span of 15 cm ± 0.2 cm. The distance between the inner vertical faces of the pommels is adjustable from a minimum of 40 cm to a maximum of 45 cm, enabling customization based on the 's preference and body proportions. The body surface, including around the pommels, is covered in a or leatherette material that enhances grip through and sweat absorption. For major events such as the and World Championships, all pommel horses must conform strictly to these specifications and carry a valid Certificate, ensuring uniformity and fairness. National federations may permit minor variations in non-international settings, but adherence to norms is mandatory at the level to maintain competitive integrity.

Materials and Safety Features

The pommel horse features a robust frame typically constructed from powder-coated or aluminum to ensure stability and resistance to wear during high-intensity use. The body is made of wood or synthetic materials for rigidity, overlaid with a layer of dense , usually 1.8 to 3 cm thick, to impacts and provide a consistent surface for interaction. This is covered by high-friction synthetic or , which is tear-proof, moisture-absorbent, and designed to prevent slipping while remaining neutral to (magnesia). The pommels themselves are crafted from stiff laminated wood or composite resin, with a padded upper surface and non-slip texture to facilitate secure grips and smooth hand placements during routines. Safety enhancements include fully rounded corners and edges across the entire apparatus to reduce the risk of cuts or bruises, as required by norms. The body and sides incorporate elastic, dampening properties to absorb minor shocks, while the base is engineered for level stability, often with optional floor-anchoring mechanisms to prevent movement. Additional protective padding, such as omega-shaped covers for the base, is commonly used to safeguard against dismount injuries. FIG standards mandate that apparatus maintain these specifications through regular inspections after intensive training or competition, with re-testing possible to verify ongoing compliance. In elite settings, pommel horses are typically replaced every 4-5 years to account for material degradation from repeated use. For outdoor or versatile training environments, models incorporate weather-resistant PVC or synthetic coverings to endure exposure without losing grip integrity.

Techniques

Fundamental Skills

The fundamental skills on the pommel horse establish the foundational techniques required for all routines, emphasizing upper body strength, , and precise leg control while maintaining support on the apparatus. The gymnast begins in a support position, with hands placed on the pommels or the body of the horse, keeping the body extended parallel to the floor in a planche-like hold to demonstrate control and alignment. This position, known as cross support or side support, requires the shoulders to remain directly above the hands, with straight arms and no sagging of the hips, serving as the base for all subsequent movements. Single-leg circles introduce dynamic swinging, where one leg circles continuously around the horse while the other remains extended backward for balance. These movements, classified under Element Group I in the Code of Points, demand elevation of the circling leg above the horizontal and pointed toes for aesthetic form, with basic single-leg swings valued at A difficulty (0.1 points). , a variation of single-leg work, involve alternating leg swings in a scissoring motion—forward and backward—to transition positions, promoting rhythm and leg separation while avoiding pauses that disrupt flow. In introductory levels, such as USAG Level 4, scissors are performed simply to build coordination without travel. Double-leg work builds on single-leg fundamentals by synchronizing both legs in circular paths, either traveling along the horse or remaining in place to emphasize amplitude and speed. Under Element Group II, basic double-leg circles in support are rated B (0.2 points) and require the legs to maintain straight alignment and height above the horse's body, with the gymnast's hips leading the motion to prevent arching or bending. These circles can be performed rearward or forward, focusing on continuous rotation without hand adjustments except for necessary travels. Travels involve shifting hand positions along the horse's length, such as from one end to the center, while executing circles or swings to cover the apparatus efficiently. Basic travels in side support, often combined with a quarter-turn, allow the gymnast to progress longitudinally without losing support, valued at B difficulty (0.2 points) when including simple leg work. This movement reinforces the need for fluid transitions, as interruptions result in deductions. Mounts and dismounts complete the basic sequence, starting with a simple single-leg mount where the gymnast steps up using one hand on a pommel and swings the body into support. For dismounts, a basic travel dismount involves a half-circle with a quarter-turn to land on the flank, ensuring the body exits above the horizontal for control. Throughout all elements, key concepts include continuous motion without static pauses, straight legs to avoid form breaks (deducted at 0.1-0.3 points per occurrence), and pointed toes to enhance line and precision. These principles ensure technically sound execution, as outlined in international and national coaching guidelines.

Advanced Elements and Routines

Advanced elements on the pommel horse involve high-difficulty maneuvers that demand exceptional upper body strength, , and precise timing to maintain continuous motion without pauses. , or Russian wendeswings, consist of 360-degree leg circles performed with the body turning in the opposite direction, valued at C (0.3) for a single 360°, escalating to D (0.4) for 720°, and E (0.5) for 1080° turns, as specified in the () Code of Points. Moores refer to inverted circles executed in cross support while traveling along the horse, typically rated at D (0.4) for a basic version involving continuous circling. Flairs are hip circles with legs separated in a position, such as a single flair to valued at D (0.4) or a flair with a half-spindle at the same difficulty level, requiring sustained and leg separation throughout. Combinations elevate routine difficulty by linking single-leg and double-leg work seamlessly, often earning connection value (CV) bonuses; for instance, a sequence of four Russians transitioning into double-leg travels can yield +0.2 CV for a D+D connection, while spindles—multiple full-body rotations on one end, like a flair with a 1/1 spindle rated E (0.5)—integrate rotations exceeding 270° to handstand for F (0.6) value. These linkages must cover all sections of the horse, from pommels to the end, without strength holds, emphasizing fluid swings over static positions. Building on fundamental skills like basic circles and scissors, advanced combinations demand progressions that enhance endurance for non-stop execution. International routines at elite levels last approximately 40-45 seconds, incorporating elements from all four element groups—single-leg swings, circles/flairs/spindles, travels, and dismounts—to achieve a difficulty score (D-score) through up to eight counting elements, with E-rated skills and above (0.5+) forming the core of high-scoring performances that span the entire apparatus. The limits routines to a maximum of four flair elements (excluding dismounts) and two Russian wendeswings to balance innovation with execution feasibility. Post-2000s, flair usage surged as gymnasts incorporated them for added difficulty, evolving from rare demonstrations in the to staples in competitive sequences by the , driven by code updates rewarding dynamic variations. In the , trends shifted toward more explosive dismounts, such as Russian wendeswings with 1.5 twists from , valued up to E (0.5), to conclude routines with heightened amplitude and rotation. Training for these advanced elements follows structured progressions, starting with basic circles on a mushroom cap to build and core strength for 10 consecutive revolutions before advancing to full apparatus work, incorporating false and straddle kicks to develop leg separation and swing momentum. Elite preparation emphasizes upper body endurance—through exercises like holds and planche progressions—for sustaining inverted circles and spindles, alongside core drills to prevent hip breaks during flairs, ensuring gymnasts can maintain form across 40+ seconds of continuous motion without fatigue-induced deviations.

Competition

Format and Regulations

Pommel horse competitions under the Fédération Internationale de Gymnastique () follow a structured format for major events such as the and World Championships, consisting of qualification rounds, team finals, all-around finals, and apparatus finals. In qualifications, national teams typically field five gymnasts who perform on all six apparatus, including pommel horse, with four competing per apparatus and the top three scores counting toward the team total; individual all-around and apparatus qualification also occur simultaneously from these performances. The top eight teams advance to the team final, where three gymnasts per apparatus compete with all scores counting from a zero start, while the top 24 all-around performers (maximum two per nation) proceed to the all-around final. For apparatus finals, the top eight qualifiers per event advance, limited to two per nation, performing one routine from a zero start. Routines on the pommel horse must demonstrate continuous swinging movements utilizing both ends of the apparatus (the pommels) and the center (the body), incorporating elements such as circles, flairs, and travels without pauses or static holds. Although no strict time limit is imposed, routines typically last 30-40 seconds to complete the required elements fluidly. The event is exclusive to men in , with no equivalent apparatus for women, as men's programs emphasize six apparatus including pommel horse, while women's feature four. Senior competitors must be at least 16 years old, with licensing required for international participation. Qualification to finals is determined by total scores (difficulty plus execution), with the top eight advancing; ties are broken first by the highest execution score, then by the highest individual apparatus scores if necessary. In the 2024 Paris Olympics, a new subdivision system divided men's qualifications into three pools to manage scheduling and rotations across apparatus, ensuring balanced competition flow. At the 2025 World Championships in Jakarta, tiebreaker protocols prioritizing execution scores resolved identical totals for medals in the pommel horse final, where superior execution secured gold for Hong Yanming of over Mamikon Khachatryan of . At the national level, such as in NCAA men's in the United States, competitions adhere to guidelines but permit adaptations such as modified judging panels in dual meets to fit meet durations, contrasting with the mandatory full standards for global events. In NCAA dual meets, rotations often begin on pommel horse for the visiting team, with routines emphasizing similar continuous swings but potentially condensed for efficiency.

Scoring and Penalties

The scoring system for pommel horse routines in men's artistic gymnastics is governed by the International Gymnastics Federation (FIG) Code of Points for the 2025-2028 cycle, where the total score is calculated as the sum of the Difficulty score (D) and the Execution score (E). The D score reflects the complexity of the routine, with a practical maximum around 7.0, derived from the values of performed elements and applicable bonuses, while the E score begins at 10.0 and is reduced by deductions for form and technique errors. This open-ended system, introduced in 2006 to replace the previous perfect-10 format that capped scores at 10.0, allows theoretically unlimited difficulty but emphasizes balanced routines in practice. The D score is primarily composed of the summed values of the eight highest-rated elements from four element groups (single-leg swings and scissors, circles and flairs, travel elements, and dismounts), with elements rated from A (0.1 points) to J (1.0 points or higher for exceptional skills). Connection bonuses add 0.1 to 0.5 points for linking elements without interruption or fall, such as 0.1 for a C + D connection or 0.2 for D + E, encouraging fluid sequences like combined Russian wendeswings or traveling spindles. With the 2025-2028 code updates, the reduction from ten to eight counting elements has shifted emphasis toward execution quality and form over maximizing raw difficulty, with stricter non-recognition rules for incomplete skills. Execution deductions are applied by E-panel judges for technical faults, typically ranging from 0.1 to 1.0 points per error, including 0.1-0.5 for bent or knees (small to large), 0.1-0.5 for pauses or lack of continuous swing, and 0.1-0.3 for low in swings or . Falls onto the apparatus or incur a 1.0-point deduction, with no partial for the affected element, while additional faults like leg separation beyond 30 degrees (0.3 points) or hip breaks in circles (0.1-0.3) further penalize poor body position. Neutral deductions include 0.5-1.0 points for prohibited apparatus contact beyond the hands, such as touching the horse with feet or legs (0.5 for heavy contact), and similar penalties for coach violations like stepping into the competition area or providing unauthorized assistance. These are subtracted from the final D + E total after panel averaging to ensure fairness. For illustration, Ireland's earned the 2024 Olympic with a total of 15.533, comprising a D score of 6.600 from high-value elements like multiple Russians and travels plus connections, and an E score of 8.933 reflecting minimal deductions for a near-flawless routine.

Notable Achievements

Olympic Successes

The pommel horse event has produced several standout performers across Olympic history, with British gymnast emerging as one of the most decorated, securing medals in 2016 and 2020 alongside a bronze in 2012. Similarly, Soviet gymnast Boris Shakhlin achieved two golds in 1956 and 1960, contributing to his overall tally of 13 Olympic medals. Among nations, the has claimed 5 gold medals, underscoring their historical prowess, while follows with 5 golds, including victories by Zoltán Magyar in 1976 and 1980. In the most recent Olympics at Paris 2024, Ireland's captured gold with a score of 15.533, marking the nation's first in , followed by silver for Kazakhstan's Nariman Kurbanov (15.300) and bronze for the ' Stephen Nedoroscik (15.266). Post-2000, Eastern European countries have exerted increasing dominance, securing a majority of medals through consistent high-level performances from athletes in , , and neighboring nations, though the marked a breakthrough in 2024 with Nedoroscik's podium finish—the first American pommel horse medal since 2016. Notable routines include Whitlock's near-perfect 2016 performance in Rio, scored at 15.966 for its exceptional difficulty and execution, and McClenaghan's 2024 flair-heavy set in , emphasizing dynamic circles and travels that highlighted his world-class amplitude. The event has been contested across 26 Summer Olympics since its debut in 1896 (excluding 1900, 1908, 1912, and 1920), spanning from to in the modern era, with occasional ties for medals—such as the shared gold in between Shakhlin and Finland's Eugen Ekman—and rare disqualifications due to apparatus or execution issues.

World Championship Highlights

The pommel horse event at the FIG Artistic Gymnastics World Championships has produced intense competitions and standout individual achievements since its inclusion in the inaugural men's program in 1950. In the 53rd edition in 2025, the discipline has highlighted technical innovation and endurance, with multiple medals often going to repeat performers who master complex combinations of circles, flairs, and travels. Among all-time leaders, Great Britain's stands out with three gold medals, showcasing his dominance through consistent high-difficulty routines featuring precise hand placements and amplitude. Hungary's Krisztián Berki and China's Xiao Qin each secured three golds, with Berki's victories emphasizing flawless execution in scissor elements and Qin's renowned for powerful Russian circles that set benchmarks in the early 2000s. leads as the dominant nation with 9 golds, followed by with 7, reflecting their systematic training approaches that prioritize apparatus specialization. Recent years have seen a surge in performances from emerging nations, particularly post-2020, with Ireland's emerging as a key figure through back-to-back titles and the gaining podium traction via specialists like Stephen Nedoroscik and . At the 2023 Championships in , McClenaghan claimed with a 15.100 score, highlighted by a seamless sequence of and travels that edged out the field despite strong challenges from American and Jordanian competitors; silver went to (USA) at 14.966, and bronze to Ahmad Abu Al-Soud (JOR) at 14.633. The 2025 edition in continued this momentum, where China's Hong Yanming captured gold with a 14.600, featuring an exceptional flair sequence that demonstrated superior rhythm and height; he prevailed over Armenia's Mamikon Khachatryan (also 14.600) via on execution score, while the U.S.'s Patrick Hoopes earned at 14.566. This result underscored evolving protocols emphasizing execution over difficulty in close contests, a trend that has influenced judging since refinements in the early 2020s.

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  43. https://www.olympics.com/en/athletes/qin-xiao
  44. https://www.nbcsports.com/olympics/news/gymnastics-world-championships-results-2023
  45. https://www.olympics.com/en/news/artistic-gymnastics-world-championships-2023-rhys-mcclenaghan-pommel-horse-gold-khoi-young-silver
  46. https://www.youtube.com/watch?v=Z3ESxgOSf3w
  47. https://www.nbcsports.com/olympics/news/world-gymnastics-championships-results-2025
  48. https://www.youtube.com/watch?v=d-8OZ4iZYeg
  49. https://www.gymnastics.sport/site/events/results.php?idEvent=17810
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