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Powerwolf
View on WikipediaParts of this article (those related to 1.6 2020–present:/Tour) need to be updated. The reason given is: 2024 Tour is missing, 2025 Tour announcement missing. (January 2025) |
Powerwolf (often stylized in all caps) is a German power metal band founded in 2004[1] in Saarbrücken by members of Red Aim. The band consists of vocalist Karsten Brill as "Attila Dorn", lead guitarist Benjamin Buss as "Matthew Greywolf", bassist/rhythm guitarist David Vogt as "Charles Greywolf", keyboardist Christian Jost as "Falk Maria Schlegel" and drummer Roel van Helden. The group uses religious themes and images, contrary to traditional power metal music, as well as corpse paint, gothic-tinged compositions and songs about werewolf and vampire legends.
Key Information
They released their debut album, Return in Bloodred, in 2005. Their second album, Lupus Dei, was released in 2007. The band entered the official German charts for the first time in 2009 with their third album, Bible of the Beast. Shortly after its release, their first drummer Stefan Gemballa (stage name Stéfane Funèbre) left the band. He was replaced by Tom Diener, who was replaced in 2011 by Roel van Helden. In the same year, the band released their fourth album, Blood of the Saints. In 2012, Powerwolf signed with Napalm Records and released Preachers of the Night in 2013. It has debuted at No. 1 in Germany. Their sixth album, Blessed & Possessed, released in 2015, was certified gold in the Czech Republic. Their seventh album, The Sacrament of Sin, was released in 2018. Their eighth album, Call of the Wild, was released in 2021. Their ninth album, Interludium, was released in 2023. Their tenth album, Wake Up the Wicked, was released in 2024.
Powerwolf has embarked on several tours, with a majority of their tour dates taking place inside of Europe. They also change their costumes for every album. Over the years, a theme has developed which personifies the band members as werewolves, leading fans to refer to the band affectionately as "The Wolves".
History
[edit]2004–2009: Formation and first albums
[edit]
Powerwolf was formed in 2004 by the members of the stoner rock band Red Aim.[2] When the band was founded, the members decided to take on pseudonyms and build up backstories around those.[3]
Officially, the brothers Charles and Matthew Greywolf had been playing together for years when they decided to create a band, and so Powerwolf was started. Soon the brothers added German drummer Stéfane Funèbre and German keyboardist Falk Maria Schlegel to the band, but could not find a suitable singer to complete the line-up. In the meantime, the band started writing, and on holidays in Romania, Charles and Matthew met Attila Dorn in a pub and invited him to join their band.[4] Dorn, a student of classical opera at the academy in Bucharest,[4] moved to the band's hometown Saarbrücken, and became the frontman of Powerwolf. With Dorn's love of Romanian werewolf legends, the band created their debut album, Return in Bloodred, which used these same legends as the basis for many of the lyrics. After the album's release, Powerwolf went on their first tour titled Europe in Bloodred Tour.[5]
In 2007, they followed up with their second album, Lupus Dei, a concept album starring a wolf as the main character and his rise from bloodlust to enlightenment.[6][7] Powerwolf supported Grave Digger during their tour.[8]
In 2008, Powerwolf released their first video album The Wacken Worship. It contained live footage of their show at Wacken Open Air 2008.[9] In the same year, they went on a Metal is our Mission Tour together with Brainstorm and Pagan's Mind.[10]
The single "Raise Your Fist, Evangelist" was released on 19 March 2009.[11] Powerwolf's third album Bible of the Beast was released on 24 April 2009. The record was able to place as the band's first album in the German charts and reached number 76.[12] They embarked on a tour supporting the album in 2010.[13] "Raise Your Fist, Evangelist" was nominated for the Metal Hammer "Metal Anthem 2010" award.[14]
2010–2011: Drummer change and Blood of the Saints
[edit]On 2 March 2010 Stéfane Funèbre left the band and was replaced by Tom Diener. Powerwolf announced it on their Myspace blog.[15] In November 2010, Powerwolf organist Falk Maria Schlegel stated about the group's new material:[16]
We spent the last three months in the rehearsal room working out stuff for the new album. Even though it's still in the making, we can already promise the songs are 100% POWERWOLF, taking off where Bible of the Beast ended. There's furious stuff, there's epic stuff — and all of it is catchy as hell.
On 28 May 2011 the band announced on their website that Tom Diener was replaced by a new drummer Roel van Helden from the Netherlands.[17]
The band released the single "Sanctified with Dynamite" on 24 May 2011 and the second one on 5 July 2011 titled "We Drink Your Blood", to which Powerwolf recorded their first ever music video. It was shot in an ancient monastery church. Falk Maria Schlegel commented that "Shooting the video in such a special and atmospheric place was incredible. The combination of the sacral interior of the church, including altar, confessional box and a church organ with a lot of fire, fog and metal insanity was the perfect set for a Powerwolf video."
Their fourth album, titled Blood of the Saints, was released on 29 July 2011 in Europe and 2 August in the United States.
In September 2011, Powerwolf went on a quadruple headline tour with Sabaton, Grave Digger and Skull Fist.[18]
2012–2013: Debut with Napalm Records
[edit]
In 2012, Powerwolf released two albums. The first was the Wolfsnächte 2012 Tour EP,[19] a split EP with Mystic Prophecy, Stormwarrior, and Lonewolf. This EP featured a previously unreleased Powerwolf track, "Living on a Nightmare". Copies of this EP were originally distributed along with the purchase of tickets to Powerwolf's Wolfsnächte Tour 2012[20] but since the tour's conclusion, copies have been available in the Powerwolf webstore.
The second of Powerwolf's 2012 releases was Alive in the Night, the band's first live album. It contained 10 tracks and was just over 45 minutes in length. It was released with the April 2012 issue of the German edition of Metal Hammer.[21]
On 13 August 2012, Powerwolf signed a deal with Napalm Records.[22] Powerwolf released their EP The Rockhard Sacrament on 22 June 2013. The band also released their single "Amen & Attack" on 28 June 2013.[23]
Preachers of the Night was released on 18 July 2013. The album entered the official German album charts at position 1.[24]
2014–2016: Blessed & Possessed
[edit]
In 2014, Powerwolf released The History of Heresy I and The History of Heresy II, the second of which included several orchestral versions of Powerwolf songs.[25][26]
Powerwolf began working on their sixth album in June 2014.[27] They announced their new album on their Facebook page on 5 December 2014. On 8 May 2015, the band released their single "Army of the Night" and "Armata Strigoi" on 5 June 2015. Their new album Blessed & Possessed, which was released on 17 July 2015.[28] They embarked on a tour supporting the album into 2016.[29]
Boxset and earbook editions of the album featured a bonus CD Metallum Nostrum, which contains 10 songs of different artists that Powerwolf's band members selected to cover, such as Judas Priest, Running Wild, Savatage, Chroming Rose, Gary Moore, Ozzy Osbourne, Amon Amarth, Iron Maiden and Black Sabbath.[30]
Powerwolf released their second video album The Metal Mass – Live on 27 July 2016 in Japan and 29 July 2016 in Europe. It contained live footage of three shows: Masters of Rock 2015, Summer Breeze 2015, Wolfsnächte Tour 2015, music videos to "Amen & Attack", "Army of the Night", "We Drink Your Blood" and "Sanctified with Dynamite", a festival documentation "A Day At Summer Breeze" and a tour documentation movie "Kreuzweg – Of Wolves And Men".[citation needed]
2017–2019: The Sacrament of Sin
[edit]
On 10 October 2017, Powerwolf announced on Facebook that they had completed writing for their seventh full-length album, promising its release to occur sometime in 2018. In January 2018, the band entered the studio to begin recording the album, due later in the year.[31] The title of the album was later announced as The Sacrament of Sin, which was released on 20 July 2018.[32] It was Jens Bogren's first production work for Powerwolf. The album was rated positively by the critics, highlighting mainly the new elements that Powerwolf put in the music. The album also flourished commercially, ranked first in the German charts, and also ranked in several other countries. On 14 September 2018, the album won a German Metal Hammer "Best album of the year" award.[33]
A limited edition mediabook version of The Sacrament of Sin featured a second disc named Communio Lupatum, which featured Powerwolf songs covered by other artists selected by the band members, such as Epica, Saltatio Mortis, Caliban, Battle Beast, Heaven Shall Burn, Kadavar, Kissin' Dynamite, Mille Petrozza, Marc Görtz, Amaranthe and Eluveitie.[34]
In support of the album, the band performed in Europe during 2018 and 2019.[35][36]
On 11 January 2019, Powerwolf re-released their cover album Metallum Nostrum.[37]
On 1 November 2019, the band released their single of their re-written and re-recorded version of "Kiss of the Cobra King".[38][39]
2020–present: Call of the Wild, Interludium and Wake Up the Wicked
[edit]In 2020, Powerwolf went on their first Latin America tour along with Amon Amarth.[40][41] They had to cancel the last three concerts due to the COVID-19 pandemic.[42]
On 16 January 2020, Powerwolf announced their greatest hits album titled Best of the Blessed.[43][44] Initially set to be released on 5 June 2020, it was later scheduled to be released on 3 July 2020.[citation needed]

On 28 April 2020, Powerwolf announced work on a new studio album, to be released in 2021.[45][46][47]
On 19 January 2021, Powerwolf announced their new album would be named Call of the Wild.[48] Later on 20 May 2021, the first song of the album, "Beast of Gévaudan", was released.[49] On 9 June 2021, a re-recorded version of "Demons Are a Girl's Best Friend" featuring Alissa White-Gluz on vocals (from Missa Cantorem, the bonus cover album included with various special formats of Call of the Wild) was released.[50] On 23 June, the band released another new song of their new album called "Dancing with the Dead".[51]
On 16 July 2021, Call of the Wild, the band's eighth album, was released.[52]
On 4 October 2022, the band announced that they were set to perform their first North American shows in New York City and Montreal in February 2023.[53] On 28 November, Powerwolf announced that their ninth studio album, Interludium, would be released on 7 April 2023.[54] On 4 April 2024, Powerwolf announced that their tenth studio album, Wake Up the Wicked, was set for release on 26 July 2024.[55]
Artistry
[edit]Musical style and lyrics
[edit]Powerwolf's sound has primarily been described as power metal[56][57][58][59][60] and traditional heavy metal.[61][62]
Powerwolf's musical style is different from other power metal bands.[63] In addition to the classic metal instruments, organ sounds are used. For the studio albums, a church choir was recorded.[64] The band states that their main influences are Black Sabbath, Mercyful Fate, Forbidden and Iron Maiden.[65]
The dominant language of the lyrics is English, but they also use Latin ("Werewolves of Armenia", "Lupus Dei", "Kreuzfeuer", "Stossgebet", "Sanctus Dominus"), and rarely German ("Moscow After Dark", "We Take the Church by Storm", "Werewolves of Armenia", "Kreuzfeuer", "Amen & Attack", "Stossgebet", "Glaubenskraft"). The lyrics of the band are characterized by the treatment of Christianity and ancient Romanian legends. Powerwolf, however, do not consider themselves a religious band, but rather call themselves spiritual.[66] When asked if he was a Christian or a Satanist, Matthew Greywolf answered: "I am a metalist, a metal fan. Metal is my religion. Look at all these people, what unites them? I can tell you, it's the fucking metal."[67] In one of the interviews, Matthew is quoted saying:[67]
Some people are confused because we never make a point of saying the silly words of which side we are on. A lot of people ask us, "Are you Satanists? Are you Christians?" And we never say anything about that, and we never will, because in what we do in Powerwolf, it's not important what we as individuals believe or stand for. We sometimes describe religious history, we sometimes write about Satanism, Catholicism, or whatever, but we never judge anything. I think on one side, this is confusing people, but on the other side, a lot of people do understand that we only describe or write lyrics about something, not to deliver a message.
Live performances
[edit]Audience engagement, and pyrotechnics are important parts of Powerwolf's stage show.[68][69] The vocalist Attila Dorn often speaks directly to the audience and engages them in various activities, such as singing or shouting, before announcing the next song.[70] The band calls their concerts a "heavy metal mass".[71] Their stage setup was designed by Matthew Greywolf.[63]
Band members
[edit]Current
[edit]- Benjamin "Matthew Greywolf" Buss – lead guitar (2004–present)
- David "Charles Greywolf" Vogt – bass, rhythm guitar (2004–present)
- Christian "Falk Maria Schlegel" Jost – keyboards (2004–present)
- Karsten "Attila Dorn" Brill – vocals (2004–present)
- Roel van Helden – drums (2011–present)
Live
[edit]- Markus Pohl – lead guitar (2016–present)
- Fabian Schwarz – lead guitar (2012)
Former
[edit]- Stefan "Stéfane Funèbre" Gemballa – drums (2004–2010)
- Tom Diener – drums (2010–2011)
Timeline
[edit]
Discography
[edit]- Return in Bloodred (2005)
- Lupus Dei (2007)
- Bible of the Beast (2009)
- Blood of the Saints (2011)
- Preachers of the Night (2013)
- Blessed & Possessed (2015)
- The Sacrament of Sin (2018)
- Call of the Wild (2021)
- Interludium (2023)
- Wake Up the Wicked (2024)
Tours
[edit]- Europe in Bloodred Tour 2005 (2005)[5]
- Grave Digger Tour 2007 (with Grave Digger) (2007)[8]
- Metal is our Mission Tour 2008 (with Brainstorm and Pagan's Mind) (2008)[10]
- Bible of the Beast Tour 2010 (2010)[13]
- Power of Metal Tour 2011 (with Sabaton, Grave Digger, and Skull Fist) (2011)[18]
- Wolfsnächte Tour 2012 (with Mystic Prophecy, Stormwarrior, and Lonewolf) (2011–2012)[72]
- Wolfsnächte Tour 2013 (with Majesty, Battle Beast, Ashes of Ares, and Wisdom) (2013)[73]
- Wolfsnächte Tour 2015 (with Orden Ogan, Xandria, and Civil War) (2015)[74]
- Blessed & Possessed Tour 2016 (with Battle Beast and Serenity) (2016)[29]
- Wolfsnächte Tour 2018 (with Amaranthe and Kissin' Dynamite) (2018)[75]
- The Sacrament of Sin Tour 2019 (with Gloryhammer) (2019)[76][77]
- Berserker Latin America '20 (with Amon Amarth) (2020)[40][41]
- Wolfsnächte Tour 2022 (with DragonForce and Warkings) (2022)[78]
- North American Tour 2023 (2023) [79]
- North American Tour 2024 (with Unleash the Archers) (2024)[80]
- Wolfsnächte Tour 2024 (with Hammerfall & Wind Rose) (2024)[81]
- Latin American Crusade 2025 (2025)[82]
- Summer of the Wicked 2025 (some dates with Amaranthe & Dragonforce) (2025)[83]
- North American Tour 2025 (with Dragonforce) (2025)[84]
Awards and nominations
[edit]| Year | Nominee / work | Award | Result |
|---|---|---|---|
| 2010 | "Raise Your Fist, Evangelist" | Metal Hammer — Metal Anthem 2010[85][86] | Nominated |
| 2011 | Powerwolf | Metal Hammer — Newcomer of the year[87] | Won |
| Blood of the Saints | Metal Hammer — Power metal album of the year[88] | Won | |
| 2013 | Powerwolf | Metal Hammer — Best German band | Nominated[citation needed] |
| Metal Hammer — Best Live Band | Nominated[citation needed] | ||
| 2014 | Metal Hammer — Best German band | Nominated[citation needed] | |
| Metal Hammer — Best Live Band | Nominated[citation needed] | ||
| 2015 | Metal Hammer — Best German band[89] | Won | |
| 2016 | Metal Hammer — Best Live Band | Nominated[citation needed] | |
| 2017 | Metal Hammer — Best Live Band | Nominated[citation needed] | |
| 2018 | The Sacrament of Sin | Metal Hammer — Best album of the year[90] | Won |
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External links
[edit]Powerwolf
View on GrokipediaHistory
Formation and early releases (2004–2009)
Powerwolf was formed in 2004 in Saarbrücken, Germany, by guitarists Matthew Greywolf (real name Benjamin Buss) and Charles Greywolf (real name David Vogt), who had previously played together in the band Red Aim and sought to create a power metal project incorporating gothic and religious themes.[5][7] The duo, who are not actual brothers but adopted the Greywolf pseudonym to evoke a pack-like unity, began writing material influenced by 1980s heavy metal acts such as Savatage, Black Sabbath, and Mercyful Fate, aiming for a dark, theatrical sound distinct from mainstream German power metal.[8][9] The lineup was completed in 2003–2004 with the recruitment of vocalist Attila Dorn (real name Karsten Brill), whom the Greywolf brothers met serendipitously during a trip to Romania; after an audition in Germany, he joined for his operatic vocal style that fit their ecclesiastical motifs.[8] Keyboardist Falk Maria Schlegel (real name Christian) and drummer Stéfane Funèbre (real name Stefan Gemballa) rounded out the original quintet, with Schlegel's organ work adding a gothic, church-like atmosphere to the music.[7] The band secured a deal with Metal Blade Records in 2005, leading to the release of their debut album Return in Bloodred on April 4, 2005, recorded at Studio Fredman in Sweden with producer Fredrik Nordström; the album introduced their blend of aggressive riffs, soaring choruses, and horror-inspired lyrics.[10] Following the debut, Powerwolf issued their second album, Lupus Dei (Latin for "Wolf of God"), on May 7, 2007, also via Metal Blade Records, which solidified their signature werewolf and religious imagery through tracks like "We Are the Wild" and "Satan's Soldier," earning critical praise for its conceptual depth and anthemic hooks.[11][12] The album's release marked a step forward in production quality and thematic cohesion, establishing the band's motifs of lycanthropy intertwined with Catholic ritual aesthetics. Their third album, Bible of the Beast, followed on April 24, 2009, via Metal Blade Records, further developing their gothic power metal sound and debuting at No. 76 on the German Media Control charts, marking their first chart entry.[13] In support, they embarked on their first headlining tour, the Europe in Bloodred Tour in 2005, followed by festival appearances such as Rock-Well Festival and Holzstock Festival that year, gradually building a dedicated cult following across Europe through energetic performances blending metal aggression with dramatic staging.[14] By 2008, they had progressed to major events like Wacken Open Air, where their live sets showcased the growing intensity of their shows and fan engagement.[15]Lineup changes and Blood of the Saints (2010–2011)
In March 2010, Powerwolf's original drummer, Stéfane Funèbre (real name Stefan Gemballa), departed the band to focus on his increasing religious commitments.[16] The group quickly announced Tom Diener as his replacement, who handled live drumming duties throughout the year.[17] By late 2010, Diener exited due to personal and musical differences, prompting another transition just before the recording of the band's fourth studio album.[18] Dutch drummer Roel van Helden joined as a studio replacement, arriving only three days prior to sessions at Studio Fredman in Gothenburg, Sweden; despite the short preparation, the band praised his immediate fit, stating, "when he hit his drums for the first time in studio we knew he was the perfect wolf for the job."[18] Van Helden's contributions extended to live performances shortly after, solidifying his role as the permanent drummer by mid-2011.[19] Powerwolf recorded Blood of the Saints across multiple locations, including a 12th-century chapel for choir elements and a French chapel for organ sounds, emphasizing their theatrical heavy metal style with orchestral flourishes.[18] Released on July 29, 2011, via Metal Blade Records, the album featured standout tracks like "We Drink Your Blood" and "Sanctified with Dynamite," blending aggressive riffs with gothic atmospheres.[19] It marked a commercial breakthrough, debuting at No. 23 on the German Media Control charts.[20] To promote the release, Powerwolf embarked on extensive European tours, including the Power of Metal tour in September 2011 alongside Sabaton, Grave Digger, and S.K.I.L.L.E.T., which showcased their evolving live energy with the new lineup.[18]Transition to Napalm Records (2012–2013)
In August 2012, Powerwolf signed a deal with Napalm Records, marking a significant shift that provided the band with enhanced promotional support and production capabilities compared to their previous label arrangements. This partnership allowed for a more robust rollout of their material, including access to Napalm's established network in the metal scene, which facilitated better distribution and marketing resources.[21] The band's fifth studio album under the new label, Preachers of the Night, was released on July 19, 2013, and featured a polished sound that highlighted their symphonic power metal style with orchestral elements and soaring choruses. Recorded at the Studio Fredman in Gothenburg, Sweden, the album benefited from high-quality production that amplified its epic scope and catchiness, as noted in contemporary reviews praising its clarity and intensity. It debuted at number one on the German Albums Chart, Powerwolf's first chart-topping release, while also reaching number 23 in Switzerland and number 24 in Austria, signaling a commercial breakthrough and broader appeal. The lead single, "Amen & Attack," was accompanied by the band's first official music video, directed to showcase their theatrical imagery and garnering significant online attention.[22][23][24][25] Following the album's success, Powerwolf embarked on their Wolfsnächte Tour 2013, their largest European headlining run to date, spanning over 40 dates across the continent from September to November, with support acts including Majesty, Battle Beast, and Ashes of Ares. This tour solidified their live reputation, drawing larger crowds and contributing to the expansion of their fanbase through high-energy performances featuring elaborate stage setups. The period also saw increased media coverage, including features in outlets like Metal Hammer, further elevating their profile in the international metal community.[26]Blessed & Possessed era (2014–2016)
In 2015, Powerwolf released their sixth studio album, Blessed & Possessed, on July 17 through Napalm Records.[27] The album debuted at number 3 on the official German album charts and achieved gold status in the Czech Republic, marking a significant commercial milestone for the band.[28][29] Notable tracks included "Armata Strigoi," the lead single featuring aggressive riffs and choral elements, and "Christ & Combat," which blended symphonic power metal with the band's signature ecclesiastical themes.[27] During the supporting Wolfsnächte Tour 2015, the band recorded material for their live release The Metal Mass – Live, capturing performances from European shows, including one at Turbinenhalle in Oberhausen on October 2, 2015.[30] This double-DVD and live album set, featuring footage from festivals like Masters of Rock and Summer Breeze alongside the Oberhausen concert, was released on July 29, 2016, via Napalm Records, documenting the band's high-energy stage presence and elaborate production.[31] The era saw Powerwolf gain further recognition with the Metal Hammer Award for Best German Band in 2015, awarded at the ceremony in Berlin.[5] The band conducted extensive European touring, headlining arenas and festivals such as Wacken Open Air on August 1, 2015, where they delivered a set drawing from their catalog to enthusiastic crowds.[32] This period solidified their rising prominence in the power metal scene through consistent live performances and chart success.The Sacrament of Sin (2017–2019)
Powerwolf released their seventh studio album, The Sacrament of Sin, on July 20, 2018, through Napalm Records. The album debuted at number one on the German album charts, marking the band's second chart-topping release in their home country.[33] Conceptually, the record explores themes of religious sin, violence, and ecclesiastical imagery, presented through a loose narrative framework that blends gothic power metal with heightened dramatic flair.[34] It incorporates prominent symphonic elements, including orchestral swells and choral arrangements, which amplify the band's signature theatricality and distinguish it from prior works by emphasizing liturgical grandeur over raw aggression.[35] The production marked a significant innovation for Powerwolf, as it was their first collaboration with Swedish producer Jens Bogren at Fascination Street Studios in Örebro.[36] Bogren handled mixing, recording, and engineering, integrating the band's heavy riffs with sophisticated orchestration crafted by Joost van den Broek, who contributed additional choir scores and programming.[37] This partnership resulted in a polished sound that balanced Powerwolf's anthemic choruses—such as in tracks like "Killers with the Cross"—with cinematic depth, enhancing the album's evolution toward more elaborate, opera-like compositions.[38] Two singles preceded the full release: "Fire & Forgive" on June 22, 2018, which showcased melodic hooks and shredding guitars, and "Incense & Iron" on July 12, 2018, via a lyric video highlighting the record's iron-fisted thematic intensity. Following the album's launch, Powerwolf embarked on the Wolfsnächte Tour in October 2018, a European headlining run supported by Amaranthe and Kissin' Dynamite, spanning major cities from Warsaw to London and concluding on November 17 in Saarbrücken.[39] The tour promoted The Sacrament of Sin while incorporating its symphonic layers into live sets, furthering the band's theatrical progression through elaborate staging and fan rituals.[40] Earlier that year, they performed at Download Festival France on June 16, delivering a set that previewed new material amid a festival lineup featuring Opeth and Ozzy Osbourne, solidifying their status as a premier power metal act.Call of the Wild and beyond (2020–present)
The COVID-19 pandemic significantly impacted Powerwolf's activities in 2020, leading the band to adapt by organizing their first-ever streaming event, "The Monumental Mass: A Cinematic Metal Event," on December 17, 2021, which featured a theatrical performance with pyrotechnics, story chapters, and live elements broadcast globally to fans unable to attend in-person shows during lockdowns.[41] This virtual production, structured around themes of temptation, sin, confession, and forgiveness, served as a creative response to the restrictions, allowing the band to maintain connection with their audience through an elaborate cinematic format. The event was later released as a live album and video package in July 2022, capturing the essence of their stage spectacle. Powerwolf returned to studio work amid the challenges, releasing their eighth studio album, Call of the Wild, on July 9, 2021, via Napalm Records, which debuted at No. 2 on the German Albums Chart and included standout tracks like "Beast of Gévaudan," inspired by the legendary 18th-century French wolf attacks and blending orchestral elements with their signature power metal sound. The album's themes continued the band's exploration of folklore and religious motifs, with no major lineup changes occurring; drummer Roel van Helden, who joined in 2011, remained a core member throughout this period.[42] In April 2023, they issued the compilation Interludium, featuring four new studio tracks alongside rarities and orchestral versions, serving as a bridge between albums while highlighting their evolving catalog.[43] The band's momentum carried into 2024 with the release of their ninth studio album, Wake Up the Wicked, on July 26 via Napalm Records, which topped the German Albums Chart for their fourth No. 1 entry and delved into themes of resurrection and spiritual awakening, exemplified by tracks like "Sermon of Swords," a rallying cry invoking messianic fire and pyres in a crusade-like narrative.[44] Supporting the album, Powerwolf embarked on extensive touring, including a North American headline run in late 2025 alongside DragonForce and a massive European "Wake Up the Wicked Tour" in 2026 with HammerFall and Wind Rose, spanning arenas across the continent.[45] Looking ahead, they announced the live album Wildlive (Live at Olympiahalle) for March 6, 2026, documenting a high-energy performance from their Olympiahalle show, complete with DVD and Blu-ray formats to showcase their theatrical live production.Artistry
Musical style and influences
Powerwolf's music is firmly rooted in the power metal genre, characterized by fast tempos, soaring melodies, and anthemic structures that emphasize epic songwriting and high-energy riffs.[46] The band's sound prominently features operatic vocals delivered by frontman Attila Dorn, which add a dramatic, theatrical flair reminiscent of classical opera integrated into heavy metal.[47] Keyboardist and organist Falk Maria Schlegel plays a central role through his use of Hammond organ and pipe organ sounds, creating orchestral layers that blend symphonic and gothic metal elements with traditional power metal instrumentation.[48] This orchestration often incorporates choirs and atmospheric sound effects to evoke a liturgical, church-like ambiance, enhancing the music's grandiose and ritualistic feel.[47] The band's influences draw heavily from classic heavy metal acts, including Iron Maiden for their melodic twin-guitar harmonies and storytelling approach, and Black Sabbath for foundational riffing and dark tones.[47] Additional inspirations include Mercyful Fate's occult-tinged heaviness, Savatage's theatrical orchestration, and Running Wild's pirate-themed adventure metal energy, all of which contribute to Powerwolf's fusion of aggression and melody.[47] Schlegel's organ work specifically reflects a nod to classical music traditions, evolving from authentic church organ recordings in early releases to the versatile Hammond organ in later productions, allowing for richer symphonic textures.[48] Over their career, Powerwolf's sound has evolved from the raw, aggressive edge of their debut album Return in Bloodred (2005), which focused on straightforward heavy metal intensity with minimal orchestration, to more layered symphonic arrangements in subsequent works.[49] This progression culminated in albums like The Sacrament of Sin (2018), where grandiose orchestral elements, full choirs, and polished production amplify the power metal core, creating a more cinematic and expansive atmosphere while retaining the genre's high-speed drive and vocal prowess.[49] This symphonic development continued in Call of the Wild (2021), incorporating more sonically experimental elements, and Wake Up the Wicked (2024), which pushed the band's sound outside their established comfort zone.[50][51]Lyrics, themes, and imagery
Powerwolf's lyrics revolve around recurring motifs of lycanthropy, vampirism, and religious ecstasy, frequently satirizing Catholic rituals while intertwining them with occult horror. Werewolves often symbolize divine or damned figures, as seen in the title track of their 2007 album Lupus Dei, which invokes the concept of a "wolf god" blending lupine transformation with biblical undertones. Vampires and ecclesiastical ceremonies appear as vehicles for exploring sin, redemption, and supernatural predation, with songs like "We Drink Your Blood" portraying ritualistic bloodlust as a perverse sacrament. This fusion of faith and monstrosity, summed up in the band's mantra "Metal is religion," creates a theatrical commentary on zealotry and the macabre.[1][52] The band constructs a fictional lore through stage pseudonyms, presenting themselves as an immortal pack led by the vampire-like Attila Dorn alongside the werewolf brothers Matthew and Charles Greywolf. This narrative frames Powerwolf as eternal predators—cursed warriors and priests—who enact "sacred masses" via their music, turning albums into chapters of a mythic saga. Visual imagery extends this universe through album artwork by Hungarian illustrator Zsofia Dankova, whose gothic illustrations depict snarling wolves amid cathedrals, crucifixes, and shadowy rites, as on the cover of Call of the Wild.[52][53] Lyrics are composed primarily in English for accessibility, but incorporate Latin phrases to heighten the ritualistic tone, such as "Venatum in celis infernos sacramentis" from "Fist by Fist (Sacralize or Strike)," evoking hunted souls in infernal heavens. Early works lean into direct horror narratives, while later albums evolve toward grander, hymn-like structures with choral refrains, amplifying the epic scale of their pseudo-religious battles without abandoning the core satirical edge.[54]Live performances and stage production
Powerwolf's live performances are distinguished by their grandiose theatricality, blending power metal energy with gothic religious motifs to evoke a "heavy metal mass." The stage production typically features a cathedral-like backdrop, enhanced by massive LED walls displaying dynamic visuals such as prowling wolves and atmospheric effects like falling snow, creating an immersive environment that draws audiences into the band's fictional werewolf priesthood lore. Synchronized lighting and video projections amplify the high-energy delivery, with the production scaling up for arenas following the band's transition to larger venues around 2015, allowing for more expansive setups without losing the ritualistic intimacy.[55][56][57] Central to the shows are signature elements that heighten the spectacle, including a fire-breathing church organ manned by keyboardist Falk Maria Schlegel, thunderous pyrotechnics that erupt during song climaxes, and dramatic interludes involving actors as torch-bearing monks who interact with the band on stage. Frontman Attila Dorn, clad in priest-like robes and corpse paint, commands the proceedings with operetta-style storytelling, while confetti cannons unleash barrages during anthemic "hymns" like "Amen & Attack" to celebrate crowd fervor. These pyrotechnic and visual flourishes, combined with choreographed elements such as staging Schlegel being tied to a stake or dramatically "burned," underscore the band's commitment to cinematic excess.[58][59][60] The setlist structure emulates a church service, divided into thematic chapters—such as Temptation, Sin, Confession, and Forgiveness in performances like The Monumental Mass—with songs framed as sacred rituals and transitional "sermons" delivered by Dorn to rally the audience. This format promotes intense fan engagement, as the "Wolfpack" of devotees participates in synchronized chants and call-and-response sections, fostering a communal atmosphere akin to a revival. Merchandise incorporating the band's lore, including wolf-themed apparel and accessories, further ties fans into the performative narrative, encouraging cosplay that mirrors the onstage theatrics.[57][61][62]Band members
Current members
The current lineup of Powerwolf consists of five core members who have been instrumental in shaping the band's signature sound since the mid-2000s. Attila Dorn (Karsten Brill) – lead vocals since 2005. Known for his powerful operatic baritone-to-tenor range that blends theatrical flair with heavy metal intensity, Dorn's vocal style has become a hallmark of the band's gothic power metal aesthetic.[1][63][3] Matthew Greywolf (Benjamin Buss) – lead guitar since 2004; primary songwriter. As one of the band's founders, Greywolf handles the majority of the songwriting, crafting intricate riffs and melodies influenced by classic heavy metal acts.[1][64][65] Charles Greywolf (David Vogt) – bass and rhythm guitar since 2004. The other founding member alongside Greywolf, he provides the rhythmic foundation with his dual role on bass and guitar, contributing to the band's tight, symphonic arrangements.[1][3] Falk Maria Schlegel (Christian Jost) – keyboards and organ since 2005. Schlegel's atmospheric keyboard work adds a cinematic, ecclesiastical layer to Powerwolf's music, enhancing their themes of mysticism and grandeur.[1][66][67] Roel van Helden – drums since 2011. The Dutch musician initially joined as a session drummer but has since become a full-time member, delivering precise and dynamic performances that drive the band's high-energy tracks.[1][42]Former members
Stéfane Funèbre, whose real name is Stefan Gemballa, was Powerwolf's founding drummer, performing with the band from its inception in 2005 until March 2010. He contributed drums and percussion to the group's first three studio albums: Return in Bloodred (2005), Lupus Dei (2007), and Bible of the Beast (2009).[17] Funèbre also co-wrote several tracks during his tenure, including contributions to the band's early songwriting efforts.[68] Funèbre's departure was announced on March 2, 2010, with the band stating it was an amicable split to allow him to pursue other opportunities.[17] He was immediately replaced by Tom Diener, a German session drummer who had previously toured with Powerwolf as a substitute. Diener served from March 2010 to December 2010, participating in the initial songwriting sessions for the band's fourth album, Blood of the Saints (2011).[69][17] The band parted ways with Diener during the pre-production phase of Blood of the Saints, citing creative differences in the songwriting process as the reason for the split.[69] Diener passed away in 2024, a loss mourned by his former bandmates.[70][71]Touring musicians
Powerwolf has utilized a small number of touring musicians over the years to fill in during absences or to augment their live sound, though the core lineup has handled the majority of performances since the band's formation. In May 2007, during a European tour, original drummer Stéfane Funèbre was hospitalized, prompting session drummer Max from the German band Syrach to serve as a one-night replacement for a show in Geiselwind, Germany.[72] From early 2009 to March 2010, Tom Diener acted as a temporary touring drummer for approximately 12 months while Funèbre faced personal challenges, prior to Diener's official integration into the band (later documented as a former member).[17] Additional guitar support has been provided on select tours to bolster the rhythm section. Fabian Schwarz joined as a live guitarist for performances in 2012, contributing to the band's stage dynamics during that year's outings.[1] Markus Pohl, guitarist from bands such as Mystic Prophecy, began touring with Powerwolf in 2016 as a replacement for lead guitarist Matthew Greywolf during the Blessed & Possessed tour, amid Greywolf's temporary absence. Pohl has since continued in a recurring touring capacity, handling rhythm guitar duties on major headline runs including the Wolfsnächte tours through 2024 and 2025.[1]Timeline
| Year | Event |
|---|---|
| 2004 | Band formed in Saarbrücken, Germany, by guitarists Matthew Greywolf and Charles Greywolf.[1] |
| 2005–2007 | Core lineup completed with the addition of vocalist Attila Dorn, keyboardist Falk Maria Schlegel, and drummer Stéfane Funèbre.[7] |
| March 2010 | Drummer Stéfane Funèbre departs the band and is replaced by Tom Diener.[17] |
| May 2011 | Drummer Tom Diener is replaced by Roel van Helden.[7] |
| 2011–present | The band's lineup has remained stable with no further changes.[3] |
Discography
Studio albums
Powerwolf's studio discography spans nine full-length albums, showcasing their evolution within the power metal genre from raw, thematic debuts to polished, chart-topping productions infused with gothic and religious imagery. The band's early releases were issued by Metal Blade Records, transitioning to Napalm Records starting with their fourth album, which marked their breakthrough in commercial charts, particularly in Germany where subsequent efforts consistently ranked in the top positions.[20][73] The following table summarizes the band's studio albums, including release dates, labels, and peak positions on the German Media Control charts where applicable:| Title | Release date | Label | German chart peak |
|---|---|---|---|
| Return in Bloodred | April 4, 2005 | Metal Blade Records | — |
| Lupus Dei | May 7, 2007 | Metal Blade Records | — |
| Bible of the Beast | April 24, 2009 | Metal Blade Records | 76 |
| Blood of the Saints | July 29, 2011 | Napalm Records | 18 |
| Preachers of the Night | July 19, 2013 | Napalm Records | 1 |
| Blessed & Possessed | July 17, 2015 | Napalm Records | 3 |
| The Sacrament of Sin | July 20, 2018 | Napalm Records | 1 |
| Call of the Wild | July 9, 2021 | Napalm Records | 2 |
| Wake Up the Wicked | July 26, 2024 | Napalm Records | 1 |
Live albums and videos
Powerwolf's live albums and videos emphasize the band's signature blend of theatricality, orchestral elements, and high-energy power metal performances, often captured during major tours and festivals. The band's debut major live release, The Metal Mass - Live, was issued on July 29, 2016, via Napalm Records in multiple formats including double DVD/CD, Blu-ray/CD, and vinyl.[31] This package compiles three complete concerts: the first at the Masters of Rock festival in Vizovice, Czech Republic, on July 11, 2015; the second at Summer Breeze Open Air in Dinkelsbühl, Germany, on August 14, 2015; and the third at Turbinenhalle in Oberhausen, Germany, on October 2, 2015.[31] The recording highlights the band's expanding stage show, featuring elaborate costumes, pyrotechnics, and a setlist spanning their early catalog, such as tracks from Blessed & Possessed and Preachers of the Night.[79] In 2021, Powerwolf presented The Monumental Mass: A Cinematic Metal Event, an innovative hybrid live-orchestral performance streamed globally on December 17, 2021, and subsequently released on physical and digital formats on July 8, 2022, by Napalm Records.[80] Conceived by guitarist Matthew Greywolf, the event integrated a full live band performance with a 60-piece orchestra and choir, filmed in a grand hall setting to evoke a cinematic spectacle, including a custom score and visual effects.[81] Available in editions like 2CD/DVD, Blu-ray, and vinyl box sets, it draws from albums such as The Sacrament of Sin and Call of the Wild, underscoring the band's evolution toward symphonic grandeur.[82] On June 5, 2025, Powerwolf announced Wildlive (Live at Olympiahalle), a multi-format live release set for February 27, 2026, via Napalm Records, encompassing CD, DVD, Blu-ray, and vinyl variants.[83] Captured during the sold-out finale of the Wolfsnächte Tour 2024 at Munich's Olympiahalle on an unspecified date in late 2024, the recording documents over two hours of material, including recent tracks from Wake Up the Wicked alongside fan favorites, with enhanced production elements like massive LED screens and fog effects.[84] A preview single, "Stossgebet (Live at Olympiahalle)," was released on September 15, 2025, highlighting the album's raw crowd interaction and technical prowess.[85] As of November 2025, additional live singles such as "Armata Strigoi (Live at Olympiahalle)" have been released to promote the album.[86]Singles and EPs
Powerwolf has issued several singles primarily to promote their studio albums, often featuring thematic music videos that align with the band's gothic and ecclesiastical imagery. These releases have contributed to their chart success in Germany and other European countries. One of the band's breakthrough singles, "Army of the Night", was released on May 8, 2015, as the lead single from the album Blessed & Possessed. The track, known for its anthemic chorus and orchestral elements, peaked at number 48 on the German Singles Chart.[87] "Fire & Forgive", issued in 2018 from The Sacrament of Sin, showcases the band's signature blend of power metal riffs and choral arrangements, serving as a key promotional track for the album's themes of redemption and conflict. In 2021, "Beast of Gévaudan" was released ahead of Call of the Wild, drawing inspiration from the historical legend of the Beast of Gévaudan; the single includes a dramatic video and reached number 13 on the German charts, highlighting the band's storytelling approach. The most recent single from Wake Up the Wicked, "Sinners of the Seven Seas", was released on May 17, 2024, emphasizing epic melodies and thematic depth in its production. The band has also released limited EPs, including The Rockhard Sacrament in 2013, a promotional EP tied to Preachers of the Night featuring live and alternate versions. In 2023, Interludium was issued as a hybrid release with new orchestral arrangements of select tracks and guest collaborations, functioning as an interlude between full albums.[88] For compilations, Best of the Blessed (2020) collects re-recorded versions of fan favorites like "We Drink Your Blood" alongside recent hits, presented in a deluxe edition with bonus live material to celebrate the band's career milestone.[89]Tours
Headlining tours
Powerwolf's headlining tours reflect the band's rising prominence in the power metal scene, progressing from intimate club venues in the mid-2000s to expansive arena productions accommodating over 10,000 attendees by the 2020s. Early outings, such as the Europe in Bloodred Tour in 2005, featured performances in smaller halls and clubs across Germany and neighboring countries, building a dedicated fanbase through high-energy sets centered on their debut album Return in Bloodred. By the late 2000s, tours like the 2008 Metal is Our Mission package had elevated their profile, but it was the band's self-led efforts that solidified their status as arena-ready headliners.[90][91] The 2011 tour supporting Blood of the Saints, spanning Europe with over 20 dates, marked Powerwolf's emergence as consistent headliners on the continent. Kicking off in spring with club and mid-sized venue shows in Germany, such as the Saarbangers Festival in Bexbach, the run extended through fall, including stops in Austria, Switzerland, and the Netherlands, where full sets emphasized tracks like "We Drink Your Blood" and "Sanctified with Dynamite." This European circuit, often themed around the album's ecclesiastical motifs, showcased elaborate stage setups with gothic props and choirs, drawing crowds that highlighted the band's theatrical appeal and contributing to their breakthrough in the metal underground.[92][93] In 2018–2019, the Wolfsnächte Tour and its follow-up, The Sacrament of Sin Tour, represented a leap to arena-scale productions across Europe, with venues like Berlin's Columbiahalle and London's O2 Academy Brixton hosting near-capacity crowds. The 2018 leg, launching in October with 20+ dates through Poland, Germany, the UK, and France, featured pyrotechnics, wolf-themed visuals, and a 90-minute setlist blending classics with new material from The Sacrament of Sin, achieving near sell-outs that underscored Powerwolf's growing international draw. Extending into 2019 with another European run of similar scope, including dates in Spain, Italy, and Eastern Europe, the tours emphasized the band's signature "heavy metal mass" concept, solidifying their reputation for immersive live spectacles in halls exceeding 5,000 capacity.[39][94] The Call of the Wild Tour era (2022–2023) expanded Powerwolf's reach to North America for the first time as headliners, following European success. The 2022 Wolfsnächte leg across Germany, the UK, and Scandinavia played to arenas like Munich's Olympiahalle, promoting the 2021 album with hits such as "Beast of Gévaudan," and drew enthusiastic responses amid post-pandemic recovery. In 2023, the North American headline run debuted with sold-out shows at New York's Palladium Times Square (capacity ~2,500) and Montreal's MTELUS, extending to six cities including Los Angeles, where elaborate productions and fan chants created electric atmospheres, marking a pivotal expansion beyond Europe.[95][96] Powerwolf's ongoing Wake Up the Wicked Tour (2024–2026) encompasses their largest headlining efforts yet, blending European and North American dates with arena-level ambition. The tour also included a North American leg in August–September 2024 with support from Unleash the Archers, covering 12 dates from Los Angeles to Laval, Quebec.[97] Launching in fall 2024 as the Wolfsnächte Tour with support from HammerFall and Wind Rose, it visited major German venues like Hamburg's Barclays Arena (16,000 capacity) and Prague's O2 Arena, featuring new tracks from the 2024 album Wake Up the Wicked alongside pyrotechnic rituals and a 19-song set. The 2025 North American segment, including September dates at Seattle's Paramount Theatre and Vancouver's Queen Elizabeth Theatre, continued the momentum with special guest DragonForce, while the 2026 European finale promises even grander scales, such as London's Wembley Arena (12,500 capacity), affirming the band's evolution into global metal titans.[98][99][100]Festival appearances and support slots
Powerwolf has maintained a strong presence at major European metal festivals since their early career, with regular appearances at events such as Wacken Open Air, where they first performed in 2008 and released live footage from the show as part of their video album The Wacken Worship.[101] Subsequent performances at Wacken included headline slots in 2019 and 2022, solidifying their status as a recurring act at the festival.[102] Similarly, the band has been a fixture at Summer Breeze Open Air, delivering notable sets in 2015, 2018, and a groundbreaking 2023 headline performance that incorporated augmented reality elements for songs like "Incense & Iron" and "Amen & Attack," broadcast via ARTE Concert.[103] At Download Festival, Powerwolf played the UK edition in 2022 and the French counterpart in 2018, both times drawing large crowds with their theatrical live shows.[104] In their formative years, Powerwolf took on support slots to build their audience, including opening for German power metal band Grave Digger during European dates in 2007.[7] By 2025, their role had evolved significantly, with co-headlining festival appearances alongside DragonForce at North American events like Louder Than Life and Aftershock Festival, where both bands shared prominent billing on multi-act lineups.[105] The COVID-19 pandemic prompted adaptations in Powerwolf's live schedule, leading to virtual sets for streamed festivals between 2020 and 2021. A key example was their Monumental Mass: A Cinematic Metal Event in December 2021, a fully streamed production that featured elaborate staging, pyrotechnics, and performances of tracks from their album Call of the Wild, setting new benchmarks for online metal events.[106] This approach allowed the band to connect with global fans during restrictions, including contributions to hybrid festival broadcasts like Knock Out Festival in 2021.[107] In recent years, Powerwolf continued to expand their festival footprint, with standout appearances at Aftershock Festival in Sacramento, California, on October 4, 2025, closing out their North American run with a high-energy set on the main stage.[108] Their 2024–2025 schedule also encompassed extensive European summer runs under the "Summer of the Wicked 2025" banner, incorporating headline festival slots across the continent alongside dedicated shows in cities like Toulouse, Lyon, and Rostock.[109] These performances highlighted the band's growth from support roles to commanding positions at premier multi-act events.Awards and nominations
Metal Hammer Awards
Powerwolf has garnered recognition at the German Metal Hammer Awards, an annual ceremony honoring achievements in the metal genre, with wins in key categories highlighting their prominence in power metal. The band won Best German Band at the 2015 edition of the awards.[110][5] In 2018, their seventh studio album The Sacrament of Sin secured the Best Album award, beating nominees including Accept's The Rise of Chaos and Arch Enemy's Will to Power.[111][112] Powerwolf has also received nominations in other categories, including Best Live Act in 2016 and 2019, as well as Best Album for Blessed & Possessed in 2015.| Year | Category | Result | Notes |
|---|---|---|---|
| 2015 | Best German Band | Won | Nominees included Accept, Helloween, Gamma Ray, and Callejon.[113] |
| 2015 | Best Album (Blessed & Possessed) | Nominated | - |
| 2016 | Best Live Act | Nominated | - |
| 2018 | Best Album (The Sacrament of Sin) | Won | - |
| 2019 | Best Live Act | Nominated | - |
