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Quiff
Quiff
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Elly Jackson of La Roux wearing her hair in a quiff

The quiff is a hairstyle that combines the 1950s pompadour hairstyle, the 1950s flattop, and sometimes a mohawk. It was born as a post-war reaction to the short and strict haircuts for men. The hairstyle was a staple in the British Teddy Boy movement, but became popular again in Europe in the early 1980s and experienced a resurgence in popularity during the 1990s.[1]

Origin

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The etymology of the word "quiff" is uncertain, several proposals have been suggested for its origin.[citation needed] It may owe its origin to the French word coiffe, which can mean either a hairstyle or, going further back, the mail that knights wore over their heads and under their helmets.[citation needed] Another possible candidate for its origin is the Dutch word kuif, meaning "crest". The Dutch name for Tintin, who sports a quiff, is Kuifje, which is the diminutive of the same word.[citation needed]

Styles

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The modern-day quiff includes longer hair at the front of the head, receding into shorter hair at the back with a trimmed back and sides.[2] The Japanese punch perm, a favorite among yakuza (organized criminals) and bōsōzoku (biker gangs), is similar to the quiff.[citation needed]

See also

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References

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Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
The is a men's featuring a prominent section of at the front of the head that is combed upward and backward to form a voluminous, swept-back curl or lock, usually contrasted with shorter on the sides and back. First recorded around 1890, the term originally described a simple or curl over the , often associated with soldier styles, though its remains uncertain and may derive from a variant of "whiff" referring to a puff or curl. The quiff gained widespread cultural significance in post-World War II Britain as a hallmark of the Teddy Boy subculture, emerging in the early 1950s among working-class youth as a rebellious alternative to the strict, short military haircuts of the wartime era. This style typically incorporated heavy greasing with products like Brylcreem to achieve a slick, gravity-defying height at the front, often paired with a "duck's arse" (DA) formation at the back where the sides were combed to meet in a V-shape. Influenced by American rock 'n' roll music and zoot suit fashions following the 1955 release of Rock Around the Clock, the quiff symbolized youthful defiance against post-war austerity and became integral to the Edwardian-inspired drape suits and brothel creepers worn by Teddy Boys. It spread beyond Britain through rockabilly scenes, with icons like Elvis Presley and Bill Haley popularizing exaggerated versions in the mid-1950s, blending pompadour elements for a more dramatic pompadour-quiff hybrid. Over decades, the quiff evolved into versatile modern iterations, fading temporarily in the 1960s with the rise of mop-top and mod styles but reviving in the 1970s rockabilly revival and later psychobilly subcultures, where it often featured taller, more extreme volumes. In contemporary fashion, it remains a timeless option for men seeking a balance of structure and texture, with variations including the textured quiff (messy and layered for everyday wear), the disconnected quiff (with faded or undercut sides), and shorter adaptations for finer hair types. Notable wearers like Arctic Monkeys' Alex Turner have reinforced its enduring appeal across indie and streetwear scenes.

Historical Development

Early Influences

The term "quiff" for a hairstyle, referring to a curl or lock of hair brushed upward over the forehead, has an uncertain etymology but is often traced to the late 19th century, possibly deriving from the French word coiffe, which denotes a hairstyle or, historically, a protective headpiece like the mail worn by knights over their helmets. Another potential influence is the Dutch word kuif, meaning a tuft or crest of hair, which appears in cultural references such as the Belgian comic character Tintin, known as "Kuifje" in Dutch editions, a diminutive form evoking a small quiff that mirrors the character's distinctive forelock. These linguistic roots suggest early associations with elevated or prominent frontal hair arrangements in European contexts. Prior to the , the quiff drew structural inspiration from 18th-century European styles, particularly the pompadour, a women's named after Jeanne-Antoinette Poisson, (1721–1764), the influential mistress of King of , characterized by hair swept upward and piled high from the forehead to create volume and elevation. This swept-up frontal emphasis provided a foundational aesthetic precursor to later men's variations, emphasizing height and separation from the face. In the , military grooming trends further contributed to such precursors through short, neatly trimmed haircuts that prioritized uniformity and practicality, often featuring cropped tops that anticipated the flat, structured silhouette of the , as seen in evolving European and American armed forces regulations. In early 20th-century , subtle parallels to quiff-like crest formations appeared in illustrations and cultural motifs, including armor-inspired headwear that evoked tufted or raised crests reminiscent of historical knightly coiffs, though these remained more ornamental than widespread men's grooming practices. These elements, often depicted in artistic renderings of Edwardian or pre-war styles, highlighted a continued fascination with frontal without yet coalescing into a dominant .

1950s Emergence

The quiff emerged in the late 1940s and early as a post-World War II reaction against the rigid, short military haircuts enforced during the war, symbolizing youthful defiance, freedom, and a break from wartime austerity and uniformity. This style represented a broader shift toward individuality in the post-war recovery period, contrasting sharply with the practical, cropped looks that had dominated men's grooming amid and . In Britain, the quiff became a staple of the Teddy Boy movement starting around 1952, blending Edwardian-inspired elegance with the raw energy of emerging rock 'n' roll music to form the country's first distinct youth subculture. Teddy Boys, primarily working-class young men in urban areas like London, adopted the voluminous, greased-up quiff—often with sides slicked back into a "duck's arse"—as a marker of rebellion against social norms, pairing it with long drape jackets, narrow trousers, and velvet collars to project a flashy, defiant image. This subculture played a pivotal role in UK youth identity, fostering gatherings around American-imported rock 'n' roll records and jukeboxes while sparking moral panics over perceived delinquency and clashes with authorities. Across the Atlantic, the quiff evolved within American rockabilly culture as a direct extension of the pompadour style, popularized by icons like Elvis Presley and James Dean, with advancements in pomade products enabling its signature voluminous front sweep. Presley, whose greased quiff defined his breakthrough performances, and Dean, sporting a slicked-back version in the 1955 film Rebel Without a Cause, embodied the hairstyle's association with youthful rebellion and rock 'n' roll swagger, made possible by hold-providing creams like Brylcreem that offered shine and structure without the heaviness of earlier oils. These figures transformed the quiff into a symbol of post-war American cool, blending country and rhythm-and-blues influences into a look that challenged conservative grooming standards. The quiff's initial global spread occurred through music and film in the mid-1950s, with adoption accelerating in and the by 1955–1956 as Presley's hits and movies like Love Me Tender (1956) exported the style to international audiences. In Britain, American imports fueled Teddy Boy enthusiasm, while continental saw similar uptake among youth emulating Hollywood's rebellious archetypes, marking the hairstyle's peak as a transatlantic emblem of the era's cultural upheaval.

Later Revivals

In the 1970s, the quiff saw a revival amid the rockabilly craze, as bands and subcultures revisited 1950s styles, incorporating the voluminous front with greased-back elements in a nod to postwar rebellion. In the 1980s, the quiff experienced a revival within European punk and new wave subcultures, particularly in the UK and Germany, where it adapted into the psychobilly scene—a fusion of punk energy and rockabilly aesthetics. This iteration featured taller, sharper volumes with shaved sides or hybrid mohawk-pompadour elements, often accented by neon-colored streaks in green or red, contrasting the smoother, more structured 1950s original by embracing a shorter, messier, and deliberately rebellious styling achieved through gels and backcombing. Bands like The Meteors in the UK popularized this edgy take, pairing it with leather jackets and Dr. Martens, while the style echoed across German punk fashion circles as a symbol of anti-establishment flair. A notable example includes the 1984 blonde layered quiff with punk creative coloring, exemplifying the era's bold, textured experimentation. During the 1990s and 2000s, the quiff found renewed traction in indie and rock scenes, blending with emerging longer hair trends for a disheveled yet voluminous look. This period saw the style maintain relevance in rockabilly revival circles, where it paired with vintage elements like rolled jeans, bridging underground indie energy with broader alternative fashion. The 2010s and 2020s marked a significant modern comeback for the quiff, surging in hipster culture and among celebrities, with 2025 fashion reports highlighting its versatility across genders through textured, inclusive adaptations. Influenced by social media platforms like Instagram and TikTok, where barbers showcase tutorials for undercut and faded versions, the style evolved into a looser, tousled form popularized by figures such as Timothée Chalamet and Paul Mescal, balancing professional polish with casual vibe. This resurgence emphasized natural volume over rigidity, making it adaptable for wavy or thick hair in both men's and women's grooming routines. Driving these revivals were advancements in hair products, such as matte pomades and clays, which provided medium-hold texture without shine, enabling effortless modern styling from the onward. Cultural nostalgia cycles further fueled the trend, drawing from 1950s roots and subcultural histories to appeal in retro-inspired media and fashion, ensuring the quiff's cyclical popularity in contemporary grooming.

Description and Styles

Core Characteristics

The traditional quiff is characterized by longer hair on the top of the head, typically measuring 3 to 5 inches, which is swept upward and back from the to create prominent volume at the front, while the sides and back are kept shorter through or tapering for contrast. This structure emphasizes a lifted fringe that adds height and dimension without excessive bulk, blending elements of volume with a controlled . Key styling techniques involve applying or to provide hold and shine, followed by blow-drying the top with a round brush or Denman brush to lift and achieve the desired elevation. The is then combed or finger-styled backward for a textured, natural flow, distinguishing the quiff from the pompadour by its more moderate height and less exaggerated pomp. The quiff is best suited to straight or wavy hair types, as these textures hold and shape effectively during styling, though adaptations exist for thicker or finer with appropriate products. Visually, the "quiff" specifically refers to the front tuft of elevated , often incorporating a subtle flat-top influence at the crown for added structure and balance.

Variations

The classic rockabilly quiff represents a high-volume variation of the baseline style, featuring prominently slicked-back hair on top with a glossy shine achieved through heavy application, creating a structured, elevated pompadour effect. The disconnected quiff introduces a modern contrast by incorporating a fade or undercut on the sides and back, resulting in an abrupt transition to longer hair on top that allows for heightened volume and separation without blending into the shorter sections. A textured or messy quiff offers a looser adaptation with a matte finish, emphasizing natural movement and dishevelment through layering and texturizing products, which suits curly or thick by enhancing without rigidity. The modern textured quiff is particularly suitable for men with a flat occiput (flat back head) as it adds height and volume on top to create the illusion of a rounder head shape and fuller appearance, helping avoid a flat or bald look. Key styling tips include keeping the sides and back short or faded (high or mid fade) to emphasize top volume, growing longer hair on top (3-5 inches) for lift, applying volumizing products such as sea salt spray or volumizing mousse to damp hair for root lift, blow-drying upwards and backwards with fingers or a round brush while focusing on lifting roots at the crown and back to compensate for flatness, and finishing with matte clay or pomade for texture and hold by scrunching or twisting for a messy, modern look. Slicked-back styles should be avoided in favor of messy, voluminous texture to disguise flatness and add dimension. Women's quiff variants often feature shorter lengths or asymmetrical styling, such as a side-swept top with tapered sides to create a compact, edgy that complements medium-length while maintaining versatility across face shapes. In global adaptations, the Japanese punch perm is a similar featuring tight curls added to the top for added and hold, evoking a voluminous, structured look and providing enhanced grip for straight Asian hair types. Quiff styles adapt to various hair types for practicality; fine hair benefits from low-maintenance versions using volumizing sprays and shorter tops to simulate , while coarse or thick hair supports more voluminous builds with matte creams to control and define the height without heaviness.

Cultural and Social Significance

Subcultural Associations

The quiff emerged as a key symbol within the Teddy Boy of Britain, where it represented working-class youth's rebellion against and middle-class respectability. Emerging from unskilled young workers seeking inclusion in emerging consumer pleasures, the style—often a greased "DA" or quiff with voluminous front—paired with neo-Edwardian drape jackets to signify and defiance of societal norms. This challenged through its "eye-catching styles," viewed by critics as symbols of proletarian flash and delinquency, marking a shift toward individuality in society. In America, the quiff became emblematic of rock 'n' roll and subcultures, embodying defiance and anti-establishment attitudes amid rapid cultural changes. Working-class teens adopted the greased-back quiff alongside casual looks like and leather jackets, inspired by Hollywood rebels, to reject conservative pre-war styles and assert a new affluent identity. This , tied to music scenes featuring raw energy and grassroots sounds, symbolized a broader movement that fused , and R&B into rock 'n' roll, challenging mainstream norms through its association with rebellion and cultural innovation. During the 1980s, the quiff saw an ironic and edgy revival in punk scenes, particularly through —a fusion of and that subverted the original clean aesthetic for a DIY, horror-infused edge. Originating in late-1970s Britain and flourishing transnationally in the 1980s, participants sported exaggerated, often colored quiffs alongside tattoos and tattered clothing, blending punk's anti-consumerist ethos with rockabilly's retro flair to create a gritty, subversive style. This adoption reflected punk's DIY networks of and , transforming the quiff into a marker of alternative resistance against 1980s mainstream pop culture. In the and , the quiff associated with contemporary hipster and indie scenes, aligning with revivalism and urban trends that emphasized and non-conformity. Hipster style, mainstreamed from its alternative roots, incorporated retro elements like beards or , drawing from mid-century tailoring and for an androgynous, appeal seen in designers like under . This revival symbolized cyclical rebellion and creativity, as urban youth used the quiff to blur lines—evident in floral suits and eclectic layering—fostering a of amid social media-driven trends. Across eras, the quiff consistently signified non-conformity and creative defiance, recurring in youth movements as a visual emblem of resistance to dominant norms.

Notable Figures

Elvis Presley, the iconic rock 'n' roll singer of the , popularized the greased as a hallmark of the aesthetic, particularly evident in his role in the 1957 film Jailhouse Rock, where his voluminous, slicked-back style captured the rebellious energy of the era. His pompadour-inspired , achieved with heavy , influenced countless young men to adopt similar looks, symbolizing a break from conservative norms. Following his breakthrough in 1956, Presley's hairstyle sparked global youth trends, leading to controversies such as school suspensions for "Elvis haircuts" in the U.S., which underscored his role in driving mainstream adoption of edgy grooming among teenagers worldwide. James Dean, the brooding actor whose career peaked in the mid-1950s, epitomized teen through his tousled quiff in the 1955 film , where the disheveled, voluminous front added to his effortless rebel persona designed by costume supervisor Moss Mabry. This hairstyle, with its natural texture and slight messiness, contrasted the era's polished styles and became a blueprint for youthful nonconformity, inspiring generations of fans to emulate it as a marker of independence. In Britain, the Teddy Boy subculture of the 1950s embraced the quiff as a core element of their style, with figures like singer Tommy Steele serving as early adopters who brought the look to music halls and early rock 'n' roll performances. Steele, emerging in 1956 with hits like "Rock with the Caveman," sported a high, greased quiff that aligned with the Edwardian-inspired drape suits of Teddy Boys, helping propel the hairstyle into mainstream British youth culture through his energetic stage presence. In the 2010s, revived the quiff within , sporting a textured, voluminous version during his era that nodded to 1950s rock influences while fitting modern boy-band aesthetics. This sky-high quiff, often paired with his eclectic fashion, contributed to a retro revival, encouraging fans to experiment with height and volume in contemporary grooming. Similarly, Elly Jackson of the electro-pop duo adopted a gender-bending quiff in the late 2000s, her gravity-defying, androgynous style challenging norms and blending visuals with bold, architectural hair that influenced scenes.

References

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