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Ducktail
Ducktail
from Wikipedia
Duck's ass or D.A.

The ducktail is a men's haircut style popular during the 1950s. It is also called the duck's tail, duck's ass, duck's arse, or simply D.A. and is also described as slicked back hair.[1][2] The hair is pomaded (greased), combed back around the sides, and parted centrally down the back of the head.

History

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Joe Cirello, a barber from Philadelphia, said he had invented the duck's ass in 1940, and he called the swung hair sides and their termination 'The Swing', after the musical style of the day. He'd practiced on a lonely blind boy for about eighteen months.[3] The duck's tail became an emblematic coiffure of disaffected young males across the English-speaking world during the 1950s. In Britain, it formed part of the visual identity of teddy boys and rockers, along with the quiff and the elephant's trunk.

Combing technique

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The "duck's ass" style, with a pompadour

The style required that the hair be combed back around the sides of the head.[4][5][6] The teeth edge of a comb was then used to define a central parting running from the crown to the nape at the back of the head, resembling, to many, the rear end of a duck. The hair on the top front of the head was either deliberately disarrayed so that untidy strands hung down over the forehead, or combed up and then curled down into an 'elephant's trunk' which would hang down as far as the top of the nose. The sides were styled to resemble the folded wings of the duck.

A variant of the style, the Detroit, consisted of the long back and sides combined with a flattop. There is also a version involving a much shorter flat-top with long back and sides known as the Flat-Top Boogie or Flat-Top with Fenders. In California, the top hair was allowed to grow longer and combed into a wavelike pompadour shape known as a "breaker".

The ducktail hair style contributed to the term greasers: to accomplish this look, much pomade (hair grease) was required to hold the hair in place. This was still the era of hair creams, so it only required an increase in the amount to make hair remain in the desired style. Brands of grease used include Black & White, Sweet Georgia Brown, Royal Crown, and Murrays. On the West Coast of the US, pomades such as Dixie Peach or Brylcreem, and tonics such as Wildroot Cream-Oil were popular.

To ensure that the hair was just so, the wearer often touched up the D.A. many times during the day by running his greased comb through it. This led to a stylized means of handling the comb by drawing it out of the back pocket of a pair of jeans using the extended index and middle finger, and, holding it thus, running the comb through the two side "wings" of the style to adjust their shape.

Significance

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The D.A. quickly became a stereotypical feature of rebels, mobsters, and nonconformists, and gained popularity especially after the rise of rock 'n roll legend Elvis Presley, who sported the same look. Although the ducktail was adopted by Hollywood to represent the wild youth of the 1950s, only a minority of males actually sported a D.A., even amongst the British Rockers and Teddy Boys of the same era. The style became popular in India after film star Shammi Kapoor sported it. It is also associated with men of Mediterranean, Eastern European and/or Latin American descent, though in slightly different styles.

See also

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References

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Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
The ducktail is a men's hairstyle in which the hair on each side of the head is slicked back with pomade to meet in a central ridge or upturned point at the nape of the neck, resembling the tail feathers of a duck. Also known as the duck's ass, duck's arse, or simply the DA, it requires a center part created with a fine comb and heavy application of hair grease to maintain the shape. Emerging in the United States during the early 1940s, the ducktail gained widespread popularity in the 1950s as a hallmark of post-World War II youth culture and rebellion against conservative norms. It became closely associated with the greaser subculture, a working-class youth movement inspired by rock 'n' roll music, motorcycles, and films featuring icons like James Dean and Marlon Brando. Greasers favored the style for its slick, defiant appearance, often pairing it with leather jackets, blue jeans, and white T-shirts to embody a "bad boy" aesthetic that contrasted sharply with the era's mainstream crew cuts and flat tops. The hairstyle's cultural impact extended beyond , symbolizing non-conformity and social tension between teenagers and adults in the ; it was frequently criticized in media and schools as unkempt or disruptive, yet it influenced global trends, including the teddy boy look in Britain. Despite its peak in the mid-20th century, the ducktail has seen periodic revivals in , punk, and retro scenes, maintaining its status as an enduring emblem of mid-century masculinity and .

Description

Appearance

The ducktail hairstyle features a distinctive central parting at the of the , with from both sides combed and slicked backward to converge into an upturned, pointed extension that mimics the shape of a duck's . This rear-focused structure creates a , elongated silhouette at the back of the head, setting it apart from forward-emphasizing styles. The overall look relies on a slicked-back arrangement across the top and sides, held in place with to achieve a high-shine, glossy finish that ensures the remains immovable throughout the day. Hair length is typically medium to long on the top and sides to allow for the necessary volume and sweep, while the front is kept shorter for a clean, groomed edge that accentuates the backward flow. Primarily worn by men, the style projects a polished yet defiant aesthetic through its precise symmetry and bold rear point. The ducktail distinguishes itself with its emphasis on the rear parting and tail formation rather than voluminous forward elevation. Pomades, such as , contribute to the signature shine essential for maintaining this structured appearance.

Required Products

The ducktail hairstyle relies on oil-based pomades as the primary product to achieve its characteristic heavy hold and glossy shine, with popular 1950s options including for its medium hold and greasy texture, Dixie Peach for its light hold and jasmine-scented high shine, and for moderate hold suitable for thicker hair. These petroleum-based formulas were favored over water-based alternatives, which were less prevalent during the style's original era due to their inferior longevity and shine on slicked-back looks. Essential tools include a fine-toothed for precise parting, slicking, and shaping the tail, along with a to smooth the initially before application. In modern adaptations of the ducktail, a can optionally aid in setting the style on damp for added and durability. Application typically involves a generous amount of —roughly equivalent to 1-2 finger scoops or teaspoons—worked into towel-dried, damp to activate the product and ensure even distribution for the rigid structure. Due to the style's demand for unwavering hold throughout the day, reapplication of is often required daily, particularly in the morning for restyling. Maintenance emphasizes portability and minimal disruption, with practitioners commonly carrying a pocket comb for frequent touch-ups to preserve the slicked appearance. Oil-based pomades' resistance to further supports limited hair cleansing, as frequent shampooing can diminish the necessary buildup and shine, requiring touch-ups instead to sustain the ducktail's form.

History

Invention

The ducktail hairstyle originated in 1940 when Philadelphia barber Joe Cirello experimented with slicked-back hair configurations and styled the look on himself, resulting in the distinctive tapered rear formation resembling a duck's tail. Cirello, working in his South Philadelphia barbershop, is widely credited with inventing the style, often referred to as the "D.A." or duck's ass, through this personal innovation. The hairstyle's development was influenced by earlier pompadour styles that featured swept-back volume and shine achieved with pomade products. Early adopters of the ducktail were primarily local working-class men in cities such as and New York, where the style appealed to those seeking a bold yet practical appearance without widespread national attention at the time. Although no or formal recognition was pursued for the invention, Cirello earned enduring acknowledgment in barbering lore as the "father of the DA" for pioneering this enduring cut.

Rise to Popularity

The ducktail hairstyle reached its peak popularity in the mid- among American teenagers and young adults, becoming a hallmark of youthful defiance as rock 'n' roll music exploded onto the scene. By the early to mid-decade, it had become a common sight in high schools and urban streets, symbolizing a break from the conservative grooming norms of the post-World War II era. Its popularity was further boosted by media, including the 1956 rockabilly song "Ducktail" by Joe Clay and films featuring rebellious youth. Several key factors drove its rapid adoption, including the broader against societal , the widespread availability of affordable pomades and techniques for styling, and increased media exposure through and that glamorized rebellious looks. This surge was particularly pronounced among white working-class in the , who embraced the style as an accessible form of self-expression amid economic prosperity and cultural shifts, though it also gained traction among diverse urban groups seeking similar markers of identity. The hairstyle's influence extended beyond the U.S., spreading to through American cultural exports like rock 'n' roll and Hollywood films, where it integrated into subcultures such as Britain's . However, by the late and early 1960s, the ducktail began to wane in favor of emerging longer styles tied to and countercultural trends.

Styling Technique

Basic Method

The basic method for styling the classic ducktail hairstyle involves a structured process of preparation, combing, and setting to achieve the signature sleek sides and upturned tail at the . Begin with clean : wash it thoroughly and towel-dry until slightly damp, as this allows for better product distribution and hold. Apply a dime- or nickel-sized amount of oil-based to the palms, then rub hands together before distributing the product evenly from the roots to the ends, ensuring full coverage without excess to avoid greasiness. This step provides the necessary shine and control for the style, typically taking 1-2 minutes. Next, address the sides and crown: using a fine-tooth , sweep the straight back from the temples toward , pressing it flat against the scalp for a smooth, adhered appearance. This creates the foundational slicked-back look characteristic of the ducktail. At the of the neck, insert the comb horizontally into the hair and draw it upward to form a central split or ridge, allowing the combed sections from both sides to feather inward and converge at a pointed . The is then combed into an upturned shape, resembling a duck's , and held in place with the fingers while the sets naturally or under a hairdryer on low heat if needed. This combing and shaping phase generally requires 3-5 minutes of precise work. The entire daily routine for maintaining the ducktail typically spans 5-10 minutes, making it a high-maintenance style that demands consistent application to preserve its sharp contours throughout the day. Common errors include an uneven parting at the , which can result in asymmetry and a lopsided tail, often due to inconsistent comb pressure; and over-application of , leading to an overly greasy finish that weighs down the and diminishes shine. To mitigate these, use a mirror for precision during parting and measure sparingly, adjusting based on thickness.

Variations

The Philadelphia variation of the ducktail, often regarded as the original form, featured a notably longer tail at the back compared to later standardized versions, with the sides combed back to form an extended, pronounced "duck's tail" shape. This style was invented in by barber Joe Cirello in , who shaped the hair by swinging the sides to meet in a central point at the , creating a more elongated and dramatic rear profile. In the Midwest , particularly among 1950s auto worker communities in , a popular adaptation known as the Detroit ducktail combined a on the crown with elongated sides and a back tail, offering a structured, high-contrast look that emphasized the flat top while maintaining the signature rear sweep. This variant provided a rugged, practical style suited to industrial environments, differing from the classic ducktail's fuller, rounded crown by incorporating the flattop's clean, squared-off silhouette. The style represented a softer, more fluid interpretation influenced by , where the front incorporated a wavy pompadour that blended seamlessly into the ducktail back, resulting in less rigid lines and greater volume on top for a breezy, wave-like effect often called the "breaker." This adaptation allowed the top hair to grow longer and form undulating shapes, contrasting the classic ducktail's tight, greased slick-back with a looser, sun-kissed aesthetic popular among West Coast youth. Across the Atlantic, the British "duck's arse" emerged as a tighter, more compact version adapted by in the 1950s, featuring shorter overall length, a prominent greased at the front, and curled or tightly molded sides that met in a pronounced, upward-sweeping tail at the rear to complement Edwardian suits. Unlike the American classic's broader sweep, this style emphasized height and pomade-heavy hold for a flamboyant, subcultural edge, with the rear often cut square across the for sharpness. Contemporary tweaks to the ducktail include the modern short DA, which features cropped or tapered sides for easier daily maintenance while preserving the slicked-back top and rear tail, blending vintage rebellion with current low-maintenance trends. This variation shortens the sides significantly compared to the original's fuller length, making it more versatile for professional settings without sacrificing the iconic shape.

Cultural Significance

Western Subcultures

The ducktail hairstyle, also known as the duck's ass or D.A., emerged as a defining feature of the greaser subculture in 1950s America, embodying an anti-establishment attitude among working-class youth. Greasers, often depicted as rebellious mechanics or street toughs, paired the slicked-back, pomade-heavy style with leather jackets and blue jeans, using it to signal defiance against postwar conformity and middle-class norms. This hairstyle's glossy, combed appearance required daily maintenance with products like Brylcreem, reinforcing the group's image of rugged individualism and resistance to authority. In the , the ducktail—locally termed the "duck's arse"—became integral to the , which flourished from the early to mid-1950s as a form of working-class dandyism. adopted the alongside extravagant Edwardian-inspired drape suits, velvet collars, and bootlace ties, creating a flamboyant contrast to the era's austerity. The style symbolized youthful extravagance and social provocation. The ducktail's prominence in rock 'n' roll culture further cemented its status as a marker of teenage identity, largely through Elvis Presley's influence. This exposure helped transform the ducktail from a local trend into an international emblem of rock rebellion, blending musical innovation with visual defiance.

Global Adoption

In , the ducktail hairstyle became prominent in the 1960s through Bollywood actor , who adopted the style to embody a youthful, Western-inspired persona in films such as Junglee (1961). This look, characterized by slicked-back sides meeting in a pointed tail at the , resonated with urban youth amid the era's growing exposure to global cinema and music, marking a shift from traditional grooming norms. The style spread to during the and , particularly among youth in and , where it was embraced as a symbol of modernity influenced by Hollywood films and rock 'n' roll. In , the ducktail formed a key element of subculture, with young men slicking their hair into the distinctive tail shape to pair with zoot suits, reflecting a blend of Mexican and American influences. Adaptations often featured elongated tails to suit local aesthetics and warmer climates. In post- , the ducktail subculture emerged around 1958 among working-class youth, paralleling American greasers and British . Participants formed collective identities through distinctive , , and leisure activities like bioscope visits, using the to express against social norms. In and the Mediterranean, the ducktail emerged in the as a marker of Western aspiration following , adopted by youth subcultures despite official disapproval. In the Soviet bloc, groups like the Bikiniarze in styled their hair into greased ducktails or slicked-back looks, drawing from smuggled American jazz records and films to defy socialist . Similarly, in and , post-war young men incorporated the look into emerging rocker scenes, using it to signal and cultural openness. Elsewhere, the ducktail saw brief but notable adoption in through the Bodgie subculture of the , akin to British rockers, where long, slicked hair formed into tails complemented leather jackets and echoed imported trends.

Legacy

Influence on Fashion and Media

In visual media, the ducktail became a symbol of nostalgia during and 1980s revivals, most iconically portrayed in the 1978 film Grease, where John Travolta's character Danny Zuko embodies the greased, combed-back style central to the greaser archetype. The hairstyle appeared in numerous TV shows and films of the era, such as Happy Days and , reinforcing its role as a visual for youthful defiance and retro charm in post-war American culture. Musically, the ducktail tied closely to origins and saw revival in the through bands like the , whose frontman adopted the greased, voluminous style to channel 1950s rock 'n' roll energy amid the neo-rockabilly movement. This aesthetic link extended to early punk, where the hairstyle's rebellious use influenced subgenres like , merging it with faster tempos and DIY ethos. Beyond music and film, the ducktail contributed to the enduring "greaser" archetype in literature, notably in S.E. Hinton's 1967 novel The Outsiders, where characters' long, slicked-back hair symbolizes class-based identity and gang loyalty among working-class youth. In anime and manga, the ducktail hairstyle has been featured in series such as JoJo's Bizarre Adventure, where characters like Okuyasu Nijimura, inspired by Japanese yankii delinquents, sport the style as part of their rebellious aesthetic.

Modern Revivals

In the 2000s and 2010s, the ducktail hairstyle resurfaced within the subculture, driven by a broader revival of aesthetics in music and fashion. This resurgence was fueled by global bands and artists who infused the genre's roots with contemporary elements, popularizing slicked-back looks at underground events and festivals. Shorter, less voluminous versions of the ducktail emerged, often styled with matte-finish gels instead of traditional for a subdued, everyday appeal. Rockabilly festivals, such as the annual Rockabilly Weekend, have sustained this revival by showcasing vintage-inspired grooming, where participants frequently adopt the ducktail as a nod to rebel culture. Modern adaptations in barber shops include the "neo-DA" and "textured ducktail," which incorporate fades, undercuts, or loose textures to accommodate diverse hair types like curly or thick strands, making the style more versatile for 21st-century clients. The return of the ducktail stems from nostalgia for simplicity and defiance, amplified by gender-fluid trends that encourage its adoption across non-binary and masculine-presenting individuals seeking retro edge without rigid norms. In indie music scenes, it appears in looser forms, echoing the original while aligning with fluid expressions of style. In the , the ducktail has seen further revival through social media platforms like and , where barbers and stylists showcase modern interpretations of the style.

References

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