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Dreadlocks
Dreadlocks
from Wikipedia
Cree chief Poundmaker with locked hair, 1885

Dreadlocks, also known as dreads or locs, are a hairstyle made of rope-like strands of hair. Locs can form naturally in very curly hair, or they can be created with techniques like twisting, backcombing, or crochet.[1][2][3][4]

Etymology

[edit]

The word dreadlocks is usually understood to come from Jamaican Creole dread, "member of the Rastafarian movement who wears his hair in dreadlocks" (compare Nazirite), referring to their dread or awe of God.[5] An older name for dreadlocks was elflocks, from the notion that elves had twisted the locks in people's sleep.

Other origins have been proposed. Some authors trace the term to the Mau Mau, a group of whom apparently coined it from British colonialists in 1959 as a reference to their dreadful hair.

In their 2014 book Hair Story: Untangling the Roots of Black Hair in America, Ayana Byrd and Lori Tharps claimed that the name dredlocs originated in the time of the slave trade: when transported Africans disembarked from the slave ships after spending months confined in unhygienic conditions, whites would report that their undressed and matted kinky hair was "dreadful". According to them, it is due to these circumstances that many people wearing the style today drop the a in dreadlock to avoid negative implications.[6]

The word locs refers to locks of entangled hair.[7]

Several languages have names for these locks:

History

[edit]

Africa

[edit]

According to Sherrow in Encyclopedia of Hair: A Cultural History, Locs date back to ancient times in various cultures. In ancient Egypt, Egyptians wore locked hairstyles and wigs appeared on bas-reliefs, statuary and other artifacts.[14] Mummified remains of Egyptians with locked wigs have also been recovered from archaeological sites.[15] According to Maria Delongoria, braided hair was worn by people in the Sahara desert since 3000 BCE. Dreadlocks were also worn by followers of Abrahamic religions. For example, Ethiopian Coptic Bahatowie priests adopted dreadlocks as a hairstyle before the fifth century CE (400 or 500 CE). Locking hair was practiced by some ethnic groups in East, Central, West, and Southern Africa.[16][17][18]

Mesoamerica

[edit]

Pre-Columbian Aztec priests were described in Aztec codices (including the Durán Codex, the Codex Tudela and the Codex Mendoza) as wearing their hair untouched, allowing it to grow long and matted.[19] Bernal Diaz del Castillo records:

There were priests with long robes of black cloth... The hair of these priests was very long and so matted that it could not be separated or disentangled, and most of them had their ears scarified, and their hair was clotted with blood.

Europe

[edit]
Boxers with dreadlocks on a fresco from Akrotiri (modern Santorini, Greece), 1600–1500 BCE.[20][21][22]

The earliest known possible depictions of Locs in Europe date back as far as 1600–1500 BCE in the Minoan Civilization, centered in Crete (now part of Greece).[21] Frescoes discovered on the Aegean island of Thera (modern Santorini, Greece) portray individuals with long braided hair or long dreadlocks.[20][23][24][25] Another source describes the hair of the boys in the Akrotiri Boxer Fresco as long tresses, not dreadlocks. Tresses of hair are defined by Collins Dictionary as braided hair, braided plaits, or long loose curls of hair.[26][27][28]

Nineteenth century

[edit]

In Senegal, the Baye Fall, followers of the Mouride movement, a Sufi movement of Islam founded in 1887 CE by Shaykh Aamadu Bàmba Mbàkke, are famous for growing dreadlocks and wearing multi-colored gowns.[29]

Cheikh Ibra Fall, founder of the Baye Fall school of the Mouride Brotherhood, popularized the style by adding a mystic touch to it.[30] This sect of Islam in Senegal, where Muslims wear ndjan (dreadlocks), aimed to Africanize Islam. Dreadlocks to this group of Islamic followers symbolize their religious orientation.[31][32] Jamaican Rastas also reside in Senegal and have settled in areas near Baye Fall communities. Baye Fall and Jamaican Rastas have similar cultural beliefs regarding dreadlocks. Both groups wear knitted caps to cover their locs and wear locs for religious and spiritual purposes.[33] Male members of the Baye Fall religion wear locs to detach from mainstream Western ideals.[34]

Twentieth century into present day

[edit]

In the 1970s, Americans and Britons attended reggae concerts and were exposed to various aspects of Jamaican culture, including dreadlocks. Hippies related to the Rastafarian idea of rejecting capitalism and colonialism, symbolized by the name "Babylon". Rastafarians rejected Babylon in multiple ways, including by wearing their hair naturally in locs to defy Western standards of beauty. The 1960s was the height of the civil rights movement in the U.S., and some White Americans joined Black people in the fight against inequality and segregation and were inspired by Black culture. As a result, some White people joined the Rastafarian movement. Dreadlocks were not a common hairstyle in the United States, but by the 1970s, some White Americans were inspired by reggae music, the Rastafarian movement, and African-American hair culture and started wearing dreadlocks.[35][36] According to authors Bronner and Dell Clark, the clothing styles worn by hippies in the 1960s and 1970s were copied from African-American culture. The word hippie comes from the African-American slang word hip. African-American dress and hairstyles such as braids (often decorated with beads), dreadlocks, and language were copied by hippies and developed into a new countercultural movement used by hippies.[37][38]

In Europe in the 1970s, hundreds of Jamaicans and other Caribbean people immigrated to metropolitan centers of London, Birmingham, Paris, and Amsterdam. Communities of Jamaicans, Caribbeans, and Rastas emerged in these areas. Thus Europeans in these metropolitan cities were introduced to Black cultures from the Caribbean and Rastafarian practices and were inspired by Caribbean culture, leading some of them to adopt Black hair culture, music, and religion. However, the strongest influence of Rastafari religion is among Europe's Black population.[39][40]

When reggae music, which espoused Rastafarian ideals, gained popularity and mainstream acceptance in the 1970s, thanks to Bob Marley's music and cultural influence, dreadlocks (often called "dreads") became a notable fashion statement worldwide, and have been worn by prominent authors, actors, athletes, and rappers.[41][42] Rastafari influenced its members worldwide to embrace dreadlocks. Black Rastas loc their hair to embrace their African heritage and accept African features as beautiful, such as dark skin tones, Afro-textured hair, and African facial features.[43]

The rapper Mavi wearing dreadlocks

Hip Hop and rap artists such as Lauryn Hill, Lil Wayne, T-Pain, Snoop Dog, J-Cole, Wiz Khalifa, Chief Keef, Lil Jon, and other artists wear dreadlocks, which further popularized the hairstyle in the 1990s, early 2000s, and present day. Dreadlocks are a part of hip-hop fashion and reflect Black cultural music of liberation and identity.[44][45][46][47] Many rappers and Afrobeat artists in Uganda wear locs, such as Navio, Delivad Julio, Fik Fameica, Vyper Ranking, Byaxy, Liam Voice, and other artists. From reggae music to hip hop, rap, and Afrobeat, Black artists in the African diaspora wear locs to display their Black identity and culture.[48][49][50]

Youth in Kenya who are fans of rap and hip hop music, and Kenyan rappers and musicians, wear locs to connect to the history of the Mau Mau freedom fighters who wore locs as symbols of anti-colonialism, and to Bob Marley, who was a Rasta.[51] Hip hop and reggae fashion spread to Ghana and fused with traditional Ghanaian culture. Ghanaian musicians wear dreadlocks incorporating reggae symbols and hip hop clothes mixed with traditional Ghanaian textiles, such as wearing Ghanaian headwraps to hold their locs.[52][53] Ghanaian women wear locs as a symbol of African beauty. The beauty industry in Ghana believe locs are a traditional African hair practice and market hair care products to promote natural African hairstyles such as afros and locs.[54] The previous generations of Black artists have inspired younger contemporary Black actresses to loc their hair, such as Chloe Bailey, Halle Bailey, and R&B and Pop music singer Willow Smith. More Black actors in Hollywood are choosing to loc their hair to embrace their Black heritage.[55]

Although more Black women in Hollywood and the beauty and music industries are wearing locs, there has never been a Black Miss America winner with locs, possibly because the hairstyle has not been popular with many conservative standards of beauty. For example, model Adesuwa Aighewi locked her hair and was told she might not receive any casting calls because of her dreadlocks. Some Black women in modeling agencies are forced to straighten their hair. However, more Black women are resisting and choosing to wear Black hairstyles such as afros and dreadlocks in fashion shows and beauty pageants.[56][57] For example, in 2007 Miss Universe Jamaica and Rastafarian, Zahra Redwood, was the first Black woman to break the barrier on a world pageant stage when she wore locs, paving the way and influencing other Black women to wear locs in beauty pageants. In 2015, Miss Jamaica World Sanneta Myrie was the first contestant to wear locs to the Miss World Pageant.[58] In 2018, Dee-Ann Kentish-Rogers of Britain was crowned Miss Universe wearing her locs and became the first Black British woman to win the competition with natural locs.[59][60]

By culture

[edit]

Locks have been worn for various reasons in many cultures and ethnic groups around the world throughout history. Their use has also been raised in debates about cultural appropriation.[61][62][63][64][65][66]

Africa

[edit]
Himba woman with red dreadlocks

The practice of wearing braids and dreadlocks in Africa dates back to 3,000 BC in the Sahara Desert. It has been commonly thought that other cultures influenced the dreadlock tradition in Africa. The Kikuyu and Somali wear braided and locked hairstyles.[67][68] Warriors among the Fulani, Wolof, and Serer in Mauritania, and Mandinka in Mali were known for centuries to have worn cornrows when young and dreadlocks when old.

In West Africa, the water spirit Mami Wata is said to have long locked hair. Mami Wata's spiritual powers of fertility and healing come from her dreadlocks.[69][70] West African spiritual priests called Dada wear dreadlocks to venerate Mami Wata in her honor as spiritual consecrations.[71] Some Ethiopian Christian monks and Bahatowie priests of the Ethiopian Coptic Church lock their hair for religious purposes.[72][73] In Yorubaland, Aladura church prophets called woolii mat their hair into locs and wear long blue, red, white, or purple garments with caps and carry iron rods used as a staff.[74] Prophets lock their hair in accordance with the Nazarene vow in the Christian bible. This is not to be confused with the Rastafari religion that was started in the 1930s. The Aladura church was founded in 1925 and syncretizes indigenous Yoruba beliefs about dreadlocks with Christianity.[75] Moses Orimolade Tunolase was the founder of the first African Pentecostal movement started in 1925 in Nigeria. Tunolase wore dreadlocks and members of his church wear dreadlocks in his honor and for spiritual protection.[76]

Hamar women with red ochre locs

The Yoruba word Dada is given to children in Nigeria born with dreadlocks.[77][78] Some Yoruba people believe children born with dreadlocks have innate spiritual powers, and cutting their hair might cause serious illness. Only the child's mother can touch their hair. "Dada children are believed to be young gods, they are often offered at spiritual altars for chief priests to decide their fate. Some children end up becoming spiritual healers and serve at the shrine for the rest of their lives." If their hair is cut, it must be cut by a chief priest and placed in a pot of water with herbs, and the mixture is used to heal the child if they get sick. Among the Igbo, Dada children are said to be reincarnated Jujuists of great spiritual power because of their dreadlocks.[79][80] Children born with dreadlocks are viewed as special. However, adults with dreadlocks are viewed negatively. Yoruba Dada children's dreadlocks are shaved at a river, and their hair is grown back "tamed" and have a hairstyle that conforms to societal standards. The child continues to be recognized as mysterious and special.[81] It is believed that the hair of Dada children was braided in heaven before they were born and will bring good fortune and wealth to their parents. When the child is older, the hair is cut during a special ritual.[82] In Yoruba mythology, the Orisha Yemoja gave birth to a Dada who is a deified king in Yoruba.[83][84] However, dreadlocks are viewed in a negative light in Nigeria due to their stereotypical association with gangs and criminal activity; men with dreadlocks face profiling from Nigerian police.[85][86]

Sangomas wearing white beaded dreadlocks.

In Ghana, among the Ashanti people, Okomfo priests are identified by their dreadlocks. They are not allowed to cut their hair and must allow it to mat and lock naturally. Locs are symbols of higher power reserved for priests.[87][88][89] Other spiritual people in Southern Africa who wear dreadlocks are Sangomas. Sangomas wear red and white beaded dreadlocks to connect to ancestral spirits. Two African men were interviewed, explaining why they chose to wear dreadlocks. "One – Mr. Ngqula – said he wore his dreadlocks to obey his ancestors' call, given through dreams, to become a 'sangoma' in accordance with his Xhosa culture. Another – Mr. Kamlana – said he was instructed to wear his dreadlocks by his ancestors and did so to overcome 'intwasa', a condition understood in African culture as an injunction from the ancestors to become a traditional healer, from which he had suffered since childhood."[90][91] In Zimbabwe, there is a tradition of locking hair called mhotsi worn by spirit mediums called svikiro. The Rastafarian religion spread to Zimbabwe and influenced some women in Harare to wear locs because they believe in the Rastafari's pro-Black teachings and rejection of colonialism.[92]

Zulu-Shona African Man With Salon-styled dreadlocks. In the Shona language, locs translate to mhotsi.

Maasai warriors in Kenya are known for their long, thin, red dreadlocks, dyed with red root extracts or red ochre (red earth clay).[93] The Himba women in Namibia are also known for their red-colored dreadlocks. Himba women use red earth clay mixed with butterfat and roll their hair with the mixture. They use natural moisturizers to maintain the health of their hair. Hamar women in Ethiopia wear red-colored locs made using red earth clay.[94] In Angola, Mwila women create thick dreadlocks covered in herbs, crushed tree bark, dried cow dung, butter, and oil. The thick dreadlocks are dyed using oncula, an ochre of red crushed rock.[95][96][97] In Southern, Eastern, and Northern Africa, Africans use red ochre as sunscreen and cover their dreadlocks and braids with ochre to hold their hair in styles and as a hair moisturizer by mixing it with fats. Red ochre has a spiritual meaning of fertility, and in Maasai culture, the color red symbolizes bravery and is used in ceremonies and dreadlock hair traditions.[98][99]

Historians note that West and Central African people braid their hair to signify age, gender, rank, role in society, and ethnic affiliation. In many tribes, it is believed braided and locked hair provides spiritual protection, connects people to the spirit of the earth, bestows spiritual power, and enables people to communicate with the gods and spirits.[100][101][102] In the 15th and 16th centuries, the Atlantic slave trade saw Black Africans forcibly transported from Sub-Saharan Africa to North America and, upon their arrival in the New World, their heads would be shaved in an effort to erase their culture.[103][104][105][106] Enslaved Africans spent months in slave ships and their hair matted into dreadlocks that European slave traders called "dreadful."[107][108]

African diaspora in The Americas and Europe

[edit]
Alice Walker delivering a speech.

In the African diaspora, people loc their hair to have a connection to the spirit world and receive messages from spirits. It is believed locs of hair are antennas making the wearer receptive to spiritual messages.[109] Other reasons people loc their hair are for fashion and to maintain the health of natural hair, also called kinky hair.[110] In the 1960s and 1970s in the United States, the Black Power movement, Black is Beautiful movement, and the natural hair movement inspired many Black Americans to wear their hair natural in afros, braids, and locked hairstyles.[111][112] The Black is Beautiful cultural movement spread to Black communities in Britain. In the 1960s and 1970s, Black people in Britain were aware of the civil rights movement and other cultural movements in Black America and the social and political changes occurring at the time. Rastafari culture in Europe influenced Afro-Britons to wear their hair in natural loc styles and afros as a way to fight against racism, Western standards of beauty, and to develop unity among Black people of diverse backgrounds.[113][114] From the twentieth century to the present day, dreadlocks have been symbols of Black liberation and are worn by revolutionaries, activists, womanists, and radical artists in the diaspora.[115][116] For example, Black American literary author Toni Morrison wore locs, and Alice Walker wears locs to reconnect with their African heritage.[117]

Natural Black hairstyles worn by Black women are seen as not feminine and unprofessional in some American businesses.[118] Wearing locs in the diaspora signifies a person's racial identity and defiance of European standards of beauty, such as straight blond hair.[119] Locs encourage Black people to embrace other aspects of their culture that are tied to Black hair, such as wearing African ornaments like cowrie shells, beads, and African headwraps that are sometimes worn with locs.[120][121] Some Black Canadian women wear locs to connect to the global Black culture. Dreadlocks unite Black people in the diaspora because wearing locs has the same meaning in areas of the world where there are Black people: opposing Eurocentric standards of beauty and sharing a Black and African diaspora identity.[122][123] For many Black women in the diaspora, locs are a fashion statement to express individuality and the beauty and versatility of Black hair. Locs are also a protective hairstyle to maintain the health of their hair by wearing kinky hair in natural locs or faux locs. To protect their natural hair from the elements during the changing seasons, Black women wear certain hairstyles to protect and retain the moisture in their hair. Black women wear soft locs as a protective hairstyle because they enclose natural hair inside them, protecting their natural hair from environmental damage. This protective soft loc style is created by "wrapping hair around the natural hair or crocheting pre-made soft locs into cornrows."[124] In the diaspora, Black men and women wear different styles of dreadlocks. Each style requires a different method of care. Freeform locs are formed organically by not combing the hair or manipulating the hair. There are also goddess locs, faux locs, sister locs, twisted locs, Rasta locs, crinkle locs, invisible locs, and other loc styles.[125][126][127]

Australia

[edit]
An Indigenous Australian with dreadlocks

Some Indigenous Australians of North West and North Central Australia, as well as the Gold Coast region of Eastern Australia, have historically worn their hair in a locked style, sometimes also having long beards that are fully or partially locked. Traditionally, some wear the dreadlocks loose, while others wrap the dreadlocks around their heads or bind them at the back of the head.[128] In North Central Australia, the tradition is for the dreadlocks to be greased with fat and coated with red ochre, which assists in their formation.[129] In 1931 in Warburton Range, Western Australia, a photograph was taken of an Aboriginal Australian man with dreadlocks.[130]

In the 1970s, hippies from Australia's southern region moved to Kuranda, where they introduced the Rastafari movement as expressed in the reggae music of Peter Tosh and Bob Marley to the Buluwai people in the 1970s. Aboriginal Australians found parallels between the struggles of Black people in the Americas and their own racial struggles in Australia. Willie Brim, a Buluwai man born in the 1960s in Kuranda, identified with Tosh's and Marley's spiritually conscious music, and inspired particularly by Peter Tosh's album Bush Doctor, in 1978 he founded a reggae band called Mantaka after the area alongside the Barron River where he grew up. He combined his people's cultural traditions with the reggae guitar he had played since he was young, and his band's music reflects Buluwai culture and history. Now a leader of the Buluwai people and a cultural steward, Brim and his band send an "Aboriginal message" to the world. He and other Buluwai people wear dreadlocks as a native part of their culture and not as an influence from the Rastafari religion. Although Brim was inspired by reggae music, he is not a Rastafarian as he and his people have their own spirituality.[131] Foreigners visiting Australia think the Buluwai people wearing dreadlocks were influenced by the Rastafarian movement, but the Buluwai say their ancestors wore dreadlocks before the movement began.[132] Some Indigenous Australians wear an Australian Aboriginal flag (a symbol of unity and Indigenous identity in Australia) tied around their head to hold their dreadlocks.[133]

Buddhism

[edit]

Within Tibetan Buddhism and other more esoteric forms of Buddhism, locks have occasionally been substituted for the more traditional shaved head. The most recognizable of these groups are known as the Ngagpas of Tibet. For Buddhists of these particular sects and degrees of initiation, their locked hair is not only a symbol of their vows but an embodiment of the particular powers they are sworn to carry.[134] Hevajra Tantra 1.4.15 states that the practitioner of particular ceremonies "should arrange his piled up hair" as part of the ceremonial protocol.[135] Archeologists found a statue of a male deity, Shiva, with dreadlocks in Stung Treng province in Cambodia.[136] In a sect of tantric Buddhism, some initiates wear dreadlocks.[137][138] The sect of tantric Buddhism in which initiates wear dreadlocks is called weikza and Passayana or Vajrayana Buddhism. This sect of Buddhism is practiced in Burma. The initiates spend years in the forest with this practice, and when they return to the temples, they should not shave their heads to reintegrate.[139]

Hinduism

[edit]
The Hindu deity Shiva, depected here with coils of hair.
Two sadhus (ascetic monks) with their hair in traditional jaṭā style[140]

The practice of wearing a jaṭā (dreadlocks) is observed in modern-day Hinduism,[141][142][143] most notably by sadhus who worship Shiva.[144]The Kapalikas, first commonly referenced in the 6th century CE, were known to wear the jaṭā[145] as a form of deity imitation of the deva Bhairava-Shiva.[146] Shiva is often depicted with dreadlocks. According to Ralph Trueb, "Shiva's dreadlocks represent the potent power of his mind that enables him to catch and bind the unruly and wild river goddess Ganga."[147]

In a village in Pune, Savitha Uttam Thorat, some women hesitate to cut their long dreadlocks because it is believed it will cause misfortune or bring down divine wrath. Dreadlocks practiced by the women in this region of India are believed to be possessed by the goddess Yellamma. Cutting off the hair is believed to bring misfortune onto the woman, because having dreadlocks is considered to be a gift from the goddess Yellamma (also known as Renuka).[148] Some of the women have long and heavy dreadlocks that put a lot of weight on their necks, causing pain and limited mobility.[149][150] Some in local government and police in the Maharashtra region demand the women cut their hair, because the religious practice of Yellamma forbids women from washing and cutting their dreadlocks, causing health issues.[151] These locks of hair dedicated to Yellamma are called jade, believed to be evidence of divine presence. However, in Southern India, people advocate for the end of the practice.[152] The goddess Angala Parameshvari in Indian mythology is said to have cataik-kari matted hair (dreadlocks). Women healers in India are identified by their locs of hair and are respected in spiritual rituals because they are believed to be connected to goddesses. A woman who has a jata is believed to derive her spiritual powers or shakti from her dreadlocks.[153]

Rastafari

[edit]
Rasta Bongo - A Rasta wearing a tam (Rastacap) to cover his locs.

Rastafari movement dreadlocks are symbolic of the Lion of Judah, and were inspired by the Nazarites of the Bible.[154] Jamaicans locked their hair after seeing images of Ethiopians with locs fighting Italian soldiers during the Second Italo-Ethiopian War. The afro is the preferred hairstyle worn by Ethiopians. During the Italian invasion, Ethiopians vowed not to cut their hair using the Biblical example of Samson, who got his strength from his seven locks of hair, until emperor Ras Tafari Makonnen (Haile Selassie) and Ethiopia were liberated and Selassie was returned from exile.[155] Scholars also state another indirect Ethiopian influence for Rastas locking their hair are the Bahatowie priests in Ethiopia and their tradition of wearing dreadlocks for religious reasons since the 5th century AD.[156] Another African influence for Rastas wearing locs was seeing photos of Mau Mau freedom fighters with locs in Kenya fighting against the British authorities in the 1950s. Dreadlocks to the Mau Mau freedom fighters were a symbol of anti-colonialism, and this symbolism of dreadlocks was an inspiration for Rastas to loc their hair in opposition to racism and promote an African identity.[157][158][159] The branch of Rastafari that was inspired to loc their hair after the Mau Mau freedom fighters was the Nyabinghi Order, previously called Young Black Faith. Young Black Faith were considered a radical group of younger Rastafari members. Eventually, other Rastafari groups started locking their hair.[160]

In the Rastafarian belief, people wear locs for a spiritual connection to the universe and the spirit of the earth. It is believed that by shaking their locs, they will bring down the destruction of Babylon. Babylon in the Rastafarian belief is systemic racism, colonialism, and any system of economic and social oppression of Black people.[161][162] Locs are also worn to defy European standards of beauty and help to develop a sense of Black pride and acceptance of African features as beautiful.[163][164] In another branch of Rastafari called Boboshanti Order of Rastafari, dreadlocks are worn to display a black person's identity and social protest against racism.[165] The Bobo Ashanti are one of the strictest Mansions of Rastafari. They cover their locs with bright turbans and wear long robes and can usually be distinguished from other Rastafari members because of this.[166] Other Rastas wear a Rastacap to tuck their locs under the cap.[167]

The Bobo Ashanti ("Bobo" meaning "black" in Iyaric;[168] and "Ashanti" in reference to the Ashanti people of Ghana, whom the Bobos claim are their ancestors),[169] were founded by Emmanuel Charles Edwards in 1959 during the period known as the "groundation", where many protests took place calling for the repatriation of African descendants and slaves to Kingston. A Boboshanti branch spread to Ghana because of repatriated Jamaicans and other Black Rastas moving to Ghana. Prior to Rastas living in Ghana, Ghanaians and West Africans previously had their own beliefs about locked hair. Dreadlocks in West Africa are believed to bestow children born with locked hair with spiritual power, and that Dada children, that is, those born with dreadlocks, were given to their parents by water deities. Rastas and Ghanaians have similar beliefs about the spiritual significance of dreadlocks, such as not touching a person's or child's locs, maintaining clean locs, locs spiritual connections to spirits, and locs bestowing spiritual powers to the wearer.[170]

Sports in the United States

[edit]

Dreadlocks have become a popular hairstyle among professional athletes. However, some athletes are discriminated against and were forced to cut their dreadlocks. For example, in December 2018, a Black high school wrestler in New Jersey was forced to cut his dreadlocks 90 seconds before his match, sparking a civil rights case that led to the passage of the CROWN Act in 2019.[171]

In professional American football, the number of players with dreadlocks has increased since Mike McKenzie, Al Harris and Ricky Williams first wore the style during the 1990s.[172] In 2012, about 180 National Football League players wore dreadlocks. A significant number of these players are defensive backs, who are less likely to be tackled than offensive players. According to the NFL's rulebook, a player's hair is considered part of their "uniform", meaning the locks are fair game when attempting to bring them down.[173][174]

In the NBA, there has been controversy over Brooklyn Nets guard Jeremy Lin, an Asian-American who garnered mild controversy over his choice of dreadlocks. Former NBA player Kenyon Martin accused Lin of appropriating African-American culture in a since-deleted social media post, after which Lin pointed out that Martin has multiple Chinese characters tattooed on his body.[175]

David Diamante, the American Boxing ring announcer of Italian American heritage, sports prominent dreadlocks.

Formation and maintenance

[edit]

Dreadlocks can be formed through several methods. Very curly hair forms single-strand knots that can naturally entangle into dreadlocks.[176] For other types of hair various methods utilized to create dreadlocks include crochet hooks and backcombing. Dreadlocks should not be confused with matting, which occurs from the unintentional neglect and damage of any type of hair.[177]

Hair discrimination

[edit]

United States

[edit]
Black students in the Black diaspora are discriminated against and some are suspended from school for wearing locs.

On 3 July 2019, California became the first US state to prohibit discrimination over natural hair. Governor Gavin Newsom signed the CROWN Act into law, banning employers and schools from discriminating against hairstyles such as dreadlocks, braids, afros, and twists.[178] Likewise, later in 2019, Assembly Bill 07797 became law in New York state; it "prohibits race discrimination based on natural hair or hairstyles".[179][180] Scholars call discrimination based on hair "hairism". Despite the passage of the CROWN Act, hairism continues, with some Black people being fired from work or not hired because of their dreadlocks.[181][182][183] According to the CROWN 2023 Workplace Research Study, sixty-six percent of Black women change their hairstyle for job interviews, and twenty-five percent of Black women said they were denied a job because of their hairstyle.[184] The CROWN Act was passed to challenge the idea that Black people must emulate other hairstyles to be accepted in public and educational spaces.[185] As of 2023, 24 states have passed the CROWN Act. July 3 is recognized as National CROWN Day, also called Black Hair Independence Day.[186][187][188]

The Perception Institute conducted a "Good Hair Study" using images of Black women wearing natural styles in locs, afros, twists, and other Black hairstyles. The Perception Institute is "a consortium of researchers, advocates and strategists" that uses psychological and emotional test studies to make participants aware of their racial biases. A Black-owned hair supply company, Shea Moisture, partnered with Perception Institute to conduct the study. The tests were done to reduce hair- and racially-based discrimination in education, civil justice, and law enforcement places. The study used an implicit-association test on 4,000 participants of all racial backgrounds and showed most of the participants had negative views about natural Black hairstyles. The study also showed Millennials were the most accepting of kinky hair texture on Black people. "Noliwe Rooks, a Cornell University professor who writes about the intersection of beauty and race, says for some reason, natural Black hair just frightens some White people."[189][190]

In September 2016, a lawsuit was filed by the Equal Employment Opportunity Commission against the company Catastrophe Management Solutions located in Mobile, Alabama. The court case ended with the decision that it was not a discriminatory practice for the company to refuse to hire an African American because they wore dreadlocks.[191]

In some Texas public schools, dreadlocks are prohibited, especially for male students, because long braided hair is considered unmasculine according to Western standards of masculinity which define masculinity as "short, tidy hair." Black and Native American boys are stereotyped and receive negative treatment and negative labeling for wearing dreadlocks, cornrows, and long braids. Non-white students are prohibited from practicing their traditional hairstyles that are a part of their culture.[192][193]

In 2017, the United States Army lifted the ban on dreadlocks. In the army, Black women can now wear braids and locs under the condition that they are groomed, clean, and meet the length requirements.[194] From slavery into the present day, the policing of Black women's hair continues to be controlled by some institutions and people. Even when Black women wear locs and they are clean and well-kept, some people do not consider locs to be feminine and professional because of the natural kinky texture of Black hair.[195][196]

Black women in the United States Army can wear Black hairstyles.

Police profiling in the United States

[edit]

According to a 2011 article from The New Republic, Black men who wear locs are racially profiled and watched more by the police and are believed to be "thugs" or involved in gangs and violent crimes than Black men who do not wear dreadlocks.[197]

United Kingdom

[edit]

Some Black students in England are prohibited from wearing natural hairstyles such as dreadlocks, afros, braids and twists. Black students are suspended from school, are stereotyped, and receive negative treatment from teachers.[198] In 2022 the Equality and Human Rights Commission issued guidance that such policies which had no exceptions on racial grounds were "likely to be unlawful".[199]

Africa

[edit]

In Midrand, north of Johannesburg in South Africa, a Black girl was kicked out of school for wearing her hair in a natural dreadlock style [citation needed]. Hair and dreadlock discrimination is experienced by people of color all over the world who do not conform to Western standards of beauty.[200][201] At Pretoria High School for Girls in Gauteng province in South Africa, Black girls are discriminated against for wearing African hairstyles and are forced to straighten their hair.[202]

Four African countries approved the wearing of dreadlocks in their courts: Kenya, Malawi, South Africa, and Zimbabwe. However, hairism continues despite the approval. Although locked hairstyles are a traditional practice on the African continent, some Africans disapprove of the hairstyle because of cultural taboos or pressure from Europeans in African schools and local African governments to conform to Eurocentric standards of beauty.[203][204]

Guinness Book of World Records

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On 10 December 2010, the Guinness Book of World Records rested its "longest dreadlocks" category after investigating its first and only female title holder, Asha Mandela, with this official statement:

Following a review of our guidelines for the longest dreadlock, we have taken expert advice and made the decision to rest this category. The reason for this is that it is difficult, and in many cases impossible, to measure the authenticity of the locks due to expert methods employed in the attachment of hair extensions/re-attachment of broken-off dreadlocks. Effectively the dreadlock can become an extension and therefore impossible to adjudicate accurately. It is for this reason Guinness World Records has decided to rest the category and will no longer be monitoring the category for longest dreadlock.[205]

See also

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References

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Further reading

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Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
![Minoan fresco from Akrotiri depicting figures with matted hairstyles][float-right] Dreadlocks are a hairstyle consisting of hair that has been intentionally matted, twisted, or neglected to form elongated, rope-like strands or cords. The practice arises from natural hair felting due to friction and sebum accumulation when combing is avoided, often enhanced by techniques such as palm-rolling or backcombing, and has been maintained across diverse hair textures through deliberate cultural choices. The hairstyle predates its modern nomenclature and appears in ancient records worldwide, with descriptions of the Hindu deity Shiva's jata—matted locks—in Vedic scriptures dating to approximately 1500 BCE, symbolizing ascetic renunciation. Archaeological evidence includes Minoan frescoes from Akrotiri on Thera (modern ), , circa 1700 BCE, portraying youths with distinctive locked hairstyles, and ancient Egyptian artifacts such as mummified remains and wigs preserving similar formations, linked to priestly or devotional practices. In , indigenous groups like the Maasai of and have worn elongated, red-ochre-treated locks traditionally as markers of status or age-grade rites. In the 20th century, dreadlocks became emblematic of the Rastafarian movement emerging in Jamaica during the 1930s, where adherents adopted uncut, matted hair inspired by Biblical Nazarite vows (Numbers 6:5) prohibiting hair trimming, signifying spiritual covenant, rejection of "Babylonian" (Western colonial) conformity, and emulation of Ethiopian Emperor Haile Selassie as a messianic figure. The term "dreadlocks" itself originated in this context, evoking the awe-inspiring or fearsome presence of the divine ("dread" as reverence for Jah, Rastafari's term for God) rather than revulsion, though early colonial observers often viewed the style with disdain associating it with marginality or unkemptness. Today, dreadlocks transcend religious origins, adopted globally for aesthetic, practical, or protective reasons, with maintenance involving periodic retwisting, washing, and oiling to prevent breakage while allowing natural maturation over years or decades.

Definition and Terminology

Etymology and Connotations

The term "dreadlocks" emerged in English around , combining "dread," denoting fear or awe, with "locks," referring to strands of hair, to describe intentionally matted, rope-like hair formations. This nomenclature originated within Jamaica's Rastafarian movement, where early adherents, known as "dreads," adopted uncut, locked hair as a symbol of spiritual covenant inspired by biblical Nazarite vows (Numbers 6:5) and Mau Mau warriors in , whose appearance evoked intimidation during anti-colonial resistance in the . The "dread" element specifically connoted reverence for () among Rastafarians, contrasting with external perceptions of the style as fearsome or unkempt. Initially, the term carried pejorative connotations in Jamaican society, linking wearers to impoverished, rebellious fringes marginalized under colonial and post-colonial structures, before Rastafarians reframed it as an emblem of divine authority and anti-imperial defiance. In Rastafarian theology, dreadlocks represent the "lion's mane" of Judah, signifying strength, natural purity, and separation from "Babylonian" (Western) grooming norms that involve cutting hair, as proscribed in Leviticus 21:5. Culturally, the style's connotations expanded globally through reggae's influence in the 1970s, associating dreadlocks with countercultural resistance, spiritual asceticism, and solidarity against systemic oppression, though non-Rastafarian adoption often diluted these ties into broader symbols of nonconformity. Socially, dreadlocks have evoked mixed responses: venerated in Rastafarian communities as a "crown of glory" affirming African heritage and covenant fidelity, yet stereotyped elsewhere as indicators of neglect or unprofessionalism, prompting workplace restrictions in sectors like corporate offices and services as late as the 2010s in the United States. This duality persists, with some contemporary advocates preferring "locs" to neutralize perceived negativity in "dread," arguing the latter evokes colonial disdain rather than inherent spiritual —a claim contested by etymological evidence tying it directly to Rastafarian empowerment.

Types and Variations

Dreadlocks, or locs, vary primarily by formation method, section , and resulting texture, which influence their appearance, , and styling potential. Traditional locs are formed by parting into medium to large sections (typically 0.5 to 1 inch wide) and using techniques such as palm rolling, twisting, or to encourage matting, yielding rope-like strands that mature over 6-12 months into thicker, cylindrical forms often 1-2 cm in diameter. These differ from microlocs or sisterlocks, which start with finer sections under 0.125 inches (3 ) via interlocking or tools, producing , strands suitable for detailed braiding or parting, with sisterlocks specifically employing a patented grid pattern for precision. Freeform locs emerge without sectioning , relying on the hair's tangling from , , and , which results in asymmetrical, varied thicknesses and organic shapes that can range from loose coils to dense clumps, often taking 1-2 years to fully lock and reflecting individual hair and curl . Semi-freeform locs blend this approach with loose twisting for partial uniformity, bridging variation and controlled . locs, by contrast, involve loose hair or extensions into knotted bases with a crochet needle, creating tighter, faster-matting locs that may incorporate synthetic fibers for added or color, though this risks tension on the if over-tightened. Stylistic variations extend beyond formation, including tapered ends achieved by trimming during maturation, bucket locs with rounded, voluminous tips from curling pre-matting, or wicks (Florida-style), which use gel and wrapping for slick, wavy profiles before full locking. Accessories like metal cuffs, wooden beads, or fabric wraps further diversify locs, altering and cultural expression, while length variations—from short (under 3 inches) for low-maintenance crops to elongated styles extended via —impact health and versatility. These differences arise causally from hair type (e.g., coily textures lock faster than straight), environmental factors like , and user intervention, with empirical observations noting that finer locs require more frequent retwisting to prevent unraveling but allow greater flexibility in updos.

Historical Origins

Evidence from Ancient Civilizations

![Minoan fresco from Akrotiri depicting youths with apparent dreadlock-like hairstyles][float-right]
Archaeological from the on includes to approximately BCE that depict individuals, such as young boxers from Akrotiri on Thera, with hairstyles resembling dreadlocks. These artistic representations show elongated, twisted locks, interpreted by some historians as intentional matting rather than loose or braided , though artistic stylization may exaggerate tangling.
In ancient Egypt, sculptures, statues, and mummified remains from as early as 3100 BCE provide indications of dreadlock-like hairstyles, including wig extensions mimicking locked hair found with burials. Bas-reliefs and artifacts portray figures with segmented, rope-like hair formations, potentially representing either cultivated locks or stylized curly textures common among Nile Valley populations. Such evidence suggests dreadlocks or similar matted styles were present across social strata, though direct confirmation of formation methods remains limited by preservation challenges. Vedic scriptures from , composed between and 500 BCE, describe jaṭā—matted or twisted locks of —worn by ascetics and the , symbolizing and spiritual . These texts reference jaṭā as a deliberate for sages, contrasting with groomed norms, and align with later iconographic traditions of piled, conical matted crowns (jatamukuta). Archaeological corroboration is sparse, but textual consistency across Rigveda-era hymns supports the antiquity of this practice in Indo-Aryan cultures. ![Depiction of Shiva with matted locks (jaṭā)][center]
Early Greek Archaic statues (circa 600 BCE) feature youthful male figures with hair rendered in short, cylindrical locks akin to dreadlocks, a style echoed in Spartan military customs where hoplites maintained formal twisted hair. While Roman accounts of describe lime-stiffened, snake-like tresses (circa 100 BCE–100 CE), these likely refer to spiked or greased spikes rather than true matted dreadlocks, as bog body analyses reveal varied braiding without widespread locking. Such interpretations highlight how environmental factors and grooming could produce lock-like appearances without intentional dread formation.

Pre-Modern and Indigenous Practices

The Himba people of northern Namibia and southern Angola maintain a traditional practice of forming dreadlocks using hair extensions woven with straw or animal hair, coated in otjize—a mixture of butter, red ochre, and ash—that gives the locks a distinctive reddish appearance and provides protection from environmental harshness. This hairstyle signifies life stages, with unmarried women wearing plaited extensions that transition to thicker, matted dreads after marriage, symbolizing fertility, maturity, and cultural identity. The application of otjize, renewed regularly, also serves practical functions such as insect repulsion and skin conditioning in arid conditions. In pre-modern India, Hindu ascetics known as sadhus cultivated jata—long, matted coils of uncut —as a marker of renunciation and spiritual discipline, often piling them atop the head in emulation of , the depicted with such locks in scriptural . This practice, persisting from Vedic traditions into medieval and early modern periods, involved natural matting through neglect and application, with lengths accumulating over decades to signify devotion and detachment from . Accounts from travelers and texts describe sadhus wandering with these elaborate dreadlocks, viewing them as conduits for divine and symbols of ascetic vows taken upon . Other indigenous groups in , such as certain South African sangomas (traditional healers), incorporate dreadlocks into rituals, where matted represents connection to ancestors and spiritual power, though documentation remains primarily ethnographic rather than quantified historical records. Evidence for widespread pre-colonial dreadlock use among Australian Aboriginal peoples is limited, with early European accounts describing ochre-powdered, knotted but lacking clear confirmation of intentional matting akin to dreadlocks.

Religious and Cultural Significance

Ascetic and Spiritual Traditions

In Hindu ascetic traditions, particularly among Shaivite sadhus and yogis, matted locks of hair known as jata or jaṭā are worn as a symbol of renunciation of worldly vanities and material attachments, embodying a life of discipline and spiritual detachment. These dreadlocks signify purity and devotion, often maintained without grooming to reject societal norms of personal adornment. The Shiva, central to , is iconographically depicted with flowing jata, which in mythology the descending to prevent its destructive on , symbolizing cosmic control and ascetic power. Vedic scriptures describe Shiva and his followers as jaṭā-bearing, with the term denoting twisted or matted locks, textual references to proto-Shaivite figures like as early as circa 1500 BCE. Naga sadhus, ascetics affiliated with Shaivite orders, incorporate jata as part of their vows of , reflecting complete surrender to spiritual pursuits over physical . Ancient sects like the Kapalikas, known for extreme ascetic practices, also adopted jaṭā as a of their tantric devotion to . This underscores jata not as mere but as a physiological and commitment to transcendence, where unkempt hair accumulates spiritual energy akin to meditative focus. While less prominently documented, similar matted hair practices appear in other ascetic lineages, such as certain Buddhist and Jain , where they denote , though Hindu provides the most continuous and mythologically elaborated .

African and Diaspora Contexts

![Himba woman with traditional hairstyle](./assets/ -Himba_woman_Cropped.jpg) In traditional African societies, matted or locked hairstyles have served as markers of , age, marital condition, and spiritual across various ethnic groups. Among the of northwestern , women mix , , and into otjize paste, which they to their and to form plaited or dreadlock-like structures; these styles evolve with life stages, such as simple braids for unmarried girls transitioning to elaborate crowns for married women, symbolizing , beauty, and . The Maasai warriors, known as morans, of and northern cultivate long, thin dreadlocks dyed using extracts or , a practice that distinguishes them from other tribes and signifies their as and their attainment of status after rites around age 14-16. These locks, often adorned with beads, were historically used to intimidate enemies during raids and reflect a commitment to traditional pastoralist life. Other East African groups, such as the Pokot of who style locks as "ancestor " stored in sacks and the Shona who form thin "string ," incorporate locked styles into rituals denoting heritage or spiritual connection. In southern , traditional healers or shamans in some communities wear uncombed, matted to embody mystical power, linking the hairstyle to pre-colonial spiritual practices predating European contact. In African diaspora contexts outside Rastafari influence, locked hairstyles appear sporadically as echoes of continental traditions, such as in early 20th-century natural hair experiments among African Americans drawing from ancestral motifs, though widespread adoption remained limited until later cultural revivals. These practices underscore a continuity of hair as a medium for identity preservation amid displacement, with locked forms occasionally referenced in ethnographic accounts of maroon communities or Vodou practitioners in the Americas retaining African-derived grooming.

Rastafari and Modern Religious Adoptions

In the Rastafari movement, which originated in Jamaica during the 1930s, dreadlocks serve as a visible emblem of spiritual commitment, drawing directly from the biblical Nazarite vow outlined in Numbers 6:5, which mandates that "no razor shall come upon his head" as a mark of consecration to God. This practice embodies the Rastafarian principle of livity, emphasizing natural living in harmony with divine order, and rejects Western grooming norms associated with "Babylon," the term for oppressive materialistic society. Adherents view uncut, matted locks as symbolizing the "lion of Judah," referencing Haile Selassie I's imperial title and evoking strength, covenant with Jah (God), and resistance to cultural assimilation. Although , a foundational figure who began preaching Selassie's divinity around , did not personally adopt dreadlocks, the hairstyle gained traction among later Rastafarian subgroups. By the late , groups like the in Kingston explicitly incorporated dreadlocks, inspired partly by anti-colonial defiance akin to the Mau Mau fighters' matted hair in , though the Kenyan uprising formalized post-1949. The practice solidified in the and through communal settlements like those at Pinnacle, where Howell's followers experimented with holistic lifestyles, including natural hair growth as an act of self-determination and biblical fidelity. Globally, Rastafari's dreadlock tradition proliferated in the late via and figures like , whose 1970s prominence elevated the style as a marker of faith rather than mere fashion, with estimates of over one million adherents worldwide by the 2000s maintaining it as a core tenet. Beyond Rastafari, modern religious adoptions remain niche; isolated Nazarite-inspired practices appear in some independent Christian or Hebrew Israelite groups invoking the same scriptural vow for temporary or lifelong uncut hair, though without forming widespread institutional norms or matted styling akin to dreadlocks. No major contemporary religions outside Rastafari's orbit have systematically integrated dreadlocks as a doctrinal requirement, distinguishing the movement's unique synthesis of African diaspora identity, Ethiopianism, and Old Testament asceticism.

Formation and Methods

Natural vs. Intentional Formation

Dreadlocks form through the matting of fibers, where cuticles interlock to , , and the 's inherent , particularly in tightly coiled or kinky textures that promote twisting and knotting without intervention. In formation, also termed freeform or neglect method, is washed regularly but not combed or manipulated, allowing sections to tangle progressively over 1 to 3 years into irregular, rope-like strands as shed hairs and new growth entwine. This relies on the 's elliptical cross-section in curly types, which causes fibers to coil around each other, mimicking felting under compression and agitation from daily activities. Intentional formation accelerates this matting via deliberate techniques to achieve faster, more controlled results, often within weeks to months. Common methods include palm-rolling, where dampened sections are rubbed between palms to encourage tightening; two-strand twisting, which pre-aligns fibers for locking; backcombing to build knots from the roots; and crochet interlocking, using a hook to weave loose hairs into the forming dread. These approaches produce uniform diameters and shapes but require suitable hair length—typically 2 to 6 inches—and texture, as straight hair resists without aids like wax, which can lead to buildup if overused. While natural methods yield organic, variable dreads that align with ascetic traditions emphasizing minimal interference, intentional techniques enable customization for aesthetics or professions but may introduce uneven tension if poorly executed, potentially exacerbating breakage in fragile hair. Empirical observations indicate natural dreads mature slower yet integrate shed hairs more seamlessly without residue, contrasting intentional ones that might loosen prematurely without maintenance. Both rely on the same causal mechanism of progressive felting, but intentional variants demand skill to avoid artificial stiffness.

Techniques and Tools

Intentional dreadlock formation begins with parting clean, dry into even sections, often using a fine-tooth or rake to create square, rectangular, or brick parts sized 0.5 to 1 inch apart, depending on desired lock thickness and texture. Brick parting is a sectioning technique where the hair is parted in staggered, offset rows resembling the arrangement of bricks in a wall, avoiding straight grid lines for a more natural, organic appearance as the locs mature, better scalp coverage, and reduced tension on hair follicles compared to square or straight parting. This step promotes uniform matting and prevents irregular growth. Common techniques then initiate knotting through mechanical tangling or , accelerating the natural felting process observed in uncombed . Backcombing, also known as teasing, involves holding a section of hair at the tip and repeatedly combing it backward toward the scalp with a fine-tooth dreadlock comb, building a knotted base that expands over time. This method suits various hair textures but requires patience to avoid excessive tension. Two-strand twisting divides each section into two parts, twists them tightly in one direction, then secures with rubber bands or clips at the root until fusion begins, typically within weeks for coarse hair. Palm rolling follows twisting or backcombing by lubricating sections with lightweight oil and rolling them firmly between oiled palms in a cylindrical motion to encourage internal frizz and looping. The crochet method, popular for quicker results, uses a small crochet —often 0.6 to 0.75 in diameter—to interlock by pulling loose strands through the forming lock base, creating tight knots that mature faster than freeform approaches. Interlocking variants employ a latch or specialized tool to weave sections in a bricklay pattern, mimicking sisterlock techniques for finer locks. Tools like sectioning clips, elastic bands for temporary holds, and optional beeswax or gel for initial hold are used sparingly to minimize residue, as excessive products can hinder natural locking. Freeform or neglect methods rely on minimal tools, simply parting and allowing friction from daily wear to mat it organically over 6-12 months. Selection of technique depends on hair type, with coily textures locking more readily via twisting or neglect, while straighter hair benefits from backcombing or crochet for structure.

Maintenance and Health Aspects

Hygiene and Care Practices

Proper hygiene for dreadlocks requires regular to remove sebum, , and product residue from the and locks, preventing issues like buildup, , or infections. For afro-textured commonly used in dreadlocks, the British Association of Dermatologists recommends cleansing every 1-3 weeks with a gentle, residue-free to maintain without excessive stripping of oils. Clarifying shampoos are preferred over conditioning varieties, as they dissolve buildup effectively while allowing to penetrate the matted during thorough saturation and rinsing. more frequently, such as weekly for those with oily scalps or , may be necessary but should use anti-residue formulas to avoid weakening locks over time. Complete drying after washing is critical to inhibit mold and mildew, which can develop in retained moisture within the locks' dense fibers. Excess water should be gently squeezed out using a microfiber towel or absorbent cloth, followed by air drying in a well-ventilated area; low-heat blow drying can assist but risks damage if overused. Sleeping with damp locks should be avoided, as prolonged humidity fosters bacterial growth and odors. Scalp maintenance involves daily or bi-weekly moisturizing with lightweight, water-soluble oils or mists to combat dryness and promote circulation, applied through gentle to distribute evenly without saturating the locks. Heavy butters or waxes are discouraged, as they trap moisture and exacerbate buildup. Periodic detox rinses, such as diluted solutions, can clarify further but require full rinsing to prevent residue. Ongoing care practices emphasize minimal intervention to preserve lock : retwisting or palm-rolling new growth every 4-6 weeks with tension reduces while avoiding traction , a scarring hair loss condition resulting from chronic follicular pulling, which affects up to 31.7% of women with tension styles. Protective measures include loose partings during maintenance and periodic style breaks to allow follicle recovery. Adhering to these methods supports long-term , though factors like hair and environment may necessitate adjustments.

Potential Risks and Benefits

Dreadlocks function as a by bundling strands, thereby reducing mechanical manipulation, exposure to styling products, and environmental stressors that contribute to breakage. This effect can facilitate retention over time, as the matted limits at the ends and minimizes daily handling. Additionally, dreadlocks typically require no chemical relaxers or frequent styling, avoiding associated from alkaline substances or . Despite these advantages, dreadlocks pose risks of traction alopecia when formed or maintained with excessive tension, as the pulling on follicles disrupts the hair growth cycle and can cause . Ponytails on dreadlocks can be safe if kept loose and not performed too frequently or tightly; however, tight ponytails, particularly high or repeated styles often done by barbers, may cause damage including breakage, root thinning, or traction alopecia from tension on hair follicles. A review of 19 studies confirmed a association between tight hairstyles, including dreadlocks, and this reversible form of hair loss if addressed early, though prolonged tension may lead to scarring and permanent follicle damage. Natural dreadlocks without extensions carry a lower traction risk compared to weighted variants, but improper techniques still elevate vulnerability, particularly along the hairline. Hygiene challenges arise from the style's , which can trap sebum, sweat, and ; studies note intervals of 63 days, heightening susceptibility to seborrheic —a yeast-driven condition marked by flaking and irritation. Accumulated moisture within locks may also promote fungal overgrowth or bacterial , exacerbating itchiness, inflammation, and potential infections if not mitigated by regular cleansing and . Overall, while dreadlocks offer practical benefits for low-intervention , their outcomes depend heavily on installation gentleness, consistent , and adherence to avert dermatological complications.

Social Perceptions and Controversies

Discrimination against individuals wearing dreadlocks has primarily arisen in employment contexts, where grooming policies prohibiting such hairstyles have been challenged as racial discrimination under Title VII of the Civil Rights Act of 1964. In EEOC v. Catastrophe Management Solutions (2013), the Equal Employment Opportunity Commission (EEOC) sued a claims processing company for denying employment to a Black applicant due to her dreadlocks, arguing the policy had a disparate impact on Black employees because dreadlocks are culturally and historically associated with African descent. The case settled with the employer agreeing to revise its policy and pay damages, highlighting early recognition of potential racial bias in hairstyle restrictions. Federal appellate courts, however, have often ruled that bans on dreadlocks do not constitute intentional racial discrimination, as hairstyles are mutable and not an immutable racial characteristic protected under Title VII's disparate treatment framework. In EEOC v. Catastrophe Management Solutions (11th Circuit, 2016), the court affirmed summary judgment for the employer in the Chastity Jones case, where a job offer was rescinded solely because of her dreadlocks; the ruling emphasized that Title VII prohibits discrimination based on race itself, not cultural expressions like hairstyles, even if they disproportionately affect one racial group. A petition for certiorari to the U.S. Supreme Court was denied in 2018, leaving the decision as binding precedent in the 11th Circuit but prompting legislative responses elsewhere. In response to such rulings, the CROWN Act (Creating a Respectful and for ) enacted in over U.S. states and municipalities since California's passage in , explicitly prohibiting and discrimination based on or protective styles, including dreadlocks (also called locs). These laws address the federal gap by treating such hairstyles as tied to racial identity, with proponents citing of bias in enforcement of "professional" grooming standards that favor Eurocentric appearances. Federal efforts, such as H.R. 2116 in the 117th Congress, have stalled, maintaining variability across jurisdictions. Religious discrimination claims under VII have succeeded more frequently when dreadlocks are mandated by , particularly for Rastafarians who view uncut as a biblical covenant. In EEOC v. HospitalityStaff (2016), a staffing firm fired a Rastafarian employee for refusing to cut his dreadlocks, leading to an EEOC lawsuit alleging failure to accommodate religious beliefs absent undue hardship; the case underscored that employers must reasonably accommodate sincerely held practices. Similarly, in 2023, a Kentucky grocery store's refusal to hire a dreadlocked Rastafarian applicant unless he cut his was deemed protected religious expression, with the court denying summary judgment to the employer. In correctional settings, forced removal of dreadlocks from Rastafarian has triggered lawsuits under the Religious Land Use and Institutionalized Persons Act (RLUIPA), which requires prisons to justify substantial burdens on religious exercise. Cases like Ware v. Louisiana Department of Corrections (filed 2017) challenged involuntary shaving as violating Rastafarian tenets, resulting in settlements or damages awards. In November 2022, a federal court ordered compensation for two Rastafarian forcibly shaven in , affirming RLUIPA violations. The U.S. granted in June 2025 for a related case involving a Rastafarian prisoner's shaved dreadlocks, potentially clarifying qualified immunity and RLUIPA's application to damages claims.

Cultural Appropriation Claims and Counterarguments

Claims of cultural appropriation regarding dreadlocks primarily emerged in the through and activist , asserting that the belongs to cultures, particularly , and that by or non-black individuals exploits it without enduring the associated or historical . For example, a documented a at San Francisco's Springfree where a woman was pressured to cut her dreadlocks, with the aggressor claiming it as a "black" style tied to slavery-era resistance. Similarly, EBONY magazine in criticized celebrities like Justin Bieber for wearing locs, arguing it diminishes the hairstyle's role as a symbol of black identity and resilience against Eurocentric grooming norms enforced during colonial and Jim Crow eras. Proponents of these claims often link dreadlocks to broader black hair politics, including workplace and school bans, which prompted legislative responses like California's CROWN Act in prohibiting such in employment. Counterarguments emphasize dreadlocks' pre-Rastafarian origins and global prevalence, rejecting racial exclusivity as ahistorical. The hairstyle's formation—hair matting naturally or intentionally—appears in archaeological and textual records across continents millennia before Rastafari's emergence in 1930s Jamaica, where dreadlocks gained prominence among adherents around 1949 via groups like the Youth Black Faith, drawing from Nazarite vows in Leviticus 21:5 and ascetic influences. Earliest written descriptions date to Vedic scriptures circa 1500 BCE, referencing "jataa" or twisted matted locks worn by Hindu deities like Shiva and ascetics symbolizing renunciation. In ancient Egypt, mummified remains and artifacts, including wigs resembling locks, provide evidence from as early as 2500 BCE, worn by diverse social classes for practical and ritual purposes. Roman accounts of Celtic warriors describe hair styled into snake-like locks using lime or grease, suggesting similar matted formations in pre-Christian Europe. These historical precedents, corroborated by diffusion rather than in any single group, undermine appropriation narratives by illustrating dreadlocks as a functional adaptation to texture, , and spiritual vows, not proprietary to one . Critics of the claims note that Rastafari's itself involved from Hindu indentured laborers in and Ethiopian , mirroring broader cultural borrowing. prioritizes this universality over modern identity-based restrictions, as no peer-reviewed anthropological consensus supports exclusive ; instead, studies highlight dreadlocks' independent in isolated societies like the Inca. Mainstream amplification of appropriation views, often in outlets with documented ideological tilts toward emphasizing group grievances, tends to overlook such records in favor of 20th-century associations.

Media, Fashion, and Subcultural Associations

In the realm of popular music and media, dreadlocks achieved widespread visibility in the 1970s through reggae artist Bob Marley, whose international breakthrough albums like Exodus (1977) featured his signature hairstyle, embedding it in global countercultural imagery. This exposure extended to film and television, with actress Whoopi Goldberg sporting dreadlocks in the 1980s, notably during her early career appearances, which normalized the style among broader American audiences. By the 1990s and 2000s, dreadlocks appeared in hip-hop media, where artists like Lauryn Hill and Erykah Badu integrated them into music videos and performances, linking the hairstyle to expressions of Black identity and artistic rebellion. Fashion adoption accelerated in the late 20th century, transitioning dreadlocks from subcultural markers to runway elements. Designers at events like began incorporating dreadlock-inspired extensions in collections by the , with brands such as facing backlash in 2016 for featuring white models with dreadlocks, highlighting tensions over stylistic borrowing. Contemporary trends, as of , blend traditional locs with modern styling, seen in salon techniques for sleek, maintained dreadlocks among African professionals, reflecting a shift toward professionalized rather than purely symbolic wear. Subculturally, dreadlocks associate strongly with hip-hop since the 1980s, where they symbolize resistance and cultural pride; rappers including , who debuted dreadlocks in his 2014 album 2014 Forest Hills Drive era, and members have worn them as integral to their visual branding in videos and live shows. In alternative scenes, figures like have sported dreadlocks across rock and genres since the 1990s, associating the style with bohemian . These links persist in media portrayals, though mainstream fashion's embrace often dilutes original subcultural connotations tied to spiritual or political defiance.

Modern Developments

Dreadlocks gained prominence in Western fashion during the 1960s movement, where they were adopted by hippies as a of rebellion against conventional grooming norms, influenced by encounters with Rastafarian styles during travels to and . This trend accelerated in the 1970s through reggae musician Bob Marley's global fame, which popularized dreadlocks as an of spiritual and identity, leading to their in music festivals and subcultures. By the 1980s, Whoopi Goldberg's on-screen presence further normalized the style in , bridging it from niche to broader appeal. In contemporary fashion, dreadlocks have evolved into versatile styles influenced by hip-hop and urban culture, with rappers such as , , and sporting them since the 1990s, contributing to their integration into streetwear and high-fashion runways. Directors like and performers including have showcased refined loc variations, such as tapered or colored dreads, in red-carpet appearances, aligning with 2020s trends emphasizing individuality and low-maintenance aesthetics. Commercial stylists report rising demand for modern adaptations like butterfly locs and goddess locs in 2025, driven by social media platforms where these appear in over 10 million user-generated posts annually, though such data from beauty aggregators may reflect promotional incentives rather than unfiltered consumer behavior. In sports, dreadlocks have become a common among professional , particularly in contact-heavy disciplines, with approximately 60% of NFL players featuring dreadlocks or braids being defensive specialists as of , valued for their during tackles. Basketball saw early by players like in the late 1990s, whose long dreads symbolized resilience and style, influencing subsequent stars and correlating with the hairstyle's presence in about 20% of NBA rosters by the 2010s based on player profile analyses. Soccer pioneers such as in the 1980s and modern forwards like Rafael Leão demonstrate dreadlocks' persistence in European leagues, often cited for practical benefits like added helmet padding in American football or wind resistance in track events observed at the 2024 Paris Olympics. Despite NFL rules permitting hair-grabbing as an extension of uniform since the 2000s "Ricky Rule," many athletes retain the style for cultural pride, with no empirical evidence linking it to performance detriment but anecdotal reports of it enhancing perceived intimidation.

Notable Records and Figures

Asha Mandela of , , holds the for the longest locks (locs) on a living , measured at 5.96 m (19 ft 6.5 in) during verification on CBS's The Early Show in on , , with the record reaffirmed in subsequent publications as of . Although the category faced temporary suspension in pending investigation into claims for holders, Mandela's achievement remains the officially recognized benchmark, grown over more than four decades without cutting. Bob Marley, the Jamaican reggae musician (1945–1981), stands as the most globally influential figure associated with dreadlocks, adopting them in the late 1960s as a symbol of Rastafarian commitment to Nazarite vows from Leviticus 21:5 and resistance to Babylonian conformity, which propelled their visibility through his music and public persona starting in the 1970s. Marley's dreadlocks, often exceeding shoulder length by the mid-1970s, featured prominently in albums like Catch a Fire (1973) and his 1978 Kaya tour, embedding the style in mainstream Western culture amid reggae's rise, with sales exceeding 75 million records worldwide by 2023. Other notable figures include early Rastafarian pioneers like Leonard Howell (1898–1981), who influenced dreadlock adoption in Jamaica's 1930s Back-to-Africa movement, though photographic evidence of his personal style remains sparse and unverified beyond textual accounts. In contemporary contexts, athletes such as American football player DeAndre Hopkins have worn dreadlocks measuring over 2 feet during NFL games, contributing to discussions on hairstyle regulations, but no formal length records beyond Mandela's exist in verified databases.

References

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