Rush discography

The discography of Rush, the Canadian progressive rock band formed in Toronto in August 1968, consists of 19 studio albums released between 1974 and 2012, alongside 11 live albums, 12 compilation albums, and various singles, extended plays, and video releases.^[1][2][3] Comprising bassist/vocalist/keyboardist Geddy Lee, guitarist Alex Lifeson, and drummer/lyricist Neil Peart (who performed on all studio recordings until his death in January 2020), Rush achieved enduring commercial success with their complex, musicianship-driven sound blending hard rock, progressive elements, and later synthesizers.^[1][4] The band's recordings have sold more than 40 million copies worldwide, including over 26 million certified units in the United States alone.^[1][5] Rush's debut self-titled album arrived in March 1974 on Mercury Records, marking the start of a prolific output that saw the band release new studio material roughly every two to three years through the 1970s and 1980s, with longer gaps in later decades following Peart's 1997–2002 hiatus due to personal tragedies.^[6] The RIAA has certified 24 of their releases as gold (500,000 units) and 14 as platinum (1,000,000 units, including three multi-platinum), recognizing Rush for the third-highest number of consecutive gold or platinum studio albums by a rock band—behind only the Beatles and the Rolling Stones.^[6] Key milestones in the discography include the epic concept album 2112 (1976), which established their progressive rock identity and earned triple platinum status; the synthesizer-heavy Signals (1982) and Grace Under Pressure (1984), bridging their experimental phase; and the multi-platinum commercial peaks Permanent Waves (1980) and Moving Pictures (1981), the latter featuring enduring hits like "Tom Sawyer" and "Limelight" while reaching quadruple platinum.^[6] Later works such as Counterparts (1993), Vapor Trails (2002), and the final studio effort Clockwork Angels (2012)—a concept album produced with Nick Raskulinecz—reflected a return to guitar-driven roots amid critical acclaim.^[2] Live recordings like All the World's a Stage (1976), Exit... Stage Left (1981), and A Show of Hands (1989) captured their evolving stage prowess, while compilations such as Chronicles (1990) and The Spirit of Radio: Greatest Hits 1974–1987 (2003) highlighted their singles legacy.^[3] Following the *Clockwork Angels* tour, Rush retired from live performances in 2015 after the R40 anniversary trek, but in October 2025, surviving members Lee and Lifeson announced a reunion tour for 2026—dubbed the "Fifty Something Tour"—with new drummer Anika Nilles, though no new studio material has been confirmed.^[1][7] This body of work cements Rush's influence on progressive and hard rock, with reissues, box sets like The Albums 1989–1996 (2024)^[8] and the Rush 50 super deluxe edition (2025),^[9] and anniversary editions continuing to introduce their catalog to new generations.^[8]

Albums

Studio albums

Rush, the Canadian progressive rock band, released 19 studio albums between 1974 and 2012, marking their primary creative output as a trio consisting of Geddy Lee, Alex Lifeson, and Neil Peart (who joined prior to the second album). These albums evolved from hard rock roots influenced by Led Zeppelin and Jimi Hendrix to intricate progressive compositions incorporating science fiction themes, philosophical lyrics, and technical virtuosity, with production often handled by the band alongside collaborators like Terry Brown and Peter Collins. Initially released on vinyl through Mercury Records, later albums appeared on labels such as Atlantic and Roadrunner, with CD formats becoming standard from the 1980s onward; the band's discography has sold over 26 million copies in the United States alone.^[5] The RIAA has certified 12 of these albums platinum or multi-platinum, highlighting their commercial success in North America.^[10] The following table lists all studio albums in chronological order, including release dates, labels, peak chart positions on the Billboard 200 (US), RPM Top Albums (Canada for pre-1996, then Billboard Canadian Albums), and UK Official Albums Chart, as well as certifications from RIAA (US), Music Canada, and BPI (UK). Chart positions sourced from Billboard for US, RPM/Billboard Canada for Canadian peaks, and Official Charts Company for UK; certifications from RIAA, Music Canada, and BPI records.^{[11][12][10][13][14]} Note: Early UK albums did not enter the top 75, hence no peak listed; Clockwork Angels lacks US certification as of latest data but sold over 100,000 copies in its debut week.^[15] The debut album Rush was recorded with original drummer John Rutsey and featured raw hard rock tracks, achieving modest chart success but establishing the band's presence in Canada.^[16] With Peart's arrival as lyricist and drummer for Fly by Night, the band shifted toward more complex arrangements, including the title track's optimistic themes of escape and renewal. Caress of Steel explored fantasy epics like "The Necromancer," though it underperformed commercially, prompting a creative pivot. 2112, a landmark release, centered on a 20-minute title suite inspired by Ayn Rand's novella Anthem, blending dystopian narrative with virtuosic instrumentation and propelling the band to international attention. Subsequent albums like A Farewell to Kings and Hemispheres continued this progressive style, with the latter's "Cygnus X-1" suite drawing from space opera concepts and marking the end of their extended-side epics. From Permanent Waves onward, Rush incorporated new wave elements and shorter songs, achieving their commercial breakthrough; Moving Pictures became their best-seller with over 4 million US sales, featuring hits like "Tom Sawyer" and "Limelight" that showcased synthesized keyboards alongside guitar prowess.^[17] The 1980s synth-heavy phase, seen in Signals, Grace Under Pressure, Power Windows, and Hold Your Fire, emphasized electronic textures under producer Peter Collins, reflecting the era's technological influences. The 1990s albums Presto, Roll the Bones, Counterparts, and Test for Echo returned to guitar-driven rock, with Counterparts exploring mature themes of relationships and power dynamics. After a hiatus following Peart's personal tragedies, Vapor Trails (2002) delivered raw, emotional tracks recorded with producer Paul Northfield, capturing the band's resilience. Snakes & Arrows (2007) blended world music elements and spirituality, while the final album Clockwork Angels (2012) formed a loose concept narrative inspired by steampunk and alchemy, co-produced by Nick Raskulinecz and closing the discography on a high note with orchestral flourishes. Recent reissues include the 2024 vinyl box set Rush: The Studio Albums 1974–1987. All albums were initially issued on vinyl and cassette, with CD reissues following; total worldwide sales exceed 40 million units.^[1]

Live albums

Rush's live albums serve as vital documents of the band's electrifying stage presence, capturing the intricate interplay between Geddy Lee's soaring vocals and bass, Alex Lifeson's layered guitar work, and Neil Peart's virtuoso drumming across decades of touring. Beginning with their debut live release in 1976, these recordings highlight the evolution from the raw, progressive intensity of early shows to the polished, multimedia spectacles of later tours, often featuring extended improvisations and tour-specific arrangements that differ from studio versions. Over nearly four decades, Rush released 11 live albums, many achieving strong commercial performance and certifications, reflecting their enduring appeal to fans seeking the unfiltered energy of concerts. The following table summarizes the band's live albums, including release details, chart performance, certifications, recording information, and notable aspects: These releases not only preserved Rush's touring legacy but also provided fans with access to performances that often surpassed studio recordings in intensity, contributing to the band's reputation as one of rock's premier live acts. Later albums like R40 Live underscore the finality of their 2015 retirement from touring, encapsulating 40 years of innovation on stage.

Compilation albums

Rush's compilation albums serve as retrospective collections that curate selections from the band's extensive studio catalog, highlighting key tracks from specific eras or career-spanning highlights. Released from 1978 onward, these albums often feature double-disc formats or thematic focuses, such as early progressive rock phases or 1980s hits, and have collectively earned multiple certifications for sales achievements. They differ from full-length studio releases by emphasizing popular singles and fan favorites rather than complete album experiences, contributing to the band's enduring commercial legacy.^[22] The band's first compilation, Archives, was issued in January 1978 by Mercury Records as a single-disc overview of their initial three studio albums (Rush, Fly by Night, and Caress of Steel), peaking at No. 142 on the US Billboard 200 and later certified Platinum by the RIAA for one million units sold.^[23] Track highlights include "Working Man" and "Fly by Night," capturing the raw, developing sound of Rush's early years.^[3] In 1990, Mercury released Chronicles, a double-disc set spanning 1974 to 1989, which reached No. 51 on the US Billboard 200 and achieved 2× Platinum status from the RIAA.^[24] This collection emphasized hits like "Closer to the Heart" and "Tom Sawyer," serving as an accessible entry point for new listeners and boosting sales of earlier material.^[25] The Retrospective series, beginning with Retrospective I (1974–1980) in May 1997 on Mercury (US No. 141, Gold RIAA), focused on the band's formative era with tracks such as "The Spirit of Radio" and "Freewill." Retrospective II (1981–1987) followed the same year (US No. 159), highlighting synth-heavy hits like "Subdivisions" and "Time Stand Still." Retrospective III (1989–2008) arrived in 2009 (US No. 158), covering later works including "Show Don't Tell" and "Far Cry." Each volume in the series used a single-disc format to delineate distinct creative periods. The Spirit of Radio: Greatest Hits 1974–1987, a 2003 Mercury double-disc release, peaked at No. 48 on the US Billboard 200 and earned Gold certification from the RIAA. It chronologically arranged 20 tracks, from "Working Man" to "Time Stand Still," with a bonus DVD of music videos in some editions, appealing to fans of Rush's radio-friendly progressive phase. Gold, issued in April 2006 by Mercury as a career-spanning double-CD without a Billboard chart entry, repackaged selections from the Retrospective volumes, featuring essentials like "Limelight" and "New World Man" to celebrate the band's 30+ years. It achieved Platinum status in Canada via Music Canada.^[26] Later compilations include Icon (2010, Mercury, digital-focused greatest hits, no major chart), and Sector Standard (2000, Anthem/Mercury, 2-CD career overview, Platinum in Canada) provided a broad retrospective up to Vapor Trails. The most recent, Rush 50 (March 21, 2025, Anthem/Roadrunner, US No. 160), marks the band's 50th anniversary with curated hits and rarities, pending certifications. These releases underscore Rush's sales impact, with compilations collectively surpassing several million units worldwide.^[16]

Singles and extended plays

Extended plays

Rush's discography includes one extended play, serving as a limited release that bridged the gap between full-length albums and singles. The band's EP, Feedback, marked a departure as a collection of covers honoring their 1960s influences, released on June 29, 2004, by Atlantic Records in the US and Anthem Entertainment in Canada to celebrate Rush's 30th anniversary.^[27] Recorded at Phase One Studios in Toronto between March and April 2004 and produced by the band alongside David Leonard, the sessions occurred amid preparations for their Vapor Trails tour, allowing the members to revisit formative songs in a relaxed setting.^[27] The EP features seven tracks: "Summertime Blues" (Eddie Cochran), "Heart Full of Soul" (The Yardbirds), "For What It's Worth" (Buffalo Springfield), "The Seeker" (The Who), "Mr. Soul" (Buffalo Springfield), "Seven and Seven Is" (Love), and "Shapes of Things" (The Yardbirds).^[27] It achieved commercial success, peaking at number 19 on the US Billboard 200 chart and number 6 on the Canadian Albums Chart, while earning gold certification in Canada for sales exceeding 40,000 units.

Singles

Rush released numerous commercial singles from 1974 to 2012, primarily issued by Mercury Records in North America and Vertigo internationally, with later releases on Atlantic Records starting in 2002. These singles were typically drawn from their studio albums and released in formats such as 7-inch vinyl, 12-inch vinyl, cassette, and digital downloads after 2000. While few achieved significant pop chart success in the US or UK due to the band's progressive rock style, they fared better on rock-oriented charts, with 10 Top 10 hits on the US Billboard Mainstream Rock Tracks chart, including five number-one positions. In Canada, several singles topped the RPM Top Singles chart, reflecting the band's strong domestic popularity. B-sides often paired album tracks or live recordings, and certifications were rare but included gold status in Canada for select releases like "New World Man."^[28][12] The following table lists main commercial singles chronologically, including release dates where available, labels, peak chart positions, notable B-sides, and certifications. Chart data focuses on key markets; positions are from Billboard for US, RPM for Canada (where available), and Official Charts Company for UK. Many early singles did not chart highly on pop charts but gained airplay on rock radio. Notable achievements include "New World Man" as Rush's only Top 40 Hot 100 hit and a number-one single in Canada, while "Tom Sawyer" and "Show Don't Tell" topped the Mainstream Rock chart. Digital reissues in the 2000s made many singles available on platforms like iTunes, boosting retrospective streams.^[29][28]

Promotional singles and other charted songs

Rush released numerous promotional singles targeted at radio stations, featuring edited versions or special mixes of album tracks to boost airplay without commercial availability. These efforts, spanning from the mid-1970s to the band's final tours in 2015, often propelled songs to notable positions on Billboard's Mainstream Rock chart, where airplay was the primary metric for success prior to the digital era. Unlike full commercial singles, these promos were distributed in limited formats like vinyl 7"s, cassettes, and later digital files, focusing on broadcasters to expand the band's reach beyond album sales. Early promos emphasized live and edited tracks from foundational albums. For instance, in 1975, Mercury Records issued a 7" vinyl promo of "Lakeside Park" backed with "Bastille Day" from Caress of Steel, aimed at U.S. radio to highlight the band's evolving sound amid initial commercial struggles.^[30] By the early 1980s, as Rush embraced shorter, radio-friendly structures, promos like the 1980 short version of "The Spirit of Radio" from Permanent Waves—a 4:55 edit condensed for airplay—peaked at No. 51 on the Mainstream Rock chart, marking one of the band's first significant radio-driven successes.^[31][29] Airplay propelled several non-promo tracks to higher chart peaks, establishing Rush's dominance on rock radio. "Tom Sawyer" from 1981's Moving Pictures reached No. 1 on Mainstream Rock through heavy rotation, despite no initial promo single, becoming a staple that showcased the band's fusion of synthesizers and progressive elements.^[29] Similarly, "Subdivisions" from Signals (1982) climbed to No. 5 on the same chart via airplay, its sequencer-driven intro capturing suburban alienation and influencing subsequent synth-rock trends.^[29] Other standout airplay hits included "New World Man" (No. 1, 1982) and "Limelight" (No. 4, 1981), both from Signals and Moving Pictures, respectively, which highlighted the band's peak commercial radio appeal without physical promo support.^[29] In later years, promos adapted to digital formats and tour tie-ins. The 1989 cassette promo for "Show Don't Tell" from Presto secured a No. 1 Mainstream Rock peak for two weeks, emphasizing the band's return to guitar-driven rock.^[32] By 1991, the Canadian CD promo of "Dreamline" from Roll the Bones drove a four-week No. 1 run on Mainstream Rock, reflecting Rush's enduring radio viability.^[33] During the 2015 R40 40th Anniversary Tour, digital promos tied to the "12 Months of Rush" reissue campaign featured remastered tracks like "The Analog Kid" for radio specials, supporting airplay resurgence amid the band's farewell performances.^[34] Overall, these approximately 20 promo and airplay entries from 1975 to 2015 underscored Rush's radio-centric strategy, with over 40 Mainstream Rock chart appearances driven primarily by broadcast momentum rather than sales.^[29]

Video releases

Video albums

Rush's video albums encompass concert films, tour documentaries, and behind-the-scenes releases that capture the band's dynamic live performances and creative process from their early 1980s tours through their 2015 R40 farewell tour. These 12 official releases, distributed on VHS, LaserDisc, DVD, and Blu-ray by labels including Mercury, Anthem, and Eagle Rock Entertainment, highlight Rush's evolution as a progressive rock trio, often featuring elaborate lighting, pyrotechnics, and Neil Peart's intricate drumming. Several achieved significant commercial milestones, such as topping Billboard's Music Video Sales chart and earning multi-platinum certifications, reflecting the band's enduring fanbase and the growing popularity of home video formats during this period.^[35][36] The following table lists all 12 video albums, including release details, formats, peak chart positions where applicable, and certifications. Exit... Stage Left documents the band's 1981 Moving Pictures World Tour with performances from shows in Toronto and Montreal, running 90 minutes and including interviews and archival footage for a runtime that emphasizes their stage presence during a pivotal era. The Grace Under Pressure Tour video, filmed at Maple Leaf Gardens in 1984, spans 85 minutes of the Signals tour's setlist, featuring hits like "The Spirit of Radio" and earning its platinum status for over 100,000 US units sold by 1990. A Show of Hands, recorded across three 1988 Hold Your Fire tour dates, offers a 110-minute showcase of their technical prowess, with bonus material on later DVD reissues. A Concert for 30,000 captures a 1990 Presto! tour performance at Maple Leaf Gardens for 30,000 fans, lasting 120 minutes and focusing on fan interactions alongside tracks from Presto and earlier albums. Replay × 3 compiles remastered editions of Exit... Stage Left, the Grace Under Pressure Tour, and A Show of Hands into a three-DVD set, providing historical context through improved video quality and totaling over five hours.^[37] Rush in Rio, filmed during their 2002 Vapor Trails tour at Rio de Janeiro's Maracanã Stadium before 60,000 attendees, runs 150 minutes with a 50-minute bonus documentary on the tour's challenges, debuting at #1 on the Billboard Music Video Sales chart and certified diamond in Canada for 100,000 units.^[38] R30: 30th Anniversary World Tour, recorded in 2004 at the Festhalle in Frankfurt, features a 180-minute setlist spanning the band's career with pyrotechnic effects, peaking at #2 on the US Music Video chart. Snakes & Arrows Live documents the 2007-2008 Snakes & Arrows Tour from the Ahoy arena in Rotterdam, offering 140 minutes of performance plus a 30-minute tour documentary, achieving double platinum status in Canada. Beyond the Lighted Stage, a 2009 documentary directed by Sam Dunn and Scot McFadyen, explores the band's formation and Neil Peart's integration through interviews and archival clips, running 87 minutes and earning a Grammy nomination for Best Music Film. Clockwork Angels Tour captures the 2012-2013 tour supporting their final studio album, filmed at the Metropolis Studios in London for a 140-minute runtime including full set and behind-the-scenes footage. R40 Live, from the band's 2015 tour at the Air Canada Centre, comprises a five-DVD/Blu-ray set totaling over 10 hours across multiple shows, peaking at #3 on the Billboard Music Video Sales chart and certified platinum in Canada.^[39] Time Stand Still, a 2016 documentary (initially released in theaters in 2015), follows the R40 tour with 90 minutes of interviews, performances, and fan stories, debuting at #2 on the Billboard Music Video chart.^[40] These releases complement the band's live audio recordings by preserving the visual spectacle of their concerts. No new video albums have been released as of November 2025.

Music videos

Rush's music videos began as simple promotional clips in the mid-1970s, coinciding with the band's early tours and album releases, and evolved into more elaborate productions during the 1980s MTV era, often featuring studio performances, conceptual narratives, and occasional guest appearances. These videos, totaling 31 official releases, encompass formats such as live footage, high-concept storytelling, and animation, reflecting the band's progressive rock aesthetic while adapting to video promotion demands. Directors like Bruce Gowers and Gerald V. Casale brought cinematic flair to several entries, helping Rush maintain relevance amid the visual music revolution.^[41][42] The following table lists Rush's music videos in chronological order by original release year, including directors where documented and notes on format or style. Early videos from 1975–1978 were rudimentary promos, often live or simple studio shots, produced to support album tours without the polish of later works. By the 1980s, Rush embraced MTV's influence, creating videos like "Tom Sawyer" and "Limelight" that showcased tight performances at Le Studio in Quebec, establishing the band as video-savvy prog rockers. High-concept entries, such as "Time Stand Still" with its innovative direction by Oscar-winning filmmaker Zbigniew Rybczyński, highlighted surrealism and collaboration, while animated or thematic clips like "Subdivisions" and "Mystic Rhythms" explored lyrical concepts visually. Later videos from the 1990s and 2000s shifted toward narrative depth and animation, reflecting the band's maturing style amid declining MTV dominance.^[41][43][42] Many of Rush's music videos were compiled in the 1999 DVD release Through the Camera Eye, which gathered key 1980s promos including "Subdivisions," "Tom Sawyer," and "The Enemy Within" for home viewing. Following the band's retirement from touring in 2015, official uploads to their YouTube channel beginning around 2012 made the catalog accessible, with HD remasters of classics like "Limelight" and "Time Stand Still" continuing to be added as of 2025, enhancing their legacy for new audiences.^[44][45]

Collected works

Box sets

Rush's box sets are multi-format archival collections that compile studio albums, live recordings, rarities, and bonus materials, often remastered for enhanced audio quality and accompanied by books, posters, and memorabilia. These releases, spanning from 1978 to 2025, provide comprehensive retrospectives of the band's progressive rock legacy, focusing on career-spanning overviews and milestone anniversaries rather than tour-specific sectors. They typically include unreleased tracks, alternate mixes, and high-resolution audio to appeal to dedicated fans. The inaugural box set, Archives, was released in 1978 as a 3-LP compilation of the band's first three studio albums—Rush (1974), Fly by Night (1975), and Caress of Steel (1975)—showcasing their early hard rock and progressive influences.^[46] This set achieved Platinum certification in the United States by the RIAA in 1995, reflecting over 1 million units sold.^[10] In 2016, the 2112 40th Anniversary super deluxe edition includes 2 CDs (remastered original album and 5 covers by guest artists including Dave Grohl and Steven Wilson), 3 LPs, and a DVD with a 1976 live performance from the Roxy Theatre, instrumental versions, and bonus videos, plus a book with rare photos emphasizing the album's sci-fi narrative inspired by Ayn Rand.^[47] The Permanent Waves 40th Anniversary super deluxe edition, released in May 2020, is a 2-CD/3-LP configuration with the remastered original album and unreleased live recordings from the 1980 tour (12 tracks), and a 40-page book with essays and photos.^[48] Unique elements include a replica tour program, backstage laminate, poster, notepad, and lyric sheets, highlighting the album's breakthrough hits like "The Spirit of Radio." The Moving Pictures 40th Anniversary super deluxe edition from April 2022 offers a 3-CD/5-LP + Blu-ray set with the remastered album, full unreleased 1981 Live in YYZ concert (CD2), four unreleased live tracks from the 1981 tour (CD3), new 5.1 surround and Dolby Atmos mixes on Blu-ray (including videos for "YYZ," "Tom Sawyer," and "Limelight"), and a 44-page book. It incorporates high-resolution audio and a lenticular cover art, underscoring the album's status as Rush's commercial peak.^[49] The Signals 40th Anniversary super deluxe edition, issued in September 2023, includes a remastered CD/LP, Blu-ray with new Dolby Atmos and 5.1 mixes plus hi-res stereo, four 7-inch singles with 1982-1983 live B-sides, and a 40-page book with liner notes by Rob Bowman. Notable features include an expanded tracklist with rarities and lithographs, focusing on the album's synthesizer-driven sound.^[50] The Complete Mercury Years, released in October 2018, is a 12-CD box set compiling all 12 studio albums from Rush's Mercury Records era (1974–1987), with 16 bonus tracks and remastered audio from the 2011 Sector sets.^[51] This collection provides a chronological overview of the band's formative years, from raw hard rock to intricate prog epics, in a slipcase with updated artwork. The Rush: The Albums 1989–1996 vinyl box set, available from November 2024, includes four double-LP reissues—Presto (1989), Roll the Bones (1991), Counterparts (1993), and Test for Echo (1996)—remastered at half-speed for audiophile quality.^[8] Limited to 5,000 copies, it captures Rush's late-Atlantic period with its blend of pop sensibilities and technical prowess. The Albums: 2002–2012, a 7-LP vinyl box set released on June 6, 2025, gathers the band's final four studio albums—Vapor Trails (2002, 2 LPs), Feedback (2004, 1 LP), Snakes & Arrows (2007, 2 LPs), and Clockwork Angels (2012, 2 LPs)—remastered from original tapes in a limited edition of 3,000 units.^[52] The set emphasizes their mature phase, including covers and conceptual storytelling. The R40 40th Anniversary collectors box set, released in November 2014, compiles live video performances from each decade of the band's career across 10 DVDs (or 6 Blu-rays), including full concerts from Rush in Rio (2003), R30 (2005), Snakes & Arrows Live (2008), Time Machine (2011), and Clockwork Angels (2013), plus a bonus disc with unreleased footage and interviews, housed in a 52-page hardback book. It was certified gold by the RIAA in 2017.^[53] Culminating the series, Rush 50, released on March 21, 2025, is a career anthology in multiple editions, with the super deluxe version featuring 4 CDs, 7 LPs, 2 books (including a 100-page graphic novel and 2112 hardcover), 50 tracks (including rarities from 1973 and unreleased vault mixes), live performances, 20 lithographs, and memorabilia.^[54] The set debuted at #160 on the US Billboard 200, drawing from every studio, live, and reissue album to mark the band's 50th anniversary.

Sector box sets

Rush's sector box sets are limited-edition collections of remastered studio albums from their Mercury Records era, released in 2011 as three separate volumes (Sectors 1, 2, and 3), each focusing on a specific chronological "sector" of their early career. These sets emphasize high-fidelity remasters (96kHz/24-bit), mini-LP replica packaging, comprehensive booklets with lyrics and photos, and a 5.1 surround sound DVD of one album per set, available in numbered editions for exclusivity. They complement broader archival efforts by providing targeted overviews of the band's progressive evolution from 1974 to 1989. The inaugural set, Sector 1 (November 2011), includes the first five albums—Rush (1974), Fly by Night (1975), Caress of Steel (1975), 2112 (1976), and A Farewell to Kings (1977)—remastered on 5 CDs in mini-LP sleeves, a 32-page booklet, and a DVD with 5.1 mix of A Farewell to Kings. Limited to 10,000 copies, it highlights their raw hard rock to emerging prog identity.^[55] Sector 2 (November 2011) covers albums Hemispheres (1978), Permanent Waves (1980), Moving Pictures (1981), Signals (1982), and Exit... Stage Left (live, 1981), with 5 CDs, booklet, and DVD 5.1 mix of Permanent Waves. It showcases their commercial breakthrough and synthesizer integration.^[55] Sector 3 (November 2011) compiles Grace Under Pressure (1984), Power Windows (1985), Hold Your Fire (1987), A Show of Hands (live, 1989), and Presto (1989; first Atlantic album but included), on 5 CDs, with booklet and DVD 5.1 mix of Grace Under Pressure. Limited edition, it captures their polished 1980s sound. The three sectors together form a complete Mercury-era collection when combined.^[55]