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Srugim
View on Wikipedia| Srugim | |
|---|---|
| Genre | Drama |
| Created by | Laizy Shapiro Havvah Deevon |
| Written by | Laizy Shapiro Hava Divon Ori Elon Yishai Goldflam Ilan Eshkoli Shmuel Haimovich Renanit Parshani Yael Rubinstein |
| Directed by | Laizy Shapiro |
| Starring | Ohad Knoller Amos Tamam |
| Opening theme | Ana Efne |
| Country of origin | Israel |
| Original language | Hebrew |
| No. of seasons | 3 |
| No. of episodes | 45 (list of episodes) |
| Production | |
| Executive producer | Eitan Abut |
| Producers | Jonathan Aroch Dikla Barkai |
| Camera setup | Ram Shweki |
| Running time | 40 minutes |
| Production company | Abut-Barkai Productions |
| Original release | |
| Network | Yes Stars |
| Release | June 23, 2008 – January 29, 2012 |
Srugim (Hebrew: סרוגים; literally, "knitted" or "crocheted") is an Israeli television drama that originally aired on Yes TV between 2008 and 2012. It was directed by Eliezer "Laizy" Shapiro, who co-created it with Havvah Deevon. The series depicted the lives of five Orthodox Jewish single men and women in their 30s who reside in Jerusalem.[1] The title is a reference to the crocheted skullcaps worn by men of that segment of Israeli society.[2] Srugim, which dealt with controversial issues in the Orthodox Jewish society in Israel, caused a public uproar within that sector.
The drama enjoyed high ratings, from both the religious and non-religious sects in Israel,[3] as well as with American Jews.[4] Many of the American Jews compared the issues of the characters in the show to those of the Upper West Side.[5] The show won five Israeli Academy of Film and Television Awards.
In 2012 it was announced that the show would not be renewed for a fourth season.[6]
Plot
[edit]Season 1
[edit]Yifat and Hodaya, who went to an all-girls school together, now share an apartment in Katamon, the hub of religious singles' social life in Jerusalem. Yifat meets Nati, a childhood friend who is now a doctor, and he introduces the two women to his roommate, Amir, a recently divorced teacher. Reut, an accountant who is also a religious feminist, joins their small band. The five are all Orthodox Jews, unmarried, and in their late twenties or early thirties; they must cope with a society that expects people to get married while young.
Yifat falls for Nati, who seems oblivious. When she confesses her feelings, he admits he knew it all along but does not reciprocate. Hodaya, who is becoming less pious, meets Avri, a secular archaeologist; they date, but Hodaya hides her religious lifestyle from him. Amir must deal with the stigma of being divorced, which hampers his chances to enter a new relationship; when he encounters his divorcée, Na'ama, their mutual loneliness leads them to have sex. They must divorce again in a Rabbinical court. Reut wants to chant the haftorah, and she convinces the initially reluctant Yochai to teach her. Though rejecting the notion of a woman chanting at first, he soon becomes enamored with her. When he cannot control himself and kisses Reut, he immediately proposes marriage. Unsure, she decides to keep dating him and sees another man simultaneously. Hodaya profanes the Sabbath for the first time in her life and then lets Avri drive her to the beach, where she tells him the truth.
Reut begins to lose interest in Yochai. Although intending to consummate her relationship with Avri, Hodaya flinches at the last moment, and she decides to end their romance, stating that the differences between them are too great. Tired of Jerusalem, Yifat moves to a quiet settlement. Amir begins visiting Yifat, and the two become close friends. Nati tries to approach her again, angering Amir. The two come to blows, but eventually they reconcile. Amir and Yifat decide to marry. After meeting up with her niece, who was evicted from Gaza and who consequently lost her faith, Hodaya resolves to disaffiliate. Reut breaks up with Yochai and goes on a long trip to India.
Season 2
[edit]Season 2 began approximately six months after the conclusion of season 1. Amir and Yifat get married, and now must cope with the new hardships, including fertility problems and the need to observe ritual purity. Amir returns to his roots and begins praying in a Tunisian synagogue with an old man named Shmuel. He is frowned upon by his Ashkenazi environment. Nati's mother dies, and his brother Roi moves in with him. Reut returns from India after six months, after missing Amir and Yifat's wedding, as well as the wedding of her sister Elisheva, who is now pregnant. Reut begins to date Roi, only to have Roi later reveal that he is a homosexual, to Nati's surprise. Reut refuses to give up on him and continues to date him, however Roi eventually ends things. Nati falls in love with Dafna, a divorced mother who works in his hospital as a medical clown, though he leaves her after realizing he cannot cope with raising her son. Hodaya, trying to lead a secular lifestyle, works in a pub and meets Assaf, another formerly religious man, with whom she loses her virginity. She breaks with him after discovering that he began practicing again.
Season 3
[edit]Yifat finally becomes pregnant. Roi has turned ultra-orthodox and has an arranged marriage. Amir quits his job as a teacher, finds a new one as Reut's secretary and finally receives a lifelong tuition to study in a Yeshiva. Nati has a new roommate, a poet named Azaria, who was abandoned by his fiancée, Tehila. Nati falls in love with Tehila but cannot convince her to see him for she vowed to remain single until Azaria finds a new partner. Nati encourages Reut to date Azaria, who begins to exploit her for her money. After becoming drunk, he confesses that he does not love her and she abandons him. Tehila starts seeing Nati; he is finally ready to commit and proposes to her, and she seems to accept. Hodaya encounters Avri again. He cancels his own planned wedding and asks her to marry him instead. Hodaya backs off once more, just a few days before the ceremony, leaving him heartbroken. Amir becomes friends with a boy at his yeshiva and goes to work in a ranch in the Negev with him for a few weeks. Hodaya receives a radio show of her own, becomes stressed and quits. Yifat admonishes her for her constant wavering. Tehila speaks with Azaria, and informs Nati they decided to resume their relationship. Nati sinks into depression. Yifat delivers her baby prematurely; Reut and Hodaya stay with her while Nati drives off to fetch Amir. He must stay in the empty ranch while Amir drives back to Jerusalem. Reut comes to bring him back, and they both reconcile while staying in the desert. Hodaya, who heeded Yifat's words, gets her job back and reunites with Avri. Amir and Yifat prepare to take their newborn son home.
Characters
[edit]Main
[edit]- Dr. Nethaniel "Nati" Brenner portrayed by Ohad Knoller
- Amir Yechezkel portrayed by Amos Tamam
- Yifat portrayed by Ya'el Sharoni
- Hodaya Baruchin portrayed by Tali Sharon
- Reut Rosen portrayed by Sharon Fauster
Recurring
[edit]- Chaya portrayed by Sara von Schwarze
- Dr. Avri Sagiv portrayed by Zohar Strauss
- Elisheva portrayed by Ma'ayan Weinstock
- Yochai portrayed by Moti Brecher
- Naama portrayed by Noa Kooler, Amir's ex-wife
- Roi Brenner portrayed by Uri Lachmi
- Ezra ben Atar portrayed by Yisrael Breit
- Tehila portrayed by Dikla Elkaslassy
- Asaf portrayed by Gal Pertziger
- Nati's father portrayed by Michael Warshaviak
- Nitzan portrayed by Yuval Scharf
- Dafna portrayed by Nati Kluger
- Shmuel portrayed by Uri Gavriel
- Vera portrayed by Raymonde Abecassis
- Chani portrayed by Shira Katzenelenbogen
- Faigi portrayed by Mali Levi
- Shani portrayed by Liat Harlev
- Stacy portrayed by Shira Katz
- Clumsy waitress portrayed by Alena Yiv
Episodes
[edit]Production
[edit]Laizy Shapiro and Havvaah Deevon became acquainted while studying in the Ma'aleh School of Television, Film and the Arts.[7] In 2005, the Gesher Multicultural Film Fund announced its intention to create a picture about religious-secular relations and held a contest for a script. Shapiro and Deevon submitted a treatment for a romantic comedy about a relationship between a bachelor living in Ramat Gan and a young settler from Hebron. Shapiro told her he had a similar idea already in his second year in Ma'ale, in 2000. Their entry was rejected, but they met Jonathan Aroch, a veteran producer, who served as their mentor during the competition. Aroch suggested they write another outline. Their second script concerned a religious single from Jerusalem named Nati, who is frustrated with dating and has resolved to give it only another year and then marry the first woman he encounters. This second entry was also declined. Shapiro and Divon returned to their regular jobs.
A year later, Aroch contacted both again, suggesting they make a television series about the religious singles scene in Jerusalem, the so-called "Katamon swamp" or "marsh".[8] A real sociological phenomenon, the "swamp" is a large concentration of middle-class Orthodox men and women who remain unmarried at a relatively advanced age, a trend causing much strain in their society. Divon and Shapiro created a basic outline for a show, and conceived of the five main characters. They planned to name the series, Kovshei Katamon ("Conquerors of Katamon"), which is the name of one of the area's main streets and a reference to the neighborhood's "conquest" by members of the "swamp". The studios refused to accept the title. On 20 July 2006, Ma'ariv first reported about contacts between Aroch and the television companies of Keshet and Yes, concerning the future purchase of the series, labeled under the working title Sex v'ha'Ir haQdosha ("Sex and the Holy City").[9] It was reported that due to the high production costs expected, the companies considered broadcasting it first on satellite and later on terrestrial television, to ensure maximal revenues.
After Yes bought the rights, Aroch hired a group of screenwriters, many of them Ma'ale alumni and residents of the "swamp" themselves. Divon, Shapiro and their team wrote a full screenplay for a first season of fifteen episodes. Shapiro was also chosen to direct it. Auditions were held in September and October 2007. Towards the end of the second month, Aroch himself selected the final name of the show, Srugim – alluding to the crocheted skullcaps worn by national religious men, which distinguish them from other sectors.[10] Principal photography was held in the winter of 2008. All studio filming was carried out in Tel-Aviv, but external photography occurred in Jerusalem and in Nofei Prat, which served as the fictional settlement to which Yifat moves.
The second season was shot in the summer of 2009. Principal photography for the third season began on 21 February 2010. In early May 2012, though the last season was considered the most successful so far, Shapiro and Divon announced they would not produce a fourth one, and the show was terminated.[11]
In February 2010, the series began to air on The Jewish Channel in the United States.[12]
As of 2017, all of the series is available on Amazon Prime.
Reception
[edit]Awards
[edit]| Year | Association | Category | Nominee(s) | Result |
|---|---|---|---|---|
| 2009 | Israeli Academy of Film and Television | Best drama series | Won | |
| Best script | Won | |||
| Best actress | Ya'el Sharoni | Won | ||
| Tali Sharon | Nominated | |||
| Best costume design | Seri Sobol | Won | ||
| Best director | Laizy Shapiro | Nominated | ||
| Best actor | Ohad Knoler | Nominated | ||
| 2010 | Best drama | Nominated | ||
| Best script | Nominated | |||
| Best director | Nominated | |||
| Best actor | Amos Tamam | Nominated | ||
| Ohad Knoller | Nominated | |||
| Best actress | Ya'el Sharoni | Nominated | ||
| Tali Sharon | Nominated | |||
| 2012 | Best drama series | Nominated |
Source:[13]
Reviews
[edit]Jeffrey Woolf, a Bar-Ilan University expert on Orthodox Jewish portrayals in the media, explains why this series has become popular not only with the secular "TV-watching" community, but also with many members of modern orthodoxy:
It's really the first time that the religious community has been represented in a non-stereotyped way on television.... Religious characters are usually cartoon-like in their superficiality, either because of malice or because of ignorance....
He claims that the show is important for both the religious and secular elements, because while many of the modern orthodox viewers can finally see characters with whom they identify, it offers secular viewers access to "an entire [religious] world that is normally inaccessible”.[14]
A number of writers note that the phenomenon of a growing number of Jewish singles in the religious community is one factor in the show's popularity, because it is unprecedented in Jewish history, where marriages between religiously observant men and women traditionally occurred while both partners were young.[15] Many reasons contribute to this change, including the financial ability of women to live on their own, rather than under the "protection" of their husband, but whatever the reasons, this change has created many new questions and challenges in their lives.[16]
Yair Rosenberg writes in the Jewish Review of Books that the program has become an "Israeli pop culture phenomenon."[17] However, while he agrees that the show has become extremely popular among members of both the religious and non-religious communities, there have been some detractors, including Rabbi Shlomo Aviner:[18]
One prominent rabbi went so far as to place the show under a religious ban, citing the questionable conduct of various dati characters on the show. "There is bad language and licentiousness. It is not enough to be 'shomer negiah' [to observe the prohibition against touching someone of the opposite sex], and this is also not always followed [on the show]—one needs purity and modesty," he wrote.[17]
The Jewish Week wrote that the show "is attracting a growing audience here in the States," and it is being discussed in many forums, including Facebook.
References
[edit]- ^ No Sex in the City: On Srugim
- ^ The Best TV Show of 2014 Is From 2008
- ^ An Unexpected Orthodox Television Hit: Long May Srugim Run
- ^ Fans fret over fate of popular TV show
- ^ The Women of Israel's Hit TV Show 'Srugim'
- ^ As 'Srugim' ends, yarmulkes disappear from prime-time TV
- ^ "This School Makes Film a Kosher Career Course," The Wall Street Journal, Dec 17, 2008.
- ^ Reina Rutlinger-Reiner. "Drowning in the Marsh": Israeli Orthodox Theatrical Representations of the Singles Scene. Israel Studies, Volume 16, Number 3, Fall 2011, pp. 73-96.
- ^ Danny Spector. Sex and the holy city. YNET, 25 June 2008.
- ^ Elana Maryles Sztokman. The Men's Section: Orthodox Jewish Men in an Egalitarian World. UPNE, 2011. ISBN 978-1611680799. p. 45.
- ^ Yitzhak Tessler. As 'Srugim' ends, yarmulkes disappear from prime-time TV. YNET, 7 May 2012.
- ^ The Jewish Channel information on Srugim.
- ^ Srugim
- ^ Frum Friends Storm Israeli TV, The Jewish Chronicle Online, Jan 21, 2010.
- ^ "Swamped with Singles," Jerusalem Post, Jan 19, 2010.
- ^ "A Modern Orthodox Friends," JewCentral.com, Nov 4, 2009.
- ^ a b No Sex in the City: On Srugim, Yair Rosenberg, Jewish Review of Books, Spring 2010, [1]
- ^ Rabbi: It's okay to multi-date if you're old. YNET, 14 August 2008.
External links
[edit]Srugim
View on GrokipediaSrugim is a Hebrew-language Israeli television drama series created by Havvah Deevon and Eliezer "Laizy" Shapira that premiered on Yes TV in 2008 and ran for three seasons until 2012, centering on the romantic entanglements, professional struggles, and spiritual dilemmas of five single Modern Orthodox Jews in their thirties living in Jerusalem's Katamon neighborhood.[1] The series authentically captures the tensions between traditional halachic observance and contemporary aspirations within the national-religious (dati leumi) community, including arranged matchmaking (shidduchim), Shabbat dilemmas, and infertility issues, drawing comparisons to ensemble shows like Friends but grounded in religious realism.[2] Pioneering in its candid portrayal of intra-Orthodox life, Srugim ignited national discourse on previously underexplored topics, earning critical praise for humanizing educated, urban religious singles while winning multiple Israeli Academy of Film and Television Awards, including for best drama.[3][4] However, it provoked backlash from some rabbinic figures who issued viewing bans citing depictions of lax religious conduct and moral ambiguities, highlighting divides within Orthodox society over media representations.[5]
Synopsis
Overall Premise
is an Israeli television dramady series that centers on the lives of single Modern Orthodox Jews, often referred to as srugim due to the knitted kippot srugot (crocheted skullcaps) typically worn by men in this community, who are navigating their professional, romantic, and spiritual challenges in contemporary Jerusalem.[1][6] The term srugim specifically denotes adherents of the Religious Zionist or Dati Leumi movement, characterized by a blend of strict Torah observance and active participation in Israeli society, including secular professions and national service.[7][8] The narrative unfolds primarily among an ensemble cast residing in a shared apartment complex in the Katamon neighborhood, a real-life hub for young religious singles in Jerusalem known for its vibrant social scene centered around synagogues, kosher eateries, and matchmaking events.[5] This setting reflects the insular yet dynamic world of Jerusalem's Modern Orthodox community, where daily routines intersect with religious rituals and communal expectations.[9] At its core, the series explores the tensions of adhering to halachic (Jewish legal) boundaries—such as shomer negiah, the prohibition on physical contact between unmarried men and women, alongside strict Shabbat observance—while pursuing careers, friendships, and romantic partnerships in a modern urban environment.[5] These constraints infuse everyday realism into the characters' pursuits, highlighting the complexities of faith, desire, and identity without delving into explicit content.[2]Seasonal Developments
In the first season, aired in 2008, the series introduces a close-knit group of five modern Orthodox Jewish singles in their thirties living in Jerusalem's Katamon neighborhood, focusing on their initial struggles with dating within religious boundaries, emerging friendships, and tentative romantic pursuits that highlight tensions between personal desires and communal expectations.[1] The narrative establishes the group's dynamic through shared Shabbat meals and social gatherings, where characters like Nati, Yifat, Hodaya, Amir, and Reuven navigate awkward blind dates, unrequited attractions, and the pressures of remaining single amid peers who marry younger.[5] This season lays the foundation for their collective support system, as individual setbacks in courtship foster deeper bonds and initial explorations of faith's role in intimacy.[2] Season two, broadcast in 2009, advances the arcs by intensifying relational conflicts and introducing marital realities, with Yifat's decision to marry Amir leading to depictions of newlywed adjustments, including strains from mismatched expectations and external family pressures like Nati's mother's illness.[10] Group dynamics evolve as characters confront career frustrations, such as Reuven's professional doubts, and subtle erosions in religious commitment, prompting more candid discussions during gatherings that reveal growing disillusionment and interdependence amid rejections and near-misses in partnerships.[11] Personal growth manifests in characters questioning long-held ideals, with the addition of new figures expanding the circle while amplifying themes of isolation within the religious dating pool.[12] The third season, spanning 2011 to 2012, culminates in resolutions that test long-term compatibility under Orthodox constraints, featuring weddings like Hodaya's preparations with Avri, breakups, and pivotal shifts such as Nati's romantic proposals and Amir's pivot from scholarly aspirations to practical labor.[13] Dynamics within the group solidify through crises, including professional suspensions and identity reckonings, fostering reflections on maturity and the viability of their lifestyle as some transition to family life while others grapple with persistent singledom.[14] These developments underscore evolving personal agency, with the ensemble's interactions shifting from lighthearted support to profound accountability in navigating faith, love, and societal norms.[15]Characters
Main Characters
Yifat, a graphic designer specializing in religious-themed advertisements such as photoshopping kippot onto models, embodies the archetype of the career-oriented Modern Orthodox woman confronting tensions between professional ambition and communal pressures for marriage and family.[5][16] Her motivations center on seeking romantic fulfillment within religious boundaries, highlighting dilemmas of delayed matrimony among educated women in observant circles.[17] Nati, a physician at Hadassah Hospital, represents the idealistic yet romantically frustrated bachelor whose professional success as a doctor contrasts with persistent challenges in forming committed relationships, underscoring the emotional toll of prolonged singleness in Modern Orthodox dating culture.[18][19] His background as a childhood friend within the group illustrates the interplay of longstanding social ties and personal idealism against the rigors of halachic compatibility in partner selection.[17] Reut, a high-powered accountant and financier who commutes by motorcycle, exemplifies the independent, feminist professional navigating reinvention after personal setbacks, including divorce, while engaging in progressive religious practices like learning haftarah for women's prayer groups.[17][6] Her drive for autonomy challenges traditional gender expectations, portraying the quest for remarriage amid scrutiny over career earnings and assertiveness in suitor dynamics.[17] Amir, a recently divorced grammar instructor at an ulpana seminary for girls, depicts a man grappling with post-divorce reintegration and the pursuit of meaningful connections, often questioning group norms through his experiences of familial and relational upheaval.[20] His motivations reflect broader Modern Orthodox struggles with failed marriages and the desire for stability without compromising personal authenticity.[19] Avri, a secular archaeologist introduced later, symbolizes the outsider drawn into Orthodox social circles, embodying intellectual and spiritual curiosity tempered by social awkwardness and ideological differences that test interfaith romantic boundaries.[9][20] His archetype highlights dilemmas of attraction across religious divides, where secular depth encounters the constraints of communal observance.[17]Recurring Characters
Roi Brenner, Nati Brenner's younger brother portrayed by Uri Lachmi, emerges as a key family figure after their mother's death in season 2, when he moves into Nati's apartment, embodying sibling dynamics and shared grief within the modern Orthodox framework.[21] By season 3, Roi adopts an ultra-Orthodox lifestyle, including an arranged marriage, which highlights escalating familial and communal pressures toward stricter observance and traditional matchmaking, contrasting sharply with the protagonists' struggles in the "Katamon swamp" of delayed marriages.[9] Rabbinic mentors, such as the unnamed rabbi advising Amir on ethical quandaries, recur to dispense halachic rulings on dating protocols and moral conflicts, underscoring the pervasive influence of religious authority in resolving personal crises like infidelity suspicions or observance lapses.[22] These figures reinforce community structures by prioritizing Torah-based realism over secular individualism, often counseling restraint in shidduchim to align with causal expectations of marital stability. Friends from adjacent religious spheres, including Yochai—a yeshiva student introduced in season 1—offer counterperspectives on piety, tempting characters like Hodaya toward more insular practices and exposing frictions between modern and traditional Orthodoxy.[9] Such peripheral allies catalyze introspection on halachic boundaries without fully integrating into the core group. Peripheral romantic interests, exemplified by Avri Sagiv (Zohar Strauss), a secular archaeologist, provoke pivotal shifts; Hodaya's clandestine affair with him forces confrontation with inter-observance divides, as she hides her religiosity to sustain the relationship, ultimately amplifying internal pressures toward communal conformity.[17][20]Production
Development and Creation
Srugim was co-created by Eliezer "Laizy" Shapira and Hava Divon, with Shapira serving as director, in 2008 for the Israeli cable channel Yes.[5] Both creators drew from their backgrounds in Jerusalem's Modern Orthodox community, including Shapira's training at the Ma'ale School of Film, Television and the Arts, an institution established in 1989 to foster media production sensitive to Orthodox Jewish values.[5] The series originated as an effort to capture the authentic experiences of religious Zionist singles navigating dating, career pressures, and spiritual doubts in neighborhoods like Katamon, based on observed social dynamics rather than fabricated drama.[23] The core intent was to portray Modern Orthodox life as a voluntary commitment amid real-world temptations, humanizing participants by emphasizing internal struggles, guilt, and repentance without theological preaching or exaggeration.[5] Shapira and the writing team rigorously reviewed scripts to ensure fidelity to everyday realities, such as Shabbat observances and shidduch dating, while avoiding sensationalism— for instance, depicting intimate moments off-screen to align with communal norms of modesty.[23] This approach countered prevalent stereotypes of religious rigidity by illustrating characters' agency in upholding traditions despite external and internal risks, including potential drift from observance, grounded in causal pressures like urban isolation and secular influences rather than moralistic narratives.[5] Production decisions prioritized a naturalistic style, with dialogue-driven scenes and minimal visual effects, reflecting the constraints of a modest cable series budget that favored character depth over high-production spectacle.[5] This low-key execution, influenced by the creators' indie film school ethos, enabled an unpolished realism that resonated as a counterpoint to glossier secular dramas, focusing on relational tensions and ethical dilemmas in a religious framework.[23]Filming and Production Details
The series was primarily filmed on location in Jerusalem, with much of the shooting taking place in the Katamon neighborhood, a real-life hub for young religious singles that mirrors the show's depiction of social and romantic dynamics within the modern Orthodox community.[24] This choice of setting contributed to the authentic atmosphere of a constrained religious enclave, capturing everyday street scenes and apartment interiors without extensive studio reconstruction.[25] Production logistics were adapted to the Jewish calendar, scheduling shoots to avoid Shabbat and major holidays, a necessity given the observant nature of the subject matter and crew involvement.[26] The involvement of alumni from Ma'aleh School of Film, Television and the Arts—an institution with a majority Orthodox student body and rabbinical consultants—ensured precise representation of halachic rituals and cultural nuances, mitigating potential inaccuracies in portraying Orthodox navigation of daily life.[26] On-location filming presented practical challenges, including interruptions from passing vehicles, pedestrians, and urban construction, which were managed by focusing on quieter streets to maintain narrative flow and realism.[25] This approach, combined with minimal sets, fostered an intimate, observational style that emphasized the characters' personal and communal tensions.Episodes
Season 1
The first season of Srugim consists of 11 episodes and premiered on Yes TV in Israel on June 23, 2008.[1] It introduces the core ensemble of modern Orthodox singles in Jerusalem's Katamon neighborhood, portraying their entry into shidduch dating, communal Shabbat gatherings, and early relational frictions amid religious observance.[27] Through these setups, the narrative establishes conflicts arising from mismatched expectations, personal doubts, and the tension between individual desires and societal norms in a tight-knit community.[28] The episodes unfold as follows:| Episode | Title | Summary |
|---|---|---|
| 1 | Katamon's Occupiers | Roommates Yifat and Hodaya navigate daily life and shidduch aspirations; friends Reut, Nati, and Amir join, forming the group's initial social circle focused on finding compatible matches.[27] |
| 2 | Grandmother's Stories | Nati turns to Yifat for temporary housing after a setback, sparking early misunderstandings in their platonic dynamic during shared meals and conversations.[27] |
| 3 | The Pond Corner | Hodaya encounters a potential interest outside routine circles; Yifat shares vulnerabilities with Nati, underscoring the emotional isolation in group settings like parks or casual meetups.[27] |
| 4 | Not Kosher | Hodaya explores a date with someone less observant, testing boundaries; Nati scrutinizes everyday kosher practices, reflecting broader internal conflicts over religious stringency in personal choices.[27] |
| 5 | Divorced and Abandoned | Amir begins seeing Reut's sister, complicating past ties; Nati experiments with online dating tools borrowed from Amir, highlighting impulsive starts to romantic pursuits.[27] |
| 6 | A New Shira | Lingering issues from Amir's prior marriage surface; Reut invests effort in tutoring scenarios that double as social tests, building layers of relational hesitation.[27] |
| 7 | She Will Stop Being Afraid | Reut connects tentatively with a tutor figure; Hodaya confronts escalating doubts from her experiences, amplifying the season's motif of fear in committing within communal expectations.[27] |
| 8 | Hangover | Hodaya ventures into riskier social experiments; Reut grapples with unexpected tutor revelations, exposing cracks in seemingly stable dating frameworks.[27] |
| 9 | Dry Cleaning | Reut juggles parallel dates; Nati faces a minor injury prompting reflection; Yifat contemplates relocation, signaling shifts in living arrangements that strain group cohesion.[27] |
| 10 | Contentment and Happiness | Hodaya engages in mikveh preparation amid personal turmoil; Yifat proceeds with moving plans, marking a transitional point in the characters' interdependent lives.[27] |
| 11 | Balance | Reut and Amir check on Yifat post-move; Reut's suitor demonstrates reliability, encapsulating the season's foundational push toward equilibrium in romantic and social balances.[27] |
Season 2
The second season of Srugim consists of 12 episodes and aired weekly on Yes TV starting January 10, 2010, concluding on May 9, 2010.[29] It intensifies relational complexities from the first season, focusing on the aftermath of engagements and marriages within Modern Orthodox constraints, including early marital strains, identity shifts toward secularism, familial losses, and career frustrations amid religious observance.[10] The narrative escalates stakes through breakups, doubts about spousal compatibility under halachic pressures like niddah observance, and professional dilemmas such as unfulfilled promotions or ethical conflicts in religious education settings.[11] Viewership on Yes TV reflected growing popularity, drawing high ratings across religious and secular Israeli audiences, though a later broadcast on Channel 10 averaged only 4.44%. Key episodes highlight pivotal developments:- Episode 1: "A Good Moment" (שעת רצון): The season opens with Yifat's wedding to Amir, Nati coping with his mother's terminal illness during a hike, and Hodaya navigating her evolving secular leanings at the Kotel with Yifat.[30][12]
- Episode 2: "New Faces" (פנים חדשות): Reut returns from India to sit shiva for Nati's mother, encountering a potential suitor; early tensions emerge in Amir and Yifat's marriage; Hodaya distances from her religious circle and misses her father.[31][12]
- Episodes 3-6: Amir and Yifat host Shabbat meals revealing compatibility doubts; Nati dates a younger religious woman while grieving; Hodaya confronts her ex's past and celebrates a tumultuous 30th birthday; Reut advances with Roi amid his hesitations.[31]
- Episodes 7-9: Professional setbacks hit Amir at the ulpana, prompting career pushes for Yifat; Hodaya quits her job and enjoys secular outings; Nati bonds over caregiving and confronts workplace absurdities like medical clowns.[31][32]
- Episodes 10-12: Suspicions arise over Yifat's religious observance; Reut faces family interference from her sister; Hodaya senses inconsistencies in Asaf's commitment, leading to relational fractures and conversions explored through personal crises.[31][33]
Season 3
The third and final season of Srugim comprises 15 episodes, broadcast on Yes TV from October 23, 2011, to January 29, 2012.[34] It centers on the characters' transitions into marriage and parenthood, including Amir and Yifat navigating fertility challenges and family expansion after their union, while Nati pursues commitment with Tehila amid revelations of her past.[35] Hodaya plans a wedding with Avri but contends with mismatched expectations, highlighting tensions in sustaining idealistic religious observance over time. The narrative underscores the personal costs of rigid principles, with arcs involving doubt, temptation, and reluctant compromises in faith and relationships, culminating in a birth, a proposal, and realizations about long-term viability in modern Orthodox life.[35] Key developments include Amir's professional risks and spiritual alienation, Reut's entrepreneurial ventures and lingering affections, and group dynamics strained by health scares, excommunications from ideals, and reconciliations that expose unresolved ideological fractures.[34]| Episode | Air Date | Summary |
|---|---|---|
| 1 | October 23, 2011 | Nati receives an unromantic marriage proposal; Yifat shares positive news with Amir, who endangers his career; Hodaya gets a blessing for genuine love.[34] |
| 2 | October 30, 2011 | Amir faces workplace difficulties as Yifat advances; Nati experiments with singing; Hodaya empathizes with a student, inviting complications; Avri reappears in Hodaya's life.[34] |
| 3 | November 6, 2011 | Nati oversees his brother's wedding blessings event, where a new neighbor diffuses tension; Reut draws solace from observing married Roee.[34] |
| 4 | November 13, 2011 | Amir urges Yifat toward an overseas opportunity; Tehila discloses a vow to Nati, with Reut potentially intervening.[34] |
| 5 | November 20, 2011 | Hodaya and Avri scout a future home, leaving her dissatisfied; Nati explores loopholes for Tehila's vow.[34] |
| 6 | November 27, 2011 | Hodaya and Avri wedding-plan amid her unease; suspended Nati dates Tehila; Amir assists Reut professionally, irking Yifat.[34] |
| 7 | December 4, 2011 | Reut experiments with mild psychedelics for Azaria; Nati grieves Mrs. Schwarzman and seeks solace; Hodaya hosts a gathering.[34] |
| 8 | December 11, 2011 | Amir thrives as Reut's aide, displeasing Yifat; Hodaya's views spark conflict; Nati frets over Tehila's condition.[34] |
| 9 | December 18, 2011 | Reut bankrolls Azaria's book and botches a Shabbat meal; Yifat's sibling crushes on Hodaya; Amir resumes Torah study.[34] |
| 10 | December 15, 2011 | Amir feels out of place in Torah study; Azaria promotes his book, worrying Nati.[34] |
| 11 | January 1, 2012 | Azaria features Hodaya on radio; Reut grows envious; Roee's pregnant spouse encounters peril.[34] |
| 12 | January 8, 2012 | Yifat visits Amir at the farm unexpectedly; Nati learns Tehila's wild history; Reut's kin announces joyful tidings.[34] |
| 13 | January 15, 2012 | Tehila confesses secular background to Nati, who yields to impulse at a conference; Reut savors companionship.[34] |
| 14 | January 22, 2012 | Yifat's labor begins, prompting a hospital dash with Reut; Amir detects unease remotely; Nati and Tehila inform families.[34] |
| 15 | January 29, 2012 | Finale: Yifat, Amir, Hodaya, Nati, and Reut endure a chaotic evening leading to renewal.[34] |
