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Stanley Clements
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Stanley Clements (born Stanislaw Klimowicz; July 16, 1926 – October 16, 1981) was an American actor and comedian, best known for portraying "Stash" in the East Side Kids film series, and group leader Stanislaus "Duke" Coveleskie in The Bowery Boys film series.[1]
Key Information
Life and career
[edit]Clements was born on Long Island, New York. "Stash" (Polish: Staś, the Polish diminutive nickname for "Stanislau") realized that he wanted a show-business career while he was in grammar school, and after he graduated from Brooklyn's P.S. 49 in 1938, he toured in vaudeville and found work in radio for the next two years. He then joined the touring company of the Major Bowes Amateur Hour. His career stalled in 1940, and Clements was reduced to panhandling for a time to survive. In 1941, he was signed to a contract by 20th Century-Fox and appeared in juvenile/teen roles in several B films for the studio.
East Side Kids
[edit]In 1942, he was loaned to Monogram Pictures. Among his friends, he was known offscreen as "Stosh", so he adopted the nickname "Stash" in the ensemble-cast film series the East Side Kids. He appeared as an East Side Kid in Smart Alecks, 'Neath Brooklyn Bridge, and Ghosts on the Loose. He retained the character name of "Stash" in other films: Right to the Heart, Military Academy with That Tenth Avenue Gang, and Boots Malone.
Marriage
[edit]In August 1945, Clements married actress Gloria Grahame, who played Violet Bick in It's a Wonderful Life, and who later won a Best Supporting Actress Oscar for The Bad and The Beautiful. The marriage was a stormy one, with Grahame objecting to Clements's drinking and gambling, and Clements being jealous of her dalliances with other men, and it ended in 1948. He married Maria Walek in 1951. In 1964, they adopted her eight-year-old nephew, Sylvester, bringing him to the United States from Poland.
Other roles
[edit]After the East Side Kids, Clements then set out on his own again, this time landing roles in more prestigious pictures. He was featured in perhaps his best-known role as Tony Scaponi in the 1944 Bing Crosby film Going My Way, and scored a great success as a jockey in the 1945 Alan Ladd feature Salty O'Rourke.
Clements's acting career was interrupted by U.S. Army service as a private first class just after World War II. When he returned in 1947, he began appearing in more adult roles in lower-budgeted films, including Johnny Holiday (cast against type as a psychopath) and Destination Murder (as a hired killer). He starred in a series of action/detective pictures at the successor to Monogram Pictures, Allied Artists, for producer Ben Schwalb and director Edward Bernds.
The Bowery Boys
[edit]In 1945, after Leo Gorcey left the East Side Kids in a salary dispute with producer Sam Katzman, Gorcey's teammate Bobby Jordan arranged a meeting with his agent, Jan Grippo. Gorcey partnered with Grippo to produce a new "gang" series called The Bowery Boys, with Gorcey owning a 40% share in the franchise. Gorcey's real-life father Bernard Gorcey was added to the cast as Louie Dumbrowski, proprietor of Louie's Sweet Shop, the headquarters of The Bowery Boys. Younger brother David Gorcey, formerly one of the East Side Kids, returned to appear in the new series.
After Bernard Gorcey was killed in an auto accident in 1955, a grief-stricken Gorcey turned to alcohol for solace and became a disruptive presence in the studio during the filming of Crashing Las Vegas, trashing scenery and destroying props. In 1956, Gorcey demanded a larger share of ownership from Allied Artists, which was denied, and after a heated conversation, Gorcey stormed off the studio lot and quit the series.
When the series's then-producer Ben Schwalb needed a replacement for Gorcey, he asked Clements to step in as The Bowery Boys' new ringleader, Stanislaus "Duke" Coveleskie (although Huntz Hall received top billing). Clements comfortably settled into the role of Huntz Hall's sidekick, and co-starred in the final seven Bowery Boys comedies, beginning with Fighting Trouble.
Later career and death
[edit]Following the end of The Bowery Boys franchise in 1958, Clements went on to a steady career of supporting roles in film and television. Clements co-wrote the film The Devil's Partner (1958, not released until 1961). In 1960, Clements appeared as Clyde Simpson in the TV western Tales of Wells Fargo, starring Dale Robertson, in the episode "Doc Dawson". He appeared in a 1962 episode of the adventure drama series Straightaway. Clements also appeared in an episode of Gomer Pyle, U.S.M.C. entitled "Sergeant of The Guard" in 1965. One of his last jobs was an appearance in a nationally advertised commercial for Pringle's potato crisps.
On October 16, 1981, Clements died at age 55 from emphysema in Pasadena, California, 11 days after the passing of his first wife Gloria Grahame. He is buried at Riverside National Cemetery in Riverside, California.[2]
Films
[edit]- Tall, Dark and Handsome (1941) - Detroit Harry Morrison Jr.
- Accent on Love (1941) - Patrick Henry Lombroso
- Down in San Diego (1941) - Louie Schwartz
- I Wake Up Screaming (1941) - Newsboy (uncredited)
- Right to the Heart (1942) - Stash
- On the Sunny Side (1942) - Tom Sanders
- Smart Alecks* (1942) - Stash
- 'Neath Brooklyn Bridge* (1942) - Stash
- They Got Me Covered (1943) - Office Boy (uncredited)
- The More the Merrier (1943) - Morton Rodakiewicz
- Ghosts on the Loose* (1943) - Stash
- Thank Your Lucky Stars (1943) - Boy (uncredited)
- Sweet Rosie O'Grady (1943) - Danny (uncredited)
- You're a Lucky Fellow, Mr. Smith (1943) - Alexander Archibald "Squirt" O'Reilly
- Cover Girl (1944) - Elevator Boy (uncredited)
- The Girl in the Case (1944) - Tuffy
- Going My Way (1944) - Tony Scaponi (uncredited)
- See My Lawyer (1945) - Willie
- Salty O'Rourke (1945) - Johnny Cates
- Variety Girl (1947) - Stanley Clements (uncredited)
- Big Town Scandal (1948) - Tommy Malone
- Hazard (1948) - Joe Zinkle, Bellhop
- Canon City (1948) - New
- The Babe Ruth Story (1948) - Western Union Boy
- Joe Palooka in Winner Take All (1948) - Tommy Malone
- Racing Luck (1948) - Boots Warren
- Bad Boy (1949) - Bitsy Johnson
- Mr. Soft Touch (1949) - Yonzi
- Red Light (1949) - Bellboy
- Johnny Holiday (1949) - Eddie Duggan
- Military Academy with That Tenth Avenue Gang (1950) - Stash Martin
- Destination Murder (1950) - Jackie Wales
- Pride of Maryland (1951) - Frankie Longworth
- Boots Malone (1952) - Stash Clements
- Jet Job (1952) - Joe Kovak
- Army Bound (1952) - Frank Cermak
- Off Limits (1952) - Bullets Bradley
- White Lightning (1953) - Mike Connors
- Hot News (1953) - Mark Miller - Reporter
- The Rocket Man (1954) - Bob
- Air Strike (1955) - G.H. Alexander
- Mad at the World (1955) - Marty aka Ignatz
- Robbers' Roost (1955) - Chuck
- Wiretapper (1955) - Tony
- Last of the Desperados (1955) - Bert McGuire
- Fighting Trouble* (1956) - Stanislaus "Duke" Coveleskie
- Death of a Scoundrel (1956) - Taxi Driver (uncredited)
- Hot Shots* (1956) - Stanislaus "Duke" Coveleskie
- Hold That Hypnotist* (1957) - Stanislaus "Duke" Coveleskie
- Spook Chasers* (1957) - Stanislaus "Duke" Coveleskie
- Looking for Danger* (1957) - Stanislaus "Duke" Coveleskie
- Up in Smoke* (1957) - Stanislaus "Duke" Coveleskie
- Official Detective (1957, TV Series) - Rudy Armstrong
- In the Money* (1958) - Stanislaus "Duke" Coveleskie
- A Nice Little Bank That Should Be Robbed (1958) - Fitz
- Sniper's Ridge (1961) - Cpl. Pumphrey
- Saintly Sinners (1962) - Slim
- Devil's Partner (1962, screenwriter)
- Tammy and the Doctor (1963) - Wally Day
- It's a Mad, Mad, Mad, Mad World (1963) - local reporter at police station (uncredited)
- Panic in the City (1968) - Albert
- The Timber Tramps (1975)
- Hot Lead and Cold Feet (1978) - Saloon Man 2 (final film role)
• - East Side Kids or Bowery Boys series
Television
[edit]| Year | Title | Role | Notes |
|---|---|---|---|
| 1954 | The Lone Ranger | Lou Compton | Episode "Ex-Marshal" |
| 1955 | Death Valley Days | Red | Episode "Reno" |
| 1960 | Death Valley Days | Steve Nelson (uncredited) | Episode "A Woman's Rights" |
| 1960 | Gunsmoke | Brad | Episode "The Tragedian" |
| 1961 | Wanted Dead or Alive | Krebs | Season 3, Episode 24 "The Long Search" |
| 1961 | Leave It to Beaver | Shoe salesman (who sells Beaver a pair of skates) | Season 5, episode 9 |
| 1969 | Gunsmoke | McInnerny | Episode "The Mark of Cain" |
| 1969 | The Virginian | Matt | season 8 episode 08 (The substitute) |
| 1970 | Gunsmoke | Ed Jacobi | Episode "The Gun" |
| 1973 | Gunsmoke | Red | Episode "Arizona Midnight" |
References
[edit]- ^ Getz, Leonard (2015). "The Bowery Boys". From Broadway to the Bowery: A History and Filmography of the Dead End Kids, Little Tough Guys, East Side Kids and Bowery Boys Films, with Cast Biographies. McFarland & Co. pp. 173–175. ISBN 9780786487424. Retrieved May 15, 2020.
- ^ Wilson, Scott. Resting Places: The Burial Sites of More Than 14,000 Famous Persons, 3d ed.: 2 (Kindle Locations 25047-25048). McFarland & Company, Inc., Publishers. Kindle Edition.
External links
[edit]Stanley Clements
View on GrokipediaEarly life
Birth and family
Stanley Clements was born Stanislaw Klimowicz on July 16, 1926, in Long Island, New York.[2][7] Little is documented about his early family background, though his original surname suggests Polish heritage.[2]Education and early interests
Clements developed an early interest in show business during his time in grammar school, where he first realized his aspiration for a career in entertainment.[8][7] Following his graduation from grammar school, he immediately pursued these interests through professional opportunities in live performance, touring in vaudeville circuits for two years.[8] He subsequently joined the touring company of Major Bowes' Amateur Hour, a popular radio talent show that provided exposure to aspiring performers in the late 1930s.[8] No records indicate formal education beyond grammar school, as Clements transitioned directly into the entertainment industry at a young age.[8][7]Career beginnings
Vaudeville and stage work
Clements began his performing career in vaudeville shortly after completing grammar school in the late 1930s, touring for two years as a young singer and dancer.[9][5] His early stage work involved live variety acts, honing skills in song and dance routines typical of the era's vaudeville circuits.[9] In 1939, Clements joined the touring company of the Major Bowes Original Amateur Hour, a popular radio program that expanded into live stage performances across the United States.[2] He made several confirmed appearances on the show, including broadcasts and tours on June 3, 1937; April 21, 1938; June 3, 1939; January 25, 1940; and July 10, 1941, where he showcased his vocal and dance talents to audiences.[9] These engagements provided Clements with broader exposure, transitioning him from local vaudeville spots to national touring revues that blended amateur and professional performers.[10] While specific routines from his vaudeville days remain sparsely documented, Clements' work in these formats emphasized energetic song-and-dance numbers, reflecting the fast-paced, diverse entertainment style of pre-war American theater.[9] This period laid the foundation for his later comedic timing and stage presence in film.[5]Pre-war film roles
Clements began his film career in 1941 after signing a contract with 20th Century-Fox, transitioning from vaudeville and radio work to supporting roles in B-movies. His debut came in the comedy Tall, Dark and Handsome, where he portrayed Detroit Harry Morrison Jr., a young tough in a gangster spoof led by Cesar Romero. This role marked his entry into Hollywood's low-budget productions, showcasing his ability to play streetwise juveniles. Throughout 1941, Clements appeared in several additional Fox features, often as ethnic or neighborhood characters reflective of his New York roots. In Accent on Love, he played Patrick Henry Lombroso, a comedic sidekick in a romantic comedy starring George Montgomery and Osa Massen. Similarly, in Down in San Diego, a wartime propaganda film with Brian Donlevy, he depicted Louie Schwartz, a scrappy kid amid espionage themes. He also took an uncredited bit part as a newsboy in the film noir I Wake Up Screaming, directed by H. Bruce Humberstone and starring Betty Grable and Victor Mature.[11] These early appearances, as noted in contemporary press, highlighted his rapid rise as a versatile young actor in ensemble casts.[12]Military service and post-war transition
World War II enlistment and duties
Clements enlisted in the United States Army on December 1, 1944, at Fort MacArthur in San Pedro, California. He served as a private first class during his time in the U.S. Army.[13] His service as a young actor, then aged 18, interrupted his early film career, which had included roles in 1944 releases such as Going My Way (as Tony Scaponi) and an uncredited role in Cover Girl.[8] Specific details regarding his assignments or duties during the war's final months and the subsequent occupation period remain undocumented in publicly available records. Clements was discharged sometime prior to resuming acting in 1947, appearing in an uncredited role in Variety Girl that year.Return to Hollywood
Following his enlistment in the U.S. Army as a private on December 1, 1944, at Fort MacArthur in San Pedro, California, Stanley Clements served during the closing stages of World War II.[13] His military duties interrupted his burgeoning film career, during which he had appeared in supporting roles in several Hollywood productions from 1941 to 1945, including Salty O'Rourke and See My Lawyer.[8] Discharged after the war's end in 1945, Clements faced a transitional period before resuming acting, with no credited film appearances in 1946. He returned to Hollywood screens in 1947 with an uncredited cameo as himself in the Paramount all-star musical revue Variety Girl, a star-studded production featuring Bob Hope, Bing Crosby, and Veronica Lake that celebrated the film industry. This brief role signaled his re-entry into the profession amid the post-war boom in low-budget entertainment. By 1948, Clements secured more substantial work, taking on the role of Tommy in the Monogram Pictures crime drama Big Town Scandal, a sequel in the Big Town series based on the radio program, where he portrayed a young informant entangled in urban corruption. These early post-service projects positioned him in B-movie territory, emphasizing his tough, streetwise persona suited to juvenile delinquent and sidekick characters, laying the groundwork for his later success in youth-oriented series films.Film career
East Side Kids series
Stanley Clements first appeared in the East Side Kids film series in 1942, portraying the recurring character Stash, a tough street kid and gang member, in three Monogram Pictures productions. His introduction in the series highlighted his rising status as a young actor specializing in juvenile delinquent roles, building on his earlier B-movie experience at 20th Century Fox. In Smart Alecks (1942), directed by Wallace Fox, Clements received an "Introducing" credit for his role as Stash, a loyal but hot-headed member of the East Side Kids who navigates gang rivalries and a fixed boxing match scheme led by Muggs (Leo Gorcey). The film, the tenth in the series, emphasized comedic antics amid urban crime, with Clements' character contributing to the group's chaotic efforts to outwit a corrupt promoter. Clements reprised Stash in 'Neath Brooklyn Bridge (1942), another Fox-directed entry, where the East Side Kids shelter a young girl suspected of murder in their Brooklyn clubhouse, uncovering a larger criminal plot. His performance as the brash Stash added energy to the ensemble, supporting leads like Bobby Jordan and Huntz Hall in themes of loyalty and redemption typical of the series. The final East Side Kids film for Clements was Ghosts on the Loose (1943), directed by William Beaudine, featuring him as Stash in a wartime story where the gang investigates a "haunted" house harboring Nazi spies. Notable for early appearances by Bela Lugosi as a villain and Ava Gardner as a singer, the plot blended horror-comedy with patriotic elements, with Stash's role involving slapstick confrontations and gang solidarity against the threats. These appearances solidified Clements' fit within the franchise's formula of youthful mischief and moral lessons, paving the way for his later Bowery Boys involvement.Bowery Boys series
Stanley Clements joined the Bowery Boys series in 1956 as a replacement for Leo Gorcey, who had departed amid a salary dispute with producer Jan Grippo. Previously known for tough-guy roles in films like 'Neath the Brooklyn Bridge (1942), Clements was selected by Allied Artists Pictures due to his familiarity with the East Side Kids/Bowery Boys ensemble from earlier appearances, allowing for a smoother transition. He portrayed Stanislaus "Duke" Coveleskie, a street-smart leader who assumed the authoritative role previously held by Gorcey's "Slip" Mahoney, often serving as Huntz Hall's "Sach" Jones's straight-man foil in the gang's comedic misadventures. Under Clements's tenure, the series shifted slightly in tone, emphasizing Huntz Hall as the nominal star while Duke provided the group's muscle and decision-making, typically involving the Bowery Boys in schemes ranging from amateur detective work to exotic locales. Clements appeared in the final seven entries, contributing to the franchise's longevity until its conclusion in 1958, after 48 films overall. These productions maintained the low-budget, formulaic style of Monogram/Allied Artists B-movies, blending slapstick humor with light-hearted crime-solving. The films featuring Clements as Duke are as follows:| Year | Title | Director | Notes |
|---|---|---|---|
| 1956 | Fighting Trouble | George Blair | Duke leads the gang into boxing intrigue.[14] |
| 1956 | Hot Shots | Edward Bernds | Involves aviation mishaps and espionage. |
| 1957 | Hold That Hypnotist | William Beaudine | Features a mad scientist's hypnosis plot. |
| 1957 | Spook Chasers | Edward Bernds | The Boys tackle a haunted house scam.[15] |
| 1957 | Looking for Danger | William Beaudine | Adventure in Mexico with treasure hunting. |
| 1957 | Up in Smoke | William Beaudine | Centers on a tobacco factory scheme. |
| 1958 | In the Money | William Beaudine | Final film; involves horse racing and inheritance. |
