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Talitha Getty
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Talitha Dina Getty (née Pol; 18 October 1940 – 11 July 1971)[1] was a Dutch actress, socialite, and model who was regarded as a style icon of the late 1960s. She lived much of her adult life in Britain and, in her final years, was closely associated with the Moroccan city of Marrakesh. Her husband was the oil heir and subsequent philanthropist John Paul Getty Jr.
Key Information
Early life
[edit]Talitha Dina Pol was born in Java, then part of the Dutch East Indies (now Indonesia), daughter of the artists Willem Jilts Pol (1905–1988) and Arnoldine Adriana "Adine" Mees (1908–1948).[2]
Pol spent her early years, during the Second World War, with her mother in a Japanese prison camp. Her father was interned in a separate camp, and her parents went their own ways after the war, Pol moving to Britain with her mother, who died in 1948 in The Hague.[3]
Her father subsequently married Poppet John (1912–1997), daughter of the painter Augustus John (1878–1961), a pivotal figure in the world of Bohemian culture and fashion. She was thus the step-granddaughter of both Augustus John and his mistress Dorothy "Dorelia" McNeil (1881–1969), who was a fashion icon in the early years of the 20th century. By Ian Fleming's widowed mother, Evelyn Ste Croix Fleming née Rose, Augustus John had a daughter, Talitha's step-aunt, Amaryllis Fleming (1925–1999), who became a noted cellist.
Pol studied at the Royal Academy of Dramatic Art (RADA) in London. Writer and journalist Jonathan Meades, who was at RADA several years later, recalled that, after first coming to London in 1964, he saw Pol with her stepmother at Seal House, Holland Park (home of Poppet John's sister, Vivien). Meades thought her "the most beautiful young woman I had ever seen ... I gaped, unable to dissemble my amazement".[4] In 1988, a former Labour Member of the British Parliament Woodrow, Lord Wyatt recalled, with reference to the "success with women" of Antony, Lord Lambton, former Conservative Government Minister, that
...there was that Talitha Pol who was very pretty and had a little starlet job in Yugoslavia; and he went and stayed at the hotel and sent her huge bunches of flowers about every two hours and showered her with presents.[5]
Another to come under Pol's spell was the dancer Rudolf Nureyev, who first met her at a party in 1965. According to Nureyev's biographer, Julie Kavanagh, the two were enthralled with each other, to the extent that Nureyev "had never felt so erotically stirred by a woman" and told several friends that he wished to marry Pol.[6] In the event, Nureyev was unable to attend a dinner party given by Claus von Bülow, at which he and Pol were to have been seated next to each other, and so von Bülow invited instead John Paul Getty Jr., son of his employer, the oil tycoon Paul Getty. Pol and Getty Jr. forged a relationship that led to their marriage in 1966.
Marriage to John Paul Getty
[edit]
Pol became the second wife of John Paul Getty Jr. on 10 December 1966. She was married in a white miniskirt, trimmed with mink.[7] The Gettys became part of Swinging London's fashionable scene, becoming friends with, among others, singers Mick Jagger of the Rolling Stones and his girlfriend Marianne Faithfull. Faithfull has recounted her apprehension, through "ingrained agoraphobia", about an invitation to spend five weeks with the Gettys in Morocco ("but for Mick this is an essential part of his life") and how, after splitting from Jagger, she took up with Talitha Getty's lover, Count Jean de Breteuil, a young French aristocrat (1949–1971). Breteuil supplied drugs to musicians such as Jim Morrison of The Doors (with whose girl friend Pamela Courson he had a relationship), Keith Richards, and Marianne Faithfull, who wrote that Breteuil "saw himself as dealer to the stars"[8][9][10] and has claimed that he delivered the drugs that accidentally killed Morrison[11] less than two weeks before Talitha's own death in 1971. For his part, Richards recalled that John Paul and Talitha Getty "had the best and finest opium".[12]
Print designer Celia Birtwell, who married designer Ossie Clark, recalled Talitha Getty as one of a number of "beautiful people" who crossed her threshold in the late 1960s, while couturier Yves Saint Laurent likened the Gettys to the title of a 1922 novel by F Scott Fitzgerald as "beautiful and damned".[13] Among other glamorous figures of the Sixties, the fashion designer Michael Rainey, who founded the Hung on You boutique in Chelsea, and his wife Jane Ormsby-Gore, daughter of British ambassador David Ormsby-Gore to the United States during the Kennedy era, "hung out" with the Gettys in Marrakesh between their moving from Gozo to the Welsh Marches.[14]
John Paul Getty, who has been described as "a swinging playboy who drove fast cars, drank heavily, experimented with drugs and squired raunchy starlets",[15] eschewed the family business, Getty Oil, during this period, much to the chagrin of his father.
In July 1968, the Gettys had a son, Tara Gabriel Galaxy Gramophone Getty,[16] who became a noted ecological conservationist in Africa, dropped his third and fourth forenames, and took Irish citizenship in 1999. He and his wife Jessica (a chalet maid he met in Verbier) have three children, including a daughter named Talitha.[17]
By 1969, the dissolute lifestyle the Gettys were leading in Italy and Morocco had begun to wear on Talitha, who wished to pursue treatment for heroin and alcohol addiction and return to Britain. Both she and Paul were unfaithful to one another (Paul was having an affair with Victoria Holdsworth, whom he would go on to marry in 1994), and Paul showed no commitment to becoming sober. He agreed to a separation and purchased a house for his wife and son to live in on Cheyne Walk in London.[18] In early 1970 Talitha was sober and living an active social life in London.
Marrakesh rooftop photo
[edit]Talitha Getty is probably best remembered for an iconic photograph taken on a rooftop in Marrakesh, Morocco, in January 1969 by Patrick Lichfield.[19] With her hooded husband in the background, this image, part of the collection of the National Portrait Gallery in London, portrayed her in a crouching pose, wearing a multi-coloured kaftan, white harem pants and white and cream boots.
The look seemed stylishly to typify the hippie fashion of the time and became a model over the years for what, more recently, has been referred to variously as "hippie chic", "boho-chic" and "Talitha Getty chic".[20]
Film career
[edit]As an actress, Pol appeared in several films, including Village of Daughters (1962) (as a daughter, Gioia Spartaco); an Edgar Wallace mystery, We Shall See (1964) (as Jirina); The System (1964) (aka "The Girl-Getters" as Helga, a German tourist and the first girl to be hit on by the young men); Return from the Ashes (1965) (as Claudine, alongside Maximilian Schell, Ingrid Thulin and Samantha Eggar); and Barbarella (1968), a sexually charged science-fiction fantasy starring Jane Fonda, in which she had the minor uncredited role of a girl smoking a hookah pipe.
Death
[edit]In the spring of 1971, Talitha Getty asked her husband for a divorce after years of living separately, but Paul Jr. was adamant that he still loved her and pleaded with her to come to Rome for a reconciliation. Her lawyers advised her that divorce proceedings would be easier if Talitha could show that she had attempted to reconcile with Paul, so on 9 July 1971 she flew to Rome.[21] She was found dead on 11 July in the Getty apartment on Piazza d'Aracoeli, allegedly of a heroin overdose.[1] However, her death certificate listed the cause as cardiac arrest, with high levels of alcohol and barbiturates found in her blood.[22]
The Italian press speculated that Paul's continued heroin usage had caused Talitha to relapse. An autopsy conducted 8 months after her death found traces of heroin in Talitha's system, but this was inconclusive since heroin can persist in the body for many months, and might therefore have pre-dated her sobriety. In January 1973, Italian authorities announced that an inquest would be held into the causes of Talitha's death; they requested that Paul Jr. submit to an interview. Getty was afraid that his continued drug use would lead to arrest and prosecution, so he fled Italy for the UK in February, and never returned.[23]
Talitha Getty died within the same 12-month period as Jimi Hendrix, Janis Joplin, Edie Sedgwick and, as noted, Jim Morrison, other cultural icons of the 1960s. Her friend Brian Jones of the Rolling Stones, with whom she had spent time in Marrakesh, had predeceased Hendrix by a little over a year.[24]
In 1993 Paul Getty named his new yacht Talitha G in memory of his late wife; it continues in service as Talitha for her step-son Mark.[25][26]
Number One
[edit]The death of Talitha Getty is the subject of the Italian political drama Number One (1973). The film, which disappeared from the public eye because of its clear references to the Getty case and the Number One nightclub, was restored and screened again in 2021. The death of Talitha Pol serves as a trigger for major investigations into drug trafficking and art theft surrounding the nightclub.[27][28][29] Talitha Getty's cinematic stand-in character "Deborah Garner" is played by Josiane Tanzilli; John Paul Getty II is the character of "Teddy Garner Jr.", played by Paolo Malco.[30]
Selected filmography
[edit]- Village of Daughters (1962)
- The Comedy Man (1964)
- The Edgar Wallace Mystery Theatre ("We Shall See", 1964)
- The System (1964)
- The Long Ships (1964)
- Return from the Ashes (1965)
- Barbarella (Uncredited, 1968)
References
[edit]- ^ a b Anita Pallenberg (26 October 2008). "Talitha Getty: Excerpts from the book "The House of Getty" by Russell Miller". minimadmodmuses.multiply.com. Archived from the original on 22 August 2011. Retrieved 6 July 2018.
- ^ Adine Mees at the RKD
- ^ Picardie, Justine (13 July 2008). "Talitha Getty: Beautiful and Damned". The Daily Telegraph. London. Archived from the original on 18 July 2008. Retrieved 11 August 2008.
- ^ Times Magazine, 11 November 2006.
- ^ Diary, 15 August 1988: The Journals of Woodrow Wyatt, ed Sarah Curtis (1998), p. 614.
- ^ Julie Kavanagh (2007) Rudolf Nureyev: The Life; Sunday Times, 16 September 2007. Kavanagh surmised that "what [Nureyev] was actually seeing was an exquisite, androgynous reflection of himself".
- ^ Hall, Malcolm Macalister (14 June 2001). "John Paul Getty II: A very English billionaire". The Independent. London. Retrieved 12 August 2008.[dead link]
- ^ Robert Greenfield, Exile on Main St.: A Season in Hell with the Rolling Stones, DaCapo Press, 2006, pp. 55–56.
- ^ Stephen Davis, Jim Morrison: Life, Death, Legend, Gotham, 2005, pp. 388–389.
- ^ Faithfull: an Autobiography, 1994, p. 195.
- ^ 'True Confessions' (portrait of Marianne Faithfull by Ebet Roberts) in Mojo, September 2014, p. 51.
- ^ Keith Richards (2010) Life, p. 247.
- ^ The Times, 16 November 2006.
- ^ Obituary of Michael Rainey, The Times, 7 February 2017.
- ^ Compton Miller (1997) Who's Really Who!, p. 115.
- ^ Miller, Russell (1986). The House of Getty. H. Holt. p. 262. ISBN 0-03-003769-7.
- ^ The Tatler, May 2011, p. 111.
- ^ John Pearson (1995). Painfully Rich. Harper Collins. p. 147.
- ^ "Patrick Lichfield (1939-2005) - Paul and Talitha Getty, Marrakech, Morocco, January 1969". Archived from the original on 17 April 2010. Retrieved 3 December 2009. See also Lichfield (1981) The Most Beautiful Women]
- ^ The Guardian, 24 July 2005.
- ^ John Pearson (1995). Painfully Rich. Harper Collins. p. 150.
- ^ (source: source: 1930–, Pearson, John, (1995). Painfully rich : the outrageous fortune and misfortunes of the heirs of J. Paul Getty (1st ed.). New York: St. Martin's Press. ISBN 0312135793).
- ^ John Pearson (1995). Painfully Rich. Harper Collins. pp. 154–155.
- ^ Getty was slightly older than Morrison and Joplin who were later cited as members of the "27 Club" of stars who died at that age. Others included Brian Jones of the Rolling Stones in 1969 and Amy Winehouse in 2011, when the 27 Club received renewed attention in the media. Sedgwick was 28 when she died.
- ^ "Talitha - History". My Talitha. Archived from the original on 24 January 2022. Retrieved 28 July 2021.
- ^ "Ireland's Rich List: 21-30". Irish Independent. Dublin: Mediahuis. 31 March 2010. Archived from the original on 7 April 2022. Retrieved 7 April 2022.
- ^ Number One: il film di Gianni Buffardi in 1^TV assoluta su Cine34, on cineavatar.it
- ^ Number One, on nocturno.it
- ^ it/2021/11/30/number-one/ Number One, on quinlan.it
- ^ two-films-in-Rome 1973: Number One / La ragazza di Via Condotti, on claudejade.com
External links
[edit]Talitha Getty
View on GrokipediaEarly life
Birth and family background
Talitha Dina Pol was born on 18 October 1940 in Mojokerto, Java, then part of the Dutch East Indies (now Indonesia), to Dutch parents Willem Jilts Pol and Arnoldine Adriana "Adine" Mees.[1][13] Her father, a painter, had relocated to the colony to advance his artistic pursuits, establishing the family in an expatriate lifestyle amid the pre-war colonial society.[9] As the only child of Willem and Adine, Talitha's early years unfolded in this tropical, Dutch-influenced environment, shaped by her parents' artistic inclinations and the rhythms of colonial life.[13] The family's residence in Java reflected the broader pattern of Dutch professionals and creatives drawn to the East Indies for opportunity and inspiration during the interwar period.[14] Through her father's subsequent marriage to Poppet John, Talitha became the step-granddaughter of the renowned British painter Augustus John.[9]World War II experiences and postwar relocation
Talitha Pol's childhood was irrevocably shaped by the onset of World War II in the Dutch East Indies. In March 1942, following the Japanese invasion of Java, she and her mother, Arnoldine Adriana Mees, were interned in a women's prison camp, enduring nearly three and a half years of captivity until the Allied liberation in August 1945. Her father, the Dutch painter Willem Jilts Pol, was separated from them and held in a men's camp elsewhere on the island. The internment profoundly disrupted her early years, exposing the family to the brutal realities of wartime occupation in the region.[4] Upon release, Talitha and her mother grappled with severe postwar hardships, including the physical toll of malnutrition and the deep psychological trauma inflicted by the camp conditions. These experiences left lasting scars, contributing to the fragility of her mother's health and the family's fragmentation. The family returned to the Netherlands, where tragedy struck in 1948 when Arnoldine Adriana Mees died at age 40 in The Hague, leaving eight-year-old Talitha in her father's custody. He then relocated with her to the London area, where in 1952 he remarried Elizabeth Anne "Poppet" John, daughter of the celebrated British artist Augustus John, integrating Talitha into a prominent artistic lineage and marking a permanent relocation to Britain away from her colonial origins.[4][15][16]Personal life
Meeting and marriage to John Paul Getty
Talitha Pol first encountered John Paul Getty Jr. in the summer of 1965 at a dinner party hosted by Claus von Bülow in his London apartment, amid the vibrant social scene of Swinging London.[4] Pol, who had relocated to London in the early 1960s to pursue modeling opportunities, was initially expecting to meet dancer Rudolf Nureyev but was seated next to Getty instead, sparking an immediate connection.[17] The pair's attraction was intense; Getty, then 33, later described feeling profoundly stirred by the 24-year-old Pol, leading to a swift courtship filled with the era's bohemian energy and nightlife.[18] John Paul Getty Jr., the second son of oil tycoon J. Paul Getty and an heir to the vast Getty Oil fortune, brought a complex personal history to the relationship.[19] He had previously been married to actress Gail Harris from 1956 to 1964, with whom he shared four children, and their divorce was finalized in 1964, allowing him to pursue Pol freely.[20] Based in Rome where he managed his father's Italian oil interests, Getty was known for his playboy reputation and immersion in Europe's jet-set culture before meeting Pol.[21] Their engagement followed soon after, culminating in a simple civil marriage on December 10, 1966, at Rome's City Hall.[22] The ceremony was understated, reflecting the couple's desire for privacy amid Getty's high-profile lineage, with Pol wearing a white miniskirt trimmed in mink as her bridal attire.[23] Pol thus became Getty's second wife, marking the beginning of their union in the heart of Italy's capital.[24]Family, lifestyle, and residences
Talitha Getty and John Paul Getty Jr. welcomed their only child, a son named Tara Gabriel Galaxy Gramophone Getty, in May 1968.[4] Following their 1966 marriage, the couple immersed themselves in the bohemian scene of Swinging London from 1966 to 1968, hosting lavish gatherings at their Chelsea home with luminaries such as Mick Jagger, Marianne Faithfull, Anita Pallenberg, and Ossie Clark.[25] Their social circle reflected the era's hedonistic fusion of aristocracy, rock royalty, and artistic elites, where Talitha embodied the free-spirited muse amid parties and cultural experimentation.[12] In 1968, shortly after Tara's birth, the Gettys relocated to Marrakesh, Morocco, seeking an escape from London's intensity; they had purchased a dilapidated 19th-century riad known as the Palais du Zahir in the medina during their honeymoon in 1966 and renovated it into a opulent "pleasure palace" with the help of designer Bill Willis, featuring tadelakt walls, zellij tiles, and lush courtyards.[26][27] The residence became a vibrant hub for their expat community, blending Moorish luxury with Western glamour. As part of Marrakesh's international set, the Gettys' lifestyle increasingly involved drug use, including opium and heroin, influenced by the permissive atmosphere among figures like Yves Saint Laurent and visiting rock stars such as the Rolling Stones. Talitha's heroin consumption escalated after Tara's birth, leading to periods of instability within their social circle.[4] By 1969, weary of the excesses, she sought treatment for her heroin and alcohol dependencies, attempting sobriety while raising their son in the riad.[4]Professional career
Modeling and early acting roles
Talitha Pol enrolled at the Royal Academy of Dramatic Art (RADA) in London during the late 1950s, completing her training with a diploma in acting upon graduation in 1960.[28] After leaving RADA, Pol launched her modeling career in early 1960s London, where she quickly gained notice for her striking, exotic features in features for fashion publications such as Town magazine and early photoshoots that captured the era's emerging bohemian aesthetic.[29][30] By 1965, her prominence in the fashion world led Tatler to name her "Girl of the Year," solidifying her status as a nascent style icon amid London's vibrant social and artistic circles.[12] Around 1962, amid the flourishing London theater and film scene, Pol shifted focus toward acting, taking on minor roles in British television series and films that highlighted her poised beauty and graceful screen presence.[3] These early appearances, often portraying elegant or enigmatic figures, marked her entry as a budding film actress in the competitive British entertainment landscape of the decade.[9]Selected filmography
Talitha Getty (credited as Talitha Pol) had a brief acting career in the 1960s, with appearances primarily in British films and one television episode.[2]- Village of Daughters (1962) – Gioia Spartaco
- We Shall See (1964, TV episode of The Edgar Wallace Mystery Theatre) – Jirina
- The System (also known as The Girl-Getters, 1964) – Helga
- Return from the Ashes (1965) – Claudine
- Barbarella (1968) – Pipe-Smoking Girl (uncredited)
Cultural icon and style influence
The Marrakesh rooftop photograph
In 1969, British photographer Patrick Lichfield captured a now-iconic image of Talitha Getty on the rooftop of the couple's riad in Marrakesh, Morocco, as part of a Vogue magazine assignment.[11][31] Talitha posed gracefully in a sheer black kaftan paired with harem pants, embodying effortless elegance, while her husband, John Paul Getty Jr., stood nearby in a hooded caftan; the composition highlighted their intimate connection against the riad's tiled backdrop.[11][32] The shoot documented the Gettys' bohemian expat lifestyle following their move to Marrakesh the previous year, immersing them in the city's burgeoning hippie scene frequented by artists, musicians, and international jet-setters.[11][33] Lichfield's photographs, including the rooftop portrait, portrayed Talitha as a vision of free-spirited glamour, with flowing fabrics and relaxed poses that evoked the era's blend of Eastern influences and Western rebellion.[31][11] Originally published in the January 1970 issue of Vogue, the image quickly resonated as a defining visual of late-1960s counterculture, symbolizing liberation and exotic allure through its candid yet stylized depiction of the couple's world.[31][32] Today, the photograph resides in the collection of the National Portrait Gallery in London, preserving its status as a seminal portrait of the period.[34]Fashion legacy and media portrayals
Talitha Getty is widely regarded as a seminal style icon of the 1960s, embodying the boho-chic aesthetic through her fusion of luxurious couture with eclectic, global elements like flowing kaftans, turbans, and embroidered textiles inspired by Moroccan and Middle Eastern traditions.[11] Her effortless blend of opulence and informality—often seen in layered silks, wide-legged pants, and statement jewelry—pioneered a liberated, nomadic fashion ethos that contrasted with the era's structured silhouettes.[12] This influence extended to major designers, particularly Yves Saint Laurent, who viewed her as a beautiful and free-spirited figure that brought a new, hippie-like energy to their Marrakesh encounters.[10] Getty's stylistic imprint persisted posthumously in media portrayals that romanticized her as a symbol of hedonistic glamour. The 1973 Italian film Number One, directed by Gianni Buffardi, drew loosely from her life and circumstances, casting Josiane Tanzilli as Deborah Garner—a stand-in for Talitha—and Paolo Malco as her husband Teddy Garner Jr., representing John Paul Getty Jr. The narrative unfolds amid Rome's underground scene, intertwining drug trafficking with an art theft scheme involving a stolen painting, ultimately revealing Deborah's apparent suicide as a cover for deeper criminal intrigue.[35] Beyond cinema, her persona features prominently in fashion retrospectives, such as Vogue's explorations of bohemian heritage, and in Getty family biographies like James Reginato's Growing Up Getty (2022), which includes quotes highlighting her as an unparalleled beauty and cultural force.[36] Her aesthetic experienced notable revivals in the 1990s and 2010s, aligning with broader boho resurgences in festival and street fashion. In the 1990s, echoes of her layered, ethnic-infused looks appeared in grunge-adjacent trends that emphasized relaxed silhouettes and global motifs.[37] The 2010s saw a pronounced kaftan revival, with designers channeling her Marrakesh-inspired fluidity in collections like Chloé's 2002 spring line, where she served as a direct muse, and in contemporary wellness-driven wardrobes that revived her barefoot, caftan-clad elegance as a symbol of effortless luxury.[4] Her influence continues into the 2020s, featured in 2024 analyses of boho evolution that link her iconic style to contemporary festival and runway trends.[37]Death and aftermath
Circumstances of death
In early 1971, Talitha Getty returned to Rome from London due to escalating drug issues that had strained her marriage to John Paul Getty Jr., leading to their separation; the move was an attempt at reconciliation.[4][38] The couple's dissolute lifestyle had fueled their heroin addictions, prompting prior family interventions, including an ultimatum from J. Paul Getty Sr. against drug use, and attempts by Talitha to seek treatment for heroin and alcohol dependency as early as 1969, though these efforts ultimately failed.[39] On July 11, 1971, Getty, aged 30, died in their Rome apartment from cardiac arrest, officially recorded as resulting from an accidental overdose.[10] Toxicology reports confirmed high levels of alcohol and barbiturates in her blood, alongside evidence of opiates—likely heroin—consistent with the couple's ongoing substance abuse.[1] The death was ruled accidental, though Italian press speculation arose regarding Getty Jr.'s possible involvement in delaying medical help.[9]Legacy and cultural impact
Talitha Getty emerged as a poignant symbol of the 1960s and 1970s counterculture, representing an intoxicating blend of ethereal beauty, opulent excess, and inevitable tragedy that mirrored the era's cultural icons like Edie Sedgwick. Her glamorous yet doomed existence, marked by jet-set hedonism and immersion in London's and Marrakech's bohemian scenes, captured the haute counterculture's allure, where privilege intersected with free-spirited rebellion against traditional norms.[33][36] Her death in 1971, amid a wave of losses including those of Jimi Hendrix, Janis Joplin, and Jim Morrison, underscored the fragility of that vibrant period's icons.[40] The profound absence left by Getty's early death shaped the life of her son, Tara Gabriel Galaxy Gramophone Getty, born in 1968, who was just three years old at the time. Raised largely without her influence amid the family's tumultuous dynamics, Tara distanced himself from the Getty oil empire, opting instead for a more private path, including agricultural studies and rural living on a farm in Buckinghamshire, reflecting a deliberate break from the industrial legacy that defined his forebears.[41][42] Within the broader Getty family narrative, Talitha occupies a central, tragic role, emblematic of the dynasty's blend of immense wealth and personal downfall, as chronicled in Russell Miller's 1985 book The House of Getty. The volume portrays her as a catalyst for John Paul Getty Jr.'s descent into grief and isolation following her overdose, weaving her story into the family's lore of boardroom intrigues, addictions, and fractured relationships that has fascinated biographers and the public alike.[43][44] This interest in her family role is amplified by publications such as Brandon Getty's 2022 memoir Growing Up Getty, which reexamines her influence on the family.[45]References
- https://commons.wikimedia.org/wiki/File:Wedding_of_John_Paul_Getty_Jr._and_Talitha_Pol_%28Rome%2C_1966%29.jpg
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