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Taxi 2
Taxi 2
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Taxi 2
Theatrical release poster
Directed byGérard Krawczyk
Written byLuc Besson
Produced by
Starring
CinematographyThierry Guilmaro
Edited byThierry Hoss
Music by
  • Olivier "Akos" Castelli
  • Al Khemya
  • IAM
Production
companies
Distributed byARP Sélection
Release date
  • 25 March 2000 (2000-03-25) (Marseille)
Running time
88 minutes
CountryFrance
LanguageFrench
Budget$10.5 million[1]
Box office$64.4 million[1]

Taxi 2 (French: Taxi Deux) is a 2000 French action comedy film directed by Gérard Krawczyk and released in March 2000. Starring Samy Naceri, Frédéric Diefenthal and Marion Cotillard, it is the second installment in the Taxi film series. It is a sequel to Taxi (1998), written by Luc Besson and directed by Gérard Pirès in 1999. It was followed by Taxi 3 (2003) in January 2003.

A video game adaptation was released by Ubi Soft, also in 2000.

Plot

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A Japanese minister of defence is traveling to Paris to sign a weapons contract between Japan and France, but first, he is visiting Marseille to view and rate the city police's anti gang tactics (using fake attacks on him).

During the visit, however, he is kidnapped by a group working for the Japanese yakuza. Emilien (Frédéric Diefenthal) is determined to rescue the minister and detective Petra (Emma Sjöberg), his girlfriend who was also kidnapped, and restore the honour of his department. Once again, speed demon taxi driver Daniel (Samy Naceri) is called upon to save the day with his high speed driving skills.

Also with the Peugeot, the Mitsubishi Lancer Evolution VI is also featured as a star car driven by the yakuza.

Cast

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Production

[edit]

Development

[edit]
Peugeot 406

Production started immediately after the massive success of the first film in the theaters, but this time Besson wanted to up his share of the split with the production company ARP to 70/30 from 50/50. Lead of ARP and Besson's friend Pétin grit his teeth, as he had carried the first project, but he agreed. The director of the first film Gérard Pirès was replaced by Gérard Krawczyk, who detractors say was more controllable, but who responded back stating he did what he wanted without needing to respect the scenarios laid by Besson.[2]

Cameraman death

[edit]

On Monday, August 16, 1999, only two weeks into filming, Boulevard de l'Amiral-Bruix was closed to traffic for the length between Porte Dauphine and Porte Maillot. The Peugeot 406 had to come speeding out of the tunnel, head on to the springboard, jump over two AMX-30 tanks and land on a bed of boxes and mattresses. After an unsuccessful first try, the stunt coordinator Rémy Julienne with 35 years of experience and credit of 4000 films including six James Bond films, decided to increase the incline of the springboard a bit and also up the car's running speed. On the second take, the taxi took off faster and higher, landing a few meters further than expected, hitting the 41-year-old cameraman Alain Dutartre, his assistant and a third person. Dutartre died a few hours later in the hospital. The assistant had both of his legs broken. Besson was in Los Angeles at the time and was contacted immediately. He flew to the set, where detectives were already investigating the matter. Filming had to continue, but did so in a somber mood.[2]

In June 2002, Luc Besson was summoned to court.[2] Authorities alleged safety was compromised in an effort to cut costs.[3] The stunt coordinator Rémy Julienne was given a one-year suspended jail sentence, and fined €13,000. Luc Besson, Grenet and director Gerard Krawczyk were initially cleared of charges.[4] But the Paris Court of Appeal reversed the ruling in June 2009, and EuropaCorp was convicted of involuntary manslaughter, and ordered to pay €100,000. Julienne's jail sentence was reduced to six months, and his fine was reduced from €13,000 to €2,000, but he was required to pay the Dutartre family €50,000 in court costs.

Reception

[edit]

Box office

[edit]

The film opened in Marseille, France on 25 March 2000 on nine screens and had 17,800 admissions.[5] Opening nationwide on a record 830 screens on 29 March 2000, the film set an opening day and week record in France. It had 759,512 admissions on opening day, beating the record set by Asterix and Obelix vs. Caesar, and over 3 million admissions for the week, beating the record set by The Visitors II: The Corridors of Time.[6][5] It went on to have 10.3 million admissions in France (the highest for the year) and 5 million in 37 other countries worldwide.[7][8] It also had good TV ratings with 10 million viewers on TF1.[8]

Critical response

[edit]

Neil Smith, reviewing the film for BBC, gave it two stars out of five and writes that it's a "virtual reprise of the 1998 French box-office smash" and while "there's very little of merit in this tongue-in-cheek actioner, it at least delivers the requisite amount of high-octane thrills."[9]

Sequel

[edit]

A sequel titled Taxi 3, was released in 2003.

Video games

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A video game based on the movie was published by Ubi Soft and released in France only in 2000 for the PC, Dreamcast (both versions developed by Blue Sphere Games), PlayStation (developed by DC Studios) and Game Boy Color (developed by Visual Impact).[10][11]

References

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[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Taxi 2 is a French action comedy film directed by Gérard Krawczyk and written by , serving as the sequel to the 1998 film . The story follows taxi driver Daniel (), whose souped-up is central to the high-speed chases, and his friend, the inept police inspector Émilien (), as they pursue a gang of disguised as ninjas who have kidnapped a Japanese defense minister and his interpreter during a visit to France. The film features a supporting cast including in an early role as Daniel's fiancée Lilly, Emma Sjöberg as the minister's interpreter Petra (Émilien's love interest), and as police chief Gilbert. Produced by Luc Besson's companies Leeloo Productions and , Taxi 2 emphasizes over-the-top stunts, car chases, and humor derived from the duo's contrasting personalities, with Daniel's expert driving skills proving pivotal in thwarting the criminals. Released on March 29, 2000, in across 836 screens—the widest release for a French film at the time—Taxi 2 shattered records, attracting 759,512 admissions on its and over 3.48 million in its first week, surpassing even Star Wars: Episode I – The Phantom Menace. Worldwide, it grossed approximately $60.7 million against a of about €10.7 million, making it one of the highest-grossing French films of the era and boosting the franchise's international popularity. Critically, it received mixed reviews, with a 70% approval rating on , praised for improved pacing and action sequences over its predecessor but critiqued for formulaic plotting.

Story and characters

Plot

The film opens in , where taxi driver Daniel, a returning character known for his exceptional driving skills from previous adventures, rushes a pregnant woman to the hospital in his modified , deftly navigating past an ongoing auto race. Meanwhile, police inspector Emilien, Daniel's bumbling and incompetent partner from prior escapades, finally passes his after 27 failed attempts, highlighting his persistent struggles with basic vehicular control. Emilien's laid-back yet skilled friend Daniel contrasts sharply with his own hapless nature, forming the core of their unlikely duo's dynamic, driven by mutual reliance in high-stakes situations. As a Japanese minister of defense arrives in to observe the local police's anti-gang demonstrations, including a rehearsed showcase with a Super-Peugeot to impress the visitor, Emilien is assigned to provide security. However, the minister is kidnapped by a gang of members disguised as ninjas, who seek to disrupt the minister's visit ahead of a Franco-Japanese summit. Complicating the crisis, Emilien's girlfriend, fellow officer , is also abducted during the botched protection detail, underscoring the police force's inefficiency and Emilien's personal stakes in the . Motivated by his romantic attachment to Petra and a desire to redeem his department's honor, Emilien enlists Daniel's aid, leveraging the taxi driver's superior handling of high-speed pursuits. The duo embarks on a relentless chase from to , employing Daniel's souped-up taxi for daring maneuvers that outpace the kidnappers' vehicles, including narrow escapes through streets, evading police barricades, and pursuing the kidnappers after they from a cargo plane over the . Along the way, they receive limited support from Daniel's fiancée Lilly's father, a high-ranking , who provides tactical insights but emphasizes the operation's unofficial nature. The pursuit builds tension through a series of comedic yet perilous encounters, such as multi-car pile-ups on a freeway and improvised stunts, poking fun at bureaucratic red tape and Emilien's recurring mishaps behind the wheel. The romantic subplot between Emilien and adds emotional depth, with Emilien confessing his love amid the chaos, while Daniel's cool demeanor keeps the team focused on the mission. The climax unfolds at a vast, empty warehouse in , where hold the hostages in a fortified lair. Daniel and Emilien infiltrate the site, combining high-octane driving sequences—crashing through barriers and using the as a weapon—with against the ninja-clad foes, blending stereotypes with humor. In a suspenseful finale, they overpower the gang leader, rescue the minister and , and expose the plot, restoring a semblance of order while lampooning 's over-the-top villainy against the backdrop of French enforcement's comedic shortcomings.

Cast

The principal cast of Taxi 2 (2000) features returning leads from the original Taxi (1998), delivering high-energy performances centered on the film's action-comedy tone. reprises his role as Daniel Morales, the brash and skilled Marseille taxi driver whose daredevil driving skills drive the narrative's chase sequences. His portrayal emphasizes Daniel's street-smart charisma and loyalty to friends, building on his breakout performance in . Frédéric Diefenthal returns as Émilien Coutant-Kerbalec, the bumbling yet earnest police inspector who relies on Daniel's expertise to navigate crises. Diefenthal's comedic timing highlights Émilien's awkwardness in high-stakes situations, contrasting Naceri's intensity. also reprises her role as Lilly Bertineau, Daniel's devoted girlfriend, in one of her early major film appearances before her international acclaim. Her performance adds emotional warmth and subtle humor to the romantic subplot. (credited as Emma Sjöberg) portrays Petra, Émilien's confident and athletic girlfriend, bringing a dynamic presence to the supporting ensemble with her physicality in action scenes.
ActorRoleDescription
Daniel MoralesReprising the fast-driving taxi protagonist from (1998).
Émilien Coutant-KerbalecReturning clumsy inspector partnering with Daniel.
Lilly BertineauDaniel's girlfriend, marking an early role in Cotillard's career.
Emma WiklundPetraÉmilien's girlfriend, introduced in this sequel.
Key supporting roles include Haruhiko Hirata as the Japanese minister, whose propels the and underscores the film's international intrigue. The antagonists are led by Ko Suzuki as Katano, the cunning group leader whose prowess and hypnotic tactics provide formidable opposition, with additional members like Yoshi Oida as Yuke Tsumoto enhancing the villainous ensemble.

Production

Development

Following the commercial success of the 1998 film , development of its sequel proceeded rapidly, with returning to write the screenplay. Besson's script introduced a yakuza-themed , replacing the original's focus on German car thieves with international villains kidnapping a Japanese defense minister during his visit to France, thereby escalating the stakes and incorporating more global elements. This conceptual shift aimed to build on the first film's action-comedy formula while amplifying the spectacle through larger-scale chases and confrontations. Gérard Krawczyk was brought on as director, succeeding Gérard Pirès from the original, due to Krawczyk's prior experience in action-oriented projects and his professional relationship with Besson. The production was handled by Besson's Leeloo Productions, which had overseen the first film. The budget for Taxi 2 was set at 70 million French francs (approximately $10.3 million USD), an increase that enabled more elaborate stunts and vehicle sequences compared to the predecessor. This financing came primarily from Leeloo Productions, reflecting Besson's strategy to position the sequel as a major French blockbuster.

Filming

Principal photography for Taxi 2 primarily occurred in , , , where the majority of the urban chase sequences were captured to leverage the city's dynamic street environments. Additional filming took place in , , for key action set pieces. The production schedule spanned from August to October 1999, allowing time for extensive location shoots and stunt preparations. This period emphasized practical effects over , enabling authentic depictions of and collisions through real-world execution. Stunt coordination centered on high-speed car sequences featuring heavily modified vehicles, which were purpose-built for performance and safety. Professional rally drivers, including Jean Ragnotti and , handled the driving duties, performing drifts, jumps, and pursuits at speeds exceeding typical cinematic limits to heighten realism. The technical crew, led by cinematographer Gérard Sterin under director Gérard Krawczyk, prioritized dynamic camera techniques such as and vehicle-mounted rigs to fluidly track the action, replacing the more erratic style of the predecessor with smoother, immersive visuals.

Cameraman death

During the production of Taxi 2 in Paris's 16th on August 17, 1999, Alain Dutartre, aged 41, was fatally struck by a vehicle while filming a high-speed chase sequence. The incident occurred when a modified , driven by veteran coordinator Rémy Julienne, emerged from the Porte Dauphine tunnel, jumped over three simulated army tanks, and overshot its intended landing into a pile of cardboard boxes, crashing into the camera crew positioned nearby. Dutartre sustained massive head injuries and died hours later in the hospital; his 26-year-old assistant, Jean-Michel Bar, suffered two broken legs, while a third crew member, the car's driver, also received serious injuries. French authorities immediately initiated an investigation into the accident, classifying it as a case of potential involuntary . Police questioned director Gérard Krawczyk in July 2004 and producer in June 2002 as part of the probe, focusing on safety measures during the . Julienne was placed under official investigation for in April 2002. In the initial trial in September 2007, Julienne received a six-month suspended prison sentence and a €10,000 fine, while Krawczyk was acquitted of charges. On appeal, a Paris court in June 2009 found , the , guilty of due to violations, including pressure to shorten the shooting schedule for cost savings; the company was fined €100,000 and ordered to pay €60,000 in damages to Dutartre's family. Julienne's sentence was reduced to a €2,000 fine, with no further criminal convictions against the director or producers. The incident underscored the vulnerabilities of camera operators in proximity to high-risk , where such personnel have historically outnumbered stunt performers in on-set fatalities by a 4-to-1 , prompting renewed industry discussions on bolstering safety protocols for action filming.

Music

Original score

The original score for Taxi 2 was composed by Al Khemya. The music features a mix of electronic and orchestral tracks tailored to the film's action sequences, including high-energy themes that drive the adrenaline-fueled car chases and tense motifs that build suspense in the confrontation scenes. Scored in post-production during 1999, the compositions were integrated into the editing process to sharpen the overall pacing and rhythmic flow of the narrative. The score's distinctive style fuses influences with subtle Asian-inspired sonic elements, echoing the plot's storyline and enhancing the cultural contrast in the comedy-action hybrid. Licensed songs appear alongside these original cues to amplify key moments.

Soundtrack

The soundtrack for Taxi 2 consists of a compilation album featuring licensed French hip-hop tracks that underscore the film's fast-paced action and comedic elements. Titled Taxi 2, the album by the hip-hop collective One Shot—formed by the French group IAM for the Taxi film series—was released on November 20, 2000, by Virgin Records as a CD compilation containing 16 tracks primarily in the hip-hop genre, recorded and mixed at Studio La Cosca in Marseille and mastered at Translab in Paris. Key featured artists include Disiz La Peste, Faf Larage, Taïro, Nuttea, Jalane, and Vasquez Lusi, with standout tracks such as the collaborative opener "Millénaire" (performed by Disiz La Peste, Vasquez Lusi, Faf Larage, Taïro, Nuttea, and Jalane), "Danse Dessus" by Faf Larage, and "Lettre Ouverte" by Disiz La Peste featuring Jalane. These songs mix rhythmic beats and lyrical flows to reflect the film's urban setting and high-energy vibe. In the film, the tracks are prominently integrated into sequences like the , exhilarating car chases, and , heightening tension and excitement while aligning with the movie's youthful, street-smart tone. The soundtrack complements the original score by Al Khemya, creating a cohesive auditory experience that blends pre-existing hits with bespoke music. The album's commercial release capitalized on the film's success, reinforcing Taxi 2's cultural relevance among young audiences through its showcase of emerging hip-hop talent.

Release

Marketing

The marketing campaign for Taxi 2 was extensive and timed to coincide with French school vacations in spring 2000, aiming to capitalize on outings and attendance to surpass the box office performance of the 1998 original. Promotional efforts centered on the film's action-comedy elements, with trailers showcasing high-octane car chases involving the modified taxi and humorous buddy dynamics between the lead characters. These trailers were distributed through theaters and television to generate buzz ahead of the March release. A key component was the prominent and tie-in with , whose vehicles were integral to the storyline and stunts. Media promotions in included television advertisements and posters prominently displaying the yellow , emphasizing the sequel's escalated action sequences and returning cast. The campaign targeted young adults drawn to the action-comedy genre, leveraging the first film's success. Internationally, marketing remained limited, prioritizing the domestic with subsequent releases in select European countries like ; efforts focused on the core audience in rather than broad global outreach.

Box office

Taxi 2 achieved significant commercial success, particularly in its home market of , where it attracted 10,345,901 admissions during its theatrical run. This figure outperformed the original Taxi film's 6,641,000 admissions, establishing the sequel as a major hit and ranking it among the highest-grossing French films of all time at release. The film opened on , 2000, across 830 screens, capitalizing on spring timing to draw large audiences. The film's debut set multiple records in , including the highest with 759,152 admissions and the strongest opening week with 3,478,850 admissions. These figures surpassed previous benchmarks set by blockbusters like Star Wars: Episode I – The Phantom Menace, though Titanic held the record for the largest overall opening weekend at the time. Produced on a budget of approximately FRF 70 million (equivalent to about $10.5 million), Taxi 2 quickly recovered its costs through domestic earnings alone, contributing to its profitability. Internationally, Taxi 2 performed strongly in , generating the bulk of its overseas revenue, but had a limited U.S. release that earned just $626,164. The film ultimately grossed $60,726,164 worldwide, with international markets accounting for $60,100,000. This total underscored the sequel's appeal in French-speaking and European territories, where it benefited from the franchise's established popularity.

Reception

Critical response

Taxi 2 received mixed reviews from critics, who praised its high-energy action sequences and comedic elements while criticizing its formulaic storyline and reliance on ethnic stereotypes. The film's thrilling car chases and stunt work were frequently highlighted as strengths, providing fast-paced entertainment that built on the original's success, though many noted a lack of depth compared to the 1998 predecessor directed by Gérard Pirès. Under Gérard Krawczyk's direction, the sequel was seen as amplifying the spectacle but diluting the charm, with reviewers often comparing it unfavorably in terms of originality and character development. In the UK, Neil Smith of the awarded it 2 out of 5 stars, acknowledging the "high-octane thrills" and tongue-in-cheek action but lamenting the absence of substantial merit beyond its reprises of the first film's formula. Similarly, Peter Bradshaw in gave it 3 out of 5 stars, describing it as an "entertaining high-speed romp" evoking campy films, though he pointed to its lightweight plot as a limitation. French critics were somewhat more divided; on , the press score averaged 2.8 out of 5 based on 15 reviews, with praise for the sequel's energetic humor and effective vehicle scenes but criticism for low-brow gags, vulgar dialogue, and anti-Japanese racism. Internationally, aggregates limited critic reviews without establishing a Tomatometer score as of 2025, reflecting the film's modest critical footprint outside . Taxi 2 received no major award nominations, though won Best New Actress at the 2000 Cabourg Romantic Film Festival for her supporting role.

Audience reception

Taxi 2 achieved immense popularity in upon its release, drawing over 10.3 million admissions and becoming the highest-grossing French film of 2000, as well as one of the top 20 highest-grossing films in French box office history. This blockbuster performance, which included breaking records for and first-week admissions with 3.48 million tickets sold, underscored its appeal to a broad , particularly younger viewers drawn to its high-energy action sequences and comedic elements. Despite a modest average user rating of 2.0 out of 5 on from over 35,000 reviews, reflecting some criticism of its formulaic plot and over-the-top style, the film's enduring draw is evident in higher international metrics, such as a 6.5 out of 10 on from 62,000 users and 70% on ' audience score. Viewer feedback highlighted the film's success in delivering lighthearted , with fans frequently praising its blend of humor, adrenaline-fueled car chases, and relatable setting, which resonated strongly with French youth during the early 2000s. Common themes in user reviews include the exhilarating stunt work and witty one-liners that made it a go-to for group viewings and repeat watches. releases further amplified this, as DVD rentals and sales contributed to its status as a staple in French households, encouraging multiple viewings among families and friends. Internationally, the film benefited from strong word-of-mouth in , where it performed well in markets like , attracting 171,000 spectators in its first 10 days and solidifying the franchise's cross-border appeal through shared enthusiasm for its vehicular . However, reception was more mixed in non-French markets outside , where cultural nuances in the humor and dialogue often limited its resonance, though action enthusiasts appreciated the universal thrill of the pursuits. Fans particularly cherished the on-screen chemistry between leads Samy Naceri as the cocky taxi driver Daniel and Frédéric Diefenthal as the inept cop Émilien, whose banter drove much of the comedy and formed a core duo beloved in the genre. The customized Peugeot 406 taxi emerged as an iconic symbol, inspiring fan recreations, model kits, and tributes that extended the film's cultural footprint. In retrospective assessments of 2000s French cinema, Taxi 2 frequently ranks among top action-comedies for its role in revitalizing the genre domestically.

Legacy

Video game adaptation

A video game adaptation of Taxi 2, titled Taxi 2: Le Jeu, was developed primarily by Blue Sphere Games and published by Ubisoft starting in 2000 as an exclusive European release. The Game Boy Color version was handled by developer Visual Impact. It appeared on multiple platforms, including Microsoft Windows, PlayStation, Sega Dreamcast, and Game Boy Color, with initial releases in 2000 for Windows (June 22), Game Boy Color (June), and Dreamcast (November 30); the PlayStation port followed in May 2002. The game is a racing and action title that recreates the film's emphasis on high-speed chases and vehicular antics through single-player missions inspired by the movie's plot. In story mode, players control Daniel's taxi across a series of timed objectives, such as delivering passengers or pursuing suspects, while monitoring a gauge to avoid overheating the turbo boost. An arcade mode unlocks after completing the story, allowing free races against a rival driver like rally champion without the gauge mechanic. The narrative is simplified from the film's events, prioritizing sequences over character development or full comedic elements, with only one playable and no reported customization options. Reception was largely unfavorable, with reviewers highlighting subpar graphics, repetitive missions, and brief playtime—often under an hour for completion—as major flaws. The PlayStation version earned a 3/20 from , which described it as one of the console's worst due to pixelated textures, poor , and lack of . User ratings averaged 5.3/20 on the site, with complaints about abysmal handling and unoriginal content dominating feedback, though a minority praised its lighthearted film tie-in. The PC port fared similarly on , scoring 35% from critics and 1.9/5 from players for its monotonous driving physics. The edition drew comparable critiques for boxy models and pop-in effects in retrospective analyses.

Cultural impact

Taxi 2 solidified the Taxi franchise's core formula of blending high-octane car chases, buddy-cop dynamics, and comedic elements centered around a modified taxi, which directly paved the way for the third installment, , released in 2003, and subsequent films including (2007) and (2018). This structure emphasized accessible, youth-oriented entertainment that resonated with French audiences, establishing a template for subsequent entries in the series. The film's portrayal of the , extensively modified for speed and stunts, elevated the vehicle to a in , symbolizing national automotive prowess and frequently referenced in discussions of cinematic cars. The movie's influence extended to cultural references within French media, reflecting broader trends in Besson-produced action films that mixed stereotypes with high-energy action. It also shaped the landscape of French action-comedies by prioritizing visual spectacle and relatable humor over depth, a hallmark of Luc Besson's production style evident in improved scripting, dynamic , and stunt work compared to the original. In retrospective analyses as of 2025, Taxi 2 is credited with playing a key role in elevating emerging actors, particularly , who reprised her supporting role as Lilly Bertineau from the franchise's breakthrough entry, Taxi (1998), marking an early step in her rise to international prominence. The film's enduring legacy includes extensions like a adaptation, maintaining its appeal through home media: DVD releases began in 2001, followed by Blu-ray editions, and ongoing streaming availability on platforms such as across Europe as of November 2025. This accessibility has sustained a dedicated fanbase in , underscoring the film's lasting place in .

References

  1. https://www.[imdb](/page/IMDb).com/title/tt0183869/
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