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The Kendalls
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The Kendalls were an American country music duo, consisting of Royce Kendall (born Royce Kuykendall in Saint Louis, Missouri, September 25, 1934 – May 22, 1998)[1] and his daughter Jeannie Kendall (born October 30, 1954).[1] Between the 1960s and 1990s, they released 16 albums on various labels, including five on Mercury Records. Between 1977 and 1985, 22 of their singles reached the top 40 on the Billboard country singles charts, including three number-one hits: "Heaven's Just a Sin Away" (also a number-69 pop hit), "Sweet Desire", and "Thank God for the Radio". Eight other singles also reached the top 10.[1] The Kendalls continues performing today as Jeannie Kendall, one of the original founding members, joined by Carl Acuff Jr. with a newly released CD “You Got Me” in 2022 recorded on Leaping Hawk Record Label. Includes another hit from writer Jerry Gillespie (Heaven's Just A Sin Away) ”Island In The Kitchen” and co writer Dan Willis. Jeannie Kendall is currently signed with Leaping Hawk Records in the Ozarks working with Bonnie and Rune Trulove.
Key Information
Career
[edit]Royce Kendall and his brother Floyce Kendall were raised in Missouri, with family roots in the Arkansas Ozarks. As young men, the brothers formed a duo and moved to California, where they recorded and performed on regional West Coast country television shows as The Austin Brothers. When they broke up, Royce and his wife Melba moved back to Missouri.
Royce and Melba Kendall's daughter Jeannie proved to be musically talented from an early age, and as a teenager, she became her father's duet partner.[2] In 1969, when Jeannie was 15 years old, the Kendalls recorded an album for Stop Records, from which a single was released in 1970: a cover of John Denver's "Leaving on a Jet Plane" (previously a hit for Peter, Paul & Mary).[2] The Kendalls' version narrowly missed the top 50 on the U.S. country chart.
On June 27, 1970, Jeannie provided vocals for the duet "I Wouldn't Have You Any Other Way" on Ringo Starr's country album Beaucoups of Blues.
The duo signed with Dot Records in 1972, and released an album and two singles, "Two Divided By Love", (a cover version of The Grass Roots' pop hit) and "Everything I Own", a cover of Bread's 1972 hit.[2]
The Kendalls parted with Dot before signing with the independent Ovation label in 1977.[2] Their first single for the label, a cover of the Kitty Wells hit "Making Believe," made the lower regions of the charts, but was largely overlooked because Emmylou Harris' version of "Making Believe" hit the U.S. country chart around the same time.
The Kendalls' second single on Ovation, a "cheating" song called "Heaven's Just a Sin Away", proved to be their breakthrough.[2] The song topped the country charts, was a minor crossover pop hit, and won the 1978 Grammy Award for Best Country Vocal by a Duo or Group.[2]
Subsequent hits included "Just Like Real People", "It Don't Feel Like Sinnin' to Me", "Sweet Desire", "You'd Make an Angel Want to Cheat", and a cover of Dolly Parton's "Put It Off Until Tomorrow".[2] (Jeannie Kendall's powerful soprano has often been compared to Parton's.)[3] In 1981, after Ovation Records closed their doors, the duo signed with Mercury Records, and continued to have hits with the "Teach Me To Cheat" and "If You're Waitin' On Me (You're Backin' Up)", which both made the country top 10.[2] More hits followed with "Movin' Train" and "Precious Love", which made the top 20.
Their last number-one country hit, 1984's "Thank God for the Radio", was also their last single to reach the top 10.[2] Their last top-20 hits came in 1984 and 1985 with "My Baby's Gone" and "I'll Dance Every Dance With You". In 1986, they signed with MCA Records, where they scored three midlevel hits. In 1987, they signed with Step One Records, where they scored several minor hits. In 1989, they signed with Epic Records, where their last chart single, "Blue, Blue Day", made the top 70.
Jeannie Kendall was married to Mack Watkins.[2] In the early 1990s, the Kendalls built a supper club in Gulf Shores, Alabama, which featured nightly performances by them; the club closed down two years later. Afterward, they began performing in Branson, Missouri, where the two families had built homes next door to each other. The Kendalls continued to tour and perform and released several CDs, until May 22, 1998, when Royce Kendall died from a stroke while on tour in Marquette, Iowa.[1] Jeannie Kendall, one of the original founding members of the Kendalls continues to tour and sing today with Carl Acuff Jr. They appear monthly at the Nashville Roadhouse Live, The Branson Star Theater in Branson Missouri. Jeannie Kendall is currently signed with Leaping Hawk Records, in the Ozarks. Jeannie and Carl tour as The Kendalls performing past hits and new.
Jeannie Kendall's solo career
[edit]In the years since her father's death, Jeannie has pursued a solo career, recording two solo albums, including a self-titled acoustic/bluegrass CD on the Rounder label that featured two songs recorded with Royce and several guest artists.[1] These guest artists included Alan Jackson, Ricky Skaggs, Alison Krauss, Rhonda Vincent, and Johnny Long, who had been the Kendalls' backup singer on the road. The second was All The Girls I Am, a much harder-edged pop/country CD released in 2005 on Golden. In 2022 she released an album with Carl Acuff Jr. entitled “You Got Me” recorded on The Leaping Hawk Records label.
Jeannie continues to tour and perform as The Kendalls, teaming up with Carl Acuff Jr. on harmony and lead vocals. The Kendalls released a new single “Island in The Kitchen” on CDX on the Leaping Hawk Records label, working with Bonnie and Rune Trulove, in 2022. The Kendalls are managed by the Truloves.
Discography
[edit]References
[edit]- ^ a b c d e Mansfield, Brian (March 13, 2003). "Jeannie Kendall, rekindled". USA Today. Retrieved August 2, 2009.
- ^ a b c d e f g h i j Colin Larkin, ed. (1993). The Guinness Who's Who of Country Music (First ed.). Guinness Publishing. p. 215. ISBN 0-85112-726-6.
- ^ "Biography Jeannie Kendall". January 28, 2008. Archived from the original on January 28, 2008.
External links
[edit]- Biography at allmusic
- The Kendalls at IMDb
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The Kendalls
View on Grokipediafrom Grokipedia
Background and formation
Royce Kendall
Royce Kendall was born Royce Kuykendall on September 25, 1934, in St. Louis, Missouri, to parents with roots in the Arkansas Ozarks.[10][2] He spent much of his youth in northeastern Arkansas, where family gatherings immersed him in southern gospel and bluegrass music traditions.[10] In the late 1950s, Kendall formed a duo with his brother Floyce, performing as the Austin Brothers—a guitar-mandolin act—on the West Coast club circuit and local television in California.[10][2] After the duo disbanded, he returned to the Midwest in the early 1960s, working as a DJ and steel guitarist in local bands around St. Louis while also serving in the army and operating a barbershop.[10][2] Kendall married Melba Edwards, with whom he had one daughter, Jeannie, born on October 30, 1954, in St. Louis.[2][3][11] As Jeannie entered her early teens, she displayed a strong interest in music, prompting Kendall to involve her in performances, initially at local venues, which laid the groundwork for their eventual family act.[2][3] Kendall died on May 22, 1998, at age 63, following a stroke while on tour near La Crosse, Wisconsin.[7][2][12]Jeannie Kendall
Jeannie Kendall was born on October 30, 1954, in St. Louis, Missouri. Growing up in a musical family, she demonstrated an early aptitude for singing, with her father Royce Kendall providing significant exposure to music through family performances and his own background as a performer. Royce's influence as a father and mentor shaped her initial interest in country and gospel harmonies from a young age.[13][3][10] During her teenage years in the late 1960s, Kendall honed her vocal skills by practicing harmonies with her father and performing locally in St. Louis-area nightclubs and venues. These early experiences, beginning around age 15, allowed her to develop a distinctive blend of voices that would later define their duo's sound, while she balanced the demands of youth with emerging musical pursuits. Her constant engagement with singing during this period impressed those around her, fostering a deep passion for the genre.[3][14][10]Career
Early years (1969–1976)
The Kendalls officially formed as a professional duo in 1969, when 15-year-old Jeannie Kendall left high school to join her father, Royce Kendall, on the road full-time, building on their shared family background in music that fostered their signature tight harmonies.[14][15] The father-daughter pair, hailing from the St. Louis area, began performing regionally in the Midwest and South, honing their sound through constant touring in small venues and fairs while facing the typical challenges of emerging artists, including limited exposure and financial instability.[16] Their recording career launched with Stop Records, where they released their debut album Meet the Kendalls in 1970, featuring a cover of John Denver's "Leaving on a Jet Plane" as the lead single, which peaked at No. 52 on the Billboard Hot Country Songs chart that summer.[17][5] The album also included a lively country rendition of Creedence Clearwater Revival's "Proud Mary," showcasing their ability to adapt pop-rock hits to a traditional country style and marking an early modest success in reinterpreting contemporary material.[18] Despite the single's low chart placement, it represented their first national notice, though follow-up releases on Stop failed to gain significant traction.[14] In 1972, the duo signed with Dot Records amid label instability, releasing albums such as Two Heartaches, Two Tears (1973) and Love, Love, Love (1974), along with singles like "Two Divided by Love" that charted in the lower 50s on Billboard but did not break through commercially.[5][19] These years were marked by persistent regional touring to build a grassroots audience, as the Kendalls navigated modest sales and the competitive country market without major label support. By 1975, they switched to United Artists Records, releasing singles such as "Love Do or Die," continuing their pattern of incremental progress amid ongoing challenges.[20][21]Breakthrough and peak (1977–1985)
In 1977, The Kendalls signed with Ovation Records and released their breakthrough album Let the Music Play / Heaven's Just a Sin Away, featuring the single "Heaven's Just a Sin Away," which topped the Billboard Hot Country Songs chart for four weeks and crossed over to No. 69 on the Billboard Hot 100. The track's success marked the duo's commercial ascent, earning them the 1978 Grammy Award for Best Country Vocal Performance by a Duo or Group at the 20th Annual Grammy Awards. This hit established their signature close-harmony style and propelled them into the spotlight within the country music industry. Building on this momentum, The Kendalls released Old Fashioned Love in 1978, which included the double A-side single "Sweet Desire" / "Old Fashioned Love," with "Sweet Desire" reaching No. 1 on the Billboard Hot Country Songs chart for one week, and "Pittsburgh Stealers" (No. 6). The following year, their album Heart of the Matter produced top-10 hits such as "You'd Make an Angel Wanna Cheat" (No. 5), while Just Like Real People added "I Had a Lovely Time" (No. 5). In 1980, "I'm Already Blue" (No. 5) from Heart of the Matter and "Put It Off Until Tomorrow" (No. 9) from a subsequent Ovation release continued their success. Over this period, they amassed eleven top-10 singles on the Billboard Hot Country Songs chart, solidifying their status as a leading act in country music.[5] In 1981, following the closure of Ovation Records, The Kendalls transitioned to Mercury Records, where they continued their string of hits with singles like "Teach Me to Cheat" (No. 7) and "If You're Waiting on Me (You're Backing Up Slow)" (No. 10). Their 1984 single "Thank God for the Radio" from the album Where Shadows and Images Meet returned them to No. 1 on the Billboard Hot Country Songs chart, becoming their third chart-topper and one of their most enduring songs. This era of peak success was supported by rigorous touring schedules across the U.S. country music circuit and prominent television exposure, including multiple guest appearances on the long-running variety show Hee Haw in 1978, where they performed hits like "Heaven's Just a Sin Away" and "Sweet Desire."Later years (1986–1998)
Following their peak years with Mercury Records, The Kendalls signed with MCA Records in 1986 and continued releasing material, though their chart performance declined significantly, with no top-10 singles after 1985.[22] Their 1985 compilation album Thank God for the Radio... And All the Hits on Mercury reached No. 59 on the Billboard Top Country Albums chart, while Fire at First Sight peaked at No. 47 on MCA later that year.[23] Singles from this period, such as "Too Late" (No. 42), "Little Doll" (No. 46), and "Fire at First Sight" (No. 60), all on MCA, reflected the duo's fading commercial momentum.[22] By 1987, they moved to Step One Records for the album Break the Routine, which charted at No. 51, supported by singles like "Routine" (No. 54) and "Dancin' with Myself Tonight" (No. 51).[24][22] The duo shifted to Epic Records in 1989 for the compilation 20 Favorites, which gathered earlier hits but did not yield new charting singles beyond "Blue Blue Day" at No. 69.[24][22] Later releases included Make a Dance on Lonesome Dove Records in 1995 and the gospel project This World Is Not My Home in 1997, marking their final original output as a duo.[24] These efforts sustained a dedicated fanbase drawn to the enduring appeal of their earlier hits like "Heaven's Just a Sin Away," even as mainstream success eluded them.[19] The Kendalls maintained an active performance schedule throughout the decade, appearing at venues and fairs across the U.S. Royce Kendall's death on May 22, 1998, from a stroke suffered shortly before a concert in Marquette, Iowa, ended the duo after nearly 29 years together.[2][7] He collapsed at the performance site and was 63 years old at the time.[7] In the aftermath, archival compilations honored their legacy, including Sixteen Greatest Hits released by Varèse Sarabande in 1999, which collected key tracks from their career.[19]Jeannie Kendall's post-duo career
Solo recordings
Jeannie Kendall released her debut solo album, Jeannie Kendall, on Rounder Records in 2003, a project originally begun as a collaborative effort with her father Royce Kendall before his death in 1998. The acoustic-oriented record features a mix of covers and original material, including the original song "That's What Your Love Does to Me," alongside duets with notable artists such as Alan Jackson on "Love Chooses You," Ricky Skaggs, Alison Krauss, and Rhonda Vincent. Produced with a bluegrass-inflected country sound, the album highlights Kendall's clear, emotive vocals in a style reminiscent of her duo work with her father, emphasizing heartfelt harmonies and traditional instrumentation.[1][25][26] In 2005, Kendall issued her second solo effort, All the Girls I Am, on CBUJ Entertainment, shifting toward a more contemporary country sound with tracks like the Patsy Cline cover "Leavin' on Your Mind" and originals such as "You Just Don't Get Me - Do You?" The album explores themes of love, loss, and personal identity through introspective lyrics, maintaining Kendall's signature vocal purity while incorporating pop-country elements. Despite its release, the record did not produce major chart hits, reflecting Kendall's focus on artistic expression over commercial singles.[27][28][29] Kendall's solo output has remained sparse, with only these two independent albums to date, as she prioritized touring and preserving her family's musical heritage over prolific studio work. This limited discography stems from her commitment to honoring Royce Kendall's legacy, viewing her solo endeavors as a continuation of the duo's tradition rather than a reinvention. Critics have praised her recordings for their vocal clarity and emotional depth, often comparing her timbre to Dolly Parton's while noting the absence of major breakthroughs in the post-duo era.[24][26][30]Performances with Carl Acuff Jr.
Following Royce Kendall's death, Jeannie Kendall pursued solo endeavors before forming a partnership with Carl Acuff Jr. in 2013 to revive The Kendalls through tribute performances honoring the duo's legacy.[31][32] This collaboration initially focused on live shows that captured the harmonious country sound of the original act, with Acuff providing complementary vocals and guitar work that echoed the familial blend Jeannie had shared with her father. Over time, their joint efforts evolved into a full-fledged duo act by the mid-2010s, emphasizing high-energy stage presentations that blend classic hits like "Heaven's Just a Sin Away" with new material, while Acuff's background as a songwriter—having penned independent country hits since the 1990s—infused their sets with fresh compositions and arrangements.[8][33] In 2021, the duo released their collaborative album You Got Me on Leaping Hawk Records, marking their first joint studio project under The Kendalls banner and shifting focus from solo-style recordings to duo-branded output.[34] The 10-track collection features original songs and traditional country covers, including the upbeat "Island in the Kitchen," written by Jerry Gillespie (the same songwriter behind the duo's 1977 hit "Heaven's Just a Sin Away"), and gospel-infused tracks like "Feel Like Traveling On," which highlight Acuff's contributions to harmonies and production.[35][36] Standout singles from the album, such as the title track "You Got Me" and "No Teardrops Tonight," underscore their emphasis on emotional storytelling and live-ready energy rather than pursuing individual solo albums.[37] Their performances prioritize dynamic stage interaction, often incorporating fan-favorite medleys that celebrate The Kendalls' heritage while showcasing Acuff's songwriting flair in custom intros and encores. A key element of their ongoing work is a regular residency at the Nashville Roadhouse Theater in Branson, Missouri, where they deliver shows blending comedy, audience participation, and classic country tunes, including a TV taping in February 2025.[38] Notable appearances include a 2024 concert at Sugar Creek Casino in Oklahoma, opening for John Conlee, which drew praise for its nostalgic yet vibrant delivery.[32] Examples of their 2025 touring include stops in Texas at the Llano Country Opry on January 11 and with Larry Gatlin in Gail on October 4. As of November 2025, the duo continues to book road shows across the U.S. into 2026, maintaining a schedule that highlights their live synergy without venturing into new solo projects.[9][39][40]Musical style and legacy
Influences and sound
The Kendalls' core sound was defined by their close father-daughter harmonies, which blended bluegrass-infused roots with the polished countrypolitan production prevalent in 1970s country music.[41][33] Royce Kendall's baritone provided a steady, resonant foundation, while Jeannie's soprano delivered a clear, emotive lead, creating a signature vocal interplay that evoked the intimate dynamics of classic country duos.[41][19] This tight blending of voices emphasized themes of heartbreak in ballads, such as their Grammy-winning hit "Heaven's Just a Sin Away," while also incorporating upbeat covers that added levity to their repertoire.[26][19] Their influences drew from pioneering harmony acts in country and bluegrass, including the Louvin Brothers, whose sibling interplay shaped the Kendalls' approach to emotional depth in duets.[33] Additional inspirations encompassed artists like Glen Campbell and Buck Owens, contributing to a mix of traditional country storytelling with subtle pop accessibility.[33] This foundation allowed the duo to specialize in "old-fashioned cheating songs" delivered with high, tight harmonies that maintained authenticity amid evolving industry trends.[19] Production played a pivotal role in refining their sound, particularly under Larry Butler at United Artists Records, who crafted a lush, orchestral countrypolitan aesthetic using strings and pedal steel guitar to enhance crossover appeal.[41][42] Butler's techniques polished the raw bluegrass elements inherited from Royce's Ozark upbringing, transforming early recordings into sophisticated tracks that balanced intimacy with broad commercial shine.[1][42] The duo's style evolved notably from their raw, independent early recordings in the late 1960s and early 1970s—often covers of pop tunes like "Two Divided by Love"—to the more refined mid-career output on major labels, where Butler's production elevated their harmonies to a level of emotional precision and sonic elegance.[1][19] This progression highlighted their adaptability, preserving bluegrass-rooted authenticity while embracing 1970s countrypolitan sophistication for greater radio and audience resonance.[41][33]Impact and honors
The Kendalls played a pivotal role in the 1970s revival of country music, blending tight family harmonies with pop-inflected arrangements that helped revitalize the genre during a period of transition toward more mainstream sounds. Their chart success underscored this influence, with 22 singles reaching the top 40 on the Billboard Hot Country Songs chart between 1977 and 1985, including three number-one hits: "Heaven's Just a Sin Away," "Old Fashioned Love," and "Thank God for the Radio."[1][5] This run of hits exemplified their ability to merge traditional country storytelling with accessible melodies, paving the way for later harmony-focused duos like The Judds, who drew on similar familial dynamics and vocal interplay to dominate the charts in the 1980s.[43] The duo's innovative sound and commercial achievements earned them major accolades, most notably the 1978 Grammy Award for Best Country Vocal Performance by a Duo or Group for "Heaven's Just a Sin Away," which also topped the Hot Country Songs chart for four weeks and crossed over to peak at No. 69 on the Billboard Hot 100.[44][45] They further received the Country Music Association's Single of the Year award in 1978 for the same track, highlighting its cultural resonance and broad appeal within the industry.[46] Following Royce Kendall's death in 1998, Jeannie Kendall has sustained the duo's legacy through ongoing performances and recordings, often billing shows as The Kendalls alongside collaborator Carl Acuff Jr., which has introduced their harmonious style to new generations while preserving traditional country elements.[1][47] As of 2025, they continue booking tours into 2026.[48] This continuation has ensured their enduring influence on acts committed to classic vocal blends amid modern country's evolution.Discography
Albums
The Kendalls, the father-daughter country duo consisting of Royce and Jeannie Kendall, released a total of 18 albums between 1971 and 1997, encompassing 14 studio recordings and 4 compilations on labels including Stop, Dot, Ovation, Mercury, Epic, Lonesome Dove, Step One, and Madacy. Their early work on smaller labels like Stop and Dot did not achieve significant commercial success or chart placement, but the duo's transition to Ovation Records in the mid-1970s marked a turning point, with several albums reaching the Billboard Top Country Albums chart and contributing to their Grammy-winning era. Later releases on Mercury and subsequent labels sustained their presence through the 1980s, though chart performance varied as their popularity waned. Compilations in the 1980s and 1990s helped preserve their catalog, drawing from their peak hits.[24] Key studio albums from their breakthrough period include Old Fashioned Love (Ovation, 1978), which peaked at No. 16 on the Billboard Top Country Albums chart, and the Grammy-associated Heaven's Just a Sin Away (Ovation, 1977; released in some markets as Let the Music Play/Heaven's Just a Sin Away), reaching No. 5 and earning gold certification from the RIAA for 500,000 units sold. Albums from the Mercury years, such as Just Like Real People (1979, No. 12) and Movin' Train (1983, No. 16), exemplified their polished countrypolitan sound and continued moderate chart success. By the late 1980s, releases like Break the Routine (Step One, 1987, No. 51) reflected a shift to independent labels amid declining sales. Notable compilations include The Best of the Kendalls (Ovation, 1981, No. 34 on Billboard Top Country Albums) and later retrospectives like 20 Favorites (Epic, 1989). Overall, the duo's albums collectively sold over 500,000 units in the United States, with their Ovation-era work accounting for the bulk of certified sales.| Album Title | Year | Label | Billboard Top Country Albums Peak |
|---|---|---|---|
| Meet the Kendalls | 1971 | Stop | - |
| Two Divided by Love | 1972 | Dot | - |
| Let the Music Play / Heaven's Just a Sin Away | 1977 | Ovation | 5 |
| Old Fashioned Love | 1978 | Ovation | 16 |
| Just Like Real People | 1979 | Ovation | 12 |
| Heart of the Matter | 1980 | Ovation | 24 |
| The Best of the Kendalls | 1981 | Ovation | 34 |
| Lettin' You In | 1981 | Mercury | 42 |
| Stickin' Together | 1982 | Mercury | 38 |
| Movin' Train | 1983 | Mercury | 16 |
| Two Heart Harmony | 1984 | Mercury | 27 |
| Fire at First Sight | 1986 | MCA / Curb | 47 |
| Thank God for the Radio | 1986 | Mercury | 59 |
| Break the Routine | 1987 | Step One | 51 |
| 20 Favorites | 1989 | Epic | - |
| Make a Dance | 1995 | Lonesome Dove | - |
| This World Is Not My Home | 1997 | Madacy | - |
| The Best of the Kendalls | 1997 | Varese Sarabande | - |
Singles
The Kendalls amassed 22 top-40 singles on the Billboard Hot Country Songs chart between 1977 and 1985, establishing them as a prominent duo in country music during that era.[24] Their breakthrough came with three chart-topping releases, each showcasing their signature close harmonies and Royce Kendall's high tenor blending seamlessly with Jeannie's lead vocals. These hits not only dominated airplay but also highlighted the duo's ability to blend pop-country appeal with traditional elements, contributing to crossover success on broader charts. Their first number-one single, "Heaven's Just a Sin Away" (1977), held the top spot for four weeks and won the Grammy Award for Best Country Vocal Performance by a Duo or Group at the 20th Annual Grammy Awards.[44] This Ovation Records release marked a turning point, propelling the duo from regional acts to national stardom. Follow-up number ones included "Sweet Desire" (1978), which topped the chart for one week as part of a double A-side with "Old Fashioned Love," and "Thank God for the Radio" (1984), their final chart-topper from the Mercury Records era that celebrated the role of radio in rural life.[49][50] Among their other top-10 hits, several exemplified the duo's knack for catchy, heartfelt narratives. "Pittsburgh Stealers" (No. 6, 1978), blending football references with romantic longing, while "I Had a Lovely Time" (No. 5, 1979), capturing post-date reflections. In 1980, "You'd Make an Angel Wanna Cheat" and "I'm Already Blue" both hit No. 5, and "Put It Off Until Tomorrow" climbed to No. 9; the following year, "Teach Me to Cheat" peaked at No. 7. "If You're Waiting on Me (You're Backing Up)" (1982) rounded out their top-10 successes at No. 10. These tracks, drawn from albums like Old Loves Don't Die and Heart of the Matter, underscored the Kendalls' consistent commercial viability without major RIAA certifications beyond the Grammy recognition for their debut hit.[24] The duo's chart journey began earlier with their debut single, a cover of John Denver's "Leaving on a Jet Plane" (1970), which peaked at No. 52 on the Hot Country Songs chart via Stop Records.[5] Post-peak efforts yielded diminishing returns; for instance, "Blue Tail Fly" (1986) mirrored their early modest entry by reaching No. 52.[24] In Jeannie Kendall's post-duo career, she continued releasing music, including the 2022 single "You Got Me" (billed as The Kendalls with Carl Acuff Jr. on Leaping Hawk Records), which garnered minor airplay success, peaking at No. 7 on the Airplay Direct chart, No. 1 on the Indie chart, and entering the top 20 overall.[24]| Year | Single | Peak Position (Billboard Hot Country Songs) |
|---|---|---|
| 1970 | Leaving on a Jet Plane | 52 |
| 1977 | Heaven's Just a Sin Away | 1 (4 weeks) |
| 1978 | It Don't Feel Like Sinnin' to Me | 2 |
| 1978 | Pittsburgh Stealers | 6 |
| 1978 | Sweet Desire / Old Fashioned Love | 1 (1 week) |
| 1979 | I Had a Lovely Time | 5 |
| 1979 | Just Like Real People | 11 |
| 1979 | I Don't Do Like That No More | 16 |
| 1980 | You'd Make an Angel Wanna Cheat | 5 |
| 1980 | I'm Already Blue | 5 |
| 1980 | Put It Off Until Tomorrow | 9 |
| 1981 | Teach Me to Cheat | 7 |
| 1982 | If You're Waiting on Me (You're Backing Up) | 10 |
| 1984 | Thank God for the Radio | 1 (1 week) |
| 1984 | My Baby's Gone | 15 |
| 1986 | Blue Tail Fly | 52 |
| 2022 | You Got Me (with Carl Acuff Jr.) | Top 20 (minor airplay) |