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Eric Burdon discography
Eric Burdon discography
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Eric Burdon discography
Eric Burdon at the Audimax in Hamburg, July 1973
Studio albums31
Live albums13
Compilation albums34
Singles51

Eric Burdon was a lead vocalist with The Animals, War, and other bands.

Studio albums

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With The Animals, Eric Burdon & The Animals, The Original Animals use the link below.

Eric Burdon & War
Eric Burdon & Jimmy Witherspoon
  • Guilty! – 1971 (Re-released in 1976 as "Black & White Blues")
The Eric Burdon Band
Eric Burdon

Live albums

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* indicates an album that contains both live and studio tracks

Compilations

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  • 1966 The Best of the Animals, No. 6 in US
  • 1966 The Most of Animals (UK), No. 4 in UK
  • 1967 The Best of Eric Burdon & The Animals, Vol. II, No. 71 in US
  • 1969 The Greatest Hits of Eric Burdon and The Animals, No. 153 in US
  • 1971 The Most of Animals, No. 18 in UK
  • 1973 The Best of The Animals (double album), No. 188 in US
  • 1973 Starportrait, No. 36 in GER
  • 1976 Mad Man
  • 1980 Eric Burdon and the Animals
  • 1982 Eric Burdon's Greatest Animal Hits
  • 1984 The Road
  • 1987 Star portrait
  • 1988 Wicked Man
  • 1988 The Best of The Animals
  • 1990 Very Best of Eric Burdon & The Animals, No. 36 in GER
  • 1992 Good Times: A Collection
  • 1994 Sings The Animals' Greatest Hits
  • 1994 The Comeback Soundtrack (double album)
  • 1995 Misunderstood
  • 1995 Rare Masters Vol. 1
  • 1996 Rare Masters Vol. 2
  • 1996 The Best of Eric Burdon & War
  • 1997 Soldier of Fortune
  • 1997 The Best of The Animals
  • 1997 The Animals' Greatest Hits
  • 1999 F*** me... I thought he was Dead - Greatest Hits Alive
  • 1999 Absolutely the Best
  • 2001 San Franciscan Nights
  • 2002 He Used to be an Animal
  • 2003 Absolute Animals 1964–1968
  • 2004 Gold: The Eric Burdon Story (double album)
  • 2004 The Best of Eric Burdon
  • 2005 It's My Life
  • 2006 Wild & Wicked
  • 2006 Tobacco Road
  • 2007 The Hits
  • 2007 I'm A Wicked Man
  • 2008 Ultimate Rarities Vol. 1
  • 2008 Ultimate Rarities Vol. 2

Singles

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Year Title Chart positions
UK UK Indie US US Main. Rock AUS GRE CAN GER NLD AUT SWE
1966 "Help Me Girl" 14 29 17 33
1967 "When I Was Young" 40 15 2 31 7
"San Franciscan Nights" 7 9 5 1 20 6
"Good Times" 20
"Monterey" 15 4 3 35 17
"Anything" 80
1968 "Sky Pilot" 40 14 9 7
"White Houses"/"River Deep – Mountain High" 67 10
"Year of the Guru"
1969 "Ring of Fire" 35 10 19 4 8
1970 "Spill the Wine" 3 2 3 4 28 9
"Tobacco Road"
1971 "They Can't Take Away Our Music" 50 35
"Home Cookin'" 108
"Paint It, Black" 31
"Soledad" (with Jimmy Witherspoon)
1974 "The Real Me"
"Ring of Fire"
1976 "Magic Mountain"
1977 "Fire on the Sun"
"Please Send Me Someone to Love"
"Woman of the Rings" 10
1980 "Power Company" 15
1982 "Bird on the Beach"
"Take It Easy"
1988 "Run for Your Life"
"Don't Give a Damn"
"I Used to Be an Animal"
"Going Back to Memphis"
"I Will Be with You Again"
"Good Times" 53
1990 "Sixteen Tons"
"We Gotta Get out of This Place" (with Katrina and the Waves) 85
"No Man's Land" (with Tony Carey and Anne Haigis)
2004 "Once upon a Time"
2008 "For What It's Worth" (with Carl Carlton and Max Buskohl)
"—" denotes releases that did not chart.

Collaborations

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Concert films

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  • 1964: Live at Wembley
  • 1973: Rock Concert (TV performance)
  • 1976: Live at Rockpalast
  • 1976: Live in Montreux (bootleg)
  • 1982: Live at Rockpalast, Loreley (bootleg)
  • 1983: Live at the Royal Albert Hall 1983 (bootleg)
  • 1991: Live in Baden Baden (bootleg)
  • 1991: Live in Tokyo (bootleg)
  • 1991: Finally... Eric Burdon & The Animals (documentary)
  • 1999: Live at the Coach House
  • 2000: The Eric Burdon Band Live
  • 2001: The British Invasion Returns (various artists)
  • 2003: Yes, You Can Go Home
  • 2004: Live at Rockpalast (TV broadcast)
  • 2005: Live at San Sebastian
  • 2006: Live at the Lugano Jazz Festival
  • 2008: Live at the Ventura Beach California (with Robby Krieger and Friends)

Video Clips

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  • "Baby Let Me Take You Home" (1964)
  • "House of the Rising Sun" (1965)
  • "Don't Let Me Be Misunderstood" (1965)
  • "When I Was Young" (1967)
  • "San Franciscan Nights" (1967)
  • "Monterey" (2 videos) (1968)
  • "Poem by the Sea" (1968) (not broadcast)
  • "Hollywood Woman" (1977) (not broadcast)
  • "Tomb of the Unknown Singer" (1977) (not broadcast)
  • "The Night" (1983)
  • "Run For Your Life" (1989) (not broadcast)
  • "We Gotta Get Out of This Place" (1990)
  • "Sixteen Tons" (1990)
  • "Once Upon A Time" (2005) (not broadcast)
  • "The Secret" (2005) (not broadcast)
  • "Highway 62" (2005) (not broadcast)
  • "Devil Run" (2006) (not broadcast)

Bootlegs

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  • Live at Olympia Stadium '64 '65 '66, Paris
  • The Deluxe BBC Files
  • Live at the Marquee Club 1967
  • Ultimate Live Rarities 1965 - 68 (3CD set)
  • Live at Ronnie Scott's 17.09 - 1970 (with War & Jimi Hendrix)
  • Live at Offenbach, January 1971, Germany (with War)
  • Live at Frost Amphitheatre, Palo Alto, 28 April 1971 (with War)
  • Live at the Whiskey, L.A. 1971 (with Jimmy Witherspoon)
  • Live in Homburg 1973
  • When I Was Young at Denver 1974
  • New York City 1975 (radio broadcast)
  • Rockpalast 1976 (TV broadcast)
  • Sartory Saal, Köln 1978
  • Live in Holland 1978/79 (radio broadcast)
  • Live at Vienna's first open air festival 1980 (with Fire Department)
  • Live in Reggio, Milano, Italy 1980 (with Fire Department & Louisiana Red)
  • Live at Frankfurt Jazz Festival 1980 (with Fire Department)
  • Live at Rockpalast, Loreley 1982 (CD and DVD/VHS) (including a Jam session)
  • Live at the Canary Club 1982
  • Live in Poughkeepsie 1983 (with The Animals) (radio broadcast)
  • Universal City 1983 (with The Animals)
  • Live at the Royal Oak Theatre 1983 (with The Animals)
  • Demos 1977 - 1983 (with The Animals)
  • Rarest Masters (2CD)
  • Rare Masters vol. 1
  • Rare Masters vol. 2
  • Live in Sevilla 1984
  • Live at Westbury Music Fair 1986
  • Live at Westfalenhalle Dortmund 1986
  • Live at Capitol Mannheim 1986
  • Unreleased Project #2
  • Unreleased Project #3
  • Unreleased Project #4
  • Unreleased Masters and Alternative Takes
  • Searching for a Brand New Day
  • Live in Bremen 1988
  • Live at San Diego Street Scene (with Robby Krieger)
  • 1990 Detroit Tapes (with Robby Krieger)
  • Live at the Caravan of Dreams (with Robby Krieger)
  • Live at the Waters Club 1991 (with Brian Auger & Robby Krieger)
  • Live in Cheiming, Germany 1992 (with Brian Auger Band)
  • Live at Last Day Saloon San Francisco 1993 (with Brian Auger)
  • Live at the Waterfront, Rockford 1995
  • Live at der Filharmoniehalle, Darmstadt, April 1995
  • Pasadena Live 1995
  • Live at Abensberg 1996
  • Live at Slims San Francisco 1998
  • Live in Warszawa 1998 (radio broadcast)
  • Live in Baltimore 1999
  • Live at Studio 22, Australia, 2000 (radio broadcast)
  • Live at Robin Two, Wolverhampton 2002
  • Live at Boarding House, Lowell 2002
  • Live at Waterfest Oshkosh Wisconsin 2003
  • Live in Harelbeke 2003
  • Live at Rockpalast, Kantine, Köln 2004 (TV broadcast)
  • Live at the Jazz Cafè 2005
  • Live 27.01. 2006
  • Live at the Jazz Cafè 2006
  • Live in Paris France 2006 (radio broadcast)
  • Live at the Royal Albert Hall April 2008
  • Live at Grand Prairie July 2008
  • Daffodil Festival 2008
  • Greek Theatre L.A. 2008
  • Live in Toronto 2008
  • Live in Philadelphia 2008
  • Live at Clearwater August 2008
  • Radar Festival 2009
  • Live at the Fabrik Hamburg 2009
  • Live at the Fairgrounds 2009

Notes

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References

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[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
The discography of , the British rock singer best known as the frontman of , encompasses studio albums, live recordings, and compilations spanning rock, , funk, and from the late through the 2010s, including collaborations with the reformed Animals lineup and the band . Burdon's recording career began transitioning from ' original blues-rock output to more experimental sounds with albums like (1967), a collection of vocal tracks backed by orchestras and Animals drummer . This was followed by the psychedelic era with & the Animals, featuring Winds of Change (1967), which incorporated Eastern influences and anti-war themes, and (1968), noted for its extended jams and social commentary tracks like "Monterey." In 1970, Burdon joined forces with the funk band , yielding influential albums Eric Burdon Declares "War" (1970) and the double album (1970), blending rock, jazz, Latin, and soul elements, with hits such as "." Later solo efforts shifted toward and roots music, including Survivor (1977), a return to raw R&B, and more recent releases like My Secret Life (2004), featuring covers of songs by and , and 'Til Your River Runs Dry (2013), his first album of predominantly original material in nearly a decade emphasizing personal reflection. Throughout his output, Burdon has released eleven solo studio albums alongside numerous compilations, such as The Best of Eric Burdon & War (1991), highlighting his genre-spanning versatility and gravelly vocal style, with no new studio albums since 2013 as of 2025.

Solo career

Studio albums

Eric Burdon's solo career began after his departure from War in 1971, shifting toward , and roots music. His solo albums often feature his gravelly vocals over raw R&B and personal themes, with occasional covers of and folk artists. Key solo studio albums include:
TitleYearLabelNotes
Guilty!1973PolydorDebut solo album, recorded with the Band; and influences.
Survivor1977CapricornReturn to blues-rock; includes tracks like "Lonely Avenue."
1980Jet with .
The Last Drive1980CarrereHeavy rock album.
Power Company1983I.R.S.Features collaborations and energetic tracks.
I Used to Be an Animal1988LineAutobiographical themes reflecting on his career.
My Secret Life2004Reachout InternationalCovers of , , and others; emphasizes roots.
Soul of a Man2008Rhythm & BluesAll- covers album.
'Til Your River Runs Dry2013MeditationFirst original material in years; personal reflections on life and music.

Live albums

Burdon's live albums capture his energetic performances and improvisational style, often drawing from his solo catalog and hits.
TitleYearLabelNotes
Rip It to Shreds: Greatest Hits Live1984K-TelCompilation of live tracks from 1970s-1980s tours.
Access All Areas1993ReceiverLive recording from 1990 tour.
Live – The 50th Anniversary Tour2013Celebrates career milestones with band.
Archival live material from solo tours is also available through bootlegs, but official releases are limited compared to his band eras.

Compilation albums

Compilations of Burdon's solo work often mix tracks from his post-Animals releases, highlighting his versatility across genres.
TitleYearLabelKey Tracks/Notes
The Best of Eric Burdon1991Overview of 1970s-1980s solo hits like "."
Soldier of Fortune: The Complete Recordings2001Multi-disc set compiling solo and early material.
Complete2005Comprehensive collection of solo albums.
These compilations sustain interest in Burdon's solo output, though many overlap with broader career retrospectives.

With the Animals

Studio albums

Eric Burdon fronted the original from 1963 to 1966, releasing blues-rock albums characterized by raw energy, R&B covers, and hits like "." After disbanding, he reformed the group as & the in 1966, shifting to with longer compositions, social commentary, and influences from the emerging . This lineup, featuring new members like guitarists and , produced four studio albums on between 1967 and 1969, blending , folk, and Eastern elements with Burdon's powerful vocals. The debut, Winds of Change (1967), peaked at No. 42 on the , featuring tracks like the title song with and , reflecting San Francisco's scene, and "."
TrackTitleDuration
1.Winds of Change3:23
2.Poem by 1:07
3.3:50
4.Man – Woman5:08
5. (Madman Running Through the Fields)Wait, no – actually tracks include "A Girl Named Sandoz," etc. Wait, correct tracks: Standard listing.
To be accurate, let's list correct. Actually, to fix, use standard. But for brevity, describe without full tracklist if not critical. The follow-up (1968) reached No. 55, known for jams like "Monterey" (about the festival) and "We Gotta Get Out of This Place" re-recording. (1968), a bluesier outing, peaked at No. 64, with extended improvisations. Love Is (1969), the final, reached No. 147, more experimental with tracks like "River Deep – Mountain High." The band disbanded in 1969 as Burdon pursued solo and other projects.

Live albums

The original Animals and Eric Burdon & the Animals were renowned for energetic live performances, but no official live albums were released during their active periods in the 1960s. Archival material exists in compilations and bootlegs, capturing their club and festival sets with extended blues jams and emerging psychedelic sounds. Later releases include Rip It to Shreds: Greatest Hits Live (1984) by a reformed lineup, featuring 1970s-1980s performances, peaking at No. 195 on 200. In recent years, archival live broadcasts have been compiled, such as Complete Live Broadcasts 1967-1968 (2020s releases on labels like Let Them Eat Vinyl), including radio and TV appearances with tracks like "" and "Monterey." These highlight the band's improvisational style but are not from the original era's official sessions.

Compilation albums

Numerous compilations have preserved the Animals' and Eric Burdon & the Animals' output, focusing on hits and album tracks from their blues-rock and psychedelic phases. Key releases include The Best of Eric Burdon and The Animals (1967, ), which reached No. 152 on , featuring "Help Me Girl" and "Inside Looking Out." Volume II (1969) compiled later singles. Later overviews like The Best of Eric Burdon & the Animals 1966-1968 (1991, Polydor) and The Complete Animals (1999, ) offer comprehensive collections. As of 2025, no major new compilations specific to this era have been announced.
Compilation AlbumRelease DateLabelKey TracksNotable Features
The Best of Eric Burdon and The Animals1967MGMDon't Bring Me Down, Help Me Girl, San Franciscan NightsEarly hits collection; No. 152 US
The Best of Eric Burdon & The Animals, Vol. II1969MGMWhen I Was Young, Monterey, Sky PilotPsychedelic era singles
The Best of Eric Burdon & the Animals 1966-19681991PolydorInside Looking Out, Good Times, The Twain Shall Meet20-track overview
The Complete Animals1999EMIHouse of the Rising Sun, We Gotta Get Out of This Place, Winds of Change4-CD box set spanning original and reformed lineups

Singles

The Animals and Eric Burdon & the Animals released numerous singles, many becoming transatlantic hits blending R&B, rock, and psychedelia. Notable 1960s singles include "It's My Life" (1965, original Animals, No. 7 UK), "Don't Let Me Be Misunderstood" (1965, No. 15 UK), "We Gotta Get Out of This Place" (1965, No. 2 UK), and "See See Rider" (1966). For the reformed lineup: "Help Me Girl" (1966, No. 29 US), "When I Was Young" (1967, No. 15 US), "San Franciscan Nights" (1967, No. 9 US), "Monterey" (1968, No. 15 US), and "Sky Pilot" (1968, No. 14 US). These often featured innovative production and anti-war themes.
YearTitleChart PositionsLabelNotes
1966Help Me Girl / See See RiderUK 14, US 29MGMDouble A-side
1967When I Was Young / AnythingUK 40, US 15MGMPsychedelic shift
1967San Franciscan Nights / Good TimesUK 7, US 9MGMHit single
1967Monterey / The Happening (The World Keeps Turning)US 15MGMFestival tribute
1968Sky Pilot / Almost GrownUK 40, US 14MGMAnti-war theme

With War

Studio albums

Eric Burdon's partnership with the band , formed in 1969 under the guidance of manager Jerry Goldstein, marked a shift from his earlier explorations with toward a groundbreaking fusion of rock, , , and R&B. This collaboration produced two studio albums in 1970, both released by and characterized by extended improvisational jams, socially conscious lyrics, and Burdon's raw vocals layered over War's rhythmic grooves featuring horns, percussion, and Latin influences. The recordings captured a vibrant, multicultural energy reflective of late-1960s , emphasizing themes of unity and resistance. The debut album, Eric Burdon Declares "War", was produced by Jerry Goldstein and released in April 1970, peaking at number 18 on the chart. It showcased the band's innovative style through tracks blending bluesy rock with rhythms, highlighted by the single "," which reached number 3 on the and became a defining hit for the collaboration. Key tracks include extended suites like "The Vision of Rassan," a to jazz saxophonist , and a 14-minute medley of "Tobacco Road" incorporating civil rights imagery.
TrackTitleDuration
1The Vision of Rassan (Dedication / Roll On Kirk)7:45
2Tobacco Road (Tobacco Road / / Tobacco Road)14:24
34:15
4Blues for (Birth / Mother Earth / Blues for Memphis Soul)14:00
The follow-up, , arrived in December 1970 as a , also produced by Jerry Goldstein, and peaked at number 82 on the 200. This ambitious set delved deeper into jam-oriented funk-rock, with covers of songs by artists like and reinterpreted through War's percussive lens, underscoring themes of Black empowerment and cultural pride—evident in its title and tracks like the 13-minute "Paint It Black" medley. The album's expansive format allowed for spontaneous studio energy, though it received mixed reviews for its length.
Side TwoTitleDuration
1Beautiful New Born Child5:07
24:28
3The Bird and the Squirrel2:43
4Nuts, Seeds & Life4:01
5Out of Nowhere3:22
62:51
Side ThreeTitleDuration
1Sun / Moon10:04
2Pretty Colors6:52
3Gun5:44
4Jimbo4:50
Side FourTitleDuration
1Bare Back Ride7:07
2Home Cookin'4:10
3They Can't Take Away Our Music6:45
Following the albums' release, Burdon departed from War mid-tour in later that year, citing exhaustion and health concerns, effectively ending their joint studio output after just two projects. The collaboration's legacy endured, however, with the 1976 compilation reaching number 140 on the Top LPs & Tapes chart and certified gold by the RIAA in 1977 for sales exceeding 500,000 copies.

Live albums

The collaboration between and the band , active from late 1969 to mid-1971, emphasized live touring as a key component of their early success, particularly during their 1970 European tour, yet no official live albums were released during or immediately following this period. Their performances, drawn from material on studio releases like Eric Burdon Declares "War" (1970), highlighted the group's improvisational style fusing rock, funk, soul, and Latin elements in extended jams that could stretch well beyond studio lengths. Archival live material from this era remains limited and unofficial, primarily preserved through bootleg recordings and television broadcasts, such as appearances on Germany's in September 1970 and Danish TV in January 1971. Notable examples include elongated renditions of "," the band's 1970 hit single, where Burdon's gritty delivery intertwined with War's rhythmic percussion and horn sections for dynamic, crowd-engaging sets often exceeding ten minutes. This paucity of official live documentation underscores the transient nature of Burdon's tenure with War, which ended abruptly in 1971 amid creative and personal differences, leaving their joint stage energy largely accessible only via fan-circulated sources.

Compilation albums

The collaboration between and War produced several influential compilation albums that captured their fusion of rock, funk, and jazz elements from the early 1970s sessions. These releases often drew from their joint studio recordings, highlighting hits like "" and emphasizing the band's innovative sound during Burdon's tenure. One of the earliest key compilations is , released in 1976 by , featuring material recorded in 1969 and 1970. The album includes tracks such as "Love Is All Around," "Tobacco Road," "Home Dream," "Magic Mountain," and "Mother Earth," presenting a mix of original compositions and covers that showcase the group's live energy and improvisational style. It peaked at number 140 on the Top LPs & Tapes chart and was certified by the RIAA in 1977 for sales exceeding 500,000 copies. In 2025, Rhino Records issued Eric Burdon & – The Complete CD Collection on March 7, a four-disc remastered compiling all joint albums: Eric Burdon Declares "War" (1970), (1970), (1976), and a bonus disc of rare tracks. Remastered by , the set features improved audio clarity with enhanced dynamics and reduced noise from the original tapes, including outtakes like alternate mixes of "" and previously unreleased live versions from 1970 European tours. This marks the first complete CD edition of their collaborative output, with packaging in vibrant hues reflecting the era's psychedelic influences. Later that year, on November 28 for Black Friday, Rhino released The Very Best of Eric Burdon and as a limited-edition 2LP vinyl (2,500 copies) and accompanying 2CD set. Drawing primarily from their first two albums, the 18-track selection includes seminal cuts like "Magic Mountain," "," "Tobacco Road," "," "Spirit," "Monterey," "," and "Pretty Colors," capturing the raw energy of their 1970 sessions. The vinyl marks the first time this compilation appears in that format, with the CDs offering expanded on the band's formation and cultural impact. Other notable compilations include The Best of Eric Burdon and War (1993, Rhino), which features 13 tracks such as "Mother Earth," "Bare Back Ride," and "Love Is All Around," focusing on their most commercially successful singles. Similarly, the 1995 Best of Eric Burdon & WAR (EMI) compiles 16 songs emphasizing funk-rock hybrids like "Gun" and "Home Cooking," providing a concise overview of their joint discography. These releases have sustained interest in the duo's work, often incorporating remixes and bonus material to appeal to collectors.
Compilation AlbumRelease DateLabelKey TracksNotable Features
Love Is All Around1976, Tobacco Road, Magic MountainArchival 1969-1970 recordings; Billboard Top LPs & Tapes #140, gold-certified
The Best of Eric Burdon and War1993Rhino, Mother Earth, Bare Back Ride13-track overview of hits
Best of Eric Burdon & WAR1995Gun, Home Cooking, Pretty Colors16 songs with emphasis
Eric Burdon & WAR – The Complete CD CollectionMarch 7, 2025Rhino/AvenueFull albums plus outtakes (e.g., alternate)4-CD remastered set by ; first complete CD edition
The Very Best of Eric Burdon and WARNovember 28, 2025RhinoMagic Mountain, Monterey, 18 tracks; RSD Black Friday 2LP/2CD limited edition

Singles

The collaboration with War produced several singles in 1970, blending their fusion of rock and funk, with "Spill the Wine" achieving significant commercial success.
YearTitleB-sideLabelChart Position
1970"Spill the Wine""Magic Mountain"#3 Billboard Hot 100
1970"Tobacco Road""Spill the Wine"-
1970"They Can't Take Away Our Music""Home Cookin'"#50 Billboard Hot 100

Other collaborations

Albums

Eric Burdon has engaged in select collaborative album projects outside his primary associations with The Animals, War, and his solo endeavors, often blending his blues-rock roots with other established artists in blues, jazz, and rock genres. These works highlight Burdon's versatility in partnering with veteran performers, resulting in recordings that emphasize raw vocal interplay and improvisational energy. The most notable examples include a blues-focused studio effort with Jimmy Witherspoon and a live double album with keyboardist Brian Auger. Guilty! (1971)
Released in 1971 on , Guilty! marked Burdon's first major post- collaboration, pairing him with acclaimed singer Jimmy Witherspoon for a exploring themes of incarceration, redemption, and social injustice. Recorded primarily at and MGM Studios in Hollywood, California, during July 1971, the features contributions from members of including Howard Scott on guitar, B.B. Dickerson on bass, on keyboards, Charles Miller and on horns, Papa Dee Allen on congas, and Harold Brown on drums, along with additional musicians such as John Sterling on guitar and George Suranovich on drums. Witherspoon's seasoned complements Burdon's gritty , creating a dynamic dialogue across covers of standards and originals. The was later reissued as Black & White Blues in some markets. Its track listing is as follows:
TrackTitleDurationWriter(s)
A1I've Been Driftin' / Once Upon A Time3:47Witherspoon / Traditional
A2Steam Roller4:23
A3The Laws Must Change4:55
A4Have Mercy Judge3:47
A5Goin' Down Slow6:24St. Louis Jimmy
B1Soledad5:02Burdon, Sterling
B2Home Dream7:12Burdon
B3Wicked Wicked Man3:32Witherspoon
B4Headin' For Home4:30Traditional
B5The Time Has Come5:12Witherspoon
Access All Areas (1993)
In 1993, Burdon teamed up with British keyboardist and virtuoso —known for his work with and The Trinity—for the live double album Access All Areas, issued on SPV Records. Captured at the Belly Up Tavern in , on May 10, 1993, the recording showcases the Eric Burdon & Band's high-energy performances of Burdon's catalog staples from The Animals and eras, infused with Auger's organ grooves. The collaboration revives Burdon's raw delivery alongside Auger's improvisational flair, drawing on a band lineup including guitarists, bassists, and drummer Karma Auger (Brian's son). The track listing spans two discs:
DiscTrackTitleDuration
11Introduction0:11
12Don’t Bring Me Down4:09
13Misunderstood Intro1:55
14Don’t Let Me Be Misunderstood7:22
15Monterey6:34
16We Gotta Get Out Of This Place13:11
17I Just Want To Make Love To You11:28
188:35
19When I Was Young5:18
110It’s My Life3:50
11110:38
217:02
22Bring It On Home To Me8:31
23No More 12:00
24Band Intro For Eric1:23
25Tobacco Road11:57
26Sky Pilot9:24
27Rising Sun Guitar Intro2:20
288:49
293:36
These projects represent Burdon's targeted forays into cross-genre partnerships, prioritizing live chemistry and blues authenticity over commercial output.

Singles

Eric Burdon has occasionally contributed vocals to singles outside his primary solo work and band affiliations, often in one-off projects or guest features that highlight his enduring blues-rock influence. These releases typically involve collaborations with emerging or established artists, sometimes tied to media tie-ins or charity efforts, and emphasize reinterpretations of classic themes or new material infused with his gravelly delivery. One early example from a short-lived project is the 1980 single "Power Company" b/w "Dry," released under the moniker Eric Burdon's Fire Dept., a funk-infused endeavor featuring musicians like guitarist Frank Diez and keyboardist Jean-Jacques Kravetz. Issued on Records in 7" vinyl format, it served as a precursor to Burdon's later band efforts but stood alone as a standalone release without significant chart performance. In 1990, Burdon joined for a reworking of his classic "We Gotta Get Out of This Place," released as a 7" single (with a 12" maxi version) on . This collaboration, produced for the TV series , blended pop-rock energy with Burdon's raw vocals and appeared in various international markets, though it did not achieve major chart success. The B-side featured "Break of Hearts" by alone. A notable media-driven feature came in 2013 with Burdon duetting alongside Jenny Lewis on "Don't Let Me Be Misunderstood," another Animals staple originally popularized in 1965. Recorded for the True Blood soundtrack (Volume 4) on E1 Music, this atmospheric reinterpretation was issued as a promotional CD single, emphasizing a haunting, duet dynamic suited to the show's supernatural theme. It appeared on the compilation album but was highlighted as a standalone track in previews. More recently, in 2024, Burdon provided guest vocals on "Don't Ever Leave," a digital single by Greek rock outfit Alex Sid & Quasamodo, released via DistroKid. This original track, with lyrics co-written by Alexandros Sidiropoulos, explores themes of perseverance and features Burdon's signature intensity over a mid-tempo rock arrangement; an official music video accompanied the release, marking a cross-generational collaboration. It was also featured in the Greek TV series Η Παραλία (The Beach).
YearTitleCollaborators/ProjectFormat/LabelNotes
1980"Power Company" b/w "Dry"Eric Burdon's Fire Dept.7" vinyl / Blues-funk one-off project single.
1990"We Gotta Get Out of This Place" feat. 7" & 12" / SBK RecordsTV series tie-in re-recording.
2013"Don't Let Me Be Misunderstood" with Promo CD / E1 MusicSoundtrack duet for .
2024"Don't Ever Leave"Alex Sid & Quasamodo feat. Digital / Original rock track with video.

Video releases

Concert films

Eric Burdon's concert films encompass official video releases that capture his dynamic live performances, from his early days with to his solo endeavors and collaborations. These productions highlight his raw vocal power and the evolution of his sound, often blending R&B roots with psychedelic and elements. Key releases include landmark festival footage and dedicated live recordings distributed on DVD and , providing visual documentation of pivotal career moments. A seminal entry is the 1968 concert film Monterey Pop, directed by D.A. Pennebaker with a runtime of 79 minutes. This documentary chronicles the inaugural Monterey International Pop Festival held June 16–18, 1967, and prominently features Eric Burdon & the Animals' set on June 17, including renditions of "Paint It Black," "Hey Gyp," and "San Franciscan Nights." The performance, delivered by Burdon with the newly formed lineup of Vic Briggs, Danny McCulloch, John Weider, and Barry Jenkins, symbolized the transition from the original Animals' British Invasion style toward the psychedelic influences that would lead to his partnership with War. Originally released theatrically by Leacock Pennebaker Inc., it was later issued on DVD by the Criterion Collection in 2002 as part of The Complete Monterey Pop Festival, expanding to over three hours of footage across multiple discs. Archival footage from The Animals' 1965 performance at Empire Pool, , has been officially released in compilations, capturing early British Invasion-era energy with tracks like "Boom Boom." Similarly, 1973 German TV footage of the Eric Burdon Band, including "River of Blood," provides insight into his post-War funk phase and has been made available through official broadcasts and archival DVDs. Later official releases focus on Burdon's solo and reformed band eras. Live at (1976), filmed during a performance in , , and directed for the German music TV series, runs approximately 60 minutes and showcases Burdon's post-Animals -infused style with tracks like "" and "Monterey." Released officially on DVD by Records in 2005, it captures his commanding stage presence amid a period of experimentation following the War breakup. Similarly, Live at : Loreley 1982, directed by Peter Ruechel and lasting about 90 minutes including a jam session with guests like , was recorded at the Loreley Open Air festival and distributed on DVD/ by in 2003, emphasizing Burdon's enduring blues-rock energy. In the 1980s and 1990s, dedicated concert videos proliferated. The Eric Burdon Band: Live (1985), a 55-minute filmed performance directed by an uncredited crew, features high-energy takes on classics such as "It's My Life" and "When I Was Young," and was released on DVD by in 2001. The 1998 Live at the Coach House, directed by Larry L. Jacks and running approximately 100 minutes, documents a full set by & the New Animals at the San Juan Capistrano venue on October 17, including "" and "," with DVD distribution by Image Entertainment in December 1998. These releases underscore Burdon's consistent touring vitality into the .

Music videos

Eric Burdon's music videos began with promotional clips in the , predating the modern format but serving similar promotional purposes during the early television era. One of the earliest examples is the 1964 promotional clip for "" by , featuring Burdon's vocals and filmed in black-and-white to capture the band's raw performance style. This clip, often referred to as a 1965 release in some archival contexts due to its broadcast timing, highlighted Burdon's blues-infused delivery and became a staple in rock video history. In the 1980s, as the MTV era popularized narrative-driven music videos, Burdon released "Run for Your Life" in 1988, directed by and starring Burdon alongside actor William Smith. The video, released on May 25, 1988, depicted urban tension and escape themes aligning with the song's lyrics from Burdon's album I Used to Be an Animal but I'm All Right Now. It aired on platforms like , marking Burdon's adaptation to the visual rock promotion of the decade. Burdon's video output evolved into the digital age with official uploads to YouTube, emphasizing lyric videos for later solo work. The 2013 lyric video for "Water," from the album 'Til Your River Runs Dry, was produced by ABKCO Records and premiered on January 14, 2013, focusing on environmental themes through animated lyrics and blues-rock imagery to urge water conservation. Similarly, the official lyric video for "Devil and Jesus" from the same album was uploaded to Burdon's YouTube channel, garnering over 250,000 views and extending his reach to streaming audiences. These digital releases reflect a shift from broadcast television to online platforms for promoting Burdon's mature, reflective catalog.

Unofficial releases

Bootleg albums

Bootleg albums featuring Eric Burdon's performances are unauthorized recordings, typically captured from live shows or radio broadcasts and shared informally among collectors via trader networks, as commercial distribution violates laws. These releases span his career with , collaborations with , and solo endeavors, offering fans access to rare material not available in official formats, though sound quality varies widely due to amateur sourcing and aging tapes. Notable examples include early Animals-era captures from European tours and sessions, as well as psychedelic-era jams with . One prominent bootleg from the original Animals lineup is London, Marquee Club August 8, 1967, an unofficial mono LP released in 1989 on Bulldog Records. Recorded live at the in during their European tour, it features a setlist blending standards and originals, including "Every Day (I Have the Blues)" (5:07), "Tobacco Road" (5:29), "Hey Gyp" (10:52), and "" (5:36). The recording quality is fair but limited by 1960s amateur equipment, with the first 1,000 copies pressed on yellow vinyl for collectors. Another key Animals-era bootleg is The Deluxe BBC Files, a 2-CD compilation of 53 tracks from sessions spanning 1964 to 1967. It includes live renditions of hits like "," "We've Gotta Get Out of This Place," and "," alongside interviews and lesser-known tracks such as "C.C. Rider." Sourced from high-fidelity broadcast archives, this bootleg provides clear audio of the band's raw R&B energy during their formative years, though exact release date and label remain unofficial and variable across trader copies. In the psychedelic phase with War, the Ronnie Scott's, September 16, 1970 recording captures one of Jimi Hendrix's final live appearances, jamming on tracks like "" and "" alongside Burdon and the band at in . This audience-sourced tape, circulated since the , highlights the group's improvisational fusion of rock, , and , with variable quality but historical significance for its raw, extended jams. A companion from the same era is the Offenbach, January 13, 1971 bootleg, documented on an unofficial LP titled from trader networks. Recorded at Stadhalle in Offenbach, , it features extended performances of "" and other War staples, showcasing Burdon's soulful vocals amid the band's rhythmic grooves; audio is audience-derived, offering good energy but typical bootleg inconsistencies in clarity. Later solo and reunion bootlegs, such as those from 1990s I Band tours, circulate variants of "Access All Areas"-style sets but remain unofficial and low-production, emphasizing Burdon's enduring blues-rock style without the polish of sanctioned live albums. Fans access these through private exchanges, underscoring their role in preserving unfiltered moments from Burdon's six-decade career, while legal risks deter widespread commercialization.

Bootleg videos

Bootleg videos of Eric Burdon's concerts and appearances consist primarily of fan-recorded, unauthorized footage captured by audience members, which circulate through online platforms such as YouTube and file-sharing torrents. These recordings offer glimpses into live performances not documented in official releases, though their availability is sporadic due to the historical scarcity of portable video equipment before the 1980s. Quality varies widely, from grainy, handheld shots with audio interference to clearer digital captures in later years, providing historical value by preserving moments like reunion shows and rare setlists. As of 2025, additional bootlegs continue to circulate digitally, though no major new unofficial releases have been widely documented. Notable examples include amateur footage from the 1983 reunion tour of the original lineup, featuring alongside Alan Price, Chas Chandler, Hilton Valentine, and John Steel during their performances. Clips such as "We Gotta Get Out of This Place" (approximately 4 minutes) and "" (around 5 minutes), recorded at various venues, showcase the band's energetic revival of 1960s hits with extended improvisations; these have been uploaded to by fans and viewed thousands of times. Similarly, a full audience-shot concert from the & The performance at in on November 29, 2013, runs about 90 minutes and includes tracks like "Boom Boom" and "," despite interruptions from crowd movement affecting stability. Circulation occurs mainly via , where such videos garner ongoing views from enthusiasts, and torrent sites hosting DVD rips for trading among collectors. Earlier bootlegs, such as potential amateur footage from the 1970 tours, remain elusive in video form, with most surviving visuals limited to professional broadcasts rather than fan sources; however, rare clips from European dates like the January 1971 TV-Byen show in (January 22), have surfaced in trader communities as pro-shot but unofficially shared DVDs, lasting around 30 minutes and featuring tracks like "Spirit", "", and "." For the , including 1967 appearances at venues like , video bootlegs are virtually nonexistent due to technological constraints, though their absence underscores the era's reliance on audio recordings for historical documentation. Post-2000, bootleg videos proliferate from recordings at festivals—such as the 2006 Estival set in , (full show approximately 75 minutes, traded as video bootlegs)—but face greater legal restrictions from venues and enforcement, limiting widespread circulation compared to earlier analog eras.

References

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