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Valhalla (comics)
View on Wikipedia| Valhalla | |
|---|---|
The cover of the 12th Valhalla album. Thor and Loki face two giantesses. | |
| Publication information | |
| Publisher | Interpresse (1979–1987) Carlsen Comics (1987–present) |
| Genre | |
| Publication date | 1979 |
| No. of issues | 15 |
| Main character(s) | Thor, Odin and Loki |
| Creative team | |
| Created by | Henning Kure and Arne Stenby |
| Written by | Peter Madsen, Hans Rancke-Madsen, Per Vadmand and Henning Kure. |
| Artist | Peter Madsen |
| Colorist(s) | Søren Håkonsson, Jesper Ejsing |
Valhalla is a Danish comic series, which offers a comedic view of the gods of Norse mythology. Originally commissioned for and published by Interpresse, it has been published by Carlsen Comics since 1978. In 1986, Valhalla was adapted into an animated feature film the studio A Film. On October 10, 2019, a more serious and dark live action adaptation was released.
History
[edit]During 1976 and 1977, Henning Kure and Arne Stenby at Interpresse, a Danish publishing house, were planning to create a comic series based on the world of the Vikings. They offered the place of illustrating the comic to the young cartoonist Peter Madsen, who accepted, and also enlisted Hans Rancke-Madsen. The team set out to draw the first album (similar format as Tintin and Asterix) in a series of the adventures of the Norse gods, based on the Elder Eddas. Thor would very much be the hero of this series, along with Odin and Loki.
Valhalla started in 1978 as a strip running in the Danish newspaper Politiken. The first collected album came out in 1979. It was very well received, with several subsequent albums.
The tone of the albums has focused on humor, but the characters, and much of the plot, are based on the stories and legends in the Elder Eddas, and many albums have often featured deeper human issues. The albums are of high quality, and each took one or more years to produce. The first album was released in 1979, the second in 1982, and the thirteenth in 2006. They are very much in the tradition of finely drawn and well plotted Franco-Belgian comics like The Adventures of Tintin or Asterix, which also served as inspiration for the Valhalla comics.
On January 5, 2007, Valhalla was published on the Internet for the first time as the Danish paper Jyllands-Posten began publishing the 14th album, Muren ("The Wall"), in their online edition. One page was posted weekly in the form of an animated Flash program, in an attempt to transfer the large album pages to a format suitable for the web.
Creative teams
[edit]Valhalla would become the major breakthrough for illustrator Peter Madsen, who has developed greatly during his work on the series. Apart from doing the art for all the albums, he has been a co-writer for most of them. By far the most high-profile member of the creative team, the series is often referred to as "Peter Madsen's Valhalla".
Hans Rancke-Madsen has been the major writer of the series, together with Peter and other co-writers Per Vadmand and Henning Kure. Rancke-Madsen has written for all albums but eleven and twelve, but will return for the thirteenth album.
The colouring has always been a major part of the art of Valhalla. The first eight albums were coloured by Søren Håkonsson. Peter Madsen did the colours himself for the ninth album, while albums ten to twelve were done by Jesper Ejsing. Håkonsson returned for the thirteenth album, where he did half the pages, the other half being done by Madsen.
Album titles and summaries
[edit]All the individual albums that were originally published by Interpresse are now published by Carlsen Comics.
1. Ulven er Løs ("Cry Wolf"), Interpresse (1979). Thor and Loki visit Midgard, the world of humans, and take on farmer's children Þjálfi and Röskva as their servants. At their return to Valhalla, they find that the monstrous Fenris Wolf has escaped its bonds. A flashback tells the story of how Loki and Tyr brought the wolf to Valhalla. An educational edition of this comic received The Danish School Librarians' Association's Children's Book Prize in 1982.
2. Thors Brudefærd ("Thor's Wedding"), Interpresse (1980). Based on the Þrymskviða. The giant (jötunn) Þrymr has stolen Thor's hammer Mjölnir, and will only return it in exchange for marrying the goddess Freyja. Thor and Loki have to dress up like Freyja and her maid to trick the giants and get the hammer back.
3. Odins Væddemål ("Odin's Wager"), Interpresse (1982). Odin is disappointed with the warriors the Valkyries bring for his army of Einherjar. He makes a wager with the Valkyries, that he can find better ones in Midgard by himself: three warriors that can best any and all of the Einherjar. The terms of the wager states that he is not allowed to use magic, and he therefore travels to Midgard personally. Odin remains gone for a long time, and rumor has it that he is dead, and his brothers Ve and Vili claim his throne. They change a lot of things in Asgard and become increasingly unpopular. They consolidate their power by stationing jötunn troops in Asgard. Meanwhile, Odin scouts Midgard to find the three warriors he needs. There are a lot of warriors but they all have some flaw: They are either too stupid, anti-authoritarian, Christian or about to get married. He finally finds three warriors called Fander, Hogur and Voldsdag who are indeed fierce warriors. He takes them back to Asgard where they defeat the jötnar, and dethrone Ve and Vili. To Odin's great surprise, the three warriors turn out to be Balder, Thor and Loki in disguise. Odin argues that he has won the wager anyway because those three are the mightiest warriors in Asgard. The story is not based on any particular myth alone, it consists of bits and pieces from the Prose Edda, Heimskringla and other sources. Fander, Hogur and Voldsdag are based on Fandral, Hogun and Volstagg (Warriors Three) from Marvel Comics.
4. Historien om Quark ("The Story of Quark"), Interpresse (1987). Loki returns from a visit to Utgard with a jötunn boy named Quark. The boy behaves horribly and becomes disliked by all the gods, Þjálfi and Röskva being the only ones he finally learns to like. (Quark isn't based on any original Norse myths, but is an original creation of Peter Madsen.) The story continues in the next album.
5. Rejsen Til Udgårdsloke ("The Journey to Útgarða-Loki"), Interpresse (1989). Thor, Loki, Þjálfi and Röskva travel to Utgard to have a competition with the jötnar led by Útgarða-Loki. The losers of the competition will have to keep Quark.
6. De Gyldne Æbler ("The Golden Apples"), Interpresse (1990). Loki is forced to help the jötunn Thjazi kidnap Idun and her apples of eternal youth. As the gods grow old without the apples, Thor and Loki travel to bring back the apples from the jötunn and his beautiful daughter Skadi.
7. Ormen i Dybet ("The Serpent in the Abyss"), Carlsen Comics (1991). An argument between Thor and Tyr leads them to see if either of them can catch the Midgård serpent that embraces the world. They travel to Utgard and stay with the giant Hymir, where Tyr is forced to face a past he would rather have forgotten. The comic was elected best comic album of 1992 at the Comics Mecca Convention, Ballerup, Denmark.
8. Frejas Smykke ("Freya's Necklace"), Carlsen Comics (1992). Freyja, the goddess of love, is bringing springtime to the worlds of men and gods. Odin plots to finally seduce her while Heimdall falls in love for the first time, and Loki gets caught in the middle of the trouble he starts between them all. The jewellery in the title is Brisingamen, and the story is originally a part of the Húsdrápa. The comic was chosen as the best foreign comic album of 1992 in Norway.
9. Den Store Udfordring ("The Big Challenge"), Carlsen Comics (1993). A jötunn boy named Magni appears in Valhalla claiming to be Thor's son. Odin is travelling Utgard, and makes a bet with the giant Hrungnir about whether Odin's Sleipnir or the giant's Guldfaxe is the faster horse. They race to Valhalla where Hrungnir proceeds to terrorise the gods. Thor challenges him to a duel, bringing Þjálfi and Magni along while the giants plot to kill Thor.
10. Gudernes Gaver ("The Gifts for the Gods"), Carlsen Comics (1997). The story of how the young Thor and Sif met, and of how the young Loki was made to travel to the dwarven realm and brought back several fantastic gifts, most notably the hammer Mjølner.
11. Mysteriet om Digtermjøden ("The Magic Mead"), Carlsen Comics (1998). Odin attempts to steal the special mead of poetry from the giants. We are told the story of how the tribes of the aesir and vanir gods made war back in the days, and of how they exchanged members to ensure the peace that was finally reached. The comic is a pastiche of Film Noir featuring Odin as the detective in what starts as a murder case. Peter Madsen won The SAS Prize for Best Nordic for this comic at the Raptus Festival in Bergen, Norway.
12. Gennem Ild og Vand ("Through Fire and Water"), Carlsen Comics (2001). The story is an amalgamation of the Grímnismál and the Þórsdrápa. The human king Geirröd has allied with the jötnar and brought misery to his country. As Odin and Loki travel to his kingdom to see what is happening, Odin is captured, though Geirröd does not know who he has caught. Loki and Thor return in an attempt to free him.
13. Balladen om Balder ("The Ballad of Baldr"), Carlsen Comics (2006). A rather free adaptation about the slaying of Baldr, based both on the accounts of the Poetic and Prose Edda, as well as Saxo Grammaticus' Gesta Danorum. Since Loki never had been really evil in any earlier books, he isn't a deliberate perpetrator, here. In the afterword the authors explain and motivate this that out of the three accounts of the story, it is only in the Prose Edda that Loki actually has any hand in Baldr's death. The goddess Hel makes her first and only appearance.
14. Muren ("The Wall"), Carlsen Comics (2007). Mostly based on the myth of Skírnismál. It also includes the myth on how Loki gave birth to Sleipnir, appearing in the Prose Edda. It was released one page at a time on the online edition of the Danish newspaper Jyllands-Posten as of January 5, 2007.
15. Vølvens syner ("The Sibyl's Visions"), Carlsen Comics (2009). The final album in the series contains the story about how Surtr sets off Ragnarok. It was released in 2009.[1]
The albums have also been collected in anthologies in some countries. All albums have been translated into Swedish and Norwegian with the earlier albums also translated into Dutch, German, French, Finnish, Icelandic, Faroese and Indonesian, so somebody who knows these languages or anyone a bit familiar with Norse Mythology can enjoy these renditions of the adventures of Thor and Loki.
Animated film
[edit]Valhalla was adapted into an animated film in 1986. The story is based on albums one, four and five, focusing on Tjalfe, Røskva and their meeting with Thor, Loki and Quark, however the film actually came out before the volumes featuring the main part of the story, the retelling of the myth of Thor's bridal journey, was made and published. Thus, those volumes are in fact based on the film rather than the other way around, but with additions based on the myths and on Peter Madsen, Hans Rancke-Madsen, Per Vadmand and Henning Kure's further original ideation.
Although the film was in some ways a milestone for Scandinavian animation, it received mixed criticism. The production was hampered by trouble such as changes in the creative team and economic difficulties, and was passed on between studios to end up with Swan Film Production. In the end it cost nearly 30 million Danish kroner (approximately 5 million $), which it had no chance of bringing back in. No follow up to the film was made, although six short spin-off films, featuring Quark, were made by Swan Film Production. Quark is also the protagonist of his own comic series, of which several books have been published. Several more shorts were planned, but the studio collapsed from the troubles the Valhalla film had brought.
Several animators from the project later went together to found the studio A. Film A/S, one of the most successful animation studios in Scandinavia.
In 2003, the movie was released on DVD in Denmark.
Stamp and playing cards
[edit]In 2002 Post Danmark the Danish postal service made four postage stamps featuring Danish comic book characters. Peter Madsen drew the artwork for the Valhalla stamp and he also made a deck of playing cards with his characters. The other three stamps featured Rasmus Klump, Jungledyret Hugo and Cirkeline.
Live action film
[edit]In 2017, a live action adaptation of Valhalla was announced. It has been said to be serious and dark in tone, but generally follows the story of Tjalfe, Røskva, Thor, Loki and Quark once again, with more focus on Røskva than Tajlfe. A trailer was released first, then the film was on October 10, 2019.
The film received primarily negative reviews, with critics both critiquing hammy, over-acted performances from certain cast members, such as Roland Møller (Thor), as well as the changes to the story found in both the original mythology and comic books, but also praised the mythological and historical concepts they added, such as the fact that the Norse people used mushrooms as psychedelics, which is presented in a comedic fashion. The addition of Röskva being a prophesied "Child of Light" savior figure that can stop Ragnarok was however criticizied as generic, underdeveloped and for not being based in either the world of the comics or real Norse mythology.
References
[edit]External links
[edit]- Peter Madsen's Valhalla #11 (Wayback Machine). The official site for the making of Valhalla #11. Shows the step-by-step process used for several pages and also features other album information and art by Peter Madsen.
- Peter Madsen's official homepage. (In Danish and English)
- Carlsen Comics. Current publishers of Valhalla (in Danish).
- Jyllands-Posten. Publishing the 14th album online.
Valhalla (comics)
View on GrokipediaPublication History
Origins and Development
The Valhalla comic series originated in 1977 when Danish artist Peter Madsen, then in his final year of high school, was commissioned by publisher Henning Kure of Interpresse to create a humorous reinterpretation of Norse mythology. Drawing from the burgeoning Danish comics scene of the 1970s, which saw the rise of local publishers like Interpresse promoting homegrown talent amid a growing interest in graphic storytelling, Madsen illustrated the initial stories while Hans Rancke-Madsen provided the scripts. This collaboration reflected the era's emphasis on accessible, witty narratives inspired by national folklore, building on Madsen's earlier experiences in the underground scene, including his contributions to the 1976 fanzine Knulp alongside Rune Kidde.[1][6] The series made its debut in 1978 through serialization in the Danish weekly magazine Billedbladet, presented as short comic strips that humorously depicted the escapades of Norse gods in everyday-like predicaments. This format, typical of Danish periodical comics at the time, allowed for quick, episodic installments that appealed to a broad readership, including younger audiences familiar with mythological tales. The strips' success prompted continued serialization and laid the groundwork for the series' expansion beyond brief vignettes.[1][6] By 1979, Valhalla transitioned to album collections, with the first volume compiling early strips into a cohesive graphic novel and marking a shift toward longer, more developed narratives. This evolution from serialized shorts to full-length albums enabled deeper exploration of mythological themes with comedic twists, solidifying the series' place in Danish comics. Over the following decades, the format matured into standalone graphic novels, resulting in 15 albums published between 1979 and 2009. The comic album series concluded in 2009, though the franchise continues through compilations relaunched in 2019 and a novel trilogy announced in February 2025 featuring new artwork by Madsen, maintaining its status as a landmark in Danish graphic literature.[1][6][3][7]Creative Teams
Peter Madsen serves as the primary creator, writer, and artist of the Valhalla comic series, which he has helmed since its inception in 1978, providing both the scripting and distinctive illustrations that define its visual identity.[1] His artistic style blends cartoonish humor with detailed, Norse-inspired illustrations, capturing mythological elements through expressive character designs and dynamic panel compositions that emphasize comedic timing alongside historical accuracy in depictions of gods and artifacts.[1] Madsen has maintained creative control over the series' direction, directing the coloring process and occasionally handling it himself, such as for album 9 and portions of album 13.[8] The series originated from collaborative efforts among a core group of Danish creators, with Madsen as the sole artist joined by writers Hans Rancke-Madsen, Per Vadmand, and Henning Kure for the early albums. Hans Rancke-Madsen wrote the story for the first album solo and co-wrote albums 2 through 6 with Vadmand, and album 10 with Vadmand and Kure, drawing on his expertise in role-playing games to infuse narrative twists. Per Vadmand contributed to the same early stories and provided versified texts for later works like album 11, while also authoring novels and scripts outside the series. Henning Kure, who served as album editor from 1974 to 1988, co-wrote select later albums and provided story basis for others such as 14 and 15, leveraging his knowledge of Old Norse and mythology from editing Disney's Jumbo Book series.[8] Coloring has been integral to Valhalla's aesthetic, with dedicated specialists enhancing Madsen's linework from the outset. Søren Håkansson colored the first eight albums (1979–1992) and part of album 13, bringing a painterly quality as an illustrator known for his own series Jonas og løven. Jesper Ejsing handled albums 10 through 12 (1997–2001), contributing fantasy-specialized hues that aligned with the series' mythological themes, informed by his work on book covers and Jarvis - troldmandens lærling. Team dynamics evolved with the series' longevity under publisher Carlsen Comics from 1987 onward, shifting from Madsen's near-solo efforts in mid-albums to increased editorial input; by the 2000s, digital coloring was introduced with Jonas Sonne assisting on albums 14 and 15 (2007 and 2009), allowing for more vibrant and precise applications in later volumes.[8][1]Fictional Elements
Setting and Mythology
The Valhalla comic series is primarily set in the afterlife realm of Valhalla, a majestic hall located within the divine domain of Asgard, where slain Viking warriors, known as einherjar, feast eternally in preparation for Ragnarök. This central setting draws directly from Norse cosmology, portraying Valhalla as a bustling hub populated by boisterous warriors, the all-father Odin, thunder god Thor, and various mythical creatures such as ravens, wolves, and serpents that serve narrative roles in the myths.[9] The series expands this into a vibrant world-building framework, emphasizing the communal life of the einherjar who engage in daily battles and banquets, reflecting the mythological promise of endless glory.[10] The mythology in Valhalla adapts traditional Norse lore by infusing gods and heroes with human flaws, such as pettiness, jealousy, and incompetence, to create relatable and comedic portrayals that diverge from the more solemn depictions in ancient Eddas and sagas. Anachronistic elements, like modern attitudes or technology clashing with ancient Viking society, further heighten the humor, as seen in scenarios where divine figures interact with contemporary absurdities.[3] Key locations beyond Valhalla include Asgard, the fortified realm of the Aesir gods serving as the overarching heavenly domain, and Midgard, the mortal world of humans where gods occasionally intervene in earthly affairs. The Valkyries' hall, often depicted as Fólkvangr under Freyja's domain, plays a complementary role by housing half of the battle-slain warriors, underscoring the series' exploration of selective afterlife assignments in Norse belief.[9] Thematically, Valhalla employs this mythological framework for satire, exaggerating Viking society's obsession with heroism, honor, and predestined fate to critique blind adherence to tradition and the futility of endless warfare. By humanizing deities like Odin and Thor—showing them as flawed leaders prone to schemes and blunders—the series uses comedy to question ideals of divine perfection and warrior bravado, making ancient lore accessible while poking fun at its rigid structures.[10] This approach transforms mythological elements into tools for lighthearted commentary, blending education on Norse tales with exaggerated depictions of an eternal, chaotic Viking bureaucracy.[3]Characters
The Valhalla series features an ensemble cast of Norse gods and mythological figures as its primary characters, with no single ongoing protagonist; instead, it presents anthology-style adventures centered on recurring deities across its albums. Odin, the Allfather and cunning leader of Asgard, is portrayed as a strategic yet prideful figure who orchestrates major events, such as his wager with the Valkyries to personally recruit exceptional warriors, driven by dissatisfaction with the current einherjar.[11] His wisdom is tempered by arrogance, often leading to chaotic outcomes that underscore the series' comedic reinterpretation of Norse lore. Thor, Odin's son and the boisterous god of thunder, appears as an impulsive, hammer-wielding powerhouse whose brute strength and hot-headed nature provide comic relief in adventures alongside Loki and others, reimagined with exaggerated bravado for humorous effect. Valkyrie Hilde functions as a key ally and romantic interest in select stories, embodying loyalty and resolve as one of Odin's choosers of the slain who ferries worthy souls to Valhalla. Her warrior spirit and compassionate side create dynamic tensions within the ensemble, particularly as she navigates her duties alongside the gods. Loki, the shape-shifting trickster and frequent antagonist, sows discord with his unpredictable mischief and schemes against the Aesir, often clashing with Thor in rivalrous banter that amplifies the series' satirical take on godly rivalries.[11] The supporting ensemble of einherjar—fallen Viking warriors residing in Valhalla—forms a boisterous community of comic relief, with their rowdy feasts and mock battles fostering group dynamics that emphasize camaraderie and absurdity. Figures like Ragnar Lodbrok, a young Viking warrior featured in Album 3 and bonus stories, highlight themes of growth and adaptation when brought to Valhalla, exemplifying the series' pattern of evolving mythological archetypes into relatable personalities through ongoing reinterpretations.[11] Recurring interactions among the gods and warriors reveal layered relationships built on loyalty, betrayal, and humor, unique to the long-running narrative arc.Album Series
List of Albums
The Valhalla comic series comprises 15 principal albums, published in Danish from 1979 to 2009 primarily by Interpresse and later Carlsen Comics. These volumes retell Norse myths with humorous elements, maintaining a consistent format of roughly 48 pages per album. The initial four albums were produced in black-and-white, reflecting the economic constraints of early independent publishing in Denmark, while the series shifted to full color starting with the fifth album in 1989, enhancing visual appeal and aligning with industry trends toward vibrant mythological artwork.[12] The albums have been re-edited multiple times, including luxury compilations in five volumes titled Valhalla: Den samlede saga released in 2010-2011 by Carlsen Comics, which incorporate extra material like sketches and historical notes, totaling about 250 pages of additions across the volumes; these were relaunched in 2019 for the series' 40th anniversary.[13][3] International releases, particularly in German, began in the 1980s through Carlsen Comics, with translations into 11 languages overall, though full English editions remain unavailable commercially.[14] Digital editions of select albums and compilations became accessible via Danish platforms like Saxo and Plusbog by 2020, expanding availability without new story content. A 2019 tribute volume, Valhalla i nye hænder, features new short stories and artwork from various Danish creators to mark the series' 40th anniversary, published by Carlsen Comics in color hardcover format (96 pages).[15]| No. | Danish Title (English Translation) | Publication Year | Publisher | Notes |
|---|---|---|---|---|
| 1 | Ulven er løs (Cry Wolf) | 1979 | Interpresse | Black-and-white; first volume, serialized in the Danish newspaper Politiken in 1978 prior to album release. Approximately 48 pages. ISBN not listed in primary sources. |
| 2 | Thors brudefærd (Thor's Wedding) | 1980 | Interpresse | Black-and-white; co-written with Per Vadmand. Approximately 48 pages. Early German edition released same year. |
| 3 | Odins væddemål (Odin's Wager) | 1982 | Interpresse | Black-and-white; school edition variant produced for Danish education. Approximately 48 pages. |
| 4 | Historien om Quark (The Story of Quark) | 1987 | Interpresse | Black-and-white; introduces original character Quark. Approximately 48 pages. |
| 5 | Rejsen til Udgårdsloke (The Journey to Utgard-Loki) | 1989 | Carlsen Comics | First full-color album; marks publisher switch. Approximately 48 pages. |
| 6 | De gyldne æbler (The Golden Apples) | 1990 | Carlsen Comics | Full color; focuses on Idun's apples myth. Approximately 48 pages. |
| 7 | Ormen i dybet (The Serpent in the Abyss) | 1991 | Carlsen Comics | Full color; also known as The Jörmungandr Saga. Approximately 48 pages. |
| 8 | Freyas halskæde (Freya's Necklace) | 1992 | Carlsen Comics | Full color; awarded best album of the year at Comics Mekka. Approximately 48 pages. |
| 9 | Den store udfordring (The Big Challenge) | 1993 | Carlsen Comics | Full color; Peter Madsen handled coloring personally. Approximately 48 pages. |
| 10 | Guderne og gaverne (The Gifts for the Gods) | 1997 | Carlsen Comics | Full color; coloring by Jesper Ejsing. Approximately 48 pages. |
| 11 | Digte i mjøden (The Magic Mead) | 1998 | Carlsen Comics | Full color; explores the mead of poetry myth. Approximately 48 pages. |
| 12 | Gennem ild og vand (Through Fire and Water) | 2001 | Carlsen Comics | Full color; serialized in Jyllands-Posten prior to album. Approximately 48 pages. |
| 13 | Balder-sagaen (The Ballad of Balder) | 2006 | Carlsen Comics | Full color; first album after five-year hiatus. Approximately 48 pages. |
| 14 | Muren (The Wall) | 2007 | Carlsen Comics | Full color; serialized in Jyllands-Posten. Approximately 48 pages. |
| 15 | Vølvens syn (The Sibyl's Visions) | 2009 | Carlsen Comics | Full color; concludes the main series. Approximately 48 pages. Included in 2010-2011 compilations. |
