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Van She
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Van She is an electropop band formed in early 2002[1] in Sydney, Australia, with Matt Van Schie (pronounced Van Ski) on bass guitar/vocals, Tomek Archer on drums/sequencer, Michael Di Francesco on synth/guitar and Nicholas Routledge on vocals/guitar. The band's debut album, V was released on the Australian label Modular Recordings in August 2008, and peaked at number 10 on the ARIA Charts.[2]
Key Information
Van She remix other artists' work both under the name Van She and as Van She Technologic.[3][4]
History
[edit]Van She began in 2002 when band members Nick Routledge, Matt Van Schie, Michael Di Francesco, and Tomek Archer all met through mutual friends at a club called Bang Gang in Sydney. In 2005. Van She released their self-titled, debut EP. It included the single "Sex City".
After touring with Yeah Yeah Yeahs, New Young Pony Club and playing shows with the likes of Daft Punk, Phoenix and Bloc Party, Van She released their debut studio album, V in 2008, which debuted at number 10 on the ARIA Charts. Their label introduced them as a "new band from Sydney fresh on ideas, fresher than Flavor Flav, fresh like coriander, fresher than the Fresh Prince, fresher than fresh eggs."[5] Also in 2008, their remix (as Van She Tech) of "Something Good" by Utah Saints would become BBC Radio 1’s most played track of the year and in the 2020s would be voted the ultimate Ministry of Sound released track.[6]
In June 2009, they released a remixed version of V, called Ze Vemixes.
The band's second studio album Idea of Happiness was released in 2012.
Members
[edit]- Nicholas Routledge – vocals, guitar
- Matt Van Schie – bass guitar, vocals
- Michael Di Francesco – synths, guitar
- Tomek Archer – drums, sequencer
Solo projects
[edit]- Matt Van Schie has released songs under his own name and makes up half of the electronic music duo, Du Tonc, with Mighty Mouse. Michael Di Francesco has remixed songs under the title Arithmatix!, and released songs under the moniker Touch Sensitive.
- Nicholas Routledge has released solo music under the moniker 'Nicky Night Time'.
Discography
[edit]Studio albums
[edit]| Title | Details | Peak chart positions |
|---|---|---|
| AUS [2] | ||
| V | 10 | |
| Idea of Happiness |
|
28 |
Remix albums
[edit]| Title | Details |
|---|---|
| Ze Vemixes |
|
Extended plays
[edit]| Title | Details | Peak chart positions |
|---|---|---|
| AUS [7] | ||
| Van She |
|
87 |
Remixes
[edit]- Klaxons – "Gravity's Rainbow (Van She Remix)"
- Teenager – "Alone Again (Van She Tech Remix)"
- Dragonette – "I Get Around (Van She Vocal Mix)"
- Dragonette – "Pick Up the Phone (Van She Mix)"
- Feist – "1234 (Van She Tech Mix)"
- The Presets – "Are You the One? (Van She Mix)"
- Lost Valentinos – "CCTV (Bang Gang Vs. Van She Tech Remix)"
- New Young Pony Club – "Ice Cream (Van She Remix)"
- Tiga – "You Gonna Want Me (Van She Tech Remix)"
- The Bravery – "Time Won't Let Me Go (Van She Tech Remix)"
- Sneaky Sound System – "UFO (Van She Tech Remix)"
- Utah Saints – "Something Good (Van She Tech Remix)"
- Melinda Jackson – "Fall in Love (Van She Tech Remix)"
- Ladyhawke – "Back of the Van (Van She Turbo Fire Engine Mix)"
- Martina Topley Bird – "Poison (Van She Mix)"
- The Whip – "Frustration (Van She Tech Remix)"
- Das Pop – Underground (Van She Tech Remix)
- Empire of the Sun – "Walking on a Dream (Van She Tech Remix)"
- Shinichi Osawa- "Maximum Joy (Van She Tech Remix)"
- Walter Meego – "Forever (Van She Tech Remix)"
- Daft Punk – "Around the World (Nicky Van She vs.Dangerous Dan)"
- Dan the Automator and Jurassic 5 – "Evian Campaign – Rappers Delight"
- Pendulum – "Propane Nightmares (Van She Tech Remix)"
- Vandroid – "Master & Slave (Van She Tech Remix)"
- Strange Talk – "Climbing Walls (Van She Tech Remix)"
- Boys Noize – "Ich R U (Van She remix)"
- Tom Vek – "Aroused (Van She Remix)"[8]
References
[edit]- ^ "Van She". ABC Rage. 13 July 2012. Retrieved 10 April 2024.
- ^ a b "Discography Van She". Australian charts portal. Retrieved 21 March 2021.
- ^ "Artist: Van She – MusicBrainz". MusicBrainz. 19 June 2007. Retrieved 28 April 2009.
- ^ "Artist: Vanshe Technologic – MusicBrainz". MusicBrainz. 19 June 2007. Retrieved 28 April 2009.
- ^ "Van She". Modular Records. Archived from the original on 21 June 2007. Retrieved 16 June 2007.
- ^ "'We sent Kate Bush a thank you letter': How Utah Saints made Something Good". TheGuardian.com. August 2022.
- ^ Ryan, Gavin (2011). Australia's Music Charts 1988–2010 (PDF ed.). Mt Martha, Victoria, Australia: Moonlight Publishing. p. 293.
- ^ Breihan, Tom (9 May 2012). "Tom Vek – "Aroused (Van She Remix)"". Stereogum. Retrieved 29 May 2018.
External links
[edit]
Van She
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Formation and Early Years
Band Origins
Van She formed in early 2005 in Sydney, Australia, when Nicholas Routledge, Matt Van Schie, Michael Di Francesco, and Tomek Archer independently responded to a classified advertisement placed in the local music publication Drum Media and converged at the same audition location.[5] This serendipitous meeting brought together the original lineup, with Routledge on vocals and guitar, Van Schie on bass and vocals, Di Francesco on synthesizers and guitar, and Archer on drums and sequencer.[6][7] The band's name derives from a playful rearrangement of bassist Matt Van Schie's surname, pronounced "Van Ski," reflecting the casual creativity of their initial collaboration.[8] Emerging amid Sydney's vibrant indie and electronic music scenes, Van She drew early influences from 1980s post-punk, funk, and synth-pop, as well as contemporary new wave elements, which shaped their distinctive electropop sound.[9] This fusion motivated the group to prioritize electronic textures blended with rock instrumentation, setting the foundation for their genre-blending approach.[5] These foundational efforts culminated in the release of their debut EP, marking Van She's entry into the broader Australian music landscape.[1]Initial Releases
Van She signed with Modular Recordings in 2005 following a single early performance that caught the label's attention, marking a pivotal step in their professional development with strong initial support from the Sydney-based imprint known for championing Australian electronic acts.[10][1] This partnership enabled the band, formed in Sydney in 2005, to refine their electro-pop sound through targeted production and promotion within Australia's burgeoning indie scene. The band's self-titled debut EP, Van She, was released on 27 November 2005 via Modular Recordings, featuring six tracks that showcased their synth-driven aesthetic and influences from 1980s new wave.[9] Key tracks included the lead single "Sex City," a pulsating electro track that highlighted Nick Routledge's ethereal vocals over the band's layered production, and "Kelly," which was later remixed for broader appeal.[11] The EP's release was accompanied by initial live performances at Sydney venues such as Oxford Art Factory and the Annandale Hotel, where the band honed their energetic stage presence and built a local following through intimate club sets. The EP garnered early chart performance on the ARIA physical sales charts and received notable media attention in Australia, with "Sex City" quickly entering rotation on national broadcaster Triple J and various community radio stations, signaling Van She's breakthrough in the domestic electro scene.[9] This exposure, bolstered by Modular's promotional efforts, positioned the release as a hyped entry point for the band's fusion of indie electronics and pop sensibilities, laying the groundwork for their subsequent national recognition.[13]Career Highlights
Debut Album and International Tours
Van She's debut studio album, V, was released in August 2008 through the Australian label Modular Recordings. The record marked a significant milestone following the band's earlier EP releases, building on the momentum from tracks like "Kelly," which had gained national airplay and become an anthemic staple in their live sets. Recorded in London with producer Jim Abbiss—known for his collaborations with artists such as Arctic Monkeys, Ladytron, and Kasabian—the album captured the group's signature electropop sound, blending synth-driven hooks with '80s-inspired dance-rock elements.[9] Key tracks on V included "Changes" and the album version of "Kelly," both of which served as singles to promote the release. "Changes," issued in August 2008, featured a music video directed by Kasia Werstak, compiled from thousands of photographs taken during the band's extensive touring, emphasizing their evolving live energy. "Kelly," originally a standout from their 2005 self-titled EP that entered Triple J rotation, was re-released in its album form in October 2008, highlighting the band's ability to refine their early material into polished, radio-friendly electropop anthems. These songs exemplified the production process under Abbiss, which focused on layering electronic textures with emotive vocals and driving rhythms to create immersive, hook-laden tracks.[14][15] The album's release propelled Van She into a busy touring schedule in 2008 and 2009, elevating their profile through support slots with prominent international acts. They supported Bloc Party at Perth's Belvoir Amphitheatre in November 2008. This period also marked their initial international exposure, with performances in New Zealand, North American cities including New York, Los Angeles, and San Francisco, as well as European stops in London and Paris, allowing the band to connect with global audiences beyond their home market. They blended Australian headline shows with high-profile bills featuring acts like Cut Copy, The Presets, and Klaxons at events such as Splendour in the Grass, Good Vibrations, and Come Together.[16][9]Second Album and Remix Work
Van She's second studio album, Idea of Happiness, was released on 10 July 2012 via Modular Recordings.[17] The record builds on the band's electro-pop foundations with a focus on upbeat, synth-driven tracks infused with tropical and summery elements, marking a more polished evolution from their debut.[2] Key singles from the album include "Jamaica" and the title track "Idea of Happiness," both emphasizing themes of escapism, vacation vibes, and carefree romance through infectious rhythms and wistful vocals.[18][19] Tracks like these incorporate steel-drum influences and sparkling synths, creating an overall atmosphere of midsummer euphoria and dancefloor-ready optimism.[20][21] Prior to the album's release, in June 2009, Van She issued Ze Vemixes, a companion remix album to their debut V that features reinterpretations of its tracks by collaborators including the band under their Van She Tech alias, as well as artists like Breakbot and Jonti.[22] This collection highlights the band's growing involvement in electronic remixing, blending indie, electro, and new wave styles across two discs. During this period, Van She also contributed high-profile remixes for other acts; notably, their Van She Tech version of Utah Saints' "Something Good '08" became the most played track on BBC Radio 1 in 2008, revitalizing the 1992 original with modern electro production.[23][24]Hiatus and Solo Pursuits
Following the release of their second studio album, Idea of Happiness, in 2012, Van She entered a period of extended inactivity without an official disbandment.[3] The band's reduced output marked a transition from collective endeavors to individual pursuits, reflecting a lack of momentum and a desire to avoid creative compromise within the group dynamic.[3] In a 2015 interview, bassist and vocalist Matt Van Schie confirmed the band's status, stating, "Van She is on hold while we explore our inner yearnings," highlighting the members' shift toward solo careers.[3] Notable among these were Van Schie's involvement in the electronic duo Du Tonc, alongside British producer Mighty Mouse, and synth player Michael Di Francesco's development of his Touch Sensitive alias, which gained traction with tracks like the 2013 single "Pizza Guy."[3] This pivot allowed the members to channel their electropop sensibilities into personal expressions, free from band constraints. Despite the hiatus, Van She maintained sporadic activity through 2014, including appearances at festivals such as Stereosonic and Pyramid Rock in late 2012, followed by a national tour in early 2013 promoting tracks from Idea of Happiness.[25] Later that year, they performed select shows in North America and Australia, culminating in a set at VanFest in Forbes, New South Wales, on December 6, 2014, alongside acts like Bag Raiders and Chet Faker.[26] Additional low-key engagements, such as a New Year's Eve DJ set in Sydney, occurred into late 2014, but no full band performances were documented beyond that point up to 2020.[27] The hiatus influenced Van She's dedicated fanbase, many of whom expressed longing for new material in online forums and music communities, while contributing to a broader evolution in Australia's indie electronic scene by amplifying the members' solo outputs.[28] These individual ventures helped sustain the band's legacy within the Modular Recordings ecosystem, bridging the gap left by the group's silence and underscoring a trend toward fragmented, project-based creativity in the post-2010s Australian indie landscape.[3]Band Members
Current Lineup
Van She consisted of its original core lineup of four members, who remained consistent from the band's formation until its disbandment after 2012. Nicholas Routledge served as the lead vocalist and guitarist, providing the melodic and rhythmic foundation in both studio and live settings. Matt Van Schie played bass guitar and contributed backing vocals, anchoring the band's grooves and adding harmonic layers. Michael Di Francesco handled synths and guitar, shaping the electronic textures central to their sound. Tomek Archer managed drums and sequencer duties, driving the percussion and programming elements that defined their performances.[7][29] No major lineup changes occurred during the band's active years, preserving the collaborative dynamic that characterized their work across recordings and tours.[7][30]Solo and Collaborative Projects
Matt Van Schie, Van She's bassist and vocalist, formed the nu-disco project Du Tonc in collaboration with British producer Mighty Mouse, releasing a series of singles and EPs that blended retro synth-pop with modern electronic grooves, including standout tracks like "Darkness" in 2013 and "Animals" in 2015.[3][31] He also co-founded the band Tear Council, which drew on '80s nostalgia in its indie-electro sound.[3] Van Schie has pursued solo releases, sharing original tracks on platforms like SoundCloud, where his work emphasizes melodic basslines and vocal-driven electronica reminiscent of his contributions to the band.[32] Michael Di Francesco, the band's synth player, developed his solo alias Touch Sensitive, focusing on Italo-disco and piano house sounds through releases on the Future Classic label, culminating in the 2017 debut album Visions, which peaked at number 48 on the ARIA Albums Chart and featured tracks like "Show Me (How To Love)."[33][34] In August 2025, he released his second album, In Paradise, continuing his retro-inspired electronic style.[35] Under the moniker Arithmatix!, Di Francesco produced remixes for artists in the electronic scene, incorporating funky bass and upbeat synths that echoed Van She's dance-oriented style.[36] Nicholas Routledge, Van She's guitarist and occasional vocalist, launched the house music project Nicky Night Time, releasing singles such as "Gonna Get Better" featuring Nat Dunn in 2015 and the EP Ubiquity in 2021, which emphasized club-ready beats and disco influences.[37][38] In 2024, he issued the single "Test Press" and continued with releases into 2025, shifting toward deeper house grooves while retaining the melodic hooks central to Routledge's role in the band.[39] These works shifted toward deeper house grooves while retaining the melodic hooks central to Routledge's role in the band.[39] Tomek Archer, the drummer and sequencer operator, has engaged in production work outside Van She, contributing to the band's self-produced second album Idea of Happiness in 2012 and exploring interdisciplinary projects that blend music with design, though his post-band efforts have leaned more toward architecture than standalone musical releases.[40][41] These solo and collaborative ventures allowed band members to experiment with nu-disco, house, and retro electronic elements during and after Van She's hiatus and disbandment, often paralleling the group's electropop foundations by emphasizing synth-driven melodies and rhythmic innovation without diverging into entirely new genres.[42][43]Musical Style and Influences
Core Sound and Evolution
Van She's core sound is rooted in electropop, characterized by synth-driven melodies that blend pulsating electronic rhythms with melodic hooks. The band's music prominently features sequencers for rhythmic foundations, groovy basslines provided by Matt Van Schie's contributions, and layered vocals that add depth and texture to their tracks. These elements create a polished, immersive electronic aesthetic, often evoking a sense of nostalgic escapism.[44][45] Influenced by 1980s synth-pop and new wave, Van She's style incorporates dream-pop and shoegaze textures, particularly evident in their debut album V (2008), where tracks like "Virgin Suicide" showcase dreamy backdrops with lush, atmospheric synth layers and subtle shoegaze haze over acoustic elements. This initial approach mixed electropop with alternative rock sensibilities, resulting in energetic, versatile soundscapes that captured the vibrancy of Australian city nightlife. The production on V, handled through Modular Recordings, emphasized a well-balanced fusion of natural instrumentation and synthesized sounds, giving the album a crisp yet textured quality.[45][45][45] Over time, Van She's sound evolved toward more upbeat and escapist vibes, as seen in their second album Idea of Happiness (2012), which shifted from the rock-leaning electro elements of V to a purer dance-focused electropop identity with tropically inclined rhythms and sparkly, upfront synths. This progression highlighted brighter, iridescent melodies and clunky yet catchy choruses, moving away from shoegaze introspection to joyful, island-hopping energy suitable for dance floors. Modular Recordings continued to play a key role in this phase, supporting a production style that rendered the electronic components glossy and immersive, enhancing the album's radiant, vacation-like atmosphere.[2][46][2]Key Inspirations
Van She's sound was profoundly shaped by the electronic and alternative music of the 1980s, particularly synth-pop, post-punk, and funk, which informed their melodic structures and rhythmic drive.[5] The band explicitly drew from these eras, incorporating elements like shimmering synthesizers and slap bass lines reminiscent of the period's innovative production techniques.[47] Additionally, influences from 1990s grunge and electronic fusions added a layer of raw energy and textural depth to their electropop core, blending distorted guitars with pulsating beats to create a distinctive fusion.[5] Within the Australian indie scene, Van She emerged alongside contemporaries such as Cut Copy and Midnight Juggernauts, sharing a mutual appreciation for retro-futuristic electronics and dance-oriented indie rock that defined the era's output.[48] This camaraderie fostered a collaborative environment, with the bands often performing on the same bills and contributing to Modular Recordings' roster of influential acts.[49] Their early work prominently featured post-punk angularity and funk grooves, which gradually evolved toward house and disco sensibilities in later band projects and solo extensions by members like bassist Matt Van Schie.[3] The cultural backdrop of Sydney's vibrant electronic music community in the early 2000s played a pivotal role in Van She's formation and development.[48] The city’s thriving nightlife, including influential parties like Bang Gang, provided a fertile ground where the band members connected and honed their craft amid a wave of French house-inspired sounds and experimental DJ culture.[47] This environment not only amplified their exposure but also infused their music with a sense of communal energy and boundary-pushing creativity.Discography
Studio Albums
Van She's debut studio album, V, was released on 9 August 2008 through Modular Recordings. Recorded in London, the album was produced by the band alongside Jim Abbiss. It debuted at number 10 on the ARIA Albums Chart. Thematically, V explores urban nightlife, blending synth-pop with indie rock elements to evoke the energy of city evenings and social escapades. The tracklist includes: "Memory Man"; "Cat & the Eye"; "Changes"; "Strangers"; "It Could Be the Same"; "The Sea"; "Virgin Suicide"; "Kelly"; "Rico"; "Jamaica"; "Bermuda"; and "Half of Me".[50] The band's second studio album, Idea of Happiness, followed on 10 July 2012, also via Modular Recordings. Produced by the band, with mixing by Tony Hoffer, it peaked at number 28 on the ARIA Albums Chart but did not achieve the commercial success of their debut, with sales figures remaining below gold status. The album shifts toward themes of escapism and tropical motifs, incorporating dreamy, sun-soaked soundscapes that reflect a desire for carefree adventure. Its tracklist comprises: "Idea of Happiness"; "Calypso"; "Jamaica"; "Sarah"; "Radio Waves I"; "You're My Rescue"; "Tears"; "Coconuts"; "Beat of the Drum"; "Radio Waves II"; and "Tirza".[51]Extended Plays and Remix Releases
Van She's debut extended play, titled Van She, was released in 2005 through Modular Recordings as a CD EP in Australia.[52] The six-track release showcased the band's early electro-pop sound, featuring synth-driven tracks such as "Kelly," a highlight with its pulsating bassline and vocal hooks, and "Sex City," which became a notable single emphasizing their blend of 1980s-inspired new wave and modern electronic elements.[53] Other tracks like "Mission" and "Survive" demonstrated their production approach, incorporating layered keyboards and rhythmic programming to create an atmospheric vibe.[52] In 2009, the band followed with Ze Vemixes, a dedicated remix album that reinterpreted selections from their debut studio album V.[54] Released as a CD by Modular Recordings, it primarily consisted of self-produced remixes by Van She, transforming the original material into more dancefloor-oriented versions with extended builds, heavier beats, and altered synth textures.[55] The eight-track set included reworks of "Changes" (5:56), which amplified its dreamy electronics into a club-ready pulse; "Strangers" (4:55), featuring intensified vocal processing; and additional highlights like "Cat & The Eye" (4:10) and "Virgin Suicide" (3:31), both emphasizing the band's hands-on remix process that prioritized electronic experimentation over external collaborations.[56] The album was issued in a two-disc edition bundling it with the original V for enhanced accessibility, reflecting Modular's strategy to extend the lifecycle of their core releases through remixed formats.[57]Notable Remixes and Singles
Van She's breakthrough single "Kelly" was released in October 2006 as a 12-inch vinyl through Modular Recordings, serving as the lead track to promote their self-titled debut EP and marking their entry into the electro-pop scene with its synth-driven hooks and dreamy vocals.[58] A music video for the song, featuring multiple takes of the band members reflecting on daily life, was released in 2007 to further build anticipation for their full-length debut album V, where an updated reprise version appeared.[59] The single's promotional push included radio play and club rotations in Australia, contributing to the EP's modest chart entry at number 87 on the ARIA charts, though no specific B-side was issued on the physical format.[60] In 2012, "Jamaica" emerged as a key single from the band's second album Idea of Happiness, released digitally and as a promotional CDr in June to highlight their evolving tropical electro influences amid the record's broader marketing campaign.[61] The track's upbeat, island-infused rhythm was paired with an official music video shot on location in Jamaica, depicting the band engaging in local adventures to evoke themes of escapism and hedonism.[62] Like many contemporary digital releases, it lacked a traditional B-side, focusing instead on remixes by artists such as Mad Professor for expanded club promotion.[63] Beyond their original material, Van She gained prominence through external remixes under the alias Van She Tech. Their electro rework of Utah Saints' 1992 classic "Something Good," retitled "Something Good '08," was released in February 2008 on Spinnin' Records as a CD maxi-single and digital package, updating the original's rave energy with pulsating synths and a modern house edge for contemporary dancefloors.[24] The remix appeared on compilations like Ultimate Streetdance and Clubber's Guide: Electro, extending its reach in electronic DJ sets.[64] Similarly, Van She's "Sex City" was sampled in Crystal Castles' "Vanished," featured on the band's 2008 self-titled album and subsequent July single release through Last Gang Records, blending glitchy chiptune elements with the Australian group's pop sensibilities and earning writing credits.[65] These efforts showcased Van She's versatility in remixing, enhancing their standing among electronic producers by bridging indie and club scenes through high-profile collaborations.[66] In October 2025, Van She released the single "Sweet but Deadly".[67]Legacy and Recent Developments
Critical Reception and Impact
Van She's debut album V (2008) was lauded for its vibrant energy and danceable electropop tracks, with Sputnikmusic calling it "energetic, ambitious and versatile," capturing the essence of Australian nightlife.[45] The record achieved commercial success, peaking at number 10 on the ARIA Albums Chart.[68] Their follow-up, Idea of Happiness (2012), showcased a more mature, tropical-infused sound and earned praise from DIY Magazine for being "dizzyingly uplifting" and "effortlessly iridescent," receiving a 3.5 out of 5 rating.[21] Pitchfork, however, critiqued its reliance on dated synth elements, likening it to music from four years prior.[2] The album climbed to number 28 on the ARIA Albums Chart, solidifying their presence in the Australian music scene.[69] The band's live performances further enhanced their reputation, particularly through high-profile festival slots that bolstered their indie electropop credentials. Appearances at events like Stereosonic, Pyramid Rock Festival, and Field Day in the early 2010s drew enthusiastic crowds and highlighted their ability to translate studio energy to the stage.[25] Tours such as the 2008 Van She Party, combining live sets with Van She Tech DJ sessions, were celebrated for their infectious party atmosphere across Australian venues.[70] Van She's influence extended beyond original material through their remix work, which played a role in the 2010s electropop and electronic revival. As Van She Tech, they produced acclaimed remixes for acts like New Young Pony Club on tracks such as "Ice Cream," infusing club-ready beats that echoed in the era's dance music trends.[71] Their contributions appeared in influential compilations, including NME's Presents Festival (2006), helping bridge indie and electronic scenes.[72] While they earned no major ARIA Awards, their chart performances and remix output underscored a lasting impact on Australian electronic music.2020s Activity and Reunion Efforts
Following the release of Idea of Happiness in 2012, Van She quietly entered a hiatus, with band members pursuing individual endeavors rather than full-group performances. Sporadic activity emerged through the Van She Tech DJ project, led by original members Matt Van Schie and Michael Di Francesco, which occasionally surfaced in live settings. For instance, Van She Tech performed a set at the Sounds Like Sundays event at Seadeck in Sydney on December 18, 2022, blending their signature electro-pop remixes with contemporary dance tracks.[73] In 2025, signs of revival gained momentum with announcements of new original music under the Van She Tech banner. On their official Facebook page, Van Schie and Di Francesco shared that after years of discussion, they would release fresh tracks in partnership with NYE in the Park, a Sydney New Year's Eve event, stating, "Michael and I after many years of talking about putting out original VAn SHe Tech music will finally have some original @Vanshetech to play you! We will be launching it in partnership with NYE In The Park NYE in Sydney."[74] This development, teased in late 2024 via Instagram with the declaration "VAN SHE TECH IS BACK!", suggested potential involvement from the original lineup, as the project draws directly from the band's foundational sound.[75] These efforts align with broader trends in the Australian music scene, where post-hiatus acts from the 2000s era, such as Killing Heidi, Grinspoon, and End of Fashion, have fueled a nostalgia-driven resurgence through anniversary tours and festival appearances in 2025.[76] While full band reunions remain unconfirmed, the renewed focus on Van She Tech has sparked interest among fans eager for a return to the group's electro-indie roots amid this evolving landscape.References
- https://music.apple.com/[us](/page/United_States)/artist/van-she/106107414