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Viza (stylized as VI·ZA; formerly known as Visa) is an American rock band from Los Angeles, California, formed in 2000. The band is inspired by traditional Armenian and Greek music, which includes instruments like the oud and duduk. The band has released various EPs and albums.[1] The band has recorded and performed with Serj Tankian of System of a Down, who managed the band.
Key Information
Performances and releases
[edit]Viza was associated with Serjical Strike Management, headed by Serj Tankian from System of a Down from 2009 to 2012, also featuring Tankian as a guest vocalist on their song "Viktor". In August 2010, Viza embarked on a series of introductory performances in Europe, opening for Serj Tankian's "Imperfect Harmonies" Tour in the cities of Yerevan, Athens, Hamburg, Cologne, Paris, Zurich, and Bologna. Viza accompanied Serj Tankian again during his "Harakiri" World Tour in the fall of 2012, as the main support act for 19 shows throughout North America and Europe.[2]
Discography
[edit]Studio albums
[edit]- 2006 – Maktub (as Visa)
- 2008 – Eros (as Visa)
- 2010 – Made in Chernobyl
- 2011 – Carnivalia
- 2014 – Aria
EPs
[edit]- 2001 – Visa (as Visa)
- 2007 – De Facto (as Visa)
- 2018 – The Unorthodox Revival I
- 2018 – The Unorthodox Revival II
Singles
[edit]- 2011 – "Bake Me in Clouds"
- 2012 – "Alabama Song (Whisky Bar)" (Bertolt Brecht, Kurt Weill)
- 2013 – "In Coins2
- 2014 – "Midnight Hour"
- 2014 – "Fuego"
- 2014 – "When Doves Cry" (Prince)
- 2014 – "Naive Melody" (Talking Heads)
- 2019 – "Eros"
- 2020 – "Loyal Tea"
- 2022 – "Yesterday"
- 2023 – "Ms. Information"
- 2023 – "Thunderbolt"
- 2023 – "Maggie Mae's Tavern"
- 2023 – "Avec Toi" (From Paris with Love)
- 2023 – "Llama"
- 2023 – "Dingle"
Band members
[edit]- K'noup Tomopoulos – vocals, guitar
- Shant Bismejian – electric guitar
- theoudplayer (Andrew Kzirian) – oud, electric oud, saz, vocals
- Alex (Alexan) Khatcherian – bass, vocals
- Chris Daniel – drums, percussion, vocals
- Jivan Gasparyan Jr. – duduk
Former
References
[edit]- ^ "SerjicalStrike.com Artist Profile". Archived from the original on July 16, 2011. Retrieved March 1, 2011.
- ^ "SerjTankian.com News & Announcements". Archived from the original on September 18, 2012. Retrieved September 10, 2012.
External links
[edit]
from Grokipedia
History
Formation and early years
Viza originated in the summer of 2000 in New York City as the project Visa, founded by vocalist and multi-instrumentalist K'noup Tomopoulos and collaborator Johnny Nice on guitar and keyboards. The endeavor began as a side project for Tomopoulos while he worked with his band Neurobox, focusing on a fusion of rock with Mediterranean and world music elements, exemplified by their early collaboration on the track "San Michele," which appeared on Neurobox's album Eve.[10][11] In 2004, after relocating to Los Angeles and parting ways with Nice, Tomopoulos transformed Visa into a full band by recruiting members from Neurobox—including bassist Alexan Khatcherian, keyboardist Suguru Onaka, and drummer Hiram Rosario—along with new recruits such as guitarist Shant Bismejian, guitarist Orbel Babayan, duduk player Jivan Gasparyan Jr., percussionist Chris Daniel, and oud player Andrew Kzirian. This lineup solidified the band's international sound, drawing from Armenian, Greek, and Middle Eastern traditions within a rock framework. The group independently released their debut EP, Visa, in 2001 on Architects of Melody Records, featuring eight tracks including "Songbird," "Indigo Rain," and "Toxic," recorded at Studio 2139 in New York City.[11][12] Originally operating as Visa, the band changed its name to Viza around 2009 to distinguish itself amid potential conflicts. In the ensuing years, Viza performed extensively in the Los Angeles local scene, honing their distinctive fusion style amid lineup adjustments and the challenges of building an audience for their genre-blending music without major label support.[5][2][6]Commercial breakthrough and collaborations
Viza achieved a significant commercial breakthrough in 2006 with the release of their debut studio album Maktub on Architects of Melody Records, marking their transition from local performances to wider distribution and marking a pivotal step in their professional development.[13] The album showcased the band's emerging fusion of rock with Middle Eastern and ethnic instrumentation, laying the foundation for their unique sound. Following this, Viza signed to Serjical Strike Records, the label founded by System of a Down frontman Serj Tankian, which facilitated greater industry connections and exposure.[14] This association propelled their visibility, as the band released subsequent albums Eros in 2008, Made in Chernobyl in 2010 (featuring guest vocals by Serj Tankian on "Viktor"), and Carnivalia in 2011 (recorded at Frank Zappa's Utility Muffin Research Kitchen studio), all under Architects of Melody but benefiting from Serjical Strike's promotional support.[15][16][17] A key highlight of this period was the collaboration with Serj Tankian on the track "Viktor" from Made in Chernobyl, where Tankian served as executive producer and provided guest vocals, infusing the album with his distinctive style and drawing parallels to System of a Down's intensity.[18] From 2009 to 2012, Tankian personally managed Viza through Serjical Strike Management, significantly enhancing their promotional reach and booking opportunities, which led to sold-out shows across the United States and increased media attention.[2] This management tenure allowed Viza to open for Tankian's solo tours, including the Imperfect Harmonies tour in 2010 and the Harakiri world tour in 2012, exposing them to larger audiences in Europe and North America.[5] During the mid-2000s to early 2010s, Viza underwent lineup expansions to deepen their ethnic fusion elements, notably adding Andrew Kzirian on oud in the late 2000s, enhancing the band's incorporation of traditional Armenian and Middle Eastern instruments into rock arrangements. These changes contributed to their growing international recognition, as the band's innovative blend garnered acclaim at festivals like Sziget in Hungary and Rockwave in Greece, and supported multiple European tours between 2010 and 2012, including a 20-city tour in 2013, solidifying their presence beyond the U.S. market.[5]Hiatus and revival
Following the release of their final pre-hiatus album Aria in January 2014 through the independent label Architects of Melody, Viza entered a period of inactivity.[19] The album marked the culmination of their early 2010s output, distributed via Graviton Music Services in some regions.[20] In 2015, the band announced a hiatus to allow members to pursue individual music projects, leading to no new group releases or tours until 2017.[21] This break, spanning from late 2014 to mid-2017, contrasted with their prior decade of consistent activity and collaborations.[22] Notably, duduk player Jivan Gasparyan Jr. rejoined the band in 2017 after a period away.[23] Viza revived in 2017 with a return to live performances, including a show at the Roxy Theatre in Los Angeles on February 16.[24] The resurgence continued into 2018 with the release of the EPs The Unorthodox Revival I and The Unorthodox Revival II under Architects of Melody Records, featuring a blend of rock and traditional instrumentation across 12 tracks total.[25] By 2023, Viza had shifted to fully independent operations, launching the "100 project" in early 2023 to release 100 total songs through monthly digital singles on streaming platforms, beginning with "Yesterday" followed by "Ms. Information" (the second release) and "Thunderbolt" (the third).[26] The project continued with regular releases through 2025, including singles such as "PARI" and "ELA MAKEDONIJA" in 2024, and "Bezuslovna" in 2025, with a compilation CD of select tracks like "Dingle Singles" planned.[27][26]Musical style and influences
Musical style
Viza's primary genre is alternative rock blended with world music elements, creating a fusion characterized by heavy guitar riffs, dynamic and theatrical vocals, and intricate rhythms that evoke both intensity and danceability. This sound integrates hard-edged rock structures with ethnic motifs, resulting in a genre-defying style that balances aggression and melody.[2][28] Central to their instrumentation are standard rock elements—electric guitars, bass, and drums—combined with traditional Middle Eastern and Armenian instruments, including the oud mastered by Andrew Kzirian for its resonant, stringed tones and the duduk handled by Jivan Gasparyan, which adds haunting, wind-driven melodies reminiscent of ancient folk traditions. These ethnic additions provide a distinctive flavor, layering percussive and melodic textures over rock foundations to produce a vibrant, multicultural sonic palette.[29][5] The band's musical evolution reflects a progression from raw, experimental energy in early works like Made in Chernobyl (2010), which emphasized chaotic and socially charged rock fusion, to more polished and refined productions in the 2010s, such as Aria (2014), and continuing into later releases like the 2018 EPs The Unorthodox Revival and the ongoing "100 Project" of monthly singles, where tighter arrangements and broader experimentation highlight maturity while retaining their core hybrid intensity.[5][28][7] Lyrically, Viza delves into social issues, human rights, and cultural identity through metaphorical and satirical storytelling, often weaving provocative narratives that address community concerns and historical awareness, such as the Armenian genocide, in a manner that blends whimsy with critique.[28][5] This approach mirrors the ethnic rock fusion of bands like System of a Down, with whom they have collaborated and toured, emphasizing shared themes of heritage and activism in their energetic delivery.[28]Cultural influences
Viza's music is deeply rooted in the Armenian heritage of several core members, particularly evident in the incorporation of folk traditions into their melodies and rhythms. Antranig Kzirian, the band's oud player, draws from his experiences in the Armenian diaspora, having performed in the traditional "kef" band Aravod at community events like weddings across U.S. cities such as Philadelphia and New York. This background influences tracks like "Maggie Mae’s Tavern," where improvisational folk elements evoke communal gatherings and cultural continuity.[7] The Greek origins of frontman K'noup Tomopoulos, born in Kastoria, Greece, and raised partly in New York City, contribute modal scales and percussion patterns that blend seamlessly with rock structures. These elements appear in songs like "Avec Toi (From Paris with Love)," which integrates Greek tragic narratives with broader Mediterranean storytelling. Tomopoulos's perspective as the band's primary non-Armenian member enriches the fusion, highlighting shared Anatolian histories known to the predominantly Armenian lineup—six of nine members in earlier configurations.[6][2][9] Broader world music inspirations from Middle Eastern and Balkan regions further shape Viza's sound, incorporating Arabic sonorities, traditional scales, and Eastern European rhythms into their aggressive rock framework. Instruments like the oud and duduk underscore these influences, creating a mosaic of modal melodies that reflect the band's multicultural composition. This synthesis is amplified through collaborations with Armenian musicians, such as producer Yury Anisonyan on the track "Dingle" and avant-garde artist Arto Tunçboyacıyan on "Viktor," which enhance the ethnic textures and thematic depth.[30][6][2][7][31] The diaspora experiences of band members profoundly impact lyrical themes of cultural identity and exile, weaving narratives of longing and displacement into their work. Kzirian's reflections on life in the Armenian American community inform explorations of heritage preservation amid migration, while the group's awareness of historical upheavals in Anatolia—shared across Armenian and Greek backgrounds—infuses songs with a sense of collective memory and resilience. These elements underscore Viza's role in voicing the complexities of ethnic identity for global audiences.[7][2][32]Band members
Current members
The current lineup of Viza consists of six core members who have shaped the band's fusion of rock, world music, and ethnic instrumentation over the years. This ensemble emphasizes dynamic interplay between traditional Armenian and Greek elements and modern rock structures, contributing to albums like Made in Chernobyl (2010), Carnivalia (2011), and Aria (2014), as well as recent singles from the band's "100 Project" series released starting in late 2022.[33][26] K'noup Tomopoulos serves as lead vocalist and guitarist, having founded the band in 2000 as its primary songwriter and creative force. His Greek heritage influences the lyrical themes of cultural identity and social commentary, evident in compositions like "Viktor" from Made in Chernobyl, where his raspy delivery drives the narrative intensity. Tomopoulos has penned over 100 songs for Viza, including recent tracks such as "Llama" and "Dingle" from the 2023 releases, blending acoustic introspection with the band's signature energy.[34][35][36] Shant Bismejian has been the band's electric guitarist since 2000, playing a pivotal role in arranging the rock elements that anchor Viza's ethnic fusions. His contributions include crafting guitar riffs that amplify the oud and duduk lines, as heard in Eros (2008) and Aria, where his bouzouki-infused solos enhance tracks like "Choose Your Weapon." Bismejian's tenure has solidified the band's live aggression, supporting tours across Europe and North America.[6][37][20] Andrew Kzirian joined in 2006 as the oud player (also performing on electric oud, saz, and providing vocals), bridging the band's ethnic roots with contemporary sounds through intricate string arrangements. His work on Maktub (2006) introduced layered oud melodies that became a hallmark, evolving in Carnivalia to fuse with rock percussion for songs like "Trans-Siberian Standoff." Kzirian co-wrote "Maggie Mae's Tavern" (2023), drawing from personal activism to add thematic depth, and his performances have been central to Viza's revival post-2017.[38][26][39] Alexan Khatcherian has provided bass and vocals since 2006, establishing the rhythmic foundation that supports the band's percussive and melodic layers. On De Facto (2007) and subsequent albums like Aria, his bass lines ground the ethnic instrumentation, enabling seamless transitions in live sets. Khatcherian's harmonies contribute to the vocal depth in tracks such as "Midnight Hour," enhancing the group's theatrical stage presence during international tours.[6][40][33] Chris Daniel has handled drums and percussion since 2009 (with a return after a brief hiatus), infusing dynamic live energy through hybrid kits that blend traditional and rock elements. His propulsive rhythms powered the intensity of Made in Chernobyl and Carnivalia, particularly in high-energy cuts like "Pinches," and have been key to the band's post-revival performances, including the 2023 "100 Project" sessions. Daniel's setup allows for explosive solos that elevate Viza's fusion style on stage.[33][6] Jivan Gasparyan Jr. joined in 2010 on duduk and zurna, adding authentic Armenian timbre as the grandson of master duduk player Djivan Gasparyan. His emotive woodwind lines debuted on Made in Chernobyl, providing haunting melodies in "Sacred Blessings" that deepened the album's cultural resonance, and continued in Aria to evoke traditional folk amid rock arrangements. Gasparyan's contributions extend to recent live shows, such as the September 2025 AGBU performance, preserving the instrument's legacy within Viza's evolving sound.[2][42][43]Former members
Viza's early years as Visa featured key contributors who shaped the band's initial sound before significant lineup transitions. Johnny Nice served as guitarist and keyboardist from the band's formation in 2000 through the mid-2000s, also handling engineering, mixing, and co-production duties on the self-titled debut EP released in 2005, where he co-wrote tracks alongside K'noup Tomopoulos.[44] Carlos Alvarado played guitar during the early 2000s, providing acoustic and electric contributions to albums including Maktub (2006) and the EP De Facto (2007).[45][46] Other notable former members include Orbel Babayan on guitar and tar (mid-2000s to early 2010s), Suguru Onaka on keyboards and accordion (2000s), Hiram Rosario on drums (2000s), and Danny Shamoun on percussion (early 2000s). The pre-2009 period saw numerous transient members, particularly on drums and keyboards, such as an uncredited drummer listed as "H" on the 2005 EP and rotating percussionists evident in evolving album credits as the band experimented with fusion elements.[2][44] These shifts coincided with creative evolutions around 2006, including the band's relocation to Los Angeles and a name change to Viza in 2008 to avoid trademark issues with the credit card company.[6] The overhaul in lineup during this era redirected the band's direction toward a more stable international ensemble, with K'noup Tomopoulos assuming the prominent lead vocal role that defined subsequent releases and performances.[34]Discography
Studio albums
Viza's studio albums reflect the band's evolution in fusing rock with traditional Armenian and Greek instrumentation, such as the oud and duduk, while exploring diverse thematic landscapes. Their discography includes six full-length releases, each marked by intricate production and cultural motifs. The debut studio album, Maktub, was released on May 25, 2006, through Architects of Melody Records.[13] This 11-track effort, originally issued under the band's earlier name Visa, emphasizes fusion themes by integrating Eastern melodic structures with Western rock dynamics, setting the foundation for Viza's signature sound.[45] Eros, the follow-up, arrived on February 9, 2008, also via Architects of Melody Records, comprising 11 tracks.[15] The album delves into mythological concepts, drawing from the Greek god of love to weave narratives of desire and exoticism, highlighted in songs like "Janna" and "Cats Eye."[47] In 2010, Made in Chernobyl was released on July 23 by Architects of Melody Records, featuring 11 tracks with post-apocalyptic themes inspired by Eastern European motifs and nuclear fallout imagery.[16] Executive produced by Serj Tankian, it includes his guest vocals on the track "Viktor," co-produced by Tankian, Sebu Simonian, and K'noup, with Simonian handling recording and mixing.[5][48] Carnivalia, released on December 10, 2011, by Architects of Melody Records, contains 12 tracks and adopts a circus-inspired aesthetic, portraying a vibrant "theme park of the mind" through animated, multicultural riffs influenced by Gogol Bordello and System of a Down.[17] Recorded by Jared Gosselin at Frank Zappa's Utility Muffin Research Kitchen (UMRK) Studios, it represents Viza's most energetic production to date.[49][50] The band's fifth studio album, Aria, emerged independently on January 17, 2014, through Architects of Melody Records, with 13 tracks incorporating operatic elements via soaring vocals and dramatic orchestration.[19] Self-produced by the band and recorded at Swing House Studios in West Hollywood, it was funded through a successful Kickstarter campaign, marking a pivotal pre-hiatus release.[20][51]Extended plays
Viza's extended plays represent key transitional phases in the band's career, serving as platforms for experimentation and stylistic evolution between full-length albums. The band's debut EP, Visa, was released independently on January 1, 2001, under the original band name Visa and the label Architects of Melody. Produced by K’noup and Johnny Nice, it featured a raw, demo-style sound that introduced Viza's early blend of folk-rock influences with softer, introspective tracks. The artwork and production reflected the nascent stage of the band's development, capturing their initial forays into world music-infused rock. The EP played a foundational role in establishing the group's identity before their name change to Viza. Track listing:[12]- Songbird
- Indigo Rain
- Virgin Red
- Good Ole Dice
- The Flask
- Happily Ever After
- My Sea
- Toxic[52]
- To the Gods
- Debke
- Sacred Blessings
- Wallflower
- Mediterranean Thief
- Guilty Pleasures[54]
- Viktorious
- Cash Karma
- Velvet Shade
- A World of Broken Mirrors
- Aphrodite
- Vicious Game[58]
- Pinches
- Sheep
- Diabolic Angel
- Dancing Twig
- Tom Waits for Her
- Pathway[59]
Singles
Viza's singles span their career, beginning with promotional tracks during the Maktub era in 2006, when the band, then known as Visa, released material independently through Architects of Melody.[13] These early efforts laid the groundwork for their blend of world music and rock, though specific standalone releases from this period were limited to album promotions. A notable album single emerged in 2010 with "Viktor," featuring guest vocals by Serj Tankian from System of a Down, as part of the Made in Chernobyl album; it gained prominence during Viza's European tour opening for Tankian, highlighting their collaborative ties.[16] The track was released digitally and physically via the album on July 23, 2010. In 2011, Viza issued the standalone single "Bake Me in Clouds" on April 20, promoted as a digital release by Architects of Melody to bridge their album cycles, emphasizing their evolving cinematic sound.[60] This was followed by "In Coins" on January 24, 2014, another digital single that showcased their acoustic-driven style.[61] Post-hiatus revival in the 2020s shifted Viza toward frequent digital singles on streaming platforms, primarily as part of their "100 project," an ambitious initiative announced in late 2022 aiming to produce and release 100 original songs, with monthly singles released through 2023, focusing on symbolic storytelling and diverse influences.[26] "Loyal Tea," released in 2020, marked an early example of this digital emphasis, serving as a standalone track outside album contexts.[62] The project kicked off formally with "Yesterday" in December 2022, distributed via major platforms like Spotify and Apple Music.[63] Subsequent 2023 releases under the "100 project" included "Ms. Information" on January 14, a digital single critiquing misinformation through metaphorical lyrics.[64] "Thunderbolt," featuring collaborator Vaz Jon, followed on June 15 as a high-energy rock track available on streaming services.[65] "Avec Toi (From Paris with Love)" was released on August 15, evoking romantic themes inspired by performances in Paris. "Llama," an acoustic track released on September 15, explored exotic and introspective narratives. "Maggie Mae's Tavern," released July 15, evoked a nostalgic, edgy acoustic vibe in its digital format, while "Dingle," released October 13, continued the project's rock-leaning output with thematic ties to earlier work.[66][67][36][68] No unique b-sides or remixes have been documented for these singles, with promotions centered on music videos and social announcements tied to live performances.[62]| Title | Release Date | Format | Notes |
|---|---|---|---|
| Viktor (feat. Serj Tankian) | July 23, 2010 | Digital/Album single | From Made in Chernobyl; promoted via Tankian tour.[16] |
| Bake Me in Clouds | April 20, 2011 | Digital single | Standalone release by Architects of Melody.[60] |
| In Coins | January 24, 2014 | Digital single | Acoustic-focused promo.[61] |
| Loyal Tea | 2020 | Digital single | Pre-"100 project" standalone.[62] |
| Yesterday | December 2022 | Digital single | Launch of "100 project."[26] |
| Ms. Information | January 14, 2023 | Digital single | Part of "100 project"; streaming platforms.[64] |
| Thunderbolt (feat. Vaz Jon) | June 15, 2023 | Digital single | Rock track in "100 project."[65] |
| Maggie Mae's Tavern | July 15, 2023 | Digital single | Acoustic vibe in "100 project."[66] |
| Avec Toi (From Paris with Love) | August 15, 2023 | Digital single | Part of "100 project."[67] |
| Llama | September 15, 2023 | Digital single | Acoustic track in "100 project."[36] |
| Dingle | October 13, 2023 | Digital single | Rock-leaning track in "100 project."[68] |
Tours and performances
Early tours
Viza's early touring efforts from the band's formation in 2000 through 2007 centered on local performances in Los Angeles and regional West Coast shows to promote their initial releases, including early EPs and the 2006 album Maktub. Operating under the name Visa during this period, the group played intimate gigs at key LA venues such as the Troubadour, Roxy, Key Club, Viper Room, and Derby, where they cultivated a dedicated following through high-energy sets that fused rock with Armenian and Greek traditional elements.[2][26] These performances emphasized the band's developing live sound, featuring dynamic instrumentation like oud and percussion alongside satirical lyrics and audience-engaging rhythms, often drawing from tracks on Maktub such as those highlighting cultural storytelling and social themes. Without major label backing until their signing to Serjical Strike in 2009, Viza relied on self-promotion via community networks in Armenian and Greek ethnic circles, organizing grassroots events to overcome challenges like small crowd sizes and competition from mainstream pop acts in the digital era.[2] In May 2010, the band expanded to the East Coast with shows in New York City on May 21 at the Knitting Factory and Philadelphia on May 22 at Northstar Bar, partnering with organizations like the Armenian National Committee of America for advocacy events.[2] Following the release of the album Eros in 2008, the band continued domestic performances in compact venues, prioritizing improvisational jams and cross-cultural melodies to showcase their evolving stage presence. Typical setlists from this era spotlighted fusion-driven songs from Eros and prior works.[26]Tours with Serj Tankian
Viza served as the opening act for Serj Tankian's Imperfect Harmonies tour across Europe in the summer of 2010, performing at seven key dates in cities including Hamburg and Cologne in Germany, Paris in France, Zurich in Switzerland, Bologna in Italy, Athens in Greece, and Yerevan in Armenia.[5] These performances marked Viza's introduction to larger international audiences, with the band delivering high-energy sets that complemented Tankian's orchestral arrangements.[69] In September 2012, Viza reunited with Tankian for his Harakiri World Tour, acting as the main support act over a nearly six-week run spanning North America and Europe.[70] The tour kicked off in Canada at the Vogue Theatre in Vancouver on September 19, followed by U.S. West Coast stops including the Regency Ballroom in San Francisco on September 24 and the Wiltern in Los Angeles on September 25, before continuing to East Coast venues such as Terminal 5 in New York on October 7, and House of Blues locations in Chicago, Dallas, and Boston.[71] The European leg included performances at O2 Academy Brixton in London on October 10, Paradiso in Amsterdam on October 12, Live Music Hall in Cologne on October 13, Le Zénith in Paris on October 19, and Huxley's Neue Welt in Berlin on October 25.[72] The collaborative dynamic between Viza and Tankian extended to shared stage moments, particularly their live rendition of "Viktor"—a track from Viza's 2009 album Made in Chernobyl featuring Tankian as guest vocalist—which became a tour highlight, blending Viza's Mediterranean rock style with Tankian's distinctive vocals.[73] Typical Viza setlists during these outings included staples like "Trans-Siberian Standoff," "Chosen," and "Viktor," often lasting 40-50 minutes to energize crowds before Tankian's headline performance.[69] These tours amplified Viza's visibility, drawing crossover fans from Tankian's System of a Down audience and generating increased media attention in outlets covering alternative and world rock scenes.[74] Tankian's endorsement of Viza's vibrant live energy further solidified the partnership's mutual benefits, helping the band expand its international following.[5]Recent activities
In 2011, Viza headlined the Rockwave Festival in Greece on July 3. The following year, they performed at the Sziget Festival in Hungary on August 10, and in 2013, the band undertook a 20-city tour across Europe.[75][76][5] Following their revival, Viza resumed live performances in 2018 with a notable appearance at the Aftershock Festival in Sacramento, California, on October 13, where they showcased tracks from their double EP The Unorthodox Revival Vol. I & II, blending rock with Armenian and Greek influences to a large audience.[57] The band continued building momentum in 2019 with a homecoming show at The Roxy Theatre in Los Angeles on February 16, followed by an international performance at Le Trabendo in Paris on May 28, emphasizing their evolving sound during a period of renewed activity.[77] Amid the COVID-19 pandemic, Viza shifted focus to digital platforms, releasing singles as part of their ongoing "100 project"—a series aiming toward 100 total released songs, including a planned 17-track album titled 100—such as "Yesterday" in December 2022, "Maggie Mae's Tavern" in June 2023, and "Avec Toi (From Paris with Love)" in August 2023, which were promoted via streaming services and music videos to maintain fan engagement without live tours.[78][79][80] In recent years, Viza has prioritized community ties within the Armenian diaspora, culminating in a high-profile concert on September 6, 2025, at the AGBU Vatche and Tamar Manoukian Center in Pasadena, California, featuring opening acts Krista Marina and the AGBU Noor Ensemble, drawing hundreds for a night of fusion rock and cultural celebration.[81][82] As of November 2025, the band continues to expand the "100 project" with additional releases, hinting at potential live integrations to accompany future singles, though specific tour expansions remain unannounced.[7]References
- https://en.wikipedia-on-ipfs.org/wiki/Viza
- https://www.reddit.com/[r/IAmA](/page/R/IAmA)/comments/1r5j8t/we_are_viza_an_international_rock_band_that_has/