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Years of Refusal
Years of Refusal
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Years of Refusal
Studio album by
Released16 February 2009 (2009-02-16)
Recorded2007 – May 2008
GenreAlternative rock, indie rock
Length43:25
LabelDecca/Polydor (UK), Attack/Lost Highway (US)
ProducerJerry Finn
Morrissey chronology
Greatest Hits
(2008)
Years of Refusal
(2009)
Swords
(2009)
Singles from Years of Refusal
  1. "That's How People Grow Up"
    Released: 4 February 2008
  2. "All You Need Is Me"
    Released: 2 June 2008
  3. "I'm Throwing My Arms Around Paris"
    Released: 9 February 2009
  4. "Something Is Squeezing My Skull"
    Released: 27 April 2009

Years of Refusal is the ninth studio album by English alternative rock singer Morrissey. It was released on 16 February 2009 in the UK by record label Decca and on 17 February 2009 in the US by Lost Highway.[1]

It was the last album completed by producer Jerry Finn before his death. The album is also notable for being the first Morrissey album since Your Arsenal not to feature lead guitar from Alain Whyte, who was permanently replaced by Jesse Tobias.

Recording

[edit]

Recording for the album commenced in late November 2007 and ended in late December in Los Angeles at Conway Recording Studios. An additional track for the album was recorded in late May according to drummer Matt Walker.[2] Keyboardist Michael Farrell left the band prior to the album's completion so Morrissey recruited Roger Manning to fill in. Manning previously played on Morrissey's 2004 album You Are the Quarry. Manning had this to say about the recording of the album:

I've spent over six weeks recording with Morrissey and his incredible band for what will hopefully become his latest solo effort later this year. Producer Jerry Finn and I have had a long fun filled history together in punk pop heaven with groups like Blink-182 and found ourselves both being invited back for our second Morrissey album. I think fans will be pleasantly surprised by this new solo offering. It was all tracked live which added a great punk, garage, DIY urgency to the tracks. I am so used to recording keyboards in the more traditional overdub scenario that being asked to invent parts "on the fly" and track with the band while Morrissey sang live was a very refreshing and challenging experience.[3]

In an interview on BBC Radio 5 Live with Tony Visconti, the producer stated that his new project would be "the next Morrissey album", though that this would not be forthcoming for at least a year. However, in an interview with the BBC News website in October 2007, Morrissey said that the album was already written and ready for a possible Autumn 2008 release. In December, Morrissey signed a new deal with Decca Records, which included a Greatest Hits album and a newly recorded album to follow in Autumn 2008.[4]

It was announced in November 2007 that Jerry Finn, the man behind Morrissey's 2004 album You Are the Quarry, would be producing the new album instead of Tony Visconti.[5] A reason for the change was rumored to be related to Kristeen Young, Morrissey's opening act at the time, and Visconti's supposed involvement.

On 30 May 2008, true-to-you.net posted the following on Morrissey's 2008 album:

Morrissey's new studio album Years of Refusal is now complete, and is set for a September release by Polydor UK (Universal). It has yet to be decided which Universal label will release the album in the US. Years of Refusal has 12 tracks and is produced by Jerry Finn.[6]

Featured tracks "That's How People Grow Up", "All You Need Is Me", "Something Is Squeezing My Skull", "Mama Lay Softly on the Riverbed", "I'm Throwing My Arms Around Paris" and "One Day Goodbye Will Be Farewell" were all debuted on Morrissey's 2007–2008 Greatest Hits tour.

Content

[edit]

Of the 12 tracks, current guitarist Boz Boorer wrote four[7] and former guitarist Alain Whyte wrote five.[8] The remaining three tracks are Jesse Tobias compositions. Though he wrote nearly half the songs on the album Whyte did not participate in the recording. Years of Refusal marks the first time since 1992's Your Arsenal that Alain Whyte has not performed on a Morrissey album.

The photo on the album cover for Years of Refusal is a portrait by Jake Walters. The baby pictured with Morrissey is Sebastien Pesel-Browne, who is the son of Charlie Browne, Morrissey's assistant tour manager. Sebastien's mother met Charlie at a Morrissey concert in Boston.[9]

Release

[edit]

It was later announced that 23 February 2009 would be the new release date for Years of Refusal. Finally, in a press release from Universal Music it was announced that the final release date for the album would be 16 February 2009 with the first single, "I'm Throwing My Arms Around Paris", preceding the album a week earlier on 9 February 2009.

Years of Refusal reached number 3 in the UK Albums Chart.[10]

Reception

[edit]
Professional ratings
Aggregate scores
SourceRating
Metacritic79/100[11]
Review scores
SourceRating
AllMusicStarStarStarStar[12]
The GuardianStarStarStar[13]
MojoStarStarStar[14]
NME8/10[15]
The ObserverStarStarStarStar[16]
Pitchfork8.1/10[17]
QStarStarStar[18]
Rolling StoneStarStarStarHalf star[19]
SpinStarStarStarStar[20]
UncutStarStarStarStar[21]

On 11 December 2008, Morrissey, along with Polydor president Ferdy Unger-Hamilton, unveiled Years of Refusal in London to a select group of journalists with a special listening of the album at Piccadilly's Pigalle Club. First impressions of the album were universally positive.[22][23][24]

Early reviews of the album suggested a return to the form of You Are the Quarry, with Clash commenting that it is "in a word, 'brilliant'" and that "it's hard to listen to this album and not conclude that it's one of his best as a solo artist".[25] Tom Ewing of Pitchfork, along with giving the album an 8.1 rating, lauded Years of Refusal highly for its "rejuvenation" of Morrissey:

Years of Refusal comes as a gratifying shock: It's his most vital, entertaining and savage record since 1994's Vauxhall and I. Rather than try and reinvent himself, Morrissey has rediscovered himself, finding new potency in his familiar arsenal. Morrissey's rejuvenation is most obvious in the renewed strength of his vocals. For much of Years of Refusal Morrissey is turning his fire outwards – taking on lovers, enemies, wannabes, or some combination of all three. This is Morrissey's most venomous, score-settling album, and in a perverse way that makes it his most engaging.[17]

Q magazine, who gave the album a three star rating, praised and criticized the album saying: "So there is that fabulous voice, the felicitous turn of phrase, the ability to hit universal truths that transcend one middle-aged Mancunian's ingrained sense of being hard-done-by – but there's also too much grudge-bearing, too much self-justification, too much undistinguished guitar thump.[18]

Morrissey has described it as his "strongest work to date".[26][27]

Track listing

[edit]
No.TitleWriter(s)Length
1."Something Is Squeezing My Skull"Morrissey, Alain Whyte2:38
2."Mama Lay Softly on the Riverbed"Morrissey, Whyte3:53
3."Black Cloud"Morrissey, Boz Boorer2:48
4."I'm Throwing My Arms Around Paris"Morrissey, Boorer2:31
5."All You Need Is Me"Morrissey, Jesse Tobias3:13
6."When Last I Spoke to Carol"Morrissey, Whyte3:24
7."That's How People Grow Up"Morrissey, Boorer2:59
8."One Day Goodbye Will Be Farewell"Morrissey, Boorer2:57
9."It's Not Your Birthday Anymore"Morrissey, Whyte5:10
10."You Were Good in Your Time"Morrissey, Whyte5:01
11."Sorry Doesn't Help"Morrissey, Tobias4:03
12."I'm OK by Myself"Morrissey, Tobias4:48
iTunes US bonus tracks
No.TitleWriter(s)Length
13."Because of My Poor Education"Morrissey, Whyte2:56
14."Shame Is the Name"Morrissey, Whyte3:49
Note: Given the CD is a mockup of a vinyl record, the words "shame is the name" appear on the runout grooves.

Special edition DVD

  1. "Wrestle with Russell" (an interview with Russell Brand)
  2. "That's How People Grow Up" (performed live on Friday Night with Jonathan Ross)
  3. "All You Need is Me" (performed live on Later... with Jools Holland)
  4. "All You Need is Me" (promotional video)

Personnel

[edit]

Charts

[edit]
Chart performance for Years of Refusal
Chart (2009) Peak
position
Australian Albums (ARIA)[28] 87
Austrian Albums (Ö3 Austria)[29] 24
Belgian Albums (Ultratop Flanders)[30] 8
Belgian Albums (Ultratop Wallonia)[31] 42
Danish Albums (Hitlisten)[32] 4
Dutch Albums (Album Top 100)[33] 52
Finnish Albums (Suomen virallinen lista)[34] 10
French Albums (SNEP)[35] 29
German Albums (Offizielle Top 100)[36] 4
Irish Albums (IRMA)[37] 12
Italian Albums (FIMI)[38] 25
Mexican Albums (AMPROFON)[39] 29
Norwegian Albums (VG-lista)[40] 6
Spanish Albums (PROMUSICAE)[41] 16
Swedish Albums (Sverigetopplistan)[42] 5
Swiss Albums (Schweizer Hitparade)[43] 32
UK Albums (OCC)[44] 3
US Billboard 200[45] 11

Certifications

[edit]
Certifications for Years of Refusal
Region Certification Certified units/sales
United Kingdom (BPI)[46] Silver 60,000*

* Sales figures based on certification alone.

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Years of Refusal is the ninth solo studio album by English , released on 16 February 2009 in the United Kingdom by and on 17 February 2009 in the United States through Attack Records and Lost Highway Records. Produced by —who passed away shortly after its completion in 2008—the album was recorded between 2007 and May 2008 and features songwriting contributions from 's longtime collaborators Alain Whyte, , and . Clocking in at 43 minutes and 25 seconds, it consists of 12 tracks characterized by a return to raw, guitar-driven and sounds, departing from the orchestral arrangements of 's previous album, Ringleader of the Tormentors (2006). The album's themes continue Morrissey's signature blend of wit, melancholy, and , with lyrics addressing mortality, , and cultural critique in songs like "Something Is Squeezing My Skull" and "I'm Throwing My Arms Around ." These two tracks were issued as singles, both achieving Top 50 positions on the UK Singles Chart, marking a commercial resurgence for . Years of Refusal debuted at number 3 on the and reached number 11 on the US 200. Critically, the album received generally positive reviews, praised for its energetic production and Morrissey's renewed vocal vigor, though some noted its familiarity with his established style. awarded it an 8.1 out of 10, calling it Morrissey's "most vital, entertaining, and savage record since 1994's ," highlighting tracks like "" and "When Last I Spoke to Carol" for their lyrical bite. described it as a "good solid guitar-rock record" but critiqued it as his weakest since 1997's , rating it 3 out of 5 stars. Overall, Years of Refusal solidified Morrissey's enduring relevance in alternative music, serving as a bridge between his mid-2000s and subsequent releases, and remains a fan favorite for its concise, hook-laden songcraft.

Background and Recording

Background

Following the release of his 2006 album Ringleader of the Tormentors, Morrissey took a hiatus from studio recording, spanning approximately three years, during which he concentrated on extensive international touring and personal endeavors such as relocating and managing health-related tour cancellations. In late 2007, Morrissey decided to reunite with producer Jerry Finn—who had previously helmed the commercially successful You Are the Quarry (2004)—instead of continuing with Tony Visconti from Ringleader. This choice reflected Morrissey's desire for a louder, more energetic sound, drawing on Finn's expertise in pop-punk production with artists like Blink-182 and Green Day to revitalize his rock-oriented style. Significant band adjustments occurred around this period, including the departure of longtime keyboardist Michael Farrell after his involvement in prior albums and tours from 2004 to 2008. Additionally, lead guitarist Alain Whyte shifted to a reduced role, stepping away from live and recording guitar duties while retaining contributions as a songwriter on four of the twelve tracks. assumed primary guitar responsibilities, both in performance and co-writing. Songwriting for the album began in 2007, primarily through collaborations between and key figures and , who together provided much of the material alongside Whyte's input. These partnerships aimed to infuse fresh dynamics into 's established songcraft.

Recording

The primary recording sessions for Years of Refusal occurred from late November to late December 2007 at in , , with additional overdubs taking place in May 2008. These sessions marked a focused effort to capture the album's raw energy following the completion of songwriting earlier that year. Produced by , who had previously collaborated with on the 2004 album , the recording emphasized a polished yet energetic sound characterized by sharp, immediate production and glossy adult-alternative textures. Finn oversaw the mixing process, while the final mastering was handled by Bill Inglot and Dan Hersch at Digiprep in . The core band during these sessions included longtime guitarist , alongside on guitar, new bassist Solomon Walker, drummer Matt Walker, and keyboardist Roger Manning, who joined as recent additions to the lineup. The production faced challenges due to personnel changes, including the absence of co-writer and former band member Alain Whyte from the sessions. More significantly, Finn suffered a massive brain hemorrhage in July 2008, shortly after completing his work on the album, leading to his death on August 21, 2008, at age 39; this added a layer of urgency and poignancy to the project's final stages.

Musical Content

Composition

Years of Refusal blends with glam and punk influences, characterized by upbeat tempos and layered arrangements that provide an energetic contrast to Morrissey's typically melancholic vocal delivery. The album's sound emphasizes muscular riffs and a lively, savage edge, drawing on grind and discordant electronic touches to create a vital and entertaining atmosphere. This approach marks a return to high-energy rock elements reminiscent of Morrissey's earlier work, while incorporating ambitious flourishes like cod-mariachi horns and electronic washes for added texture. Instrumentation features prominent guitar work from and , delivering glammy riffs and sharp, immediate lines that drive the tracks forward. Synth elements, provided by , add subtle electronic layers and weird sonic accents, enhancing the album's polished yet unpredictable feel. The rhythm section, anchored by Solomon Walker's thumping bass and Matt Walker's crashing, rollicking drums, contributes electrifying driving beats that underscore the record's aggressive pub-rock vibe. Occasional guest contributions, such as Jeff Beck's guitar on "," further amplify the guitar-driven intensity. Most tracks adhere to concise structures with average lengths of around 3 to 4 minutes, allowing for punchy verses, choruses, and that prioritize accessibility. For instance, the opener "Something Is Squeezing My Skull" clocks in at 2:38, featuring a rousing, tongue-twisting built on guitar riffs and a tight, energetic . Longer cuts like "It's Not Your Birthday Anymore" (5:10) incorporate padding drums and varied dynamics, shifting from tender builds to angry climaxes while maintaining the 's overall vigor. These structures were captured through live studio tracking, emphasizing a raw, performance-like immediacy. Produced by , the album adopts a more aggressive and radio-friendly production style compared to the orchestral lushness of 2006's , stripping back some grandeur in favor of sharp, pop-punk-inflected clarity that isolates each instrument for maximum impact. This shift aims to recapture the lusty accessibility of Morrissey's post-comeback era while avoiding the predictability of his mid-1990s output.

Lyrics and Themes

The lyrics of Years of Refusal center on themes of aging, rejection, and societal critique, reflecting Morrissey's signature blend of and acerbic observation. Tracks like "You Were Good in Your Time" explore the decline of former vitality, portraying a once-admired figure now diminished by time in a manner that echoes autobiographical elements of Morrissey's own career trajectory. Similarly, "That's How People Grow Up" confronts physical and emotional deterioration, with lines such as "I crashed and broke my spine" underscoring the harsh realities of maturation in a indifferent world. Societal pressures are lampooned in opener "Something Is Squeezing My Skull," which critiques the anxieties of contemporary through references to modern pharmaceuticals and urban . Songwriting credits for the album's twelve tracks highlight a collaborative evolution, with co-writing alongside his longtime contributors: five songs with Alain Whyte ("Something Is Squeezing My Skull," "Mama Lay Softly on the Riverbed," "When Last I Spoke to Carol," "One Day Goodbye Will Be Farewell," and "You Were Good in Your Time"), four with ("," "All You Need Is Me," "Sorry Doesn't Help," and "It's Not Your Birthday Anymore"), and three with ("I'm Throwing My Arms Around ," "That's How People Grow Up," and "I'm OK by Myself"). This distribution marks a broadening of 's creative partnerships, moving beyond his earlier solo reliance on single primary collaborators while maintaining his distinctive lyrical voice. Recurring motifs amplify these themes through vivid, often venomous imagery. Mortality looms in "Black Cloud," where the titular "black cloud" serves as a metaphor for inescapable death shadowing romantic pursuits, illustrated by lines like "I've hammered a smile across this pasty face of mine." Unrequited love drives "I'm Throwing My Arms Around Paris," with Morrissey lamenting emotional isolation in the face of urban indifference: "In the absence of your love... only stone and steel accept my love." Anti-celebrity sentiment permeates "It's Not Your Birthday Anymore," a scathing takedown of performative sentimentality and hollow adulation, questioning the authenticity of public affection with cruel precision. Morrissey's vocal delivery enhances these motifs, employing dramatic phrasing and wry wit to convey a persona of defiant introspection. In tracks like "Something Is Squeezing My Skull," his shifts from playful to ferocious, emphasizing capitalized barbs that underscore rejection and malaise. The richness of his in "I'm Throwing My Arms Around " adds emotional depth to themes of , while flourishes in high-energy cuts like "" tie his delivery to an unyielding sense of personal rebellion. This approach revitalizes his longstanding style, blending surging energy with mordant humor to make the album's introspective critiques feel both savage and intimate.

Release and Promotion

Release

Years of Refusal was released on 16 February in the by , a division of , and on 17 February in the United States by Attack Records in conjunction with Lost Highway Records. The album marked Morrissey's first release on following a deal signed in late that encompassed both this project and a greatest hits compilation. The album was issued in multiple formats, including standard CD, 180-gram vinyl LP, and digital download, with a limited bundling the CD with a bonus DVD containing live footage from Morrissey's performances and interviews, such as the discussion "Wrestle with Russell" featuring . This edition, released primarily in the UK and , aimed to enhance collector appeal through exclusive visual content. The cover artwork consists of a black-and-white portrait photograph by Jake Walters, capturing cradling the infant Sebastien Pesel-Browne, son of his assistant tour manager Charlie Browne, in a pose that conveys tenderness and isolation. Initial marketing positioned the as a triumphant return to form after years of recording delays and label disputes, leveraging the momentum from the preceding Greatest Hits collection to reintroduce Morrissey's evolving sound to longtime fans.

Singles

The from Years of Refusal, "That's How People Grow Up", was released on 4 February 2008 by in the . Available in CD and limited-edition 7" vinyl formats, the single featured B-sides including a live recording of "The Last of the Famous International Playboys" on the CD edition and a live recording of " Find Out for Yourself" on the vinyl pressing. It debuted and peaked at number 14 on the UK Singles Chart, marking 's highest-charting single in several years at the time. Promotional efforts included radio airplay and a directed by Roy Tebbutt, which depicted Morrissey in a contemplative, urban setting to align with the song's themes of disillusionment. The follow-up single, "All You Need Is Me", was released on 2 June 2008 in the UK. It peaked at number 24 on the UK Singles Chart and featured B-sides including live versions of "I'll Never Be Anybody's Hero Now" and "If You Don't Like Me, Don't Look at Me". A showed performing in various settings with a sense of defiance. Following the album's release, "I'm Throwing My Arms Around " served as the second official single, issued on 9 February 2009 through Polydor and Decca in multiple formats, including two distinct CD singles, a 7" vinyl, and digital download options. The B-sides varied by edition, with the 7" featuring a live version of "Death of a " and one CD including the exclusive track "Shame Is the Name". The single reached number 21 on the UK Singles Chart and topped the Scottish Singles Chart. Its accompanying , directed by Travis Shinn, portrayed wandering alone through Parisian streets and landmarks, emphasizing themes of romantic isolation and unrequited longing in a grand yet indifferent cityscape. In the United States, "Something Is Squeezing My Skull" was issued as a promotional single ahead of the album's 17 February 2009 release on Lost Highway Records, distributed to radio stations and via a limited promo CD. This track received significant radio play and had an official featuring performing amid surreal, claustrophobic visuals to evoke the song's sense of mounting pressure. It later became the album's fourth single in the UK on 27 April 2009, peaking at number 46. Marketing for the singles emphasized collectible physical releases, such as numbered limited-edition 7" vinyls in picture sleeves, alongside digital bundles that bundled tracks with exclusive artwork or bonus content to encourage both traditional and online sales. These tactics aimed to capitalize on Morrissey's dedicated fanbase, blending nostalgia for vinyl with modern digital accessibility.

Reception and Commercial Performance

Critical Reception

Upon its release in February 2009, Years of Refusal received generally favorable reviews from critics, earning a aggregate score of 79 out of 100 based on 32 reviews. The album was widely praised as a robust return to form for , showcasing renewed energy after the more subdued (2006). Reviewers highlighted the album's muscular production and Morrissey's vocal prowess, with awarding it 8.1 out of 10 and commending its "vital, entertaining, and savage" qualities, marking it as his strongest effort since (1994). echoed this sentiment, giving it 8 out of 10 and noting the "powerful and muscular" sound on tracks like the opener "Something Is Squeezing My Skull," which captured an intoxicating mix of wit and drive. Specific tracks drew acclaim for their bold execution, such as "Black Cloud," featuring guest guitar from Jeff Beck, which Digital Spy lauded for its swagger and spunk that elevated it to potential classic status. Critics appreciated the overall refusal of compromise in the songwriting and arrangements, produced by the late Jerry Finn, which infused the record with live-tracked ferocity and unexpected flourishes like mariachi horns. In interviews, Morrissey himself described the album as his "strongest" to date, emphasizing its unyielding artistic integrity during a BBC Radio 1 discussion ahead of release. Some reservations emerged regarding formulaic tendencies, with The Guardian assigning 3 out of 5 stars and critiquing the album as Morrissey's weakest since (1997), arguing that its repetitive guitar-rock structure occasionally dulled the charm despite standout moments. Nonetheless, the consensus positioned Years of Refusal as a strong comeback, revitalizing Morrissey's catalog with its blend of venomous lyrics and vigorous performance.

Chart Performance and Sales

Upon its release, Years of Refusal debuted at number 3 on the , marking Morrissey's highest charting solo album in his home country since 2004's , and remained on the chart for five weeks. The album was later certified Silver by the (BPI) for sales exceeding 60,000 units. In the United States, the album peaked at number 11 on the , selling 42,000 copies in its first week and representing Morrissey's strongest US chart performance for a studio album up to that point. Internationally, Years of Refusal reached number 4 on the German Albums Chart, number 5 on the Swedish Albums Chart, and number 29 in . These figures were influenced by robust European touring in support of the release, which helped sustain momentum amid the emerging rise of digital streaming services following the album's launch. The promotional singles also aided visibility, though their chart impact was modest compared to the album's overall performance.

Legacy

Touring

The Tour of Refusal, Morrissey's 2009 world tour in support of Years of Refusal, spanned from February to July, encompassing an initial North American leg followed by extensive European dates. The North American portion began with planned shows in late February, including dates that were ultimately canceled due to illness, leading to the first performance on March 6 in , and continuing through mid-April across major U.S. cities such as New York, , and . The European leg commenced on April 29 in Galway, , at Leisureland, and proceeded through the , , , and , concluding on July 22 in , . Setlists during the tour heavily featured material from Years of Refusal, often including full or near-full album playthroughs integrated with Morrissey's solo classics and Smiths-era songs to maintain high energy. Tracks like "Something Is Squeezing My Skull," which opened many shows with its driving rhythm, and "," performed with extended guitar solos to engage crowds, quickly became live staples, adapted with dynamic vocal delivery to amplify their themes of defiance and melancholy. Other album cuts such as "I'm Throwing My Arms Around Paris" and "I'm OK by Myself" were regular inclusions, blending seamlessly with hits like "" to create sets typically lasting 90 minutes. A highlight of the North American leg was Morrissey's April 17 performance at Coachella Valley Music and Arts Festival in , where he played a 12-song set including "" and "Something Is Squeezing My Skull," drawing praise for its intensity despite the singer's age of 49. The show gained notoriety when Morrissey abruptly left the stage mid-performance, citing the "smell of burning animals" from nearby food vendors, underscoring his longstanding vegetarian advocacy and the album's raw emotional edge on stage. The tour faced significant challenges, including multiple cancellations attributed to health issues, such as vocal strain that led to postponed European dates in May and , and a doctor's order for rest to ensure recovery. Despite these disruptions, which affected over a dozen shows, fan response remained overwhelmingly positive, with audiences lauding Morrissey's commanding presence and the tour's reinforcement of Years of Refusal's themes of resilience amid adversity, as evidenced in post-show reviews highlighting impeccable performances and emotional connections.

Critical Reappraisal

In the years following its release, Years of Refusal has garnered increasing appreciation among critics as a high point in Morrissey's solo discography, often ranked among his strongest latter-day efforts for its raw energy and refusal to soften with age. Produced by , the album marked a return to a direct, guitar-driven rock sound that contrasted with the more orchestral leanings of prior works like Ringleader of the Tormentors (2006), earning praise for tracks such as "Something Is Squeezing My Skull" that embody a defiant vitality. This retrospective view positions it as an underrated gem in Morrissey's catalog, particularly as a potential "swansong" before his extended hiatus from new material until 2014's Is None of Your Business. The album's blend of acerbic wit and muscular rock has contributed to Morrissey's broader influence on , where his persona as an "indie-rock godhead" continues to inspire subsequent generations through its unyielding lyrical edge and thematic depth. Vinyl editions, including reissues from the onward, have seen sustained collector interest amid the format's revival. Fan and critical analyses often highlight Years of Refusal as a mature reflection on aging and mortality, with songs like "You Were Good in Your Time" and "One Day Goodbye Will Be Farewell" offering poignant contrasts to the youthful of earlier albums such as (1988). Morrissey's 2013 autobiography indirectly nods to the album's personal significance, framing the "refusal" in its title as a metaphor for resilience amid career setbacks and health struggles during that era: "the refusal in question was the refusal to be knocked out." By 2025, the album maintains a steady presence in Morrissey's discography on streaming platforms, underscoring its enduring role without recent developments like remasters or expansions.

Credits

Track Listing

The standard edition of Years of Refusal consists of 12 tracks, all written by Morrissey in collaboration with co-writers Alain Whyte (tracks 1, 2, 5, 9, 10), Boz Boorer (tracks 3, 4, 7, 8), or Jesse Tobias (tracks 6, 11, 12).
No.TitleWriter(s)Length
1"Something Is Squeezing My Skull"Morrissey, Whyte2:38
2"Mama Lay Softly on the Riverbed"Morrissey, Whyte3:53
3"Black Cloud"Morrissey, Boorer2:48
4"I'm Throwing My Arms Around Paris"Morrissey, Boorer2:31
5"All You Need Is Me"Morrissey, Whyte3:13
6"When Last I Spoke to Carol"Morrissey, Tobias3:24
7"That's How People Grow Up"Morrissey, Boorer2:59
8"One Day Goodbye Will Be Farewell"Morrissey, Boorer2:57
9"It's Not Your Birthday Anymore"Morrissey, Whyte5:10
10"You Were Good in Your Time"Morrissey, Whyte5:01
11"Sorry Doesn't Help"Morrissey, Tobias4:03
12"I'm OK by Myself"Morrissey, Tobias4:48
The limited deluxe edition includes a bonus DVD featuring live performances from a 2008 Hollywood concert, including "That's How People Grow Up", "I'll Never Be Anyone's Lover Again", "Action Is the Best Drug", and "I'm Throwing My Arms Around Paris", along with a 20-minute interview segment titled "Wrestle with Russell" conducted by Russell Brand. Regional variations include a US iTunes-exclusive digital bonus track, "Shame Is the Name" (featuring Chrissie Hynde) – 3:49, written by Morrissey and Whyte. Some US vinyl editions were bundled with a bonus 7-inch single of "I'm Throwing My Arms Around Paris". There have been no major reissues that alter the core track listing.

Personnel

The album Years of Refusal features 's core backing band, highlighting a cohesive lineup without prominent guest vocalists or features. Musicians
  • – vocals
  • – guitar
  • – guitar
  • Solomon Walker – bass
  • Matt Walker – drums
  • Roger Joseph Manning Jr. – piano, keyboards
Additional musicians Production
  • – producer, mixing
  • Joe McGrath – engineer, mixing
  • Seth Waldmann – assistant engineer
  • Brad Gilderman – mixing
  • Stephen Marcussen – mastering
Artwork
  • Jake Walters – photography (front cover)
  • Travis Shinn – photography (group)
  • No Allegiances – sleeve artwork
  • A. Fuentes – inlay painting ("Bodegon Con Jarra De Vino, 1914")

References

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