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Boasting
Boasting
Boasting
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Boasting or bragging is speaking with excessive pride and self-satisfaction about one's achievements, possessions, or abilities.

Boasting tends to be an attempt to prove one's superiority by recounting accomplishments so that others will feel admiration or envy.[1] It is often done by those who are socially insecure and find other people's perception of them important.[2]

Individuals construct an image of themselves, a personal identity, and present themselves in a manner that is consistent with that image.[3] Theodore Millon theorized that in self-presentation, individuals seek to balance boasting against discrediting themselves with excessive self-promotion or being caught blatantly misrepresenting themselves. Studies show that people often have a limited ability to perceive how their efforts at self-presentation are actually impacting their acceptance and likeability by others.[4]

Forms of bragging

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Although a brag can be as straightforward as a simple claim to riches or greatness, it often assumes a variety of more subtle forms[5] in order to shield the speaker from any opprobrium they might otherwise receive for transgressing the social norms of humility. The most popular of these forms is the humblebrag, a term coined by comedian Harris Wittels, whereby the brag is masked in a complaint.[6] For example, "Dating websites are so much work. Every time I log in, I have like a hundred new messages."

Society and culture

[edit]
One child boasting to another

The Ancient Greek book The Characters of Theophrastus devotes a chapter to "The Boastful Man".[7]

Bēot is Old English for a ritualized boast, vow, threat or promise, which was usually made by an Anglo-Saxon warrior on the eve of or during battle. Bēots can be found in the epic poem Beowulf, including by the hero himself, such as when he vows to fight Grendel without using any weapons or armor.[8]

A gab (Old Occitan [ˈɡap] for "boast") is a troubadour boasting song.

Boasting and bragging are necessary components of maintaining "face" in some Arab societies.[9]

According to Howard G. Schneiderman, a Sociology Professor at Lafayette College, "vanity and pride, as well as bragging and boosterism, have been the norm in America" since the inception of the country. He puts forth that the discourse around westward expansion was marked by boastfulness. Thus establishing the need to explain boastfulness (due to it being relevant to American history), he writes, "In America, success often counts more than achievement. When these lesser things count more than the greater, bragging and self-advertisement come to the fore because they pay, as they have throughout our history."[10]

Fictional characters noted for their boasting

[edit]
Ambrogio Maestri as Falstaff

See also

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References

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[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Boasting

View on Grokipedia
from Grokipedia
Boasting, also known as bragging, is the act of expressing excessive and self-satisfaction about one's achievements, possessions, abilities, or qualities, often involving ostentation and . This behavior distinguishes itself from healthy by its tendency to glorify the self in a self-admiring manner, potentially alienating others. Psychologically, boasting frequently stems from underlying insecurities, where individuals project their doubts onto others to bolster their or seek validation. Research indicates that while modest self-promotion can enhance reputation in certain contexts, overt boasting often backfires, leading to perceptions of the boaster as less competent or likable. For instance, studies show that individuals overestimate positive reactions to their boasts and underestimate negative ones, resulting in social withdrawal or heightened stress for those exposed to such . In professional settings, "stress-bragging"—boasting about heavy workloads—can spiral into burnout contagion among colleagues, diminishing overall team morale. Culturally, attitudes toward boasting vary widely, reflecting deeper values around and . In many collectivist societies, such as those in parts of , boasting is viewed as crass or disruptive to group harmony, with self-promotion often discouraged to avoid social ostracism. Conversely, in more individualistic cultures like the , moderate boasting is sometimes encouraged as a means of highlighting accomplishments, though excessive forms still provoke backlash. Communication styles also influence perceptions; for example, in African American verbal traditions, playful boasting serves as a joking, non-literal form of expression to build , distinct from the more literal bragging associated with some white cultural norms. Historically, boasting has roots in ancient oral traditions, where it functioned as a tool for establishing reputation and prowess. In , such as the epic , heroic boasts—known as "boast words"—were essential for warriors to declare their deeds and capabilities, serving as a form of social currency that enhanced status and motivated action. Etymologically, the English word "boast" derives from terms implying swelling or enlargement, evolving from influences around the 13th century to denote ostentatious speech. This practice persisted in later American cultural expressions, from frontier tall tales to modern hip-hop "brag rap," where verbal underscores resilience and achievement.

Definition and Etymology

Definition

Boasting is the act of speaking with excessive about one's achievements, possessions, abilities, or qualities, typically with to impress others or elicit . This often involves or self-glorification, distinguishing it from mere factual recounting of successes. In psychological contexts, it is viewed as a form of self- that seeks to elevate the speaker's status in social interactions. While boasting shares similarities with related concepts, it differs in intent and tone. Self-promotion, by contrast, is more goal-oriented, often occurring in professional settings to advance career objectives rather than purely for personal gratification or admiration. Bragging serves as a colloquial for boasting but carries stronger connotations of arrogance, , and conceit, implying a more overt display of superiority that can provoke . Boasting, therefore, emphasizes excessive pride without the same level of implied pomposity, though both lack in self-praise. The term "boasting" entered English in the mid-13th century from Anglo-French "bost," likely of Scandinavian origin, initially denoting arrogance or bragging before evolving to mean "to speak proudly" about one's attributes or possessions. Over time, its usage in English solidified around the idea of self-praise without , reflecting a linguistic shift from general vaunting to specifically immodest verbal displays of superiority. This underscores boasting's roots in expressive, often verbal, assertions of personal excellence that prioritize admiration over restraint. Everyday examples of boasting include casual conversations where individuals highlight recent accomplishments, such as repeatedly mentioning a new promotion to friends without prompting, or social media posts showcasing luxury purchases like a high-end vacation to garner likes and comments. These scenarios illustrate boasting's common role in seeking validation, often driven by underlying motivations like insecurity or a need for social approval.

Etymology

The word "boast" entered English as a in the mid-13th century, denoting arrogance or bragging, from Anglo-French bost meaning "ostentation" or "swagger," which likely derives from a North Germanic source such as baus ("bold, haughty"). The verb form, meaning "to speak proudly" or "to vaunt," appeared around 1300, evolving from the same root and emphasizing vocal self-praise. This etymology reflects an early association with bold, inflated declarations, as the initial recorded sense of the was "a threatening ," evoking a loud, assertive akin to modern "boo." Tracing further back, the term connects to Proto-Germanic bausaz ("swollen, puffed up, proud"), implying boastfulness as an outward swelling of ego through speech. This Germanic root ultimately stems from the Proto-Indo-European bʰews- or bewH-, meaning "to swell" or "to inflate," which links boasting to concepts of vocal amplification and sound, as in blowing or resounding declarations of superiority. In English literature, "boast" gained prominence from the 14th century, with notable early uses in Geoffrey Chaucer's works, such as The Canterbury Tales (c. 1387–1400), where characters like the Pardoner openly boast of their cunning deceptions to highlight themes of pride and hypocrisy. Cognates in related languages underscore this shared heritage; for instance, Norwegian baus ("proud, bold") and Dutch boos ("angry," originally "swollen with rage") preserve the sense of inflated self-regard. While not direct cognates, terms like German prahlen ("to boast," from prālen, akin to roaring or brawling sounds) and Latin gloriari ("to boast," from gloria meaning "glory" or "fame," possibly from a PIE root for shining or calling) reveal parallel linguistic evolutions across , facilitating cross-cultural interpretations of boasting as a performative, sound-based assertion of status.

Types and Forms

Verbal Forms

Verbal boasting manifests through spoken and as a form of self-praise that employs various linguistic strategies to elevate the speaker's image. In everyday speech, and are primary techniques, where individuals overstate their abilities or accomplishments without supporting , such as declaring "I'm the best at this" to assert superiority. These devices amplify personal qualities for emphasis, often relying on superlatives like "the greatest" or "unbeatable" to create an impression of exceptional prowess. Storytelling further enhances verbal boasting by constructing that inflate successes through embellished anecdotes, transforming ordinary events into tales of remarkable achievement. For instance, a speaker might recount a minor win as a dramatic saga of overcoming insurmountable odds, using sequential details to build drama and around their role. This approach draws on ancient rhetorical practices, where orators wove personal histories to legitimize claims of excellence. Rhetorical devices such as repetition, metaphors, and other figures of speech are integral to boastful in formal contexts like speeches, reinforcing self-praise while engaging audiences. Repetition, for example, reiterates key attributes—such as emphasizing "" multiple times—to embed the boaster's virtues in ' minds, while metaphors compare the to superior entities, like a "" heralding triumphs. In persuasive oratory, these elements combine to make boasts more vivid and memorable, often accompanying non-verbal cues like confident gestures. In digital communication, verbal boasting appears in concise formats like posts, tweets, or captions that spotlight achievements to garner validation through likes and shares. These often feature hyperbolic claims or brief narratives, such as "Just crushed my biggest ever!" with attached images, using personal pronouns and positive words to center the . Bragging in this medium is classified as a that credits the poster for valued attributes, frequently mitigated by ironic disclaimers to soften the tone.

Non-Verbal Forms

Non-verbal forms of boasting encompass a range of physical, behavioral, and visual signals that convey superiority or status without relying on spoken or . These manifestations often serve as subtle or overt assertions of dominance in social interactions, drawing from evolutionary and cultural cues to project power and resources. Unlike verbal boasting, which depends on explicit statements, non-verbal variants rely on observable actions and artifacts to imply achievement or prestige. Body language plays a central in non-verbal boasting through postures and gestures that signal dominance and superiority. Expansive postures, such as chest-puffing or adopting open stances with widespread limbs and an outstretched , are used to occupy more physical space and convey high status or in social settings. These displays can enhance perceptions of attractiveness and , as expansive body positions increase the likelihood of positive social responses by 76% in initial encounters, according to speed-dating experiments. Similarly, subtle gestures like express and moral superiority, often dismissing others' contributions while elevating the boaster's position. Dominant stances, including squared shoulders and direct without aversion, further reinforce hierarchical positioning during group interactions. Material displays represent another key avenue for non-verbal boasting, where individuals flaunt possessions to imply wealth and social standing. Rooted in Thorstein Veblen's 1899 of conspicuous consumption, this involves the deliberate exhibition of luxury items—such as wearing high-end watches, driving premium vehicles, or showcasing oversized homes—to signal surplus resources and differentiate oneself from others. These acts transcend practical utility, functioning as visual markers of prestige that prompt social admiration or , particularly in competitive environments like urban professional circles. Behavioral acts of boasting manifest through actions that demonstrate one-upmanship, asserting superiority via deeds rather than declarations. In competitive scenarios, such as sports or challenges, individuals may exaggerate physical efforts or strategically position themselves to outshine peers, like claiming prime seating or interrupting movements to redirect attention. These behaviors often involve indirect signals through lifestyle choices, including arriving at events in ostentatious attire or performing tasks with exaggerated flair to imply effortless mastery. Subtle non-verbal boasting has proliferated on through curated visuals that imply success without accompanying text. Users post images of exotic travels, meals, or ceremonies—often sans captions—to evoke and highlight elevated lifestyles, leveraging the platform's visual emphasis for implicit self-praise. Such photo-based displays, including "humblebrags" via scenic backdrops or luxury settings, strategically balance ostentation with restraint to maximize perceived authenticity and social validation.

Psychological Aspects

Motivations

Boasting often serves as a defense mechanism rooted in underlying insecurity and low , where individuals exaggerate their achievements to compensate for feelings of inadequacy. According to Alfred Adler's theory of , this behavior stems from an , in which perceived weaknesses prompt overcompensation through displays of superiority, such as boasting, to mask vulnerabilities and project confidence. Research in further links this to narcissistic traits, particularly grandiose , where boasting functions to maintain a sense of superiority, often compensating for underlying insecurities. From an evolutionary perspective, boasting can be motivated by the drive to signal , resources, or fitness to attract mates or allies. In ancestral environments, verbal displays of prowess or served as indicators of one's to provide or protect, enhancing by drawing positive attention from potential partners. This motivation persists today, as individuals use boasting to elevate their perceived value within social hierarchies, though it risks being interpreted as unreliable if not backed by verifiable actions. Achievement-oriented societies, often characterized by , reinforce boasting as a means of seeking validation and external approval for personal successes. In such cultures, self-promotion is more socially tolerated and even encouraged to highlight accomplishments in competitive contexts, contrasting with collectivist norms where prevails. This cultural dynamic amplifies the to boast, as individuals pursue recognition to affirm their status in merit-based systems. Individual differences in significantly influence the propensity to boast, with traits like extraversion, , and Machiavellianism playing key roles. Extraverted individuals, who are more outgoing and less concerned with appearing immodest, tend to engage in self-promotion more readily, viewing it as natural social expression rather than risky bragging. Narcissistic traits drive frequent boasting to maintain a grandiose and garner , often compensating for underlying insecurities. Similarly, Machiavellianism, marked by strategic manipulation, motivates self-promotion as a tool for and control, particularly in online settings where calculated displays enhance perceived power. These traits interact to make boasting a habitual strategy for some, though it varies by context and . In the context of social media platforms such as X (formerly Twitter), boasting is driven by similar psychological factors, including insecurity, seeking validation and attention, low self-esteem, and the desire to project a positive self-image or status. There is limited reliable evidence specifically explaining why older men post boastful content on X (formerly Twitter). A large-scale analysis of Twitter data found that bragging is more prevalent among younger, female, more educated, higher-income, and more popular users—not older men.

Psychological Effects

Boasting can provide short-term psychological benefits to the individual engaging in it, particularly through a temporary elevation in when met with or admiration from others. This boost arises from the act of self-praise, which reinforces a of validation and competence in the moment, often leading to feelings of or satisfaction. However, such gains are fleeting and depend heavily on the audience's response, as unsupported boasts may fail to elicit the desired affirmation. Over time, habitual boasting tends to erode the boaster's authentic relationships, as it is frequently perceived as insincere or self-centered, fostering perceptions of arrogance that distance others and contribute to . This reputational damage accumulates, making it harder for the boaster to form genuine connections, as repeated self-aggrandizement signals a lack of reciprocity and in interactions. On observers, boasting often triggers negative emotional responses rooted in , where individuals upwardly compare themselves to the boaster's highlighted achievements, inducing , , or diminished self-worth. According to this theory, such comparisons highlight personal shortcomings, leading listeners to feel inferior or undervalued, which can exacerbate feelings of inadequacy and strain interpersonal dynamics. From a therapeutic perspective, excessive boasting is strongly correlated with (NPD), as outlined in the , where it manifests as part of a pervasive pattern of , a need for excessive admiration, and arrogant behaviors. The diagnostic criteria for NPD include a grandiose sense of self-importance (e.g., exaggerating achievements and talents), preoccupation with fantasies of unlimited success, belief in one's superiority, and a sense of entitlement, all of which frequently involve boastful self-presentation to elicit . Studies further indicate that individuals with high narcissistic traits engage in more frequent self-promotion, which serves to maintain their inflated self-view but often alienates others, perpetuating a cycle of interpersonal difficulties.

Social and Cultural Dimensions

Cultural Variations

In Western individualistic cultures, such as the , boasting often serves as a mechanism for and self-promotion, particularly in competitive domains like and , where highlighting individual achievements is socially rewarded and aligns with cultural emphasis on and success. This contrasts with more restrained expressions in collectivist societies, but in capitalist contexts, such displays are viewed as essential for career advancement and , as evidenced by higher rates of self-enhancement among Westerners compared to Eastern counterparts. In Eastern collectivist cultures like , boasting is generally avoided to preserve group harmony and social cohesion, with individuals employing indirect communication strategies to downplay personal accomplishments and emphasize collective efforts. The cultural distinction between honne (true feelings) and tatemae (public facade) further discourages overt self-praise, as it could disrupt interpersonal relations and contradict values of and interdependence. Such restraint is rooted in a broader societal preference for , where self-promotion is mitigated through disclaimers or redirection to group contributions during conversations. Historically, perceptions of boasting have shifted significantly; in , public displays of —encompassing valor and excellence—were celebrated through triumphal processions, where victorious generals boasted of conquests to affirm military prowess and civic pride. These triumphs functioned as ritualized forms of self-aggrandizement, parading spoils and captives to symbolize Roman dominance and reinforce the leader's heroic identity. By the in Britain, however, norms idealized and suppressed overt boasting, promoting as a marker of refined character and social propriety. manuals instructed individuals to avoid self-congratulation, viewing it as vulgar, and instead favored understated demeanor to maintain class distinctions and moral uprightness. Among indigenous perspectives, African oral traditions, particularly in West African societies, feature communal boasting through griots— praise-singers—who recite epic histories and laud leaders' or heroes' deeds to strengthen group identity and social bonds. These performances, often involving song and narrative, elevate collective pride rather than individual ego, serving as a cultural archive that reinforces communal values and historical continuity. Similarly, in Native American oral traditions of Plains tribes, such as the Lakota and , ""—a ritualized act of touching an enemy in battle without killing—allowed warriors to boast of their bravery in communal storytelling, thereby enhancing tribal prestige and warrior status within the group. This practice, recounted in songs and narratives, prioritized symbolic valor over destruction, fostering shared identity and honor across the .

Social Impacts

Boasting in interpersonal relationships often erodes trust and fosters conflict, as recipients perceive it as a signal of self-serving motives rather than genuine sharing. For instance, when individuals boast about prosocial actions in close ties, it can undermine perceptions of their if the behavior was already known, leading to and diminished relational bonds. Conversely, excessive restraint from boasting due to fear of appearing arrogant can weaken friendships and connections, as unshared positive experiences leave others feeling devalued and excluded, prompting negative emotional responses. In settings, boasting can enhance visibility and career advancement by highlighting contributions, particularly when framed as achievements, thereby aligning with organizational expectations for self-promotion. However, it frequently harms team morale, as seen in forms like stress bragging, where employees who boast about their are viewed as less competent and warm, resulting in reduced coworker support and heightened burnout. Societal expectations often tolerate male boasting more than female, associating it with desirable agentic traits like in men, while viewing similar behavior in women as overly aggressive or immodest. This disparity contributes to a persistent in self-promotion, with women rating their performance lower and engaging less in boasting, even when equally qualified, perpetuating inequities in recognition and opportunities. Social media amplifies boasting through platforms that enable constant self-presentation and widespread dissemination of self-promotion. A large-scale analysis of Twitter (now X) data shows that bragging is more prevalent among younger, female, more educated, higher-income, and more popular users, contrasting with offline gender trends where male self-promotion is more tolerated; bragging is notably less common among older men. Often manifesting as humblebrags—boasts disguised as complaints or —these indirect forms erode sincerity perceptions and reduce interpersonal liking. These behaviors exacerbate social tensions, as audiences detect the underlying self-promotion, leading to lower engagement and strained online relationships.

Representations in Literature and Media

Historical Depictions

In ancient Greek epic poetry, boasting, or kapēleia, served as a ritualistic expression of martial prowess and honor among warriors. In Homer's Iliad, Achilles exemplifies this through his vaunts over slain enemies, particularly after killing Hector in Book 22, where he declares his dominance and mocks the Trojan prince's lineage to assert his own heroic superiority. Such vaunts were not mere personal aggrandizement but integral to the heroic code, reinforcing social hierarchies and intimidating foes, as seen in Achilles' earlier taunts against Agamemnon in Book 1, highlighting tensions within the Achaean camp. Roman military culture elevated boasting to a public spectacle through the triumph (triumphus), a ceremonial procession granted by the to victorious generals. Figures like celebrated elaborate , parading captives, spoils, and painted scenes of conquests through to proclaim their achievements and divine favor, as detailed in Plutarch's Life of Pompey, where Pompey's triple triumph in 61 BCE symbolized his unparalleled successes in the East. These events functioned as state-sanctioned , allowing generals to boast of territorial expansions and innovations, thereby legitimizing their power and inspiring loyalty among the populace. During the medieval period, boasting permeated chivalric narratives in Arthurian legends, where knights used verbal challenges to uphold courtly ideals and provoke contests. In the anonymous 14th-century poem Sir Gawain and the Green Knight, the Green Knight bursts into King Arthur's court with bold boasts about his invulnerability and proposes a beheading game, compelling Gawain to accept in defense of Arthurian honor. This act of performative vaunting underscores the tension between bravado and humility in chivalric ethos, as knights like Gawain navigated boasts to affirm their valor without descending into hubris. In the , William Shakespeare's plays portrayed boasting as a comedic or tragic flaw in characters navigating power and identity. Sir in embodies the boastful rogue, fabricating tales of his exploits—such as claiming to have slain dozens in the Gadshill robbery—to entertain and manipulate , revealing his cowardice beneath the bluster. Similarly, the bombastic in Henry V parodies martial vaunting with archaic oaths and exaggerated threats, satirizing the braggart soldier archetype inherited from classical . These depictions critiqued unchecked self-promotion in Elizabethan , where verbal excess often masked insecurity or ambition. The 19th century saw industrial magnates like employ boasting in memoirs and interviews to justify their empires as embodiments of progress and providence. In Random Reminiscences of Men and Events (1909), Rockefeller vaunted Standard Oil's efficiency, attributing its dominance to superior organization and moral purpose, stating that the company's growth reflected "the " under God's guidance. Such self-promotion framed his monopolistic practices as innovative triumphs, influencing public perceptions during the Gilded Age's economic upheavals. In the , political leaders harnessed boasting in wartime speeches to rally support and demonize enemies. Benito Mussolini's addresses, such as his 1936 proclamation after the conquest of , boasted of Italy's imperial revival, declaring the victory a restoration of Roman glory and Italian superiority over "inferior" foes. Adolf Hitler's radio broadcasts, like his 1940 Reichstag speech following the fall of , vaunted the Wehrmacht's as an unbeatable force, proclaiming Germany's "final victory" to foster national unity and justify . These orations, amplified by , transformed personal and national boasting into tools of ideological mobilization during World Wars I and II.

Modern and Fictional Examples

In contemporary fiction, from Disney's (1991) stands as an iconic boaster, whose traits of exaggerated self-praise about his strength, hunting exploits, and romantic entitlement are central to the character, as depicted in the musical number "Gaston" where he rallies villagers with boasts like "No one fights like ." This portrayal underscores his role as an embodying unchecked ego and hegemonic , contrasting with the Beast's redemption arc. Similarly, Tony Stark, portrayed by Robert Downey Jr. in the Marvel Cinematic Universe films starting with Iron Man (2008), frequently boasts about his intellect, wealth, and technological innovations, such as declaring himself a "genius, billionaire, playboy, philanthropist" during confrontations, which highlights his initial arrogant persona before character growth in later entries like Avengers: Endgame (2019). These traits serve to humanize Stark while critiquing the hubris of unchecked privilege in superhero narratives. In modern literature, Bret Easton Ellis's (1991) features as a self-aggrandizing narrator whose detailed monologues on designer labels, gourmet meals, and reveal a narcissistic obsession with status, satirizing the emptiness of consumer culture through his increasingly unhinged boasts. Though published at the , the novel's influence persists in 21st-century discussions of toxic ambition, as seen in analyses of Bateman's persona as a cautionary figure of performative superiority. Real-life figures have also popularized boasting as a tool for self-promotion and motivation. Boxer famously proclaimed "I am the greatest" starting in the early 1960s, using such statements before fights like his 1964 victory over to build confidence and unsettle opponents, a tactic that became synonymous with his charismatic public image. In the digital age, influencers curate personas involving subtle boasting, often through "humblebrags" that mask self-promotion as relatability, such as posting about luxury vacations while feigning surprise at their own success to boost engagement and sponsorships. Academic reveals this as a deliberate to maintain authenticity while advancing on platforms like . Boasting tropes abound in film, television, and reality programming, often employed for satirical effect. In reality shows like The Real Housewives of Orange County, participants such as boast about opulent lifestyles, including tours of her $16 million mansion in 2023 episodes, which highlight class competition and draw viewer criticism for reinforcing . Sitcoms further satirize boasting through exaggerated characters; for instance, in (1989–1998) repeatedly inflates his accomplishments, like claiming architectural feats, to lampoon male insecurity and social one-upmanship in everyday scenarios. Likewise, in (2000–2024), Larry David's semi-autobiographical protagonist boasts about his opinions on and intellect during mundane interactions, using to mock the absurdities of social norms and entitlement.

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  62. https://www.hf.uio.no/ifikk/english/research/news-and-events/news/2019/using-language-as-a-weapon-how-mussolini-used-lati.html
  63. https://www.ibiblio.org/pha/policy/1940/1940-07-19b.html
  64. https://roadrunnertheory.wordpress.com/2015/04/23/hegemonic-masculinity-beauty-and-the-beasts-gaston-2/
  65. https://brightlightsfilm.com/toxic-masculinity-theres-more-to-tony-stark/
  66. https://www.psychologytoday.com/us/blog/the-career-within-you/201505/american-psycho-and-the-dark-side-3s
  67. https://www.si.com/boxing/2015/09/24/muhammad-ali-cassius-clay-im-little-special
  68. https://al-kindipublishers.org/index.php/jpds/article/download/10627/9544/29509
  69. https://pagesix.com/2023/07/27/heather-dubrow-blasted-for-boasting-about-16m-mansion/
  70. https://www.vulture.com/2012/07/the-biggest-liars-braggarts-and-braggadocios-in-sitcom-history.html
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