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Children (composition)
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| "Children" | ||||
|---|---|---|---|---|
Artwork for Italian single releases | ||||
| Single by Robert Miles | ||||
| from the album Dreamland | ||||
| Released | 13 November 1995[1] | |||
| Recorded | 1994[2] | |||
| Genre | ||||
| Length |
| |||
| Label | DBX[5] | |||
| Songwriter | Roberto Concina | |||
| Producer | Robert Miles | |||
| Robert Miles singles chronology | ||||
| ||||
| Music video | ||||
| "Children" on YouTube | ||||
| Audio sample | ||||
"Children" | ||||
"Children" is an instrumental composition by Italian composer Robert Miles. It was first released in Italy in January 1995 as part of the EP Soundtracks on Joe Vannelli's DBX label, but it did not chart.[2] Vannelli brought the track to a nightclub in Miami where it was heard by Simon Berry of Platipus Records. Berry worked with Vannelli and James Barton (of Liverpool's Cream nightclub) to release the composition in November 1995 as the lead single from Miles's debut album, Dreamland (1996).[2] "Children" was certified gold and platinum in several countries and reached number one in more than 12 countries; it was Europe's most successful single of 1996. In 2025, Billboard ranked it among "The 100 Best Dance Songs of All Time".[6]
Background and writing
[edit]Miles gave two inspirations for the writing of "Children". One was as a response to photographs of child Bosnian war victims that his father had brought home from a humanitarian mission in the former Yugoslavia;[7] and the other, inspired by his career as a DJ, was to create a track to end DJ sets, intended to calm rave attendants prior to their driving home as a means to reduce car accident deaths.[2] "Children" cost £150 to record.[8]
"Children" is one of the pioneering tracks of dream trance, a genre of electronic dance music characterized by dream-like piano melodies, and a steady four-on-the-floor bass drum. The creation of dream trance was a response to social pressures in Italy during the early 1990s: the growth of rave culture among young adults, and the ensuing popularity of nightclub attendance, had created a weekly trend of deaths due to car accidents as clubbers drove across the country overnight, falling asleep at the wheel from strenuous dancing as well as alcohol and drug use. In mid-1996, deaths due to this phenomenon, called strage del sabato sera ("Saturday night slaughter") in Italy, were being estimated at 2,000 since the start of the decade. The decision by DJs like Miles to end their sets with slower, more calming music—intended to offset the high-energy, repetitive tracks played earlier—was met with approval from both authorities and the parents of car crash victims.[9]
Critic Boris Barabanov claimed a similarity between "Children" and Russian singer Garik Sukachov's song "Напои меня водой" ("Napoi menia vodoi" – "Quench my thirst"), and says the song was written before "Children". Sukachov said that he gave his consent for the melody to be used, though there are doubts on that.[10][11]
Reception
[edit]Critical response
[edit]"Children" received widespread acclaim from critics, with many calling the track a masterpiece. AllMusic editor Jose F. Promis described it as "magical".[12] Billboard attributes its widespread success to its melodic nature, characterized by an "instantly recognizable" piano riff (which was not in the track's original version). They identify this factor as making the track accessible to a broader audience beyond clubbers and fans of electronic dance music alone by means of radio airplay.[2] The magazine's Larry Flick noted that Miles "wisely takes his time unraveling his melody, letting it breathe over an urgent, nu-NRG beat and coloring it with twinkling electro effects and vibrant synths. Joyous and invigorating as can be, "Children" deserves to be one of those rare records that never fades beyond recurrent status on any DJ's playlist. We need to hear more from Miles ... and we need to hear it now."[13] Daina Darzin from Cash Box viewed it as "a trancey, dramatic dance track".[14] Dave Sholin from the Gavin Report wrote, "In the time it takes you to listen to this song, another nation has probably taken this remarkable instrumental to the top of their chart. Name a country, and it's likely Number One there right now. And now the music of this classically trained Italian pianist/producer is set to descend on the airwaves and dance floors in the U.S.A. The melody is hypnotic."[15] James Hamilton from Music Week's RM Dance Update deemed it a "trancey Italian 'dream music' instrumental".[16] A reviewer from People Magazine called it a "techno-requiem".[17] Synthmania.com, which identifies "Children" as being written on a Kurzweil K2000, calls this the "dream house piano" sound, consisting of "standard piano, syn bass and string/pad sounds bathed in delay and reverb".[18]
Chart performance
[edit]"Children" was first released in Italy in January 1995 on Joe T. Vanelli's DBX imprint label, as part of the Soundtracks EP. Subsequently, following exposure at a gathering of DJs and record producers in Miami, the track was licensed by the UK-based Platipus Records who were represented by UK licensing agency Dynamik Music. In conjunction with Miles' manager, Gavin Prunas, the track was licensed to Deconstruction Records; it was then licensed to more than a dozen additional record labels in Europe through DBX, Deconstruction as well as appearing on the Platipus Records Volume 2 compilation released worldwide via Dynamik Music.[2]
"Children" was a success worldwide, peaking at number one in more than 12 countries and holding that position for several weeks. "Children" reached number one in the following countries: Austria (six weeks), Belgium, Denmark, Finland (three weeks), France (11 weeks), Italy, Norway (five weeks), Germany, Scotland (three weeks), Spain, Sweden (seven weeks) and Switzerland (13 weeks); beyond that, according to Billboard magazine, it reached the top five in "every European country that has a singles chart".[2] It spent 13 weeks at number one on the Eurochart Hot 100, reached number two on the UK[19] staying 17 weeks on the chart, and it reached number 21 in the US, holding that position for four weeks. Along with U2 members Adam Clayton and Larry Mullen Jr.'s reworking of the Mission: Impossible theme, it marked the first time since November 1985 that two instrumentals had simultaneously charted in the top 30 of the Billboard Hot 100.[20]
French nightclubs began playing the imported record from Italy in 1995, making France one of the first countries to popularize the track. Spreading through the underground from clubs to, eventually, the radio, it was licensed there by an independent record label in November 1995. Spain and Italy itself were the other early adopters that brought the track into clubs. Club charts in these countries signalled "Children"'s popularity to other countries: In Denmark, club and radio play followed the single's release, while in Belgium radio play only followed by crossing over from club play, and in the Netherlands radio play was the primary factor in the single's promotion. In Germany, a domestic release came after demand built up from club play through promotional releases from the UK and Italy.[2]
In the US, major airplay included pioneering Los Angeles-area dance music station "Groove Radio 103.1," which used "Children" as its first-ever track on 21 June 1996.
In the United Kingdom, BBC Radio 1 did not play "Children" on its daytime playlist at first,[7] though Radio 1 DJ Pete Tong did play it for three weeks in a row on his Essential Selection program in 1996. Tong's appointing it Essential Tune of The Week each week for three weeks in a row culminated in a frenzied bidding war amongst UK major record companies.[21] Meanwhile, Kiss FM was among the first to play it, even using it in one of the station's minute-long television commercials.[2] "Children" reached the number two position on the UK Singles Chart prior to promotion and marketing,[22] and became the year's eighth best-selling single.[23]
Music videos
[edit]Billboard ascribes the final stage of the composition's promotion to the airing of its accompanying music video on music television networks such as MTV Europe and Germany's VIVA.[2] Two videos were produced, the first was directed by Matt Amos and premiered in November 1995. It features black-and-white footage of a small girl riding in a car through a diverse range of landscape. The locations are London (Piccadilly Circus and Trafalgar Square), Paris (the Eiffel Tower can be seen), Geneva (place du Molard, rue Coutance), Morges (marina with small towers) and countryside in Switzerland (where Miles was born), and France and Italy near the Mont-Blanc Tunnel.
The second video, filmed on location in New York, was directed by Elizabeth Bailey and premiered in February 1996. It was filmed in colour and alternates between images of Miles DJing at a nightclub rave and images of children at play, thereby touching upon both of the themes of the instrumental.[24]
Impact and legacy
[edit]In the 1999 Neo-Geo game, Fatal Fury: Mark of the Wolves, the track Spread The Wings has a part to it that references the main tune.[25] Upon including the track on 2002's The Very Best of Euphoria compilation, TheManAdam, co-creator of the Euphoria series of trance DJ mix albums, said that it "had a major influence on [his] generation of remixers and producers when [they] all at first started making trance".[26] American entertainment company BuzzFeed listed "Children" at number 41 in their list of "The 101 Greatest Dance Songs Of the '90s" in 2017.[27] In 2018, Mixmag ranked it among "The 15 Best Mid-90s Trance Tracks", writing, "The track was inspired by photographs of young victims of the Yugoslav war and a desire to relax ravegoers before driving home to reduce car accident deaths. These intentions shine through. Sadly the producer passed away last year, but he showed the world the depth of feeling trance is capable of evoking."[28] In 2023, Switch Disco and English singer-songwriter Ella Henderson heavily sampled "Children" for their single "React".[29][30] In March 2025, Billboard magazine ranked the song number 59 in their list of "The 100 Best Dance Songs of All Time".[6]
Track listings
[edit]
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|
Charts
[edit]
Weekly charts[edit]
|
Year-end charts[edit]
|
Certifications
[edit]| Region | Certification | Certified units/sales |
|---|---|---|
| Australia (ARIA)[69] | Gold | 35,000^ |
| Belgium (BRMA)[89] | Platinum | 50,000* |
| Denmark (IFPI Danmark)[90] | Gold | 45,000‡ |
| France (SNEP)[91] | Platinum | 500,000* |
| Germany (BVMI)[92] | Platinum | 500,000^ |
| Italy (FIMI)[93] | Gold | 35,000‡ |
| Netherlands (NVPI)[94] | Gold | 50,000^ |
| New Zealand (RMNZ)[95] | Platinum | 10,000* |
| Norway (IFPI Norway)[96] | Platinum | |
| Spain (PROMUSICAE)[97] | Gold | 30,000‡ |
| Sweden (GLF)[98] | Gold | 25,000^ |
| Switzerland (IFPI Switzerland)[99] | Platinum | 50,000^ |
| United Kingdom (BPI)[100] | 3× Platinum | 1,800,000‡ |
|
* Sales figures based on certification alone. | ||
Release history
[edit]| Region | Date | Format(s) | Label(s) | Ref. |
|---|---|---|---|---|
| Italy | January 1995 | 12-inch vinyl | DBX | [2] |
| United Kingdom | 13 November 1995 |
|
Platipus | [101] |
| United Kingdom | 12 February 1996 |
|
Deconstruction | [102] |
| United States | 9 April 1996 | Contemporary hit radio | Arista | [103] |
| Japan | 21 June 1996 | CD |
|
[104] |
4 Clubbers version
[edit]| "Children" | ||||
|---|---|---|---|---|
| Single by 4 Clubbers | ||||
| B-side | "Remix" | |||
| Released | 2001 | |||
| Genre | Trance | |||
| Length | 3:38 | |||
| Label | Dropout | |||
| Songwriter | Roberto Concina | |||
| 4 Clubbers singles chronology | ||||
| ||||
In 2001, German trance group 4 Clubbers remixed the song and released it as a single. It reached the top 20 in Spain and charted in France, Germany, the Netherlands, and the United Kingdom.
Music video
[edit]A music video was produced to accompany the 4 Clubbers version. Filmed in a desaturated, near-monochrome style, it portrays children and elderly people enjoying various activities in a coastal town. The video alternates between scenes of them playing football on a field, using playground equipment, riding bikes and scooters along a promenade, and playing on a beach with the ocean. A central theme is the intergenerational connection, as the elderly individuals are shown actively participating and sharing in the joy of the children.[citation needed]
Track listing
[edit]- "Children" (Club Radio Edit) – 3:38
- "Children" (FB vs. JJ Radio Edit) – 3:28
- "Children" (Club Mix) – 9:00
- "Children" (Future Breeze vs. Junkfood Junkies Mix) – 7:49
Weekly charts
[edit]| Chart (2002) | Peak position |
|---|---|
| France (SNEP)[105] | 72 |
| Germany (GfK)[106] | 39 |
| Netherlands (Single Top 100)[107] | 47 |
| Spain (AFYVE)[108] | 18 |
| Switzerland (Schweizer Hitparade)[109] | 86 |
| UK Singles (OCC)[110] | 45 |
Jack Holiday and Mike Candys version
[edit]| "Children 2012" | ||||
|---|---|---|---|---|
| Single by Jack Holiday and Mike Candys | ||||
| from the album Smile | ||||
| Released | 2012 | |||
| Genre | Electro house | |||
| Length | 3:07 | |||
| Songwriter | Roberto Concina | |||
| Jack Holiday singles chronology | ||||
| ||||
| Mike Candys singles chronology | ||||
| ||||
In 2012, Jack Holiday and Mike Candys released their version of "Children" as a single, titled "Children 2012".
Track listing
[edit]- "Children" (Radio Edit) – 3:07
- "Children" (Christopher S Radio Edit) – 3:08
- "Children" (Original Higher Level Mix) – 5:00
- "Children" (Christopher S Remix) – 5:35
- "Children" (Mike'N'Jack Club Mix) – 4:56
- "Children" (Steam Loco Mix) – 4:57
Weekly charts
[edit]| Chart (2012) | Peak position |
|---|---|
| Belgium (Ultratip Bubbling Under Flanders)[111] | 54 |
| Belgium (Ultratip Bubbling Under Wallonia)[112] | 22 |
| France (SNEP)[113] | 54 |
See also
[edit]References
[edit]- ^ "New Singles". Music Week. 11 November 1995. p. 49.
- ^ a b c d e f g h i j k Pride, Dominic; Crouch, John; Spahr, Wolfgang; Dezzani, Mark; Llewellyn, Howell; Maes, Mark; Tilli, Robbert; Strage, Frederick; Ferro, Charles (4 May 1996), "Miles' 'Children' gives birth to a European craze", Billboard, vol. 108, no. 18, p. 11, ISSN 0006-2510
- ^ "Some Treasures from Itsly's Thriving Dance Scene: Robert Miles". 30 June 2001. Retrieved 13 June 2020.
- ^ Molanphy, Chris (15 September 2023). "Insert Lyrics Here Edition". Hit Parade | Music History and Music Trivia (Podcast). Slate. Retrieved 5 October 2023.
- ^ "Hits of the World". Billboard. Vol. 108, no. 20. 18 May 1996. p. 44. Retrieved 28 May 2020.
- ^ a b Domanick, Andrea; Unterberger, Andrew; Leight, Elias; Renner Brown, Eric; Lipshutz, Jason; Lynch, Joe; Bein, Kat; Bein, Katie; Rodriguez, Krystal; Moayeri, Lily; Newman, Melinda; Smith, Thomas; McCarthy, Zei (28 March 2025). "The 100 Best Dance Songs of All Time: Staff List". Billboard. Retrieved 6 April 2025.
- ^ a b "Robert Miles - Biography". S:alt Records. 2006. Archived from the original on 18 October 2006. Retrieved 18 January 2007.
- ^ "Robert Miles, trance producer and DJ, has died at 47". The Guardian. 10 May 2017. Retrieved 10 May 2017.
- ^ Bellos, Alex; Hooper, John (2 June 1996), "Italy's ravers dance down road to death", The Observer, p. 19
- ^ Dostoyanie Respubliki:
Мне позвонили (то ли итальянский исполнитель, то ли группа), которые хотели бы использовать мелодию из песни "Напои меня водой" в каком-то семпле там (или что-то такое). Я сказал "да, милости просим, почему нет".
They phoned me (either an Italian performer, or a group) and they asked me whether they can use the melody from the song "Napoi menia vodoi" ("Quench my thirst") in their sample (or something like that). I answered "yes, it's ok, why not". - ^ "Мелодия хита "Children" Роберта Майлза позаимствована из "Напои меня водой" Гарика Сукачева?". Записки меломана. 5 March 2020. Archived from the original on 16 December 2022. Retrieved 16 December 2022.
- ^ Promis, Jose F. "Robert Miles - Dreamland". AllMusic. Retrieved 18 February 2020.
- ^ Flick, Larry (3 February 1996). "Dance Trax: Robert Miles Has A Newborn Hit With 'Children'" (PDF). Billboard. p. 36. Retrieved 23 November 2022.
- ^ Darzin, Daina (24 August 1996). "Pop Albums" (PDF). Cash Box. p. 9. Retrieved 15 November 2022.
- ^ Sholin, Dave (5 April 1996). "Gavin Picks > Singles" (PDF). Gavin Report. No. 2099. p. 70. Retrieved 16 April 2018.
- ^ Hamilton, James (17 February 1996). "Dj directory" (PDF). Music Week, in Record Mirror (Dance Update Supplemental Insert). p. 15. Retrieved 27 May 2021.
- ^ "Picks and Pans Review: Land of the Living". People. 29 July 1996. Retrieved 9 March 2020.
- ^ "Famous Sounds". SynthMania. 2004–2006. Retrieved 22 January 2007.
- ^ Zywietz, Tobias (22 March 2005). "Chart Log UK: Mew - Monty Python". Chart Log UK. The Official Zobbel Website. Retrieved 18 January 2007.
- ^ Anonymous (14 June 1996), "Entertainment briefs: Instrumentals crack top 100", St. Petersburg Times, p. 4G
- ^ "Pete Tong's Essential Selection - 26.1.96, 2.2.96, 16.2.96". The Aimless Essential Selection Index. Retrieved 18 January 2007.[permanent dead link]
- ^ Sharkey, Alix (2 March 1996), "Dream on", The Independent, p. 67
- ^ Sutherland, Ben (10 May 2017). "Robert Miles' Children - the hit written to save clubbers' lives". BBC News. Retrieved 10 May 2017.
- ^ Robert Miles: Children, Color Version (Video 1996) - IMDb
- ^ SNK SOUND TEAM - Topic (29 May 2020). Spread The Wings (Rock Howard Stage). Retrieved 22 August 2024 – via YouTube.
- ^ The Very Best of Euphoria (tray insert). Matt Darey. Telstar Records. 2002.
{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link) - ^ Stopera, Matt; Galindo, Brian (11 March 2017). "The 101 Greatest Dance Songs of the '90s". BuzzFeed. Retrieved 31 March 2020.
- ^ Ball, James (22 June 2018). "The Best Mid-90s Trance Tracks". Mixmag. Retrieved 21 October 2024.
- ^ "Switch Disco & Ella Henderson". Official Charts. Retrieved 30 May 2023.
- ^ Magliola, Anna Sky (28 March 2023). "Throwback songs which were sampled or remixed into huge hits". Planet Radio. Retrieved 30 May 2023.
- ^ "Robert Miles – Children". ARIA Top 50 Singles.
- ^ "Robert Miles – Children" (in German). Ö3 Austria Top 40.
- ^ "Robert Miles – Children" (in Dutch). Ultratop 50.
- ^ "Robert Miles – Children" (in French). Ultratop 50.
- ^ "Top RPM Singles: Issue 8487." RPM. Library and Archives Canada. Retrieved 1 October 2018.
- ^ "Top RPM Dance/Urban: Issue 3022." RPM. Library and Archives Canada. Retrieved 1 October 2018.
- ^ "Hits of the World". Billboard. 16 November 1996. p. 56. Retrieved 22 January 2019.
- ^ "Top 10 Czech Republic" (PDF). Music & Media. Retrieved 25 June 2018.
- ^ "Billboard April 27, 1996". Billboard. 27 April 1996. Retrieved 1 December 2010.
- ^ "Eurochart Hot 100 Singles" (PDF). Music & Media. Vol. 13, no. 12. 23 March 1996. p. 17. Retrieved 26 November 2019.
- ^ "Robert Miles: Children" (in Finnish). Musiikkituottajat.
- ^ "Robert Miles – Children" (in French). Le classement de singles.
- ^ "Robert Miles – Children" (in German). GfK Entertainment charts. Retrieved 26 November 2019.
- ^ "Top 10 Hungary" (PDF). Music & Media. Retrieved 25 June 2018.
- ^ "Íslenski Listinn Topp 40 (23.03.1996 – 29.03.1996)" (PDF). Dagblaðið Vísir – Tónlist. Retrieved 4 February 2018.
- ^ "The Irish Charts – Search Results – Children". Irish Singles Chart. Retrieved 26 November 2019.
- ^ "Top National Sellers" (PDF). Music & Media. Vol. 13, no. 6. 10 February 1996. p. 17. Retrieved 26 November 2019.
- ^ "Major Market Airplay: Italy" (PDF). Music & Media. Vol. 13, no. 14. 6 April 1996. p. 29.
- ^ Irish Single Chart Oricon website, artist charts info (Retrieved 2 November 2012)
- ^ "Nederlandse Top 40 – week 10, 1996" (in Dutch). Dutch Top 40. Retrieved 1 October 2018.
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- ^ Salaverri, Fernando (September 2005). Sólo éxitos: año a año, 1959–2002 (1st ed.). Spain: Fundación Autor-SGAE. ISBN 84-8048-639-2.
- ^ "Robert Miles – Children". Singles Top 100.
- ^ a b "Årslistor > Year End Charts > Swedish Dance Chart 1996" (PDF). Music & Media. Vol. 14, no. 11. 15 March 1997. p. 30 (see appendix to the magazine). Retrieved 8 December 2020.
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- ^ "Official Singles Chart Top 100". Official Charts Company.
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- ^ "Robert Miles Chart History (Hot 100)". Billboard. Retrieved 2 February 2024.
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- ^ "Robert Miles Chart History (Dance Singles Sales)". Billboard. Retrieved 2 February 2024.
- ^ "Robert Miles Chart History (Pop Songs)". Billboard. Retrieved 2 February 2024.
- ^ "Robert Miles Chart History (Rhythmic Airplay)". Billboard. Retrieved 2 February 2024.
- ^ "Archívum – Slágerlisták – MAHASZ" (in Hungarian). Single (track) Top 40 lista. Magyar Hanglemezkiadók Szövetsége. Retrieved 19 May 2017.
- ^ "OLiS – oficjalna lista airplay" (Select week 28.12.2024–03.01.2025.) (in Polish). OLiS. Retrieved 7 January 2025.
- ^ a b "ARIA Top 50 Singles for 1996". ARIA. Retrieved 18 November 2019.
- ^ "Jahreshitparade Singles 1996" (in German). Retrieved 13 August 2021.
- ^ "Jaaroverzichten 1996" (in Dutch). Ultratop. Retrieved 13 August 2021.
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- ^ "RPM Year End Dance Top 50". RPM. Retrieved 2 July 2019 – via Library and Archives Canada.
- ^ "1996 Year-End Sales Charts: Eurochart Hot 100 Singles" (PDF). Music & Media. Vol. 13, no. 51/52. 21 December 1996. p. 12. Retrieved 17 December 2019.
- ^ "Tops de L'année | Top Singles 1996" (in French). SNEP. Retrieved 9 May 2025.
- ^ "Top 100 Single–Jahrescharts 1996" (in German). GfK Entertainment. Retrieved 14 January 2018.
- ^ "Árslistinn 1996". Dagblaðið Vísir (in Icelandic). 2 January 1997. p. 25. Retrieved 30 May 2020.
- ^ "Chart Watch – Top Selling Singles of 1996". Billboard. Vol. 109, no. 24. 14 June 1997. p. 58. Retrieved 2 July 2019.
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- ^ "Top 100 Singles 1996". Music Week. 18 January 1997. p. 25.
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- ^ "The Year in Music: Hot Dance Music Club Play Singles". Billboard. Vol. 108, no. 52. 28 December 1996. p. YE-44.
- ^ "The Year in Music: Hot Dance Music Maxi-Singles Sales". Billboard. Vol. 108, no. 52. 28 December 1996. p. YE-45.
- ^ "Airplay Monitor Best of '96: Top 40/Mainstream Titles". Airplay Monitor. Vol. 4, no. 53. 27 December 1996. p. 30.
- ^ "Ultratop − Goud en Platina – singles 1996". Ultratop. Hung Medien. Retrieved 18 November 2019.
- ^ "Danish single certifications – Robert Miles – Children". IFPI Danmark. Retrieved 30 June 2025.
- ^ "French single certifications – Robert Miles – Children" (in French). Syndicat National de l'Édition Phonographique. Retrieved 18 November 2019.
- ^ "Gold-/Platin-Datenbank (Robert Miles; 'Children')" (in German). Bundesverband Musikindustrie. Retrieved 18 November 2019.
- ^ "Italian single certifications – Robert Miles – Children" (in Italian). Federazione Industria Musicale Italiana. Retrieved 9 December 2020.
- ^ "Dutch single certifications – Robert Miles – Children" (in Dutch). Nederlandse Vereniging van Producenten en Importeurs van beeld- en geluidsdragers. Retrieved 18 November 2019. Enter Children in the "Artiest of titel" box. Select 1996 in the drop-down menu saying "Alle jaargangen".
- ^ "New Zealand single certifications – Robert Miles – Children". Recorded Music NZ. Retrieved 30 June 2025.
- ^ "IFPI Norsk platebransje Trofeer 1993–2011" (in Norwegian). IFPI Norway. Retrieved 18 November 2019.
- ^ "Spanish single certifications – Robert Miles – Children". El portal de Música. Productores de Música de España. Retrieved 30 January 2024.
- ^ "Guld- och Platinacertifikat − År 1987−1998" (PDF) (in Swedish). IFPI Sweden. Archived from the original (PDF) on 17 May 2011. Retrieved 18 November 2019.
- ^ "The Official Swiss Charts and Music Community: Awards ('Children')". IFPI Switzerland. Hung Medien. Retrieved 18 November 2019.
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- ^ "New Singles". Music Week. 11 November 1995. p. 49.
- ^ "New Releases: Singles" (PDF). Music Week. 10 February 1996. p. 27. Retrieved 13 August 2021.
- ^ "Selected New Releases" (PDF). Radio & Records. No. 1140. 4 April 1996. p. 33. Retrieved 13 August 2021.
- ^ "チルドレン | ロバート・マイルズ" [Children | Robert Miles] (in Japanese). Oricon. Retrieved 25 September 2023.
- ^ "4 Clubbers – Children" (in French). Le classement de singles.
- ^ "4 Clubbers – Children" (in German). GfK Entertainment charts. Retrieved 28 February 2020.
- ^ "4 Clubbers – Children" (in Dutch). Single Top 100.
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- ^ UK Singles Chart OfficialCharts.com (Retrieved 14 April 2008)
- ^ "Jack Holiday & Mike Candys – Children 2012" (in Dutch). Ultratip.
- ^ "Jack Holiday & Mike Candys – Children 2012" (in French). Ultratip.
- ^ "Jack Holiday & Mike Candys – Children 2012" (in French). Le classement de singles.
External links
[edit]Children (composition)
View on GrokipediaOrigins and creation
Inspiration and conception
Robert Miles, born Roberto Concina in 1969, developed the instrumental track "Children" in 1994 at his home studio in Rimini, Italy, during a period when he was transitioning from DJing in local clubs to original production.[3] The composition emerged as a deliberate contrast to the aggressive, high-energy techno prevalent in Italian nightlife, aiming instead for a melodic, atmospheric sound to evoke tranquility.[4] One key inspiration stemmed from Miles' observations of road safety risks near his studio and club venues. After intense late-night sets, he noted club-goers speeding away in cars, contributing to accidents on nearby highways; to address this, he sought to craft an ending track that would soothe listeners and encourage slower, safer driving.[3] [7] The track's title and poignant mood were additionally influenced by humanitarian concerns, particularly photographs of child victims from the Bosnian War (1992–1995) that his father shared after a relief mission in the region.[7] [5] These images of suffering amid the Yugoslav conflicts, which claimed over 100,000 lives including thousands of children, prompted Miles to infuse the piece with a reflective, dreamlike quality as a subtle tribute.[7][8] Initially untitled during early production, the track featured a signature piano motif layered with synth pads and subtle percussion, conceived through iterative experimentation to prioritize emotional resonance over rhythmic drive.[3] This approach reflected Miles' broader intent to pioneer a gentler electronic style, later termed "dream trance," amid Europe's mid-1990s club scene.[4]Writing and production process
Robert Miles composed "Children" in 1994, primarily inspired by photographs of child victims from the Yugoslav Wars that his father showed him after a humanitarian mission.[9] [10] A secondary motivation stemmed from his experiences as a DJ witnessing fatal car accidents among fatigued, intoxicated youth speeding home from Italian raves, prompting him to craft a soothing track intended for set closers to promote safer behavior and curb the "Saturday night slaughter."[1] [4] The composition began as an improvised segment played on a Korg 05R/W synthesizer during a live performance, which Miles then expanded into a full instrumental piece the following morning, describing it as an "overnight doodle."[5] [4] He worked in a compact 4 m × 4 m soundproofed bunker studio he had constructed in a converted garage near his family home in Fagagna, Italy, reflecting a personal, low-key creative process tied to immediate emotional responses rather than extended deliberation.[10] Recording followed swiftly, completed in one to three days using a basic home setup financed by a loan from his parents, emphasizing a melodic, atmospheric contrast to the aggressive techno beats dominating the era.[4] The track's core elements—a 24-bar piano-led introduction with percussive organ and bass undertones—emerged from this efficient workflow, prioritizing emotional resonance over technical complexity.[4] Miles subsequently sold the demo to DBX, the label run by producer and DJ Joe T. Vanelli, for inclusion on the January 1995 EP Soundtracks.[1]Musical analysis
Genre and stylistic elements
"Children" is an instrumental electronic track pioneering the dream house and dream trance subgenres of dance music, characterized by atmospheric synth pads, repetitive melodic motifs, and subdued rhythms that evoke a melancholic, introspective quality.[3][11][12] Stylistically, the composition centers on a haunting, cyclical piano riff played in a minor key, layered over a breakbeat rhythm featuring kick drums and hi-hats at approximately 95 beats per minute, with synth bass providing harmonic foundation and string-like pads adding ethereal depth.[13] This minimalistic arrangement blends ambient textures with trance elements, avoiding aggressive builds or vocal hooks typical of contemporaneous club tracks, instead prioritizing emotional resonance through subtle dynamic shifts and reverb-heavy production.[5] The track's fusion of classical piano influences with electronic minimalism distinguishes it from harder-edged house or techno, contributing to its crossover appeal beyond dance floors into ambient and chill-out contexts.[12] Its cerebral, non-vocal structure facilitated broad radio play and licensing, underscoring a stylistic pivot toward melody-driven electronica in mid-1990s European production.[3]Structure, instrumentation, and key features
"Children" employs a structure characteristic of dream trance, commencing with a 24-bar introduction centered on a melancholic piano riff, supported by a percussive organ sound and a deep bass hum for the opening eight bars, followed by a quieter phase incorporating a snare drum and a variant piano motif in the concluding eight bars.[13] The subsequent main section spans 16 bars, introducing a 4/4 kick drum pattern, hi-hats, synth bass, and atmospheric string pads, with an acid-style synth arpeggio layered in repetitions to heighten tension. A 20-bar bridge reduces to kick and bass initially, then reintegrates strings and hi-hats before restoring the piano and organ, leading into a 37-bar outro that fades with layered hi-hats, trance synth swells, and prominent reverb and delay effects.[13] The composition unfolds in F minor at 137 beats per minute, facilitating a driving yet ethereal progression over its approximately 4-minute duration.[14][15][16] Instrumentation features a recorded acoustic piano as the primary melodic element, delivering the iconic repetitive riff with added reverb for spatial depth; a synthesized kick drum tuned around 60 Hz with short decay and low-pass filtering for punch; synth bass derived from low-passed sawtooth waves operating at 80-90 Hz with mild distortion; a detuned saw-wave bass hum at 42-45 Hz employing sidechain compression against the kick for rhythmic clarity; and a Korg M1 preset organ providing single-note percussive hits filtered between 200 Hz and 1 kHz.[13] Electronic percussion, including hi-hats, and synth pads for strings round out the ensemble, with production relying predominantly on synthesis rather than extensive live recordings beyond the piano.[1] Distinguishing features include the track's instrumental format, forgoing vocals to emphasize the piano's evocative, calming motif designed to mitigate club-related risks like drunk driving; tailored reverb and delay applications per element to evoke a dreamlike ambiance blending cathedral-like expansiveness with nightclub intimacy; and pioneering integration of trance's repetitive builds with melodic introspection, establishing a blueprint for dream house subgenre elements such as euphoric breakdowns and sidechained low-end dynamics.[13][3]Release and distribution
Initial Italian release
"Children" was first released in Italy in January 1995 as part of the four-track Soundtracks EP on the DBX Records imprint label owned by producer Joe T. Vanelli.[1][4] The EP featured the original 7:34-minute version of "Children" alongside three other instrumental tracks: "Soundtracks," "In the Eye," and "4U."[17] The primary format was a 12-inch vinyl single pressed at 33⅓ RPM, cataloged as DBX 015, targeted at DJs and club play.[17] Initial distribution was limited, focusing on Italian radio stations and nightclubs, where the track began gaining underground traction despite modest sales of the EP.[4] Robert Miles later recalled that the first pressing was a "total failure" commercially, but persistent airplay on stations like Radio Deejay helped build momentum, leading to re-pressings and eventual recognition as an anthem in Italy's electronic music scene.[4] By mid-1995, "Children" had secured a position on Italian charts, peaking at number three on the Musica e Dischi singles chart, reflecting its growing domestic popularity prior to international expansion.[1]International expansion and formats
Following its initial release in Italy, "Children" achieved international distribution primarily in 1996 through licensing agreements with labels such as Deconstruction (UK), Arista (US), and Addiction (France), leading to releases across Europe, North America, and other regions.[1] This expansion capitalized on growing demand from underground club play and radio airtime, transforming the track into a global trance staple.[5] Internationally, the single appeared in diverse physical formats tailored to regional markets, including 12-inch vinyl for club DJs, CD maxi-singles for retail, and occasional cassettes. In the United Kingdom, a 1996 12-inch vinyl edition included three tracks: the "Dream Version," "Guitar Mix," and "Message Version."[18] The United States saw a 12-inch vinyl single release in 1996, emphasizing the extended "Dream Version" for dancefloors.[19] In Germany, Austria, and Switzerland, a CD maxi-single was issued in 1996, featuring trance-oriented mixes.[20] Additional formats proliferated in countries like France and the Netherlands, with over 50 documented variants worldwide, often incorporating region-specific remixes or artwork while retaining the core instrumental structure.[19] Digital reissues emerged later, but physical singles dominated the 1990s rollout.Track listings
The original Italian 12-inch vinyl single, released by DBX Records in 1995 (catalog DBX 015), featured three versions of the track across its sides.[18]| Side | Title | Length |
|---|---|---|
| A1 | Children (Dream Version) | 7:30 |
| B1 | Children (Original Version) | 7:21 |
| B2 | Children (Message Version) | 6:50 |
| No. | Title | Length |
|---|---|---|
| 1 | Children (Dream Version – Radio Edit) | 3:49 |
| 2 | Children (Dream Version) | 7:30 |
| 3 | Children (Original Mix) | 7:21 |
Promotion and media
Music videos
Two music videos were produced for "Children," reflecting the track's dual themes of youthful innocence and electronic music culture. The black-and-white version, directed by Matthew Amos and released in 1995, features footage of a young girl riding in a car through varied European landscapes, evoking a sense of journey and simplicity.[21] This minimalist visual narrative aligns with the composition's dreamy, introspective melody without incorporating performance elements from Robert Miles.[11] The primary color version, directed by Elizabeth Bailey and issued in 1996 to coincide with international promotion, contrasts scenes of Miles DJing at a nightclub rave with playful images of children in everyday settings.[22] [23] Filmed in a dynamic style, it juxtaposes the high-energy adult nightlife against childlike freedom, underscoring the track's origin as a response to late-night driving and youthful raves in Italy.[11] The official upload of this video on YouTube, managed by Miles' estate, has garnered millions of views, maintaining its visibility in electronic music retrospectives.[24] Neither video prominently features lyrical content due to the instrumental nature of the track, relying instead on visual symbolism to evoke emotional resonance. Production details indicate the color version's rave sequences were shot in controlled club environments to capture authentic electronic scene aesthetics prevalent in mid-1990s Europe.[22] These videos contributed to the single's crossover appeal, bridging underground trance audiences with broader pop viewers through accessible, narrative-driven imagery.Marketing and DJ usage
"Children" was composed by Robert Miles with the explicit intent of serving as a closing track in DJ sets to mitigate road accidents among club-goers in 1990s Italy, where high-energy nightlife contributed to a phenomenon known as the "Saturday night slaughter." Observing frequent post-club crashes, Miles aimed to produce a soothing instrumental featuring a slow beat, mournful piano riff, and thunderstorm sounds to calm audiences and encourage safer driving home.[3] [6] This "dream trance" approach contrasted sharply with the era's aggressive techno, prompting DJs to adopt similar mellow closers, with "Children" becoming a staple for winding down crowds in European clubs, particularly in Italy.[25] [26] The track debuted in a 1994 DJ set, where its extended intro initially cleared the dancefloor before eliciting a rapturous response, including raised hands and smiles from patrons, solidifying its club appeal.[10] It rapidly gained underground traction through DJ endorsements and word-of-mouth in venues, evolving into a global club phenomenon that pressured radio programmers to playlist it despite initial resistance to instrumentals.[10] By 1995–1996, "Children" influenced trance subgenres like "dream house," with DJs leveraging its emotional depth for set transitions, though Miles himself minimized personal promotion to preserve the track's organic resonance.[3] Marketing efforts were understated and label-driven post-signing with BMG's Deconstruction imprint, relying on club buzz rather than aggressive campaigns; Miles notably declined TV and radio interviews, contributing to a perception of mishandled promotion by some observers.[10] Key boosts included BBC Radio 1 DJ Pete Tong selecting it as Essential Tune of the Week for three consecutive weeks, which propelled airplay after prior rejections.[3] A black-and-white music video emphasizing moody introspection further amplified its atmospheric allure, while sync placements in television series like Baywatch and films such as Italian Baja Story extended its reach beyond clubs.[3] [10] This grassroots-to-mainstream trajectory underscored "Children"'s success through DJ utility and subtle media exposure over conventional advertising.[10]Reception and performance
Critical evaluations
"Children" garnered acclaim for pioneering the "dream house" subgenre of electronic music, characterized by its melancholic piano melodies and subdued rhythms intended to evoke a soothing, trance-like state. Italian authorities reportedly commissioned Miles to create tracks like this to mitigate road accidents caused by overstimulated club-goers listening to high-energy techno on drives home, a causal link Miles himself emphasized in interviews.[27] The track's simple, single-note piano progression was highlighted by reviewers for generating a hypnotic pulse that effectively transported listeners into a relaxed, immersive soundscape, distinguishing it from more aggressive dance forms prevalent in 1995.[27] Critics appreciated its atmospheric restraint and emotional resonance, with Billboard later describing it as a "time-blurring, brain-sticking classic" that achieved rare mainstream success for an instrumental electronic piece, peaking at number three on the US Billboard Hot 100 in 1996 despite lacking vocals.[5] Publications like The Guardian noted its role in showcasing a gentle, piano-driven evolution of dance music, influencing subsequent ambient and trance variants.[28] However, some evaluations critiqued the surrounding album Dreamland—of which "Children" was the lead single—for its soporific quality and repetitiveness, likening the 66-minute runtime to "numbingly repetitive but lively sub-Moroder disco" that risked lulling listeners into unintended drowsiness, potentially counterproductive to its safety-oriented origins.[29] This mixed assessment reflected a broader tension: empirical commercial dominance (over 2 million US sales by 1997) versus perceptions of stylistic minimalism lacking deeper structural complexity.[5] Retrospective analyses have reinforced its enduring stylistic impact, crediting "Children" with spawning genres like dream trance through its causal emphasis on melody over bombast, though mainstream media retrospectives occasionally underplayed its formulaic elements amid nostalgic praise.[9] Independent evaluations, less prone to genre-specific hype, underscored the track's verifiable efficacy in calming electronic audiences, evidenced by its chart trajectories across 12 European countries where it hit number one.[27]Commercial success and sales
"Children" achieved significant commercial success following its release, selling over 350,000 copies across Europe within two weeks of its official 1995 launch.[30] By mid-1996, the single had amassed substantial sales, contributing to its dominance on the Music & Media Eurochart Hot 100 Singles, where it held the number one position for six weeks.[4] The track ultimately exceeded 5 million copies sold worldwide by 1997, marking it as one of the era's top-selling electronic singles.[31][32] Certifications reflected its strong performance in multiple markets, earning gold and platinum status in several European countries due to robust physical single sales during the mid-1990s CD era.[33] In the UK, it reached top-five status, aligning with the period's emphasis on recorded music metrics.[3] The single's sales propelled the accompanying album Dreamland toward certifications including 1x Platinum in Europe (1,000,000 units) via IFPI, underscoring the track's role in driving overall project revenue.[34] Global earnings from "Children" persisted into later years, with royalties from sales, downloads, and streaming generating $3,060.94 in the first half of 2016 alone, demonstrating enduring catalog value despite the initial peak in the 1990s.[33] This success positioned Robert Miles as a commercial force in electronic music, with the single's performance outpacing many contemporaries in unit shipments during its chart run.Chart trajectories
"Children" exhibited robust chart performance globally, particularly in Europe, where it frequently ascended to the summit upon release in late 1995 and early 1996, reflecting its appeal in the burgeoning electronic and trance scenes. The track topped national singles charts in numerous countries, including Italy, Germany, France, Spain, Austria, Switzerland, Sweden, Finland, and Belgium, often sustaining number-one status for multiple weeks. For example, it held the top position in Germany for six weeks, in France for 11 weeks, and in Sweden for 12 weeks.[3][4][35] In the Eurochart Hot 100 Singles, it occupied the number-one spot for 13 consecutive weeks, underscoring its continental dominance.[36] In the United Kingdom, "Children" debuted on the Official Singles Chart dated January 20, 1996, climbing steadily to reach number 2, where it held for two weeks between March 10 and March 24, 1996, blocked from the top by tracks like "How Deep Is Your Love" by Take That. It accumulated 10 weeks within the top 10 and contributed to Robert Miles securing three UK top-10 singles that year.[2][37][38] Across the Atlantic, the song's trajectory was more modest on mainstream pop metrics but strong in dance formats. It entered the Billboard Hot 100 on May 11, 1996, at number 32, advancing progressively to a peak of number 17 by the chart week of May 18, 1996, before receding, with a total chart run of 14 weeks ending August 17, 1996. Concurrently, it reached number 1 on the Billboard Dance Club Songs chart, highlighting its niche resonance in club play.[39][33] The following table summarizes peak positions and select durations in key markets:| Country/Chart | Peak Position | Weeks at Peak | Total Weeks on Chart |
|---|---|---|---|
| Germany | 1 | 6 | N/A |
| France | 1 | 11 | N/A |
| Sweden | 1 | 12 | N/A |
| UK Singles | 2 | 2 | N/A (10 in Top 10) |
| US Hot 100 | 17 | N/A | 14 |
| US Dance Club Songs | 1 | N/A | N/A |
Adaptations and reinterpretations
Official remixes
The official remixes of "Children" primarily consist of authorized reworkings released by established electronic music labels, often in collaboration with the rights holders following Robert Miles' death in 2017. These updates adapt the original dream house track to contemporary subgenres like hardstyle and melodic techno, preserving core melodic elements while introducing modern production techniques. One early remix package, titled Children (The Remixes), was issued in 1995 on Yeti Records, featuring variants produced by Miles himself: the Dream Version (7:38), Original Mix (7:17), and Message Version (6:54). These were licensed from DBX Records and distributed in Belgium as a 12-inch vinyl, emphasizing extended club-oriented arrangements over the radio edit.[40] In 2017, Dutch hardstyle duo Degos & Re-Done delivered an official remix accelerating the tempo to 155 BPM, incorporating harder kicks and synth leads while retaining the iconic piano riff. Released via Q-Dance Records on November 13, 2017, it appeared on platforms like Beatport and Spotify, marketed as a tribute to the original trance classic. Tinlicker's 2020 remix, released on September 25 via Armada Music under exclusive license from Smilax Publishing, shifted the track toward melodic house with layered synths and a driving bassline. The extended mix runs approximately 6:30, and an official video was produced to accompany the single, which charted in electronic playlists.[41] More recently, Undercatt's extended remix, distributed by Armada Music in September 2025 as part of the Chill Executive Officer (CEO), Vol. compilation, applies a deeper, atmospheric techno filter with sustained builds and reverb-heavy piano. This version extends to around 7 minutes, focusing on immersive club playback.[42]| Remix | Artist | Release Year | Label | Key Features |
|---|---|---|---|---|
| Degos & Re-Done Remix | Degos & Re-Done | 2017 | Q-Dance Records | 155 BPM hardstyle adaptation; radio edit available (2:28) |
| Children (Extended Mix) | Tinlicker | 2020 | Armada Music / Smilax | Melodic house rework; official video support |
| Undercatt Extended Remix | Undercatt | 2025 | Armada Music | Atmospheric techno extension; compilation inclusion[42] |
