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Daily call sheet
Daily call sheet
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Daily call sheet is a filmmaking term for the schedule supervised and crafted by the assistant director, using the director's shot list, the production schedule and other logistics considerations. It is issued to the cast and crew of a film production to inform them of where and when they should report for a particular day of filming, usually no later than 12 hours before the start of the next work day.[1]

Call sheets are a vital part of video production.

The start of the day's production schedule is marked by a general and individual call times, the time when people are expected to start work on a film set.

Information found on call sheets

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Example of a two-sided call sheet layout from the open source call sheet tool G-Casper.[2]

Call sheets include other useful information such as contact information (e.g. phone numbers of crew members and other contacts), the schedule for the day, which scenes and script pages are being shot, and the address of the shoot location and parking arrangements.[3] Call sheets also have information about cast transportation arrangements, parking instructions and safety notes.

A section on the front of the call sheet is usually dedicated to reminding department heads of the day's specific needs that go beyond the unit's usual tools and equipment—such as special crane rentals, special effects builds required, props and sets needing to be readied for the day and more.

Call sheets may also provide logistical information regarding the location. It is common to find such items as weather information, sunrise/sunset times, local hospitals, restaurants, dietary limitations, meal times and quantities, and hardware stores on call sheets.

Historically, call sheets were typed by typewriter (or handwritten), then copied and delivered by courier or runner. While the history of call sheets is not well documented, the oldest artifacts being sold publicly date back to as early as 1941.[citation needed] Modern call sheets are Excel-based and emailed as PDFs as well as printed and distributed on set. The latest generation of call sheets is cloud-based, while emailed PDFs remain as the industry norm; paper copies on set have become rarer during the COVID-19 pandemic. Call sheets adhere to the Legal paper size format, and film production departments keep them handy on set for printing on the specialized format.

Further reading

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References

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from Grokipedia
A daily call sheet is a standardized document in film and television production that provides a detailed schedule and logistical information for a single day of shooting, including call times for cast and crew, locations, scenes to be filmed, and contact details to ensure coordinated operations on set. Typically prepared by the first or second (AD) in collaboration with the , the call sheet draws from materials such as the shooting schedule, script breakdowns, and the director's shot list to create a concise yet comprehensive plan distributed to all relevant personnel the evening before the shoot day. Its primary purpose is to facilitate efficient communication and preparedness, minimizing delays and errors by clearly outlining expectations, which is crucial for maintaining the production timeline and in fast-paced environments. Key elements commonly included are the production and contacts, forecasts with sunrise and sunset times, information like the nearest , department-specific notes, cast and lists with individual call times and holding areas, a sequence of scenes with page counts and set details, and any special instructions such as or protocols. As the central hub for daily operations, the call sheet evolves through revisions during the production lifecycle—starting as a draft or "one-liner" and becoming final after approvals—ultimately serving as a historical record once scenes are completed.

Definition and Purpose

Definition

A daily call sheet is a document that outlines the for a single day of production in , television, or related media projects. It is supervised and crafted by the , typically the first assistant director (1st AD), drawing from the director's shot list, the overall production , script breakdowns, and various logistical factors such as availability, weather contingencies, and availability. Key characteristics of the daily call sheet include its issuance to the and crew at least 12 hours prior to the start of the workday, ensuring adequate preparation time, and its role as the official blueprint guiding all on-set activities for that day. It adheres to a standardized format, commonly printed on legal-size paper (8.5 x 14 inches) to accommodate detailed listings while remaining portable for set use. Unlike a full shooting schedule, which is developed during to map the entire project timeline, or a shot list, which is a director-specific detailing camera angles and sequences per scene, the daily call sheet represents a tailored, day-specific implementation that integrates these elements into actionable timings and assignments. This positions it as an essential operational tool for coordinating the cast and on the ground.

Purpose

The daily call sheet primarily aims to inform the cast and crew of essential details for the shooting day, including reporting times, locations, and the sequence of scenes to be filmed. This structured communication ensures that all participants arrive prepared and on schedule, allowing production to proceed without unnecessary interruptions. By serving as a centralized reference, it facilitates coordination across departments such as , props, and , enabling teams to align their preparations with the overall workflow. Beyond immediate logistics, the call sheet acts as a production lifeline by minimizing miscommunication and potential delays that could arise from unclear expectations. It supports broader , helping maintain adherence to budgets and timelines through precise daily planning that prevents overtime or resource waste. In this way, it translates the long-term shooting schedule—typically overseen by the assistant director—into actionable, day-specific steps that keep the entire team synchronized.

History

Origins in Early Cinema

Scheduling practices for film productions drew influence from longstanding theater practices, where call boards—bulletin boards posting rehearsal and performance schedules—had long been used to manage ' entrances and cues in live productions. As cinema transitioned from stage-derived acts to independent storytelling, producers adapted these theatrical scheduling methods to accommodate the new medium's demands for precise timing on set. The earliest surviving examples of daily call sheets date to the late 1930s and early 1940s, demonstrating growing standardization. For instance, production call sheets from Charlie Chaplin's 1940 film detail daily actor and crew calls, stand-ins, makeup times, and set assignments, prepared by assistant director . By the 1930s, such documents had become indispensable for Hollywood's assembly-line style of , bridging the gap from rudimentary notes to comprehensive production aids.

Evolution to Modern Formats

Typed documents produced on typewriters facilitated greater legibility and uniformity in scheduling details for mid-20th century productions, as evidenced by surviving examples from the 1940s, such as call sheets for , which included basic cast arrival times and scene orders. By the and , the advent of personal computers introduced word processing software for creating templated call sheets, streamlining the drafting process and allowing for easier revisions in production offices. This period saw call sheets expand in detail, as illustrated by a 1996 document from Titanic that incorporated comprehensive elements like weather notes, protocols, and welfare information, all generated digitally before . The 2000s brought a fuller digital transition, with applications enabling the of calculations for timings and the of call sheets as PDFs for distribution, significantly reducing manual labor and errors. Cloud-based tools further emerged in this era, supporting real-time collaboration among production teams. The in hastened the decline of paper copies, as industry guidelines promoted electronic distribution to enable contactless sharing and limit on-set interactions; as of 2025, digital formats dominate, with AI-powered tools now assisting in automated generation and customization. Procedurally, the responsibility for compiling call sheets has shifted over time from the first , who historically managed the entire scheduling process, to a more collaborative model involving the second for initial creation and production coordinators for logistical input, with final approval by the first . This reflects larger structures in modern productions. Standardization has also advanced to meet union requirements, such as SAG-AFTRA's mandates for precise call times to enforce rest periods—typically 12 hours between wrap and next call, with penalties for violations—ensuring compliance through detailed documentation on the sheet.

Components

Header and Production Details

The header of a daily call sheet serves as the foundational section that identifies the production and provides critical logistical information to ensure smooth operations on set. It typically begins with the production title, prominently displayed at the top to clearly indicate the project, such as a , , or commercial, alongside the production company's logo for branding and official recognition. For episodic content, this is often accompanied by the episode or day number, specifying the , identifier, or shooting day within the overall schedule to contextualize the document's relevance. Essential administrative details follow, including the shooting date, which is listed explicitly to inform all recipients of the timeline, and the name of the person who prepared the sheet, usually the first (1st AD) or second (2nd AD), along with any revision number to track updates and maintain . Contact information is a core component, featuring phone numbers and details for key personnel such as the , 1st AD, director, and department heads to facilitate quick communication during production. This section also includes emergency contacts, the address and phone number of the nearest with a 24-hour , and local resources like parking arrangements or transportation options to address immediate on-site needs. Environmental details are incorporated to aid planning, particularly for location-based shoots, with a weather forecast summarizing expected conditions like , , and , positioned often in the upper right corner for easy reference. Sunrise and sunset times are also noted to help coordinate and outdoor filming windows, ensuring the team anticipates daylight variations. These elements collectively establish the call sheet's authority and practicality from the outset.

Cast and Crew Information

The cast section of a daily call sheet prominently lists principal actors by name, character role, and unique cast ID to facilitate clear identification and scheduling. It includes specific call times for each actor, such as pickup time from their location, arrival at base camp, and report-to-set time, often with buffers to ensure promptness. Additional notes cover wardrobe fittings, makeup and hair requirements, and any special instructions tailored to the actor's scenes, helping wardrobe and hair departments prepare efficiently. Stand-ins are detailed with their own call times and roles as substitutes during lighting setups, while extras are grouped with aggregate call times and basic reporting details to manage background talent without overwhelming the sheet. The crew section organizes personnel by department, starting with heads like the director of photography (DP) and gaffer, followed by key members such as grips and electricians, to reflect hierarchical reporting structures often mandated by unions. Each entry specifies the individual's name, position, and call time, ensuring coordinated arrivals for setup tasks like equipment rigging. Walkie-talkie channel assignments are noted for departments, such as channel 1 for production and channel 5 for camera, to streamline on-set communication and reduce radio traffic. To enhance focus and privacy, productions often distribute individualized call sheets to actors via email, highlighting only their personal details, call times, and relevant notes while omitting the full crew list. This customization prevents and allows actors to concentrate on their schedule without exposure to comprehensive personnel data. Key contacts from the production header, such as the assistant director, may be referenced briefly on these sheets for direct inquiries.

Shooting Schedule and Scenes

The shooting schedule and scenes section of a daily call sheet provides a detailed outline of the filming activities planned for the day, ensuring efficient progression through the script's content. This core component typically begins with a scene breakdown, listing each scene by number, corresponding script page range, a concise description of the action or dialogue, estimated shoot times, and designations for interior (INT.) or exterior (EXT.) settings. For instance, a breakdown might specify Scene 12 on pages 45-47 as "EXT. confronts in alley - chase sequence," with an allocated time of 2 hours. These elements derive from the overall production schedule and script breakdowns, allowing the director and assistant directors to prioritize shots based on flow and resource availability. The daily timeline within this section structures the sequence of shots and key production milestones, starting from the general call and progressing through the order of scenes to be filmed. It includes notations for company moves between setups, scheduled lunch breaks (often required within six hours of the start per union guidelines), and the anticipated wrap time, all sequenced to optimize logistics like changes or transitions. For example, a timeline might sequence shots as 5 (INT., 9:00 AM start, 1.5 hours), followed by a company move at 10:30 AM, then 7 (EXT., resuming at 11:00 AM), with lunch at 1:00 PM and wrap at 7:00 PM. This shot sequence is determined by factors such as actor availability and set efficiency, with cast assignments briefly referenced to align performers with specific scenes. Adjustments to the shooting are incorporated through revision notes and contingency planning, accommodating unforeseen issues like disruptions or technical delays. Revised call sheets, often marked with revision colors or numbers, update scene orders or timings, while a forecast summary enables preemptive shifts for exterior shots. For example, if rain delays an EXT. scene, the might pivot to an INT. alternative, with estimated times recalculated to maintain the day's wrap. These adaptations ensure continuity while adhering to and deadline constraints.

Logistics and Safety

The logistics section of a daily call sheet provides essential on-site arrangement details to ensure smooth operations and accessibility for cast and . This typically includes the full of the shooting , along with maps or directions to facilitate timely arrivals, particularly for remote or complex sites. Parking instructions are prominently featured, specifying designated areas, restrictions, or alternative options to avoid disruptions, such as in urban environments with limited spaces like . Set construction notes may outline any ongoing builds, access points, or modifications to the site, helping departments prepare equipment and personnel accordingly. Safety measures form a critical component of the call sheet, aimed at mitigating risks and promoting a secure working environment. warnings are listed to alert personnel to potential dangers, such as uneven , conditions, stunts involving heights, or environmental factors like and hazardous on outdoor shoots. procedures include contact numbers for medical services, the address of the nearest , and locations of kits or medical stations, ensuring rapid response to incidents. For productions involving special equipment like cranes, , or props, relevant AMPTP Safety Bulletins—guidelines developed by the Alliance of Motion Picture and Television Producers—are often referenced or attached to the call sheet, providing standardized protocols for safe handling and operation. Weather impacts, such as forecasts for rain or high winds, are briefly noted to adjust logistics preemptively. Following the onset of the in 2020, call sheets incorporated dedicated protocols to address infectious disease risks, reflecting industry-wide standards from organizations like the and . These include zone systems for distancing (e.g., Zone A for on-set actors requiring frequent testing), schedules for PCR testing, requirements for PPE such as N95 masks and face shields, and daily safety meetings to review disinfection procedures for equipment and high-traffic areas. Exemptions for medical reasons and reporting hotlines for symptoms are also specified, with staggered call times to minimize gatherings. Additional logistical elements ensure crew well-being and efficiency throughout the day. Meal times are scheduled with clear breaks, such as lunch six hours after the initial call, to comply with labor regulations and maintain energy levels. Transportation details cover shuttle services or pickup times arranged by production assistants, particularly for cast traveling from hotels or between multiple locations. Nearest facilities, including restrooms, restaurants, or temporary setups like outdoor tents for meetings, are indicated to support basic needs without interrupting the schedule.

Creation and Distribution

Preparation Process

The preparation of a daily call sheet is a critical pre-shoot task primarily handled by the first assistant director (1st AD) or second assistant director (2nd AD), often with input from the production coordinator or producer to ensure accuracy and coordination across departments. This process typically occurs in the afternoon or evening of the preceding day, allowing for distribution at least 10 to 12 hours before the crew's general call time to give cast and crew sufficient notice. The workflow begins with reviewing the overall shooting schedule and script, drawing from the director's shot list and the AD's production notes to identify the scenes slated for the upcoming day. Next, the AD inputs details on the specific scenes, including scene numbers, descriptions, required , page counts, interior/exterior designations, and estimated shooting durations, while accounting for the day's total runtime and any wrap time. Coordination follows with relevant departments—such as , props, transportation, and stunts—to incorporate updates on needs, actor fittings, or location-specific , ensuring all elements align without conflicts. Finally, timings are finalized by factoring in travel , parking arrangements, weather forecasts, and contingency buffers, with individual call times set for and crew based on their involvement in the sequence of scenes. Revisions are managed iteratively to address unforeseen changes, such as altered availability, weather disruptions, or last-minute creative adjustments from the director. The AD proofreads the document thoroughly, often consulting department heads again for verification, and implements version tracking—such as numbering updates or noting amendments—to maintain clarity and prevent errors that could disrupt the shoot. Only a single finalized version is typically issued per day to avoid confusion, with any minor on-the-fly changes handled verbally on set rather than through additional sheets. This meticulous approach has evolved from manual handwritten processes in early cinema to structured digital workflows, enhancing efficiency in modern productions.

Tools and Software

In the pre-digital era, particularly before the , daily call sheets were generated using traditional tools such as typewriters and pre-printed forms, which required manual entry of details like cast schedules, locations, and call times. These paper-based methods relied on physical distribution by production assistants to ensure the team received the documents, often the night before shooting. Modern production has shifted to digital tools, with templates serving as a widely accessible option for creating customizable call sheets that can be adapted for , television, or commercial shoots. Specialized platforms like StudioBinder provide intuitive call sheet builders with mobile-friendly designs, enabling users to generate professional documents directly from script breakdowns and schedules. Similarly, offers integrated call sheet generation within its software, featuring auto-population of fields from production plans to streamline the process. Cloud-based solutions further enhance accessibility, such as integrations like G-Casper, a free tool built in that automates call sheet creation and supports real-time editing for collaborative workflows. These digital platforms typically include features for auto-updates, where changes to schedules propagate instantly across shared documents, and customization options to tailor layouts for specific production needs. The adoption of such software yields key advantages, including standardized templates that maintain consistent formatting across productions and real-time collaboration capabilities that reduce errors from manual revisions. For instance, tools like StudioBinder and SetHero allow multiple team members to track confirmations and updates in one place, minimizing miscommunications on set.
SoftwareKey FeaturesPricing (Starting, as of November 2025)
StudioBinderAuto-population from scripts, mobile optimization, real-time tracking$49/month (Professional plan)
Integration with , field auto-fill, customizable reports$15/month (Basic plan)
G-Casper ()Cloud collaboration, free automation, open-sourceFree

Distribution Methods

Daily call sheets are typically distributed to the and at least 12 hours prior to the scheduled call time, often in the evening following the previous day's wrap, to allow sufficient preparation. This timing ensures that all recipients have adequate notice for such as travel, wardrobe, and rehearsals. Distribution methods primarily rely on digital channels to facilitate quick and widespread sharing. Common approaches include emailing PDF attachments or providing secure shared links through production management tools like StudioBinder, which enable real-time updates and receipt confirmations. For privacy reasons, actor-specific versions may be sent individually, omitting sensitive details like other members' information. Physical copies are still used in some cases, such as handouts at the end of the day or distribution from the production office, though these are less common in modern workflows. Following the , there has been a heightened emphasis on methods for call sheets and other production paperwork to minimize physical contact and reduce health risks. Industry guidelines recommend contactless approaches, such as electronic sharing via apps or , to support safer on-set operations while maintaining efficiency.

Role in Production

On-Set Usage

Once production commences, the first (1st AD) implements the daily call sheet as the primary coordination tool on set, using it to summon departments and personnel at specified call times to ensure timely setup and execution of the shooting schedule. The 1st AD reviews and approves the sheet, often created by the 2nd AD, to align all teams, while cast and crew members reference it for their individual arrival times, movement between locations (such as company moves), and scene assignments, allowing them to prepare accordingly without direct oversight. Real-time adjustments are noted directly on the sheet or via verbal updates from the 1st AD, such as extending scene times due to overruns or rescheduling for equipment issues, to maintain workflow momentum. The daily flow guided by the call sheet typically begins with the crew call, where technical departments like and arrive first to prepare the set, followed by cast calls staggered to coincide with their scenes. As the day progresses, the sheet outlines the sequence of scenes in shooting order, including estimated durations, page counts, and breaks such as the mandatory meal period six hours after the crew call, ensuring efficient transitions between setups. The production culminates in the wrap time, signaling the end of for the day, after which the 1st AD compiles notes from the sheet into a production report for accounting and scheduling continuity. Challenges arise when deviations occur, such as weather-related delays or no-shows, requiring the 1st AD to direct immediate changes like reallocating time to alternative scenes or notifying departments of revised timings to minimize downtime. Inaccurate or outdated information on the sheet can exacerbate these issues, leading to confusion and further delays, underscoring the need for the AD's proactive oversight in adapting the document on the fly.

Importance and Best Practices

The daily call sheet serves as a cornerstone of film and television by preventing operational chaos through its role as a centralized communication tool that outlines schedules, locations, and personnel requirements for the day. Without it, productions risk delays, misaligned teams, and disrupted workflows, as it ensures all and members arrive prepared and informed. This organization is particularly vital in high-stakes environments where time-sensitive shoots demand precision to maintain momentum. Beyond efficiency, call sheets uphold and regulatory compliance, including adherence to union rules such as those from , which mandate that copies be emailed to the union by 11:59 p.m. the night before production to verify performer availability, work hours, and on-set protocols. They also play a legal role by documenting scheduled activities, providing evidence in potential disputes over contracts, , or incidents, thereby mitigating liability for producers. Additionally, by minimizing downtime through clear timelines and , call sheets contribute to control, as unplanned delays can escalate costs in labor-intensive productions. To maximize their effectiveness, best practices emphasize keeping call sheets concise, typically limited to one or two pages in a mobile-friendly PDF format to facilitate quick reference on set without overwhelming details. Productions should update them frequently, preparing the next day's sheet immediately after wrap and incorporating real-time adjustments for or to avoid outdated information. Including contingency plans, such as alternative parking or contacts, further enhances . Assistant directors (ADs), who typically author these documents, benefit from targeted training on accuracy, often through standardized workflows and software tutorials, to reduce errors in high-volume distributions. These practices yield significant impacts by reducing miscommunication—such as incorrect call times that could sideline talent—and boosting overall efficiency, allowing crews to focus on creative execution rather than logistical hurdles in fast-paced shoots. In union-governed productions, consistent adherence not only ensures compliance but also fosters a professional environment that prioritizes performer welfare and production reliability.

Variations Across Productions

Film vs. Television

In feature productions, daily call sheets accommodate longer shooting periods, often spanning weeks or months, which allows for more flexible timings to adjust for factors like , availability, or creative decisions. This flexibility is reflected in the call sheet's detailed scheduling of scenes that may not follow script order, emphasizing continuity notes to ensure narrative consistency across multiple days—such as , makeup, or requirements linking to prior or subsequent shoots. Additionally, call sheets frequently incorporate or reference comprehensive shot lists, outlining camera angles, movements, and setups for the day's scenes to guide the director of photography and efficiently. In contrast, television productions, particularly episodic series, feature tighter schedules driven by weekly delivery demands, with call sheets typically covering 7-10 days per to meet broadcast deadlines. These sheets highlight recurring cast members through standardized notations like series regular numbers and work status codes (e.g., "" for work day), facilitating quick reference for ongoing dynamics. TV call sheets also integrate specifics for multi-camera setups, common in sitcoms or dramas, including camera positions and blocking for live , alongside provisions for faster revisions to incorporate network feedback or script changes mid-week. Audience , such as warm-up times or seating for live-tapings, may be explicitly detailed in TV variants to manage studio environments. Despite these distinctions, both film and television call sheets share core components, including general and individual call times, location details, crew lists, and safety notes, serving as the primary daily communication tool. However, television sheets often append network-specific instructions or episode breakdowns, adapting the standard format to the serialized nature of the medium.

Other Media Formats

In photoshoots and commercial productions, daily call sheets are typically simplified to accommodate shorter timelines and visual-focused workflows, omitting script pages in favor of shot lists, mood boards, or client-approved storyboards that outline setups and creative directions. These versions prioritize model and crew call times, equipment requirements such as and camera gear, wardrobe details, and glam team contacts to ensure efficient coordination on set. Client approvals play a central role, with prominent placement of logos, stylings, and like pickup arrangements for clients, distinguishing them from narrative-driven formats by emphasizing brand consistency over sequential scenes. For documentary and corporate video productions, call sheets adopt flexible, event-based structures to handle unpredictable elements like and , featuring shorter daily schedules that highlight times, filming sites with full addresses, and necessary permits to comply with access requirements. Emphasis is placed on real-time adaptability, with sheets distributed the evening prior to incorporate last-minute changes such as weather impacts or subject availability, often limiting wrap times to 10-11 hours to maintain efficiency. Unlike rigid scripted outlines, these formats focus on contingency notes—like neighborhood warnings or transport options—and details without extensive scene breakdowns, supporting the core purpose of organizing daily in non-narrative contexts. Multi-location shoots, prevalent in advertisements and music videos, incorporate enhanced logistical elements into call sheets to manage transitions across sites, including detailed maps with interactive links for navigation, transport schedules specifying pickup/drop-off times and vehicle types, and site-specific parking or safety information. Productions spanning multiple venues label locations sequentially (e.g., Location 1, Location 2) with complete addresses and estimated travel durations to facilitate smooth company moves, often prioritizing client or artist presence through customized contact sections. This adaptation ensures seamless coordination in fast-paced, visually dynamic formats where efficiency across dispersed setups is critical.

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