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Harry Mount
Harry Mount
from Wikipedia

Henry Francis Mount (born 1971)[1] is a British author and journalist, who is the editor of The Oldie magazine, and a frequent contributor to the Daily Mail and The Daily Telegraph.[2]

Key Information

Early life

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Harry Mount was born in 1971. His father, Sir Ferdinand Mount, Bt, FRSL, is also a journalist, and was an advisor to Prime Minister Margaret Thatcher. One of his second cousins is the former British prime minister David Cameron.

Mount was educated at the North Bridge House School in London, followed by Westminster School, where he was an Honorary Scholar. He then read Ancient and Modern History at Magdalen College, Oxford, graduating with a first.[3] At Oxford he was a member of the Bullingdon Club.[4]

Mount pursued postgraduate studies in Architectural History at the Courtauld Institute, receiving an additional MA degree; he then qualified as a barrister, but failed to secure a tenancy in chambers following his pupillage.[5] He also briefly worked as a banker.[6]

Career

[edit]

Harry Mount is editor of The Oldie,[7] a British monthly magazine founded in 1992 by Richard Ingrams. Ingrams was succeeded in 2014 by Alexander Chancellor, and Mount took over after Chancellor's death in 2017.

Mount has worked as a leader writer and a New York correspondent for The Daily Telegraph.[8] He previously had a regular column at the same paper.[9]

Mount has written extensively for The Spectator since 2002,[10] and for the Evening Standard since 2012.[11]

In 2022, Mount was appointed an Independent Member of the House of Lords Appointments Commission during Boris Johnson's final days in office.[12] The appointment was criticised by Labour's deputy leader Angela Rayner, who called it "a display of pure arrogance by Boris Johnson, putting his own leading crony in charge of stopping cronyism in parliament".[13] Mount was appointed to serve from 11 September 2022.[14] He resigned from the commission later that month.[15]

Controversy

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As a member of the Bullingdon Club at Oxford, Mount enjoyed a certain notoriety after being rolled down a hill in a portable toilet. "It was like coming out of Dracula's coffin", he told The New Yorker in 2007.[4]

After Mount wrote in The Spectator (2004) lamenting the supposed demise of Classics teaching in the UK, and dismissing the Cambridge Latin Course, The Spectator published a riposte from the Dean of Wadham, James Morwood, saying: "His denunciation of the Cambridge Latin Course as 'the evil Latin-for-idiots school textbooks' is blind to the fact that it was this very course which rescued Latin from an apparently terminal decline in the 1960s."[16]

Also in 2004, he attracted some mild comment for refusing to review David Mitchell's widely acclaimed Cloud Atlas for The Sunday Telegraph because he could not finish it, finding it "unreadable".[17]

The Classical theme recurred in 2007 with the publication of Mount's best-seller, Amo, Amas, Amat ... and All That. Although this book repeated his ridicule of the education system, it was his exposure of the elitist implications of the study of Latin which “caused a measure of class controversy in the U.K."[4]

"Class war with classicists" was the headline in Spectator Australia after Mount wrote a Telegraph article in 2015 saying classics exams had been dumbed down. Mount detailed the abuse he received, including: "A classics student at King’s College London called me an 'antediluvian ape'. A classics teacher at Durham Sixth Form Centre predicted my next book would be 'bowel-achingly derivative'." Mount fought back with: "The classics trolls instantly associate any dumbing down suggestions with far-right fogeyish snobbishness."[18]

Personal life

[edit]

Mount lives in Kentish Town, north London.[19]

Works

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Mount is the author of several books:

  • My Brief Career, an account of his pupillage at a barristers' chambers.
  • Amo, Amas, Amat ... and All That, published by Hyperion in 2007, was a best-selling popular reference on the Latin language whose title harks back to Sellar and Yeatman's 1066 and All That. Dedicated to his brother (William) and sister (Mary), the book introduced the basics of Latin grammar and combined his own personal memories, Latin references in popular culture, and stories about ancient Rome. In it, he reveals his prep school nickname of "Mons" (Mons, montis m. mountain). Published in the United States as Carpe Diem: Put a Little Latin in Your Life.
  • A Lust for Window Sills, a popular guide to British architecture.
  • How England Made the English – from Hedgerows to Heathrow, a book about the English character and landscape. Published in May 2012 by Viking.
  • Harry's Mount's Odyssey: Ancient Greece in the Footsteps of Odysseus [1] Published by Bloomsbury in 2015.
  • The King and I: How Elvis Shaped My Life (Kindle Single, 2017)
  • Summer Madness: How Brexit Split the Tories, Destroyed Labour and Divided the Country (Biteback, 2017)
  • Et Tu, Brute? The Best Latin Lines Ever (Bloomsbury, 2022), with John Davie
  • The Last Marchioness: A Portrait of Lindy Dufferin (Venn, 2023), edited and introduced by Mount.

In June 2013, Bloomsbury published The Wit and Wisdom of Boris Johnson, edited and introduced by Mount.

Mount also edited a collection of Auberon Waugh's journalism entitled Closing the Circle.

See also

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References

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[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Harry Mount (born 1971) is a British journalist, author, former barrister, and editor recognised for his commentary on British politics, culture, and history in conservative publications. He has served as editor of The Oldie magazine since 2018, contributing to its focus on traditional values and irreverent humour for an older readership. Mount writes regularly for The Daily Telegraph, The Spectator, and Daily Mail, where he has covered topics from Brexit's political fallout to critiques of legal aid systems, often drawing on his early career experience. Educated at Magdalen College, Oxford, where he earned a first-class degree in ancient and modern history, he later qualified as a barrister, chronicling his pupillage in the memoir My Brief Career (2004), which highlighted the disconnect between idealistic training and courtroom realities. His notable books include How England Made the English (2011), exploring national character through historical landscapes, and Summer Madness (2023), analysing Brexit's divisive impact on British parties. In 2022, Mount was appointed an independent member of the House of Lords Appointments Commission, reflecting his influence in establishment circles. While praised for erudite prose and defence of classical education—as in Amo, Amas, Amat and All That (2006)—he has drawn criticism from legal professionals for articles questioning barristers' privileges amid public funding debates.

Early Life and Education

Family Background and Childhood

Harry Mount is the second son of Sir , 3rd Baronet (born 2 July 1939), a British writer, novelist, and Sunday Times columnist who headed the policy unit at under from 1982 to 1983, and his wife Julia Margaret Lucas, to whom Sir Ferdinand was married on 20 July 1968. The Mount family descends from the baronetcy created in 1922 for Sir William Arthur Mount, with historical ties to estates such as Wasing Place in . Mount's father edited the Times Literary Supplement in the late 1970s and early 1980s, fostering a household immersed in literary and intellectual pursuits. The family resided in , , where Mount spent his childhood amid a Conservative-leaning milieu shaped by his father's roles in and . He shares second-cousin ties with former through their common descent from the Mount baronets, a connection highlighted during a 2014 joint visit to a battlefield linked to a shared family relative. Public details on Mount's early personal experiences remain limited, though the prominence of his family's literary output and policy influence provided an environment conducive to his later pursuits in and classical studies.

Academic Training

Mount attended as a preparatory institution before proceeding to , one of Britain's leading independent schools. At Westminster, he received a emphasizing rigorous academic standards, including studies in history and languages, which laid the foundation for his later pursuits. He then matriculated at , where he read Ancient and Modern History, earning a first-class . This undergraduate program, spanning from approximately 1990 to 1993, involved intensive examination of historical sources from antiquity through the , culminating in high academic distinction. Following , Mount pursued postgraduate study at the Courtauld Institute of Art, obtaining an MA in Architectural History. This qualification focused on the evolution of built environments, integrating historical analysis with visual and material evidence, and reflected his broadening scholarly interests beyond political and ancient history.

Professional Career

Mount qualified as a barrister and completed , the mandatory one-year training period for aspiring , in London's during the late 1990s. His pupillage supervisor included David Frobisher, a senior barrister noted for his brusque demeanor. In his 2004 memoir My Brief Career: The Trials of a Young Lawyer, Mount recounted the rigors of , including immersion in arcane , lengthy research, and courtroom observations that often obscured underlying human narratives in favor of technicalities. He depicted the experience as disillusioning, marked by hierarchical pressures, repetitive drudgery, and a realization that the profession's realities diverged sharply from romanticized media portrayals that had initially drawn him to it. Mount did not secure tenancy in chambers or establish an independent practice following , effectively concluding his legal career shortly thereafter to pursue . Subsequent commentary on the Bar, including critiques of its structure and legal aid dependencies, has drawn from this limited tenure, though detractors have attributed such views to personal resentment rather than sustained professional insight.

Journalistic Roles

Mount served as a leader writer for , producing editorial commentary on political and cultural issues. He subsequently held the position of New York correspondent for the same newspaper, beginning his tenure in in 2005 at age 33, where he reported on American affairs including social and political developments. In this role, Mount covered topics ranging from high-profile figures to urban life, contributing dispatches that reflected his and conservative perspective. After returning from New York, Mount established himself as a freelance and , writing regularly for major British outlets. He has been a frequent contributor to the , focusing on opinion pieces about British identity, politics, and classical influences. His columns also appear in , , and , often critiquing modern societal trends through a lens of traditional values and historical precedent. Mount's work emphasizes empirical observations of cultural decline and advocacy for Western canonical knowledge, as seen in his analyses of and .

Editorial Positions

Harry Mount was appointed editor of The Oldie in February 2017, succeeding Alexander Chancellor who died on 28 January 2017. At 45 years old, Mount became the youngest editor in the publication's history, a monthly founded in 1992 that targets older readers with contrarian, humorous, and culturally conservative content. In assuming the role, Mount emphasized continuity with Chancellor's style while drawing on his prior experience as a leader writer and foreign correspondent for the Daily Telegraph. He has maintained 's focus on irreverent commentary, literary features, and critiques of modern excesses, contributing personally through columns and interviews. As of 2025, Mount continues to serve as editor, overseeing regular issues that include architectural histories, , and profiles of public figures. No other formal editorial directorships are recorded in Mount's career, though his journalistic output has included editorial-style leaders for major dailies prior to .

Political Engagement

Key Appointments

In September 2022, Harry Mount was appointed as an Independent Member of the (HOLAC), a body established to scrutinize nominations for life peerages and provide independent advice on appointments to the . The role, intended as a five-year non-renewable term, involved assessing candidates' suitability, propriety, and potential conflicts of interest in line with the commission's criteria for non-party-political peers. Mount's appointment was announced on 1 September 2022, with his term set to commence on 11 September. The position was filled by recommendation from , who selected Mount to replace a prior vacancy amid ongoing scrutiny of processes. As an independent member, Mount joined alongside political and other independent appointees to maintain the commission's advisory function, which operates without statutory powers but influences final decisions on honours and elevations. Mount's tenure proved short-lived; he resigned from HOLAC in late September 2022, approximately two weeks after assuming the role, citing personal reasons as stated by the . This left a vacancy on the commission, which continued operations with reduced membership during subsequent reviews of nominations. No other formal political appointments held by Mount have been documented in public records.

Policy Positions and Commentary

Harry Mount identifies as a traditional Conservative, emphasizing the preservation of British heritage, cultural identity, and resistance to progressive ideological overreach in public institutions. His admiration for Margaret Thatcher's governance stems from her and decisive leadership, which he credits with revitalizing Britain after decades of stagnation; in a reflection, Mount recounted his early enthusiasm for her policies as a , viewing them as a bulwark against socialist decline and a model for assertive national renewal. Mount has consistently critiqued what he sees as the erosion of institutional neutrality through , particularly in heritage organizations. In a 2017 Daily Mail commentary, he accused the of abandoning its founding mission to protect Britain's historic properties in favor of promoting diversity agendas that foster cultural self-loathing and alienate core supporters, arguing this shift prioritizes transient activism over enduring stewardship. He reiterated this in Spectator pieces, decrying the Trust's emphasis on racial under-representation in visitor demographics—such as highlighting that only 1% of visitors come from the "global majority" compared to 15% of the population—as evidence of contrived guilt rather than genuine conservation, and warning against appeasing climate extremists through concessions like land donations that undermine property rights. On Brexit, Mount's analysis in his 2017 book Summer Madness: How Brexit Split the Tories, Destroyed Labour and Divided the Country portrays the 2016 referendum as a fractious but essential democratic rupture, driven by elite detachment from ; he details internal Conservative plots and feuds that accelerated Theresa May's downfall, implicitly endorsing Boris Johnson's no-deal as a corrective to bureaucratic inertia. In a 2019 Telegraph column, he faulted May's strategy for prioritizing party unity over national delivery, likening her to whose compromises fractured without resolving core issues. In , Mount advocates for rigorous classical training, opposing modern dilutions that prioritize accessibility over intellectual depth; he has highlighted the decline in teaching standards, using Powell's era as a benchmark for scholarly rigor uncompromised by egalitarian reforms. His broader commentary, often in conservative outlets like and The Telegraph, underscores a causal link between institutional capture by progressive narratives and public disillusionment, favoring policies that reinforce national cohesion through unapologetic affirmation of historical continuity rather than remedial .

Authorship

Non-Fiction Books

Mount's debut non-fiction work, My Brief Career: The Trials of a Young Lawyer (2004), provides a satirical of his experiences as a pupil in chambers, highlighting the absurdities and challenges of early legal practice in . The book draws on his own time at the Bar, blending personal anecdotes with critiques of the profession's traditions and inefficiencies. In 2006, Mount published Amo, Amas, Amat ... and All That: How to Become a , a accessible guide to , vocabulary, and its enduring influence on and culture. The book became a by using humorous examples, etymological insights, and references to and daily life to demystify the for non-specialists. Mount explored in How England Made the English: From Hedgerows to Heathrow (2012), arguing that 's landscape, history, and customs have shaped its people's character, from reticence to love of and home ownership. The work traces causal links between geography—such as hedgerows fostering —and cultural traits, supported by historical and empirical observations rather than ideological narratives. It received praise for its engaging style but criticism for selective emphasis on positive English quirks over broader societal changes. Other notable titles include Et tu, Brute?: The Best Latin Lines Ever (2009), a compilation of memorable Latin phrases with historical context, and : Put a Little Latin in Your Life (2013), extending his popularization of classical phrases into modern self-improvement. Mount has also edited anthologies like The Wit and Wisdom of (2019), selecting quotes to illustrate the former prime minister's rhetorical style. These works consistently reflect his interest in classical heritage and British exceptionalism, grounded in primary linguistic and historical evidence.

Selected Articles and Essays

Harry Mount has contributed opinion pieces and essays to outlets including , where he addresses themes of , British traditions, and institutional critiques rooted in empirical observations of cultural decline. His writings often draw on historical precedents and personal insights to argue for preserving linguistic and architectural heritage against modern dilutions. Notable examples encompass:
  • "Vivat the Latin motto" (The Spectator): Mount defends the use of Latin school mottos, citing their motivational role for students and drawing parallels to fictional examples like Hogwarts' "Draco dormiens nunquam titillandus" to illustrate enduring classical influence on imagination and discipline.
  • "The Odyssey is more real than we thought" (The Spectator): In this essay, Mount recounts his three-year retracing of Odysseus's route across the Mediterranean, linking Homeric geography to verifiable ancient sites and modern seafaring realities to underscore the epic's basis in observable human experience rather than pure myth.
  • "All human life – and death – is here: the British parish church" (The Spectator): Mount extols parish churches as tangible archives of local history, referencing Andrew Ziminski's documentation of over 15,000 structures and Philip Larkin's poetry to highlight their role in encapsulating generational narratives through inscriptions, memorials, and artifacts.
  • "Oxford’s decline and fall is no surprise" (The Spectator): Mount attributes the drop of Oxford and Cambridge from top-three UK university rankings to relaxed admission standards, citing data on widened access policies since the 1990s that prioritized equity over academic selectivity, leading to measurable declines in research output and global standing.
  • "No wonder the National Trust is bowing to climate activists" (The Spectator): Critiquing the Trust's concessions to activist demands, such as altering property management for net-zero goals, Mount analogizes it to historical Anglo-Saxon appeasements of invaders, arguing that such yielding erodes the organization's core mission of heritage preservation amid unsubstantiated environmental imperatives.
  • "The joy of an archive" (The Spectator, December 2, 2023): Mount celebrates archival research as a portal to unfiltered historical truth, using examples from British records to contrast their factual density with the interpretive biases prevalent in contemporary digital narratives.

Controversies and Criticisms

Vetting of Peerages

In September 2022, appointed Harry Mount as an independent member of the (HOLAC), effective from 11 September 2022, to a term ending in 2026. HOLAC's functions include vetting nominations for life peerages submitted by and the for compliance with standards of propriety, financial probity, and tax compliance, as well as recommending non-party-political peers to the . Mount's appointment occurred on Johnson's final working day in office, prompting immediate accusations of from Labour Party figures, who described it as a "display of pure " given Mount's prior role editing The Wit and Wisdom of Boris Johnson (2013), a compilation portraying the then-Mayor of in a favorable light. Critics highlighted potential conflicts of interest, arguing that Mount's documented admiration for Johnson—evident in the book's preface and his journalistic support—undermined the independence required for vetting nominations, particularly amid Johnson's anticipated resignation honours list. A Number 10 spokesperson defended the selection, stating Mount brought "a of experience from his career" and emphasizing the commission's advisory role without veto power over political nominations. Mount resigned from HOLAC in 2022, less than a month after assuming the role, leaving a vacancy that persisted into 2023; official reports did not specify the reason, though the timing aligned with heightened scrutiny over Johnson's appointments. The episode fueled broader debates on HOLAC's efficacy in curbing , with some observers noting that while the commission can block improper nominations, its recommendations on political peers are non-binding, limiting its influence over prime ministerial discretion. Mount's brief tenure drew no specific allegations of improper decisions, as HOLAC processed 16 nominations in 2022-2023 without public lapses attributed to him, but it exemplified concerns over appointing perceived allies to oversight bodies during transitions of power.

Responses to Accusations of Cronyism

The appointment of Harry Mount to the () on 1 September 2022, effective from 11 September, was defended by the as the result of a formal recruitment process. Officials emphasized that the independent member role had been widely advertised, with Mount selected following a robust assessment of candidates. Cabinet Office Minister Lord True congratulated Mount upon confirmation, highlighting his extensive journalistic career—including roles at outlets such as , , and Mail on Sunday—as bringing "a wealth of experience" suitable for scrutinizing nominations. This underscored the view that Mount's professional background in legal and media fields qualified him to assess candidates' integrity and records independently. Mount himself did not issue public statements directly addressing the cronyism allegations during his brief tenure. However, his from HOLAC in late September 2022, approximately two weeks after assuming the role, effectively ended his involvement amid ongoing scrutiny. HOLAC's subsequent noted the vacancy created by his departure but provided no explicit reason for it.

Broader Debates on Conservatism

Harry Mount has contributed to ongoing debates within regarding the balance between cultural preservation and modern political . His writings often emphasize the role of historical continuity and as core conservative principles, critiquing deviations that prioritize short-term electoral gains over enduring traditions. For instance, in analyzing the Conservative Party's internal fractures, Mount argues that exposed fundamental tensions between Eurosceptic traditionalists—who view sovereignty and inherited institutions as sacrosanct—and more liberal elements open to supranational integration, a divide he traces to deeper philosophical rifts in thought dating back to the era. Mount's advocacy for a culturally rooted conservatism extends to critiques of institutional capture by progressive ideologies, positioning him in broader discussions on whether conservatism should actively resist "woke" influences in heritage bodies. In a 2023 commentary, he challenged Labour leader Keir Starmer's support for the , asserting that the organization's shift toward activism on issues like and diversity undermines its custodial role in preserving England's tangible past—a stance echoing conservative arguments that true Toryism demands defense of civil society's traditional anchors against ideological overreach. This reflects Mount's alignment with a strain of that prioritizes empirical fidelity to historical forms over abstract , warning that erosion of cultural confidence risks national cohesion. In reflecting on Thatcherite legacies, Mount has defended a restraint-oriented capable of tempering prosperity's excesses, countering hedonistic with inherited disciplines. His 2025 analysis posits that amplifies base impulses absent conservative guardrails like structures and communal norms, framing this as a timeless insight applicable to contemporary societal drifts. Such views situate Mount amid debates on whether should evolve toward libertarian economics or reaffirm pre-modern virtues, with his emphasis on the latter drawing from personal admiration for Thatcher's reinvigoration of British resolve while acknowledging the party's post-Blair adaptations.

Personal Life and Views

Family and Relationships

Harry Mount was born in 1971 to , a British writer, journalist, and former head of the 's Policy Unit under from 1982 to 1983, and his wife Julia, née Lucas. The family belongs to the Mount baronets, an aristocratic lineage tracing back to the 19th century, with estates in . Mount's grandfather, Robin Mount, was the brother of , making Mount a second cousin to former , whose grandfather was Sir William. Mount has two siblings, as one of three children born to Sir Ferdinand and Lady Julia; his older brother , born in 1969, is the to the baronetcy and works as a and . The family has maintained connections to British political and literary circles, with Sir Ferdinand's writings often reflecting conservative intellectual traditions. Little public information exists regarding Mount's own or partnerships, consistent with his preference for on personal matters beyond his professional life. In acknowledgments for his 2024 book My Teenage Attic, he dedicated the work to an individual referred to only as 'S', who inspired the project, but provided no further details. Mount resides in .

Intellectual Influences and Public Persona

Mount's intellectual development was rooted in an extensive , including eight years of Latin and seven years of Greek prior to studying at Oxford University in the late 1980s. This foundation instilled a lifelong appreciation for Greco-Roman antiquity, which he credits with providing timeless insights into , , and , as evidenced by his frequent references to Roman architectural principles and epic narratives in analyses of modern institutions. Mount has argued that classical stories continue to inspire contemporary leaders, such as heads drawing strategic lessons from ancient texts, underscoring his view of antiquity as a practical repository of wisdom rather than mere historical curiosity. Literarily, Mount draws inspiration from English satirists and , whose works shaped his understanding of British social customs, architecture, and humor. He has explored Waugh's for its portrayal of Catholic themes and upper-class decline, positioning it as a lens for examining enduring cultural tensions. These influences manifest in Mount's own writing style, which combines erudite references to classical motifs with light-hearted commentary on English idiosyncrasies, as in his defenses of traditional manners amid modern . In his public persona, Mount projects as a staunch advocate for classical pedagogy and cultural continuity, lamenting the decline of Latin and Greek instruction in British schools while promoting their utility for analytical thinking. As editor of The Oldie since 2017, he embraces a contrarian stance against youthful fads, self-describing as "old at heart" despite his relative youth, and uses the platform to critique progressive shifts in society, politics, and education. His media presence, through columns in The Spectator and The Telegraph, features self-deprecating travelogues retracing Homeric paths and pointed essays on heritage preservation, blending scholarly depth with accessible wit to appeal to audiences valuing empirical tradition over ideological novelty.

References

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