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Professional wrestling aerial techniques
Professional wrestling aerial techniques
from Wikipedia

Aerial techniques, also known as "high-flying moves" are performance techniques used in professional wrestling for simulated assault on opponents. The techniques involve jumping from the ring's posts and ropes, demonstrating the speed and agility of smaller, nimble and acrobatically inclined wrestlers, with many preferring this style instead of throwing or locking the opponent.

Aerial techniques can be challenging for wrestlers to learn since they learn to trust the other performer, the nominal opponent, to either target the jump correctly or to safely catch their fall.[1] Due to the risk of injury caused by these high-risk moves, some promotions have banned the use of some of them.

The next list of maneuvers was made under general categories whenever possible.

Attacks

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187

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This move sees a wrestler jumping forward from an elevated position while holding a steel chair or other weapon, driving the weapon onto an opponent lying prone on the mat. This move was innovated by New Jack and named in reference to the prison slang term 187.[2][3]

Diving chops

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The Undertaker jumping down from the top rope to strike Heidenreich with Old School

Arm twist ropewalk chop

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The wrestler takes hold of one of the opponent's wrists, twisting the arm into an arm wrench. The wrestler then climbs up the corner turnbuckles and takes a walk on the top rope before falling down striking the opponent's head, back, shoulder or nape with a chop. The move combination is better known as Old School. Invented by Don Jardine and popularized by The Undertaker, who was Jardine's protégé.[4] Japanese wrestler Jinsei Shinzaki uses the move while praying as the Ogami Watari.

Diving overhead chop

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Standing on the top turnbuckle, the attacking wrestler proceeds to jump in order to deliver an overhead chop to a standing opponent's head. This is one of the most recognizable signature moves performed by Manabu Nakanishi. This was also used by WWE Hall of Famer Tatanka as a signature move called, "Diving Tomahawk Chop".

Kane performing a flying clothesline on CM Punk

Diving clothesline

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The attacking wrestler jumps from an elevated position as extending their arm out from the side of the body and parallel to the ground, hitting the standing opponent in the neck or chest, knocking them over. A version of this move, called a flying lariat, involving the wrestler wrapping the attacking arm around the opponent's neck.

Diving double axe handle

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Also known as diving axe handle, diving double axe handle smash, or diving double sledge, this is accomplished by jumping from the top turnbuckle to the mat or floor and striking the opponent with two fists held together in the fashion of holding an axe. This is usually done on a standing or rising opponent. A common variation sees the wrestler standing over the top rope, facing away from the ring. From this point, the wrestler jumps, twisting to face inside of the ring, and quickly clutching both fists together to strike the double axe handle. This move was popularized by Randy Savage.

Diving drops

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Diving leg drop

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Also called guillotine leg drop, this move sees a wrestler jumping from a raised platform landing the bottom side of one leg across the opponent's throat or chest.[5] This move was popularized in the 1990s by the famed luchador, Psicosis. In the present day, this move is used as the finisher of TNA wrestler Johnny Dango Curtis (JDC), formerly known as Johnny Curtis and Fandango in WWE, calling this move Down and Dirty (formerly known as the Last Dance).

Moonsault leg drop

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This variation sees the wrestler performing a moonsault but instead of landing on the opponent in a splash position, the wrestler continues the rotation to drive a leg across the downed opponent. 2 Cold Scorpio popularized this move as a signature called Drop The Bomb. Independent wrestler Ruckus has also used this as an occasional move.

Shooting star leg drop

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The wrestler jumps forward from an elevated position following a full 360° or beyond rotation, driving a leg across the fallen opponent.

Somersault leg drop

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The wrestler, standing on an elevated position, jumps and flips forward to land one leg on the opponent lying beneath. This move can also be performed from a standing non-elevated position although this variation is quite rare. Booker T used this move during his time in WCW naming the move, Harlem Hangover. 2 Cold Scorpio also used a variation of this move as a finisher which sees him, while facing away from the supine opponent, utilizing a single corkscrew with the move, calling it the Tumbleweed.

Diving elbow drop

[edit]
Mark Briscoe performing a diving elbow drop on Colin Delaney

Executed by diving onto a supine opponent with one elbow cocked, driving the elbow into the opponent as the wrestler falls on one of their sides. The move was popularized by Randy "Macho Man" Savage. Over the decades, the move has since been used by a number of WWE superstars such as CM Punk and Bayley, who both use the move as a homage to Randy Savage, and Kairi Sane who uses the move as her finisher, referring to it as the InSane Elbow.

Diving 450 elbow drop

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The wrestler dives forward from an elevated position performing a 450 somersault landing on the supine opponent with the elbow drop. Independent wrestler Flip Kendrick has used the move. John Morrison uses a modified version of this move which sees him utilizing a diving cartwheel motion during the move and uses this as a finisher calling it the Countdown to IMPACT, IMPACT Elbow (using both names while in Impact Wrestling), and Thursday Night Delight respectively.

Diving back elbow drop

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This less common variation sees a wrestler stand facing away from a standing or supine opponent and in an elevated position (usually the top turnbuckle). The wrestler then dives backwards to strike the opponent. Ted DiBiase has used this move against a supine opponent as a finisher.

Diving pointed elbow drop

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The wrestler sits on the top turnbuckle with a foot on each second rope facing a supine opponent. The wrestler then leaps forward while clasping both forearms together, landing on their knees, driving an elbow into the opponent. It was used and popularized by Bret Hart and Stone Cold Steve Austin.

Shooting star elbow drop

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This move sees a wrestler jumping forward from an elevated position followed by executing a mid-air backflip to land elbow first on an opponent lying on the mat.

Diving fist drop

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A move in which a wrestler jumps down from the turnbuckle on an opponent, driving their fist into the opponent's head. While doing it, wrestlers have their front four knuckles out, and their thumb to the side. This move was popularized by Jerry Lawler as his finisher.[6]

Diving headbutt

[edit]
Chris Benoit performing a diving headbutt on MVP at WrestleMania 23

Also known as a Diving headbutt drop or a Flying headbutt, it is delivered from the turnbuckle with the wrestler leaping forward into the air head-first to fall and strike anywhere on the opponent's prone or supine body.[7] The move was accidentally invented by Harley Race,[7] who adapted it as a signature move and it was then further popularized by The Dynamite Kid, Chris Benoit, Bam Bam Bigelow, D-Von Dudley, Tomoaki Honma and recently Bryan Danielson and Chad Gable.[8] The wrestler will sometimes use this move with a swan diving motion by spreading their arms outwards while arching their legs backwards midair while performing the move. Benoit and Danielson are best known to use this technique. Benoit also used a version of this move by simply falling forward off the turnbuckle, with his arms spread up and outwards, to hit an opponent at close range. Honma also uses this version that he calls the Kokeshi while keeping his arms to his sides. This move, popular in lucha libre, can also be used to hit a standing opponent as demonstrated by Rey Mysterio who has used diving and springboard versions of this move earlier, and rarely at later parts in his career, as a signature and finisher. It was later publicized that the move in general could cause severe spine,[7] brain, leg or chest damage.[9]

Diving knee drop

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A move in which a wrestler jumps from the top turnbuckle, top rope, or the apron, landing one knee across a supine opponent. There is also a variation where a wrestler jumps from the elevated position and lands both knees across the supine opponent, referred to as a diving double knee drop. Bob "Spark Plug" Holly used this as a finisher, calling it the Pitstop Plunge.

Meteora
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This version of the diving double knee drop sees the attacker performing the maneuver from an elevated platform, jumping forward onto a standing or seated upright opponent with each knee striking both of their shoulders simultaneously. Springboard, slingshot, and standing or running versions of this move are also possible with the latter being used while the attacker is charging towards an opponent, against a charging opponent, or a combination of both. Innovated by CIMA, who has used both a springboard and top rope version as finishing maneuvers in Dragon Gate, and named it after the Greek landmark where he proposed to his wife. American wrestlers Sasha Banks and Matt Sydal also use it as a signature move, the latter having also performed in Dragon Gate.

Shooting star knee drop
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This move sees the wrestler jumping forward from the second turnbuckle, executing a mid-air backflip, landing knee first on an opponent down all on fours. It is a finishing move used by "Speedball" Mike Bailey as Ultima Weapon.

Diving senton

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This diving variation for a senton sees the wrestler landing back or buttocks first on the opponent's stomach or chest.[10]

Backwards facing diving senton

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The move sees an attacking wrestler jumping to the top turnbuckle or top rope facing away from the ring before falling down backwards onto the lying opponent. Popularized by Darby Allin who uses it as a finisher as the Coffin Drop. He's also known to use this move to hit a standing opponent.

630° senton

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The attacker on the top turnbuckle jumps and flips mid-air into a double front somersault to land sitting on the opponent below. It was innovated by Jack Evans and popularized by Ricochet who uses a corkscrew version of this move.

Corkscrew 630° senton
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In this version, the wrestler facing away from the ring on the top turnbuckle performs a 180° mid-air turn while executing the maneuver. Jack Evans and Ninja Mack uses this move.

Diving seated senton

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Razor Ramon HG performing a seated senton

This variant has the wrestler using the tailbone and lower back to fall in a seated position forcing a standing opponent to the mat rather than using their whole back. Performed by jumping forward off a raised platform or springboarding on to the opponent's shoulders, forcing them to the ground. This can also be performed onto an opponent prone or supine on the mat.

A variation of this move known as the Banzai Drop, popularized by Yokozuna and by Rikishi as the Rump Shaker, sees the wrestler standing over a fallen opponent next to the turnbuckle, then climbing up to the second rope and jumping down, landing on the opponent's stomach or chest.

Kelly Kelly performing the Molly-go-round at WrestleMania XXVIII
Molly-Go-Round
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This variant, which is technically described as a diving somersault seated senton is performed by flipping forward off a raised platform on to the shoulders of a standing opponent, forcing them to the ground into a pinning position. Innovated by Molly Holly. Tegan Nox uses this move.[11]

Moonsault senton

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The attacker jumps to the top turnbuckle or top rope facing away from the ring, and executes a moonsault, landing in an ordinary senton position. There is also a standing version of this move.

Senton bomb

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In this variation, the attacking wrestler executes a quick front somersault off the top turnbuckle, landing on the opponent back-first. Popularized by The Sandman and renaming it as Rolling Rock. The standing, running variation is known as a cannonball.

Corkscrew senton bomb
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Another variant where the attacking wrestler facing to the ring does a 360° twist in the air before impact. A.J. Styles popularized this by calling it the Spiral Tap.

High-angle senton bomb
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Jeff Hardy performing his Swanton Bomb (high-angle senton bomb) finisher to Carlito

A variant which sees a wrestler leaping off the top turnbuckle keeping the body straight and arms out-stretched, resembling a swan dive[10] and then waiting until the last moment to execute the flip, so is just barely complete when the attacker impacts the opponent with upper back/shoulders. Invented by The Great Sasuke calling it Senton Atomico, Jeff Hardy popularized this move in North America, calling it the Swanton Bomb. It would be used by Kevin Owens, as well as British professional wrestler Amir Jordan, who calls the move Swanton Bombay.

Rolling senton bomb
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Another variant where the attacking wrestler, facing away from the ring, does a 180° twist followed by the senton bomb. This was popularised by Jeff Hardy calling it Whisper in the Wind. This can be done with the opponent standing up or laying. Matt Riddle is also a notable user of this move, who calls it the Floating Bro.

Shooting star senton

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Jumping forward from an elevated position, the attacking wrestler executes a mid-air backflip ending in a senton.

Sky Twister Press

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Created by Chaparita Asari, the Sky Twister Press sees the attacking wrestler somersault backwards from an elevated position, twisting their body around in mid air so as to land back first on the opponent.

Diving shoulder block

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The wrestler dives from an elevated position tucking both arms in, and striking a standing opponent with one shoulder to the upper body.

Diving spear

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A diving version of the takedown known as a spear. A wrestler will jump from a raised platform driving a shoulder into the torso as pulling both the opponent's legs, forcing them down to the mat.

Diving splash

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Tamina performing a Superfly Splash on Kaitlyn (diving splash)

This basic maneuver involves a wrestler jumping forward from a raised platform, landing stomach first horizontally across an opponent lying on the ground below. This move was popularized by Jimmy Snuka, naming it the Superfly Splash, for his “Superfly” gimmick, and is currently used by his daughter Tamina Snuka as a tribute to her father. The Usos also use this move as their finishers called the Uso Splash, and is also occasionally used by Solo Sikoa called Flying Solo. Bronson Reed also uses this as a finishing move called the Tsunami.

450° splash

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Also known as firebird splash, involves an attacker facing the ring from the top of the turnbuckles, then performing a "Rudolph" (front somersault with 112 rotations) to land the upper body's front on the opponent. This move was innovated by Scott Steiner in 1987 before 2 Cold Scorpio popularized the move in the 1990s. It can also be dangerous when it cannot be executed properly, as WWE previously banned it in 2005 after Juventud Guerrera broke Paul London's face before they allowed Justin Gabriel to use it in 2010. It is often used by high-flying wrestlers, but has also been used by mat-based wrestler Kris Statlander as her finisher, which is dubbed the Friday Night Fever (formerly known as Area 451).

Corkscrew 450° splash
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The move was innovated and popularized by Hayabusa, who named it the Phoenix splash. The wrestler facing away from the ring on the top turnbuckle performs a 180° turn in mid-air while performing a 450° splash onto a lying opponent. Kota Ibushi and Rich Swann are notable users of the move.

Imploding 450° splash
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Also known as flaming star press or inverted / reverse 450° splash,[12] sees the attacking wrestler standing on the top turnbuckle facing away from the ring. Then jumping backwards executing a 450° splash inwards (facing the turnbuckle) onto a downed opponent on the mat. Mustafa Ali once used this move, naming it the 054.

Imploding corkscrew 450° splash
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The attacking wrestler stands on the top turnbuckle facing towards the ring and performs a 180° turn in mid-air while performing a 450° splash inwards.

Corner slingshot splash

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The wrestler places the opponent lying supine perpendicular to the turnbuckle. Then approaching to the turnbuckle in the same corner, grabbing a hold both hands on the top rope and climbing to the first or second rope, the wrestler bounces on the ropes before throwing both legs backwards and placing the body parallel to the mat as releasing the ropes, thus falling inwards and downwards to the ring squashing and pinning the opponent. Often referred to as Vader Bomb, for it was (Big Van) Vader who popularized it.[13] Jack Swagger used a running variation as his signature in WWE, calling it a Swagger Bomb and is currently being used by Otis as the Dozer splash.

Moonsault

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A wrestler executes a backflip and lands torso first on the opponent.[14][15] A basic moonsault is generally attempted from the top turnbuckle, though myriad variations exist.

AJ Lee performing a diving crossbody on Nikki Bella at WWE WrestleMania 31

Diving crossbody

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To perform the move, the wrestler jumps from an elevated position (usually the top turnbuckle) onto an opponent, landing horizontally across the opponent's torso, forcing them to the mat and usually resulting in a pinfall attempt.[16] There is also a reversed version, called a reverse crossbody, where the wrestler faces away from the prone opponent before executing the maneuver. This move is one of the basic moves of lightweight wrestlers. This move was made famous as the finisher of WWE Hall of Famer Ricky "The Dragon" Steamboat. The Hurricane used diving crossbody as his finisher and named it the Cape.

Eddie Guerrero performs a frog splash on Danny Basham.

Frog splash

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This move is performed by leaping from the top rope, stretching out to a horizontal position,[17] and bringing one's feet and hands inward and outward before landing.

Eddie Guerrero made the frog splash famous in the mid-1990s and early 2000s. However, the move itself was innovated by La Fiera in Mexico in the early 1980s.[18] Later it was used by Art Barr in the late 1980s and was named by 2 Cold Scorpio who remarked Barr looked "like a frog" whilst performing the move which resulted in Barr naming it. After Barr's death in 1994, Guerrero used the move in tribute to his fallen tag team partner. After Guerrero's death in 2005, Christian Cage began using the move as a tribute to Guerrero. Hiroshi Tanahashi of New Japan Pro-Wrestling uses this move as the High Fly Flow.[19][20][21] T.J. Perkins uses this move since 2020 and calls it the Mamba Splash in honor of the late basketball player Kobe Bryant, of whom Perkins is a fan. Cedric Alexander uses this as one of his finishing moves, called Overtime.

There is a high-angle turning variation named the Five-Star Frog Splash where the opponent is not placed perpendicular to the corner. Instead, the attacker turns mid-air to land on the opponent in the splash position, regardless of which direction the opponent is lying in. It was made famous by ECW, WWF/E and TNA superstar Rob Van Dam as it was used as his finisher. He also uses a regular version, generally going halfway or more than halfway across the ring to hit his opponent. Lio Rush uses a split-legged version called the Final Hour. The split-legged version was popularized by D'Lo Brown, who dubbed his version the Lo Down. Montez Ford uses a spinning version of this move called From the Heavens, as well as Mike Santana, who calls the move the Puppy Splash.

Spike Dudley hitting a diving double foot stomp on Rodney Mack

Diving stomp

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The wrestler jumps down from a raised platform onto an opponent, dropping one foot onto the opponent's body. A variation known as a diving double foot stomp sees the attacking wrestler jumping down from a raised platform on an opponent, driving both feet into the opponent. Finn Balor uses this as his finishing move called the Coup de Grâce.[22] Cameron Grimes uses a running variation of this move called the Cave-In, formerly known as the Caveman Stomp. Swerve Strickland uses a variant where he stomps an opponent on a seated position called Swerve Stomp.

Moonsault double foot stomp

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Also known as the Moonstomp, this variation sees the wrestler perform a moonsault, but instead of landing on a fallen opponent in the splash position, the wrestler continues the rotation driving both feet into the opponent. Innovated by Hikari Fuokoka while Sonjay Dutt and IYO SKY occasionally use this as an finishing move.

Mushroom stomp

[edit]

While situated on the middle turnbuckle, a wrestler jumps over a charging opponent, driving one or both feet into the opponent's back, pushing the opponent into the turnbuckle or down to the ground, before landing on their feet. The technique's name is a reference to the stomping attacks used by video game character Mario.

Flying body press

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Differentiating themselves from a splash or a senton, these maneuvers are performed from an upright position, using momentum and weight to run over a standing opponent or pin a fallen one.[6]

Falling Thesz press

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Sitting on the top turnbuckle, the attacking wrestler rests both feet with spread legs on the second ropes waiting for an incoming opponent, then jumps forward through springboarding to sit on the opponent's midsection as in a standing Thesz press.

Brock Lesnar failed to achieve a shooting star press on Kurt Angle at WrestleMania XIX, suffering neck injuries and a concussion as a result.

Shooting star press

[edit]

A technique invented by Jushin Thunder Liger.[23] The wrestler jumps forward from an elevated position and presses their knees to their own chest, executes a backflip and lands on the opponent as if performing a body press. This move was used by Brock Lesnar and is Matt Sydal's finisher, but was popularized by Billy Kidman in WCW. The move was previously banned in WWE in 2005 for safety reasons, as the move can easily be botched and cause serious injuries, much like the piledriver. Mark Andrews of Total Nonstop Action Wrestling (TNA) uses this as a high-flying move called Fall to Pieces.[24]

Neville performing a corkscrew shooting star press on Finn Bálor
Corkscrew shooting star press
[edit]

This move sees a wrestler jump forward while twisting 360° and performing a backflip. This move is used and has been popularized by PAC who called it the Red Arrow, and later the Black Arrow. It is also known for being used by Will Ospreay and Komander.

Flying kicks

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Several attacks taken from eastern martial arts to Lucha libre, these are widely popular maneuvers amongst fans worldwide.[6]

Diving calf kick

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Standing over the top turnbuckle or top rope, the attacking wrestler jumps off and twists slightly so as soaring midair faces away from the opponent, connecting the side of their lead leg's calf-heel cord area to the opponent's face or chest.

Diving leg lariat

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A leg lariat in which a wrestler jumps from a raised platform towards an opponent and wraps one leg around the opponent's head or neck, knocking them down to the ground.

Flying spinning heel kick

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A move in which the wrestler jumps from an elevated position (usually the top turnbuckle) and strikes a standing opponent with a spinning heel kick mid-air.

Flying thrust kick

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Executed when a wrestler jumps from a raised platform (usually the top turnbuckle), and performs a mid-air back kick on a standing opponent.

Missile dropkick

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A move in which the wrestler jumps from an elevated position (usually the top turnbuckle) and strikes a standing opponent with the soles of both feet, essentially executing a diving version of a dropkick. Shane McMahon uses a variation where he leaps from the one corner of the ring to the adjacent side before executing the maneuver to the cornered opponent, naming it the Coast-to-Coast.

Throws

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Diamond dust

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This maneuver is performed by an attacking wrestler standing or sitting on an elevated platform facing the back of a standing opponent while applying an inverted facelock. From this position, the attacking wrestler somersaults forward to roll the inverted facelock into a 34 facelock. As they fall, the wrestler either drops to a seated position driving the opponent's jaw into their shoulder, or back-first forcing the opponent's face into the mat. Innovated by Masato Tanaka.

Diving hurricanrana

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This move is executed by jumping forward off the top rope with legs apart, then straddling on a standing opponent's shoulders and using the momentum to snap off, rolling and throwing the opponent forward. This move was popularized by Lita as the Litacanrana. Rey Mysterio popularized a springboard version called the West Coast Pop, but rarely uses it in his later years due to knee injuries.

CM Punk performing a Frankensteiner on Daniel Bryan
Louis Lyndon (below) executes a top-rope Frankensteiner on Ty Colton

Frankensteiner

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This variant is executed on an opponent sitting on the top turnbuckle. With the attacking wrestler's legs scissored around the opponent's head while they face each other, the wrestler backflips to swing through the opponent's open legs, dragging the opponent into a forced somersault that distances the wrestler from the opponent, who lands back-first.[25] The name comes from Scott Steiner, who possibly invented the move.[26]

A handstand variation can also be used. With the opponent seated on the top turnbuckle facing the ring, the wrestler performs a handspring on the bottom turnbuckle, wrapping both shins or feet around the opponent's neck. The wrestler then throws both legs forward towards the ring, pulling and flipping over the opponent to the mat back first.

Rey Mysterio and Último Dragón uses a spinning version of this move which sees the wrestling positioned on the top rope behind the opponent seated on the same top rope facing the ring inward. The wrestler then places themselves on both the opponents shoulders, spins around 180 degrees, and executes the backflip to land chest first to flip the opponent onto their back. Último Dragón uses this move as a finisher and calls it the Dragonsteiner.

Reverse Frankensteiner
[edit]

Also known as Inverted Frankensteiner or Poisoned Frankensteiner, this is executed on an opponent sitting on the top turnbuckle. However, the opponent is facing away from the ring on the top turnbuckle thus the opponent backflips over and lands face first. This move can also be performed to the outside of the ring if the opponent is facing the inside of the ring or sitting on one edge of the corner turnbuckle facing the audience both legs outside of the ring on the same side. There is also a standing variation of this move in which the wrestler jumps onto the opponent's shoulders from behind and then flips backwards driving the opponent's head or chest onto the mat.

Dragonrana

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In this variant the wrestler performs a front flip from the top rope before executing a true hurricanrana into a pin. The technique is named by and after Dragon Kid, who popularized the maneuver.[27]

Phoenixrana

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With this variant the wrestler, facing away from the ring and situated on the top turnbuckle, performs a 180° turn in mid-air and then performs a front flip before executing a pinning hurricanrana. A version used by Jack Evans sees him perform the this move from the apron to an opponent standing on the floor, outside of the ring.

Shiranui

[edit]
KL Murphy performing a shiranui

Invented by Naomichi Marufuji. A backflip inverted facelock drop where a wrestler puts the opponent into a 34 facelock, then runs up the corner turnbuckles or ring ropes and jump backwards performing a backflip, and landing face down driving the opponent down to the mat back-first. Sometimes a standing variant is performed by wrestlers with adequate leaping ability or when assisted by a tag team partner. The move is popularly known, especially in North America, as Sliced Bread No. 2, a name created by wrestler Brian Kendrick.[28][29] In a slight variation named sitout shiranui the wrestler lands into a seated position instead, driving the opponent's head between the legs.

Sunset flip

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A pinning move where wrestler and opponent face each other, with the wrestler on higher ground (such as the top turnbuckle). The wrestler dives over the opponent, catches them in a waistlock from behind,[30] and rolls into a sitting position landing onto the mat. As the wrestler rolls over, the opponent is pulled over backwards, landing back first in a rana.[30]

Transition moves

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Some moves are meant neither to pin an opponent, nor weaken them or force them to submit, but intended to set up the attack on the opponent.

Corkscrew

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The term implies adding a spiral resembling a corkscrew to a maneuver. It can also refer to the motion when a backflip is twisted around so the attacker faces the inside of the ring instead of the outside when the maneuver ends.

Moonsault

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A wrestler executes a backflip and lands torso first on the opponent.[31][15] A basic moonsault is generally attempted from the top turnbuckle, though myriad variations exist.

Ropewalk

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As the name implies, this term is used to refer to any move which sees the attacking wrestler walking along the top rope before performing a move.

Shooting star

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When a wrestler jumps forward from an elevated position and executes a mid-air backflip. Many techniques can be performed.[32]

Slingshot

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When a wrestler, standing on the ring apron, pulls on the top rope using the momentum to hurl over the ropes and into the ring. Alternatively, a wrestler may use the ropes to bounce the opponent off of them to power a throw or attack such as a powerbomb or a suplex.

Somersault

[edit]

A simple front-flip used to modify an aerial technique. A corkscrew is often added to the somersault to further modify a move.

Springboard

[edit]
Chris Jericho performing a lionsault (springboard moonsault) on Kurt Angle

When a wrestler using any of the ring ropes bounces upward. Most high-flying techniques can be performed after a spring board. Sometimes wrestlers will bounce off one set of ring ropes then off another to perform a move, this is referred to as a double springboard.[33] A variation of a springboard is the rope run or climb, in which a wrestler runs up, effectively with one foot off each ring rope.

Step-through

[edit]

A variation of the springboard, the wrestler starts by standing on the ring apron. As they start entering the ring, the wrestler springboards off of the bottom rope with one leg and performs a move on the opponent. The most common move performed out of the step-through is a tornado DDT, which Xavier Woods used for a brief time. It is also possible to perform it from the inside of the ring into the outside on an opponent on the apron or on the ground.

Up-and-over

[edit]

A variation of the springboard in which a wrestler bounces off the corner going fully horizontal, seeing a charging opponent go underneath the springboarding wrestler.

Modifiers

[edit]
Kofi Kingston performing a plancha on Jack Swagger and The Miz

Plancha

[edit]

An accepted term in American wrestling for a slingshot crossbody where the wrestler goes from the inside of the ring over the top ring rope to the outside. In lucha libre, this variant is often called a "pescado" (Spanish for "fish") since a proper plancha is referring to any kind of crossbody. In America, however, a move from the top turnbuckle to a standing opponent on the outside where the chests impact each other is commonly referred to as such. It is also used to refer to any attack from the ring to the outside in which the wrestlers' chests impact each other. For example, a shooting star press to the outside onto a standing opponent is referred to as a shooting star plancha.[34]

Standing

[edit]

The term is used to refer to any move performed at the same level the opponent, usually right on the mat, rather than most aerial moves where the attacking wrestler performs them from a raised platform.

Brodie Lee performing a suicide dive onto Michael Elgin

Suicide

[edit]

Often occurring in Spanish as suicida, this term is placed before any move that goes from any of the ring parts to the outside of the ring. The most common example is the suicide dive known as topé suicida (Spanish for "suicide headbutt").[35][36] When a somersault is performed after leaping through the ropes, or by jumping over the top rope, to land on the opponent back first, the move is known as a suicide senton or topé con giro (Sp. spinning headbutt). Outside Mexico, the move is incorrectly referred to as topé con hilo, for it was mistranslated in Japan (Since hilo in Spanish actually means thread) and the term has remained as such.[37]

Super

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This term (often exchanged for diving, elevated, top-rope, or avalanche) is placed before any move performed normally on the mat but when executed off the top or second rope.[38]

Topé

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A topé (from the original Spanish tope, meaning headbutt), like the plancha, is a move most often performed by jumping from the inside of the ring and out, but instead of going over the top rope, the topé is performed by leaping forward through the ropes in order to strike the opponent with the head. In Mexico, topé also refers to any variation of a battering ram.

See also

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Notes

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Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Professional wrestling aerial techniques, also known as high-flying moves, are acrobatic offensive maneuvers executed from elevated positions within the ring, such as the top rope, turnbuckle, or , leveraging a wrestler's speed, agility, and momentum to simulate high-impact assaults on opponents. These techniques emphasize athletic spectacle and risk, often involving flips, dives, spins, and somersaults that utilize the ring's ropes and posts as launch points to enhance height and drama. The origins of aerial techniques trace back to Mexican in the mid-20th century, where masked wrestlers developed elaborate dives such as the plancha and tope suicida as staples of the style. In North American wrestling, the style gained prominence in the late 1970s, when wrestlers like began incorporating faster-paced, acrobatic elements into matches in promotions such as , shifting away from slower, hold-based regional styles toward more dynamic performances. This evolution accelerated in the 1980s and 1990s through cross-cultural influences from Mexican —characterized by masked wrestlers performing elaborate dives and hurricanranas—and Japanese , where strong-style integration of aerial assaults added intensity. In the United States, the style gained mainstream prominence during the WWF/WWE's , with innovators like popularizing moves such as the (originally developed by in the 1970s) and diving elbow drop, redefining wrestling as a blend of athleticism and entertainment. Key examples of aerial techniques include the frog splash, pioneered by La Fiera in Mexico and refined by Art Barr before being adopted and elevated by Eddie Guerrero as a signature finisher; the Swanton Bomb, invented by The Great Sasuke as the Senton Atomico and popularized by Jeff Hardy for its high-risk backflip execution; and the shooting star press, created by Jushin Thunder Liger in the early 1990s, featuring a forward somersault from the top rope. These maneuvers, while thrilling for audiences, carry significant physical demands and injury risks due to their reliance on precise timing and body control, often spotlighted in cruiserweight divisions or matches emphasizing speed over power. Modern iterations continue to evolve, with wrestlers like Ricochet incorporating advanced variations such as the 630° senton to push the boundaries of aerial innovation.

Fundamentals

Definition and Characteristics

Aerial techniques in , also known as high-flying moves, are offensive or transitional maneuvers executed from elevated positions such as the top rope, turnbuckles, or ring apron, leveraging height and momentum to amplify the impact of basic wrestling actions. These techniques transform standard strikes, presses, or throws into dynamic assaults by incorporating jumps and leaps, distinguishing them from ground-based moves through their requirement for vertical elevation and airborne execution. Central characteristics include a focus on the wrestler's speed, , and rotational elements, such as 360-degree flips or somersaults, which generate spectacle and emphasize athletic prowess to engage audiences. Launch aids like springboards off the ropes or slingshots from the build propulsion, while targeted impact zones—typically the opponent's chest, head, or torso—maximize dramatic effect. Essential terminology encompasses "top rope" for the highest ring cable used in positioning, "" for the leaping phase, and "flip" for mid-air rotations, providing foundational concepts for understanding more complex variations. These maneuvers carry significant risks due to the potential for falls from , often resulting in concussions, fractures, or spinal injuries, which demand superior athletic conditioning, impeccable timing between performers, and the ring's padded surface for absorption. Promotions frequently restrict high-risk aerial techniques to protect participants, underscoring their role as high-stakes elements that balance entertainment with physical peril.

Historical Development

Aerial techniques in professional wrestling trace their origins to the 1930s and 1940s, emerging prominently within lucha libre, where acrobatic maneuvers including early top-rope dives and flips developed, influenced by imported wrestling styles and local innovations. These moves, including precursors to the plancha (a forward somersault dive), were rare at the time, serving as crowd-pleasing highlights amid more grounded styles. In American wrestling circuits, rudimentary aerial elements like the —innovated by in the 1930s—appeared in carnival shows, though full high-flying spectacles were more characteristic of promotions. The late 1970s marked a transitional phase, with wrestlers like incorporating faster-paced, acrobatic elements into matches in promotions such as , blending athleticism with intensity to shift from slower regional styles. The 1980s saw aerial techniques introduced to mainstream American audiences through the World Wrestling Federation (WWF), where performers like popularized high-impact dives, such as the Superfly Splash from the top rope, debuted in the early 1980s, adding elevation and drama to matches during the Hulkamania era. This helped normalize top-rope usage in WWF programming, transitioning aerials from fringe acts to televised staples. The 1990s saw a boom in aerial techniques, driven by World Championship Wrestling's (WCW) cruiserweight division, which showcased international talent and revolutionized the style with faster, more intricate maneuvers. , debuting in WCW in 1996, popularized the hurricanrana—a rotational headscissors throw—through high-profile matches that highlighted agility over size, winning the cruiserweight title multiple times and influencing a generation of performers. This era's emphasis on lucha libre-inspired flips and dives, often involving multiple rotations, elevated aerials from occasional spots to core elements of matches. Japanese contributed significantly to aerial evolution during this period, with wrestlers adapting and refining moves for junior heavyweight divisions. The , innovated by in lucha libre roots but popularized by The Great Muta in (NJPW) during the late 1980s and 1990s, became a high-impact backward somersault dive that crossed over to American promotions. Jushin Thunder Liger further advanced the style in NJPW, innovating variations like the Shooting Star Press in the early 1990s, which combined forward flips with precision landings to emphasize athletic storytelling. From the 2000s into the 2020s, aerial techniques integrated more deeply into major promotions like and (AEW), evolving from rare spectacles to routine components through independent circuits and global exchanges. High-flyers like , who rose in the via indie promotions such as PWG, brought multi-rotation flips and 630-degree splashes to in 2018 and AEW in 2024, pushing boundaries with seamless transitions between ground and air work. Independent scenes, including those in Mexico's CMLL and AAA, fostered innovations like enhanced rotational dives, while AEW's post-2019 emphasis on athletic freedom amplified multi-rotation techniques in high-stakes matches. This progression reflects broader globalization, with aerials now essential for pacing modern bouts and attracting diverse audiences.

Launch Methods

Springboard Techniques

Springboard techniques in involve a wrestler utilizing the ring ropes to generate upward and forward momentum for launching into aerial maneuvers, typically by placing one foot on the middle or top rope and pushing off to propel the body toward an opponent. This method allows for greater height and distance compared to stationary dives, enabling transitions into strikes, throws, or rotational elements such as backflips. The core mechanic relies on the elasticity of the ropes, which act like a to amplify the wrestler's leap while maintaining balance through controlled body positioning. Common applications of springboard techniques include the springboard crossbody, where the wrestler leaps from the ropes onto the opponent's chest in a horizontal body press, often executed from the ring for added elevation. Another prominent variation is the springboard moonsault, in which the performer bounces off the rope and executes a backflip to land torso-first on a prone adversary, as seen in Tiffany Stratton's "Prettiest Ever." The step-through springboard, a specialized variant, begins with the wrestler on the apron stepping through the ropes while springing off the bottom rope for a quick vault into the ring, frequently leading to immediate follow-up attacks like a cutter or smash. Execution of springboard techniques demands precise timing synchronized with the opponent's positioning to ensure safe and effective contact, often requiring the performer to gauge distance mid-leap. Wrestlers frequently incorporate the ring apron for enhanced elevation, stepping onto it before springing inward to surprise opponents inside the ring. These moves emphasize agility and spatial awareness, with performers adjusting based on subtle cues from their adversary during the sequence. Safety considerations for techniques highlight risks such as rope snap-back, which can cause slips or loss of control leading to falls, potentially resulting in concussions or injuries. To mitigate these dangers, programs stress incremental progression under , including inspections and warm-up routines to prepare the body for impact. Emphasis is placed on building core strength through exercises like planks and raises, which enhance stability and reduce strain during propulsion and . Professional promotions enforce restrictions on high-risk aerial launches, with ringside medical support mandatory to address any mishaps promptly.

Slingshot Techniques

Slingshot techniques represent a dynamic launch method in , where a performer positioned on the ring outside the structure grips and depresses the top to generate elastic tension before releasing it for propulsion into the ring or toward a target. This mechanic relies on the rope's rebound to the wrestler forward, often covering several feet in a controlled that can integrate rotational or linear motion for offensive impact. The technique demands precise timing to avoid entanglement with the ropes or misjudged distance, distinguishing it from internal ring-based launches like springboards by originating from an external vantage point. Common applications include the somersault, in which the wrestler flips end-over-end upon entry to land on an opponent, adding visual flair and momentum for follow-up strikes; the clothesline, where the propelled wrestler extends an arm for a high-impact lariat upon re-entry; and the corner splash, targeting a foe draped over the with a full-body collision from the . These maneuvers emphasize surprise and athleticism, allowing wrestlers to transition seamlessly from ringside to in-ring action. For instance, performers like have employed variations such as the DDT, using the launch to position for a head-first slam. Variations extend the base mechanic, such as the up-and-over , where the wrestler vaults directly over the top rope in a forward leap, bypassing full entry for an immediate dive onto an external opponent, or combinations with additional dives to amplify distance and height for crowd-pleasing sequences. launches can also integrate with other aerial elements, like rotations during propulsion, though these increase complexity. These adaptations highlight the technique's versatility in high-flying bouts. Slingshot techniques gained prominence in the through the cruiserweight division in promotions like WCW and ECW, where agile performers used them to engage audiences with innovative, fast-paced offense that contrasted heavier styles. Wrestlers such as and exemplified this era's emphasis on rope-assisted launches for dramatic entries and attacks. Despite their spectacle, slingshot maneuvers carry inherent risks, including under- or over-shooting the intended landing, which can result in collisions with ring posts, opponents, or the canvas, potentially causing concussions, sprains, or more severe impacts. Aerial launches like these contribute to the broader injury profile of high-flying wrestling, where botched trajectories have led to documented cases of head and neck trauma across promotions.

Aerial Attacks

Diving Strikes and Chops

Diving strikes and chops represent a category of aerial techniques in professional wrestling that involve leaping from elevated positions, such as the top rope or , to deliver targeted blows using the arms, fists, elbows, or feet against an opponent's head, , or limbs. These maneuvers prioritize precision and momentum to simulate devastating impacts, often employed by agile performers to highlight athleticism and transition into further offense. Unlike grounded strikes, the elevation amplifies force through , requiring careful timing to ensure safe execution and visual appeal. The core mechanics entail climbing to a perch on the ring's corner, propelling the body forward or downward, and extending the striking limb to connect with the target while maintaining balance mid-air. Wrestlers typically aim for the opponent's head or to maximize dramatic effect, though lower strikes like those to the legs can target mobility. A running start from the apron may be used to build speed, enhancing the move's power and range. For instance, the diving clothesline features an extended arm swinging across the opponent's upper body in a tackling motion, popularized in variations like JBL's high-impact rendition from the top rope. Among specific moves, the missile dropkick involves jumping off the top and driving both soles of the feet into the opponent's chest or face, aided by the drop from height for explosive force; this move draws from influences and was exemplified by Daniel Bryan with precise, high-elevation executions that became a staple of his technical style. The diving calf kick is a lower variation where the wrestler twists slightly mid-air to strike the opponent's calf or knee with their shin, disrupting stance and often setting up submissions; this targeted leg strike has gained traction in contemporary matches for its tactical utility. The arm twist ropewalk chop begins with wrenching the opponent's arm to control position, followed by walking along the top rope for leverage before leaping to deliver a knife-edge chop to the chest, as iconically performed by under the name "Old School" to blend showmanship with striking impact. Variations expand these fundamentals with rotational elements for added flair. The flying spinning heel kick sees the wrestler launching from the top rope, spinning 360 degrees mid-air to connect the heel to the opponent's jaw or temple, a dynamic strike frequently used by for its fluid combination of aerial height and torque. Similarly, the diving pointed elbow drop requires the performer to perch on the top , then dive elbow-first with the joint extended sharply downward onto the opponent's or skull, as demonstrated by in high-stakes SmackDown encounters to punctuate comebacks. A notable modern addition is the diving enzuigiri, a spinning to the back of the head executed from an elevated launch, such as a , emphasizing speed and surprise; has notably adapted this for explosive sequences in . Overall, these techniques demand rigorous training for safe landing—often by rolling through upon contact—and can incorporate brief launches from adjacent ropes to extend reach without altering the striking focus.

Diving Body Press and Splash

In , diving body press and techniques are aerial maneuvers executed from elevated positions, such as the top , where the wrestler launches forward to land horizontally across the opponent's or chest, harnessing momentum and body weight to generate pinning pressure and midsection impact. The core mechanics involve the performer climbing to height, propelling the body forward—often with some rotation for added force—and absorbing the landing to maximize compression on the opponent's ribcage and , which can knock the wind out, stun the target, and facilitate a quick cover for a pinfall. These moves distinguish themselves by emphasizing full-torso contact for broad-area offense rather than localized strikes, making them versatile for high-flyers aiming to topple larger foes or build momentum in sequences. The diving crossbody, a classic sideways body press, sees the wrestler dive laterally from the top rope with arms and legs tucked, colliding perpendicularly across the opponent's chest to drive them backward or to the mat under the horizontal force of the landing. This technique relies on the attacker's rotational launch to create leverage for knockdown and immediate ground control. A prominent example is its use by agile competitors like Neville in high-stakes matches to counter power-based opponents. The frog splash, an angled variation pioneered by La Fiera in and refined by , positions the opponent perpendicular to the corner before the wrestler leaps from the top with legs splayed in a frog-like pose, rotating 1.5 times midair to crash stomach-first onto the midsection for a compressing splash. famously adopted and refined this move as a finisher, tributing who popularized it, while elevated it to the Five-Star Frog Splash by incorporating multiple forward flips for intensified velocity and impact upon descent. Advanced rotational elements, such as those briefly referencing corkscrew flips, enhance these techniques' spectacle and power. The 450° splash adds a forward with a 90-degree twist, allowing the wrestler to spin 450 degrees before splashing down chest-first on the prone foe, amplifying torque for greater force; wrestlers like Justin Gabriel have showcased this demanding variant in cruiserweight divisions. The shooting star press, invented by Jushin Thunder Liger in the early 1990s, involves a from the top rope followed by a handspring into a forward to land stomach-first across the opponent, as mastered by Evan Bourne in his "Air Bourne" iteration for pinpoint precision and crowd appeal. Variations include the falling Thesz press, where the wrestler dives from the top onto a standing opponent in a tackling motion, transitioning seamlessly into a mounted press hold for ground dominance, and the corner slingshot splash, executed by slingshotting off the opposite ropes into the to splash an opponent in the corner with added propulsion. popularized the Swanton Bomb, an arching splash from extreme heights like cage tops, where he modifies a kamikaze dive into a 180-degree rotation to land back-first across the opponent's body, delivering high-risk impact at significant personal athletic cost.

Diving Leg and Elbow Drops

Diving leg and elbow drops are aerial maneuvers in that involve leaping from an elevated position, such as the top , with the leg or elbow extended to deliver a targeted strike to the opponent's chest, head, or joints. These techniques prioritize joint-based impact for dramatic effect, distinguishing them from broader body distributions, and demand exceptional balance and timing to execute safely. The diving leg drop, often performed by jumping forward from the top turnbuckle, sees the wrestler land the bottom of their leg across the opponent's throat or chest for a guillotine-like effect. A notable variation is the , which incorporates a in mid-air to add rotational flair before the leg impacts the opponent. The further escalates the complexity with a full rotation during the descent, enhancing the visual spectacle while maintaining the leg as the striking point. Booker T's Harlem Hangover exemplifies an advanced diving , where the wrestler flips mid-air from the top rope before crashing the leg onto the opponent's head; at over 260 pounds, Booker T used this against at to devastating effect. Rare iterations, such as the 630° leg drop involving multiple forward rotations before landing, have appeared in independent circuits. These high-risk headshots require precise control, as improper landing can cause significant or injuries to the performer. The diving elbow drop involves cocking the elbow and diving onto a prone opponent to drive it into the sternum, shoulder, or head, popularized by "Macho Man" Randy Savage, who would ascend the turnbuckle, point skyward, and descend with forceful precision, often clinching victories both in and outside the ring. Variations include the shooting star elbow drop, where a backflip precedes the elbow strike for added rotation, and the diving 450° elbow drop, featuring a 450-degree spin to target the opponent from an angled approach. The diving back elbow drop reverses the facing direction during the fall for a rear-oriented impact, while the somersault leg drop blends a forward roll with the leg extension for transitional momentum. Targeting the head or joints amplifies the move's danger, necessitating meticulous form to prevent self-injury, such as elbow hyperextension or spinal strain.

Diving Senton and Stomp

The diving senton and stomp represent key aerial techniques in , emphasizing compressive force delivered from elevated positions to target an opponent's midsection. In the diving senton, the performer ascends to a high platform, such as the top , and leaps backward or forward to land seated on their back across the prone opponent's , distributing body weight for a broad impact area. This mechanic contrasts with the diving stomp, where the wrestler jumps from height and drives both feet downward onto the opponent's body, often the chest or head, to concentrate force in a stomping motion. Both moves rely on momentum from the elevation to amplify the simulated damage, typically executed against a grounded foe for safety and effect. Specific iterations of these techniques include the basic diving senton, a direct back-first drop from the top rope onto the opponent; the senton , a high-elevation variant launched from the highest point available to maximize descent speed and impact. The senton incorporates a backward rotation before landing seated on the back, adding rotational flair while maintaining the compressive landing. Further, the ° senton features 1.75 full rotations—a 360° flip plus an additional 270°—before the back lands on the target, demanding exceptional aerial control. The mushroom stomp, meanwhile, deploys a double-footed drop from the top , akin to a video game-inspired descent for pinpoint pressure. Variations expand these core mechanics with added flips or orientations, such as the shooting star senton, which executes a backflip into a shooting star press before tucking to land seated on the back. The sky twister press integrates a rotation during a backward , spiraling the body to land in a senton position, originally performed by Chaparita ASARI. A backwards-facing diving senton reverses the performer's orientation, while facing away from the ring to drop back-first onto the opponent. These techniques primarily target the to simulate internal organ trauma through compression, while their high-flying execution provides significant for audiences. In promotions like (AEW), extreme variations such as corkscrew-enhanced stomps elevate the risk and visual drama, as seen in Swerve Strickland's Swerve Stomp, a diving double foot stomp delivered onto elevated surfaces like announcement tables for intensified effect.

Aerial Throws

Hurricanrana Variations

The hurricanrana is a flipping throw executed from an elevated position, where the wrestler leaps toward a standing or positioned opponent, wraps their legs around the opponent's head or neck in a headscissors hold, and rolls forward to drive the opponent onto their back in a pinning cradle. This maneuver originated in Mexican during the mid-20th century, innovated by masked wrestler Huracán Ramírez, who combined dynamic aerial elements with for crowd-pleasing reversals. In , it emphasizes timing and body control, often performed from the top to maximize height and impact, distinguishing it as a high-risk aerial grapple rather than a direct strike. Key variations adapt the core mechanics for different setups and elevations, enhancing its versatility in matches. The diving hurricanrana involves the wrestler jumping forward from the top rope, straddling the opponent's shoulders with legs extended, and falling backward to force a cradle pin, commonly used against opponents near the ring's edge for dramatic flair. The Frankensteiner, popularized by in the late 1980s and early 1990s, counters an opponent's superplex attempt by reversing mid-air into a head-first spike, where the executing wrestler hooks the legs around the head from the and overrotates to plant the opponent head-down onto the mat. The dragonrana, a springboard adaptation invented by Japanese high-flyer , begins with a forward off the ropes toward the opponent before transitioning into the leg-wrap and roll, often integrating additional rotational elements for increased momentum. The phoenixrana modifies this further by starting with the wrestler facing away from the opponent on the , executing a mid-air turn and into the headscissors cradle for a seamless roll-through pin. In independent circuits, the seated hurricanrana sees the wrestler springboard from the apron while seated on the opponent's shoulders, flipping backward to execute the throw from a compact, elevated perch. Execution demands precise opponent positioning, typically with the target facing inward toward the ring or seated on the to allow the leg wrap without resistance, enabling the forward roll to culminate in a reversal or immediate pin attempt. This setup exploits momentary vulnerability, such as after an Irish whip or climb, and concludes with the executor's momentum carrying both wrestlers over for the cradle. As a cornerstone of and cruiserweight divisions, the hurricanrana and its variations have achieved widespread popularity for their athletic spectacle, influencing generations of performers from to modern aerial specialists who incorporate twists for added complexity. However, the move carries significant risks, particularly neck strain from the head-first landing or improper leg lock, as the high-velocity rotation can compress the cervical spine if timing falters.

Other Aerial Grapples

Other aerial grapples in encompass maneuvers where performers leap from elevated positions, such as the top or ropes, to secure arm or body locks that fluidly transition into throws or submissions, emphasizing momentum and grip control for impact. These techniques demand exceptional balance and synchronization between participants to minimize injury risk while delivering dramatic visual flair. One prominent example is the , a flipping facebuster executed from the top rope, in which the wrestler applies a front facelock before rotating backward to drive the opponent's head into the mat. Popularized by wrestlers like , it leverages the turnbuckles for launch height to amplify the flip's rotation. Similarly, the Shiranui, invented by , involves a springboard backflip from the ropes into a reverse DDT, where the performer hooks the opponent's head mid-air for a spinning inverted impact. This move highlights the blend of aerial ascent and grappling precision, often performed as a high-impact . The sunset flip adapts into an aerial grapple by incorporating a diving leg hook from an elevated position, such as the top turnbuckle, where the wrestler vaults over a bent opponent, secures a waistlock, and rolls through into a bridging pin attempt. This technique, traced back to early innovators like Billy "Dinty" Parks, transitions seamlessly from height to ground control. Further variations include the diving DDT, an elevated headlock drop from the top rope that drives the opponent's crown into the canvas after securing the lock mid-dive, serving as a staple for technical aerial specialists. The Spanish Fly elevates this concept into a cooperative throw, beginning as a superplex setup but evolving into a double forward flip, with both wrestlers rotating through the air before crashing down, as demonstrated by performers like Mustafa Ali and Angel Garza. An innovative addition is the Van Terminator, a modern extreme maneuver where the wrestler springboards across the ring—often using a chair for added propulsion—into a baseball slide kick that transitions to a cutter grab on a prone opponent. These grapples frequently function as counters to grounded attacks or as match-ending finishers, relying on high levels of trust and athletic coordination to execute without mishap, and can incorporate launch methods like slingshots for extended range.

Transitional and Rotational Elements

Corkscrew and Somersault

In , and serve as key rotational components that enhance the dynamism of aerial maneuvers, allowing performers to execute dives with added spin and flip for greater visual impact and athletic display. A rotation typically involves a 360° lateral twist of the body during the descent, often combined with other flips to create spiraling motion, while a entails a forward or backward tumbling rotation, such as a front flip or , to alter the trajectory and landing orientation. These elements demand precise body control to ensure safe execution and effective targeting of opponents. The mechanics of a begin with the wrestler launching from an elevated position, like the top , and initiating a side-to-side spin mid-air, which can be layered onto a base move like a for a variation. In this application, the performer executes a backward while simultaneously twisting horizontally, landing chest-first on the opponent to amplify the move's spectacle. Similarly, a plancha integrates a forward into a diving body press, where the wrestler flips head-over-heels toward a standing or prone target outside the ring, emphasizing transfer through rotational . These rotations can also be incorporated into drops or splashes, such as a drop, where the twisting motion guides the striking limb precisely onto the opponent. The added complexity of and techniques elevates their difficulty, requiring wrestlers to maintain gyroscopic stability through controlled and balance to avoid disorientation during flight. This involves harnessing —the product of rotational and —to sustain spins without losing directional control, which heightens both the risk of injury and the move's aesthetic appeal in live performances. Such precision is crucial for safe landings, as uncontrolled can lead to awkward impacts that compromise the technique's effectiveness. These rotational elements gained prominence in the , evolving from foundational influences into mainstream spectacles through innovators who pushed aerial boundaries. Wrestlers like John Morrison popularized the corkscrew , known as Starship Pain, by adding a full lateral twist to the traditional backflip, setting a benchmark for high-flying innovation. In subsequent years, performers such as further advanced their integration, employing corkscrew moonsaults in rapid sequences alongside somersault-based finishers like the Essex Destroyer—a running frontflip —to showcase unparalleled agility and control. This progression reflected broader trends in toward more acrobatic, physics-defying displays that captivated global audiences.

Ropewalk and Shooting Star

The is a sophisticated transitional aerial technique in that requires the performer to maintain balance while traversing the top rope toward an opponent, typically from the corner , to set up a subsequent drop or strike. This maneuver emphasizes equilibrium and spatial awareness, as the wrestler must navigate the narrow, taut rope without support, often with one arm extended for counterbalance or gripping the opponent's wrist in an arm twist variation. Popularized in its signature form by The Undertaker's "Old School" move—an arm twist leading to a diving chop—the technique originated from veteran wrestler Don Jardine and serves to heighten dramatic tension by showcasing precarious positioning before impact. In applications, the ropewalk chop integrates balance traversal directly into a diving strike, where the wrestler drops from the rope's end with a or axe handle chop to the opponent's head or , amplifying the move's visual and impact. This transitional element can precede broader aerial sequences, such as following a base for added momentum, but its core difficulty lies in sustaining equilibrium under crowd pressure and ring vibration, which can lead to slips if not executed with precise foot placement and core stability. The shooting star represents an extreme rotational aerial element, consisting of a backward —ranging from 450° to 720°—launched from an elevated position like the top , where the wrestler leaps rearward, tucks the knees to initiate flips, and extends the body to land on the target. Invented by Jushin Thunder Liger in the late 1980s, the standard shooting star press variation concludes with a full onto the opponent's torso in a body press, demanding explosive leg drive and mid-air control to avoid under- or over-. The technique's high difficulty stems from potential disorientation during multiple flips, which can result in awkward landings on the head or neck if from the core and legs is insufficient. Shooting star applications extend beyond the press to integrated maneuvers like the shooting star hurricanrana, where rotations enhance a headscissors throw for dynamic counters or transitions.

Technique Modifiers

Elevation and Position Modifiers

Elevation and position modifiers in professional wrestling aerial techniques refer to adaptations that adjust the vertical height or starting posture of a move, enhancing its spectacle and impact without fundamentally altering its core execution. The "super" modifier typically denotes a version of a ground-based maneuver performed from the top rope or , requiring the wrestler to climb and leverage the elevated position for greater momentum and force upon descent. For instance, the involves positioning the opponent on the top , securing a front facelock, and executing a vertical off the ropes, slamming both wrestlers to the mat from approximately 10 feet high, which amplifies the risk of injury due to the increased fall distance. This variation originated in American wrestling through in the 1980s, evolving from basic suplexes to become a high-impact spot in matches. Standing modifiers, in contrast, adapt aerial moves to an upright starting position on the mat, bypassing the need for a full climb to the ropes and allowing for faster transitions in fast-paced bouts. A standing moonsault, for example, sees the wrestler stand beside a prone opponent, execute a no-jump backflip to land chest-first across their body, relying on core strength and balance rather than elevation for the flip's rotation. This version prioritizes agility over height, making it suitable for technical wrestlers who need quick setups without exposing themselves to top-rope vulnerabilities. Variations like the standing moonsault gained prominence in the 1990s through performers such as the 1-2-3 Kid, who used it to counter larger opponents effectively. Other specific modifiers include the topé con hilo, a forward dive over the top rope from inside the ring without touching the ropes to strike an opponent outside the ring, utilizing the ring's momentum for a slingshot-like trajectory that adds horizontal momentum to the vertical drop. Popularized in styles, this move demands precise timing to avoid the ropes entirely, increasing its dramatic flair and danger as the wrestler crashes onto the floor. In extreme rules matches, elevations extend to structures like ladders and cages, where wrestlers launch aerial assaults from improvised heights; notable examples include Hardy's Swanton off a steel cage top in 2008, which heightened the move's peril by combining cage elevation with rotational descent, and Edge's from a ladder in the 2001 TLC match at , showcasing how such modifiers escalate match intensity in no-disqualification environments. These modifiers serve to intensify risk and narrative drama, as the added height or altered posture demands superior athleticism and can lead to botched executions with severe consequences, such as Diamond Dallas Page's career-ending neck injury from a 2002 superplex mishap. Standing variations facilitate quicker pacing in technical wrestling, enabling seamless chains into follow-up holds, while super and structural elevations build crowd anticipation through their rarity and visual scale. Historically, super hurricanranas emerged prominently in traditions, with Rey Mysterio's 1996 execution at —leaping from one ring's top rope to counter a standing opponent—exemplifying how elevation fused with rotational elements to redefine high-flying grapples in crossover promotions. In technical styles, standing adaptations like moonsaults have been staples since the 1970s, rooted in Mando Guerrero's innovations and carried forward by agile performers to emphasize precision over sheer altitude.

Dive Style Modifiers

Dive style modifiers in professional wrestling alter the trajectory, body orientation, or execution path of aerial dives, often increasing their visual impact and narrative tension by extending the action beyond the ring's confines. These variations, rooted in the high-flying traditions of , emphasize forward momentum and external targeting, distinguishing them from in-ring splashes or drops. The suicide dive (topé suicida in Mexican wrestling) involves a wrestler launching head-first through or over the top rope to collide with an opponent on the floor outside the ring, directing the dive's path away from the padded mat for heightened drama. This mechanic relies on building speed from a run-up inside the ring before exploding outward, often resulting in a full-body impact that can scatter both performers across the ringside area. Variations include a version, where the wrestler bounces off the opposite ropes for added propulsion to reach the external target. The plancha modifies the dive into a forward, outstretched body press with arms extended, resembling a but executed over the ropes to strike a standing or prone opponent outside, emphasizing a flat, pancake-like landing for maximum coverage. A backwards-facing variation reverses the orientation, with the wrestler launching while facing away from the target, twisting mid-air to connect back-first or with extended limbs, which amplifies the disorientation and surprise factor. These styles build intensity by escalating chases or brawls beyond the ring, drawing crowds with their apparent recklessness during high-speed sequences. Such modifiers carry elevated risks due to the absence of ring padding on the floor, leading to potential concussions, fractures, or ligament tears from awkward landings, as seen in numerous botched attempts that have sidelined performers. Originating and popularized in wrestling during the mid-20th century, these techniques spread globally through influences, transforming standard dives into staples of international promotions. A notable evolution is the plancha, a rotating forward dive where the wrestler spirals mid-air before extending for impact, adding a layer of athletic flair while maintaining the core outstretched mechanic.

References

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