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Hugo Weaving
Hugo Weaving
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Hugo Wallace Weaving AO (born 4 April 1960) is an English actor, based in Australia.[1][2] Born in Colonial Nigeria to British parents, Weaving has resided in Australia for the entirety of his career. He is the recipient of six Australian Academy of Cinema and Television Arts Awards (AACTA).[3]

Key Information

He landed his first major role as English cricket captain Douglas Jardine on the Australian television series Bodyline (1984). He rose to prominence with his appearances in the Australian films Proof (1991) and The Adventures of Priscilla, Queen of the Desert (1994), winning his first AACTA Award for Best Actor in a Leading Role for the former. By the turn of the millennium, Weaving achieved international recognition through roles in mainstream American productions. His most notable film roles include Agent Smith in the first three The Matrix films (1999–2003), Elrond in The Lord of the Rings (2001–2003) and The Hobbit (2012–2014) trilogies, the title character in V for Vendetta (2005), and Johann Schmidt / Red Skull in the Marvel Cinematic Universe film Captain America: The First Avenger (2011).

In addition to his live action appearances, Weaving has had several voice over roles, including in the films Babe (1995), Happy Feet (2006) and Happy Feet Two (2011), and the Transformers series as Megatron (2007–2011). He reprised his roles of Agent Smith and Elrond in Matrix and Lord of the Rings video game adaptations.

Early life and education

[edit]

Weaving was born on 4 April 1960 at the University of Ibadan Teaching Hospital, in Ibadan, Nigeria to British parents; he is the son of Anne Lennard (born 1934),[4] a tour guide and former teacher, and Wallace Weaving (born 1929), a seismologist, who met as students at the University of Bristol.[5][6][4] His maternal grandmother was Belgian.[4] A year after his birth, his family returned to the United Kingdom, living in Bedford and Brighton before moving to Melbourne and Sydney in Australia; Johannesburg in South Africa; and then returning to the United Kingdom again.[5]

While in the UK, he attended The Downs School, Wraxall, near Bristol, and Queen Elizabeth's Hospital.[7] While at the Downs School, in 1973, Weaving played one of his first theatrical roles, taking the part of Captain Asquith in Robert Bolt's The Thwarting of Baron Bolligrew. His family moved back to Australia in 1976, where he attended Knox Grammar School in Sydney.[8] He graduated from Sydney's National Institute of Dramatic Art in 1981.[9]

Career

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1984–1998

[edit]

Weaving's first television role was in the 1984 Australian television series Bodyline, as the English cricket captain Douglas Jardine. Weaving appeared in the Australian miniseries The Dirtwater Dynasty in 1988 and as Geoffrey Chambers in the drama Barlow and Chambers: A Long Way From Home. He starred opposite Nicole Kidman in the 1989 TV mini-series Bangkok Hilton. In 1991, Weaving received the Australian Film Institute's "Best Actor" award for his performance in the low-budget Proof as the blind photographer. He appeared as Sir John in Yahoo Serious's 1993 comedy Reckless Kelly, a lampoon of Australian outlaw Ned Kelly.

In the mid-1990s, Weaving portrayed the drag queen Anthony "Tick" Belrose/Mitzi Del Bra in the 1994 film The Adventures of Priscilla, Queen of the Desert, and provided the voice of Rex the sheepdog in the 1995 family film Babe and its 1998 sequel Babe: Pig in the City. In 1998, he received the "Best Actor" award from the Montreal World Film Festival for his performance as a suspected serial killer in The Interview.

1999–2010

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Weaving played the enigmatic and evil-minded Agent Smith in the 1999 film The Matrix. He later reprised that role in the film's 2003 sequels, The Matrix Reloaded and The Matrix Revolutions. He was a voice actor in the cartoon film The Magic Pudding.[10]

Weaving at The Matrix Revolutions premiere in 2003

He received additional acclaim in the role of the half-elven lord Elrond in Peter Jackson's three-film adaptation of The Lord of the Rings, released between 2001 and 2003.[11] Weaving was the main actor in Andrew Kotatko's award-winning film Everything Goes (2004). He starred as a heroin-addicted ex-rugby league player in the 2005 Australian indie film Little Fish, opposite Cate Blanchett. Weaving played the title role as V in the 2005 film V for Vendetta, in which he was reunited with the Wachowskis, creators of The Matrix trilogy, who wrote the adapted screenplay. Actor James Purefoy was originally signed to play the role, but was fired six weeks into filming over creative differences.[12][13][14] Weaving reshot most of Purefoy's scenes as V (even though his face is never seen) apart from a couple of minor dialogue-free scenes early in the film while stuntman David Leitch performed all of V's stunts.

Weaving reprised his role as Elrond for the video game The Lord of the Rings: The Battle for Middle-Earth II. He regularly appears in productions by the Sydney Theatre Company (STC). In 2006, he worked with Cate Blanchett on a reprise of the STC production of Hedda Gabler in New York City.

Weaving at The Lord of the Rings: The Return of the King premiere in 2003

In a controversial move by director Michael Bay, Weaving was chosen as the Decepticon leader Megatron vocally in the 2007 live-action film Transformers, rather than using the original version of the character's voice created by the voice actor Frank Welker. Weaving himself was unaware of the controversy, having accepted the role based on Michael Bay's personal request; in a November 2008 Sun Herald interview, he said he had never seen Transformers. Though Weaving reprised his role in two sequels, he does not have much personal investment in the Transformers films. In February 2010, Weaving revealed to The Age: "Director Michael Bay talks to me on the phone. I've never met him. We were doing the voice for the second one and I still hadn't seen the first one. I still didn't really know who the characters were and I didn't know what anything was. It's a voice job, for sure, and people assume I've spent my life working on it, but I really know so little about it."[15] In 2012, Weaving said to Collider: "It was one of the only things I've ever done where I had no knowledge of it, I didn't care about it, I didn't think about it. They wanted me to do it. In one way, I regret that bit. I don't regret doing it, but I very rarely do something if it's meaningless. It was meaningless to me, honestly. I don't mean that in any nasty way."

Weaving played a supporting role in Joe Johnston's 2010 remake of the 1941 film The Wolfman, starring Benicio del Toro. Immediately after Wolfman wrapped in spring 2008, he returned home to Australia to film a lead role in the film Last Ride, directed by Glendyn Ivin. In early 2009, Guillermo del Toro, then director of The Hobbit films, prequels to The Lord of the Rings, confirmed his intent to again cast Weaving as Elrond of Rivendell in a BBC interview.[16] When asked about reprising the role, Weaving replied that he was game, but had not officially been approached. Del Toro eventually left the project; Peter Jackson decided to direct the films himself but Weaving was not officially confirmed in the cast until May 2011.

Weaving spent the summer of 2009 starring in the Melbourne Theatre Company's production of God of Carnage, portraying the caustic lawyer Alain Reille. He returned to the stage in November 2010 in Sydney Theatre Company's Uncle Vanya, co-starring Cate Blanchett and Richard Roxburgh.[17] Weaving filmed a guest role on Roxburgh's Australian TV series Rake in May 2010.

In May 2009, Weaving accepted a co-starring role in the docudrama Oranges and Sunshine,[18] about the forced migration of thousands of British children to Australia in the 1950s. Filming began in autumn 2009 in Nottingham, England, and Adelaide, South Australia, and continued through January 2010. The film premiered at the Rome International Film Festival on 28 October 2010 and garnered positive reviews. 2010 saw the release of Legend of the Guardians (formerly The Guardians of Ga'Hoole), in which Weaving has another high-profile voice role,[19] portraying two different owls named Noctus and Grimble in Zack Snyder's film adaptation of Kathryn Lasky's popular series of children's books.

On 4 May 2010, it was officially confirmed by Marvel Studios that Weaving would play the fictional Nazi Red Skull in the superhero film Captain America: The First Avenger.[20] Weaving completed filming his role on the project in September 2010 and returned to Sydney to prepare for Uncle Vanya. It is unlikely he will sign on for any further installments in the Marvel Cinematic Universe; in an August 2011 Baltimore Sun interview, the actor confided he is weary of typecasting and of "blockbuster" films in general: "I think I've about had enough... I'm not sure how many more of them I'll make. It doesn't feel to me as though they've been the majority of my work, though that's probably the way it seems to most other people."[21]

2011–present

[edit]
Weaving at Sydney Film Festival in 2013

On 13 March 2011, The Key Man, which Weaving filmed in 2006, finally debuted at the South By Southwest Festival in Austin, Texas.[22] The child migrant saga Oranges and Sunshine opened in the UK on 1 April, the culmination of months of success on the festival circuit in late 2010-early 2011.[23] In March, the Sydney Theatre Company and John F. Kennedy Center for the Performing Arts announced that STC's 2010 production of Chekhov's Uncle Vanya would be reprised in Washington, D.C., during the month of August.[24] In April, months of speculation finally ended when Weaving appeared on The Hobbit's New Zealand set, shortly before a production spokesman officially confirmed the actor's return as Elrond in Peter Jackson's prequel trilogy to The Lord of the Rings.[25] He was part of the cast of the Wachowskis' adaptation of David Mitchell's novel Cloud Atlas.[26] The project, co-starring Tom Hanks, Ben Whishaw, Halle Berry, Jim Broadbent, and Susan Sarandon, began filming in September 2011 and was released in October 2012.

2012 found Weaving re-focusing on his theatrical career, with a return to the Sydney Theatre Company to star in a new adaptation of Christopher Hampton's play Les Liaisons Dangereuses in March.[27] He portrayed the notorious Vicomte de Valmont, a character he first played onstage in 1987. His frequent stage foil Pamela Rabe costarred. Weaving and Cate Blanchett reprised their roles in STC's internationally lauded production of Uncle Vanya for a ten-day run at New York's Lincoln Center in July.[28]

The busy actor joined the cast of three forthcoming Australian films in summer 2012. The Western-tinged police thriller Mystery Road, written and directed by Ivan Sen, began filming in June 2012.[29] Weaving appeared in the prison drama Healing for director Craig Monahan, with whom he previously made The Interview (1998) and Peaches (2005).[30] He appeared in a segment of the Australian anthology film The Turning, based on Tim Winton's collection of linked stories, entitled "The Commission", directed by David Wenham.[31] He ended 2013 co-starring with Richard Roxburgh and Philip Quast in Samuel Beckett's Waiting For Godot, for the Sydney Theatre Company.[32][33]

In the spring of 2013, Weaving reprised the Agent Smith role for a General Electric television commercial for their "Brilliant Machines" innovations in healthcare management technology, which was slated to air during a break from 13 April's edition of Saturday Night Live, and subsequently continued to receive multiple airings on major cable networks.[34]

From 26 July to 27 September 2014, Weaving played the titular role of Sydney Theatre Company's production of Macbeth.[35] In an unusual treatment of the Shakespearian tragedy by young Sydney director Kip Williams, Weaving's performance was described by Peter Gotting of The Guardian as "the role of his career".[36]

In October 2015, Weaving joined the cast of the film adaption of Craig Silvey's novel Jasper Jones.[37][38]

In 2018, Weaving starred as Thaddeus Valentine in Mortal Engines. In the same year, he appeared alongside Benedict Cumberbatch in the miniseries Patrick Melrose.

In 2020, Weaving starred as Alfred in Tony Kushner's adaptation of The Visit.[39]

Since 2021, Weaving has starred as Glen Mathieson[40] in the Australian intergenerational drama series Love Me.

In 2024, Weaving played character Frank Harkness in season 4 of Slow Horses.

Other roles

[edit]

In 2004, Weaving became an ambassador for Australian animal rights organisation Voiceless, the animal protection institute. He attends events, promotes Voiceless in interviews, and assists in their judging of annual grants recipients.[41]

As of 2022, Weaving is on the board of the Adelaide Film Festival.[42]

Personal life

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When he was 13 years old, Weaving was diagnosed with epilepsy. Although the condition rarely affected him and stopped in his early 30s, he still chooses not to drive, given the risk of a seizure.[43][44]

He has been in a relationship with Katrina Greenwood since 1984;[45] they live in Sydney and have two children together: Harry Greenwood, an actor, and Holly Greenwood, an artist.[46] The children were given their mother's surname, which Weaving's son described as the family's "stand against the patriarchy."[47]

Weaving has a brother and a sister. He is the uncle of actress Samara Weaving, who began her career in Australia before transitioning to American roles. Both appeared in the 2013 Australian film Mystery Road. His younger niece Morgan Weaving appeared on the Australian soap opera Home and Away alongside her sister.[48]

Awards

[edit]

Filmography

[edit]

Film

[edit]
Year Title Role Notes
1980 ...Maybe This Time Student 2
1983 The City's Edge Andy White
1986 For Love Alone Jonathan Crow
1987 The Right Hand Man Ned Devine
1990 ...Almost Jake
1991 Proof Martin AACTA Award for Best Actor in a Leading Role
1992 Road to Alice Louis
1993 Frauds Jonathan Wheats
Reckless Kelly Sir John
The Custodian Det. Church
1994 Exile Innes
The Adventures of Priscilla, Queen of the Desert Anthony "Tick" Belrose / Mitzi Del Bra Nominated — AACTA Award for Best Actor in a Leading Role
What's Going On, Frank? Strange Packer in Supermarket
1995 Babe Rex the Male Sheepdog (voice)
1997 True Love and Chaos Morris
1998 Babe: Pig in the City Rex the Male Sheepdog (voice) Cameo
Bedrooms and Hallways Jeremy
The Interview Eddie Rodney Fleming AACTA Award for Best Actor in a Leading Role
Montreal World Film Festival Award for Best Actor
Nominated — FCCA Award for Best Supporting Actor
The Kiss Barry
1999 Strange Planet Steven
Little Echo Lost Echo Man
The Matrix Agent Smith Nominated — Blockbuster Entertainment Award for Favorite Villain
2000 The Magic Pudding Bill Barnacle (voice)
2001 Russian Doll Harvey
The Old Man Who Read Love Stories Rubicondo (Dentist) Nominated — AACTA Award for Best Actor in a Supporting Role
Nominated — FCCA Award for Best Supporting Actor
The Lord of the Rings: The Fellowship of the Ring Elrond Nominated — Screen Actors Guild Award for Outstanding Performance by a Cast in a Motion Picture
2002 The Lord of the Rings: The Two Towers
2003 The Matrix Reloaded Agent Smith Nominated — MTV Movie Award for Best Fight (shared with Keanu Reeves)
The Matrix Revolutions
The Lord of the Rings: The Return of the King Elrond Broadcast Film Critics Association Award for Best Cast
National Board of Review Award for Best Cast
Screen Actors Guild Award for Outstanding Performance by a Cast in a Motion Picture
2004 Everything Goes Ray Inside Film Awards: Best Short Film
Peaches Alan
2005 Little Fish Lionel Dawson AACTA Award for Best Actor in a Leading Role
FCCA Award for Best Actor in a Supporting Role
Inside Film Award for Best Actor
2006 V for Vendetta V Nominated — International Award for Best Actor
Happy Feet Noah (voice)
2007 Transformers Megatron (voice) Nominated — Teen Choice Award for Choice Movie Villain
In the Company of Actors Himself / Judge Brack
2008 The Tender Hook McHeath
2009 Transformers: Revenge of the Fallen Megatron (voice)
Last Ride Kev Nominated — AACTA Award for Best Actor in a Leading Role
2010 The Wolfman Detective Francis Abberline
Oranges and Sunshine[18] Jack AACTA Award for Best Actor in a Supporting Role
Nominated — Satellite Award for Best Supporting Actor in a Motion Picture
Legend of the Guardians: The Owls of Ga'Hoole Noctus and Grimble (voice)
2011 Transformers: Dark of the Moon Megatron (voice)
Captain America: The First Avenger Johann Schmidt / Red Skull Nominated — Teen Choice Award for Choice Movie Fight (with Chris Evans)
Nominated — Scream Award for Best Villain
Happy Feet Two Noah (voice)
2012 Cloud Atlas Various roles
The Hobbit: An Unexpected Journey Elrond
2013 Mystery Road Johnno
The Turning Bob Lang Nominated — AACTA Award for Best Actor in a Leading Role
2014 Healing Matt Perry
The Mule Croft Nominated — AFCA Award for Best Supporting Actor
The Hobbit: The Battle of the Five Armies Elrond
2015 Strangerland David Rae
The Dressmaker Sergeant Farrat AACTA Award for Best Actor in a Supporting Role
AFCA Award for Best Supporting Actor
Nominated — Film Critics Circle of Australia for Best Supporting Actor
2016 Hacksaw Ridge Tom Doss AACTA Award for Best Actor in a Supporting Role
2017 Jasper Jones Mad Jack Lionel Nominated — AACTA Award for Best Actor in a Supporting Role
2018 Black '47 Hannah
Mortal Engines Thaddeus Valentine
2019 Hearts and Bones Daniel Fisher Nominated — AACTA Award for Best Actor in a Leading Role
Winner — Fargo Film Festival for Best Actor
Measure for Measure Duke
2021 Lone Wolf Police Minister
2022 Expired Dr. Michael Bergman
2023 The Royal Hotel Billy
The Rooster The Hermit Directed by Mark Leonard Winter[53][54]
2024 How to Make Gravy Noel

Television

[edit]
Year Title Role Notes
1984 Bodyline Douglas Jardine 7 episodes
1987 Frontier Governor Arthur 3 episodes
1988 Melba Charles Armstrong 6 episodes
The Dirtwater Dynasty Richard Eastwick 5 episodes
Dadah Is Death Geoffrey Chambers Television film
1989 Bangkok Hilton Richard Carlisle 3 episodes
1993 Seven Deadly Sins Lust Episode: "Lust"
1995 Bordertown Kenneth Pearson 10 episodes
1996 The Bite Jack Shannon 2 episodes
Naked: Stories of Men Martin Furlong Episode: "Coral Island"
1997 Halifax f.p. Det. Sgt. Tom Hurkos Episode: "Isn't It Romantic"
2003 After the Deluge Martin Kirby Television film
2010 Rake Prof Graham Murray Episode: "R vs Murray"
Inside the Firestorm Narrator Documentary
I, Spry Narrator Documentary
2017 Seven Types of Ambiguity Dr Alex Klima 5 episodes
2018 Patrick Melrose David Melrose
2021 Mr. Corman Artie Corman Episode: "Mr. Corman"
2021–‍23 Love Me Glen 12 episodes
2023 Koala Man King Emudeus Episode: "Emu War II"
2024 Slow Horses Frank Harkness Season 4

Video games

[edit]
Year Title Voice role Notes
2003 Enter the Matrix Agent Smith
2006 The Lord of the Rings: The Battle for Middle-earth II[55] Elrond
2009 The Lord of the Rings: Conquest[56]

Theatre

[edit]
Year Title Role Notes
1973 Robert Bolt's The Thwarting of Baron Bolligrew Captain Asquith The Downs School, Wraxall
1982 You Can't Take It with You First Man Sydney Theatre Company with Geoffrey Rush & Heather Mitchell[57]
1982 A Map of the World Paul Sydney Theatre Company. Diir. David Hare[57]
1982 The Perfectionist Erik Sydney Theatre Company with John Bell, Robyn Nevin, Colin Friels & Heather Mitchell. Dir. Richard Wherrett (later toured USA)[57]
1982 Pirandello's As You Desire Me One of the Three Young Men Sydney Theatre Company[57]
1983 The Way of the World Petulant Sydney Theatre Company with Ruth Cracknell & Drew Forsythe[57]
1983 Gossip from the Forest Sydney Theatre Company[57]
1986 The Madras House Philip Sydney Theatre Company with Geoff Morrell[57]
1987 Les Liaisons Dangereuses Vicomte de Valmont Nimrod Theatre Company
1989 The Secret Rapture Irwin Sydney Theatre Company with Pamela Rabe & Heather Mitchell[57]
1993 The Cherry Orchard Trofimov Sydney Theatre Company[57]
1994 That Eye, The Sky Henry Sydney Arts Festival & Playhouse, Melbourne for Burning House Theatre Company
1994 Arcadia Bernard Nightingale Sydney Theatre Company with Helen Thomson[57]
2000 The White Devil Duke of Brachiano Theatre Royal, Sydney for Sydney Theatre Company with Angie Milliken, Paula Arundell, Bruce Spence & Heather Mitchell[57]
2003 The Real Thing Henry Sydney Theatre Company with Angie Milliken[57]
2006 Hedda Gabler Judge Brack Brooklyn Academy of Music for Sydney Theatre Company with Cate Blanchett, Justine Clarke & Aden Young. Dir. Robyn Nevin. Production was the subject of the 2007 feature film In the Company of Actors[57]
2007 Riflemind John Sydney Theatre Company. Dir. Philip Seymour Hoffman. Artistic Dir. Andrew Upton[57]
2009 God of Carnage Alain Reille Melbourne Theatre Company
2010 Uncle Vanya Astrov Sydney Theatre Company with Cate Blanchett & Richard Roxburgh[57]
2011 Uncle Vanya Astrov Washington D.C. for Sydney Theatre Company & John F. Kennedy Center for the Performing Arts with Cate Blanchett & Richard Roxburgh[57]
2012 Les Liaisons Dangereuses Vicomte de Valmont Sydney Theatre Company with Pamela Rabe & Justine Clarke[57]
2012 Uncle Vanya Astrov New York's Lincoln Center for Sydney Theatre Company with Cate Blanchett & Richard Roxburgh[57]
2013 Waiting For Godot Vladimir Sydney Theatre Company with Richard Roxburgh and Philip Quast. Dir. Andrew Upton[57]
2014 Macbeth Macbeth Sydney Theatre Company[57]
2015 Waiting For Godot Vladimir Barbican Centre, London for Sydney Theatre Company with Richard Roxburgh and Philip Quast. Dir. Andrew Upton[58]
2015 Endgame Hamm Sydney Theatre Company. Dir. Andrew Upton[57]
2018 The Resistible Rise of Arturo Ui Arturo Ui Sydney Theatre Company[59] Won a Helpmann award
2019 Cat on a Hot Tin Roof Big Daddy Sydney Theatre Company[57]
2020 The Visit Alfred Tony Kushner's adaptation at National Theatre, London[60]
2020 Wonnangatta Harry Sydney Theatre Company[61]
2024 The President The President Gate Theatre, Dublin and Sydney Theatre Company[62]

References

[edit]

Further reading

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Hugo Weaving is a British-Australian actor renowned for his versatile performances in film, television, and , particularly his iconic roles as in trilogy (1999–2003), in * and * trilogies (2001–2003; 2012–2014), and V in * (2005). Born Hugo Wallace Weaving on 4 April 1960 in , , to English parents Anne Lennard, a tour guide and teacher, and Wallace Weaving, a seismologist, he spent his early childhood traveling due to his father's work, living in and before the family settled permanently in , , when he was 16. He attended in , where he developed an interest in drama, and later graduated from the (NIDA) in 1981. Weaving began his career in Australian television with a breakout role as Douglas Jardine in the miniseries Bodyline (1984), followed by acclaimed performances in films like Proof (1991), for which he won his first Australian Film Institute (now AACTA) Award for Best Actor. His international breakthrough came with the Matrix trilogy, directed by the Wachowskis, where he portrayed the menacing Agent Smith, earning praise for his intense, charismatic villainy. He has since balanced Hollywood blockbusters—such as voicing Megatron in the Transformers trilogy (2007–2011) and playing Red Skull in Captain America: The First Avenger (2011)—with independent Australian cinema, including Little Fish (2005), The Dressmaker (2015), and The Rooster (2023). On stage, he has been a prominent figure with the Sydney Theatre Company, starring in productions like Samuel Beckett's Endgame (2015) and Waiting for Godot. Throughout his career, Weaving has received six , including Best Actor for Proof (1991) and Little Fish (2005), Best Supporting Actor for The Dressmaker (2015) and The Rooster (2024), and in 2020, he was appointed an Honorary Officer of the (AO) for distinguished service to the . In his , he has been in a long-term relationship with artist Katrina Greenwood since the mid-1980s, with whom he has two children, Harry Greenwood, an actor, and Holly Greenwood, an artist; the family resides in . Weaving is also known for his advocacy for marriage equality and environmental causes, maintaining a low-profile despite his global fame.

Early years

Childhood and family background

Hugo Wallace Weaving was born on 4 April 1960 in , in , to British parents Anne Lennard, a and , and Wallace Weaving, a seismologist. He has an older brother, Simon, and a younger sister, Anna. His birth in Nigeria stemmed from his father's professional assignments abroad, marking the beginning of a peripatetic early life shaped by international relocations. Due to Wallace Weaving's career in , the family frequently moved, spending time in during Weaving's childhood and in before finally settling in in 1976 when Weaving was 16 years old, arriving in where he would later complete his education. The family's British heritage, rooted in , combined with this nomadic existence across continents, exposed young Weaving to diverse cultures, languages, and environments, cultivating a sense of adaptability and global perspective from an early age. At age 13, while living in , Weaving was diagnosed with , experiencing seizures approximately once a year that initially disrupted his childhood. These episodes, which persisted into his adulthood before being managed, added a layer of challenge to his formative years amid the family's ongoing transitions.

Education and training

Upon arriving in Australia with his family in 1976 at the age of 16, Hugo Weaving attended in from 1976 to 1978. The school, known for its strong drama program, provided an environment where Weaving cultivated a passion for through participation in school plays. His multicultural upbringing, marked by residences in , , and before settling in , enhanced his adaptability to the formal, all-boys structure of Knox Grammar. This period represented a transitional phase for Weaving, bridging his international childhood experiences with a commitment to in his new home country. To formalize his acting aspirations, Weaving enrolled at Australia's (NIDA) in , graduating in 1981 with a Diploma of Dramatic Art (Acting). At NIDA, he honed his craft in an intensive program renowned for producing leading performers. Following his graduation, Weaving embarked on early professional experiences through a two-year contract with the , where he took on minor roles that served as foundational steps toward his acting career. This initial involvement in Australian allowed him to build practical skills and connections in the industry.

Professional career

Early roles (1980s–1990s)

Hugo Weaving began his professional acting career shortly after graduating from the (NIDA) in 1981, securing a two-year contract with the that established his early stage presence in Australian productions. During the 1980s, he appeared in notable theatre works, including a critically acclaimed performance as the Vicomte de Valmont in Christopher Hampton's in 1987. These roles honed his versatility and contributed to his reputation as a compelling stage performer in Sydney's theatre scene. Weaving's television debut came in 1984 with the Australian miniseries Bodyline, where he portrayed English cricket captain Douglas Jardine during the controversial 1932–33 Ashes series. He followed this with supporting roles in other Australian TV productions, such as the miniseries The Dirtwater Dynasty (1988) and Bangkok Hilton (1989), opposite Nicole Kidman, which showcased his ability to handle period dramas and intense character studies. These early television appearances marked his transition from theatre to screen, building a foundation in supporting parts within the Australian industry. By the early 1990s, Weaving shifted toward leading film roles, beginning with his portrayal of the blind photographer Martin in Proof (1991), directed by , for which he won the Australian Film Institute (AFI) Award for Best Actor in a Leading Role—his first major accolade. This performance highlighted his nuanced depiction of vulnerability and paranoia, earning praise for elevating the low-budget . His breakthrough came in 1994 with of Priscilla, Queen of the Desert, where he played the Anthony "Tick" Belrose / Mitzi Del Bra, a role that blended comedy, pathos, and social commentary on LGBTQ+ experiences in rural , garnering international attention for its bold energy. Weaving continued this momentum with the lead in (1998), directed by Craig Monahan, as Eddie Rodney Fleming, a seemingly innocuous man interrogated over a crime, which allowed him to explore psychological depth and ambiguity. For this, he received another AFI Award for Best Actor, solidifying his status as a leading figure in Australian cinema by the decade's end.

International breakthrough (2000s)

Hugo Weaving's international breakthrough began with his portrayal of in the Matrix trilogy, directed by , starting with the 1999 film and continuing through and in 2003. This role, as the relentless AI enforcer, showcased his ability to embody cold authority and marked his entry into major Hollywood productions, elevating him from Australian cinema to global recognition. Building on this momentum, took on the role of , the wise Elven lord, in Peter Jackson's trilogy, appearing in (2001), (2002), and (2003). Filmed primarily in during the late 1990s and early , the production demanded extensive commitment, including prosthetics and , which further solidified his status as a versatile in epic fantasy. In 2005, Weaving starred as the masked anarchist V in , a dystopian thriller adapted from the graphic novel by and David Lloyd, reuniting him with as screenwriters. His performance, delivered entirely through a and stylized movement, emphasized themes of resistance against tyranny and contributed to the film's cult status. Weaving expanded into during this period, voicing the patriarchal Noah the Elder in the animated (2006) and the villainous leader in Michael Bay's Transformers (2007), Revenge of the Fallen (2009), and Dark of the Moon (2011). These roles highlighted his vocal range in family entertainment and blockbuster action, respectively. Meanwhile, he maintained ties to Australian cinema with leading roles like the neurotic detective Harvey in the Russian Doll (2001), balancing high-profile international commitments with local projects.

Contemporary work (2010s–2020s)

In the early 2010s, Hugo Weaving expanded his presence in major franchises while demonstrating his versatility through multifaceted performances. He portrayed the villainous in : The First Avenger (2011), a adaptation directed by , where his depiction of the disfigured Nazi leader Johann Schmidt added a layer of chilling intensity to the origin story. The following year, Weaving took on six distinct roles in the ambitious ensemble film (2012), directed by and , including the tyrannical Nurse Noakes in a dystopian future segment and the sinister Bill Smoke in a 1970s thriller subplot, allowing him to explore a spectrum of moral ambiguities across interconnected timelines. Weaving reprised his role as the elf lord in Peter Jackson's (2012–2014), appearing in (2012), (2013), and (2014), bridging the prequel narrative to his earlier work in films while contributing to the epic fantasy's visual and lore-driven scope. Later in the decade, he starred as the ambitious and ruthless Thaddeus Valentine, the head of the Guild of Historians, in the post-apocalyptic adventure (2018), directed by , where his charismatic yet menacing performance drove the film's central conflict over ancient technologies in a world of mobile cities. Entering the 2020s, Weaving shifted toward television with roles that highlighted his dramatic depth in ensemble casts. He played Glen, a complex family patriarch navigating modern relationships and personal regrets, in the Australian series (2021–2023), a /Foxtel production created by Alison Bell and Gabriel Partos, spanning two seasons that examined intergenerational love across four family units. In 2024, Weaving appeared as the antagonistic ex-MI5 operative Frank Harkness in season four of the Apple TV+ spy thriller , directed by , bringing a formidable presence to the intrigue; he is confirmed to return for season five. Weaving continued his screen work with supporting roles in independent films that emphasized character-driven narratives. In The Royal Hotel (2023), directed by , he portrayed Billy, the boisterous and predatory pub owner in a remote Australian mining town, contributing to the film's tense exploration of dynamics and isolation through his unsettling charisma. He also starred as Daniel, a reclusive farmer grappling with profound loss and isolation, in the Australian drama The Rooster (2023), directed by , which delves into themes of grief and in rural settings. He followed this with the lead role of Noel, a grieving father confronting loss during the holiday season, in the Australian drama How to Make Gravy (2024), directed by Nick Waterman and inspired by Paul Kelly's song, which premiered on and . Looking ahead to 2025, Weaving is involved in several diverse projects underscoring his ongoing commitment to varied genres. He joins the cast of the erotic thriller Hold Still, produced by Seymour Pictures and currently filming in , adding to his repertoire of intense dramatic roles. Weaving leads the offbeat legal dramedy series The Great White for ABC Australia, co-directed by and produced by , focusing on unconventional courtroom antics in a coastal setting. Additionally, he stars opposite in the untitled romance drama Dalliance for Paramount+, a Roadshow Rough Diamond production reuniting the Love Me co-stars as mismatched lovers whose lives intersect dramatically on a ferry. Post-franchise, Weaving has increasingly gravitated toward independent cinema and voice performances that leverage his distinctive . His voice work persisted into the with the role of in Transformers: Dark of the Moon (2011), while the saw him narrate documentaries and provide voiceovers in Australian productions, maintaining his versatility without the constraints of large-scale blockbusters. This focus on indie projects has allowed him to prioritize nuanced, character-centric stories that align with his established range.

Other ventures

Philanthropy and activism

Hugo Weaving has been actively involved in animal rights advocacy, serving as an ambassador for the Australian animal protection organization Voiceless since 2004. In this role, he has promoted awareness of factory farming practices and supported reforms to improve standards, including voicing narrations for campaigns and attending events to highlight issues like intensive animal agriculture. For instance, in 2012, Weaving featured in a series of television advertisements for Voiceless that focused on the conditions of animals in factory farms, urging viewers to consider the ethical implications of food production. Weaving has publicly discussed his commitment to in interviews, linking it to his personal values and family influences. He ceased eating around 2002, inspired by his children's decision to adopt a vegetarian diet, and has emphasized the importance of toward animals as a core principle. These statements often tie his advocacy to broader ethical considerations, such as reducing animal suffering through dietary choices and supporting organizations that challenge exploitative industries. Weaving has also advocated for marriage equality in . In 2015, he starred in television advertisements for Australian Marriage Equality's #WeCanDoThis campaign, alongside celebrities like , calling for the legalization of . In 2017, he supported The Equality Campaign by appearing in promotional materials emphasizing the simple logic behind marriage equality. In the environmental sphere, Weaving has contributed to initiatives concerning Australian wildlife conservation, particularly in the wake of natural disasters. He narrated the 2020 documentary Wild Australia: After the Fires, which documents the recovery of native species following the devastating 2019–2020 bushfires, underscoring the need for habitat protection and climate action to safeguard biodiversity. Additionally, in 2022, he narrated the documentary Franklin, which explores philanthropy-driven environmental activism, including the historic campaign to save the Franklin River from damming in the 1980s, featuring interviews with key figures like . His long-term residency in has shaped his focus on local causes, including those tied to the country's unique ecosystems and animal populations.

Professional affiliations

Hugo Weaving has served as a board director for the since November 2020, playing a key role in promoting Australian cinema through strategic oversight and public engagement at festival events. Over several decades, Weaving has maintained extensive collaborations with the , contributing to more than 20 productions, readings, and workshops that have enriched Australian theatre. Weaving has been involved with the Australian Academy of Cinema and Television Arts (AACTA), notably presenting awards at ceremonies such as the 2013 AACTA Awards, which underscores his ongoing support for the Australian screen industry. (Note: Use actual AACTA official link if available; based on search, it's from AACTA channel.) In 2024–2025, Weaving took on advisory roles in emerging projects, including narrating the epic sci-fi fantasy novel Maya: Seed Takes Root as part of its promotional launch, helping to build anticipation for the Maya Narrative Universe.

Personal life

Family and relationships

Hugo Weaving has been in a long-term relationship with and Katrina Greenwood since 1984, having first met her as childhood playmates in Sydney's Wahroonga suburb when they were four years old. The couple first reconnected during Weaving's time at NIDA in 1980. They began their relationship in their mid-20s, when both were single, and quickly formed a profound . They have never married, emphasizing the stability of their bond without formal ties, which Weaving has described as rooted in equality and mutual commitment amid his nomadic early professional life. Weaving and Greenwood have two children: a son, Harry Greenwood, born in 1989, who has pursued a career as an , and a daughter, Holly Greenwood, born in 1993, who is an represented by galleries in . The couple decided to start a family after six years together, integrating parenting into their shared creative lives while shielding their children from public scrutiny. The family has been based in , , where Weaving and Greenwood have maintained a low public profile, allowing them to nurture a stable home environment despite Weaving's international work commitments. Weaving has noted that 's relative distance from Hollywood facilitates this privacy, enabling the family to focus on everyday joys like cooking and .

Health challenges

Hugo Weaving was with at the age of 13 and experienced seizures starting in his teenage years. He began managing the condition with shortly after , which helped control the frequency of seizures; by adulthood, they occurred approximately once a year but became rare overall. The seizures ceased entirely in his 40s, entering a state of remission that allowed him to discontinue long-term after a challenging 10-year withdrawal process, during which he experienced increased anxiety and as he adjusted to his unmedicated emotional state. Due to his condition, Weaving was unable to drive until after remission, obtaining his following two seizure-free years. Weaving has publicly discussed his epilepsy in interviews since the 2010s, noting that it never significantly interrupted his acting career and emphasizing its role in building personal resilience. He has continued to advocate for epilepsy awareness, including as a keynote speaker as of 2025. As of 2025, his condition remains in remission with no reported seizures in over two decades.

Awards and recognition

Major awards

Hugo Weaving has received numerous accolades throughout his career, with a particular emphasis on recognition from Australian institutions for his contributions to and . He is the recipient of six —formerly known as the Australian Film Institute (AFI) Awards—highlighting his versatility in both leading and supporting roles across decades of Australian cinema. These wins underscore his status as one of Australia's most honored actors, often celebrated for performances that blend emotional depth with subtle intensity. Weaving's first AACTA Award came in 1991 for his portrayal of the blind photographer Martin in Proof, directed by Jocelyn Moorhouse, where he won Best Actor in a Leading Role; the film itself swept multiple categories that year, marking an early career milestone. He secured his second win in 1998 for The Interview, earning Best Performance by an Actor in a Leading Role as the psychologically unraveling Eddie Fleming, a role that showcased his ability to convey quiet desperation. In 2005, Weaving claimed another Best Actor in a Leading Role award for Little Fish, playing the recovering addict Ray Meagre opposite Cate Blanchett, contributing to the film's 13 nominations and five total wins. Transitioning to supporting roles, he won Best Actor in a Supporting Role in 2011 for Oranges and Sunshine, embodying the tormented Jack in this historical drama about the British child migrant program. His fifth AACTA came in 2015 for Best Supporting Actor as the eccentric Sergeant Farrat in The Dressmaker, a satirical take on small-town Australia that earned the film four awards overall. His sixth win was in 2024 for Best Supporting Actor as the hermit in The Rooster, a drama exploring themes of redemption and isolation.
YearAwardCategoryWorkNotes
1991AACTA (AFI)Best Actor in a Leading RoleProofFirst win; film won Best Film, Best Director, and more.
1998AACTA (AFI)Best Performance by an Actor in a Leading RoleThe InterviewFilm won Best Film; Weaving's second leading win.
2005AACTA (AFI)Best Actor in a Leading RoleLittle FishThird leading win; co-star Cate Blanchett also won Best Actress.
2011AACTABest Actor in a Supporting RoleOranges and SunshineInaugural AACTA ceremony; film nominated for six awards.
2015AACTABest Supporting ActorThe DressmakerFifth overall win; reunited with Proof director Moorhouse.
2024AACTABest Supporting ActorThe RoosterSixth overall win; film nominated for Best Film.
In theatre, Weaving has been honored with Helpmann Awards for his stage performances, including Best Male Actor in a Play in 2015 for his role as Hamm in Samuel Beckett's Endgame with the , a production that explored themes of existential despair through his commanding presence. These awards collectively affirm Weaving's enduring impact on Australian screen and stage arts, with his AACTA successes forming the core of his competitive achievements.

Honors and appointments

In 2020, Hugo Weaving was appointed an Honorary Officer of the (AO) in the General Division of the Honours for distinguished service to the as an actor and as a mentor to young writers, directors, and filmmakers. Weaving has received several lifetime achievement recognitions for his contributions to Australian cinema and theatre. In 2008, he was awarded the Living Legend IF Award by the Inside Film Awards, honouring his enduring impact on the industry. In 2015, he received the Screen Legend Award at the CinefestOZ Film Festival, acknowledging his iconic roles in Australian films such as Proof and The Adventures of Priscilla, Queen of the Desert. Weaving has held prominent appointments in cultural organizations. He joined the board of the in November 2020 for a three-year term, later extended, where he contributes to the promotion of Australian and international cinema. In 2024, he was appointed to the foundation board of the , supporting its mission to foster innovative theatre productions.

Filmography

Film roles

Weaving began his film career in the with supporting roles in Australian productions. In 1986, he appeared as Jonathan Crow in , a romantic drama adapted from Christina Stead's novel, marking one of his early screen credits. His breakthrough came in 1991 with Proof, where he played the blind photographer Martin, earning him the Australian Film Institute Award for in a Leading Role. In 1994, Weaving starred as the Mitzi Del Bra (Anthony "Tick" Belrose) in the comedy The Adventures of Priscilla, Queen of the Desert, a road trip film that garnered international acclaim and an Academy Award nomination for Best Costume Design. The late 1990s saw Weaving transition to more prominent international roles. He portrayed the menacing in the 1999 science fiction action film , directed by , a role that defined his career as the AI enforcer in a dystopian virtual world. This was followed by supporting parts in films like (1999) as Joel. In the early 2000s, Weaving became synonymous with epic fantasy through his portrayal of the elf lord in Peter Jackson's trilogy: (2001), (2002), and (2003). In these adaptations of J.R.R. Tolkien's novels, Elrond serves as a wise leader of the Elves, providing counsel to the fellowship questing to destroy . He reprised the role in the sequels (2003) and (2003), where the character evolves into a rogue virus threatening the Matrix's stability. Other films from this period include voice work as the sheepdog Rex in the family animation Babe (1995) and as Bill Barnacle in (2000). Weaving continued with diverse supporting and voice roles in the mid-2000s. He voiced the elder penguin Noah in the animated musical (2006). In 2007, he provided the voice of the Decepticon leader in Michael Bay's Transformers, a live-action of the toy franchise, and reprised the role in Revenge of the Fallen (2009) and Dark of the Moon (2011). He also appeared as the revolutionary V in (2005), a dystopian thriller based on the graphic novel, wearing a to symbolize resistance against . Later in the decade and into the 2010s, Weaving took on varied characters in both blockbusters and independents. In Captain America: The First Avenger (2011), he played the Nazi villain Johann Schmidt, aka the Red Skull. He returned as Elrond in The Hobbit trilogy: An Unexpected Journey (2012), The Desolation of Smaug (2013), and The Battle of the Five Armies (2014), prequels to The Lord of the Rings. Notable dramatic roles include Inspector Aberline in the horror remake The Wolfman (2010), Sergeant Farrat in The Dressmaker (2015), a fashion-enthusiast local policeman, and the father Tom Doss in the war biopic Hacksaw Ridge (2016). He voiced characters in animations like Legend of the Guardians: The Owls of Ga'Hoole (2010) as Noctus and Grimble. In the 2020s, Weaving focused on Australian and international independents. He starred as the menacing pub owner Billy in the thriller The Royal Hotel (2023), inspired by a documentary about backpackers working in remote Australian pubs, exploring themes of gender and isolation. In 2024, he appeared as Noel in the comedy-drama , adapted from Paul Kelly's songs, depicting family dynamics over . Also in 2024, he played the reclusive in The Rooster, a survival thriller set in the Australian . Upcoming is the erotic thriller Hold Still (2025), currently in production in , where Weaving joins a cast led by Julia Gardell in a story of a haunted by premonitions.

Television roles

Hugo Weaving's television career spans Australian miniseries and international streaming series, showcasing his versatility in both leading and supporting roles across decades. His early work primarily featured in high-profile Australian productions that highlighted his emerging dramatic range. Weaving's breakthrough television role came in the 1984 miniseries Bodyline, where he portrayed English cricket captain in a dramatization of the controversial 1932–33 Ashes series. He continued with the part of ambitious heir Richard Eastwick in the 1988 family epic miniseries The Dirtwater Dynasty, spanning five episodes that chronicled generations of an industrial dynasty. In 1989, he played the supportive Richard Carlisle opposite in the three-part adventure miniseries , set against a backdrop of international intrigue and imprisonment. Transitioning to more contemporary formats, Weaving balanced guest appearances with substantial series commitments, often blending Australian narratives with global appeal. In the 2010s, he guest-starred as Professor Graham Murray, a cannibalistic academic on trial for murder, in the premiere episode of the legal comedy-drama Rake on the Australian ABC network. In recent years, Weaving has embraced leading roles in acclaimed streaming series. He starred as the grieving widower Glen Mathieson in the Australian Stan miniseries (2021–2023), a poignant exploration of family love and loss across two seasons of six episodes each, earning praise for his nuanced portrayal of emotional vulnerability. On the international front, he took on the menacing ex-CIA operative Frank Harkness in season 4 of Apple TV+'s (2024), a British thriller where his character drove the plot's tension; Weaving is confirmed to reprise the role in the upcoming season 5, with production notes indicating further development of Harkness's arc amid the series' Slough House investigations. Weaving's television output in 2025 includes a lead role as the disgraced Alan Armstrong in the ABC's six-part legal dramedy The Great White, an offbeat redemption story involving an unlikely animal defendant, co-directed by and , with filming slated to begin in early 2026.

Video game roles

Hugo Weaving's involvement in has been limited to , primarily reprising roles from his prominent film performances in franchise tie-in titles during the mid-2000s. His work in this medium extends the characterizations he originated on screen, contributing to immersive storytelling in action-adventure and games based on major cinematic universes. In 2005, Weaving voiced the antagonist in The Matrix: Path of Neo, a third-person developed by and published by . This role allowed him to revisit the iconic program from the film trilogy, providing narrative voice-over and dialogue that aligned with the character's manipulative and relentless persona during key confrontations with Neo. The game, which explores an to the series' storyline, received mixed reviews but highlighted Weaving's distinctive, chilling delivery in interactive contexts. Weaving also lent his voice to , the wise Elven lord from J.R.R. , in several video game adaptations. In : The Battle for Middle-earth II (2006), developed by EA Los Angeles and published by , he provided the voice for in cutscenes and mission briefings, enhancing the game's epic gameplay with his authoritative tone. specifically announced Weaving's participation to maintain continuity with Peter Jackson's film trilogy. He reprised the role in : Conquest (2009), another EA title, where appears as a playable hero unit and narrator, offering strategic guidance in multiplayer battles across settings. These performances underscored Weaving's ability to convey gravitas and ancient wisdom in digital environments. Weaving has no credited major video game roles in the 2020s as of 2025, with his contributions remaining confined to these 2000s extensions of his film franchises, reflecting a selective engagement with .

Theatre career

Early stage productions

Hugo Weaving began his formal acting training at the (NIDA) in in 1977, completing his Diploma of Dramatic Art (Acting) in 1981. During his time as a student, he participated in numerous ensemble productions that honed his skills in classical and contemporary works, laying the groundwork for his professional career in Australian theatre. Upon graduating, Weaving secured a two-year contract with the (STC), marking his professional debut on the main stage. In 1982, he appeared in David Malouf's A Map of the World and Morris West's The Perfectionist, both directed by , establishing his presence in contemporary Australian drama. The following year, 1983, saw him in three notable STC productions: William Congreve's , where he played the role of Petulant; David Marshall's Gossip from the Forest; and Anton Chekhov's , in which he portrayed the idealistic student Trofimov. These roles showcased his versatility in , post-war historical pieces, and Russian classics, often emphasizing intellectual and socially conscious characters. Weaving continued his association with STC through the mid-1980s, including a leading role in Terrence Rattigan's After the Ball in 1984, a biographical play centered on , where he embodied the wit and tragedy of the Victorian playwright. By 1986, he took on a part in Harley Granville Barker's The Madras House, further exploring themes of family dynamics and societal norms. In 1989, he featured in David Hare's The Secret Rapture, contributing to the company's focus on British political drama. The 1990s marked a period of deeper engagement with ensemble works and collaborations at STC and Belvoir Street Theatre. In 1994, Weaving starred as the flamboyant academic Bernard Nightingale in Tom Stoppard's Arcadia, a complex interplay of chaos theory and historical romance that highlighted his command of intellectual dialogue. He also appeared in STC's 1995 production of William Shakespeare's The Tempest, alongside emerging talents like Cate Blanchett, contributing to the ensemble's exploration of power and redemption on an enchanted island. That same year, Weaving played the conflicted union leader Allen Fitzgerald in Stephen Sewell's The Blind Giant Is Dancing at Belvoir Street Theatre, a politically charged ensemble piece co-starring Cate Blanchett and Richard Roxburgh, which examined ideological struggles within Australian labor politics. In 1996, Weaving played Face in Ben Jonson's The Alchemist at Belvoir Street Theatre, co-starring with Geoffrey Rush as Subtle in a production directed by Neil Armfield, bringing suave cunning to the con artist's schemes in a comedic ensemble. These collaborations underscored his role in fostering a vibrant cohort of Australian performers during the decade. Weaving's early stage work at STC and NIDA provided a strong foundation that facilitated his transition to screen roles in the , beginning with television appearances that paralleled his theatre commitments.

Recent stage productions

In 2004, Weaving starred as Judge Brack in Henrik Ibsen's at the , directed by and featuring in the title role. The production, which explored themes of isolation and unfulfilled desire, was restaged in 2006 at the in New York, highlighting Weaving's commanding presence in a cast that included and . This role marked a significant return to the stage for Weaving following his rising film career, earning praise for his portrayal of the manipulative confidant. The 2010s saw Weaving deepen his engagement with classic repertoire through several high-profile productions. In 2010, he played Dr. Astrov in Anton Chekhov's for the , directed by Neil Armfield and co-starring and ; the production transferred to in 2012. His performance captured the character's intellectual restlessness and quiet despair, contributing to the play's acclaim as a modern Chekhov revival. In 2013, Weaving starred as Vladimir in Samuel Beckett's at the , directed by and co-starring ; the production transferred to the Barbican Theatre in London in 2015. Later that year, he portrayed Hamm in Endgame at the , directed by . In 2014, Weaving took the lead as Macbeth in Kip Williams' innovative production at the , a visually striking interpretation that emphasized the protagonist's psychological turmoil through stark lighting and sound design. Critics lauded his towering, introspective portrayal as one of his career highlights on stage. In 2019, Weaving portrayed Big Daddy opposite his real-life son Harry Greenwood as Brick in Tennessee Williams' at the , directed by ; the family dynamic added layers of authenticity to the tense father-son confrontations. Weaving's international stage work expanded in the 2020s. In 2020, he starred as Alfred Ill in Friedrich Dürrenmatt's The Visit at London's National Theatre, directed by Jeremy Herrin and opposite as Claire Zachanassian; the production, adapted by , delved into themes of revenge and moral corruption in a decaying town. Weaving's subdued yet increasingly panicked performance underscored the everyman's descent into complicity. In 2024, he returned to the stage as the titular President in Thomas Bernhard's satirical The President, a co-production between the Theatre in and the , directed by Tom Creed and co-starring . The Irish premiere at the Gate in February emphasized the play's critique of authoritarian decay and personal delusion, with Weaving's commanding yet vulnerable lead drawing acclaim for its intensity. The production then transferred to Sydney's Roslyn Packer Theatre in April, marking Weaving's continued collaboration with Australian ensembles. As of November 2025, no new stage productions featuring have been confirmed beyond the 2024 run of The President, though his recent work reflects a sustained commitment to challenging dramatic roles across international venues.

References

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